#Fouladi Projects

[parkerbombshell]

MaWayy Radio 86

First Thursday of the Month 10am-11am EST bombshellradio.com  #dance, #EDM, #pianohouse, #progressivehouse, #bigroom, #house, #electronic ,#chill, #MawayyRadio, #BombshellRadio  www.mawayy.com The Billboard charted duo “MaWayy” is a musical collaboration of Iranian-American Emmy Award-winning Brian Wayy and Iranian producer, artist and DJ Masoud Fouladi Moghaddam known for leading the electronic dance community in Iran. Together, from Los Angeles and Bandar-e Anzali, they have combined their production skills and created a sound The Huffington Post has described as ‘sizzling electropop’. 1. MaWayy, Right Said Fred - I'm Too Sexy (Eric Kupper Remix) 2. Skytech - Crank it up 3. Kusta5 - All I Need 4. NOIS3 - Whisper 5. Tujamo x Toby Romeo x Lady Leshurr - Day In Day Out 6. Scott Forshaw x D-Levels - Oxygen 7. KOLIDESCOPES x 220 Kid - Feel Good (VIP Mix) 8. Deep Fiktion - Needy 9. SUNGYOO, HANHEE ft. J.O.Y - Sugar 'MaWayy's Favorite' 10. NERVO x Plastik Funk ft. Julia Temos - Talk About Us 11. Angel Janson, MERYLL - Junglin 12. Kosling & LUX - Higher 13. Meduza x HAYLA - Another World 14. Tim Bliss - Summer Love 15. Dannic - All Mine 16. Djs From Mars vs The Stickmen Project ft. Lukkee - Shout 17. Riggi & Piros - Backroom 18. BURNERS! - Loopnight 19. Everything But The Girl - Missing (Sonny Noto Private Remix) 20. MIRAMAR - Fame 21. MQN - Don't You Cry 22. Purple Disco Machine - Beat Fantasy 23. ESSEL – Hold It Down 24. SVRT & R Eyes - All My Love Read the full article

[whileiamdying]

Iran : le choc et la révolte après l’assassinat du réalisateur Dariush Mehrjui, père de la nouvelle vague iranienne

Le cercueil de Dariush Mehrjui lors de la cérémonie funéraire à Téhéran le commémorant lui et son épouse Vahideh Mahammadifar. (ROUZBEH FOULADI / MAXPPP)

Le double assassinat du réalisateur Dariush Merhjui et de son épouse samedi dernier, poignardés dans leur résidence près de Téhéran suscite d’énormes interrogations. Une dizaine de suspects ont été interpellés et la police iranienne privilégie la thèse d’un cambriolage qui aurait mal tourné. L'opposition au gouvernement iranien ne croit pas du tout à cette thèse puisque récemment, le couple avait envoyé plusieurs messages pouvant laisser penser qu’ils se sentaient observés et visés. Dans une vidéo qui a fait le tour des réseaux sociaux en Iran, Dariush Mehrjui et sa femme Vahideh Mohammadifar murmurent tous les deux "Vive la liberté !" avant que le réalisateur ne conclue par un "Soyez prudents". De plus, Vahideh Mohammadifar affirmait avoir été récemment menacée et que leur domicile avait été cambriolé dans un entretien publié le dimanche 15 octobre par le principal journal réformateur iranien.

Un réalisateur censuré pendant toute sa carrière

Considéré comme le pionnier du cinéma nouveau iranien, Dariush Mehrjui a été censuré pendant toute sa carrière. Son talent a dans un premier temps été censuré sous le régime du Chah d’Iran puisque son film La Vache, considéré comme un chef d’œuvre absolu par le jury de la Mostra de Venise en 1969, est interdit en Iran et ne sera projeté en France que 45 ans après en 2014.

