#Even if they're not always good at it

[astro-b-o-y-d]

"Why don't they just TALK TO EACH OTHER" I was saying this last week about the Stans, and yet here I am: saying it once again about my own writing.

[undertalethingems]

How do you think Sans reacts to Papyrus’s death during the runs?

If you mean in the base game, uh... we kinda already know? If Papyrus is killed, Sans doesn't show up again until the final corridor, where he'll ask "if you have some sort of special power, isn't it your responsibility to do the right thing?"

If you answer yes (that you do have that responsibility), then he responds, without eyelights or sound font, "Then why'd you kill my brother?"

And if you answer no (you aren't responsible), you get "well, that's your viewpoint. i won't judge you for it.... You dirty brother killer."

There's also the line of description you get if you go on to have a concert with Shyren after killing Papyrus: "A hooded figure watches the commotion from afar." It replaces the line that mentions Sans selling toilet paper tickets to your concert, and of course, of all the characters with hoods in the game, he's the one who would be most concerned with tracking your actions after killing Papyrus. So, it makes the most sense to infer that this hooded figure is Sans.

So his reactions, to me at least, suggest that not only is he heartbroken, he's furious with you. But Sans isn't one for direct confrontations and shouting like Undyne is, so he watches, and I think he still tries to understand why you'd do something so horrible. But that doesn't stop him from being angry because there's no excuse for killing his brother, but sparing other monsters, that he can fathom.

I'm personally not a fan of depictions of Sans sobbing over Papyrus' dusty scarf--he just doesn't strike me as a guy whose first reaction is to cry. For my understanding of him, it makes more sense for him to go numb, initially, then save his anger for his parting shot in the last corridor. No matter what you answer, Sans gets the last word in, and it's always to remind you that you did not have to kill his brother.

So uh, yeah. that's what I think.

[9ndreus]

So Bildad does this little gesture before the magic trick bringing Job's children back:

And guess where else we've seen it before:

[soosoosoup]

Funk branch au

Au and branch design by @bbc-trolls

[poorly-drawn-mdzs]

Ghouls night out

[First] Prev <–-> Next

[cherrirui-official]

I hope u guys don't mind me posting these au doodles while I work on things ahaha

I also gave JD slightly longer hair in these doodles as a funny haha but I don't think it's funny anymore he looks genuinely good with his hair like that ahahaha I hope you're not mad at me for changing his au design a bit

[silverwhittlingknife]

So you're a go to source for all things Dick&Tim bros and you tend to write primarily from Dick's POV. So, odd question, but if you were to summarize their relationship from his POV in FIVE panels which panels would you pick? Keeping in mind that one specific aspect of their relationship that you love needs to be clearly represented by each panel (loyalty, trust etc). I hope this is a fun challenge and not an annoying question so if you don't want to answer that's cool! Have a wonderful day!

No more talk. The same thoughts run through two minds... (SotB 29) / You're my equal. My closest ally. (RR 1) / I can't stop thinking how much I rely on him. (GoG 3)

25 Feelings Dick Has About Tim

This was such a kind ask & a cool challenge which I totally failed; here are TWENTY-five panels of Dick's POV on Tim sdfdsfds Look, I got carried away! Marcia and Cindy! The boys!!

OKAY SO BEFORE I GET TO THE PANELS A FEW NOTES:

WARNING THAT THERE ARE SOME NEGATIVE EMOTIONS IN HERE because I love conflict but but but you gotta remember those are not the final word!! They are complicated people and sometimes they get mad at each other BUT ultimately their relationship is so hugely important in both their lives & they love each other and rely on each other so much -!!! <3

Also I have CONCLUDING THOUGHTS at the end about what Dick's POV leaves out (mostly: a lot of Dick defending & protecting & supporting Tim, which Dick does instinctively but isn't very self-aware about most of the time)

I have loosely organized my list into 5^5 format (5 categories with 5 examples each!), so if you want to skip to a relevant one, here are the categories!!

