#Culture Media Market Size

[colinwilson11]

Viral Vaccine Cell Culture Media Market Will Grow At Highest Pace Owing To Rising Prevalence Of Viral Infections

Viral vaccine cell culture media are essential growth mediums required for the propagation of viruses, used in the manufacturing of viral vaccines. It provides necessary nutrients to sustaining and propagation of cells outside of living organism. The composition of viral vaccine cell culture media varies depending on specific requirements and types of viruses being cultivated. It contains necessary salts, amino acids, proteins, vitamins and other organic compounds essential for growth of cells. The advantages associated with viral vaccine cell culture media include standardized and defined composition, ease of scale-up for large-scale manufacturing, and supporting growth of anchorage-dependent and suspension-adapted cells. The need for viral vaccine cell culture media is growing owing to rising incidences of viral infections and technological advancements in vaccine development.

The Viral Vaccine Cell Culture Media Market is estimated to be valued at US$ 1.8 Bn in 2024 and is expected to exhibit a CAGR of 5.8 % over the forecast period 2024-2031.

Key Takeaways

Key players operating in the viral vaccine cell culture media are Thermo Fisher Scientific, Merck, Sartorius,Creative Biolabs, Xell. Thermo Fisher Scientific dominates the market with wide range of viral vaccine cell culture media products.

Rising prevalence of viral infections such as influenza, COVID-19, hepatitis, and others is driving the demand for viral vaccines exponentially. As viral vaccines are manufactured using cell culture technologies, their growing demand is directly fueling the viral vaccine cell culture media market.

Advancements in cell culture technologies, serum-free and chemically defined media are helping overcome issues related to undefined compositions and lot-to-lot inconsistencies. These technologies are supporting more reproducible and scalable manufacturing of viral vaccines.

Market Trends

Serum-free and chemically defined media - These media eliminates risks of contamination from animal-derived components and assists consistent performance during vaccine production. Major players are focusing on development of serum-free formulations.

Single-use bioreactors and technologies - Single-use technologies are helping achieve flexible, consistent and scalable production compared to conventional stainless-steel bioreactors. This trend is positively impacting the viral vaccine cell culture media market.

Market Opportunities

Rising viral vaccine production in developing economies due to increasing disease burden is creating opportunities for viral vaccine cell culture media manufacturers to expand in emerging markets. Adoption of continuous manufacturing technologies using perfusion platforms can further improve productivity and efficiency of viral vaccine production. This presents lucrative opportunities for media manufacturers.

Impact Of COVID-19 On Viral Vaccine Cell Culture Media Market Growth

The outbreak of COVID-19 pandemic has severely impacted the growth of viral vaccine cell culture media market globally. The increased demand for vaccine development caused disturbance in the supply chain and manufacturing process of cell culture media. The lockdowns imposed by governments across various countries led to temporary closure of production facilities and disrupted import-export activities. This affected the availability of raw materials and components required for manufacturing cell culture media. Furthermore, restrictions on travel and transportation made it difficult for companies to conduct clinical trials and testing of vaccines under development.

However, with gradual lifting of lockdowns and resumption of business operations, the market is expected to regain lost momentum in post-COVID times. There is surge in R&D funding from governments and private organizations towards development of vaccines against coronavirus. This has boosted the demand for cell culture media from biopharmaceutical companies. Various start-ups and established players have entered into strategic collaborations with research institutes working on COVID-19 vaccines. They are focusing on expanding their production capacities to meet the growing requirements. Moreover, shift towards single-use technologies and automated solutions is expected to enhance production efficiency. Advancements in cell culture protocols will further drive the market growth in coming years.

Geographically, North America holds the major share of viral vaccine cell culture media market in terms of value, led by substantial research funding and presence of leading biopharma companies. Asia Pacific is emerging as the fastest growing regional market, supported by increasing government initiatives, improving healthcare infrastructure and growth of biosimilars industry in China and India. Recently, several Chinese manufacturers have started offering antibody and cell-based therapeutics against coronavirus. This is likely to boost the uptake of viral cell culture media in Asia Pacific post pandemic.

Impact Of COVID-19 On Viral Vaccine Cell Culture Media Market Growth In India

The COVID-19 outbreak hit India during the initial months of 2020. The country went into a nationwide lockdown enforcing travel restrictions and closure of non-essential services. This impacted the biopharmaceutical industry and temporarily disrupted the supply of cell culture media. Local production was halted as workforce mobility was constrained. Import of critical raw materials from other countries also reduced due to global supply chain disarray.

As a result, several vaccine developers faced challenges in terms of insufficient stock of cell culture media for ongoing R&D activities. Their pre-clinical research and clinical trials got delayed. However, as the lockdown rules were relaxed phase-wise, the Indian government initiated measures to resume operations following strict safety norms. It provided regulatory clearances and financial incentives for ramping up indigenous manufacturing of vaccine components including cell culture media.

India currently holds around 8-10% share of global biologics production. Post pandemic, efforts are being directed towards building self-reliance in vaccine manufacturing. Local players are augmenting their production capacities of viral cell culture media in collaboration with research institutes. Additionally, foreign companies are also evaluating India as an alternative manufacturing hub due to lower costs and large talent pool availability. Thus, India is anticipated to be one of the fastest growing regional markets for viral vaccine cell culture media in coming years.

Get more insights on this topic:  https://www.trendingwebwire.com/viral-vaccine-cell-culture-media-market-set-to-grow-due-to-advancements-in-cell-culture-techniques/

Author Bio

Vaagisha brings over three years of expertise as a content editor in the market research domain. Originally a creative writer, she discovered her passion for editing, combining her flair for writing with a meticulous eye for detail. Her ability to craft and refine compelling content makes her an invaluable asset in delivering polished and engaging write-ups. (LinkedIn: https://www.linkedin.com/in/vaagisha-singh-8080b91)

What Are The Key Data Covered In This Viral Vaccine Cell Culture Media Market Report?

:- Market CAGR throughout the predicted period

:- Comprehensive information on the aspects that will drive the Viral Vaccine Cell Culture Media Market's growth between 2024 and 2031.

:- Accurate calculation of the size of the Viral Vaccine Cell Culture Media Market and its contribution to the market, with emphasis on the parent market

:- Realistic forecasts of future trends and changes in consumer behaviour

:- Viral Vaccine Cell Culture Media Market Industry Growth in North America, APAC, Europe, South America, the Middle East, and Africa

:- A complete examination of the market's competitive landscape, as well as extensive information on vendors

:- Detailed examination of the factors that will impede the expansion of Viral Vaccine Cell Culture Media Market vendors

FAQ’s

Q.1 What are the main factors influencing the Viral Vaccine Cell Culture Media Market?

Q.2 Which companies are the major sources in this industry?