>> Iran : l’anthropologue Fariba Adelkhah libérée de prison

Mehrjui est ensuite adoubé par la révolution islamique puisque l’ayatollah Khomeiny le considère un temps comme son cinéaste favori. Mais il tombe rapidement en disgrâce et la censure de ses films devient quasi systématique, que ce soit L’école où nous allions en 1980, Baanoo en 1991 ou encore Santouri en 2007. Une dernière censure que Mehrjui ne semblait toujours pas avoir digéré comme il l'expliquait dans un récent message : "Je proteste. Un film n'est pas du lait ou de la viande pour dire que la date de consommation a expiré, s'indigne-t-il. Vous m'avez donné une autorisation pour la projection du film. Pourquoi vous revenez sur vos paroles ? Vous avez interdit tous mes films. Vous avez enterré un de mes films. Vous l'avez jeté à la poubelle. Vous avez interdit mon film Santouri sans raison.".

Un message clair du gouvernement contre toute protestation

L'avocate Nasrin Sotudeh, grande figure de la contestation et défenseure des droits humains en Iran, établit un parallèle entre l’assassinat de Dariush Mehrjui et de son épouse et celui, en 1998 de l'homme politique Dariush Forouhar et sa femme Parvaneh, disparus dans les mêmes circonstances que le cinéaste. À quelques jours du 25e anniversaire de la mort du couple Forouhar, les opposants au régime iranien y voient un signal envoyé rappelant la série d’assassinats politiques perpétrés dans les années 1990.

Dans un communiqué, le ministre iranien de la Culture affirme avoir demandé "des éclaircissements sur les circonstances de cet événement" qu’il considère comme "triste et douloureux".

[sfaioffical]

Gallerist and curator Holly Fouladi (BFA Painting, 1988) of Fouladi Projects reflects on her time during and after SFAI—from painter to gallery entrepreneur.

Briefly introduce yourself.

I own and curate a contemporary art gallery in San Francisco called Fouladi Projects, which offers relevant and inspiring contemporary fine art in an inviting gallery setting. Though I have an affinity for colorful gestural painting, the artwork in the program spans a wide range of mediums including painting, drawing, photography, video and installation. Once or twice a year the gallery transforms into a store that shows fine art and functional items to further integrate art and life. I like to think that Art is an essential component of living a full life. It provokes us to see things afresh and exalts our senses and connects us to each other and the world in which we live.

Tell us about your time at SFAI.

I was a bit of an introvert when at SFAI so I spent most of my time down in the painting studios. I have fond memories of intimate critiques with my fellow painters and the drawing rooms with live models and artist/teacher Sam Tchakalian yelling drawing corrections at us. Another highlight was the opportunity to spend time with conceptual artist David Ireland and to visit his home on Capp Street.  It was was a real eye opener for me as to what art could be—seeing the beauty in ordinary things, art based on the carrying out of actions. I also remember being inspired by shows in the student Diego Rivera Gallery. One in particular I remember was Barry McGee and his use of space in a way I had not seen before. He hung small houses from the ceiling and installed hundreds of drawings on the entire wall, spilling onto the floor. I look back and wish I’d squeezed out a bit more from my school experience but it was a great start in my journey with the arts….how did I not appreciate that view?

Fouladi Projects has been going strong in the San Francisco art scene. Tell us the story of founding the space.

After graduating from SFAI I continued to make art with the help and encouragement of a small critique group that met every couple weeks. I also found that I was pretty good at putting on shows for our group from my studio. The way I officially fell into the gallery business though was a by chance meeting with an artist named Charles Linder (SFAI Alum) who had art shows from his home/studio. We decided to partner and open a commercial space called Lincart Gallery. We had innovative shows every six weeks and did many art fairs from 2000 until 2009. He was a clever and edgy artist/curator so it was an invaluable experience for me. I started Fouladi Projects in 2010.  My mother was an artist and my father an entrepreneur so seems it was a likely outcome for me to have a gallery. Foremost I understand things from an artist point of view but I also enjoy the challenge of trying to make a business work.

Describe the importance of engaging the public with art through exhibitions, studio visits and personalized art advisory.

I strive to support artists in their creative journey and give them a space to share their work. I equally try to create a friendly environment for people in our community to see and learn about art.

Tell us about some of your exhibitions and events.