Below the cut:

I hate him and find him infuriating (#1-5)

On second thought, he's endearing & fun (#6-10)

Grief is complicated & he's all tangled up in mine (#11-15)

I love him & think highly of him (#16-20)

I rely on him & though it's hard for me, I trust him (#21-25)

I hate him and find him infuriating (#1 - 5)

1) He thinks he’s so smart and can psychoanalyze me and Bruce, but he doesn’t know me at all, he should get lost (New Titans 61)

2) He thinks he’s so smart and can psychoanalyze Bruce but he doesn’t know Bruce at all, he should get lost (Gotham Knights 26)

3) He is so nosy about stuff that is MY business (Robin 0)

4) He sounds like an insincere suck-up half the time... but okay, fine, if you push him he's got a sense of humor about it (New Titans 65)

5) I'm sure he's a better vigilante than me. It's my fault for being a failure, but I resent him anyway. (Nightwing 9 - Dick's having a nightmare)

On second thought, he's kinda endearing (#6-10)

6) He worries too much and gets anxious so easily, but it makes him fun to tease (Robin 67)

7) I'm not that competitive - okay, so maybe I'm a little competitive, I gotta make sure he doesn't get a swelled head (Prodigal)

8) I'm supposed to be his favorite! It is not cool for him to be fanboying over my not-girlfriend's not-boyfriend!! (Birds of Prey 19)

9) We have fun together. I can kick back and relax when it's just the two of us. Plus I get to boss him around a bit. (Prodigal)

10) He’s always trying to reassure me, and I guess it's a little comforting, but also he doesn’t really get it. Or me. He makes excuses that he shouldn't, because he doesn't understand that I suck. (Nightwing 64)

Grief is complicated and he's all tangled up in mine (#11 - 15)

11) He reminds me of everything I try not to think about. Sometimes the memories are so strong it hurts to look at him. (Batman 441)

12) WHY IS HE BEING IMPOSSIBLE ALL OF A SUDDEN??? THIS IS SO FRUSTRATING (Nightwing 139)

13) We're the same. He says all the things I don't let myself think about. It's like arguing with myself. (Nightwing 139)

14) He thinks he gets to tell me what to do but he doesn’t, fuck him (Battle for the Cowl)

15) Life sucks, so what. I sucked it up so he should too (RR 1)

I love him and think highly of him (#16 - 20)

16) He’s the closest thing to a brother I’ll ever have.  If someone hurts him I will hurt them harder. (Nightwing 6)

17) I can't handle the idea of losing him. (Nightwing 97)

17) He’s so good and I’m not. I'm afraid I’m bad for him. (Nightwing 110)

18) He’s better than me, and it’s kind of a relief because I know no matter what he’ll be okay. (Gates of Gotham 3)

19) In my head he’s the responsible one.  (Gotham Knights 10)

I rely on him, and though it's hard for me, I trust him (#20-25)

20) I know I have to trust him but I'm afraid he'll make the wrong choices and get hurt (Nightwing 139)

21) I'm sure I know what he should do because I see myself in him - not that I can take my own advice, but he should (Blackest Night 3)

22) I trust him.  When I’m losing my grip on things, he pulls me back. (Gotham Knights 10)

23) I want him to trust me (Red Robin 12)

24) He can tell when I'm lying. Sometimes he sees my weaknesses better than I wish he did. (Detective Comics 874)

25) He’s always there when I need him. (Teen Titans / Outsiders Secret Files)

Final rambling thoughts:

TIM: Uhh, okay, so I'm just skimming this list - do you really trust me? you're not just saying that? - but anyway, I'm confused because you left some stuff out? Like some stuff that's kinda important? DICK: No? I think I got everything? TIM (starts counting on his fingers): The time I was having a bad day but then I called you. The time I got captured by Two-Face but then you saved me. The time I fell off a train but then you saved me. The time I fell off a building but then you saved me. The time I fell off a different building - DICK: I feel like you're trying to make some kind of point but I'm not sure what it could be.

SO THE THING IS, I put 25 panels in here and not a single one has Dick catching Tim when he’s falling!!! But I think that's a central motif of their relationship from Tim’s POV, not Dick’s. I love Dick, but in some ways I think he is spectacularly un-self-aware.

And I think he especially has a lot of blind spots about Tim. He kinda intermittently gets that Tim admires him, and he enjoys it in a playful I-get-to-boss-you-around way. But Dick tends to consistently underestimate all of his own good qualities & skills, and he meets Tim at a point in his life when he's especially down on himself & his abilities. And so he's unable to see his own influence on Tim, & therefore unable to fully understand a lot of Tim's priorities and loyalties and motivations, because you can't actually understand Tim without understanding Dick's impact on him. There's a fascinating moment in Bruce Wayne: Murderer when Dick's completely blindsided & upset to discover that Tim doesn't entirely trust Bruce, even though this has been a definitive fact of Tim's whole thing ever since he showed up with his Batman needs Robin theory, and Barbara has to actively remind Dick of the obvious-to-everyone-except-Dick fact that a lot of Tim's loyalty is to Dick, and Tim loves Bruce but feels free to be more wary of him. (And to give Bruce credit: this is not something he ever begrudges.) But anyway Babs points this out, and Dick manages to sorta process it for about five seconds, but he cannot actually accept it into his worldview so instead he discards it at the speed of light and goes off and has an argument with Tim instead sdfsfdsf

