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#Come on guys he’s PERFECT FOR HER
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Today I came up with the most brilliant solution to the ending of Phantom of fhe Opera which is that instead of marrying Erik or Raoul Christine focuses on her career and then marries Christian from Moulin Rouge after he’s had a few years to heal from losing Satine
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hoofpeet · 8 months
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I'd probably have to read the printed version and web version back to back at some point to note all the differences but... ough
#sorry i'm going to be excited about this comic for the next month#nofna#okay having finished this now--#and sorry if this doesn't make sense to anyone who's completely unfamiliar with this comic in advance-#the 'popcorn ending' (printed version) is nice to see but i think the web version hits harder. if that makes sense#so i'm kinda tied on which ending i 'prefer'- i think both are good though#also considering i've read the web version a good 4-5 times and the printed version only once- i probably can't make that judgement yet#easy answer- i do like Nutsedge :] so it's nice to see the ending where nothing bad happens to her#but also- NT suddenly becoming a greenie-esque villain out of nowhere felt a little jarring#as well as SV suddenly turning a corner and becoming a 'good guy' (arguable)- considering the first three books are about#/him being too stubborn to change or accept any outside worldviews . Him suddenly coming to his senses felt out of place#<- probably biased because i like characters being bitter to the end and ultimately destroyed by their own hubris#the web version is probably‚ objectively‚ a bit better#but -#(spoilers- if you're planning to drop ~70 bucks on getting these books)#the conceit of SV actually perfecting his style‚ using it once‚ and then immediately getting tooth-brained- was pretty cool#assuming it's meant to parallel him spending months tormented by trying to perfect it while something's still missing-#and then dying before he can narrate it to the audience‚ so that we never know what he figured out.#hard to articulate these thoughts but tl;dr- popcorn ending also had a lot to think about
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luck-of-the-drawings · 6 months
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[<==PREV PAGES] [NEXT PAGE==>(not out yet.wait a year.or maybe more.imagine.]
saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.
#jrwi fanart#jrwi show#jrwi riptide#gillion tidestrider#GONNA START FORMATTING MY COMICS BETTER. W THE PROPER 'PREV' 'NEXT' LINKS#REALLY DIDNT EXPECT TO CONTINUE THIS SERIES BUT AAAUUUHH MY BRRAAAIN MY BRAIN IS SO IDEASSS. I HAVE 3 OTHER PAGES SKETCHED OUT#NO PROMISES ILL FINISH EM ANY TIME SOON OR EVER. MY WHIMS ARE THEIR OWN BEAST AND I ONLY DRAW ON MY WHIMS#THAT BEING SAID IF U COMMISSIONED ME ILL GEEETT TO YOUUU IM SORRYYYY. ART IS AN EMOTIONAL RELEASE FOR ME N BABY I HAVE EMOTIONS.#ESPECIALLY ABOUT GILLION TIDESTRIDER CHAMPION OF THE UNDERSEA HERO OF THE DEEP.for the desc here i put smth that i typed up in the tags of#another thing i made. i gotta make a proper Baby Gillion tag or smth. eventually.. eventually...I LOVE DRAWIN THIS LIL BABY GUY..#i also LOVE depicting the teachers as just being so fuckin mean. ofc theres variation in that. just like in all things.like the teacher her#idk if itll be mentioned but the octo lady is named Ms Octburn.an octopus pun based off the name of an actual councilor i had#when i was in elementary school i got bullied alot but teachers never did anything. i hated adults and didnt trust them.#but this councilor o mine was so genuinely sweet. i remember spending alot of time w her. she doesnt work there anymore.#but that one school adult that actually earns ur trust and is there for you when they can be.its SO important for a child i think#i hope she knows how much she helped me.youll see in the next page that ms octburn isnt perfect either.but she tries. they all try.somehow.#ALL these comics are gonna be inspired by somesorta experience o mine in the school system. school is so fucked up u ever thing abt that#AND GILLIOOOOONNN IN THE MOST FUCKED UP LITTLE SCHOOL OF ALL. MAINTAINED BY A CULT. CENTERED AROUND HIM. OUR CHOSEN ONE#I IMAGINE ALOT BANKS ON HIS SUCCESS. THIS IS THE WORLD. THE WHOLE WORLD. THE PROPHECY IS GOING TO COME TRUE N UR TELLIN ME#THAT ITS THIS LITTLE IDIOT THATS GONNA BE SAVING US? WHAT IF HE FAILS. IF HE CANT GET THIS RIGHT THEN HE WILL FAIL AND WE WILL DIE#WE NEED TO TRAIN HIM. WE NEED HIM TO LEARN. AND TO SUCCEED. OR ELSE WE'RE DEAD. WE'RE ALL FUCKING DEAD. I IMAGINE THAT MUST BE STRESSFUL#in other news i hope ppl actually giggle when they read these. they ARE intended to be comical. dark humor or whatever. like its also sad#this is intended to be a sad comic series. but a funny one too. does that make sense? god i hope so.saw some1 say they had flashbacks-#-reading this. like YES!! THE INTENDED EFFECT!! YOU GET ME!! i love seeing ppl get upset on this lil baby boys behalf. i LOVE seeing ppl-#-wail n weep n cry in the comments. i LOOOVE seeing ppl RELATE to baby gillion. and i love letting u all know that this wont be a happycomi#gillion gets his happiness arc in the actual show. this series is one of unfortunate events. teehehehe. do u guys remember that show#i keep listening to the lil songs from A Series of Unfortunate Events for inspiration. GOOD STUFF!!