One of my favorite shows in the last year was our young Iranian exhibition called After Party that showcased artist born in Iran after the 1979 Iranian Revolution. My intention (as someone who has been married to an Iranian since college) was to give a glimpse into a world that many may not have seen. I also loved the Celebrating Ruth exhibition, showing artists from Ruth Braunstein’s long and enduring program. What a treat it was to spend time with Ruth and hear all her candid stories of the art world. Most recently we did a show called Coming Clean. It was  a collaboration with the non-profit Lava Mae. They turn muni buses into showers for people who don’t have them. It provided an opportunity to think and talk with our community about the many people living on the streets in San Francisco. Fouladi Projects gallery is located on Market Street at Guerrero with large storefront windows so we get quite the view onto the varied on goings of Market Street. Nestled in between Mission, Hayes Valley and a few blocks from Uber and Twitter, one never knows who will walk by.

More and more I know people like to shop on the internet, so I am currently working on a new website with a store and other online platforms. Check out our new site!

Despite the growth of ecommerce and online shopping, for now people still seem to enjoy seeing the work and chatting in person. For the summer we are showing a group show of artists from our program so come by and visit!

Learn more about Fouladi Projects »

Image credits: 1) Installation view of Celebrating Ruth, a group exhibition with Tom Bolles, Robert Brady, Bean Finneran, Gyongy Laky, Cork Marcheschi, Grace Munakata, Craig Nagasawa and Richard Shaw, on view Jan 8-Feb 27, 2016; 2. Installation view of Battle Of Mara At Mount Meru, a solo exhibition by Laine Justice, on view Sep 18-Oct 31, 2015; 3. Omar Chacon, Mesalina Roja, 2016; Acrylic on canvas, 30 x 26 ¼ inches; 4. Babak Kazemi, The Exit of Farhad and Shirin, 2012; C print, 40 x 60 inches, from the exhibition—After Party: Works by Iranian artists born after 1979 Revolution, on view Sep 9-Oct 29, 2016; 5. Holly Fouladi and Ruth Braunstein, 2016. All images courtesy of Holly Fouladi and Fouladi Projects.

[musicblogwales]

Derw release brand new 'Ble Cei Di Ddod I Lawr' single on Ceg Records 

Derw started as a project between songwriter Dafydd Dabson and his mum Anna Georgina, a lyricist, after they got to the final of S4C songwriting competition Can i Gymru in 2018 and decided to keep writing together. The band is fronted by Welsh/Iranian singer Elin Fouladi and their debut EP 'Yr Unig Rhai Sy'n Cofio' involves musicians from Welsh acts Zervas and Pepper, Afrocluster and Codewalkers. Drawing on chamber pop influences like The National and Elbow, the band has a strong connection with the past and their family history and is named after Anna's father - Derwas. Their family is full of interesting stories and 'Yr Unig Rhai Sy'n Cofio' (The Only Ones Who Remember) is about making sure these stories are recorded and remembered. The track 'Mikhail' is about a friend Derwas met while studying in Jerusalem in 1926. Mikhail grew up in Russia and his father was part of the imperial navy. One night in 1917, when Mikhail was nine and his mother was away, the Bolsheviks came to his house, took his father into another room and shot him. Mikhail then moved to Palestine with his mother and, when he was 19, met Derwas, a student from Oxford. They then spent years exploring the wilderness together and trying to find peace. The lyrics for 'Silver', the final track of the EP, are taken from a poem written by Anna's mother in the 1930s. She loved writing and had notebooks full of poetry she'd written. She tried several times to get them published but never managed it so it gives Anna and Dafydd a huge amount of pleasure to be able to make use of one of them now. Derw’s first single, ‘Dau Gam’, came out in May on CEG Records. It was made ‘Track of the Week’ on BBC Radio Cymru as well as getting airplay on BBC Radio Wales. The band’s second single, ‘Ble Cei Di Ddod i Lawr’ is out today on CEG Records.

