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awearywritersworld · 6 months

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i was benevolent and good; misery made me a fiend

sukuna x reader summary: you persuade sukuna to play go fish. the two of you have a small disagreement (he really can't stay mad at you). he confides in you about his past as a sorcerer. w/c: 3.4k tags/warnings: the teeniest bit of angst. mostly fluff. banter. cursing. aged up!yuuji. slight yuuji x reader. not canon compliant. fem!reader. no use of y/n. no manga spoilers. a/n: the first section could be read as a brief(ish) stand alone. and for context, the world's shortest frankenstein synopsis: victor frankenstein brings a creature to life using dead body parts and thrusts him into a world he doesn't understand, then promptly abandons him and wishes him dead. alone and regarded as repulsive by every human he comes across, the creature begs frankenstein to create a wife for him too. when frankenstein refuses, the creature is further driven to hatred and violence. series masterlist // masterlist

"we should play a card game!" you exclaim as if you've just had the world's greatest idea.

"i'll pass."

sukuna sounds listless, like it's quite possibly the worst proposition he's ever heard.

"why's that? scared i'll beat you?"

"i'm opposed to mind numbing boredom, more like."

"you really need to expand your horizons," you suggest, making your way over to where you keep your playing cards. "all you do is read and brood."

"it's gotten me this far."

you don't respond, too busy rifling through your bookshelf. just as you spot your cards, a book catches your eye and you pull it from its place.

making your way back over to him, you drop it in his lap. "since you found jane eyre so insufferable, here's one you might actually like."

he surveys the cover, which reads: frankenstein or the modern prometheus

you take a seat across from him at the kotatsu table and shuffle the deck, while sukuna flips through the pages with new found intrigue.

"what's it about?"

"the dangers of playing god. should be right up your alley."

"your subtly never ceases to amaze."

"i'm just kidding." you laugh. "there's a lot more to it than that— revenge, loneliness, personal responsibility..."

he turns the book over. "it's written by a woman?"

you raise your eyebrows at him. "what, you don't think women have enough depth to write about those kinds of topics?"

"no, it was just an observation," he says off handedly. "you are evidence enough to the contrary."

he doesn't say it as a compliment, more so as a statement of fact. you hope your astonishment isn't written all over your face.

clearing your throat, you begin dealing while explaining the rules to him.

he takes up his cards and seems to understand the game after only a turn or two, but you're narrowing your eyes at him soon thereafter.

"go fish," he says for the fourth time in a row.

your gaze shifts down to his hands. there's just no way. "show me your cards."

"wouldn't that defeat the purpose of this stupid game?"

"not if you're cheating, now let me see."

"no."

you reach across the table, hoping to snatch them from his grasp, but he just holds them out of your reach.

swiftly rising to your feet, you launch yourself at him in a sad attempt to catch him off guard.

with only one arm extended, he easily fends off your attack. "do you actually think you have a chance here?"

you sink to your knees in defeat and sit with your legs folded beneath you. "not really, but i have to know if you'd stoop this low."

"that so? had you believed me to be above cheating?"

you gasp. "so you admit it?"

"i told you i didn't want to play," he deadpans.

"that doesn't mean you had to cheat! now we have to start over!"

he carelessly tosses the cards onto the table. "i don't think so."

"please?" you lean forward, jutting out your bottom lip.

he just stares at you with an air of disinterest.

sukuna can be so haughty sometimes, and frankly, it drives you a little crazy. you'd give anything to wipe that look from his face— to prove that he doesn't find this as miserable as he lets on.

leaning forward even further, your hands meet with the carpet to support your shifting weight. now he's watching intently as your face approaches his, your eyes flicking down to his lips.

unbeknownst to you, sukuna's breath catches in his throat once he sees your gaze shift, though his mind struggles to catch up. it happens so fast that he hardly registers the quick peck you place on his lips (though maybe it's not the speed of the occurrence, so much as his shock).

"please?" you repeat.

he looks off to the side and stays silent, though his demeanor is indicative of some heated internal debate.

sukuna can't let you win, not that easily. you'd be under the impression that you actually have power over him! and for what? some measly kiss?

no, he simply will not allow that. "i already told you—"

grabbing him by the chin, you cut off his words with another kiss, but this time it lasts a few beats longer. your lips don't move against his, they just linger there in a way that that makes him question whether all of the oxygen has vanished from the room.

when you pull away, you're looking at him expectantly with the same pout still playing on your lips.

"fine!" he barks, grumbling something afterwards that sounds a lot like "evil little minx."

"human earthworm two is definitely still the best."

you're walking home with yuuji after a late night showing of the newest movie in the series.

"no way," you contend. "this one was even better."

he gawks at you. "in no world is the seventh film in an anthology the best! you're crazy—"

sukuna's mouth appears, always eager for a chance to undermine his vessel. "she's right, brat."

yuuji can't believe his ears. "what?! you haven't even seen it!"

"i don't know," you interject slyly. "i'm willing to look past that. it really seems like he knows what he's talking about."

"you mean the guy who's existence predates cinema?" yuuji asks, his eyebrows furrowing as a thought occurs to him. "what'd you do all day anyway? watch plays?"

"..among other things, yes." sukuna answers.

"if you look at it logically," you reason, "we probably wouldn't have movies without theater, so we should definitely consider him an expert in this case."

"oh please, baby. when the topic is ancient civilization or being a homicidal maniac, i'll be sure to solicit his opinion then."

"i resent that," sukuna declares, his conviction forcing a giggle from your lips.

"why?" you question. "was it the part where he called you old as shit, or the part where he called you a murderous lunatic?"

yuuji brings a hand to his mouth to stifle a snort, but you're freely laughing now.

sukuna scoffs indignantly and bites back a comment about how partial you seem to be toward said lunatic. "and to think i defended your opinion."

his response has you clutching at your sides and struggling to see through teary eyes.

but perhaps karma is real, because not a moment later, you step off the curb in a way that sends a sharp sensation through your leg.

you gasp in pain and brace yourself for the impact of falling to the concrete, but it never comes. instead, you're left with fingers clamped tightly around your wrist and a strange sense of deja vu.

you turn your head just before the dark lines fade from yuuji's arm completely.

"tch, watch where you're going idiot," sukuna scolds, his mouth disappearing as soon as he finishes speaking.

"are you okay?" yuuji asks worriedly.

"absolutely," you claim, but when you try to put weight on your left foot, you let out a hiss.

yuuji's hands find your waist, hoping to keep you steady. before you know it, he's crouching in front of you with his back turned and beckoning you to wrap your arms around his neck.

once you do, he hooks his arms under your thighs and easily stands up. "this okay? you comfy?"

"yeah. i can't believe i just did that." you hide your face in the space where his neck meets his shoulder. "thanks, yu."

when you get home, yuuji sets you up on the couch with icepacks, heating pads, three different drinks, two different books, and the tv remote.

he still asks if you have everything you need several times, then kisses you sweetly before heading to bed.

around thirty minutes later, sukuna's leaning in the doorway with his arms crossed.

"hey," you greet. your eyes never leave the tv, as you're privy to the slight tension between the both of you.

he skips the evening's pleasantries. "i could heal it, you know."

you finally turn to face him. "really?"

"of course." he rolls his eyes. "some of us can actually use reverse cursed technique."

"and you've just let me hobble around the past hour anyway?"

he shrugs. "you pissed me off."

you blink at him a few times, rubbing at your temples. "well what about now?"

"i don't know," he begins, making his way over to you. he towers over where you're seated on the couch, so you have to crane your neck to look up at him. "just doesn't really seem like something a homicidal maniac would do, but maybe if he were to receive an apology..."

you cover your face with your hands and groan. "i didn't say that. this is really something you should take up with yuuji—"

"i don't make a habit of conversing with the brat, so if that's the way you're going to be..." he turns on his heel and starts for the bedroom, but you grab onto his sleeve just before he's out of reach.

"wait. please don't go."

just like that, your words have his resolve crumbling and any of his lingering irritation ebbs away. he urges himself to stay strong though, especially after the go fish debacle.

when he doesn't speak, you let out a breath.

"i'm sorry, sukuna." he can tell right away that you're being entirely sincere. "i would never purposefully hurt your feelings. i only meant to tease you, but i can see how i was being mean."

are those... are those tears swimming in your eyes? are you in that much pain, or did he just make you feel that badly? in any case, he endeavors to remedy it immediately.

moving around the couch until he's in front of you, sukuna kneels between your legs. he grabs your left foot gingerly, situating it on his thigh before hovering his hand over top of it.

he sighs. "i don't care if you tease me and you weren't being.. mean." the words sounds so juvenile to him.

you weren't necessarily wrong either, goes unsaid.

well, he'd like to consider himself a little more sophisticated than 'maniac' would imply, but that's beside the point.

"then why are you upset with me?"

his jaw flexes as he tries to find the right words. "i would prefer you do that when it's just.. us."

"oh." realization dawns on you, as does another heap of guilt. you know he despises being trapped in yuuji's body, and you completely failed to consider how ganging up on him might make him feel. "i'm... fuck. i'm really sorry, sukuna—"

"stop apologizing," he urges you in a low voice. it's partly because what he just said makes him feel pathetic, but more than that, it's because the look of self reproach you're wearing is akin to a thousand needles in his chest. "it's fine."

he can't believe you're sitting there with so much remorse over a man like him because you... what? wounded his pride?

he probably deserves it anyway.

why should you give a shit when he's done things a thousand times worse, a million different times?

oh, right. because you care about him.

you can't see the cursed energy at play, but you can tell it's working as your pain begins to dissipate.

once he's finished, he carefully moves your foot to the floor and looks up at you. it's not unlike the way a person might gaze at one of the wonders of the world, like they're lucky to be there in the first place.

with the intensity of his gaze, it feels like he can see right into your head— read your every thought and pick apart every emotion. has anyone ever looked at you like that before? you're having a hard time remembering. you're having a hard time thinking of anything at all, really.

so it goes without saying that you don't think about it when you lean forward and kiss him.

it's not at all like when you were trying to convince him to play cards. no, this isn't light hearted or frivolous.

and it's not like the other two kisses you've shared either. it isn't heated or desperate, nor does it leave you gasping for air.

it's tender. it's so fucking tender, in fact, that sukuna wonders whether he's going to crumble beneath your touch.

he grips the area just above your knees, as if needing something to tether himself to before he withers away completely.

his lips move with yours in a way that's slow and careful.

your hands are on either side of his face, ghosting over his skin as a testament to your hesitance— like you're not certain if this is something he would want.

he wonders how in the world you could ever second guess yourself.

when you pull back, you examine his face for a moment before a small, shy smile tugs at your lips and you murmur, "thanks 'kuna."

he just peers at you wordlessly and it makes you nervous, so you attempt to fill the silence. "it feels so much better. a-and i'm sorry again abo—"

his hand finds the back of your neck, pulling your lips against his for a moment longer. "don't mention it, angel."

ever since you gave sukuna your copy of frankenstein, he's spent a decent portion of your nights together reading, his brows drawn together in concentration.

upon finishing, he stares at the page after taking in the final line: "he was soon borne away by the waves and lost in darkness and distance."

he's deathly quiet and wearing some unreadable expression. his eyes seem far off.

you leave him be for a little while, as it's clear he's lost in thought, but eventually you grow a bit concerned. it's been nearly half an hour since he last moved.

"sukuna?"

he turns to you. "why did you think i would enjoy this particular book?"

you consider his question carefully, his mood evoking your own seriousness. "it's... elegant and tragic. i suppose i appreciate the moral grayness of it. why do you ask?"

"no reason."

"did you enjoy it?"

"yes."

"why?"

he ignores your question. "frankenstein— do you like his character?"

you can't help but feel like you're answering some sort of riddle. "i think he's foolish and arrogant, but i guess i pity him to some degree."

"and the creature?"