Q.3 What are the market’s opportunities, risks, and general structure?

Q.4 Which of the top Viral Vaccine Cell Culture Media Market companies compare in terms of sales, revenue, and prices?

Q.5 Which businesses serve as the Viral Vaccine Cell Culture Media Market’s distributors, traders, and dealers?

Q.6 How are market types and applications and deals, revenue, and value explored?

Q.7 What does a business area’s assessment of agreements, income, and value implicate?

*Note: 1. Source: Coherent Market Insights, Public sources, Desk research 2. We have leveraged AI tools to mine information and compile it

[neha24blog]

Cell Culture Media Market Focusing On The Basis Of Product, Application, Region And Forecast 2030: Grand View Research Inc.

Cell Culture Media Market Focusing On The Basis Of Product, Application, Region And Forecast 2030: Grand View Research Inc.

San Francisco, 5 Nov 2022: The Report Cell Culture Media Market Size, Share & Trends Analysis Report By Product (Serum-free Media, Classical Media), By Type (Liquid Media, Semi-solid And Solid Media), By Application, By End-user, By Region, And Segment Forecasts, 2022 – 2030 The global cell culture media market size is expected to reach USD 10.2 billion by 2030, according to a new report by…

[market-insider]

Cell Culture Media Market 2022 | Serum-Free Media Segment Held The Largest Revenue Share

The global cell culture media market size is expected to reach USD 10.2 billion by 2030, according to a new report by Grand View Research, Inc. The market is expected to expand at a CAGR of 12.1% from 2022 to 2030. Expansion of biosimilars and biologics, growth in stem cell research, and emerging bio manufacturing technologies for cell-based vaccines are the major factors which are likely to drive the market. For instance, in October 2021, the Australian Government funded the Australian-led stem cell research through USD 25 million in grants.

The expansion of clear, regulatory approval paths for biosimilars in emerging markets is generating great opportunities for biosimilar monoclonal antibodies.  The availability of an approval pathway in the U.S., has led to new opportunities for bio manufacturers to enter major markets around the globe. Biosimilar versions of monoclonal antibodies have the probability to offer cost reductions of 25-30%, and many emerging market countries are vigorously developing pathways for approvals and are swiftly catching up. As this industry is expanding the key biopharmaceutical players are adopting robust culturing technologies to meet the increasing demand; thereby driving the growth of the market.

Gain deeper insights on the market and receive your free copy with TOC now @: Cell Culture Media Market Report

Moreover, there is growing interest in improving the stem cell culture, because this technology is being used extensively in research for studying the stem cell biology, as well as for therapeutic applications. Furthermore, funding related to this research field has augmented in recent years which has accelerated the growth of the market. In addition to this, key media manufacturers launched new products for stem cell research. For instance, in September 2021, Bio-Techne Corporation launched a novel medium for the maintenance and expansion of induced pluripotent stem cells having applications in both translational and research workflows.

The outbreak of COVID-19 pandemic has improved the demand for well-established cell-based vaccine production technologies. Moreover, it has given rise to a few scientific innovations, particularly in the production and testing of vaccine technology. For instance, the Vero line originated from the African green monkey kidney and has been extensively used for viral vaccine manufacturing. It has also been used for the development of various SARS-CoV variants. ProVeroTM1 Serum-free Medium is one such medium manufactured by Lonza Bioscience which is protein-free, and of non-animal origin designed to support the growth of Vero cells and MDCK.

Moreover, in many European countries, cell-based flu vaccines have been approved. A probable advantage of cell culture technology is that it authorizes faster start-up of the manufacturing of vaccines during the pandemic. Today, the development of superior biological models, the optimization of culture growth medium, and the reduced dependence on animal-derived components endure to drive the rapidly developing vaccine development.

On the other hand, ethical issues concerning the use of animal-derived products hinders the industry growth. For instance, FBS is collected from the blood of fetal calves is one of the major ethical issues of serum containing media. It is projected that 600,000 liters of FBS is achieved from up to 1.8 million bovine fetuses are produced globally every year, presenting momentous scientific and ethical challenges. To overcome this issue, numerous workshops were held in the past on the replacement of fetal bovine serum and possible ways to reduce the use of FBS in media.

[desaletushki]

Cell Culture Media Market Growth Factors

Cell Culture Media Market Growth & Trends

The global cell culture media market size is expected to reach USD 10.2 billion by 2030, according to a new report by Grand View Research, Inc. The market is expected to expand at a CAGR of 12.1% from 2022 to 2030. Expansion of biosimilars and biologics, growth in stem cell research, and emerging bio manufacturing technologies for cell-based vaccines are the major factors which are likely to drive the market. For instance, in October 2021, the Australian Government funded the Australian-led stem cell research through USD 25 million in grants.

The expansion of clear, regulatory approval paths for biosimilars in emerging markets is generating great opportunities for biosimilar monoclonal antibodies.  The availability of an approval pathway in the U.S., has led to new opportunities for bio manufacturers to enter major markets around the globe. Biosimilar versions of monoclonal antibodies have the probability to offer cost reductions of 25-30%, and many emerging market countries are vigorously developing pathways for approvals and are swiftly catching up. As this industry is expanding the key biopharmaceutical players are adopting robust culturing technologies to meet the increasing demand; thereby driving the growth of the market.

Moreover, there is growing interest in improving the stem cell culture, because this technology is being used extensively in research for studying the stem cell biology, as well as for therapeutic applications. Furthermore, funding related to this research field has augmented in recent years which has accelerated the growth of the market. In addition to this, key media manufacturers launched new products for stem cell research. For instance, in September 2021, Bio-Techne Corporation launched a novel medium for the maintenance and expansion of induced pluripotent stem cells having applications in both translational and research workflows.

The outbreak of COVID-19 pandemic has improved the demand for well-established cell-based vaccine production technologies. Moreover, it has given rise to a few scientific innovations, particularly in the production and testing of vaccine technology. For instance, the Vero line originated from the African green monkey kidney and has been extensively used for viral vaccine manufacturing. It has also been used for the development of various SARS-CoV variants. ProVeroTM1 Serum-free Medium is one such medium manufactured by Lonza Bioscience which is protein-free, and of non-animal origin designed to support the growth of Vero cells and MDCK.

Moreover, in many European countries, cell-based flu vaccines have been approved. A probable advantage of cell culture technology is that it authorizes faster start-up of the manufacturing of vaccines during the pandemic. Today, the development of superior biological models, the optimization of culture growth medium, and the reduced dependence on animal-derived components endure to drive the rapidly developing vaccine development.