[distinktionsfetzen]

Check out Laine Justice, Bluejay and Ponies | Animal Landscape (2019), From Fouladi Projects

[danceswithwookies]

Laurina Paperina, Spastic Heroes, 2015, mixed media on paper, 26” h x 32” w, Courtesy of Fouladi Projects, San Francisco, CA

[wafkarachi]

Sri Lanka urged not to violate fundamental rights in the name of combating terror

We the undersigned, who are from and live in the various nation-states of South Asia, express our deepest condolences to all those who have lost loved ones in the serial bomb blasts in Sri Lanka on Easter Sunday. We express our solidarity with those working tirelessly to address the needs of the injured in the aftermath of this carnage and to sustain interfaith and community relationships. While we support all justice efforts that seek to hold the perpetrators of violence accountable, we also urge the Government of Sri Lanka to ensure that, in the name of combating terror and ensuring national security, fundamental human rights and dignity of all concerned are not violated.

We say this because in all our countries, investigations into terror and anti-terror legislation have been accompanied by consistent and continuing violation of civil and democratic rights. Furthermore, in the name of ensuring national security, successive governments in the region have sought to legitimise their various acts of impunity – directed against not only purported or possible suspects but entire sections of the civilian population. This has led to unaccountable loss of life and a steady erosion of democratic guarantees and institutions, including unaccounted for deaths and disappearances. We note with concern that media reports and remarks by state officials and political leaders in Sri Lanka have pointed to State inaction with respect to warnings by intelligence agencies about possible acts of terror. Such inaction and indifference, we regret to note, amounts to State complicity with the violence that subsequently unfolded.We are also concerned that the ‘owning up’ to these acts by the so-called ‘Islamic State’ (Daesh) might encourage Islamophobic attitudes and expressions, both on the part of the Sri Lankan Government and sections of civil society. Should this happen, Sri Lanka would be tragically drawn in to a familiar international discourse and practice to do with ‘Islamic terror’ with all the resultant tragedies, as we have witnessed across Asia. In a country that has barely recovered from decades of civil mistrust, war and violence, this cannot bode well for its sovereignty, civil peace and economic and social life. We wish to point out that the so-called war on ‘Islamic terror’ has resulted in large numbers of the Islamic faith being persecuted, both in their countries and across the world – and this sadly only enhances the appeal of those who seek to wage war in the name of Islam and what they perceive as Islamic concerns and interests. Thus is set in motion a cycle of violence that benefits no one but the arms trade and industries, and political powers that seek to establish their hegemony in the region at all costs. In this context: nWe support all struggles to ensure transparent and fair pursuit of justice for the victims of the blast. At the same time, we stand with those who are against undemocratic anti-terror laws in Sri Lanka, even if they are purportedly deployed for purposes of investigation and national security. nWe protest attempts to target or persecute those of the Islamic faith, in the name of countering terror, whether by the state or vigilante