All of Dick's virtues - Dick's kindness at the circus and Dick's determination to fight through grief and Dick's rigid sense of morals and Dick's vigilante skills and every time Dick has ever backed Tim up or listened to him or protected him or saved him from something or just been casually kind to a stranger in Tim's presence etc etc etc - all these things loom really large in Tim's mental story of Who Dick Is, and What Dick And Tim's Relationship Is. Tim meets Dick before he meets Bruce, trusts Dick more than Bruce, aspires to be Robin instead of Batman. And so in Tim's default version of the story, Dick is the super-special and admirable hero and Tim is... nobody in particular, a tagalong outsider who's barely managing to be a hero, not part of Dick and Bruce's family and not part of their story, who, if he's VERY LUCKY and tries REALLY HARD, might be able to fight his way to proving himself and offering something to Dick that Dick will value, if Dick doesn't get fed up with him first.

But that's not Dick's version of the story!!!

Dick's version of the story is almost the exact opposite, a story where Dick's an outcast failure black sheep who's screwing up everything he tries, and meanwhile Tim is The Sudden New Perfect Robin Who's Better Than Me And Probably Bruce Loves Him More And Probably They Gossip About What A Loser I Am, mixed with a complicated edge of Tim Thinks He's So Smart But He Doesn't Know Me/Us At All. Dick gets much more attached to Tim over time, and Tim gets unnervingly better at the know-it-all psychoanalysis so then Dick gets to have complicated feelings about him being right instead of just annoyance at him for being wrong, plus Dick's relationship with Bruce improves a lot, so Tim stops feeling so threatening. But Dick never fundamentally changes his basic theory of their relationship in which Tim is highly impressive and capable, and Dick is not so much.

And so asking Dick about Tim is kinda like if you asked George Bailey to tell you about Harry Bailey in It's A Wonderful Life; like, you'll be there for five hours while he tells you how great Harry is, and how accomplished Harry is, and how he doesn't really get how or why Harry does the things he does, and maybe George does feel a little resentful or jealous sometimes, but that pales in comparison to all his admiration and trust for Harry who he loves so much, who's better than him in so many ways, and he's not gonna openly gripe but secretly he can't help but feel sometimes like he's such a failure in comparison to Harry, a perfect person who emerged fully formed from Zeus's head with all the virtues and also all the accomplishments, etc. etc. etc. --

-- and he will not actually remember the part where he changed and saved Harry's whole entire life unless you literally send him to an alternate timeline in order to force him to remember it. <3

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[aingeal98]

Something about older Jason looking at the child version of himself, the innocent victim, and feeling the need to defend and avenge him the way no one else will. They'll call him reckless and try to pin the blame for his death on some unique failure of his personality, the problem isn't Robin the problem is he was just a bad fit for Robin! And then older Jason coming back to life and spits on their twisted grief. Fuck you, that innocent child deserved more. You took his memory and ruined it to make yourselves feel better. If no one will give him justice then Jason will take it himself no matter who he has to kill to get there. It's the only way he can move forward.

Something about older Cass looking at this child version of herself, this innocent who has no idea what she was doing when she was tricked into killing, and finding her irredeemable. She will forgive everyone for everything if they need a second chance but she cannot forgive that innocent child. She spends ten years wanting that child to die for their sin, a standard she holds no one else to. And in the end she does have to die. She can never forgive that child until the price has been paid and the guilty, tormented, suicidal mess of a girl is dead and never coming back. Only then can Cass live on. Only then can she smile without feeling the weight of her kill on her back. If no one will give that child the justice they deserve then she will have to do it herself. It's the only way she can move forward.

[navree]

Incorrect, the fact that Biden has dropped out and a candidate with history of supporting medicare for all and being more receptive to a ceasefire in the I/P conflict has made me go from "I cannot morally support the Democratic nominee" to "I am voting for the Democratic nominee despite the fact she isn't perfect in every respect." I'm really happy this played out. The Dems for the most part abandoned the old Obama platform and it feels like its possible an actual progressive agenda could come to pass in my lifetime.

Kamala 2024!

