#Gaetano Donizetti

[infinitelytheheartexpands]

DEAD. ABSOLUTELY DEAD.

[empirearchives]

Left: Gaetano Donizetti, Right: Marshal Moncey

On May 5, [Gaetano] Donizetti was present at the ceremony memorializing Napoleon on the twentieth anniversary of his death. Writing to Antonio Vasselli on May 6, he said: “Yesterday (May 5) I went to the funeral service for the death of Napoleon. It was touching to see all those who served: some of them even had the uniforms of that period, moth-eaten, threadbare, frazzled; many had had them made new. They kissed the lid, the imperial crown; they wept, and Moncey, the oldest marshal, who is almost a hundred years old, was in dress uniform.”

Context: The year was 1841. Marshal Moncey passed away a year later in 1842.

Source: Herbert Weinstock, Donizetti and the World of Opera in Italy, Paris and Vienna in the First Half of the Nineteenth Century, pg. 167

[princesssarisa]

Opera on YouTube 5

Nabucco

Teatro alla Scala, 1987 (Renato Bruson, Ghena Dimitrova; conducted by Riccardo Muti; no subtitles)

Teatro di San Carlo, 1997 (Renato Bruson, Lauren Flanigan; conducted by Paolo Carognani; no subtitles)

Ankara State Opera, 2006 (Eralp Kıyıcı, Nilgün Akkerman; conducted by Sunay Muratov; no subtitles)

St. Margarethen Opera Festival, 2007 (Igor Morosow, Gabriella Morigi; conducted by Ernst Märzendorfer; English subtitles)

Rome Opera, 2011 (Leo Nucci, Csilla Boross; conducted by Riccardo Muti; English and German subtitles)

Teatro Comunale di Bologna, 2013 (Vladimir Stoyanov, Anna Pirozzi; conducted by Michele Mariotti; Italian subtitles)

Rome Opera, 2013 (Luca Salsi, Tatiana Serjan; conducted by Riccardo Muti; no subtitles)

Gran Teatro Nacional, Perú, 2015 (Giuseppe Altomare, Rachele Stanisci; conducted by Fernando Valcárcel; Spanish subtitles)

Metropolitan Opera, 2017 (Plácido Domingo, Liudmyla Monastyrska; conducted by James Levine; Spanish subtitles)

Arena di Verona, 2017 (George Gagnidze, Susanna Branchini; conducted by Daniel Oren; English subtitles)

La Cenerentola (Cinderella)

Jean-Pierre Ponnelle studio film, 1981 (Frederica von Stade, Francisco Araiza, Paolo Montarsolo; conducted by Claudio Abbado; English subtitles)

Glyndebourne Festival Opera, 1983 (Kathleen Kuhlmann, Laurence Dale, Claudio Desderi; conducted by Donato Renzetti; no subtitles)

Salzburg Festival, 1988 (Ann Murray, Francisco Araiza, Walter Berry; conducted by Riccardo Chailly; English subtitles)

Tokyo Bunka Kaikan, 1991 (Lucia Valentini-Terrani, Toshiro Gorobe, Domenico Trimarchi; conducted by Antonello Allemandi; Japanese subtitles) – Act I, Act II

Houston Grand Opera, 1995 (Cecilia Bartoli, Raúl Giménez, Enzo Dara; conducted by Bruno Campanella; no subtitles)

Rossini Opera Festival, 2000 (Sonia Ganassi, Juan Diego Flórez, Bruno Praticó; conducted by Carlo Rizzi; Italian subtitles)

Gran Teatre del Liceu, 2008 (Joyce DiDonato, Juan Diego Flórez, Bruno de Simone; conducted by Patrick Summers; German subtitles)

Romeo Opera, 2015 (Serena Malfi, Juan Francisco Gatell, Alessandro Corbelli; conducted by Alejo Pérez; Italian and English subtitles)

Lille Opera, 2016 (Emily Fons, Taylor Stayton, Renato Girolami; conducted by Yves Parmentier; English subtitles)

Boboli Gardens, Florence, 2020 (Svetlina Stoyanova, Josh Lovell, Daniel Miroslaw; conducted by Sándor Károlyi; no subtitles)

Lucia di Lammermoor

Tokyo Bunka Kaikan, 1967 (Renata Scotto, Carlo Bergonzi; conducted by Bruno Bartoletti; English subtitles)