On the other hand, ethical issues concerning the use of animal-derived products hinders the industry growth. For instance, FBS is collected from the blood of fetal calves is one of the major ethical issues of serum containing media. It is projected that 600,000 liters of FBS is achieved from up to 1.8 million bovine fetuses are produced globally every year, presenting momentous scientific and ethical challenges. To overcome this issue, numerous workshops were held in the past on the replacement of fetal bovine serum and possible ways to reduce the use of FBS in media.

For More Details: Cell Culture Media Market

[data-bridge]

Cell Culture Media Market Industry Share, Size, Growth, Demands, Revenue, Top Leaders and Forecast to 2028

Industry Analysis

Cell culture media has led to the rise in its demand, adoption and conclusively a rise in its market value. Cell culture media will exhibit a CAGR of around 8.18% for the forecast period of 2021-2028.

Additionally, the credible Cell Culture Media Market report helps the manufacturer in finding out the effectiveness of the existing channels of distribution, advertising programs, or media, selling methods and the best way of distributing the goods to the eventual consumers. Taking up such market research report is all the time beneficial for any company whether it is a small scale or large scale, for marketing of products or services. It makes effortless for healthcare industry to visualize what is already available in the market, what market anticipates, the competitive environment, and what should be done to surpass the competitor.

Get a Free Sample of The Report: https://www.databridgemarketresearch.com/request-a-sample/?dbmr=global-cell-culture-media-market

Market Insights and Scope    

Cell culture media is a life sciences technique that supports the growth of microorganisms and cells. Cell culture media refers to a growth substance that is required by the cell cultures to grow and survive under specific conditions. Amino acids, glucose, serum, inorganic salts are among many that are used to promote the growth of cells. The cell culture media also helps to maintain the pH level of the cultured cells.

The Cell Culture Media Market report encompasses various segments linked to healthcare industry and market with comprehensive research and analysis. These comprise industry outlook with respect to critical success factors (CSFs), industry dynamics that mainly covers drivers and restraints, market segmentation & value chain analysis, key opportunities, application and technology outlook, regional or geographical insight, country-level analysis, key company profiles, competitive landscape, and company market share analysis. All the data, figures and information are backed up by well recognized analysis tools which include SWOT analysis and Porter’s Five Forces analysis. So, take business to the peak level of growth with the all-inclusive Data Bridge Market research report.

Get full access to the report: https://www.databridgemarketresearch.com/reports/global-cell-culture-media-market

Industry Segmentation and Size

Cell culture media market is segmented on the basis of type, applications, end users and reagent type. The growth amongst these segments will help you analyse meagre growth segments in the industries, and provide the users with valuable market overview and market insights to help them in making strategic decisions for identification of core market applications.

Based on the type, the cell culture media market has been segmented into lysogenic broth, chemically defined media, classical media, serum-free media, specialty media, stem cell media and other media.

Based on the applications, the cell culture media market has been segmented into cancer research, biopharmaceuticals, regenerative medicine and tissue engineering, stem cell technology, drug discovery and other applications.

Based on the end users, the cell culture media market has been segmented into biotechnology and pharmaceutical industry, academic institute, research laboratory and others.

Based on the reagent type, the cell culture media market has been segmented into albumin, amino acids, attachment factors, growth factors and cytokines, hormones and others. Albumin is further sub-segmented into human serum albumin (HSA), bovine serum albumin (BSA) and recombinant serum albumin (RSA). Growth factors and cytokines are sub-segmented into insulin-like growth factors (IGF), humankind growth factors and cytokine and tumour necrosis factor (TNF) and others. Others are sub-segmented into porcine trypsin, recombinant trypsin, thrombin and miscellaneous reagents.

Market Country Level Analysis

The countries covered in the cell culture media market report are

U.S., Canada and Mexico in North America, Germany, France, U.K., Netherlands, Switzerland, Belgium, Russia, Italy, Spain, Turkey, Rest of Europe in Europe, China, Japan, India, South Korea, Singapore, Malaysia, Australia, Thailand, Indonesia, Philippines, Rest of Asia-Pacific (APAC) in the Asia-Pacific (APAC), Saudi Arabia, U.A.E, South Africa, Egypt, Israel, Rest of Middle East and Africa (MEA) as a part of Middle East and Africa (MEA), Brazil, Argentina and Rest of South America as part of South America.

A reliable Cell Culture Media Market marketing report proves to be the finest and excellent market research report as it is formulated with the following critical factors. These consist of primary research, benchmarking studies, secondary research, company profiles, competitive intelligence & reporting, syndicated research, data collection, data processing and analysis, survey design, and survey programming. The report performs market study and analysis to provide market data by considering new product development from beginning to launch. The healthcare business report also provides evaluations based on the market type, organization size, availability on-premises, end-users’ organization type, and the availability in areas such as North America, South America, Europe, Asia-Pacific and Middle East & Africa.

Industry Share Analysis

The major players covered in the cell culture media market report are

BD, Life TechnologiesTM, Thermo Fisher Scientific Inc., Corning Incorporated, Sigma-Aldrich Co., Merck KGaA, GENERAL ELECTRIC COMPANY, Lonza., HiMedia Laboratories., Takara Bio Inc., AllCells, PromoCell GmbH, VWR International, LLC., Avantor, Inc., Bio-Rad Laboratories, Inc., Cell Culture Technologies., FUJIFILM Holdings Corporation, Sartorius AG, Vitro Biopharma and Eppendorf AG among other domestic and global players. Market share data is available for Global, North America, Europe, Asia-Pacific (APAC), Middle East and Africa (MEA) and South America separately. DBMR analysts understand competitive strengths and provide competitive analysis for each competitor separately.

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[gothhabiba]

The 2023 Barbie film is a commercial. I’m sure it will be fun, funny, delightful, and engaging. I will watch it, and I’ll probably even dress up to go to the theater. Barbie is also a film made by Mattel using their intellectual property to promote their brand. Not only is there no large public criticism of this reality, there seems to be no spoken awareness of it at all. I’m sure most people know that Barbie is a brand, and most people are smart enough to know this and enjoy the film without immediately driving to Target to buy a new Barbie doll. After all, advertising is everywhere, and in our media landscape of dubiously disclosed User Generated Content and advertorials, at least Barbie is transparently related to its creator. But to passively accept this reality is to celebrate not women or icons or auteurs, but corporations and the idea of advertising itself. Public discourse around Barbie does not re-contextualize the toy or the brand, but in fact serves the actual, higher purpose of Barbie™: to teach us to love branding, marketing, and being consumers.