"i'm much more sympathetic toward him. he's very... complex and certainly less culpable for the events of the novel than his creator."

you're surprised when he laughs. "of course you would think that way."

and with that, he's flipping through the pages of the novel. you move to sit beside him and once he finds what he's looking for near the middle, he begins reading:

"remember, thou hast made me more powerful than thyself; my height is superior to thine, my joints more supple. but i will not be tempted to set myself in opposition to thee. i am thy creature, and i will be even mild and docile to my natural lord and king if thou wilt also perform thy part, the which thou owest me. oh, frankenstein, be not equitable to every other and trample upon me alone, to whom thy justice, and even thy clemency and affection, is most due. remember that i am thy creature; i ought to be thy adam, but i am rather the fallen angel, whom thou drivest from joy for no misdeed. everywhere i see bliss, from which i alone am irrevocably excluded. i was benevolent and good; misery made me a fiend. make me happy, and i shall again be virtuous.”

his voice is strangely even, almost bordering on robotic. you're struck with the notion that he's attempting (with rare difficulty) to mask his emotions.

you regard him quizzically and wait for him to speak. the last thing you expect to hear tumbles from his lips.

"you know they called me the disgraced one?" you nod. "do you know why?"

"i know the story that sorcerers have passed down."

he hums. leaning back into the couch, he looks fixedly at the ceiling before continuing. "i was just a boy when i was orphaned and no one knew anything about my heritage, including me. jujutsu society took me in and raised me as a sorcerer."

"and you didn't care for it?"

"oh, quite the opposite. i reveled in it. my strength was unprecedented, that much was clear from the start. i surpassed my teachers with ease, and eventually, i took to training alone— reading primitive texts and honing skills that they couldn't teach me."

your hand finds his thigh, hoping to offer him some consolation before beckoning him to continue. "then what happened?"

"the men who had been my teachers, who had been the only.. family i'd ever known.. they scorned me. deemed me reckless and dangerous to jujutsu society. plotted my demise."

your voice is small when you ask, "were they right?"

he wants to hate the question— wants to hate you for asking it— but he knows that it's warranted.

"no. i admit i was forward thinking and a bit.. unorthodox, but i wasn't..."

"what they thought you were?" you offer gently.

he nods. "not until they made me that way— not until they abandoned me and backed me into a corner like some animal."

you struggle to find the right thing to say, if any such thing even exists. you're amazed that he's confiding in you, and while it makes your heart swell, you really don't want to fuck it up.

he looks back down at the book, his eyes scanning the paragraph before repeating, "i was benevolent and good; misery made me a fiend."

he says it as if he's coming to terms with the circumstances of his life for the very first time.

"the creature was remorseful at the end of the novel," you recall somewhat bravely. "are you?"

sukuna thinks for a great deal of time before replying. you wait patiently for him.

"no," he answers decidedly.

looking over at you for the first time since he began his story, he's relieved to find your face is free of rebuke. instead, there's a warm willingness to understand him. a sadness because of the way he was alienated.

he's curious whether anyone would be able to read the sentiment on your face, or if he just knows you better than most.

is that a privilege he's worthy of? he doubts it.

"you didn't deserve what they did to you," you whisper, reaching up to rake your fingers through his hair, nails grazing his scalp before your palm rests against his temple.

his head leans almost imperceptibly into your hand, and any regret or unease he may have felt at relaying his past to you disappears. watching a single tear slip down your cheek, he wipes it away with the pad of his thumb.

he means to say "don't cry. not for me," but the words die in his throat.

for once, your tears are for him rather than because of him and it's utterly riveting. the fact that someone like you would cry on his behalf seems to contradict every horrible thing he's ever been told about himself.

he could sit here and bask in the feeling forever— he's always known himself to be selfish after all. and you know it too, don't you?

his eyes flicker between each of yours, studying your face. "do you want to know why i don't regret the things i've done?"

you tilt your head to the side. "why?"

"because even if it's made me into a monster..."

for a moment, he contemplates not saying anything more. he considers forcing himself to pull away from your touch, even if it's the only comfort he's been given his entire life. he might still be able to salvage whatever tiny, laughable pieces remain of his pride—

"all of my actions have led me to you."

your eyes soften before you're wrapping your arms around his neck and pressing your body to his. he returns the gesture after a few seconds pass.

you know he's awful. you know he's cruel. you know that what he's been through doesn't excuse his actions. but still— you want so desperately to take away his pain. to make up for all the things in his past. to wipe the blood from his hands.

as you embrace such an incredibly complicated man (one who is infamous for unrivaled wickedness, yet has his face buried in your hair), you ponder the creature's plea: "make me happy, and i shall again be virtuous."

a/n 2: if you're still w me, thanks for reading!! i'm not sure how i feel abt this part, so feedback is both welcome and appreciated!! also, how do we like sukuna using angel?? in my head he picked it up from the "my good angel" line in jane eyre, so i hope it doesn't seem too unnatural. alsoooo, highly recommend frankenstein. it's one of my favorite books!! mary shelley popped off and literally created the entire genre of science fiction at 21! anyway, thanks for all the love yall, it means the world<3

taglist: @96jnie @ay0nha @sad-darksoul @bbysatoruuu @luciiferian @risuola @lirasmoon @disaster-rose @archivist-ghoul606 @creative1writings @sloppyzengarden @omismicrowave @cecesharktales @tanyeonn @hiqhkey @ruixrei @yellowsubiesdance @thefallofruins @anything-and-everything-here69 @emzalot @thepup356 @browneyedgirl22 @lantsovheiress // users in bold could not be tagged. if i forgot to tag anyone, my apologies!! just give me a heads up.

#m!writes #sukuna #sukuna x reader #sukuna imagines #sukuna fluff #ryomen sukuna #ryomen sukuna x reader #ryomen sukuna imagines #ryomen sukuna fluff #jujutsu kaisen #jujutsu kaisen x reader #jujutsu kaisen imagines #jujutsu kaisen fluff #jjk #jjk x reader #jjk imagines #jjk fluff

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gcssolution · 2 years

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linkspooky · 13 days

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SHIGARAKI VS. YUBEL: HOW TO SAVE YOUR VILLAIN

The failure of Deku to save Shigaraki isn’t just a tragic conclusion for Shigaraki’s arc, it’s also My Hero Academia failing as a story. When I say the story failed, I mean the story has failed to answer any of the questions it asked its audience. It’s themes, character arcs, everything that communicates the meaning of the story to the audience is no longer clear.

Saving Shigaraki was the central goal of not only the story itself, but the main character Deku. By failing in its goal you can’t call this a good ending. In order to illustrate why this goal of saving the villain is so important to both Deku’s character and the central idea of MHA, I’m going to provide a positive example in Yu-Gi-Oh GX were the main character Judai successfully saves their villain. One of these stories fails, and the other succeeds. I will illustrate why under the cut.

BROKEN THEMES = BROKEN STORY

When artists draw they have to consider things like perspective, anatomy, shading, light, coloring. Drawing has rules, and it’s hard to produce good art without knowing these rules beforehand. If I draw something that has bad anatomy, you can criticize me for that.

Writing has rules, just like drawing. The rules of storytelling are important because writing is an act of communication. You can write whatever you want, just like how you can draw whatever you want, but if you break the rules the audience won’t understand what you are trying to communicate.

When I refer to MHA as a broken story, I am referring to the fact that it has broken the rules of storytelling. As this youtuber explains.

“I guess we should first define what broke and broken even means in this context. Has the story turned into an unintelligible mess? Not really. Value judgements aside, the narrative is still functional and fulfills the criteria of being a story. So how can a story that still functions be broken? Maybe to you it cannot. But to me a story that is still functional isn’t enough. What I mean when I say MHA is broken is that it’s lost something crucial. A codifying style of structure, pacing and payoff that until a certain point was the core of its identity.”

I could launch into a long-winded explanation of what themes are, but for the sake of simplicity I like to define themes in terms of “Ask, and answer.” The author asks a question to the audience, and then by the end of the story provides an answer. The audience is also invited to come up with their own answer which prompts them to think about the story on a deeper level. The question both MHA and GX are asking both its main characters and the audience is “Can you save the villain?” with the additional complicated question of “Should you save the villain?” This post will detail how both stories go about answering those two questions, and more importantly why those answers matter for the story.

With Great Power… You know the rest.

My Hero Academia and Yu-Gi-Oh Gx are actually similar stories once you get past their superficial differences. MHA is a story with way better worldbuilding, compared to a society where everything revolves around the trading card game, and people go to school to be better at a trading card game.

However, if you get past that. They are both bildungsroman, stories about the main characters growing up into adults. They both have an academy setting where the goal is for the main character to graduate and enter the adult world. They are both shonen manga. GX is the sequel of Yu-Gi-Oh a manga that ran in Shonen Jump the exact same magazine as MHA. The biggest point of comparison is their main characters, who both start out as young and naive who are driven by their admiration of heroes. Deku is a fan of All Might who wants to become a hero despite not having a quirk, because he loves All might who saves everyone with a smile. Judai’s entire deck archetype revolves around “Elemental Heroes’ and later “Neo-Spacians” who are all based on popular sentai heroes like ultraman.

The central arc for both characters is to grow up. Growing up for both of them not only requires figuring out what kind of adult they want to be, but also what kind of hero they want to be.

Now I’m going to drastically oversimplify what a character arc is.

A character arc first starts out with the character being wrong. Being wrong is essential because if the character is right from the beginning, then there’s no point in telling the story. A character often holds the wrong idea about the world, or has some sort of flaw that hinders their growth. The narrative then needs to challenge them on that flaw. It usually sets up some kind of goal or win condition. That flaw gets in the way of a character “winning” or achieving their goal, so they need to fix that flaw first. If their ideals are wrong, then they need to think about what the right ideals are. If they’re too childish, they need to grow up. If they have unhealthy behaviors or coping mechanisms, they need to unlearn it and require better ones. Otherwise, that flaw will keep sabotaging them until the end.

I’m borrowing the word “win condition” from class1akids here because it’s an incredibly appropriate terminology. Midoriya needs to do “x” in order to win, otherwise this victory doesn’t feel earned. The “x” in this case is usually character development. As I said before, a story where the main character hasn’t changed from beginning to end feels pointless. Especially in Deku’s case, he was already a brave, strong hero who would charge right into battle and defeat the bad guys in chapter one, so him defeating Shigaraki in a fist fight doesn’t represent a change.

The story sets up not only “What does the hero need to do to win?” but also “How does the hero need to change in order to win?” A character either meets these requirements before the end of the story, or they don’t and usually this results in a negative ending.

MHA in its first half quite clearly set up both the final conflict of saving the villains, and also that saving the villains is its “win conditions.” The hero shouldn't be allowed to win without first fixing this flaw.

From this panel onward the central question Deku is forced to answer shifts from “Am I strong enough to defeat ShigarakI” to “Can I save Shigaraki?” However, much earlier than that All Might goes on to basically set up the win conditions of what makes the ultimate hero as someone who “Saves by winning, and wins by saving.”

All might: You can become the ultimate heroes. Ones who save by winning, and win by saving.

Therefore the story has set it’s criteria for what kind of hero Deku needs to become. If he wins without saving, then he’s failed to become what the series has set up as the Ultimate Hero.

Shigaraki and Yubel aren’t just narrative obstacles, or boss monsters to be killed like in a video game. They are narrative challenges, which means that the character can’t grow in any way if they don’t answer the challenge presented by the characters. They are villains who actively resist being saved, to provide a challenge for two heroes who define their heroism by saving others. The challenge they pose adds a third question to the story and the main characters.

"Can I save the villain?"

"Should I save the villain?"

"If I don't save the villain, then can I really call myself a hero?"

In other words the decision they make in saving, or not saving their final antagonist defines what kind of hero they are. In Deku’s case it’s even more critical he defines what hero he wants to be because the MHA is also a generational story, and several of the kids are asked to prove how exactly this generation of heroes is going to surpass the last one. The kids growing physically stronger than the last generation isn’t a satisfactory answer, Deku getting strong enough to punch Shigaraki hard is not a satisfactory answer, because we are reading a story and not watching a boxing match.

I’m going to focus on the last two questions though for a moment. Many people who argue against saving villains like Shigaraki argue he is a mass murderer and therefore isn’t worthy of salvation. However, the act of saving Shigaraki isn’t a reflection of Shigaraki himself, but rather the kind of hero Deku wants to be. It all boils down to Spiderman. In the opening issue of Spiderman, teenage Peter Parker is bitten by a radioactive spider and suddenly gains super strength, the ability to stick to walls along with other powers. However, being a teenager he uses these powers selfishly at first. He doesn’t feel the obligation to use his powers for other people, and therefore when he sees a robbery happening right in front of him he lets the robber go. However, because he lets the robber go, the robber then attempts to hijack a car and kills his Uncle Ben in the process. If Spiderman had stopped the robber then he might have prevented that from happening. He had the power to stop the robber, but he didn’t feel responsible or obligated to save other people. As a result Uncle Ben dies. It’s not enough to have power, ti’s how you use that power that reflects who you are, therefore: “with great power comes great responsibility.”

