#DID HE JUST FUCKING DIE FOR REAL

[ellcrys]

sometimes if i’m browsing ao3 and feeling particularly spicy i’ll enter a fic blind bc i like surprises and am blessed with being triggered by pretty much absolutely nothing. sometimes that works out great, and i’ll be very pleasantly surprised with the tropes that pop up. other times i’ll be halfway through a fic thinking oh god what is this and regretting every single decision that led me to this moment.

[platoapproved]

I was fully dressed for the cold winter night in less than a few minutes. [Marius] put a black cape over my shoulders, and gave me gloves trimmed in miniver, and put a black velvet cap on my head. The shoes he chose were black leather boots, which he never wanted me to wear before. To him the ankles of the boys were beautiful, and he did not favor boots, though he did not mind if we wore them by day when he could not see. - THE VAMPIRE ARMAND

[qiu-yan]

MDZS and asshole victims: thoughts on the second siege of the burial mounds scene

this post is not about morality judgments. this post is about reader sympathies only.

one rather clever rhetorical trick MDZS employs is putting all the more background "surviving victims of wei wuxian's actions" into one big angry mob at the second siege of the burial mounds, instead of letting them crop up anywhere else in the story. it's easy for a first-time reader to write off the guy who lost a leg at nightless city, or the guy whose parents died at nightless city, because both of those guys are being dicks. they're part of an angry mob baying for wei wuxian's blood--unfairly baying for wei wuxian's blood, because this time he didn't even do the thing they're saying he did. by putting these two victims into a mob of not just fellow victims but also unaffected individuals (ie. sect leader yao, who just showed up for kicks), the story can effectively equate these victims' grievances (ie. "you killed my parents") with unreasonable mob rule--even if these two things might not actually be equivalent.

the effect of this rhetorical trick, then, is that the reader can at once perceive the themes about mob mentality MXTX wishes to convey, and also effectively write off the victims' complaints. "yes, i did that to you, but i literally died already, what more do you want me to do? shall i walk on my knees repenting?" becomes easier for the reader to accept. and more importantly--wei wuxian's likability as a moral and just protagonist is not impacted.

ngl tho. it would be a bit more difficult for the reader to write off these victims' complaints if, instead of meeting said victims in an angry mob, the reader instead met these victims almost anywhere else. imagine if, instead of meeting mr. "you killed my parents" at the second siege of the burial mounds, we instead met him getting smashed at the local bar and crying about how his parents are dead. imagine if, instead of meeting mr. "you chopped off my leg" as a member of an angry mob, we instead met him begging for alms on the side of the road because his disability rendered him unable to work in a wuxia-esque setting. or imagine--if either of these background characters, overcome with survivor's guilt and trauma from nightless city, hung himself in his bedroom, and the next day his body was discovered by his 15-year-old daughter.

all of these scenarios are entirely plausible. you could easily include any of them into the story without changing the main plot at all. but suddenly shit just got a lot more depressing.

however, no such scene would ever be included in MDZS. the reason is that, as a work of fiction, MDZS's single most ardent goal is for us the readers to conclude not just that "we like wei wuxian as a character," but also that "wei wuxian is ultimately a morally righteous person." when the narrative focus shifts onto the people who were actually helped by wei wuxian's actions (mianmian and her family, lan sizhui, the few months of dignity the wen remnants were afforded) this becomes much easier for us to conclude; wei wuxian does indeed look like a hero. but the more narrative focus is given to the negative impacts of wei wuxian's actions--the more the "victims of wei wuxian" (whether actual victims or not) are given a face, instead of abstracted away by broad summaries--the more the reader might side-eye wei wuxian instead. every new victim given a name, given narrative attention that isn't just focused on making them look like an asshole, arouses the reader's sympathies in the opposite direction--and thus increases the risk that the reader might ultimately disagree with the novel's conclusion of "wei wuxian is a righteous person."

tbh, this does not seem like a risk MXTX particularly wants to take. instead, she's mastered the art of writing Asshole Victims.

which is an entirely valid writing decision, because imo basically every work of genre fiction out there does this to some extent.

[dollypopup]

I can't stop thinking about Colin on his travels. Colin, alone, on a journey to 17 different cities, across several countries. Colin on his own.

Colin who writes letter after letter, to his family, to his friends, and barely gets a response back. How long before he understands that they didn't get lost in the mail? How long until he realizes that, just like when he was a boy, no one has the time for him? The space for him? How many letters unanswered before he lets it finally take root and fester in his mind?

He could have died on that tour.

Would they even notice? Would they see when the letters slow until they cease? Would they wonder why? His mum, surely (maybe, possibly, but she has enough on her hands, besides, and he's never been a concern, in need of her assistance, before), but anyone else? Anthony on his honeymoon, Eloise a stormcloud personified, Benedict taking on the familial responsibilities, Fran preparing for the marriage mart and in Bath, regardless. Daphne, his closest sister, a mum running her own estate.

