#Colourscript

[nottenebia]

And that's the second part from that concept art course! Here we could tackle our own universes and OCs if we had them and oh boy I do have some OCs!!!

Meet my dearest girls - Martha and Rose! (yeah u can kinda guess which one is Rose) Martha is a girl from future who stole an old time-travelling device and now is kinda on a run with fun Rose is an unlucky actress-to-be from 1910s who by a chance gets stuck with Martha on her adventures Chaos and drama ensue and all that

[swangardens]

i can’t stop thinking about this silco colourscript..

[james-p-sullivan]

Monsters Inc final movie scenes vs colourscripts "For Monsters, Inc., Production Designer Harley Jessup teamed with Art Director Dominique Louis and Lighting Director Jean-Claude Kalache to explore the visual contradictions between a drab, workaday industrial town setting and its population of bright, candy-colored monsters straight out of a child’s imagination."

[sketchytea]

thank you to everyone who has been liking and sharing my scavengers posts! the above is an edit i made on my last day as joke about kamen waiting at the juniper tree for sam instead of sara. don't ask about the capybara.

if you're interested in checking out the background designers who helped make that work possible, i've attached links to their socials below. i'm also including the socials of my fellow painters. i also have other bgs i didn't post here that are on my website.

for other such resources, the majority of the scav crew have instagram profiles. if you'd like to follow their work, many are just a credits-check and instagram search away. co-creator and art director charles huettner also has tons of bts posts from the artists on his insta.

↓ bg artist socials ↓

design supervisor: kirk shinmoto

background desingers: césar chevalier, anastassia drobyazko, darina lapovskaya, noémie leroux, hortense mariano, alfie marley, pauline mauvière

background painters: isabella de ocampo, samet gül, matthew hernandez, alfie marley, nhan nguyen, lily wang, rachel wilson

colourscripts: agathe leroux, rachel wilson

[nozomisumino]

Ekko is getting freaky in the colourscript.

[content-d3leted]

The Beginners Guide To Random Danger Mouse Content

DM things throughout the internet which are rather radical

 •Some comics....

Danger Mouse (Ranson) at the Illustration Art Gallery (bookpalace.com) -LINK NO LONGER WORKS-

Unfortunately I didn't screenshot everything on there, but here's some of the panels.. (sorry for poor quality)

 

•Storyboarding for 2015 series, scroll through account to see..

oriolvidal - Storyboard Artist (vimeo.com)

 •News article about DM..

How we made Danger Mouse – by David Jason and Brian Cosgrove | Children's TV | The Guardian

 •This account has every DM comic strip known to mankind

WorldJumpingFangirl - Hobbyist, General Artist | DeviantArt

•'Melted' colourscript- probably more stuff on his account too, havent checked

Antonio Terlizzi - Danger Mouse: Melted ColourScript (artstation.com)

•Apparently Danger Mouse is briefly mentioned in this Pointless episode, dont know when (and i cant be bothered to look for it lol)

Pointless Celebrities S10E34 Kids' TV (youtube.com)

there was another episode containing Kevin where the pair talked about DM aswell, but the link i had to it says the videos been deleted aswell as its creator's account. perhaps lost media for now, unsure.

•BBC- I love 1981 documentary contains DM segment at 30:31

BBC - I Love 1981 (HQ) (youtube.com)

•DM's Secret Agents Secrets

(4) DM'S Secret Agent's Secrets - YouTube

•A horrific DM liveshow

Danger Mouse (youtube.com)

•A very talented pianist plays the DM theme tune on the piano at the end of the video

Derek Answers Your Questions and Plays Danger Mouse 🐁 (youtube.com)

•A man does some DM voices (which i found rather funny at the time)

Danger Mouse Voices (youtube.com)

•Idk man just watch it

(1992) Inspector Gadget and Danger Mouse on Nickelodeon with Commercials (youtube.com)

And thats all for now folks! Tell me if i missed any hidden gems!!

[seansevestre]

Chase sequence colourscript for TMNT: Mutant Mayhem! 💥

[amofy]

colourscript

[setakendirart]

An old colour script I found in the archives.