groups. nWe support Muslim communities in the region that have called for peace and are critical of voices from within that endorse extremist religious positions, which polarise everyday life and interactions, and vitiate meaningful dissent and dialogue. nWe affirm the resilience of diverse cultural and religious traditions in the region that have fostered longstanding habits of mutuality, trust and co-existence. We do not wish for the specificity of local beliefs and traditions, of all faiths, to be drawn into polarising global discourses of religious ‘unity’ and ‘singularity’ imposed from above. List of signatories: Afghanistan Massihullah, Kabul Afghanistan Sima Samar, Afghanistan Nepal Anju Kandel, Nepal Deepa Gurung, Nepal Hari Sharma, Kathmandu, Nepal Kaalo.101, Nepal Kanak Mani Dixit, Kathmandu Kunda Dixit, Kathmandu, Nepal NayanTara Gurung Kakshapati, Kathmandu, Nepal Niranjan Kunwar, Kathmandu, Nepal Sarita K.C, Nepal India Mangai, India Abha Bhaiya, India Abirami Jotheeswaran, India Amar Kanwar, New Delhi, India Anuradha Bhasin, Kashmir Times, India Anuradha Kapoor, India Arundathi V, India Ashish kumar Dey, India Bindu Doddahatti, India Deepti Sharma, New Delhi, India Dia Da Costa, India Dipta Bhog, India Farida Khan, India Forum Against Oppression of Women, India Geetha V, India Huma Ahmed-Ghosh, India Indu Vashist, India/Canada Iram Saeed, India Jinee Lokaneeta, India/USA K, Lalita, India Kamla Bhasin, India Khalida Saleem, India Madhu Mehra, India Mamta Singh, Women Right Activist, India Mary John, India Maya Sharma Vikalp (Women’s Group), India Meena Gopal, India Meera Velayudhan, India Mohan Rao, India Mrinalini R, India Nandini Manjrekar, India Nandita Shah, India Nastasia Paul Gera, India Neelanjana Mukhia, India Neeraj Malik, India Nupur Basu, India Pam Philipose, India Panchali Ray, New Delhi, India Ponni Arasu, India Poonam Batra, India Prathama Raghavan, Hyderabad, India Rafiul Alom Rahman, India Ramakant Agnohotri, India Rita Manchanda, India Ritu Dewan, India Ritu Menon, India Roshmi Goswami, India Sabeena Gadihoke, India Sahba Hussain, India Saheli Women’s Resource Centre, New Delhi, India Sameera Iyengar, India Sara Abraham, India Shohini Ghosh, India Shrimoyee N, Ghosh, India Snigdha Chakraborty, India Sujata Patel, India Svati Shah, India/USA Swarna Rajagopalan, India Tanvi Mishra, New Delhi, India The Queer Muslim Project, India Uma Chakravarty, India Vanita Nayak Mukherjee, India Veena Shatrughna, India Mamatha Karollil, India Afshana Bano, India Supriya Madangarli, India Pakistan Abeera Tanveer, Pakistan Ailya Khan, Pakistan Ajwah Nadeem, Pakistan Aminah Waheed Chaudhry, Pakistan Ammar Ali Jan, Pakistan Amna Durrani, Pakistan Amna Iqbal, Pakistan Amna Mawaz, Pakistan Anis Haroon, Pakistan Anoosha Shaigan, Pakistan Arooj Aurangzeb, Pakistan Asma Malik, Pakistan Awami Workers Party, Punjab Ayra Indrias, Pakistan Baila Anjum, Lahore, Pakistan Basmina, Pakistan-Afghan Border Beena Sarwar, Pakistan Beenish Muhammad Ali, Pakistan Bonnie Mende Candas Anjum, Pakistan Qasim Iqbal, NAZ Pakistan Faiz Younas, Pakistan Farida Batool, Pakistan Farida Shaheed, Pakistan Fatema Bhaiji, Pakistan Fatima A. Athar, Pakistan Fatima Butt, Pakistan FemSoc at LUMS, Pakistan Feroza Batool, Pakistan Fiza Khatri, Pakistan Furhan Hussain, Pakistan Ghausia Rashid Salam, Pakistan Ghazala Anwar, Pakistan Gwendolyn S. Kirk, USA/Pakistan Hadi Hussain, Pakistan Hameeda Hossain, Pakistan Have Only Positive Expectations – HOPE, Pakistan Hiba Akbar, Pakistan Hira Mohmand, Pakistan-Afghan Border Huma