#anyway uuhh uhh thats all i got in my brain. for now. feed me ur comments give me ur input i NNEEEEEDD THHEEEMMMM
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something I’ve been thinking abt is how many people think Makoto is immune to despair. I don’t think he is. I think becoming the ultimate Hope was BECAUSE he felt despair. He wouldn’t have fully reached that point without Junko. Makoto becoming such a beacon was his last attempt to avoid completely falling and it wasn’t because he didn’t feel despair, it was because he was too damn stubborn to allow everything to go to waste and he refused to sacrifice his beliefs for someone else’s. His inner monologue tells me he DID experience the same new low the other suvivors did in the final trial, but at the point where he had the choice to give up and die, he looked at the others and he looked at Junko and he couldn’t allow it to happen, not out of self preservation, but because the idea that Junko would have control over their lives made him FURIOUS. and that utter refusal to die kicked in, wether luck or otherwise, and he made the concious effort for one last push while something in him was breaking. He had to be broken in order for the Ultimate Hope to come through so aggressively, bc it could only exist in the face of the Ultimate Despair. He snapped the same way she did, but in the other direction. In what could have been his final moments he chose to embody everything Junko wasn’t, and every single optimistic and luck fueled ideal in him suddenly charged forward and pushed him. It was a combination of the final straw and a choice. Makoto isn’t immune to feeling despair, he’s just too stubborn to fall into it of his own volition. I think that’s why I like that scene in DR3 so much. People were SO SHOCKED Makoto actually fell for the tape, that he actually became despair for a moment. I saw people getting mad or disappointed, saying it was pathetic and Makoto seemed to fall from some sort of pedestal for them. Honestly part of me wonders if that sort of mentality, which clearly people had in universe, affected Makoto a bit. Like he started to see himself as less of a person, subconsciously. Prompting him to take more risks, less self preservation, act way more bold. It seems he has to be reminded a lot not to put himself in danger by his friends, to not do something too reckless. All over the place I would see in regards to that scene either this frivolous ‘oh this was just angst drama with no meaning behind it’ or ‘he can do better than that. he’s so weak’ or ‘come on, there’s no way he’d fall into despair, he’s the Ultimate Hope!’ This kind of mentality, which was kind of ironic considering Ryota was there the entire time saying the same thing and treating Makoto the same way. Like Makoto was superhuman. Like Makoto didn’t feel despair the same way ‘normal people’ did. In a way that was also how Munakata saw Makoto. Makoto stopped being a PERSON to the world when he became Ultimate Hope, he became a concept, a belief system, much the same way Junko ascended beyond herself. But the difference is that treating Makoto that way is the opposite of the reason Makoto became such a representative for hope. He wasn’t doing something no one else could. He was doing something everyone had the chance to, he just… was a little more optimistic, a little more stubborn, a little more ‘gung-ho’ about things. He just took the lead where no one else did, where no one else knew they even COULD in the face of Junko’s unstoppable force. She had overcome the biggest threats and obstacles in the world, what could one person do? And the answer Makoto found was, anything. Everything. It doesn’t all rest on Makoto, he’s just the one that was inspired to try to do what seemed like the impossible. But as evidenced by the change in his friends after that trial, it’s clearly not something only Makoto is capable of. The others pulled out of despair thanks to Makoto, but it was their choice to do so.
“But… this world is so huge, and we’re so small. What can we do…? No, we can probably do anything. Yeah! We can do anything!”