Greg and Hyacinth who enjoy his stories, but are children.

Pen who ignores him. No explanation, no goodbye.

Colin who has no one in his corner. Colin who travels city to city, putting on personas. Will they like me? What about now? Colin who has hardly anything to read from the people he loves. Who do not think of him.

And yet he thinks of them. Brings them back gifts, writes his recollections for them until it hits him that, oh, they don't care. They don't care what he's doing, how he's doing. They didn't want to hear it before, when he was there with them, and they do not want to hear it now, either. Did they even open those envelopes? Did they see them come through the post, just as proof he's alive, and shrug off the contents? Did they look? Once, Colin sends an empty page. No one notices. Easier, then, to send just the outsides. People only ever care about the outsides. Pretty and prim in neat packages, uncaring of what lies beneath. Sea sick on the rocking boats, staring up at stars on the continent, Colin grows aware, but not bitter. Sad, but resigned.

He loves his family, he loves Pen, loves them to grace, loves them to it's okay. It was him, he determines. Too chatty, his letters too long, uninteresting, his passions dull or droll, or else, worse, he's displeased them in some way. Colin who takes refuge in stranger's arms and homes, who dreams and tries to sate his curiosity. Colin who pretends, because anyone, anyone but him would be received better, he's sure of it. Colin who must talk too much, surely, and with no one to listen. Colin who learns to hush.

Yes. Remarkable- as in, I have many remarks about it.

How many times did he go to excitedly write of what he did that week, and stopped himself, knowing it was a waste? How many times did he write and throw into the fire a letter asking Why don't you see me? Why don't you care?

If he didn't make it, how long would it take for anyone to notice? A month? Two? A year? Would they wave it off as his frivolity, denounce him as a flake and fume about the funds? Would they wonder where it was he had lost himself off at?

He cannot fall into that, so, he writes in his journal, instead. Of the ache of it, of how he longs for connection, for understanding, for someone to take him seriously. He keeps it with him, this log of his discontent, of his folly and felicity, of his pitfalls and pains.

If he didn't make it, would they realize all that's left of him is what he sent them, not even a body to bury? Did he look over the side of a bow of a boat and look at the churn of the ocean and think of how many bones it held? Did he tip his face to the sun? How many new scars did he earn? Who did he befriend?

Who did he become?

Somewhere along the line, Colin learned. He learned the real him wasn't wanted.

Somewhere along the line, somewhere between Patmos and Paris, Colin left Colin behind.

And, somewhere along the line, Colin laid face to face with loneliness in his bed, and it wrapped its arms around him.

[bakudekublogblog]

kacchan there is actually a way you and izuku can be together forever i have this crazy inventive solution for you it's called a marriage license

[oifaaa]

Jason watching a markiplier video and having a crisis wondering if he has an identical twin he didn't know about

Jason: finally it is my turn to have a secret sibling reveal

[jessilynallendilla]

DPxDC post A Glitch In Time

Secret twin with a twist

Vlad was invited to an annual charity gala

The Batfam invite him cause how he obtained his money and his company is hella sus but they can never find any evidence or someone that will spill

He recently adopted a son Dante/Dan he has no social media presence for a teenager that's sus and Barbara found his entire background was fake

Bruce sends Damian to do spying (make friends) with the teen since they're around the same age

"You must be Master's new son, Dante-"

Dan turns around

"It's Dan."

Damian is suddenly having a crisis

"akhi"

[fear-no-mort]

thinkign about how alone and unloved morty was for all his life and rick was the first time anyobdy ever put such an amount of intense attention and dependency onto him . and rick had a whole new family and losing them made him stop seeing the value in other people as a whole and morty was the one and first thing that woke him up

[herblay]

So uh about Hisashi Midoriya

A list of things Kohei Horikoshi one hundo percent intended for us to understand about Hisashi Midoriya, because he definitely implied them uh somewhere in text (next to social structures and a functioning bureaucracy) (Izuku Midoriya substitute teacher is so fucking funny to me tbh like Horikoshi really said bb ur a glorified babysitter till ur bestie gets his money up) (Him being Bakugou's sugar baby hero is SO fucking stupid I wish I could've come up w that)

Canonically Izuku was a fucking immaculate conception.

The real Hisashi Midoriya was the friends we made along the way

He is really All Might's secret lovechild, Todoroki was right all along, the problem is both All Might and Inko forgor

He left to get milk and never came back

All for One actually fucked his dad

All for One is his dad

(All for One believes he is god. God is like, everyone's dad. In some sense, u know?)

All for One is actually the baby daddy of everyone in this series they just ain't admitting it.