Fouladi, Pakistan Huma Majeed, Pakistan Humraz society, Karachi, Pakistan Jamaima Afridi, Pakistan-Afghan Border Jawad Anwar, Pakistan Kashmala Dilawar, Pakistan-Afghan Border Khawar Mumtaz, Pakistan Khushbakht Memon, Pakistan Kishwar Sultana, Pakistan Kyla Pasha, Pakistan Lubna Chaudhry Madiha Latif, Pakistan Maheen Asif Khan, Pakistan Malik Moeed, Pakistan Manal Yousuf, Pakistan Mani AQ, Pakistan Maria Rashid, Pakistan Maryam Hussain, Pakistan Maryum Orakzai, Pakistan-Afghan Border Masooma Fatima, Pakistan Mehlab Jameel, Pakistan Melanie D’souza, Pakistan Momina Jahan, Pakistan Momina Pasha, Pakistan Muaaz Ali, Pakistan Naazish Ata-Ullah, Pakistan Nabiha Meher Shaikh, Pakistan Nageen Hyat, Pakistan Naheed Aziz, Pakistan Naila Naz, Pakistan Nasim Begum, Pakistan-Afghan Border Nasreen Rahman, Pakistan Neelam Hussain, Pakistan Nighat Dad, Pakistan Nighat Said Khan, Pakistan Nimra Akram, Pakistan Noreen Naseer Pakistan O Collective, Pakistan Omer Arshad, Pakistan Outcast Magazine, Pakistan Palvashay Sethi, Pakistan Queer Karachi, Pakistan Quratulain Faraz, Pakistan Rafia Asim, Pakistan Rahma Muhammad Mian, Karachi Roohi Khan, Pakistan Rubina Saigol, Pakistan Rukhsana Rashid, Pakistan Saadia Haq, Pakistan Saadia Toor, USA/Pakistan Saba Gul Khattak, Pakistan-Afghan Border Sabeen Andleeb, Pakistan Sadaf Aziz, Pakistan Sadia Afridi, Pakistan-Afghan Border Sadia Khatri, Karachi, Pakistan Saima Jasam, Pakistan Saima Munir, Pakistan Saleha Rauf, Pakistan Saman Rizvi, Pakistan Samavia Malik, Pakistan Samina Orakzai, Pakistan Samina Orakzai, Pakistan-Afghan Border Sana Naeem, Pakistan Sarah Humayun, Pakistan Sarah Suhail, Pakistan Sarah Zaman, Pakistan Sehrish Tariq, Pakistan Shafeeq Gigyani, Peshawar Pakistan Shagufta Rehmat, Pakistan Shazia Shaheen, Pakistan Shirkat Gah – Women’s Resource Centre, Pakistan Shmyla Khan, Pakistan Shumaila Kausar, Pakistan Shumaila Shahani, Pakistan Syed Raza Haider, Pakistan Tabitha Spence, Pakistan Tahira Kaleem, Peshawar, Pakistan Tehreem Azeem, Pakistan The Enlight Lab, Pakistan Wafa Asher, Pakistan Women’s Action Forum, Pakistan Yusra, Pakistan-Afghan Border Zahra Durrani, Pakistan Zakia Majid, Pakistan Zeenat Afridi, Pakistan – Afghan Border Zeenia Shaukat, Pakistan Zehra Keshf, Pakistan Ambreen Ahmad, Pakistan Bangladesh Amena Mohsin, Dhaka Bangladesh Anusheh Anadil, Dhaka, Bangladesh Arup Rahee, Dhaka, Bangladesh Adilur Rahman Khan, Dhaka, Bangladesh Dr Asif Nazrul, Dhaka, Bangladesh Dr Hameeda Hossain, Dhaka, Bangladesh Dr Ridwanul Hoque, Dhaka, Bangladesh Dr Zafrullah Chowdhury, Dhaka, Bangladesh Faustina Pereira, Dhaka, Bangladesh Shahidul Alam, Dhaka, Bangladesh Shahnaz Huda, Dhaka, Bangladesh Fahmidul Haq, Dhaka, Bangladesh Firdous Azim, Dhaka, Bangladesh Galiba Rabbani, Bangladesh Gitiara Nasreen, Dhaka, Bangladesh Hana Shams Ahmed, Bangladesh/Canada Inclusive Bangladesh, Bangladesh Khushi Kabir, Bangladesh Nur Khan, Dhaka, Bangladesh Meghna Guhathakurta, Dhaka, Bangladesh Mirza Taslima Sultana, Dhaka, Bangladesh Mohammad Tanzimuddin Khan, Dhaka, Bangladesh Mohammed Iqbal Hossaion, Bangladesh Monika Biswas, Bangladesh Perween Hasan, Dhaka, Bangladesh Rahnuma Ahmed, Dhaka, Bangladesh Reetu Sattar, Dhaka, Bangladesh Rezaur Rahman Lenin, Dhaka, Bangladesh Rina Roy, Dhaka, Bangladesh Selima Sara Kabir, Bangladesh Shaheen Anam, Bangladesh Shamsul Huda, Bangladesh Sharnila Nuzhat Kabir, Bangladesh Shireen P Huq, Dhaka, Bangladesh Sultana Kamal, Dhaka, Bangladesh Zareen Mahmud Hosein, Bangladesh Others Aurangzaib Alizai, Thailand Kumkum Dey, New Jersey Rumah Pelangi Indonesia