#makoto naegi#Danganronpa character analysis#Danganronpa#danganronpa thh#danganronpa future arc#I fucking love Makoto Naegi man.#I think there’s a fine line of nuance to Makoto that’s easy to miss bc he doesn’t really make it known#he’s not a pushover and he’s not overpowered. he’s a people pleaser but he will say what needs to be said#he’s an immovable object and the exact opposite of Junko but he’s also just a normal guy who’s optimistic and (un)lucky#he isn’t invincible but he has immense power to his words the same way Junko did#if anything his superpower is being kind above all else. he’s compassionate to some of the worst people in the world.#he was even conpassionatr to an extent to Junko. he didnt want her to kill herself despite everything she’s done#and he still acknowledges that for years she was a classmate and friend.#I do think the more he learned abt what she did the more he’s come to actually hate her though#post the first game he always refers to her without a suffix to her name which is one of the most subtle rude things you can do#it means you have zero respect for the person you’re referring to#and he speaks about her with some venom he doesn’t use for anyone else in the future arc#he’s not incapable of feeling negative emotions#I really liked the future arc scene bc it showed that Makoto DID experience enough despair to have overcome him if he didn’t refuse#and that it still affects him deeply. people treat him like he’s either this perfect ideal Chad or this baby chick who’s so delicate#and no one really focuses on how makoto shoulders so much and yet is still vulnerable.#honestly that guy was DUE for a mental breakdown even without the tape. it would have happened eventually#I actually wrote one based on him finally hitting a breaking point after giving so much of himself away and keeping nothing for himself#that his issues that he shoves down constantly finally can’t be held down anymore. Hajime helps him bc he knows how that feels#it was a LONG time ago that I wrote that but honestly if I can remember where i was going w it I might finish it#it was initially an rp but I could make it a fic#anyway. the point is Makoto is SO much more complex than people give him credit for#the most fundamental thing about him is that he’s normal and that’s ok! that’s what helps him rise!
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VINCENT PRICE and NANCY KOVAK
Diary of a Madman (1963) dir. Reginald Leborg
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katierosefun · 6 months
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modern family is all fun and games until you get to the scenes where you burst into tears because the once-vaguely homophobic dad now refers to his son's husband as family, and also the academically gifted daughter realizes that her dorky, clumsy dad was always really proud of her and just never surprised because he just assumed she could do anything, and also the eldest daughter who eloped comes crawling back to her parents' room and whispers that she still wants her parents to be present for her wedding, and also the anxious queer lawyer character admits that he was terrified that his husband would just leave him alone with their baby daughter, and also that the once-vaguely grouchy dad looks at his stepson and tells him that what makes a family is who sticks around, not who you're blood-related to and anyways what was i saying
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brambletakato · 17 hours
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Gunman Joe is most likely a hologram and is probably controlled by one of the inventors to stilt the other's progress (and probably not whoever Eggmuffin is, as it appears on top of their building and would probably dissuade Layton and Luke's efforts to connect to Eggmuffin). The voice is probably a voice changer of sorts. I don't think this is the main antagonist though.
The background art is GORGEOUS. And VERY American. I forgot to mark it down on my bingo sheet. SNAILMOBILE AND OSTRIDE!!!!!!!!!!!!!!!!
how much are you guys betting that the purple fog is doing some psychological horrors (JOKE)
music bangs as usual RAAAAAAAAAAGH
Ok... I think what was originally making me feel gloomy about the models is solved after seeing the puzzle solved (heh) animation, and I feel a bit more hopeful. The models we see here only have one form of shading as opposed to the NWOS switch teaser or the puzzle solved animation. This game IS early in development so now that makes sense. I mean it looks bad but I think it'll improve. And if not I'll do it myself. Plus the shading in the switch teaser is purple-hued and the shading in-game that we see here is black, which is USUALLY a sign it's still being tweaked around in the background.
The fact that they're STILL aiming for 2025 makes me worried though... The game definitely needs polishing. Realistically delaying it would've been expected at its current stage, but persisting in a 2025 release gives it about a year and a third. Of course Level 5 is known for delaying things all the time so they could just be like "gomen minasama 2026" but... I feel like if they are persisting in a 2025 release... mm... After all of that, the trailer was nice but a bit worrisome. It's obvious now that they're still in development and it's not the final look though! One thing that comes to mind is the crusty Desmond model we saw wayyyy early on in AL's development;
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Like. There's still time. I would be especially surprised if the don't at least add a bit of texturing to some of the models (like the texture-baked shaking in luke's hat or desmond's hair). I'm less pessimistic about the 3d model style now especially with its siblings looking as peak as it is (inazuma eleven, decapolice, etc)
That being said, I can't say much about what I'm hoping for until we see the TGS (did you guys forget about TGS /silly), though if it IS coming out in 2025... I hope to god it's like. December or something. I really don't want this to be rushed and with how it looks right now I wouldn't exactly be happy with it. In fact if there is 2d cutscenes I can totally see them saving it up for TGS too just to have something new and exciting rather than the same information we've already seen. Concluding, things are going smoothly, models are still developmental-looking, and I have mixed feelings but it's slowly bouncing back to positive all because of crusty desmond png
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okawarihappylife · 24 days
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i am once again thinking abt the lost potential that is hypmic.