Much like Anakin Skywalker, Izuku has no dad and HELLA midichlorians

He left to get milk and came back but like 20 years later so we ain't seen it yet

Nana Shimura is actually Hisashi Midoriya. How, you might ask? I said so.

Hisashi Midoriya died like an Anime Mom Death bc he wore his hair like that once but they didn't show us because we'd cry too hard and never forgive it

Hisashi is just so hot they can't show us in canon bc we'd be too distracted

Bakugou killed him. He can have a little homicide as a treat.

Izuku killed him. He SHOULD do a lot of homicide as a treat.

Inko killed him. Real.

He left Inko to have a whirlwind romance with someone's secret twin (I haven't decided who yet)

Principal Nedzu ate him (he was delicious)

Fire breath did not protect him against spicy food and he went on Hot Ones and died.

Hisashi's quirk wasn't fire breath, it was negligence, baby!

[marionmorse]

MARIONMORSE, DROP ANOTHER HELMETPARTY SCENARIO AND MY LIFE IS YOUUURSS 🙏🙏🙏🙏

do u think... Do you think sometimes when the team has a movie night, when they watch those 60's action war movies like "Von Ryan's Express" and "Battle of the Bulge" or spaghetti westerns like "The Good, the Bad, and the Ugly" and "Death Rides on a Horse," Soldier pauses during or right after fight scenes or duels or whatever to obsessively overanalyze them. Like, he'll try and turn them into strategies to use on the job, takes, uhm, 'notes', (tactical doodles,) sets up nerdy models using a whiteboard map and improvised figurines, uses these examples when he does those psyche-up pre-battle speeches or during strategy meetings.

'Cause I bet he does, I bet he does that, and it completely kills the momentum of the movie to the point where the rest of the team gets disinterested and slowly leaves him behind to do their own thing.

I genuinely bet Engie wouldn't though, nah, I bet he's enough of a patient kind of gentle kind of man willing to stick through these pauses 'cause he's just that into the movie. And maybe he's just a teeny bit into Soldier's dissections of actiony chaos. Maybe gleans a bit of an understanding of Soldier's thinking that way. Admires the guy's passion about his 'research,' how thoughtfully he gathers details in an effort to help the team. Starts mixing in tapes for these sorts of movies more regularly to their movie night pool maybe subconsciously, maybe on purpose. The rest of the team doing their own movie night. losers.

[camels-pen]

consider sanuso bodyswap where Sanji is of course "admiring" Usopp's body and Usopp is trying desperately to keep himself from getting worked up so that he doesn't light himself on fire.

Luffy and Chopper are not helping. They are in fact doing the opposite of helping. They've ramped up their pranks and are doing anything possible to get Usopp angry so that he combusts, freaks out, and then dives into the ocean to put himself out. They think it's hilarious.

Nami and Brook are Also not helping, since they're conspiring with Sanji to put on a fashion show with Usopp's body. Sanji called it "not wasting a precious opportunity to get him in something other than overalls". Usopp called it mutiny and he was gonna- dive into the ocean, holy fuck Sanji why is it so easy to catch fire?!

Best part about this is that Sanji assured him, several times, that his body doesn't get hurt by catching fire. Usopp still jumps into the ocean every time.

Robin pipes up at one point, asking if Sanji was immune to just his own flames or all flames. Sanji just kind of shrugs and said it depends. Franky, having just been leisurely watching all of this gets an idea. Would his Franky Fireball hurt Sanji's body or just give him more fire to work with?

He tries to coax Usopp into agreeing to test it out and, somehow, he manages it. Albeit, Usopp is all knocking knees and chattering teeth, a very odd sight from 'Sanji'. As part of the deal though, he can only shoot a fireball the size of his hand.

Usopp meant his small hand. The one Franky used for tinkering and fine detail work. He did not, however, clarify this.

So, when a fireball the size of Franky's big hand comes out, well. Usopp runs for his goddamn life.

It takes him a few moments- and the voices of his friends sounding distant and below him- to realize he hadn't, in fact, run to the men's quarters, but rather into the fucking sky.

And oooooh, boy he is gonna kill Sanji one of these days. Why was his body's first fucking instinct when running to go up, what the actual HELL-

Usopp lit himself on fire again.

He curses out Sanji as his Sky Walk fails in the same moment and he plummets towards the deck.

[atanxdoesstuff]

nejisasu doodle! a universe where the hyuuga's slavery bs doesn't get ignored and Neji and Sasuke are better off for it (and also they're married)

[stuffyflowers]

*massaging my temples with an irritated expression* I am soooooooo tired of people misunderstanding starlos character

[irenic-raccoon]

Babygirl you're so particular I need you

[auriannaventiwithcaramel]

I JUST NOTICED JANE'S A CAR PLAYING AT THE END OF NPMD???

[gregoftom]

alright nero damn