The choice to save Shigaraki actually has little to do with whether or not Shigaraki is redeemable, but rather how Deku chooses to use his power, and what he thinks he is responsible for reflects who Deku is as a person. Deku himself also clearly outlines how he wants to use his power, that One for All is a power for saving, and not killing.

How he uses his power reflects Deku’s ideal in saving others, and therefore if he doesnt use his power to save, then he’s failed to live up to his ideals. It's not whether it's morally right to save a murderer like Shigaraki, but rather the way Deku wants to choose to use his power. It's about whether he feels the responsibility to save others.

Judai explores an incredibly similar arc to Deku. They are basically both asked what kind of responsibilities a hero is supposed to have, which is also a metaphor for growing up to handle the responsibilities of adulthood. As both characters start out with incredibly naive and childish ideas about what a hero is. Therefore realizing what a hero is responsible for is key to them growing as a character. However, Judai is different from Deku. In some ways he’s more like Bakugo. Judai is a prodigy who’s naturally good at dueling. He doesn’t duel to save others, but rather because duels are fun and he’s good at it. He’s very much like Bakugo, who admired All Might as a hero just as much as Deku did, but admired the fact that he was strong and always won rather than he saved others.

However, I would say both Deku and Judai are questioning what a hero is responsible for. They are both asking if they have the responsibility to use their power to save others. If they have to fight for other people, just because they have power. His first big challenge as a character comes from Edo Phoenix, who calls out Judai for not thinking through what it means to be a hero, and what responsibilities heroes carry. Judai duels because he thinks it’s fun. He will show up to duel to help his friends, but that’s because he’s the most powerful person in the group. Even then it’s because he finds fighting strong opponents to be enjoyable. Bakugo will beat up a villain, but for him it’s more about winning then if the action will save someone or not.

Judai is more often than not pushed into the role of being a hero, he doesn’t play the hero because he’s a particularly selfless person, and he’ll often avoid responsibility if not forced. He has power but no sense of responsibility and the narrative calls them out as a problem.

Edo: Can you even fathom that, Judai?

For Judai, he can’t understand the responsibility of being a hero. For Deku, he idealizes heroes so much he can’t understand that there are people out there the heroes have failed to save. These two callouts towards Deku and Judai are discussing similar because they’re both discussing where a hero’s responsibilities lie. Is a hero responsible for saving everyone? Is someone strong like Judai responsible for using their strength to help other people?

Judai’s arc continues into the third season where he’s not shown to just be naive but ignorant. He’s not just childish, he actively resists growing up because he doesn’t want to take on adult responsibilities.

THe same way that Deku just decides not to think about whether or not All Might failed to save people in the panels above. However, in Judai's case he's actively called out for his choice to remain ignorant.

Satou: Now, which one is at fault? Judai: Isn’t it the guy who saw it, but didn’t pick it up. Satou: Not quite. If one is aware of the trash that fell, it may be picked up someday. But there is no possibility fo the unaware one ever picking it up. Judai-kun you are the foolish one unaware of the trash that has fallen. Judai: Are you calling me out for how I am? Satou: Your behavior towards me was atrocious. The worst was attending class only for credit, even if you were there you only slept. Judai: Yeah, I know. I was all bad, but it wasn’t that big a- Satou: It is important. You see, one by one, the students inspired by your attitude were losing their motivation. Now if you were a mediocre duelist, then this would not be an issue. Satou: However, you are the same hero who defeated the three mythic demons. Every single student in the academy admires you. You should have been a model for this academy. Judai: Me, a role model? Are you kidding? I just do whatever I feel like doing. Satou: Great power comes with great responsibility. Yet, as you remain unaware of that, you’ve spread your lethargy and self-indulgence.

seems like a minor issue, but look how Judai responds to the accusations. “I just do whatever I feel like doing.” Satou is arguing that Judai should pay attention to the influence he has on others because of his power, because how he chooses to use that power affects others. However, Judai chooses to actively not look at the consequences of his actions because he doesn’t want to take on that level of responsibility, and therefore he’s looking away from the trash.

While it seems like it doesn’t matter in Satou’s specific example, not thinking of the consequences, or how you use your power can have unexpected consequences. Spiderman doesn’t feel like it’s his responsibility to stop a bank robber, and that bank robber shoots his uncle. You could still argue it’s not Spiderman’s responsibility to stop every crime in the world, and I guess no one owes anyone anything from that point of view - but Spiderman failing to act responsibility had the consequence of directly hurting someone else.

Spiderman has to live with that consequence because it was his own Uncle that was hurt. This is where we really reach the duality of Judai.

In GX, Judai is, symbolically speaking, The Fool of the Tarot Deck, the Novice Alchemist — a person brimming with infinite potential, yet one who is also supremely ignorant, who walks forward with his eyes closed and often unknowingly causes harm in his great ignorance. In this, he is very much the embodiment of the faults we most commonly associate with teenagers — selfishness, recklessness, shallowness, a lack of dedication or empathy when it’s most needed. Like most people, he has good traits that work to balance out some of the above, but his narrative path through GX ends up being that of the flawed hero undone by his faults — and then that of the atoner, the repentant sinner. In his case, the mistakes of his teenage years are the catalyst for his growth from a boy into a man burdened with duty and purpose. Judai is someone with infinite potential, with great power, but also ignorant on how he should use that power, and that makes him an incredibly flawed hero who needs to learn how that power should be used.

Deku similarly exists in a society where heroes deliberately turn a blind eye to the suffering of a certain type of victim. Shigaraki’s speech heavily resmebles Satou’s speech about garbage on the side of the road.

Shigarali: "For generations you pretended not to see those you coudln't protect and swept their pain under the rug. It's tainted everything you've built."

Deku shares Judai’s ignorance, because he’s not only a part of a system that doesn’t even see trash on the side of the road, but he also worships heroes so much that he’s incapable of criticizing them. If Deku saw the flaws of heroes, but at first didn’t have the courage to speak out, but eventually gained the courage that would be one thing. However, if he doesn’t see the flaws of heroes, then the problem will never be fixed.

There are also consequences for both Judai and Deku failing to use their powers responsibly. These consequences take the form of the villains who came about because of all of society’s ignorance to the suffering of victims (Shigaraki) and because of the main character’s ignorance to their suffering (Yubel). Shigaraki and Yubel are also explicitly victims that the heroes failed to save, turned into villains who are active threats to the heroes.

Should I save the villain?

The answer is yes, because the decision to save is reflective of the kind of hero each character wants to be. Each story clearly sets up that Deku and Judai aren’t punisher style heroes who shoot their villains, they are being set up as heroes who save. Deku needs to “save by winning.” As for Judai, a big deal is made of Judai’s admiration for another character Johan who represents a more idealistic kind of hero. Johan unlike Judai is someone who duels with a purpose, something Judai outright says he admires because he’s empty in comparison.

Judai: Johan what have you been dueling for? See, it’s about fun for me… Well, for the surprise and happiness too. I guess I do do it for the fun. Sorry, I guess I put you on the spot by asking out of nowhere. Johan: What’s this about Judai? Judai: It’s nothing. Johan: I suppose there is one goal I have. Johan: Even if someone doesn’t have the power to see spirits, they can still form a bond with a spirit. That’s why I do it for people like him. [...] Johan: I'll fight for everyone who believes in me, and I'll do it with my Duel Monsters. Judai: I'm jealous you've got feelings like those in you.

Becoming a hero who uses their power to help others isn’t just a goal the story sets for Judai, it’s a goal that Judai sets for himself because of his admiration for Johan. Johan represents the idealistic hero Judai wants to be, but is also held back from because of his personality flaws. Johan represents the kind of heroic ideal that Deku is aspiring to be.

Johan’s ultimate goal isn’t punishing the wicked, but to use his power to save others.

Johan: Judai, it was my dream to save everyone through my dueling!

The story sets up the idea that it’s not enough for Judai to simply be strong, he’s also challenged to become a savior who uses his power to help others like Johan. Deku needs to “save by winning” and Judai needs to “Save everyone through his dueling.” However, Johan also adds another condition to what saving means. His idea of saving isn’t to defeat a villain, but rather his dream is to help connect spirits and humans together, even if there are humans who can’t see spirits. Johan doesn’t save people with the power of physical force, but rather the power of human connection.

Should I save the villain?

Here the answer is "Yes", because wants to become more like Johan someone who uses their power to help others not just for themselves. Then we reach the third question

If I don't save the villain, can I really call myself a hero?

It once again comes to power and responsibility. Heroes have great power, and they are responsible in how they use that power, if they use it irresponsibly then there are consequences. Shigaraki wants to destroy hero society, because the heroes irresponsibly use their power to turn a blind eye to everyone’s suffering.

People suffer when heroes fail to live up to their responsibilities. The entire conflict of season 3 is created by Judai failing to save Yubel. If Judai had helped Yubel when they most needed it, instead of abandoning them, then Yubel would never have been twisted by the light of destruction, would never have attempted to teleport the school to another dimension, would never have attacked all of JUdai’s friends.

These consequences matter. Deku can turn his eyes away from Shigaraki’s suffering, but let’s say a hero failed to stop a robbery, or rather he didn’t even try, and because of that his mom was shot and died in the street. Would Deku consider the man who failed to stop a bank robbery a hero? When Spiderman let a bank robber go instead of trying to stop him, was he being a hero in that moment? Both the stories and the characters themselves have defined heroes as people who use their powers to save others, therefore if Judai and Yubel fail to save their villains then they can’t be called heroes by the story’s own definition. Now let’s finally return to the question of "Can I save the villain?"

Was there ever someone you couldn’t save?

m going to start with Yu-Gi-Oh Gx as a positive example of how to save your villain. Gx works for two reasons. One, it’s established from the start that Yubel isn’t beyond salvation, and two, it makes it so Judai can’t win without saving Yubel. The conflict of the story does not end until Judai makes the decision to save Yubel. In some ways the writing is even stronger because Judai is directly responsible for the pain and suffering that Yubel went through that turned them into a villain in the first place. Yubel isn’t just a victim, they’re specifically Judai’s victim.

Yubel is a duel spirit who is also essentially Judai’s childhood friend. A duel spirit just like the kind that Johan wants to save. During their childhood Yubel got too overprotective of Judai, and started to curse his friends for making him cry or upsetting him in any way. Until everyone Judai’s age started avoiding him and Judai became all alone with only Yubel for company. Judai’s decision was to abandon Yubel at that time. He took the yubel card and shot them into space, hoping that being bathed in space rays will somehow “fix” what was wrong with them. I know that’s silly but just go with it. Judai abandoning Yubel had the unintended consequence of Yubel being subjected to the light of destruction, a corrupting light that subjected Yubel to years of pain. This pain literally takes the form of Yubel burning alive.

Yubel connected to his dreams called out for Judai every night, only for Judai’s parents to give him surgery that repressed his memories of Yubel causing him to forget them entirely. Yubel then spent the next ten years alone in space, continuously subjected to painful torture, with their cries for help being ignored.

"I was suffering even as you came to forget about me..."

Yubel is then met with the question of how can Judai treat them this way if they loved him so much? As from Yubel’s perspective, they’ve only ever tried to protect Judai, only for Judai to not only throw them away, but subject them to painful torture and ignore their cries for help. Judai effectively moves on with his life, goes to duel academy, makes friends while Yubel is left to suffer in silence all but forgotten. This is where Judai’s ignorance has serious plot consequences.

It’s not just the pain that Yubel endured that made them snap. It’s that their pain went ignored.

Yubel holds out the faint hope that Judai will answer their calls fro help until they finally burn up upon re-entry into earth’s orbit. At which point they’re left as nothing more than a single hand crawling on the ground. Yubel who cannot fathom why Judai would cause them so much pain, and then forget about them, convinces themselves that Judai must be causing them pain, BECAUSE he loves them.

But you see, I couldn't possibly forget about you in the time that I've suffered...