Mario Lanfranchi film, 1971 (Anna Moffo, Lajos Kosma; conducted by Carlo Felice Cillario; English subtitles)

Bregenz Festival, 1982 (Katia Ricciarelli, José Carreras; conducted by Lamberto Gardelli; no subtitles) – Part I, Part II

Opera Australia, 1986 (Joan Sutherland, Richard Greager; conducted by Richard Bonynge; English subtitles)

Teatro Carlo Felice, 2003 (Stefania Bonfadelli, Marcelo Álvarez; conducted by Patrick Fournillier; Japanese subtitles)

San Francisco Opera, 2009 (Natalie Dessay, Giuseppe Filianoti; conducted by Jean-Yves Ossonce; English subtitles)

Amarillo Opera, 2013 (Hanan Alattar, Eric Barry; conducted by Michael Ching; English subtitles)

Gran Teatre del Liceu, 2015 (Elena Mosuc, Juan Diego Flórez; conducted by Marco Armiliato; French subtitles)

Teatro Real de Madrid, 2018 (Lisette Oropesa, Javier Camerana; conducted by Daniel Oren; English subtitles)

Vienna State Opera, 2022 (Lisette Oropesa, Benjamin Bernheim; conducted by Evelino Pidó; English subtitles)

Il Trovatore

Claudio Fino studio film, 1957 (Mario del Monaco, Leyla Gencer, Fedora Barbieri, Ettore Bastianini; conducted by Fernando Previtali; English subtitles)

Wolfgang Nagel studio film, 1975 (Franco Bonisolli, Raina Kabaivanska, Viorica Cortez, Giorgio Zancanaro; conducted by Bruno Bartoletti; Japanese subtitles)

Vienna State Opera, 1978 (Plácido Domingo, Raina Kabaivanska, Fiorenza Cossotto, Piero Cappuccilli; conducted by Herbert von Karajan; no subtitles)

Opera Australia, 1983 (Kenneth Collins, Joan Sutherland, Lauris Elms, Jonathan Summers; conducted by Richard Bonynge, English subtitles)

Metropolitan Opera, 1988 (Luciano Pavarotti, Eva Marton, Dolora Zajick, Sherrill Milnes; conducted by James Levine; no subtitles)

Bavarian State Opera, 2013 (Jonas Kaufmann, Anja Harteros, Elena Manistinta, Alexey Markov; conducted by Paolo Carignani; English subtitles)

Temporada Lirica a Coruña, 2015 (Gregory Kunde, Angela Meade, Marianne Cornetti, Juan Jesús Rodriguez; conducted by Keri-Lynn Wilson; no subtitles)

Opéra Royal de Wallonie-Liége, 2018 (Fabio Sartori, Yolanda Auyanet, Violeta Urmana, Mario Cassi; conducted by Daniel Oren; French subtitles)

Arena di Verona, 2019 (Yusif Eyvazov, Anna Netrebko, Dolora Zajick, Luca Salsi; conducted by Pier Giorgio Morandi; German subtitles)

Teatro Verdi di Pisa, 2021 (Murat Karahan, Carolina López Moreno, Victória Pitts, Cesar Méndez; conducted by Marco Guidarini; no subtitles)

[earlymodernbarbie]

Giuditta Pasta in the role of Anne Boleyn by Karl Brullov (1830)

[supercantaloupe]

opera stream alert!

what: l'elisir d'amore, teatro alla scala 2015

when: tomorrow, sunday april 21, 1pm edt (utc -4)

where: https://kosmi.to/246t72

more info: what the hell is going on? why is it in an actual working airport? why do two random guys keep interrupting the show to talk about it like it's sports radio? come out and join, to find out more (hope you understand italian or french though)

[operaqueen]

Beverly Sills - Lucia Di Lammermoor

[automaticdreamlandkid]

Lucia di Lammermoor

[emilia-chopin]

Galerie des compositeurs dramatiques modernes" (1844) by Nicolas-Eustache Maurin (d. 1850).

The engraving shows:

(back row left to right): Hector Berlioz, Gaetano Donizetti, George Onslow, Daniel Auber, Felix Mendelssohn, Henri-Montan Berton.

(front row left to right): Fromental Halévy, Giacomo Meyerbeer, Gaspare Spontini, Gioacchino Rossini.