#i literally just messaged my friend abt this but stick w me#when nemu gets hypnotized we see her wanting to join the pow which. makes perfect clear sense even without hypnosis#shes shown through out all of tdd as hating unecessary violence and samatokis outburts due to their upbringing#and a political movement that (pretends to) erradicate all violence would interest her like. im just connecting dots here#and she joins because shes hypnotized and blah blah blah. boring. ok but what if. and hear me out.#the hypmic didnt completely overwrite the person but just made them act on their deepest desires#like i thinm my case w nemu is already presented but hear me out for my second contender. sasara#a man that became a thug on a whim because this guy reminded him of his ex. ok cool. what if we went harder on that#sasaras shown to be analytical and extremely cynical already. what if we just ignored canon for a bit#and focused on making his relationships a bit more fucked up. especially involving samatoki#sasaras drawn to him because samatoki fills the void that rosho left him. hes just smth he needs at the moment#but w my wonderful vision what if he grew tired of this fake. what if he had enough. hes not rosho he will never be#hes served his purpouse. but now sasaras stuck. in the middle of ikebukuro bashing some guys head w a pipe#AND THATS WHEN THE MIC COMES IN BABYYYYYYYYYYYYY#this was also brought to you by the fact that i want to see samatoki suffer. i want to see him at his most pathetic#i want him to come to the realization his best friend left him because he no longer fit his ideal vision#i want ACTUAL FUCKING CONFLICT FOR ONCE THAT ISNT SOLVED BY 'hey man. rappings fun' PLEASE#i want these bitches fucked up and in torment#uhhhh didnt think abt kuko w this au at all. idk yall do what you want w him#hypmic#hi main tag :3#•txt#•hypmic#•idol nonsense
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aq2003 · 24 days
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omfg . radio play version of much ado with david as benedick from 2001
#this version of benedick is a lottttt more serious and restrained than the 2011 version#definitely due to the medium and bc it matches the energy of this version of beatrice way better#it's not david and catherine's insane comedic chemistry but it's still really good imo..#like it's obviously not as endlessly fucking funny as the 2011 version but it's still really solid#and i'm impressed with how they did the humor in a 100% audio format#and i actually really love this interpretation of benedick as more cynical and leaning into his Hater side#ironically david's benedick here generally comes off as older and more mature than his benedick 10 years later#'the prince's fool... hAhH???' is obviously extremely funny but also 'the prince's fool... [uppity hmph]' is Inspired#and his outraged 'oh!'s and gasps and sighs when he listens to don pedro/claudio/leonato talking abt beatrice being in love with him#also funnily enough i think benedick's whole monologue after this is SO good. if not better than the 2011 version#cuz it's more restrained you have benedick's haterism actively fighting and losing against his satisfaction and giddy laughter#and the bit where benedick challenges claudio is so ohhhghhgouhgghg#the way his voice deepens with 'and her death shall fall heavy on you' just FLOORS me it's fucking perfect#but also equally as fun are the line readings where they have evidently remained the same (or similar)#my dearrrrr ladyyyy disdaiiiiinnnn#and the 'she misused me past the endurance of a block' rant#and when he's bitching about claudio falling in love w hero#but the vibes are so different this feels like a whole separate guy and that's really cool#i'm not sure how much i would love this production overall if i wasn't as familiar w the play tho#much ado#essentially trying to say in the least embarrassing way possible that david tennant is now both my first and second favorite benedick
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chirpsythismorning · 10 months
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This is a continuation in exploring why I think Mike's character regression over the seasons can be explained in part by guilt, which he has yet to confront
Original post
Now we're onto s2, which jumps us ahead in the timeline a bit.
Mike has been calling out to El on the walkie for approx. 252 days now, under what he views as the false hope she might actually be alive. This is mostly based on the fact that Mike thought he saw El outside of his house a few hours after she 'died' (he did see her, bc she was there...) and so a part of him does think there's a chance. And yet this is also isn't something Mike seems to be comfortable talking about the others with.
Which brings us to the crazy together scene. Although this scene has a lot going on, there's one aspect of it in particular that I want to focus on, as it's the driving force for what is going to be discussed, which is that Halloween night was also the last night Mike called El, aka day 353.
I just want to preface what follows, with the fact that I do not personally think Mike giving up calling El, as a concept on its own, means that he couldn't possibly love El romantically or something. It's not even about that idea from an audience perspective. And this is because any average person, in reality, mourning someones' death, should not be calling out to that person for almost a year. Letting go doesn't make you a bad person, whether it was romantic, platonic or even familial. It's called healing and accepting what is and trying to move on and live your life.
Neither does Mike giving up after that night make him heartless or a bad character in my opinion. It literally just makes him human. But that also doesn't mean that's how Mike feels about it, nor does it mean that the manifestation of this guilt isn't going to affect his behavior over the course of the series, causing some very unfortunate choices on Mike's part to then lead to some very unfortunate events for everyone...
Where it starts to get sort of complex is that I think the whole point of the crazy together scene and where it ended up was to for it to showcase how Mike and Will were both willing to accept each other, despite these secrets they've been keeping to themselves.