Judai is allowed to move on with his life, to make friends, to spend the next ten years doing so while Yubel is subjected to ten years of agony. When they finally escape their painful torment, they see all the friends Judai has made while they’re left alone and forgotten. However, Yubel’s goal isn’t revenge. Rather, it’s to make Judai share and recognize their pain. WHich is why I said it’s not the fact that they were made to suffer, but their suffering is ignored. Yubel’s entire philosophy revolves around the idea that sharing pain is an expression of love, and that they and Judai share their love for each other by hurting each other.

"That's why I sought to fill all those linked to you, your world, with both sadness and anguish..."

For Yubel, making all of Judai’s friends suffer and Judai themselves suffer is a way of making them and Judai equals again. They want to show “their love” for Judai, but it’s more about forcing Judai to recognize the pain he’s caused them by forcing him through the same pain. Yubel’s philosophy of sharing pain is actually a twisted form of empathy.

They’re not entirely wrong either, that even people who love each other can cause each other pain, and that if one person is suffering alone in a relationship or the suffering is one-sided then there’s something wrong with that relationship.

Yubel: I get it now… You weren’t in love, with Echo. Yubel: No.. you may have loved her just enough to clear the conditions in palace for you to control Exodia, but the you didn’t truly love each other. Yubel: You were only unfairly hurting her, while you stayed unharmed. You wouldn’t suffer. You wouldn’t suffer. You wouldn’t be in pain. Amon: What are you getting at? Yubel: I’ve been hurt! I’ve suffered! I’ve been in pain. That’s why I’m making JUdai feel the same things I did!

Yubel’s twisted theory of love, is a pretty thinly veiled cry for empathy.

They break out into tears when talking to Amon about the way they’ve hurt and suffered. They clearly state upfront that their goal is for Judai to recognize their love. One of the first things they say to Judai is a plea for Judai to remember them.

Yubel is presented as a very human character suffering through a lot of pain throughout their entire villai arc, they break down into tears multiple times, they cry out in agony, they're visibly suffering and you see their mental walls begin to break down when Judai denies them any empathy.

Yubel is actually incredibly clear and straightforward about their desire to be saved by Judai. However, Judai doesn’t lift a single finger to help Yubel the entire arc, even though they themselves admit they are directly responsible for Yubel’s suffering but they helped create who they are today.

Judai plunges into a different dimension and gives up everything to save someone, but it’s Johan, not Yubel they try to save. You have Johan, the perfect friend, and perfect victim that Judai gets obsessed over and will not stop at anything to save, and then you have Yubel, the imperfect victim that is actively harming Judai and all of his friends that Judai chooses to ignore. The whole season Judai only focuses on saving the perfect victim Johan, and this is clearly shown to be a flaw. Judai doesn’t just ignore Yubel to save Johan, he also ignores every single one of his friends.

Judai only caring about saving Johan, and deliberately ignoring and abandoning the friends who came with him to help, essentially abandoning them the way he did Yubel leads to another consequence. After he abandons them they get captured, rounded up, and actually die and become human sacrifices.

Losing his friends, causes Judai to snap. Judai becomes the supreme king and decides power is all that matters; he starts killing duel spirits en masse in order to forge the super polymerization card. Which means being left alone, suffering alone, being abandoned by everyone causes Judai to snap the exact same way that Yubel did.

In fact Judai is only saved from his darkest moment, because two of his friends sacrifice their lives, trying to get through to him and appeal to his humanity. At that point Judai’s friends could have just chosen to put him down like a mad dog, to punish him for the amount of people he’s killed, but instead they try to save him because of their friendship.

I just want to save my friend. That is all.

By the time Judai is facing Yubel in their final fight, Judai doesn’t have the moral highground against Yubel in any way whatsoever. They’ve both lashed out because of the pain they endured and killed countless people in the process of lashing out. The only real difference between them is that Judai is lucky. He had friends to support him at his lowest point, while Yubel didn’t. Does Judai learn from Jim’s example, and go out of their way to save Yubel the same way they were saved because Yubel is still a friend? Nope, Judai tries to kill Yubel at this point.

I made a lot of friends... And they all taught me something… real love is wide enough, large enough and deep enough to fill the universe. Your so-called love is only a conceited delusion.

Like, Judai, sweetie baby honey darling. How was Yubel supposed to make friends when they were floating in the empty void of space?

Judai hasn’t learned, they are still ignorant, and still turn a blind eye to Yubel’s suffering. After all if his love is wide enough, large enough,and deep enough to fill the universe then why don’t thy have any room in their heart whatsoever for empathizing with Yubel?

Judai making friends while Yubel was trapped in space doesn’t make Judai a better person than Yubel, it makes Judai lucky. Judai doesn’t even appreciate that luck, because he treats his friends like garbage. It’s not about whether Yubel is worthy of salvation, because Judai is a mass murderer and his friends still went to great lengths to save them anyway. It’s that Judai doesn’t want to empathize with Yubel, because they still want to remain ignorant and irresponsible. Judai wants to continue playing hero, with a very black and white definition of what a hero is. By this point Judai’s killed lots of people, but if he makes Yubel the villain in the situation, he can keep playing hero. He doesn’t have to look at himself and what he’s done, because blaming everything that happened on Yubel and then putting Yubel down like a mad dog allows Judai to absolve his own guilt. Judai practically ignores Yubel’s cries for help, even when Yubel spells it out for them.

I couldn't have lived with the heartache unless I felt that I was being loved...

At this point Yubel themselves acknowledges that their love was just a delusion. That it was a coping mechanism, because they couldn’t live with all the pain otherwise. WIthout it they would have just died, which makes Judai unmoved. The implication here is that Judai thinks yes, Yubel should have just died in that crater. It would have been easier for Yubel to die a perfect victim, then for Yubel to crawl out of that crater and go on to hurt other people. While that may be true the same can be said for Judai - it would have been better if Judai died rather than become the Supreme King. His friends could have put him down like a mad dog, you could have even called that justice - but they didn’t. Judai making no attempt to save Yubel isn’t because he thinks it’s morally wrong to save someone who’s killed as many people as Yubel has, or because he thinks he can’t forgive Yubel, it’s because Judai is taking the easy way out. Johan is a nice, easy victim to save, because he’s Judai’s perfect boyfriend, while Yubel is a complex victim that requires Judai to understand their suffering. Even the act of saving Johan isn’t about Johan himself, it’s about the fact that Judai feels guilt over Johan’s disappearance. What Judai wants isn’t really to save a friend, but to stop feeling guilty over that friend. Judai isn’t just disgusted by Yubel’s actions towards his friend, he also wants to avoid the guilt he feels over causing all of Yubel’s suffering, because it requires acknowledging the complex reality that he is both victim and perpretrator in this case, just as Yubel is both victim and perpetrator.

So how can an arc where Judai doesn’t try to save Yubel until the last possible minute, be better than an arc where Deku makes it his goal for the final act of the manga to save the crying boy in Shigaraki?

It’s because the story does not let Judai get away with his continual refusal to empathize with Yubel. Yubel’s entire character revolves around empathy, in the form of sharing pain. As a duel monster, Yubel’s effect is that they are a 0/0 attack monster who is immune to all damage, but when you attack them they deal all the damage back to you. Which means that Yubel will respond to all the pain they feel, by causing you just as much pain in return. Yubel is not a character who can be defeated in a fight, or a duel. In fact they’re the only Yu-Gi-Oh villain who never loses a duel once. The most Judai can do is duel them to a draw, and they draw three times. Yubel wins against everyone else who challenges them. In a way Yubel is like Shigaraki, the ultimate, unkillable enemy that can’t be done away with violence. Judai’s refusal to empathize with Yubel or attempt communication also makes them worse, every time Yubel is hurt they escalate. THe more Judai hurts them, the more they will hurt in return, it’s a cycle that will never be broken simply by killing Yubel, because Yubel is unkillable.

Not only that but the story has gone to great lengths to show that saving Yubel is the correct course of action. If Judai doesn’t save Yubel, he’s basically spitting on the selflessness Jim showed in saving him. In fact if he doesn’t save Yubel, Judai is contradicting his own words on what makes a good friend. Sho once asks Judai after witnessing his brother change, what he should do if a person you lov ehas changed into an entirely different person. What if they're a person you don't even recognize any more? A person you don’t even necessarily like anymore?

That's why if it were me. I'd probably just be looking after him until the very end, even if I didn't like him. I'd do it cause I think it'd prove that I care about him.

Judai doesn't even say that Sho is obligated to save his brother or morally redeem him, just that he has to keep looking at him instead of turning away or ignoring him.

Judai is being a bad friend, by his own definition. By choosing to deliberately look away from Yubel, Judai’s not living up to his advice for Sho for how you treat people you care about.

Which is why the resolution for Judai and Yubel’s arc is so important, because it’s done by Judai finally acknowledging Yubel’s pain, and promising to watch over them from now on, words that are followed by the action of physically fusing their souls together so they’ll never be alone again. Judai doesn’t just say pretty words about how they won’t ignore the crying child inside of Yubel, but instead he makes a sacrifice to save Yubel at risk to themselves to show their words are backed up by actions. Judai says Yubel will never be alone again, and then he commits.

"And even if that means I won't exist anymore... I don't care."

Judai has resolved his character arc by this action, because Judai is finally taking on responsibility and that responsibility is watching over Yubel, so the two of them can atone together. Judai even says himself this isn’t an act of sacrifice on his part, but rather him finally accepting adult responsibilities.

Judai: I wouldn't sacrifice myself for you guys. I'm just going on a journey to grow from a kid into a man.

Judai needed to save Yubel to complete his character arc and grow as a person. If Judai hadn’t saved Yubel, he would have still remained an ignorant child. By learning not to turn a blind eye to Yubel’s pain, and also smacking sacrifices and physically doing something to atone for the way they ignored Yubel up until this point they’ve not only saved Yubel they’ve also done something to address their wrongs. This also continues into the fourth season where Judai’s personal growth results in him learning what kind of hero he wants to be as in Season 4 in order to atone for the spirits that Judai slaughtered, he decides to leave his friends behind and walk the earth with Yubel helping spirits and humans get along with each other. In fact Judai’s final speech as a character isn’t even about how strong he is as a hero, but how weak he is as a person.

And I put my friends through some rough times. Form that, I figured a few things out... all I can do is believe in them.

The lesson Judai learned is because he’s weak, he needs to empathize and believe in other people the same way that his friends once believed in him when he was at his lowest point. Judai’s not the strongest hero, he’s the weakest one, but that gives him the ability to empathize with people who were lost just like he was, and guide them back from the darkness.

The story of how Deku became the worst hero.

I’m going to say this right now it might turn out next week that Shigaraki is just fine, and he’ll use the overhaul quirk to reconstruct his body. However, even if that happens Deku has completely failed at his goal of saving Shigaraki for the reasons I’ll illustrate below. In theory, Deku’s arc of saving Shigaraki, and therefore winning by saving should be much easier for the story to accomplish and also much less frustrating to watch. After all, Shigaraki has been around since the beginning of the manga, he’s literally the first villain that Deku faces. He’s also the first villain that Deku talks to, where he brings up the idea that there were some people All Might failed to save. There’s also many intentional parallels between the two characters, the entire manga is about their parallel journeys of becoming the next generation hero and the next generation villain. Shigaraki even directly quotes the line at one point that all he wanted was for someone in his house to tell him he could still be a hero, the same line Deku said in the first chapter was that he wanted his mom to tell him to be a hero instead of apoalogizing to him for being quirkless.

Not only is the setup for Shigaraki and Deku made obvious (Deku can redeem Shigaraki by telling him that he can still be a hero too), but Deku himself states out loud that he wants to save the crying child inside of Shigaraki.

Judai runs away from Yubel the whole time, whereas Deku is running towards Shigaraki and actively makes it his goal to understand Shigaraki and continue to see him as a human being rather than a villain. The story also makes it clear that saving Shigaraki is necessary to saving hero society as a whole. After all Yubel is just Judai’s victim. Whereas Shigaraki is the victim of all of society. He’s the crying child who was ignored. The cycle won’t be broken if heroes continue choosing to ignore people like Shigaraki, because more victims will grow up to replace him.

Shigaraki: Everything I've witnessed, this whole system you've built has always rejected me. Now I'm ready to reject it. That's why I destroy. That's why I took this power formyself? Simple enough, yeah? I don't care if you don't understand. That's what makes us heroes and villains.