@mendyson @berliozussy-official

[gasparodasalo]

Gaetano Donizetti (1797-1848) - String Quartet No. 2 in A-Major, I. Allegro assai. Performed by Pleyel Quartett Köln, on period instruments.

[doyouknowthisopera]

[opera-ghosts]

100 years ago at the Grand Opera Chicago. The Soprano TOTI DAL MONTE (1893-1975) made her Debut in Donizettis “Lucia di Lammermoor” with great colleagues. Take a look on the Biographies of that list of singers.

[infinitelytheheartexpands]

man donizetti really went balls to the wall writing the maria stuarda confrontation scene

[empirearchives]

Giuseppe Donizetti — served Napoleon on Elba and accompanied him during the Hundred Days

Portrait of Giuseppe Donizetti later in life

Giuseppe Donizetti was born into poverty in 1788, in the Northern Italian city of Bergamo. The eldest of his siblings, he worked from a young age, training as a tailor’s apprentice. His true talent was in music, which was spotted early on in his life.

Giuseppe was conscripted in 1808 at the age of 20. He served the Napoleonic Kingdom of Italy in the Seventh Italian Regiment. He fought against Austria in the War of the 5th Coalition in 1809. He spent the years of 1811, 1812 and 1813 in Spain.

In 1811, he was became ill en route to Spain and was hospitalized at Castelnaudary in France. 43 years later in 1854, he wrote about it to the court of the Ottoman Empire:

“Constantinople, November 22, 1854. Mémoire to His Highness Achmed-Fethy Pasha. Finding myself in a comfortable position thanks to the beneficences of Our August and Glorious Sovereign, I cede to the Hospital of Castelnaudary (Aude), in which I was ill in 1811, the portion coming to me of the legacy left by the Emperor Napoleon I to the Battalion of the Island of Elba. The papers establishing my right to participate in the credit opened up by the Decree of August 5, 1854, issued at Biarritz by His Imperial Majesty the Emperor Napoleon III, I have been obliged to send to France at the time when I was honored with a brevet as Chevalier of the Legion of Honor. Your Highness's Very humble Servant, Joseph Donizetti.”

Location and photograph of Castelnaudary

After the dissolution of the Kingdom of Italy and the First French Empire, he enlisted in the French military and was stationed on the island of Elba as a military flutist. It was on Elba, in the town of Portoferraio, where he was married in 1815.

That same year, he accompanied Napoleon during the Hundred Days, traveling with him on the same ship from Elba to Antibes, France. He likely fought at the battle of Waterloo.

Landing of Napoleon I in Antibes in 1815

After Napoleon:

The Austrians took control of Northern Italy after the fall of Napoleon. According to the historian Emre Aracı, Giuseppe was “a greal admirer of Napoleon and the French […] Giuseppe strongly opposed his country’s domination by the Austrians. Evidence shows that he secretly took part in the Carbonari resistance and even appeared at court trials.”

Giuseppe Donizetti became a composer, and had a full career as Instructor General of the Imperial Ottoman Music. He even composed the first National Anthem of the Ottoman Empire, the Mecidiye Marşı. His main legacy is introducing Western marching music to the military of the Ottoman Empire.

He was employed by the Ottoman government on 17 September 1828 for an annual salary of 8,000 francs. This was considered a very high salary by his family. Giuseppe’s trouble with the Austrian authorities after the fall of Napoleon may have been a motivator for him to leave Italy. He moved to Constantinople at the age of 39 and spent the rest of his life there.

Giuseppe’s patron was Sultan Mahmud II, who ruled from 1808 to 1839, and Sultan Abdulmejid I, who ruled from 1839 to 1861.

According to the historian Emre Aracı:

“The Donizettis were so well-liked in the Ottoman capital that when fire broke out near their house Ahmet Fethi Pasha, the sultan's brother-in-law, ordered all the houses surrounding the maestro's home to be razed to the ground in order to prevent the flames reaching the building.”

Sultan Mahmud II

His brother, Gaetano, called him his fratello turco— Turkish brother, writing to his friend that “He loves Constantinople, to which he owes everything.”

Giuseppe even encouraged his brother to move to Constantinople, but Gaetano declined. “I do not want to play the fool like my brother, the Bey, who, after having earned more than I perhaps, stays there in ancient Byzantium to scratch his belly between the plague and the stake,” wrote Gaetano.