[...] The casting of Gerwig’s Barbie film shows that anyone can be a Barbie regardless of size, race, age, sexuality. Barbie is framed as universal, as accessible; after all, a Barbie doll is an inexpensive purchase and Barbiehood is a mindset. Gerwig’s Barbie is a film for adults, not children (as evidenced by its PG-13 rating, Kubrick references, and soundtrack), and yet it manages to achieve the same goals as its source material: developing brand loyalty to Barbie™ and reinforcing consumerism-as-identity as a modern and necessarily empowering phenomenon. Take, for example, “Barbiecore,” an 80s-inspired trend whose aesthetic includes not only hot pink but the idea of shopping itself. This is not Marx’s theory on spending money for enjoyment, nor can it even be critically described as commodity fetishism, because the objects themselves bear less semiotic value compared to the act of consumption and the identity of “consumer.”

[...] Part of the brilliance of the Barbie brand is its emphasis on having fun; critiquing Barbie’s feminism is seen as a dated, 90s position and the critic as deserving of a dated, 90s epithet: feminist killjoy. It’s just a movie! It’s just a toy! Life is so exhausting, can’t we just have fun? I’ve written extensively about how “feeling good” is not an apolitical experience and how the most mundane pop culture deserves the most scrutiny, so I won’t reiterate it here. But it is genuinely concerning to see not only the celebration of objects and consumer goods, but the friendly embrace of corporations themselves and the concept of intellectual property, marketing, and advertising. Are we so culturally starved that insurance commercials are the things that satiate our artistic needs?

— Charlie Squire, “Mattel, Malibu Stacy, and the Dialectics of the Barbie Polemic.” evil female (Substack), 2023.

[xerith-42]

I know it seems like striking on social media might not do enough, but as someone who has been outright obsessively using the internet since I was a child to the point that it is literally woven in my soul, been active and involved in online activism for about five years, and been using social media as marketing for about the same amount of time, I can confidently say that

THIS FUCKING WORKS!!

People base their entire businesses on their success on social media. They look at trending topics on twitter and don't see bite sized chunks of culture distilled to its finest and worst moments, they see market data! They don't see you as a single human being, they see you as a data point among thousands run through a probably AI assisted system that's prone to fucking up, that determines everything they're going to do.

How they're going to advertise, who they target it with it, what the general public wants. Every single major corporation uses data from social media websites to do this. Every. Single. One. Social media is a lot of things, and one of those things is a tool for business and politics. We know for a fact that social media politics bleeds out into the real world very fucking quickly.

Even if you can't strike financially, even if you have to go to work or school to survive, striking on social media is one of the best things you can do. Even if it's quiet. People are going to notice when thousands upon thousands of users across various sites go completely dark, and even more when some of them start getting real fucking loud about this. The US Capitalist Infused Government loves sweeping war crimes under the rug once they think the general public has forgotten about their atrocities and fallen into complacency. This system has been doing this for literal centuries.

Social media is just the newest and most expansive form we as a species have developed in the ongoing invention of ways to express our thoughts about things. It's the weirdest one, that's for sure, but executives pay attention to it. They don't often seek to understand it beyond a very basic level, because as I said, they view us as numbers on a screen, not as multifaceted incredibly and deeply fucked human beings. They do not seek to understand us on a personal level unless they think the cost of it won't outweigh the potential profit.

Pattern recognition is the tool of the moment. Machine Learning. Gathering endless amounts of data so we can replicate human existence through machines. You may think that social media strikes are ineffective because social media is just on the internet and it's "not real", but it is real! You are really doing stuff! You are contributing! Even if you're just lurking! Basic amounts of engagement can make a huge impact in a busted algorithm. Maybe you're not someone who would ever be drafted into an actual war-zone due to physical or mental health conditions, but you are probably a part of a key demographic of people that businesses are absolutely hungry for.

The budding adult has always been the target of greedy capitalists basically since this system was established and continued to get worse over time. The stage of your life when you are in the age range of 18-25 is an incredibly important transitional period, followed by a transitional period every six months until you lose sense of what six months even is because you haven't been happy in eight, and if you're in the 18-25 range currently, you got extra fucked by the pandemic. The world is in a turbulent stage and we are at the center of all of it and have been since 2001. Every single social media marketing expert will tell you the 18-25 demographic of social media users is a target demographic, because they are the most prone to extremes due to a life chock full of them.

We have to remember to be human, but we have to also know how to speak their language. They just see us as numbers? Let's show them some fucking numbers. Make posts about Gaza trend on every platform you have your hands on. Even if it's just liking posts, that gives them a slight boost in the algorithm. Commenting on posts is especially important on sites like Twitter and Instagram. But across every site the most important thing to do is reblog/retweet/share/send/copy link, whatever it is for that site, it is the biggest thing that everyone, and I mean EVERYONE looks at.

From a humble artist to a head of marketing at a billion dollar corporation about to have a meeting with a barely over 21 intern about how they need to run the twitter account, to said intern bumbling their way through adulthood with a job they only feel they're good at because they've been using social media since Skype was invented. We need to be loud, we need to make sure this can't be ignored, we can't sweep this under the rug. Mass media, especially coming out of the West, has been trying to censor, de-sanitize, and keep this issue quiet.

DO NOT LET YOURSELF BE SILENCED

There are tens of thousands of DEAD CHILDREN who have been BOMBED while in CIVILIAN AREAS and that is a FUCKING WAR CRIME.

THIS IS A GENOCIDE

Say that as many times as you can. Do not let it be ignored. A silent populous is a complacent one. Use your voice, even as small as it may seem. Make noise. Be loud. Be annoying. Don't let this be ignored. Talk about it everywhere you go. Do not let this be ignored.

Sometimes even we get disconnected from the real people around us. We base our sense of worth as a person based on the numbers going up or down but instead of developing a gambling addiction we just got angry about it but still fall into it because of cultural conditioning. But even if you only have let's say, completely random example, 70 followers. And only a small percent of them will see your post. Let's say maybe 20 on average, 30 on a good day, and even higher based on the machinations of fate. That's still 20 people who took time out of their day to read something you wrote, process something you created, share a part of your experience of living.

And likely they felt compelled to share it too, therefore increasing the spread of people who feel your influence. 20 people may not seem like a lot, but that has a major impact. Now imagine posts into the hundreds, thousands, hundreds of thousands and even millions. Those aren't just numbers. Each and every single one of those is just another person who might have reblogged a post because someone they like shared it, or because they wanted to spread its message, and that simple act causes a single post to have massive waves of effects from simple ripples.

Don't let yourself be discouraged. Don't think your voice or your impact "isn't enough to matter." Everything counts.

Don't let this be ignored. Don't become complacent. Know that every little thing counts, and to do every little thing you can.

[passerkirbius]

Where are all the Audio Fiction Fandoms?

To be clear, this isn't me complaining, and I know, there are plenty of fandoms for audio fiction podcasts and the like.