Shigaraki rejects the world because the world continues to reject him. THe solution to this problem is not rejecting Shigaraki, because Shigaraki won’t go away, the system will just continue to reject people like Shigaraki. As long as heroes and villains don’t understand each other, they’ll keep being forced to fight and the conflict won’t end, because hero society is what engineers it’s own villains.

clear as day by the story itself. If the objective of saving Shigaraki is clear, then how exactly did the story fail in this objective? What went wrong? In this case it’s a failure of framing, and breaking the rules of “show don’t tell.” Stories are all about actions and consequences. When a character makes a certain action in a story, the way other characters around them, the world, and whatever consequences that action frames that action in a certain light. It provides context for how we are supposed to interpret that character in that moment.

For example, when a character does something wrong and another character directly confronts them over what they did wrong, that frames them as in the wrong. The story is criticizing the character for what they did wrong. Context is everything in a story. Stories are just ideas, so they require framing and context to communicate those ideas for the audience. Certain character attributes can be strengths or flaws depending on the context. My go to example is that if you put Othello in Hamlet, the conflict would be resolved in five seconds because Othello’s straightforward personality and determination would have him kill Hamlet’s uncle without questioning things. Whereas, Hamlet constantly questioning and second guessing himself would lead to the worst ending possible. However, if you put Hamlet in Othello, then Hamlet wouldn’t fall prey to Iago’s manipulations, because Othello doubts and questions everything so he wouldn’t believe Iago the way Othello did.

Hamlet’s contemplative and introverted nature can be a strength in one situation, and a flaw in another. Othello’s tendency to act without thinking things through can be a strength in one situation, and a flaw in another. Context matters, because context tells you how you’re supposed to interpret a certain characters actions, and therefore tells you more about that character. This is why people repeat “Show don’t tell” as the golden rule of storytelling, it’s one thing to say something about a character, it’s another to us the characters actions in the story itself to show them something about the character.

What’s even worse then breaking the rules of show don’t tell however, is telling the audience one thing, and then going onto show in the narrative something completely different. In that case the narrative becomes muddled and confusing to read. If I the narrator say “Hamlet is someone who overthinks everything” and then in the story Hamlet walks up to his uncle and kills him with no hesitation, then the narrator is straight up unreliable. It becomes impossible to tell as an author what message I’m trying to get across about these characters, because I’m telling you one thing and showing another.

This is why the writing fails in the second half of My Hero Academia because we are constantly told one thing, but then the story shows something entirely different and sometimes even contradictory to the thing we are being told.

Judai is a much worse hero than Deku, he always runs away from Yubel, and we’re never directly told that he’s supposed to save Yubel either. However, the narrative is incredibly consistent. Judai’s behavior of running away is consistent with his character. All the other character call Judai selfish for abandoning his friends (and they’re not even talking about Yubel). Judai is never painted in any positive light for his actions, therefore we as the audience understand Judai’s behavior is wrong and he needs to fix it. The narrative makes it clear that Judai needs to grow up, and Judai is never rewarded for his refusal to grow up, he’s ruthlessly chewed out, not by his enemies but also by his own friends. However, the narrative isn’t merciless on him either. Season 3 of GX is dark, but it’s not grimdark. Even when Judai loses his way, he’s still shown love and compassion by those same friends who go to great lengths for his sake. The narrative criticize Judai but it never insists that he’s beyond redemption and needs to be put down like a mad dog.

The message is very clear, that not only does Judai need to grow up, but he also deserves the chance to grow and change, which is why he should give Yubel a similar chance. In comparison the story sets out this clear narrative arc for Deku of understanding Shigaraki, but it never challenges him for failing to understand Shigaraki. If you listen to what the narrative says, how other characters describe Deku, and what Deku himself says and only read it on a surface level then yes, Deku’s goal is to save Shigaraki. If you analyze actions however, he is in effect just like Judai he never takes any meaningful action or steps towards Shigaraki, nor does he think of what saving Shigaraki might look like or entail.

The story describes Deku as someone who is possessed by a drive to save others that eclipses all common understanding, but does the story give us any examples of that behavior?

Judai is characterized as a selfish, irresponsible child, and the story gives us countless examples of his immaturity and how it hurts others. Does the story of MHA do the same for Deku's purported virtues? Let’s run through Deku’s actions, step by step, the actions themselves and how they are framed in order to find any evidence that Deku possesses this drive to save others. Does Deku reflect at all on the question of:

Can Shigaraki be Saved?

Deku leaves on a journey to try to understand villains. When he makes a perfunctory attempt to understand and empathize with Muscle, and Muscle replies that some people are just evil does Deku keep trying to reach his heart? Nope, he just punches him.

Well, if he’s failed in his goal of understanding a villain then does the story call him out on his failure? Does Deku face any sort of narrative consequence for that failure? Is he framed negatively for failing to understand Muscle, the same way that Judai is framed for abandoning Yubel? Nope. Deku doesn’t express any frustration at all over is inability to reason with Muscle. There’s also no negative consequence for Deku just choosing to punch muscle, it turns out that there was no reasoning with Muscle and some people are just bad eggs so Deku was right. It’s okay for characters to fail, but if a character fails and it’s not framed by the story as a failure then the writing itself as failed. Why even bother to include this scene in the first place if it doesn’t advance Deku’s character in any way? This scene in spite of showing Deku failing to understand someone actively paints Deku in a positive light, because of how much stronger he is ow that he can OHKO a guy that gave him trouble all the way back in the camp arc.

This scene doesn’t tell anything about Deku as a character, it just makes him look cool. In fact that’s precisely the problem, Deku isn’t adequately challenged as a character, because he’s never allowed to fail. Even when he does obviously fail at the things the narrative set out for him to do, he’s never challenged on those failures, because the priority isn’t to make Deku grow, it’s to make Deku look good. As I said before, Judai is the hero because he’s the weakest. Deku is the hero because he’s the strongest. Well, next a big flaw on Deku’s part is that he worshippd the same heroes that were making the world corrupt. Heroes like Endeavor who created people like Dabi. So, does Deku take action to either criticize the older generation of heroes, or separate himself from them in order to try to be better than them? Nope, he teams up with them. Not only that, Deku can’t do something as simple as tell Gran Torino out loud about his plans to save Shigaraki. If Deku feels that Shigaraki is worthy of salvation then he should at least try to make an argument here about his ideal of saving others.

Now here’s the thing, if Deku hadn’t directly looked at the camera and told us he wanted to save Shgiaraki, would we be able to deduce his intentions from his actions? If you took away all of Deku’s internal monologue, and just showed him punching Muscular and saying nothing when Gran Torino says he may have no choice but to kill Shigaraki would anything about Deku’s actions indicate that he wants to save Shigaraki? Let me use avatar the last airbender as a positive example for a moment. People say that Aang’s desire to spare Ozai’s life comes out of left field, but like if you analyze Aang as a character down to their bending, and the way they react in situations they always prefer de-escalation, or taking a third option as opposed to confronting things head on. It’s literally why Toph says Aang has trouble learning earth bending, because as an airbender, he always tries to look for some other way to solve the problem, instead of a direct confrontation with force. As early as season one, Aang tells Zuko someone who has tried to kill him several times that he was friends with someone from the fire nation one hundred years ago and in a different situation they could be friends. Aang’s desire to save the Firelord may not have been told to us until the last possible minute, but Aang’s aversion to violence has always been a part of his character from the beginning. However, Deku never shows any similar aversion to violence. There’s basically no example where he ever tries to de-escalate a situation, or he avoids a conflict by seeking a third option.

Anyway, let’s move onto the next example. In the confrontation where Lady Nagant fights Deku, when Deku learns the fact that the heroes were employing government hitmen to attack people for uhh… exercising free speech does Deku give any reaction to this information? When Lady Nagant says that Deku is only going to bring back the status quo, does he show her any meaningful evidence that he won’t do that.

Deku’s response is because the world is so grey, he needs to extend a helping hand to others. Which you know what thay could be a response. Deku saying that his response to the corruption of the hero world is that he now understands that society led some people down the wrong path, so his way of addressing the wrongs of that society is lending a helping hand to as many people as possible even people he used to think was irredeemable.

I will give Deku the benefit of the doubt, I think this is an acceptable answer. I can’t save everyone, but that’s not going to stop me from trying to save as many people as possible and maybe I can save people who were this society’s victims on the way too. However, does Deku demonstrate his resolve to extend a helping hand in any meaningful way.

Deku is met with an armless, insane Overhaul who’s begging for someone to help heal his father figure in the Yakuza from his coma. This isn’t like Muscular who insists that there’s no helping him, Deku is met face by face with someone asking him for help. Deku’s gotta extend a helping arm whenever he can, because he knows some people were abandoned and led astray by this society… Unless that person is someone he doesn’t like personally. At which point he only helps them on a conditional basis. We are told Deku will save anyone and everyone, but Deku is met face to face with an armless man who is begging for help and Deku’s does nothing to help him. Deku’s not criticized for refusing to help overhaul either, it’s never brought up again. When Deku begins to experience a mental breakdown because of all the people he’s trying to help in the Dark Deku arc, we are told this is the result of Deku trying to save everyone, but we do not see Deku attempting to save a single villain after Muscular and Nagant.

He exhausts himself beating up villains that AFO sends after him, and only helping innocent civilians. Which would be fine if this arc were about how Deku is running away from his real responsibilities the same way that Judai was running, but that’s not what we’re being told. We are told that this is all part of an arc of Deku learning to understand villains and be a hero.

Deku is asked “Can you save Shigaraki?” by the story, but Deku never at any point has to deliberate on that question. Judai doesn’t deliberate on that question either, but him choosing not to think about things and stay ignorant is the point.

It’s actually fine to make Deku stagnate as a character. It’s fine to have him take the easy way out by just punching villains and giving up on them after one conversation. It’s fine for him to be empathetic to other people’s suffering, or even self-righteous. It’s fine for him to be ignorant.

He could be all of those things if it was a part of a narrative teaching him to unlearn his behavior. In fact the narrative might have been better if Deku started out by saying he didn’t want to save Shigaraki, that there was no choice but to kill him, because then at least his actions would be consistent with his words. Then his lack of empathy and his tendency to resort to violently beating up villains instead of avoiding violence would be character flaws he could work on. Deku however, is presented to us as this empathic hero who is always willing to give others a second chance though he never actually sticks his neck out in order to do so. Continuing on with our slow crawl through MHA, one of Deku’s friends is revealed as the traitor. Deku has a heartwarming scene fo saying that Aoyama can still be a hero, but look at his actions. He lets the adults in the room physically tie Aoyama in a straightjacket and imprison him, for the crime of… doing bad things while he was in a hostage situation. Apparently, if a bank teller helps the bank robber by giving them money when the robber has a gun to his head, the swat team should just snipe the bank teller. Not only does he not defend Aoyama against the adults, or stand up for him, or tell the adults they’re wrong to treat Aoyama a clear cut victim who had a gun to his head and was bing held hostage like he’s a villain - he also lets the adults use Aoyama an innocent victim as bait in order to lure out AFO. Deku tells Aoyama he can still be a hero, but he doesn’t defend Aoyama as a victim of being taken hostage, nor does he stop the adults from further taking advantage of him and throwing him right into danger. Some people are just led the wrong way that’s why they need to be extended a helping hand, but fuck Aoyama I guess. He needs to earn the right to be sympathized with by physically putting his life in danger.

Deku can’t even go out of his way to save a friend who he’s known for the better part of a year, when that friend is a complex victim forced to do bad things.

Then Deku and Uraraka have a conversation where they both, kind of ruminate on the idea that maybe the villains are human beings who are worthy of sympathy.

In fact Uraraka is actively trying to dehumanize Toga by looking at the destroyed city, so she won't have to think of Togaas a person.

The language here is also a major fault of this arc. It focuses far too hard on “forgiveness” over and over again. As I said before, saving Shigaraki isn’t about Shigaraki at all, it’s about Deku, and how he wants to use his power as a hero. Deku has even stated himself that he doesn’t believe that OFA is a power that should be used for killing people. So why does whether Toga or Shigaraki are forgivable or not even matter? It’s the same with Deku refusing Overhaul any sympathy. If he’s so morally opposed to abusers, then why does he work with Endeavor and defend him at every visible opportunity, even in front of his victims? Whether or not Deku can forgive Shigaraki doesn’t matter, because Deku is not the moral arbitrator or right and wrong. In fact Deku doesn’t even have any morals, so how is this a moral debate? Is there any point where Deku gives a clear definition of what he thinks right and wrong is? Does he quot Immanuel Kant to the audience?