Giuseppe moved to Constantinople two years after the creation of the Imperial Musical School (Muzıka-i Hümâyûn), which was an Ottoman institution which trained its students in Western style of music. He was specifically recruited as an expert to help lead this effort.

Giuseppe’s younger brother, Gaetano. By Francesco Coghetti, 1837

Gaetano Donizetti, though younger than Giuseppe, became the much more successful and internationally well-known brother, producing nearly 70 operas in his life. Gaetano is considered one of the most successful opera composers in history. Because of this, Giuseppe is widely known as Gaetano Donizetti’s brother. The historian Emre Aracı pointed out that this has actually been good for Giuseppe’s reputation because it has enabled him to be remembered when many other composers have been forgotten.

Both brothers were awarded the Ottoman Order of Nișan-i Iftihar. When Gaetano received the award at the Ottoman Embassy in Paris, he proudly said: “Napoleon belongs to two centuries, I to two religions.”

Burial:

Giuseppe died in 1856, and is buried in the vaults of St. Esprit Cathedral, on the European side of Constantinople, in the district called Pera (now called Beyoğlu). According to Emre Aracı, the district “was once the home of a thriving Christian community”. The Church was built in 1846, 10 years before Giuseppe died.

Interior of St. Esprit Cathedral

Giuseppe and his brother Gaetano are two great success stories and examples of people from impoverished backgrounds who go on to live prosperous and interesting lives.

Sources:

Herbert Weinstock, Donizetti and the World of Opera in Italy, Paris and Vienna in the First Half of the Nineteenth Century, 1963

Emre Aracı, Giuseppe Donizetti at the Ottoman Court: A Levantine Life, The Musical Times, Vol. 143, No. 1880 (Autumn, 2002), pp. 49-56

Emre Aracı, Giuseppe Donizetti Pasha and the Polyphonic Court Music of the Ottoman Empire, The Court Historian, Volume 7, 2 December 2002

Özgecan Karadağli, Western Performing Arts in the Late Ottoman Empire: Accommodation and Formation, 2020

[princesssarisa]

Opera on Youtube 4

L'Elisir d'Amore (The Elixir of Love)

Maggio Musicale Fiorentino, 1967 (Carlo Bergonzi, Renata Scotto; conducted by Gianandrea Gavazzeni; no subtitles)

Metropolitan Opera, 1981 (Luciano Pavarotti, Judith Blegen; conducted by Nicola Rescigno; Spanish subtitles) – Part I, Part II

Metropolitan Opera, 1991 (Luciano Pavarotti, Kathleen Battle; conducted by James Levine; English subtitles) – Part I, Part II

Vienna State Opera, 2005 (Rolando Villazón, Anna Netrebko; conducted by Alfred Eschwé; English subtitles)

Theatro da Paz, Brazil, 2013 (Atalla Ayan, Carmen Monarcha; conducted by Emiliano Patarra; Brazilian Portuguese subtitles)

Teatro Manoel, Malta, 2015 (Cliff Zammit Stevens, Shoushik Barsoumian; conducted by Philip Walsh; English subtitles)

Vienna State Opera, 2017 (Dmitry Korchak, Olga Peretyatko; conducted by Marco Armiliato; no subtitles) – Part I, Part II

Ópera de Bellas Artes, Mexico City, 2017 (Ramón Vargas, Olivia Gorra; conducted by Guido Maria Guida; Spanish subtitles)

Vienna State Opera, 2018 (Benjamin Bernheim, Andrea Carroll; conducted by Frédéric Chaslin; no subtitles)

San Francisco Opera, 2023 (Pene Pati, Slávka Zámečníková; conducted by Ramón Tebar; English subtitles)

Hänsel & Gretel

Vittorio Cottafavi studio film, 1957 (Fiorenza Cossotto, Jan Poleri; conducted by Nino Sanzogno; sung in Italian with Italian subtitles)

August Everding studio film, 1981 (Brigitte Fassbaender, Edita Gruberova; conducted by Georg Solti; English subtitles)

Leipzig Opera, 1981 (Annelott Damm, Steffi Ullmann; conducted by Horst Gurgel; no subtitles)

Julliard Opera Center, 1997 (Jennifer Marquette, Sari Gruber; conducted by Randall Behr; English subtitles)