Will revealed the truth to Mike about how he could still see into the UD, with the addition of seeing this big 'shadow in the sky', followed by asking Mike to not tell the others because they wouldn't understand. Mike then responds by saying El would understand, followed by confiding his own secret to Will that he's been keeping from the others, which is that he thinks he's seen signs that El could still be alive.
The scene then ends with them in agreement that if they're both going crazy, they'll go crazy together, with it arguably being their most incriminatingly romantic moment to date, as it juxtaposes other uncannily similar romantic mentions on the show involving that same word.
But no matter what happens, they're promising to support each other, specifically the weird shit they have going on and could presumably continue to explore that weirdness, without telling anyone else who might judge them for it or misunderstand their feelings entirely...
This is why Mike had no problem with Will going crazy in s2 because as promised, he was going to be right there with him. Also meaning, Mike COULD have had no problem continuing to test out his theory that El was alive, because Will would have supported him.
Obviously, Will sort of had his hands tied in s2 (literally?), but the point still stands. It's not like this was something Mike HAD to give up, because that conversation between him and Will instilled that they would support each other and what makes them feel crazy.
I think the issue though, is that what's causing Mike so much grief daily for almost a year now, is the guilt that came with El's death and him feeling responsible. And so, in contrast to Will's slightly more justified assumptions that what he's seeing could actually be real based on what's happened to him, it's like Mike is asking himself whether he's actually seeing El because she's still alive OR is he just imagining she's still alive because he wants to forgive himself?
A kid deducing that in their head would make them feel pretty awful, don't you think? Maybe even lead them to calling out to that person for almost a year in hopes that they might still be alive?
Meaning Mike choosing that night to walk away, to give up, is likely a result of his conversation with Will making him feel more comfortable with finally letting go of some of that guilt in order to actually start the process of moving on. Because a big part of why he didn't want to move on was because of guilt in the first place.
Also confiding in Will and only Will, not the others, who were hell bent on interpreting all of Mike's feelings for El as romantic, was maybe Mike's way of avoiding the pressure to associate his whole relationship with El as strictly romantic. With Will, maybe Mike knew he wasn't going to spin it into something like that. And he would’ve been right, because Will didn't.
October 30th, Halloween Night (Day 353 - Last call)
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You cannot tell me that day 353 isn't framed as the last call. Like Mike is literally walking away dramatically, leaving El alone, with her now just a tiny dot surrounded by darkness. The way it's framed leaves the viewer genuinely feeling heartbroken because there's some very evident finality to what is being presented. And we even see that El feels it too, hence the episode cutting off dramatically with her tear filled eyes.
And so why did Mike choose THIS moment to give up? Why did he choose now to put his 353 day streak to rest? Like, that was impressive as hell. He could have easily kept that going, but instead he decided that this was going to be the last time he was going to try calling out to her...
November 1st (Day 354)
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El is still pretty bummed that Hopper came home late last night, but I'm guessing she's even more bummed still processing what might have very well been Mike finally giving up that night too.
Although I don't think El would blame Mike for giving up, still, she too throughout all of this had been building up hope herself. El's been clinging onto the bond she made with Mike, specifically the romantic moments, to the point where she has been watching shows with romantic themes, putting herself in the position of the love interest.
So him not giving up, to El, has been a signal that what they are feeling between each other is very deep and... romantic. Him keeping this going this long is a sign to her that these feelings are pretty much guaranteed. And if he doesn't continue, that hope would obviously dwindle.
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At breakfast that morning, Hopper acknowledges the TV cord peaking out of El's room, which is the device she uses to visit Mike from the void, all the way from the cabin. Without it, she is not able to 'communicate' with him, let alone see if he actually didn't give up after that night she feared he did...
Unfortunately her and Hopper have an argument after this, leading to her storming off to her room. And after Hopper is gone, El finds herself being so impatient to see Mike after almost a year of waiting, that she decides to take fate into her own hands. She isn't willing to wait until the evening, which is roughly speaking the usual time Mike uses the walkie to call her every night. She needs to see him now.
And lucky(?) for her, she does!
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Finally! A SIGN! After almost a year of no signs that El is alive, since the night she went missing, Mike is getting a sign El is alive!
And he runs after it! He goes to check to confirm his (valid) suspicions, only for her to not be there, with Mike looking disappointed, but also kind of like he's accepted it's a lost cause at this point.
Mike's hope that El is alive and okay and the relief that would come with finally letting go of this massive weight of guilt, is not within reach. He just needs to accept it and let it go. He needs to forgive himself and move on.
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On top of all of this, Will is experiencing his own version of crazy. And Mike seems more concerned with focusing on this and supporting Will, than holding onto this hope that El is alive.