Batman doesn’t kill people, not because he thinks that every last person on earth can be saved, but because Bruce Wayne an incredibly rich white man thinks that maybe he shouldn’t have the authority to decide who lives and who dies. When Bruce doesn’t kill the joker, it doesn’t mean he thinks the Jokers actions are forgivable, it’s because Bruce thinks it’s not his place to determine whether someone has the right to live.

The whole conflict that MHA presents us is that heroes pick and choose who to save, and only save the ones they deem as innocent. So, how does Deku saying repeatedly they can’t forgive Shigaraki contribute to that theme in any way? In fact by focusing on forgiveness, rather than whether or not he personally has the right to pick and choose who lives and who dies Deku is ignoring the elephant in the room. The question isn’t about whether Shigaraki’s redeemable or if his deeds should ever be forgiven. The question is whether Deku has the right to decide who gets saved and who doesn’t.

We are told that Deku as a character is someone who wants to save everyone no matter what, so Deku shouldn’t be focusing on whether or not Shigaraki is worthy of forgiveness, he should be making an idealistic argument like Xavier does in this panel. Why doesn’t Deku talk out loud with Uraraka on how he believes his power is for saving others, and not killing? If he’s meant to represent some idealistic hero, then why doesn’t he even talk about his ideals? Why don’t I as the reader know what those ideals are?

I think Xavier’s ideals of forcing the X-men to provide a good example to the mutant community, in order to try to earn the respect of other human beings is wrong, but at least he has ideals. He tries to inspire the other people around him to live up to those ideals. The story can criticize him for his ideals and point out how they’re wrong, while it can also uplift parts of his idelogy like where he believes there are no evil mutants. Deku has a chance to do the same to Uraraka, to tell her clearly, “I don’t think we as heroes have the right to pick and choose who we help…?” but he waffles. Not only does he waffle, but this moment is meant to be read as an indication that both Deku and Uraraka are sympathetic individuals who want to save their villains. They are supposed to look good and idealistic here and they don’t. For Deku it just seems like a repeat of his behavior with Overhaul. The only villains that are worthy of sympathy, are the ones that he personally decides are forgivable.

The story isn’t about whether or not it’s moral to save someone who’s killed as many as Shigaraki has. The story never seriously discusses any sort of complex morality or moral philosophy. Once again to bring up avatar, yes you can argue Aang sparing the life of a war crimminal is bad, but Aang mentions on multiple occasions that he wants to retain the cultural values of the airbending people. Aang has a morality, a consistent morality, it might not be a morality you personally agree with but at least he has one. Deku hates abusers, unless he’s next to Endeavor then he thinks abusers should be given the chance to atone. Deku doesn’t believe that One for All is a power for killing, but he never stands up to any of the adults who are blatantly trying to kill Shigaraki, he doesn’t even express out loud to Uraraka that he doesn’t think heroes have the right to decide who lives and who dies. In fact he’s given the perfect opportunity to, when Hawks kills a villain and it’s broadcast live on the news in font of everyone, but Deku never has anything to say about that. The reason Deku and Uraraka both put such an emphasis on “forgiving” their villains has nothing to do with the story itself. It’s because the author Horikoshi, is afraid that some people will misinterpret his story as saying that he actually thinks that saving a villain like Shigaraki means that he condones mass murder, so he has to have the characters talk about not forgiving Shigaraki.

Judai doesn’t have any consistent morals either, but once again that’s the point and something the story relentlessly calls him out on.

Cobra: Fortune would never smile on a fool like you who fights while prattling on about enjoying duels. Cobra: You are certainly a talented duelist. But you have one fatal flaw. Judai: A fatal flaw? Cobra: Yes, your duels are superficial. Someone who fights with nothing on his shoulders, cannot recover once he loses his enjoyment. What a duelist carries on his shoulders will become the power that supports him when he's up against the wall! Cobra: But you have nothing like that! Those who go through life without anything like that cannot possibly seize victory. Cobra: But I know that nothing I say will resonate with you... because you have nothing to lose but the match. Judai: I... Cobra: Afraid aren't you? Right now, you have nothing to support you.

Judai’s regularly called out for his superficiality. Judai is only a hero because he’s strong and wins fight, he doesn’t feel any responsibility towards other people, and in fact he loathes having to feel responsible for others. Judai isn’t just naive, he deliberately chooses to remain ignorant. Since he’s ignorant of his own faults, he makes awful decisions when it comes time for him to lead, and his friends die because of choices he made. We are told that Deku doesn’t want to remain ignorant, that he wants to understand villains, but Deku’s actual actions are him continuing to ignore society’s ills and the suffering of victims. In fact if you take away Deku’s internal monologue and the narration, Deku’s actions almost exactly mirror Judai’s.

Deku is just as superficial as Judai, and he also doesn't want to spend any time thinking about what kind of hero he wants to be, but the narrative never punishes him for it.

Judai is asked what burdens he has to bear and he has to meaningfull answer that question, Deku is allowed to get away with not having to think about anything. Deku remains superficial. Both Judai and Deku spend the entire arc running away from their villain rather than confronting them in any meaningful way. They both never express out loud any sympathy for their villain, or try to empathize. THey both never step down from the role of hero, and only confront their villain as a hero, because they don’t want to think about themselves as complicit or in the wrong. Shigaraki and Deku’s final confrontation mirrors Judai and Yubel’s but without the same clear framing. THe entire time Yubel is trying to get Judai to empathize with them, and Judai only responds with physical violence, because they don’t want to stop being the hero and because they can’t see Yubel as anything other than the villain. As soon as Deku arrives on the battlefield (by the way everyone else and their mom pointed this out, but Deku who doesn’t think OFA is a power for killing, is completely okay with a plan called the “Sky coffin plan” where every other hero was clearly trying to murder Shigaraki).

When Deku arrives he asks if Shigaraki is still in there, but he doesn’t do anything to try to reach Shigaraki, he jumps right to punching him. In fact he never tries anything besides punching him as hard as possible. How is punching Shigaraki with the force of a thousand suns saving him exactly? How is that different from how he tried to defeat Shigaraki the last war arc, before he saw the image of the crying child that made him want to try a different approach in saving Shigaraki? In Judai’s final fight with Yubel, it’s made explicitly clear that Judai is not trying to save Yubel, and that’s a fault on his part. In fact Judai gives the traditional “I have friends, and you don’t” speech to Yubel but it’s a subversion of how that speech is usually used. Usually that speech is used to show that the protagonist won because of they valued friendship,while the villain treated their friends poorly and only cared about power. However, it’s ironic in this case because Judai got all of his friends killed. Judai treats his friends like garbage. This speech isn’t used to show that Judai is winning because he values his friends more than Yubel does, it shows that Judai is a hypocrite, playing the hero in this situation where they are just as bad as Yubel. Judai’s not morally superior, he’s just lucky that he has good friends. Friends that were willing to save him. The only connection Yubel has to anyone else, Yubel’s only friend is Judai and Judai is a shit friend.

In fact, Mirio tries to give a version of the “You don’t have any friends” speech to Shigarkai, only for Shigaraki to get mad and tell Mirio that he does have friends and people he wants to protect.

This fact is also something that is blatantly ignored by Deku, even though Mirio tells him about it… even though we are told that Deku is trying his best to see the humanity in Shigaraki.

Judai blatantly admits they’re trying to kill Yubel. Which makes them a worse person, but a better character than Deku, because their actions are clearly framed by the narrative and consistent.

On the other hand we are told that Deku doesn’t want to kill Shigaraki, and yet everything Deku does makes it look like he’s just trying to kill Shigaraki and put him out of its misery. If we didn’t have Deku stating out loud that he wants to save Shigaraki and wants to see him as a human, there’d be nothing in his actions to indicate that he’s trying to avoid killing Shigaraki. Deku says he can’t pretend he didn’t see Shigaraki crying, but like, does he ever hesitate to punch Shigaraki, does he ever think that causing Shigaraki more harm is wrong when he’s already suffered so much? Deku says that Shigaraki is a person but does he treat him like a person? Does he try to talk to him like a person? To use avatar again, Aang does talk to Zuko pretty early on. Deku doesn’t even give the classic “We could have been friends under different circumstances” speech. When Shigaraki resists Deku’s attempts to see him as a person or emapthize with him, Deku’s response is to just resort to punching harder.

Which is in effect the same thing Judai does to Yubel, just kill them as a villain so they don’t hurt anybody else, but framed in an entirely different light. Judai is shown to be ruthless, and cold in his attempt to only settle the conflict with Yubel by violently putting them down. On the other hand we’re being told that Deku is compassionate and empathic while he punches Shigaraki with the force of a thousand suns.

There’s another eerie similarity between both of these final confrontations. At the climax of the confrontation, both Judai and Deku have a psychic vision where they see events from Yubel and Shigaraki’s childhood. This vision is supposed to help both characters understand the good in the villain they’re facing.

Let’s see the contents of this vision and how the visions change each character. Judai is shown a vision of his past life where Yubel sacrifices their entire body, and even their humanity to go through painful surgery to turn into an ugly dragon, all for the sake of protecting Judai in a previous life.

Judai is then forced to witness the good side of Yubel they’ve been ignoring all along to paint them as a villain. Yubel is simultaneously extremely selfish and willing to hurt people Judai cares about, but they’re also extremely selfless and will do anything to protect Judai and have made great sacrifices in the past for Judai’s sake. Deku gives lip service to not ignoring the humanity in Shigaraki, but Judai is literally forced to acknowledge the humanity in Yubel. Not only that, but Judai changes his behavior immediately after learning this new information. After seing the sacrifice that Yubel made for him in the past, Judai responds with a sacrifice of his own. A sacrifice that perfectly mirrors the sacrifice that Yubel once made for him. Yubel gave up their humanity for Judai, so Judai fuses his spirit to Yubel’s, becoming a human / spirit hybrid so Yubel no longer has to be alone.

Judai also doesn’t just fuse their soul with Yubel’s in order to stop Yubel from destroying everything, it’s because both of them at this point need to atone together, and Judai is fulfilling his responsibility of watching over his friend until the end to prove that you care about them - as he said to Sho. Judai’s also fulfilling Johan’s dream of helping repair the bonds between spirits and humans, by reconciling with Yubel and repairing their bond. It’s also Judai atoning for his previous behavior of abandoning Yubel, by choosing to stay alongside them as they both atone together. Deku does sacrifice OFA during the fight against Shigaraki, but their sacrifice isn’t to help Shigaraki, but rather doing psychic damage to Shigaraki by using OFA is the only way to defeat them. He transfers OFA in order to break Shigaraki’s brain so he’ll stop reissting and Deku can beat him down. Judai fuses their soul together with Yubel out of empathy and a responsibility they feel to help their friend fater abandoning them, Deku transfers One for All to Shigaraki in order to hurt him and make him easier to punch. It's funny that Deku doesn't travel to Shigaraki's mind to learn more about him, but instead with the specific intent of harming him.

Once he's inside Shigaraki's mind, he doesn't take time to reflect on how Shigaraki used to stand up for bullied kids, or how he wants to be a hero to villains because no one else will stick up for the outcasts in society. No, he only care about Shigaraki when he takes the form of a child crying for help.

In the aftermath of the psychic vision Deku’s behavior doesn’t change towards Shigaraki in any way either. You could say he sacrificed his own arms in order to try to comfort Shigaraki within the depths of his own mind - but that’s not a real sacrifice either because his arms immediately come back. When Judai learns about the sacrifice that Yubel made in a previous life towards him, he stops seeing Yubel as an enemy and finds a way to resolve things peacefully between them. When Deku lanterns that Shigaraki’s a victim of All for One, and that his entire life was a lie, when he sees Shigaraki’s suffering first hand does his beavior twoards Shigaraki change in any way?

When he sees Afo has taken over Shigaraki’s body again, does he try to shout for Shigaraki, to tell Shigaraki to fight from the inside, to reassure Shigaraki that he’s still in there that there’s still good in him? Nope. He just punches Shigaraki some more.

What Deku needed to tell Shigaraki is so obviously set up by the narrative too. Shigaraki wanted just one person in that house to tell him he could be a hero. Deku wanted his mother to tell him he could be a hero if he was quirkless. Deku sees that Shigaraki started out as a boy who wanted to be a hero, and who was manipulated into being a villain but does he try to appeal to the boy inside of Shigaraki by telling him he can still be a hero? Does he now see the good in Shigaraki? Nope, he just tries to kill him by punching him really hard.