[jemima-kirke-rocks]

From March 21 to May 10 2014, Jemima exhibited her portraits at the Fouladi Projects. Apparently all her paintings were sold and her work is compared to that of Alice Neel, to Egon Schiele and Lucian Freud.

[mozelleedward1-blog]

The Significance From Different Colors For Youngsters

Parents of such youngsters could be actually elderly managers in significant business and also they carry out certainly not have adequate time for their kids. This will certainly often stimulate a beautiful emotion from calmness and basic approval of attributes's elegance. At that point say no to just about anything your moms and dad or others recommend that have you beyond your planning. The provider quite needs to place a really clear parent company cash flow merely statement. What I did pick up from my moms and dads is how NOT to parent to make sure that is actually the blue sky. The good feature of publishing on Finding Alpha is actually that you usually acquire practical opinions. If even you are actually going everything right (which no human parent may do since none people are best) no solitary treatment for colic work with all little ones or even each time. Certainly never ever interact along with any person (online, through e-mail, via Http://Sportjorgblog.Info phone, face to face or even differently) without first notifying your parent or carer about just what you are actually carrying out. As an example, the Birth Certificate Stand & Holder is a wonderful gift for all moms and dads that desire to honor their child's childbirth. Therefore while one person with aspergers might not be the perfect moms and dad that does certainly not mean that an additional will certainly not be actually. The Parent Catch showcases numerous lovely sets, yet the Evers cattle ranch is the most effective of all of them all. I would claim the utmost purpose from a moms and dad is actually to rear a kid to become an entirely functioning and also private grown-up - an adult who is actually self resistant and also sufficient. Afterwards, when mulling over why pair of reasonably laid-back people drew such a large 'nil points' in the decision-making risks, I realised that these moments of chronic indecision directly associate to being a parent for me. Researchers have found that safe add-on to one moms and dad performs certainly not always coincide with secure attachment to the other moms and dad (Collins & Reed, 1994; McCarthy, Moller, & Fouladi, 2001). Montchavin has a splendid out-of-date community charm with gorgeous stone and also lumber properties, fairly environments and an inviting ambience.

The volume from take pride in you believe as a parent viewing your little one smile before the cam is actually pretty spectacular, I have to accept. And, understanding their interests and enthusiasms provides a parent a possibility to entail themselves in those things as well as motivate them. Think of it. According to singular mama stats that has been actually revealed frequently that much more mamas are tackling that activity, as well as performing a splendid project from sustaining their family without assistance annually. Likewise, if every parent of a newborn produced that decision promptly, no child would certainly ever before have yet another sibling or sister. For your existing target, you could inquire your husband or wife to fraternize your moms and dad and also the kids while you choose a stroll.

[seek-fine-art-blog]

What's your favorite piece at Fouladi Projects in SF? 

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https://seekfineart.com/fouladi-projects/zUNtxXCelS

[neurogenpapers]

Development of the SIOPE DIPG network, registry and imaging repository: a collaborative effort to optimize research into a rare and lethal disease.