[aliceininteractiveland]

I’ve been thinking about colour scripting in animation (this article made my heart lurch by referencing the opening sequence of Up). I thought I was just avoiding narrative work, but turns out I first needed to picture the world I’m in.

We start the story at bedtime which should be fairly saturated but relaxing, not upbeat garish (I’m shielding my eyes from you, Minions). We need calm.

In dreamland, colour will be everywhere, feelings are all encompassing after all. The palette will align with narrative, acting as mood indicators.  Again, keeping it calm. I’m picturing mood dependant gradient skies from across the rainbow.

I love Luke Pearson’s Hilda, both the graphic novels and the animated series. The colour palette is beautifully understated and whimsical and, you guessed it, calm. The sky and the land unite to help focus attention on the action. 

It’s a world I feel both at ease and curious in, which is exactly what I’m after.

Now, totally inspired, I’m diving into story...

[bizarrebeasties]

Here are some screencaps from the music video I made for musician Derek. A fantasy land with a fantasy girl.

Instagram / Redbubble

[goodsniff]

Bluey ~ Colour Roughs pt.5.1 // Camping //

I don’t think in many preschool shows you get to colour-script a mood to reflect the arch of a story over 4 days. I really really enjoyed the challenge haha. I wanted it to slowly creep, then crescendo, to this sad, bleeding pink in the “Au Revoir” scene. I felt really strongly about using pink to symbolise this huge poignant moment. I wanted pink to be a sad colour! Then have it crash out into really desaturated cloudy blues to show Bluey’s devastation. This ep is such a big special one, I hope everyone enjoyed it as much as the crew did.

[gueligldv]

Here's another cocept for my personal project, #talesofthecrater . I'm having so much fun with these "colorkeys" so I hope you love them 😊

[eoinb]

I've been doing little #colour #sketches as a way to work out ideas and moods. It's been fun to just doodle with colour. I came up with this little guy #spart just as a focus to have in each piece! #irishartist #characterdesign #visdev #colourscript https://www.instagram.com/p/CW-sGThKWlm/?utm_medium=tumblr

[sketchytea]

Hi there!

I'm a fan of the work you did for Scavengers reign. Just gorgeus BGs. Would you mind if I asked you some questions about the process? (I'm also in animation and I would love to hear more)

Only answer if you are comfortable.

How hard was the process from start to finish of a master bg? SR has a very distinctive style and specially the BGs bring life to the planet and the horrors within. Did you use real world references? Or did you wing it? How did everyone kept a consistent environment of such a vast place?

Thank you for your time!

hello!

i don't mind, and thank you for watching the show :>

answers below:

how hard was the process from start to finish of a master bg?

depending on the complexity of the bg, it could be pretty straightforward at certain times and more difficult at others, especially if you're establishing the look for a new location.

i didn't do any of the drawing. so for my part as a painter, flatting the lineart and making sure things were clean and separated for comp was the most difficult to me because no matter how fast you do it. on a detailed piece it can feel incredibly grueling (e.g. the ep4 greenhouse... ). sometimes picking the colours and doing lighting was the easier part.

did you use real world references? or did you wing it?

as a painter my primary references were colourscripts by agathe leroux and rachel wilson plus some extra direction. you can find most of the scripts on agathe's instagram.

how did everyone kept a consistent environment of such a vast place?

assuming this is about continuity for the colours and lighting, once the person with an establishing shot for an area finished their piece, anyone else assigned to the same area uses their file to get the same colours and adjustment layers.

thanks for the questions

[yenwenhsieh]

So here is where I put all my practice together. A series of painting for colour script. It was quite challenging form start as I have not got much experience at painting on someone else’s design. It was a great learning experience. #colourscript #illustration #illustrationartists #visualdevelopment #vds #art #painting #story #illustrator #illustratorsoninstagram #thomaslovetodraw #colourandlight #childrensbookillustration #childrensbookillustrator https://www.instagram.com/p/CSlhy3TlUGO/?utm_medium=tumblr