But I have always found it weird how few shows get the big, self-sustaining kinds of fandoms, the ones where there's always at least a little trickle of fanfic and fanart. So weird, in fact, that I've been thinking about it on and off for the last 5-6 years, and I have a few theories I'd like to share with y'all as to why, and to see if I can't get some feedback from the audio fiction fans on Tumblr.

Theory 1: Audience Size

The first theory is mostly about demographics - fundamentally, a fandom has to be large enough to sustain itself, and only a certain number of audience members are going to become the kind of fans who make fan works, so ultimately, an audio fiction show needs to get popular enough before fan works start appearing.

There's plenty of support for this theory, of course - Welcome to Night Vale, Wolf 359, The Adventure Zone and The Magnus Archives are titans in the fiction podcast space, and indeed they have big fandoms. But, with that said, there's plenty of other podcasts that are just as big that don't have fandoms, so this can't explain it all.

Theory 2: Audience Distance

This one is similar to the first, but subtly different. A few creators in the space I've talked to have noted that they'd never make fan works of their friend's shows - that feels weird, like deliberately treading on their friend's work. They don't have this feeling when playing in big fandoms, or fandoms where they don't know the creator. This implies to me that fans need a certain level of distance from creators in order to feel comfortable playing with that fictional space. While this is less the case now with the fall of Twitter, a lot of shows, for better or worse, used social media as the primary pillar of their marketing, as well as using Patreons with special access as part of their monetization strategies.

In short, it's never been easier to get close to the creators of your favourite shows, and for smaller shows, the most exuberant fans - the kinds who might make fan works - are also the kinds of fans who will take those opportunities to get closer to the creators. In short, there just might not enough social distance for fans to be comfortable creating works, not at least until the audience grows sufficiently that a creator simply cannot be that close with their entire audience.

This theory I'm not so sure about these days - this one is probably a lot more dependent on the generation of fandom you belong to. Older generations of fandom are more likely to have this queasiness around creator closeness, because they were creating in a time where fandom was a shadow realm, desperately hidden from The Powers That Be, and "No Copyright Infringement Intended" was carved into fan works as an eldritch attempt at legal protection.

Theory 3: Audience Age

To be clear - there are fans of all ages out there. But it is clear to me that fandom trends young, and part of that is just the time needed to participate in fan culture - creating and consuming takes a lot of time, time that tends gets scarcer and scarcer as you get older (there are obvious exceptions of course - stay-at-home mothers have consistently been a major force in fandoms!). It's possible that audio fiction fans just tend to trend older, and thus don't have the time available to create and consume fan works.

Honestly, I'm not sure how relevant this one is - Audio fiction is becoming more popular with younger audiences and slowly shedding the "old fuddy-duddyness" that surrounded it when I was first getting into the space. And, ya know, there are audio fiction fandoms out there, so obviously either the youth aspect of fandom isn't a thing, or it is, but audio fiction audiences are still trending young anyway.

Theory 4: We're getting what we need!

A lot of academic discourse often focuses on the idea that fandoms create for a reason - and that reason is often to focus on parts of a fiction that the original text, for whatever reason, doesn't. The most obvious form of this is the many, many, many examples of ships and erotic fanfiction. You, as a fan, watch a show, see something between two characters, and get frustrated that the show isn't giving you more of that, won't make what is clearly obvious to you, explicit. So, you consume and/or create fan works that help relieve that tension instead.

Or, in shows where the focus is primarily on plot advancement or action, you feel a desire to get to know the characters better - you see the stirrings of these characters, you want to know them better, but the show just isn't the type of show to give you that slow, character-heavy scene/episode that you know would give you exactly what you need, so, again, you go consume and/or create fan works to fix that.

It's very possible that a lot of audio fiction is already built to give these sorts of fan audiences what they want. There's already romantic relationships, characters are openly queer, the nature of the audio medium means that character-heavy scenes are something that the medium directs creators towards, so there's already a lot of character engagement. So, for many fandoms, there just isn't much need to create fan works - there's no tension between what the show is and what it could be.

Theory 5: We can make our own at home!

One interesting theory is that one reason that people make fandom is because, fundamentally, the creators understand that they're not going to be making a film, or a TV show, or a book. They have creative urges, and they're not in a situation in life where they're likely to overcome the enormous barriers to entry in mainstream media, so, in combination with the stuff in theory 4, they play in other people's worlds instead. They know that there's already an audience who will consume their work (they're part of that fan community, after all!), so they can get that validation of creation without needing to create their own TV show or film or book, etc.

Podcasts, however, are different. Now, it's not true to say that podcasts have low barriers to entry - to create a podcast, there's a lot of skills you either need to learn yourself, or find collaborators with those skills. But, those barriers to entry are much lower than visual media. At the very least, audio production is significantly cheaper and less complicated for an equivalent runtime.

Better, podcasts have absurdly low barriers to publication - There are no gatekeepers to satisfy, no distributors you have to convince. Once your thing is made, pretty much no one can stop you from distributing that work. You don't even really need to pay for a podcast host - there's a few free podcast hosts now. So, once you've done the work, pretty much nothing stops you from publishing said work.

So... If you're a creative fan, who loved a show but thinks you can do better? Well, you can! You don't need to play in other people's spaces, you can be inspired by the podcasts you listen to to create your own original work, in the same medium and genre.

What do y'all think? Which of these feel right, which of these feel obviously wrong? Are you part of a audio fiction fandom? What does your fandom feel like to you on the inside? As a audio fiction creator, it's kinda hard for me to get into the inside of fandom culture, so insider perspectives would be super neat for me, so please reblog this to anyone you feel might have an interesting perspective on the whole thing!

[nitearmorweek]

As everyone gets to work preparing for NiteArmor Week, the mods wanted to encourage people to bring their own lived experiences into their creations. You are welcome to write and draw mandalorians in a way that reflects your own life and culture; Bo-Katan and the Armorer do not have to physically resemble their live action counterparts.

What does this mean? Do you want to share your Mexican heritage and weave it into the story of your NiteArmor fic? Hell yeah! Do you see the Armorer has having dreadlocks? Include them! Do you have an insulin pump and think Bo-Katan has one under her flightsuit too? We want to heart about it!

For those who may need a little help or are looking for new resources, we have gathered a small list of guides. Some of the below sources came from @lavenderursa's collection of inclusive writing tips. The mods recommend reading through the original post they worked hard to put together! The hope of this new post is to build out their post to include a few more elements specific to Star Wars.

Writing Resources Collectives and authors who have published tips and guides on writing stories that center diverse experiences:

Writing With Color

The History of Black Hair [Words to Describe Hair]

A Guide to Natural Black Hair

How To Write About Trans People

A Primer on Writing Trans Characters

The Do’s and Don’ts of Writing Transgender Characters

Important Tips on Making/Writing Asian OCs

Dear Non-Asian Writer

How to Avoid Asian Stereotypes, Appropriation, and White Washing

​Tips for Inclusivity with Reader Inserts

A Guide to Writing Disabled Characters

A general cane guide for writers and artists (from a cane user, writer, and artist!)