Opera Australia, 1992 (Suzanne Johnston, Christine Douglas; conducted by Johannes Fritzsch; sung in English)

Vienna State Opera, 2015 (Daniel Sindram, Ileana Tonca; conducted by Christian Thielmann; English subtitles)

Pacific Northwest Opera, 2015 (Sylvia Szadovszki, Ksenia Popova; conducted by Clinton Smith; sung in English with English subtitles)

Scottish Opera, 2020 (Kitty Whately, Rhian Lois; conducted by David Parry; sung in English with English subtitles)

Eklund Opera Program, 2020 (Christine Lee, Anna Whiteway; conducted by Nicholas Carthy; sung in English with English subtitles)

Amarillo Opera, 2021 (Sarah Beckham-Turner, Patricia Westley; conducted by Carolyn Watson; English subtitles)

Turandot

Mario Lanfranchi studio film, 1958 (Lucilla Udovick, Franco Corelli; conducted by Fernando Previtali; English subtitles)

Vienna State Opera, 1983 (Eva Marton, José Carreras; conducted by Lorin Maazel; no subtitles)

Royal Opera House, Covent Garden, 1986 (Gwyneth Jones, Franco Bonisolli; conducted by Jacques Delacote; English subtitles)

Forbidden City, Beijing, 1998 (Giovanna Casolla, Sergej Larin; conducted by Zubin Mehta; no subtitles)

Teatro alla Scala; 2001 (Alessandra Marc, Nicola Martinucci; conducted by Georges Prêtre; French subtitles)

Gran Teatre del Liceu, 2009 (Anna Shafajinskaia, Fabio Armiliato; conducted by Giuliano Carella; English subtitles)

Chorégies d'Orange 2012 (Lise Lindstrom, Roberto Alagna; conducted by Michel Plasson; French subtitles)

Wichita Grand Opera, 2015 (Zvetelina Vassileva, Ricardo Tamura; conducted by Martin Mazik; no subtitles)

Teatro de Bellas Artes, Mexico City, 2017 (Gabriela Georgieva, Carlos Galván; conducted by Enrique Patrón de Rueda; Spanish subtitles)

Opera Hong Kong, 2018 (Oksana Dyka, Alfred Kim; conducted by Paolo Olmi; English subtitles)

Eugene Onegin

Prince Regent Theatre, Munich, 1965 (Hermann Prey, Ingeborg Bremert; conducted by Joseph Keilberth; sung in German; no subtitles)

Paris Opera, 1982 (Benjamin Luxon, Galina Vishnevskaya; conducted by Mstislav Rostropovich; French subtitles)

Kirov Opera, 1984 (Sergei Leiferkus, Tatiana Novikova; conducted by Yuri Temirkanov; English subtitles)

Chicago Lyric Opera, 1985 (Wolfgang Brendel, Mirella Freni; conducted by Bruno Bartoletti; Spanish subtitles)

Petr Weigl film, 1988 (Michal Docolomanský dubbed by Bernd Weikl, Magda Vásáryová dubbed by Teresa Kubiak; conducted by Georg Solti; English subtitles)

Festspielhaus Baden-Baden, 1998 (Vladimir Glushchak, Orla Boylan; conducted by Gennadi Rozhdestvensky; English subtitles) – Act I, Act II, Act III

Palau de les Arts Reina Sofia, Valencia, 2011 (Artur Rucinski, Kristine Opolais; conducted by Omer Meir Wellber; no subtitles) – Part I, Part II

Teatro Comunale di Bologna, 2014 (Artur Rucinski, Amanda Echalaz; conducted by Aziz Shokhakimov; English subtitles)

Mariinsky Theatre, 2015 (Andrei Bondarenko, Yekaterina Goncharova; conducted by Valery Gergiev; French subtitles)

Livermore Valley Opera, 2019 (Morgan Smith, Antonina Chehovska; conducted by Alex Katsman; English subtitles)

[gracie-bird]

Princess Grace of Monaco at the Teatro alla Scala on the occasion of the opening evening of the 1960-1961 opera season with "Poliuto" by Gaetano Donizetti, directed by Antonino Votto and Herbert Graf, on December 7, 1960.

[figarotrilogy]

salvatore this, who is she that, let's talk about real bangers like Don Pasquale Act III "Aspetta, aspetta, cara sposina"