#Going to see if I have more edits somewhere that I've never posted

[ineffable-romantics]

Some thoughts on why and how I believe Crowley and Aziraphale's relationship would incorporate sex/why I do not read them as wholly asexual:

This is something I've seen the most discourse about in this fandom, and I've had a few thoughts of my own that I really wanted to expand upon in a full meta/character analysis post. I do understand that this can be a contentious topic, so first, let me clarify a few things:

First of all, this is going to be long. Tbh it probably won't be that organized either. I ramble and I'm not very good at editing, so just... you know. Be warned. (*Hi, it's me from 2 days after writing this; I'm really not kidding, it's LONG)

These are all my own thoughts. They might not be hot takes, because recently I've seen more than a few people come to the same conclusions on a lot of these points as I have. But I've also had these notes in my drafts for about a week and a half now, and have been continuously adding to it as things have occurred to me. This post is essentially just somewhere for me to collect the separate but related meta I've been kicking around in my head.

I fully respect anyone who does see and prefer an asexual reading of this relationship. These are my own thoughts and interpretations as someone who is not asexual. I am in the LGBT+ community, so while I do know a few things about the asexuality spectrum, I am by no means an expert.

This is NOT something I expect, need, or even necessarily want the show (or, God forbid, Neil's tumblr ask box) to address. Tonally, it's just not that kind of show. Newt and Anathema's sex scene was very much played for laughs, and it worked for that reason. If the show found a way to address it in a way that was both appropriate for the tone of the show and ultimately satisfying, then great! But there is so much more to this relationship than sex, and I didn't need a kiss to confirm their love, so I certainly don't need a sex scene. As immortal beings (as I assume they'll stay) there is so much of the rest of their lives we'll never get to see. You can headcanon them as asexual and potentially be right. I can headcanon them as not and be equally potentially right. Again, these are just a collection of my own thoughts, because I think the question of sexuality (or lack thereof) is just as interesting a facet of these characters as any other.

Note: Tbh I've been second-guessing this whole post and debated deleting the whole thing several times for being silly or unnecessary, bc I don't want anyone to think that this is the only thing I care about when it comes to this story/characters. But if nothing else, it's inspired me to write in a way that nothing has in a very long time, so I've decided it's worth continuing, if for no other reason than that.

This is going to be a mixed bag of textual reading, subtextual reading, and a full-on reach or two. It's been a while since I've been in an English class, but if my teachers expected me to find a deeper meaning behind blue curtains, you can expect me to read too deeply into the symbolism of a loaded rifle or an ox rib. (This is probably not what my professors had in mind when grading my literary analysis papers but oh well) My point is, if it feels like a reach, I'm as aware of it as you are. I am in no way saying that all (or even any) of my points made were deliberate on the part of Neil or the actors or the writers or the directors. I am no longer the delulu Apple Tree Yard child of my youth, I promise.

If anything said here is in any way offensive or hurtful to anyone in the asexual community, please do not hesitate to message me or comment and let me know exactly what it was. I promise you it is not my intention to do so, and am happy to clarify or outright edit anything that reads that way.

With all that being said, let's talk about why I think Crowley and Aziraphale would absolutely fuck nasty incorporate sex into their relationship.

Note: I am out of practice with essay writing, so I think I'll just go down the bullet points of notes I have been making, and expand on each as best I can

Food

Where better to start than with Aziraphale's introduction to Pleasures Of The Flesh? (Just a heads up, this entire post may feel very Aziraphale-heavy, and with good reason).

This might be the least hot take here. We've all seen the Job minisode. We've all seen That Scene.

Whether this was intentional or not, the symbolism here is off the charts. Eve was tempted by an apple. So why not go a similar route and tempt Aziraphale with another fruit, or cheese, or bread, or literally anything else for his first experience with food? Instead, we go with a huge, glistening slab of fresh meat that he proceeds to absolutely go feral upon, moaning and gasping into his meal while Crowley watches with what definitely doesn't look to be disgust or even satisfaction with a good temptation. There's surprise at the ferocity of Aziraphale's appetite, certainly. But ultimately he looks to be intensely fascinated by it, while the thunder crashes, the music crescendos, and the earth literally shakes around them.

(It's also interesting to note how very little it takes for Crowley to tempt him with the ox rib. One murmured suggestion, a bit of unwavering eye contact, and vavoom Aziraphale immediately meets him in the middle.)

Cut to Aziraphale devouring the rest of the meat with Crowley splayed back on a makeshift bed, drinking wine and continuing to watch him indulge through half-lidded eyes. Outside a thunderstorm rages while they're learning secrets about each other in warm flickering firelight. It's cosy, it's intimate, and if they'd thrown in a bearskin throw blanket, it might as well be a post-coital scene straight out of Game of Thrones.

The next time (chronologically) we see them discuss food is when Aziraphale "tempts" Crowley with oysters in Rome. So Crowley first tempts Aziraphale with meat and then Aziraphale tempts Crowley with what is widely regarded to be an aphrodisiac. Interesting.

And then chronologically after that, the Arrangement begins to form, which has always reeked of a friends with benefits situation. Just to throw that in there.