If you weren't going to vote Democratic in this election before Biden dropped out you're a dorkass loser who does not care about any of the issues you're yammering about here and also a fundamentally bad person, and I hope you get run over by a bus.

But you got one thing right in all of this gibberish, Kamala 2024.

[sysig]

Good skeles, like you lots (Patreon)

[camarilla-arts]

I'm re reading HxH manga

[brainwormcity]

Thinking of Crowley in season 2, sitting closer, smiling easier, quicker to apologize, being so indulgent, and always close by because he knows what it feels like to have believed he would have to live in a world where Aziraphale no longer exists.

[starglossie]

FIGHT OVER IT. 

[keri-mcberry]

Quidditch kids 🧹✨

[supreme-leader-stoat]

Response to your reblog before I peace out.

The argument of the immorality of abortion is built on the assumption that life inherently has value. Lives do not have any inherent value, because they are the result of millions of years of naturally occurring processes. These natural processes do not have any inherent moral value; attempting to assign one would involve invoking some sort of "god" that exists beyond the material, observable, provable world we live in, rather than some logical, clear, and distinct notion such as the one attempted to be shown. For these reasons, abortion is morally neutral.

On that note, the morality and legality of abortion are thereby a human notion, with a logically valid -though not logically sound- argument in either direction. The argument presented says that "no human life should be purposefully ended by another human being. Because that's murder." In short, they believe that murder is necessarily and inherently immoral. That's all it is though, a belief: There is no wholly logical ground to stand on with regards to murder being universally bad in all scenarios, because of its' moral neutrality as I proved above. In other words, the morality and legality of aborting a fetus is wholly subjective.

"Do you actually have an issue with my argument that a fetus is a human being with the right to life, and ending their life is murder[?]"

Yes I do. A fetus is not survivable beyond the confines of the womb for quite some time; in fact, not until right before the fetus is due to become a baby and be born, that ever-reliable 8 month mark after insemination. As such, considering the fetus is unable to survive without constant connection to the pregnant person, it stands to reason that this is an extension of their body at this point, rather than a separate entity. If one intended to claim it still was at the stages before a fetus can survive independently, then consider this implication: Parasites rely on being attached to living beings in order to survive. This includes humans. Therefore, following the earlier claim that "a fetus is a human being with the right to life, and ending their life is murder," a parasite attached to a human is also a human being with the right to life, and ending their life is murder. Therefore, it is more reasonable to claim that for most of the pregnancy cycle, a fetus is not a separate entity from the pregnant person, and by extension, "ending its' life" is not murder.

"Babies are people, too, and have the same right to life as an adult."

This is true! Because babies are not fetuses.

Just thought you would want to read this, because anti-choice rhetoric can be very harmful in shutting down the agency of pregnant people and their ability to dictate their own lives. Knowing the direction that restrictions of this kind have gone in the past, those restrictions will not stop after the illegalization of abortion. Please consider who this harms and who this helps before spreading closed-minded rhetoric of that kind.

Either morality (God-given or otherwise, because there are many secular arguments against abortion) exists or it doesn't. There is a line in the sand or there is not. If you truly intend to argue that lives have no inherent value beyond what we assign them, then not only are the two of us operating in completely irreconcilable ethical frameworks, but yours collapses under its own weight; harm, agency, all these things mattering hinges on the idea that humans and (to a lesser extent) other forms of life have inherent worth, inherent dignity, that causing the former and undermining the latter are wrong in and of themselves.

If there is no objective standard on which to hang our arguments, then everything becomes subjective; all that matters is what we value on a social and individual level. And if that's the case, why would I ever bother to value the opinions of you, a stranger on the internet, over my own? It would be unfair and wrong of me not to consider other positions, to try to see things from another person's point of view, but why should I care about fairness or rightness?

Equating an embryo or fetus to a parasite is fallacious and incorrect. Ignoring that by the scientific definition parasites have to be a different species from the host, and that a pregnancy is a two-way street that also provides benefits for the mother, embryos and fetuses are simply living out the natural development cycle that literally every other human being on the planet has gone through. The biological principles at play in parasitism and human reproduction are fundamentally different.

I could keep going. I could match your arguments with my own about how anti-life rhetoric is a slippery slope to eugenics, about how I could just as easily twist your arguments around to make social parasites out of the elderly and disabled; but in this case it's pointless, because I can't even get you to sit down and agree upon simple principles like "human lives have value" and "murder is bad" or even "there is such a thing as objective morality."