Creating authentic deaf and hard of hearing characters

Art Tips Helpful information on how to draw different body types, skin tones, and hair:

Basic Skin Tone Coloring [part 2]

Kupa's Guide to Skintones

A Guide to Drawing South Asian Skin Tones [part 2]

Protocols When Drawing Native American Hair

A guide to designing wheelchair using characters! [part 2]

Whitewashing in Art and How Colors Work

​How to Draw Disabled People

Drawing East Asian Faces

Plus Size Body Types

POC Blush tones

Afro, 4C hair

Image References Websites that offer images that can be licensed for use and/or inspiration. The below three are highly recommended resources, but some do have a cost:

createHERstock - Your destination for authentic stock images featuring melanated women

Nappy co - Beautiful photos of Black and Brown people, for free

Eye for Ebony - Beautiful lifestyle stock photos featuring people of color

Affect The Verb - This is a disability-led effort to provide free & inclusive stock images from our own perspective, with photos and illustrations celebrating disabled Black, Indigenous, people of color (BIPOC).

Pixerf - Asia's fastest-growing Asian stock photo market place

Disability: In - Disability Inclusive Stock Photography

Disability is Beautiful - The best free stock images provided by the disability community.

Cosplayers Artists and content creators that have posted amazing Star Wars cosplay! Their hard work and attention to detail in costuming is a wonderful source of inspiration and reference. If you are inspired by any of their photos, please make sure to credit them and send your love. Here are just three examples of cosplayers within the fandom:

Jahara Jayde | twitter | ko-fi

arseniccupcakes | twitter | patreon

cutiepiesensei | twitter | instagram

Further Reading Additional articles, studies, and analyses that discuss racism and ableism within the Star Wars fandom specifically:

Racism In Star Wars: A List of Resources

Star Wars Franchise: Stitch's Media Mix Analyst

Star Wars: A Tale of Racism

Disability In Star Wars

Blind Warriors, Supercrips, and Techno-Marvels: Challenging Depictions of Disability in Star Wars

What's the Problem, Papi?: Internet Daddy-ism and Coddling, Fetishization, and what "Latino-looking" actually means.

Sinophobia in SW Animation

Thank you for making it to the end of this post! Please do not consider this a definitive list or a replacement for anti-racist work in the real world. Keep reading, stay curious, and seek out new perspectives from voices you may not have been listening for.

Do you have any additional recommendations, sources, or guides to share? Feel free to drop them in the comments of this post ❤️

[sunshinesmebdy]

Asteroid Wage Enters Gemini: Tips for Thriving in the Whirlwind

Brace yourselves for a celestial shift that’s set to shake up the market: asteroid Wage is setting foot in the nimble, ever-curious sign of Gemini. Buckle up, because the next year promises volatility, adaptability, and yes, even potential financial gains for those who navigate this transit wisely.

What is Asteroid Wage in Gemini?

Think of Wage as the cosmic paymaster, highlighting areas of earning potential and value exchange. In Gemini, the realm of communication, information, and versatility, Wage gets supercharged. Expect dynamic shifts in labor markets, evolving payment models, and a renewed focus on skills and flexibility over tenure.

Impacts for Businesses:

Embrace the gig economy: The Gemini Wage favors agile operations and independent contractors. Consider outsourcing tasks and diversifying your workforce to adapt to changing demands.

Ditch the nine-to-five and hello, dynamic duo! Gemini Wage thrives on adaptability and short-burst projects, so tap into the gig economy to fuel your flexibility. Outsource tasks, embrace a diverse team of independent contractors, and watch your business pirouette through changing demands with the grace of a celestial ballerina. This isn’t just cost-effective, it’s a cosmic recipe for agility and growth.

Invest in communication: Clear communication is key to attracting and retaining talent. Streamline internal processes, refine your marketing message, and invest in technology that facilitates collaboration.

Make your message a megaphone under Gemini Wage! Crystal-clear communication is your golden key to talent, both attracting new stars and keeping your current team in orbit. Polish your internal processes to gleaming, hone your marketing message to a razor-sharp point, and invest in tech that fosters collaboration like a cosmic chatroom. Remember, in this whirlwind transit, the loudest, clearest voices soar highest.

Upskill your team: Be prepared for rapid changes in technology and market trends. Encourage continuous learning and invest in retraining programs to keep your employees relevant.

Equip your team for the cosmic roller coaster! Gemini Wage craves adaptability, so prioritize continuous learning and upskilling programs. Encourage tech-savvy side hustles, invest in retraining that flexes with market trends, and watch your employees morph from cogs in the machine to versatile, innovative problem-solvers. Remember, in this whirlwind, the sharpest minds reap the richest rewards.

Rethink traditional compensation: Bonus structures, profit-sharing models, and performance-based incentives become more attractive under Gemini Wage. Consider adopting alternative salary structures to motivate and retain talent.

Toss out the dusty old salary spreadsheets and embrace the dynamic dance of Gemini Wage! This transit demands agility, and that extends to how you compensate your team. Think beyond the rigid monthly wage. Bonus structures that reward quick wins and innovative ideas become gold under this celestial influence. Consider profit-sharing models, where your team’s success directly translates to their pockets, fostering a culture of ownership and shared goals. Performance-based incentives, tailored to individual strengths and contributions, light a fire under even the most seasoned employee. Remember, in the whirlwind of Gemini Wage, a little creative compensation can go a long way in attracting and retaining top talent. So, ditch the one-size-fits-all approach and get ready to tango with a compensation system that’s as adaptable and exciting as the cosmic twins themselves!

Investing and Finance:

Focus on agility and diversification: Gemini favors short-term, high-growth investments and sectors like tech, media, and communication. Don’t be afraid to experiment and spread your bets.

Ditch the tortoise, embrace the hummingbird! Under Gemini Wage, agility reigns supreme. Invest in short-term, high-growth ventures, particularly in the tech, media, and communication galaxies. Spread your bets like cosmic confetti, experimenting with diverse projects and sectors. Don’t be afraid to pivot and adapt, for in this whirlwind market, nimbleness is your golden ticket to stratospheric returns. Remember, diversification is the secret sauce, so keep your portfolio a constellation of possibilities, ready to catch the next supernova of opportunity.

Stay informed and adaptable: Be nimble enough to react to sudden market shifts. Embrace news apps, financial forecasts, and astrological timing (yes, even!) to make informed decisions.