I purposefully chose the images for the banner of this post, because it shows how differently MHA and GX treated its villains in the end. Yubel is embraced by Judai in the end, Shigaraki evaporates into dust.

"Judai, now that our souls have become one we will never be separated again. I have now been filled with your love and power. Let us fight together, against the wave of light leading this universe to destruction!"

Shigaraki could so easily have been given the love and empathy that Yubel was shown, but instead their life ends with no show of empathy from Deku, and with them dying believing that their long life of tragedy meant nothing in the end. Shigaraki realizes he's a crying kid, but he's never comforted.

Shigaraki: I only stole my body back from Master, and I didn't destroy anything. "In the end, I was just as you said... A crying kid, huh?"

Yubel is embraced and comforted, Shigaraki disintegrates into nothing.

One of these stories is apparently an optimistic story about heroes saving people, but it ends with the lifelong victim being killed in the most nihilistic manner possible, never receiving comfort, and never achieving anything with his long life.

The other story is a silly anime about card games, shows that when people are alone and suffering they can lash out and do terrible things. That all people are weak especially when they're alone, but the solution isn't to abandon them, or condemn them for their faults, but to believe in them and help uplift them the same way that Judai decides to uplift Yubel so they can atone together.

Which is why Deku gets an F in being a hero. Go directly to summer school. Do not pass Go. Do not collect $100.

#mha meta #ygo meta #mha 423 #bnha 423 #mha 423 spoilers #bnha 423 spoilers #izuku midoriya #deku #shigaraki tomura #tenko shimura #judai yuki #yubel #soulshipping #yu gi oh gx #yu gi oh

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youaresimplylovely · 1 month

Text

Baby Girl.

Pairings: Carlos Sainz x Wife! Reader

Summary: Carlos has such a baby girl wife

Words: 616

Proofread!!

A/N: here's a one shot for u guys, I plan to make more and this is not connected to my story "Fast and Fabulous: A Driven Love" chapter 7 will be uploaded tomorrow:)

People say in yours and Carlos' relationship, Carlos is and will always be the "baby girl". But your husband begs to disagree. In his point of view, you're the "baby girl" in the relationship. Well he says that in a good way. He knows in himself that his face card is very babygirlism but his wife, you shows a lot more of that.

"babyyy, where are you" You chirp, looking around the house with a pout on your face and a pink ribbon in your hand.

"I'm here baby" Carlos says from the living room, his eyes shifted from the tv to the stairs as he waits to see you go downstairs.

Your eyes widened with cuteness on your face. Sparkles could be seen on your eyes, hurrying to go downstairs to see Carlos smiling at you. He pats the area next to where he was sitting on the couch.

"There you are!" You say full of gleam and excitement. Sitting next to your husband, you look at him sweetly, fluttering those pretty eyelashes of yours.

"Yes? What does my baby need?" He says in a playful tone. Eventually looking back at the tv while watching the game of Real Madrid last week, still making sure to pay attention to you.

"Can I wrap a ribbon around your bicep?" You giggle, kicking your feet as you look at your husband with a big pout and the best puppy eyes you could ever give. You knew he couldn't say no to you.

He was caught off guard by your words, it's not that he dislikes it but he found your cute behaviour amusing. "A ribbon? On my bicep?" He laughs softly, turning his head to look at you. Soft hands caressing your cheeks.

"yeah! Can I? Pleaseeeee" you hold his hands that were on your cheeks, still giving him that pout and your puppy eyes.

God, Carlos would be lying if he said he didn't want to but he did. He loved your cute behaviour and all of these things you did. You really had him wrapped around your finger. He couldn't say no to you.

A chuckle comes out of his mouth and so does a content sigh. Gently taking his hands off your cheek as he rolls up the sleeve of his t - shirt revealing his biceps that God did you love so much.

"here baby" He smiles at you softly, planting a soft kiss on your forehead.

"Yay!!" You let out all the excitement in you. Smiling happily, you take the pink ribbon as you gently tie it around his biceps.

Carlos chuckled, he flexed his bicep causing the ribbon you tied to break. He giggles at your reaction that his strong muscles broke the cute pink ribbon you tied.

"Carlos!!" You whine, furrowing your eyebrows at him. You cross your arms pouting as you look at the broken ribbon.

"Ay baby I was kidding, you can put another one." He laughs, kissing your cheek looking at your with a big smile.

Your frowning and pouting soon faded once you re tied the ribbon. Sighing softly, you wrap your arm around his bicep. Gently laying your head against his shoulder.

"maybe I can tie your car keys with a pink ribbon too." You giggle, scooting in closer with him as much as possible.

Carlos chuckles at the thought of that but he liked it. It would mean having a reminder that you were always there with him in his car rides.

"whatever you want babygirl." He smiles softly, realizing how lucky he is with you. Then again he was right, you were the baby girl in the relationship but you were his baby girl.

#f1 #carlos sainz x reader #carlos sainz x female reader #carlos sainz x you #carlos sainz one shot #f1 imagine #f1 fanfic

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whovian223 · 4 months

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Top 50 Games Played of All Time - 2024 Edition (#10 - 1)

Top 50 Games Played of All Time - 2024 Edition (#10 - 1) @gmtgames @direwolf @PlayRenegade @Insideupgames @garphillgames @czechgames @Capstone_Games

It’s been a long journey getting to this top 10. Not so much in weeks, as these posts have appeared for 5 weeks just like the previous Top 25 did (or they should have, but I’d forgotten that I took a much too long break before posting the last one in 2022). No, I’m talking about in words. Including ten games in each post instead of five really upped the word count! And the length of time it…

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allthecanadianpolitics · 9 months

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Canada is in deep crisis. It’s unfashionable in centrist circles to say so, but it’s true. The country is literally on fire and facing extraordinary and growing threats from climate change. It is staring down rising extremism, creeping toxic polarization, and low trust. Wealth inequality is on the rise. Its federal system is showing cracks, particularly when it comes to the relationship between Alberta and the national government. Oligopolies and monopolies run wild, exploiting consumers.

There are plenty of other problems too. But of the lot, the confluence of a few major challenges scream, House of cards coming down! Those are the country’s housing crisis, consumer debt, and high — and potentially rising — interest rates. Taken together, they paint a picture of working people staring down lives they can’t afford in the day-to-day. This hellish scenario persists, no matter how hard people work, and no matter how rigidly they follow the rules of the game — rules they were told are fair and just.

Full article

Tagging: @politicsofcanada

#cdnpoli #canada #canadian politics #canadian news #canadian #climate change #climate crisis #wealth inequality #wealth gap #income inequality #right wing extremism #housing crisis

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theoldsports · 6 months

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Moody.

Coriolanus Snow x Reader | 3.3k words

depression, arguing, manipulation/toxic marriage, fucking each other over, possessiveness. it’s tamer than some of my others in an objective sense, but emphasizes dark thoughts and internal monologue.

requests always open! thanks for your kindnesses. i think this one is more experimental than the others. the objective here was to show how both of them mimic regular human feelings because they know they should, but it’s a poor pantomime. two sickos with nothing else but each other <3 i think i am going to call these works the Truculent series.

Coriolanus grew cold fast and did not tolerate heat well. He only slept only in his underclothes and wore heavy layers at the first sight of winter. His alarmingly fair complexion meant excessive sun wasn’t in the cards. In spite of his name, his scrappy build wasn’t meant to cut through harsh January terrain either. His nails chipped at labor, and his mind grew uneasy at laziness.

The world was tough on Coriolanus and he was tough right back on the word.

There was little Coriolanus was designed to do. Many people were strong, or smart, or wealthy, or drop-dead-gorgeous, or violent, or talented. There was something about every person Coriolanus could think of that made them stand out. He could easily categorized people by them. Here was the group of people known for their beautiful voices; here, those who could benchpress four-hundred pounds… Coriolanus could not be quantified like that.

Coriolanus Snow had to take what was left, like a runt. He was only good at two things: enduring and controlling. Since those were the only options leftover for him, Coriolanus became the best at them both. When, like Coriolanus, one has been gifted such shitty talents and nothing else, they have to figure out how to use them well enough to win against everyone with a better gift. Eventually, he realized his talents were not the ability to endure and the ability to control, but actually the ability to win. Eventually, he won so much, Coriolanus forgot there was ever a time when he lost (most days).

(The days he didn’t forget were the Bad Days).

Coriolanus felt like he couldn’t get out of bed on the Bad Days when the crushing weight of his failures and his ego landed across his chest. He told himself he was done with love after Lucy Gray. Disgusting Lucy Gray, a name he never wanted to even think again. He thought he would marry someone he hated and be done with love.

But junkies and addicts quit every Monday anyway.

Once he found [Y/N] again after their childhood together, there was no quitting. He knew it was bad for him, so he married what was bad for him to make sure he had an endless supply. How he hated that familiar feeling of obsession, the feeling of being so desperate that he had to rely on something other than himself. Somehow, he would have to sustain the feeling without losing his girl like an idiot. Marriage was likely the thing to steel their attempt at a bond.

Upon waking up to the alarm that morning, Coriolanus knew this was one of those Bad Days. Maybe it was the weather, the stress of Games. First year as head Gamemaker had almost driven Coriolanus mad under the pressure to succeed. He reached over to turn off the clock that buzzed painfully at six in the morning every day ending with a Y.

“Coryo…” [Y/N] mumbled, hearing him stir beside her. The sound must have woken her. She tossed an arm over his chest.

“‘Mornin’, Darling,” Coriolanus replied, wishing he were dead.

[Y/N] immediately picked up on the flatness of his tone, but she knew better than to push him too far. “All good?” She asked.

Coriolanus grumbled passively. He rarely did anything passively. Coriolanus grabbed the hand over his chest and dragged it up to the side of his face to rest it there, but only after he had kissed [Y/N] palm.

“You’re affectionate this morning.”

“I just missed you. I’ve been busy.” He said dismissively, pressing his face further into her hand.

“Well, thanks, dear, but don’t you have work?” [Y/N] asked. She propped her chin up on his shoulder to stare at him inquisitively. This attitude was odd. First thing in the morning during Games seasons, she got a kiss on the forehead and then Coriolanus was gone for a run and a shower and out til nightfall, barring special occasions.

“Don’t you?”

“Not til early evening today. Normally, you’re up and out of here first thing on a Tuesday morning,” [Y/N] told him, as she rubbed from his cheek to the side of his throat gently. She dragged her hand up his face to rest on his worried forehead. “You sick, or something?”

“No.” Coriolanus replied weakly. He closed his eyes again. He couldn’t face the legendary blunder he had made at work. Coriolanus had allowed his aides to code the program for the arena wrong. The open water was nowhere near as deep as was needed for the aquatic muttations. It was causing all sorts of trouble. The Games would end too fast if he didn’t do something, yet the stress of thinking of reaching across the nightstand for his Communicuff was paralyzing.

“You sure? You don’t feel feverish,” She confirmed. [Y/N] sat up to press her lips to his forehead just in case her cold hands had misread his temperature. “I can call the doctor, though.”

“[Y/N], stop. I’m fine.” Coriolanus lied harshly. He tried to sit up, but his psychological anguish made him feel like vomiting.

“Call in. Stay here.” She suggested, watching his weak movement to sit up.

“I’m head Gamemaker, I don’t get to call in. I need to go for a run’n I’ll be fine.”

[Y/N] raised an eyebrow. “So you aren’t currently fine? Because you said—“

“I know what the fuck I said, okay?” Coriolanus barked. “Wanna recap anything else, or can I go?”

Sharply, [Y/N] scooted away from him to the other side of the bed. His moods were hardly predictable. She sighed. “Fine,” She said, averting her eyes to her hands like a scolded girl. “I was merely concerned that you—“

Coriolanus scoffed at her and shakily stood up from the bed. He quickly stepped into the closet and stepped joggers and a wifebeater. [Y/N] hoped he would grab a jacket as well; the weather was much too cold for mid summer. The Capitol itself got disproportionately cold often. She didn’t say anything out loud, though. “Get off my ass. Can’t you sit there and be grateful for once? With all that I do for you?Fucking hell.” Coriolanus said. He did not so much as look back at her as he stormed out of the bedroom.