IoN UCL PubMed: Development of the SIOPE DIPG network, registry and imaging repository: a collaborative effort to optimize research into a rare and lethal disease. J Neurooncol. 2017 Jan 21;: Authors: van Zanten SE, Baugh J, Chaney B, De Jongh D, Aliaga ES, Barkhof F, Noltes J, De Wolf R, Van Dijk J, Cannarozzo A, Damen-Korbijn CM, Lieverst JA, Colditz N, Hoffmann M, Warmuth-Metz M, Bison B, Jones DT, Sturm D, Gielen GH, Jones C, Hulleman E, Calmon R, Castel D, Varlet P, Giraud G, Slavc I, Van Gool S, Jacobs S, Jadrijevic-Cvrlje F, Sumerauer D, Nysom K, Pentikainen V, Kivivuori SM, Leblond P, Entz-Werle N, von Bueren AO, Kattamis A, Hargrave DR, Hauser P, Garami M, Thorarinsdottir HK, Pears J, Gandola L, Rutkauskiene G, Janssens GO, Torsvik IK, Perek-Polnik M, Gil-da-Costa MJ, Zheludkova O, Shats L, Deak L, Kitanovski L, Cruz O, La Madrid AM, Holm S, Gerber N, Kebudi R, Grundy R, Lopez-Aguilar E, Zapata-Tarres M, Emmerik J, Hayden T, Bailey S, Biassoni V, Massimino M, Grill J, Vandertop WP, Kaspers GJ, Fouladi M, Kramm CM, van Vuurden DG, members of the SIOPE DIPG Network Abstract Diffuse intrinsic pontine glioma (DIPG) is a rare and deadly childhood malignancy. After 40 years of mostly single-center, often non-randomized trials with variable patient inclusions, there has been no improvement in survival. It is therefore time for international collaboration in DIPG research, to provide new hope for children, parents and medical professionals fighting DIPG. In a first step towards collaboration, in 2011, a network of biologists and clinicians working in the field of DIPG was established within the European Society for Paediatric Oncology (SIOPE) Brain Tumour Group: the SIOPE DIPG Network. By bringing together biomedical professionals and parents as patient representatives, several collaborative DIPG-related projects have been realized. With help from experts in the fields of information technology, and legal advisors, an international, web-based comprehensive database was developed, The SIOPE DIPG Registry and Imaging Repository, to centrally collect data of DIPG patients. As for April 2016, clinical data as well as MR-scans of 694 patients have been entered into the SIOPE DIPG Registry/Imaging Repository. The median progression free survival is 6.0 months (95% Confidence Interval (CI) 5.6-6.4 months) and the median overall survival is 11.0 months (95% CI 10.5-11.5 months). At two and five years post-diagnosis, 10 and 2% of patients are alive, respectively. The establishment of the SIOPE DIPG Network and SIOPE DIPG Registry means a paradigm shift towards collaborative research into DIPG. This is seen as an essential first step towards understanding the disease, improving care and (ultimately) cure for children with DIPG. PMID: 28110411 [PubMed - as supplied by publisher] http://dlvr.it/NB3qTm

[righteouspropaganda]

Pharell is sad, Miley got wrecked, and Takashi met his demise.. 

[fouladiprojects]

Anne Veraldi ~ Ants!

[distinktionsfetzen]

Check out Laine Justice, Scene 1 of 8 The battle of Mara | For you I love more (2015), From Fouladi Projects

[jemima-kirke-rocks]

Like mother, like daughter. Fouladi Projects, SF. March 2014

[fouladiprojects]

Jemima Kirke show at Fouladi Projects Gallery

Fouladi Projects is pleased to present Platforms portraits by painter and RISD alumni Jemima Kirke Exhibition runs March 21 - May10, 2014

A shared thematic perspective runs through Kirke's portraits. The female sitters somehow embody - with their varied, often dour expressions - vulnerability, frustration and suppressed longing thinly disguised beneath cool faux-sophisticated facades. Empathy is the distinguishing feature, one that imbues them with both dignity and life. They exist in depth, not just as marks on the surface. It is impressive to see how effective Kirke has been in creating a mood as she transforms observation and insight into painted images. It makes her art worth looking at and taking seriously.

Part of her method is her attention to physical flaws, imperfections, which she describes as "part of our individuality". She abandons the traditional goal of rendering the subject "accurately" and aims for "capturing her presence in the room, her expressions, our relationship". This willingness to reinterpret the idea of "likeness" is an important element of Kirke's portraiture.