Become a cosmic chameleon under Gemini Wage! Stay nimbler than a celestial ninja, ready to dodge and weave through sudden market shifts. Embrace financial forecasts and news apps like your personal oracle, but don’t underestimate the whispers of the stars. Align your investments with astrological timing, tuning into energy shifts for informed decisions. Remember, under this whirlwind transit, knowledge is power, and a sprinkle of celestial awareness can be the secret weapon that sets you apart from the herd. So, keep your ear to the ground, your eyes on the charts, and your mind open to the whispers of the cosmos — it’s the recipe for navigating the financial galaxy with grace and prosperity.

Look for the hidden value: Gemini’s sharp eye can uncover undervalued assets and innovative opportunities. Think outside the box and explore emerging markets and disruptive technologies.

This transit sharpens your eye to spot undervalued assets lurking in plain sight, like diamonds in the rough. Think beyond the obvious, explore emerging markets where innovation ripples like a sonic boom, and embrace disruptive technologies that could rewrite the financial rulebook. Remember, under Gemini’s curious gaze, the unconventional can become your goldmine. So, ditch the herd mentality, channel your inner maverick, and unearth the treasures waiting just beyond the edge of the financial map. The rewards for the adventurous investor are written in the stars!

Tips for Thriving with Gemini Wage:

Sharpen your communication skills: The more effectively you communicate your value, the more opportunities you attract. Honing your negotiation and presentation skills will pay off.

Network like a pro: Gemini thrives on connections. Build relationships with potential partners, clients, and collaborators. Your network is your net worth under this transit.

Embrace change and flexibility: Don’t get stuck in outdated models. Be open to new ideas, explore diverse perspectives, and adapt quickly to market shifts.

Focus on learning and adaptability: Invest in personal and professional development. Hone your skills, upgrade your knowledge, and stay ahead of the curve in your field.

So, entrepreneurs and financiers, are you ready to dance with the whirlwind? Let’s see what fortunes await under the sign of the twins!

[musings-from-mars]

With everything that's been coming out lately about the state of Rooster Teeth and how they have treated their workers, I think it's important to really look at the dynamic between creators and higher-ups in media companies in general.

The workers, the people to are actually making these productions, are often there because they want to make a career out of what they are passionate about. They're creatives, artists, technicians, performers. They're motivated by the desire to collaborate and create art.

The problem is, in a free market capitalist society, for all of that creative work to be worthwhile for these workers, they need to be paid for it. They can't be the creatives they want to be if they can't make it a career. They have bills to pay, they need to eat, they need to go to the doctor and the dentist, etc. And productions of such size as, say, RWBY, need a whole lot of funding.

That's where companies like Rooster Teeth come in, and that's where the problem lies.

Because these workers are so passionate, so motivated to create and be part of big projects like RWBY, media companies know they are ripe for the exploiting. Sure these companies will pay them, but not enough. Sure they'll fund their creative projects, but they'll put excessive work requirements on the workers to try to ensure the project is as financially successful as possible. They'll turn a blind eye to the issues with the culture and dynamic between workers and their supervisors in order to lighten their own workload and responsibility, while placing more and more of exactly that upon those same mistreated workers.

And it's inescapable. I don't have the first-hand knowledge to make this claim for certain, but this is likely how it is as every major media company. Just seeing the controversy surrounding The Owl House, how the passionate people behind that show had their aspirations curtailed by media mega-corporation Disney. How the products of countless creative workers were just dumped by Warner Bros. Discovery for whatever money reasons.

The thing is, really the only way creative workers can make high-budget projects is via companies like this. Beloved franchises like RWBY, The Owl House (and everything Disney releases, tbf), could not exist without the backing of these media companies. It's inescapable.

Nothing will change until more eyes are on these controversies and the culture within media companies like RT, and nothing will change unless we get behind the creatives, the performers, the workers who want to create. The people who work to make your favorite shows, games, films, need more support. These workers need heavily supported unions, these media companies need reform, and us, the fans, need to pay attention.

I love RWBY, I love The Owl House, I love playing Splatoon on my Nintendo Switch. Sure, none of these things would exist without all the money the companies that published those projects put into them. And none of these things would exist if the workers behind them didn't have the love and passion they do for their craft. In the kind of economic system we live under, there's really no changing the fact that both workers with talent, and companies with funding are each required to make things like this. The thing that does need to change is how those companies treat those workers.

[colinwilson11]

The viral vaccine cell culture media market possesses significant growth opportunities with the increasing prevalence of viral diseases and growing adoption of cell culture-based vaccine production processes. Cell culture media provide nutrients to sustain cell growth and maintain viability outside their natural surroundings. It finds widespread application in the cultivation of cells required for viral vaccine manufacturing.

[darkmaga-retard]

https://www.globalresearch.ca/artificial-constructions-incubated-specimens-mrna-products-pfizer-moderna/5865727

“Observable Real-time Injuries at the Cellular Level in Recipients of the “Safe and Effective” COVID-19 injectables”

Real-Time Self-Assembly of Stereomicroscopically Visible Artificial Constructions in Incubated Specimens of mRNA Products Mainly from Pfizer and Moderna. A Comprehensive Longitudinal Study

By Dr. Young Mi Lee and Prof. Daniel Broudy

Global Research, August 20, 2024

International Journal of Vaccine Theory, Practice, and Research 18 July 2024

We bring to the attention of our readers this important study

Abstract

Observable real-time injuries at the cellular level in recipients of the “safe and effective” COVID-19 injectables are documented here for the first time with the presentation of a comprehensive description and analysis of observed phenomena.

The global administration of these often-mandated products from late 2020 triggered a plethora of independent research studies of the modified RNA injectable gene therapies, most notably those manufactured by Pfizer and Moderna.

Analyses reported here consist of precise laboratory “bench science” aiming to understand why serious debilitating, prolonged injuries (and many deaths) occurred increasingly without any measurable protective effect from the aggressively, marketed products. The contents of COVID-19 injectables were examined under a stereomicroscope at up to 400X magnification. Carefully preserved specimens were cultured in a range of distinct media to observe immediate and long-term cause-and-effect relationships between the injectables and living cells under carefully controlled conditions.

From such research, reasonable inferences can be drawn about observed injuries worldwide that have occurred since the injectables were pressed upon billions of individuals. In addition to cellular toxicity, our findings reveal numerous — on the order of 3~4 x 106 per milliliter of the injectable — visible artificial self-assembling entities ranging from about 1 to 100 µm, or greater, of many different shapes. There were animated worm-like entities, discs, chains, spirals, tubes, right-angle structures containing other artificial entities within them, and so forth. All these are exceedingly beyond any expected and acceptable levels of contamination of the COVID-19 injectables, and incubation studies revealed the progressive self-assembly of many artifactual structures.