[Y/N] could not understand what she had done wrong. The only things she had were provided through Coriolanus or simply the man himself. Once Coriolanus was presumed out of earshot, [Y/N] dropped her head into her hands and cried. Not tears of frustration or anger, but tears of self-pity that her one lifeline had yelled at her like that.

—

By the time Coriolanus returned from his run, it appeared his wife had gone out for the day. Strange since she usually capitalized on the extra sleep if she was not working downtown with Capitol News until evening shift. Since their reckless young adulthood of media stunts, Coriolanus had watched [Y/N] grow a stifling love for spectacle. With his support and their shared deranged name recognition, she had quickly risen from an editor, to a correspondent (brief. He had helped her but her way up and out of that position) to Associate Head of Programming for Capitol News. It helped to have his wife steer both their media narratives from the inside.

Except for when she was mad at him.

Coriolanus wiped the sweat off his brow in the shower as he thought. There was no doubt in his mind that [Y/N] was going to run some sort of primetime bulletin that made him look a fool during his Games coverage that night. It was bad enough that Lucky Flickerman was beginning to look like botox had gotten better of him, in addition to Coriolanus’ own fuck up with the muttations. Fact of the matter was that viewership was down and [Y/N] was going to make it worse. She was going to make his Bad Day worse and he knew it.

He could feel his heart rate racing as he stood under the shower’s cold stream. His equally cold blue eyes glanced across the bathroom at the clock. Six-fifty AM. Realistically, he need to be into the Gameroom by no later than eight-thirty, but it frustrated him to be in later than eight. In roughly an hour, how could he perform the maximum amount of damage control? Coriolanus’ head began to ache at the thought.

She had never run that harsh of a piece on him before, but it was a Bad Day, and no doubt she was angry with him for his attitude. [Y/N] was capable of a great many horrible things. Wouldn’t Coriolanus himself want to sting somebody back who he had known was pissy with him?

When he exited the shower, Coriolanus rushed to dress himself. [Y/N] said she wasn’t working until late. But where, then, had she gone? With all the thinking about his own feelings, he hadn’t considered that conundrum.

—

Coriolanus called her secretary, a boring woman with a name neither man nor wife could recall. According to that woman, [Y/N] had not gone early to work. He rang Tigris. Tigris said [Y/N] had not been over unless she was lying which Coriolanus wouldn’t put past her. The Plinths swear they had not encountered her.

Coriolanus stared down at his datapad of phone numbers. He refrained from calling all of their friends because he didn’t want to to exude the panic he was starting to feel for letting his wife run away. None of her belongings seemed out of place. Her suitcase was present in the back of their closet. Still, Coriolanus was terrified in the back of his mind that his wife had finally left him. A year and half was a dreadful lifespan for a marriage in his opinion. [Y/N] was not getting away that easily.

However, his watch told him it was eight and the Games weren’t going to run themselves.

Throughout the day, Coriolanus could not get his heart rate to settle. It made him feel ill. So ill, in fact, that he couldn’t keep down most of breakfast, or all of lunch. He skipped dinner all together. Who was [Y/N] to up and leave him like that?

The slight rational segment of his brain told him to walk it back, but the rest of his brain paid no mind. Coriolanus had nothing going for him other than gut instincts and his gut instincts now were implying something was fundamentally wrong.

Coriolanus’ decision-making was way off of its game at work. Coriolanus, for ratings, could not allow the Hunger Games to end on a Tuesday night. Somehow, he would have to create obstacles to last the four remaining tributes til Friday. He didn’t much like those odds. He was going to cave and hand in his resignation before the end of the day, he was certain.

Though, at eight in the evening, the primetime announcement or chiron that Coriolanus was a shitty husband or a murderer never cut through his broadcast to make his Day irreparably Bad. Nor did it at eight-thirty, or even nine. Coriolanus felt shaky. Maybe with relief for his reputation, maybe because he had nothing in his system.

If nothing had aired at Coriolanus’ expense on TV, had something happened to [Y/N] while he was on his run, or later? Was this some rebel attempt to bring the head Gamemaker to his knees? An attempt from a bitter rival to play games with him? Coriolanus frowned. Many things could have happened to his wife between six in the morning and nine at night. Coriolanus could barely stand up as it was. He clocked out and summoned his driver as quick as he could.

The second Coriolanus’ key entered the lock, he started shouting with the energy he had left. The door had yet to even close behind him. “[Y/N]! [Y/N], my love! Are you here?” Coriolanus pushed open every cabinet and closet on his way to the bedroom. Empty. He checked the closet - her suitcase remained. Coriolanus had called her office on his way home. She had not shown up for work. Unheard of.

Coriolanus ran through every room of the townhouse shouting [Y/N]’s name over and over until he felt hoarse. He could only imagine what the neighbors thought. Then he saw the attic door open.

The door remained open, but the stairs to the attic had snapped back up halfway and gotten jammed. “Coryo!” He heard [Y/N] yell faintly from upstairs.

“Darling, are you… in the attic?” Coriolanus shouted back cautiously under the open door. He watched as [Y/N]’s tearstained face peered around the edges of the attic door. It was really her. Not a Jabberjay, not a setup. Coriolanus exhaled for what felt like the first time all day. “Let me come up. I’ll come to you. Hold on!” Coriolanus’ finally left behind the Bad Day as he leapt into action. Protecting his wife was his job before Gamemaker, or any other obligation. Anyone in the Capitol would remember their vows, or her smashing cake into his face much to his dismay. Marriage was socially his most binding contract of all. Coriolanus did not take contractional obligations lightly.

Coriolanus had not realized that his wife was so delicate and helpless as to get stuck in the attic. She needed him more than he thought. His heart swelled with pride. Coriolanus grabbed a broomstick and hooked the hinge in the stairs. He yanked with all his strength until the ladder descended. Quickly, he dropped a large sack of rice from the kitchen counter over the bottom step in hopes it would weight the stairs down and he took off up them.

“[Y/N], are you alright?” Coriolanus asked, popping his head through the attic door

There on the unfinished attic floor sat [Y/N], bundled up in her thin teddy she had been wearing when Coriolanus left. She had only that and a too-short blanket Tigris had crocheted as a child. There was very little in the attic at all. Some of the Grandma’am’s belongings in clear glass bins and whatever surviving relics had carried on from their post-war childhoods.

It was clear [Y/N] had been crying. “I thought you would come back.” She sniffled.

Coriolanus urgently climbed the rest of the way up the ladder and sat carefully down beside [Y/N], wrapping her in his long arms possessively. “I thought something happened to you,” Also, that you tried to leave me. “You’re freezing… How long have you been up here?”

“Since you went on your run.”

“Shit… All that time?”

[Y/N] thought her tears had long since stopped, but seeing Coriolanus appear upset about ignoring her all day made her want his attention more. She wanted him to feel bad.

The tears started flowing the second his arms were looped around her waist. [Y/N] rested her head on Coriolanus’s shoulder heavily. “Coryo, you just left. I come up here all the time to think and I didn’t think it would—“

The blonde man’s heart softened at the sight of her. “Darling, Darling, shh, don’t cry,” Coriolanus combed his hand through sobbing [Y/N]’s hair. “You’re okay. I’m here now.”

Coriolanus felt like he was able to play the role of comforter and protector nobly tonight in a way he had recently felt inadequate at. With ease, he draped her legs across his lap and adjusted her arms around his neck so that her body was completely supported by his. She clung to him like a desperate child. The skin-to-skin contact was most appreciated by Coriolanus after the Day he’d had. Coriolanus excitedly drew a breathe from her neck, taking in her scent.

[Y/N] sobbed dramatically into Coriolanus’ dress shirt, but he pretended not to care like a good husband. “I’m sorry. I c-couldn’t—couldn’t get down. I th-thought you would come get me. I shout-ted for you,” she played up her tears. [Y/N] played up everything for attention; they both knew that. But the situation was mutually beneficial for people that liked attention so damn much. “You didn’t hear me.” You never hear me.

“Oh, Princess…” Coriolanus rubbed his hands up and down her arms, hoping it would warm her up. He pulled away from her regrettably and stripped off his blazer. He wrapped it around her shoulders and pulled it carefully in front of her. He knew [Y/N] would like the gesture. Now, Coriolanus did not say I’m sorry. It was not his fault that [Y/N] had fled to the attic. He did instead try to make good from now forward. “I was so worried, I started to think something happened to you. I wanted to give you space, but then I didn’t hear from you all day. I’m relieved to know the only monster that got you was the attic,” Coriolanus leaned into her neck to kiss her in his favorite place. “You sat up here in all this junk and dust today; how are you still so stunning?”

[Y/N] laughed through a wet sniffle as Coriolanus searingly kissed her neck. “I didn’t know I’d worried you this much.” She muttered.

“I didn’t know I’d upset you this much,” Coriolanus agreed. That was as close to I’m sorry as she was going to get. “What did you do up here all day?”

“W-Went through some boxes. Found your old uniform.” [Y/N] smiled back.

“My Peacekeeper uniform?” Coriolanus asked in surprise. He hoped that she had not found anything else, if there was anything more scathing up in the attic.

“Mhm,” she affirmed. [Y/N] stood shakily from the floor, snot dripping from her nose. Snot, which she knew better than to wipe on the sleeve of his blazer. She followed where the beams were in the floor nimbly so she didn’t put her foot through the ceiling below her. [Y/N] collected a decently sized metal crate with a handle on it. PRIVATE SNOW, CORIOLANUS B. was stamped on top of the dusty, dented metal. She carried it back to Coriolanus and sat down with it in front of him.

“I didn’t go through everything in here, that felt intrusive, but I did pull this out,” they both knew that was a lie and that she had absolutely gone through every item, but Coriolanus let her keep going without cutting in. [Y/N] decided she would still let him explain the history behind every item he wanted to share anyway.

When she shook the long gray-blue jacket out of the box, something happened that hadn’t happened last time she took the jacket out. “Coriolanus, what’s this?” [Y/N] asked, plucking a bulky chain off the floor that had tumbled from the coat’s breast pocket.

“Ah, I’d forgotten where those went. Dog tags from my time in Twelve.” Coriolanus said.

“I still have my father’s. You were like a real soldier then, huh?”

“Peacekeeper.” Coriolanus corrected.

“Yes, Peacekeeper.” [Y/N] agreed quietly.

[Y/N] held the two identical pendants in her hands.

SNOW, CORIOLANUS

CITADEL, CAPITOL

4147769218S 12

O NEG

CREMATE

His entire identity all on two pieces of nickel. While she squinted at the embossed metal, Coriolanus leaned forward across the box that had once held his entire world and grabbed the chain she was holding as well as her hands. [Y/N]’s red weepy eyes met his crystal clear blue ones. “Would you like them?”

“You don’t want to keep them?”

“Certainly not. My name right there on your chest? That’s preferable to them sitting in a dusty box forever. People will know who you belong to if you wander off like this again. ‘Know you’re not, hm, like… up for finders-keepers.” Coriolanus shifted them out of [Y/N]’s hands and dropped the chain around her neck as if it were the finest gold necklace he had ever purchased her.

Coriolanus put that box up in the attic because he had not wanted to think about it ever again. Above all, though, Coriolanus Snow was an opportunistic man and he put those dog tags on [Y/N] just like he had Lucy Gray because he knew this move was flattering. If it worked once, it would work again. Sickeningly, he pulled out the same words he had used before too: “There. All mine.”

“All yours.” [Y/N] replied.

TAGLIST:

@badwicht @stelleduarte @cinnamongirl127 @prettyppetty @soulessien @bejeweledreverie @jjstyles @arminsarlerts @chmpgneprblem @co1dmountains @miscellaneousmoonchild @lille999 @pumkinnxsmut @taykorsyogurt @ndycrls @watermelonharry @nananarwhal @ohantonia @catlover420sstuff @justaproudslytherpuff @notarabellasstuff @scarytiger111 @zucchinimalfoy @secretsicanthideanymore @h-l-vlovesvintage @dannydevsbbg @clintsupremacy @lookclosernow @10ava01 @or-was-it-just-a-dream @lucielsstuff @fairyydvst

as usual, apologies if your tag didn’t work. tumblr’s tough like that. also so sorry if i forgot anyone! remind me if i did!

#coriolanus snow #coriolanus snow x reader #hunger games #coriolanus snow x you #coriolanus snow imagine #coriolanus x reader #coriolanus x you #coryo snow #the hunger games

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