So even though Mike just got a sign that El is alive (which parallels to the initial evidence of her being alive outside his house, what literally initiated him to call out to her for almost a year), he doesn't revert back to his approach of not giving up. He sticks by his decision.
The irony of what happens with El the same night that Mike doesn't call, for the first time, is not lost on me...
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Tragically, El doesn't know Mike actually gave up (just like she feared he did) because she lost her ability to communicate with him that night.
I wonder how differently things would have played out if she new the truth. Would she have held onto this really romanticized idea of her and Mike's relationship because he never gave up? Or would she have maybe reassured Mike that it was okay that he gave up and moved past it and still hoped and tried to make it work? Honestly, I think the later.
Because again, it's not Mike giving up that makes him a bad person or something that refutes his ability to love her romantically, it just means that it's not true that he never gave up.
And Mike being the only person to know this fact... Um... Cannot be good for him.
October 2nd (Day 355)
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As El is trying to revive a modicum of hope that she can see Mike again through the void, to confirm her hopes that he didn't give up, by using the TV like she usually does, she discovers that the cord is broken. It's a lost cause.
On the other side of town, Mike is entirely focused on Will. The previous night, he did not reach out to El. He gave up. And El is none the wiser.
The writers made the choice to have one more night that Mike could have called El because he was at home that night on day 354, a day that actually involved an incident that you'd think would have reignited his hope that she was alive, before he inevitably jumped head first into focusing on Will, with him not being home for the rest of the season. They could have shown us Mike calling out to El from the other side of town, and then cut to her in her room not knowing... And yet, they didn't...
This is where I jump to the end, because the focus primarily when it comes to El and Mike's arcs for the rest of the season are with El trying to find her mom and discover more about herself, while Mike is trying to be there for Will in any way he can.
The sad part is that despite Mike giving up and trying to move on from El's death, that guilt is never really going to go away. He gave El expectations that she had to risk her life to find Will, and all of that built up and inadvertently led to her death.
But maybe Mike can right the wrongs he had El endure by following through on his focus of not letting Will die too? Maybe if Mike can save Will, El wouldn't have died for nothing?
But with this guilt and Mike trying to overcorrect it all, he's also experiencing very real and emotional moments with Will. Will is his best friend, and just a year ago Mike risked everything to get him back. A lot of those moments he experienced with El in s1, moments mixed with romantic expectations, are now also lingering here with him and his friend in s2. Except these aren't forced expectations. Everything Mike’s feeling and doing the entire time comes naturally to him, with none of it requiring pushing or advice from those around him. It's just pure instinct.
In the end, Mike's beside Joyce and Jonathan, who are sharing memories they have with Will to him in hopes it will prove to them he's still in there and able to be saved.
This emotional sequence builds up to Mike using his own memory of Will to try to reach him, one that comes off as platonic in every sense of the word, but visually, and when looked at in the grand scheme of things, especially with what is about to follow and those romantic expectations with El soon being thrust back on him... Well... Shit is about to get real messy.
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Upon reuniting with El, Mike was quick to want to tell her that he never gave up, only for her to interrupt him with the exact number of days he called (before he gave up).
This is news to Mike for an abundance of reasons. It means he's not crazy and that El actually was alive those two times he saw her. All this (survivors) guilt that's been building up over the last year could have been avoided if he'd known that she didn't die, that she was okay.
It also means that for some reason, El heard him, and yet she doesn't know that he gave up...
And here Hopper is, revealing that he's been hiding her the whole time aka the perfect person for Mike to take all of this pent-up emotion out on.
Hopper then tells Mike that they will discuss this privately, which I find to be very interesting because it offers a chance for the viewer to see just a glimpse into Mike's emotional state at this moment, without everyone around to affect his ability to truly open up about how he's feeling. And not alone just anywhere in the house, but in Will's room...
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Mike is understandably upset because El is alive and Hopper knew this whole time and didn't tell him.
While Hopper didn't technically lie to Mike, at least not in canon because we never got an outright scene on-screen of Mike asking Hopper if El was alive with him denying it (all while knowing she was), it's at the very least a lie of omission...
But the thing is, if Hopper not clueing Mike in on El being alive qualifies as a lie of omission (off-screen), so does Mike not telling El he gave up (on-screen).
If anything Mike's lie of omission also qualifies as a plain old lie, because he outright told El he didn't give up (lied) and didn't correct her when she informed him she knew he didn't. She fully believed it, despite him knowing deep down that it wasn't the full truth.
So while Mike is taking all of his anger out on Hopper as this fighting match comes to a head, it takes a turn.
Hopper is fine with Mike blaming him, he says it's 'okay'. But it's not. Nothing about this is okay to Mike, seeing as this isn't even the whole problem. It's not the problem Mike's actually hiding within his outburst in the first place.