As time progressed during incubation, simple one- and two-dimensional structures over two or three weeks became more complex in shape and size developing into stereoscopically visible entities in three-dimensions. They resembled carbon nanotube filaments, ribbons, and tapes, some appearing as transparent, thin, flat membranes, and others as three-dimensional spirals, and beaded chains. Some of these seemed to appear and then disappear over time.

Our observations suggest the presence of some kind of nanotechnology in the COVID-19 injectables.

[jorissportsstories]

Tennessee Titans: Best/Worse Case Scenarios 2024 NFL Season

Bottom Line: This Team Will Be Better Than Most Expect

Themes:

• A: Development of Will Levis

• B: New Key Pieces

• C: Coaching Change/Culture Shift

Call it “homerism,” but being a small market NFL team often means being underestimated. However, if you’re not paying attention to the Tennessee Titans, you’re missing out. The Titans are doing what most teams do when they believe they’ve found their quarterback: building a solid roster around him and creating an environment for success. With a quietly strong roster on both sides of the ball—featuring an upgraded offensive line, a reinforced wide receiver room, and an improved secondary—this team is poised to win games this year, even with Mike Vrabel no longer at the helm. Before the mainstream media writes this team off, here are some key factors to consider:

A: New Key Pieces

Titans GM/VP of Football Operations Ran Carthon has had a stellar offseason, acquiring talent through the draft, free agency, and trades. Let’s break down the additions:

Free Agents/Trades:

• Calvin Ridley (WR)

• Lloyd Cushenberry (C)

• L’Jarius Sneed (CB)

• Chidobe Awuzie (CB)

• Tony Pollard (RB)

• Sebastian Joseph-Day (DT)

• Kenneth Murray (LB)

• Jamal Adams (S)

• Quandre Diggs (S)

• Tyler Boyd (WR)

Draft Picks:

• JC Latham (OL)

• T’Vondre Sweat (DL)

• Jaylen Harrell (LB)

• Jha’Quan Jackson (WR)

• Jarvis Brownlee (CB)

Clearly, this team is heading in a new direction, and I’m not mad at it. Times change, and the Titans are adapting. Pairing Ridley with Hopkins seems almost unfair, and when you add a solid receiver like Boyd along with Treylon Burks, who’s ready to take the next step, the wide receiver room is no longer among the league’s worst. All of this has been achieved without sacrificing the run game. Both Pollard and Spears can run the ball the way Callahan wants it done, and I believe they’ll prove their worth this season.

On the defensive side, the moves made almost brought tears of joy. Drafting T’Vondre Sweat, who is unbelievably fast and agile for his size, was a masterstroke. Sweat is a certified run-stopper and will also affect the passer, drawing double-teams a solid percentage of the time. Pairing him with Jeffery Simmons, who also requires double-teams, will force opposing offensive lines into some tough decisions. Adding a talented, budding linebacker like Kenneth Murray to an already physical Arden Key will secure the middle of the field and boost the pass rush.

Then there’s the secondary, which has been reinvigorated with the additions of Sneed, Awuzie, Adams, and Diggs, alongside preexisting talent like Elijah Molden and Roger McCreary. This group has the potential to lock down a lot of yardage this year. Bottom line: the Titans’ defense has improved significantly.

Before I forget, let’s talk about the offensive line. With the addition of first-round pick JC Latham and the continued development of Peter Skoronski under new offensive line coach Bill Callahan, this unit should be miles ahead of where it was last year. Improved blocking, especially from the right side of the line, has been a highlight of the preseason, addressing one of the major issues from last year.

B: Coaching Change/Culture Shift

Please note, I am not a Mike Vrabel hater. I appreciate everything he’s done for this franchise—instilling a culture of toughness and grit, leading the team to an AFC Championship run, and managing an injury-riddled roster. However, I acknowledge that change was needed. The league is evolving, and the Titans were at risk of being left behind.

Brian Callahan and his staff bring a fresh perspective, new energy, and a balanced approach to Nashville. Players are reportedly thrilled with new defensive coordinator Denard Wilson and offensive line coach Bill Callahan. The emphasis on physicality and toughness remains, but there’s also a focus on balance, which I believe will help the Titans adapt and thrive in this new era.

C: Development of Will Levis

One crucial factor for the team’s success is the continued development of second-year quarterback Will Levis. Levis showed a lot of promise last year, stepping in for the injured Ryan Tannehill and pushing the ball downfield with confidence. He clearly won the team over, and his growth will drive this team as far as it can go. With a strong supporting cast around him and improved protection, Levis has the tools to succeed.

One concern is Levis taking unnecessary hits. We get it—you’re tough. But we’d also like you to have a long, successful career. All in all, I believe he’s ready to take the next step.

Best Case Scenario:

In the best-case scenario, the offensive line gels quickly, Levis makes sound decisions, and the defensive line dominates early by stopping the run and pressuring the passer. If everything clicks, a 10-win season and a playoff berth are within reach.

Worst Case Scenario:

On the flip side, if the offensive line takes most of the regular season to figure things out, if Levis regresses, if the run game falters, and if the defense spends too much time on the field, the team could be exposed. An undisciplined, sloppy defense could result in a 6-7 win season, or worse, and no playoffs. However, I highly doubt that happens, given the personalities and talent on this team.

The Tennessee Titans are primed to surprise many this upcoming season. There’s a fresh energy, new vibes, and a modern approach in Nashville. The Titans are changing with the times, and as a fan, I couldn’t be more excited for what’s to come.

If you liked what you read from this article, feel free to give us a follow, leave feedback, and share it out! Let’s grow the audience! Head on over to my friend @chompinatthebit and check some of his great content as well!!

[faelapis]

i really dislike the “theory” that the size of a fandom is proportional to media being Not That Good, Actually. i think said theory was made mostly as a response to the superwholock era, which is not at all where tumblr is today, but also... i know people think it’s like a subconscious thing, but what “good media” stretches its world so thin as to allow no imagination?

i think some media doesn't lend itself to fandom for a lot of reasons. some of that is accessibility and marketability in a wider cultural space, which may indeed not be what the media is going for... and sure, you can make a broad argument about "lowest common denominator" if you're feeling spicy. some media is easier to understand and appreciate broadly. but i don't think that inherently makes it "lesser." everything is subjective. and that's what this "analysis" doesn't allow.

i really dislike the idea that some media is just "too objectively good" for fandom. again, i know it's meant to be subconscious, but never have i ever seen something and been like "wow, this is so perfect i'm never think about it again." that's just never been how i think. being inspired by media to create fanworks and AU is not inherently a flaw, because no piece of media can actually be "everything."

what i think is definitely true is that small fandoms naturally attract less discourse. and so, you might not get that critical examination thrown in your face all the time and think the media is better than it actually is. (not to say that discourse is always healthy of course)