Suddenly Mike starts screaming to Hopper that he's a 'disgusting, lying, piece of shit', chanting LIAR over and over and over again, shoving him repeatedly, only for him to fall into Hopper's arms and start crying, with Hopper reassuring him that he's okay.
Something tells me Mike's emotions here aren't all about Hopper...
Something tells me that Mike's fixation with the word liar doesn't apply to Hopper here as much as it applies to Mike himself (in his eyes)...
The main reason why I think this is what's actually going on here, is because there was no reason to put so much emphasize on this concept of Mike literally walking away that last time he called her.
Why go through the trouble of creating this misunderstanding, by having the TV not work, with El not being able to go into the void to see Mike, THE very night he gave up, if to not plant the seed that this misunderstanding was going to bear some significance? That this misunderstanding (lie? lie of omission?) was going to lead to El assuming Mike didn't give up, all while Mike knows he gave up, but going along with the story that he didn't, for both El's sake and his own?
BECAUSE it's a surprise tool that will help us later!
I also think it's interesting that they decided to have Will go off and dance with a girl at the snowball BEFORE Mike decided to devote himself to El here on out. Like... that is quite the choice after a season of highlighting this bond between Will and Mike where they promise to go crazy together, which is a moment we know Will took romantically.... So, is it possible Mike also took it romantically? We know Will also took Mike's speech to him in the shed romantically, so is it possible Mike did too, with that experience only heightening his emotions and confusion over his feelings for El when he found out she was alive shortly after, leading to his outburst? But then Will is going and dancing with the girl, and here we have Mike's own version of falling behind (the Time After Time lyrics were more literal than you think).
What if they didn't do all of that? Would things have maybe panned out slightly differently if Mike wasn't under the (incorrect) assumption that Will didn't take those moments romantically?
While Mike's guilt might have started in s1, when he played the biggest role in pushing expectations onto El to help them find Will, only for her to 'die', it doesn't end there. Mike's guilt only builds when he holds the knowledge that he did give up hoping she could be alive, all while allowing El to believe the opposite based on what she saw, which was a guiding force for not only her love and dedication to him flourishing, but also for him to then shift his own version of expectations onto himself going forward to make it up to El by trying to be who she wants him to be.
We see how romanticized 353 days is interpreted exclusively as meaning Mike has to be in love with El. But he did give up. So what does that mean for all of this? For their picture perfect love story?
What does it mean for Mike to hold onto this truth, a truth that makes him feel immense guilt, only for him to spend the next year or so making it up to her...?
It means either Mike has to come clean, or he has to deflect and double down.
What option do you think a guilt-ridden, repressed homosexual kid in the 80's is going to choose?
Answer? Deflect and double down.
In s3, Mike is so focused on worrying about El (giving her what he thinks she wants) so he can right all the building up of wrongs he has done at her expense since he met her, and as a result loses Will in the process (where have we heard this before...?)
Instead of Mike having a moment in s3 where he acknowledges that he himself was the first to ever refer to El as a weapon in the first place, to try to save Will in s1, he's now turning around and blaming the others for using El as a weapon 'for no reason'...
No reason? Really Mike? Is it for no reason, or is it just not a good enough reason to you this time?
Or maybe has Mike just actually spent enough time with El now to truly feel a bond with her in order to see her as a full person, slightly outside of this imaginary superhero he's cooked her up to be when he met her that day in the woods, the day his life started because she was his first and only hope of finding Will? (I say slightly bc... I mean we all saw what happened in s4?)
I honestly think it's a mix of both...
I also think it's not a coincidence that Mike doubling down instead of facing the truth about this manifestation of guilt only makes things worse for him. And El. And Will.
Because suddenly he's choosing this moment to blurt out that he loves and can't lose her again, in front of everyone, even to his own dismay and shock. And when El walks in and gives him a chance to say it to her himself, like any person whose in love with someone would want to do, to make them feel loved, he looks terrified.
And when the season ends and Mike is given another chance to say it finally, to El directly, in roughly the exact same spot he had his emotional outburst in the previous season over finding out she was alive at the same time he was still grappling with losing Will again, IN WILL'S ROOM, he freezes. He just lets what happens, happen.
Because after everything, with El right now in front of him, telling him she loves him while being fully convinced he loves her too after everything they've went through, how could he possibly take it back, or try to make her understand his complicated feelings about all of this?
Answer? He can't.
As hard as it is to believe (not that hard honestly based on his track record), Mike's deflection and stalling era is just beginning...
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pawnshopsblue · 11 months
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personally i think its weird rory wasnt at least pissed about logan swiping the sewing box during dinner at her grandparents’ like she’s genuinely an idiot when it comes to him
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rollercoasterwords · 3 months
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Please indulge me, I’m very visual… all the while you’ve been writing ATWMD, are there any actors or musicians you’re thinking of that best represent how you’d imagine the characters to look like?
no i’m sorry i am not a fancast person 🤧 i don’t picture celebs etc when i’m writing i just imagine guys in my head…but there are some lovely artists who have made art for wfrau if u want to get a visual that way! @lyr-caelum @theinvisiblemuseum and @queerfeardear have all made art which i’ve embedded in the fic & u can also scroll thru my #fic art tag to find it there!
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wylansvanhendriks · 1 year
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live action prince eric you are soooo silly and i love you <3
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Why I Am Not Coming In To Work Today [abridged], Jess Zimmerman
part one | part two
#toronto maple leafs#HELLO EVERYBODY THIS HAS BEEN MONTHS!!! MONTHS IN THE MAKING BECAUSE i AM UNHINGED AND NEEDED THE PRECISE PICTURES THAT I KNEW I WOULD GET#like. seventy five percent of this has been done since the first time i posted this and while it has gotten better with time because#my narratives simply got more complex and there's so much of this that is For Me but don't worry i will explain but aLSO goddamn mitch coul#you have gotten married any later in the year. also willy you truly disappointed me by not getting an absurd haircut this year (now that#i've said this he's going to debut it on instagram like. tomorrow. but anyway that meant y'all got to enjoy my neuroses of#Loving Tyler Bertuzzi who is a goddamn leaf. the joys of having to wait to post this (was not a leaf at the time i started it) and anyway i#have at length i think had the breakdown about tyler in pigtails girl dad & how i got a bob & then tyler copied me which was rude. that's m#gender. ANYWAY starting from the top we got sheldon keefe documentation which was really just the personal decision that i wanted all the#coaching staff to be the markers in the poem/the bold & also at the TIME keefe hadn't re-signed &we thought it might be everybody out w/kyl#anyway the title of the scrap of an old lover's flannel is literally 'u think this is about sheldon & kyle NO it's about timothy liljegren'#bc. liljegren was on the marlies winning cup team & has had a contentious relationship w/keefe ever since & was healthy scratched in playof#& the narrative is sooooo. also at one point for the ryan o'reilly i was going to edit the stlb out of his grandma's shirt or cover it w/th#childhood dreams line but THEN i found the gio snapped stick one which was too perfect for 'crumbling copy' the ryan o'reilly To Me is so.#ur insane in ways u did not think for that one. like. how soft her hands were. his grandma you guys. he grew up a leafs fan. if he ever get#to lift the cup with her again i will lose my shit. the cup run a movie i remember nothing--OKAY the spezz one i knew i needed him stresse#but also i believe in the spezz/kyle narrative so. it comes up later don't worry ALSO SPEZZ FOLLOWING HIM TO PITT CAME AFTER I MADE THIS bu#the muzz tea one makes me a little sensy bc muzz was out with an injury for most of this season & it was a really scary spinal one & so yea#& then the simmer one just straight up makes me cry bc i love him so much & the work that he does for anti-racism in hockey means so much &#if you have that video open & watch it i promise you will cry i do every time it's so beautiful he had to be on comforted by beauty & sammy#boy is on the a man who doesn't know me because EYE remember the caps goalie tandems. baby lilya. the mo one is a little funny bc it is#solely due to wade's thread about mo rielly the coal miner homestead husband. that's why he moves to omaha also i think it suits him (quiet#OK NOW OLD MEN IN LOVE NARRATIVE this one's in contention for my fave bc it's spezz coping w/retirement fundamental meaningless of existenc#u heard abt tyler already that's for me the minchy picture was just too good i had found it earlier & i spent SO LONG looking for an empty#leafs rink picture for bathtub i have some cool construction photos but i wanted the melting ice ones (thought about tahoe lol) & the sprin#one i manip'd a lot bc i needed a spring picture bc playoffs clinch in spring & that one fit so coincidentally perfect bc it's 7 straight#seasons 7 guys so. :) & i KNEW i swore to god they did more milk advertising i knew i was gonna do this one from the minute i saw the poem#the milk patch & it took a hot minute BUT I FOUND THIS ONE this one's for funsies. AND THE PIC I WAITED SO FUCKING LONG FOR this is actuall#from kerf's wedding but i was like i know on god mitch is getting married this summer & that's about to be the drunkest shenanigans wedding#i'm waiting for the pics. & then i was BLESSED with this one which is beautiful & perfect & LOOK AT THEM. anyway the last one is bc
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noisytenant · 9 months
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i feel like fandom people love to put characters into archetypal family roles, especially like "adoptive parent", and it's so fucking annoying because half the time the characters in question are not parental at all, and should not under any circumstances act in a parent capacity. they just have a meaningful intergenerational friendship/mentorship and that's inconceivable
it's worse when the younger character has a canon family that's actually decent. the idea that an adult mentor should only function as a replacement for or extension of the family is so perverse. you familypilled fascists
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ocularpatdowns · 23 days
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sunny needs to do an episode where dee fully becomes a lolcow
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