It's What Humans Do

In the very first episode, we're shown Gabriel's obvious disgust and bewilderment towards Aziraphale eating sushi, calling it "gross matter" and being proud of the fact that he does not sully his body with it. Aziraphale initially tries to defend his own enjoyment in it, before passing it off as something that humans do, as something he simply has to do in order to blend in (which we know very well is not the case).

He does this again in season 2, passing off Nina and Maggie being in love as "something humans do". But it isn't, is it? Angels are beings of love, and can sense it, and understand very well what it is... up to a point. Even romantic love is obviously within their wheelhouse, given what we now know happened between Gabriel and Beelzebub (we'll come back to them).

What the "humans do" that angels wouldn't understand is messy, physical forms of love.

But here's the thing: Aziraphale and Crowley love doing what the humans do. They love drinking, they (or at least Aziraphale) love eating. They love music. Crowley loves driving and sleeping and watching rom-coms and sitcoms. Aziraphale loves reading and doing magic and earning little licenses and certificates for achievement in his various hobbies. They love to playact at being human so much that they've stopped playacting and started building a genuinely human lifestyle for themselves and with each other.

Once together in an unambiguously romantic sense, why do we think they wouldn't also want to explore one of the most prominent, intimate, powerful human expressions of love and desire with each other?

Angels, Demons, & Asexuality

Here's where I really want to clarify that in no way do I mean that sex is necessary for a healthy, fulfilling, and loving romantic relationship, or that the lack of desire for sex makes you any less human. Asexuality is a sexuality as valid and human as any. What I would say is that it is definitely in the human minority compared to allosexuality.

Angels and demons, on the other hand, are predominately asexual. Sexless/genderless unless Making An Effort. (Which, btw, is a concept introduced as early as the original book; why even bring it up as a possibility? Why not keep angels/demons being sexless/asexual as a hard and fast rule, if not to open up the potential for later use? Chekhov's Effort, if you will. And isn't that something that Aziraphale in particular is shown to do time and time again? He makes an effort in French and driving and magic, doesn't he?)

And this is why I don't believe Aziraphale and Crowley necessarily need to be asexual, narratively. There is already a huge amount of ace rep within the angels and demons (and no, not just the horrible ones. Muriel also doesn't "drink the tea" and has no reason or desire thus far to Make An Effort, and there are certainly other angels and demons who aren't horrible like the archangels seem to be who likely wouldn't Make An Effort either).

The central conflict for Aziraphale and Crowley is that they are on their own side, the ones who went native, the ones who are so different in so many ways from their respective hives. It would make sense for them to also break away from traditional angel/demon asexuality.

I say "traditional angel/demon asexuality", because I would also like to note that I would absolutely not rule out demisexuality for either of them. This post is being written to as a response to people who specifically believe that they (like the rest of the angels/demons seem to be) would be sex-averse in a relationship, and that it wouldn't be a factor in their relationship. I could easily read them as demisexual, but I do think there would be no real way of verifying this, because they've never been able to form as close an emotional relationship with anyone else but each other. Certainly not in heaven, and I can't imagine they would be able to form that kind of attachment with any of the humans, who they love and emulate but ultimately regard as the separate species they are. So yes, they could either be allosexual or demisexual, in my opinion.

Then again, now that I think about it, Making An Effort itself could be a great metaphor for demisexuality, since they would be entirely sexless/asexual until they have enough of an emotional connection with someone to consciously manifest otherwise. Since the other angels and demons don't generally form those types of emotional connections with anyone, there hasn't been a precedent for it.

Except...

Brielzebub

We do have a precedent for it now, don't we? Gabriel and Beelzebub fell in love. They are a direct foil for Crowley and Aziraphale's relationship, speedrunning right through their courtship and finding their happily ever after on the other side of things.

For being such a 1 to 1 comparison, it feels deliberate that they did not kiss. They held hands, they were gooey with each other, but they did not kiss. That feels like such a deliberate thing to omit when you know what's to come at the end of the episode between Crowley and Aziraphale.

And going back to the food = sex metaphor for a moment, let's notice how even as they fell in love over the years, even when pints and crisps were there on the table in front of them, they never felt the desire to reach out for them. They didn't need to. It's a date (love story) even if you aren't eating dinner (sleeping together).

Yes, I know Jim liked hot chocolate. No, I am not counting it because I don't consider Jim and Gabriel to be the same person with the same proclivities, and Jim was highly suggestible at the time anyway.

Gabriel and Brielzebub's big happily ever after moment (as of now) was one between two asexual supernatural beings. They did not need to kiss to drive the point home. They showed what Crowley and Aziraphale could have, if they would only acknowledge it.

Crowley & Aziraphale's Dissatisfaction

But they do have that already, don't they? If you really think about it, what do Gabriel and Beelzebub do with each other that Crowley and Aziraphale don't already? They hold hands, they spend time together, they create little rituals, they give gifts, they're visibly and verbally affectionate with each other, etc. They are more or less already in a romantic asexual marriage relationship with each other, aren't they?

And it doesn't seem to be enough for either of them.

At the beginning of the season, Crowley is immediately shown to be unsatisfied with the way things are. Obviously part of it comes from living in his car, but it seems to be more than that (especially since Aziraphale makes it clear that the bookshop is just as much Crowley's as his, implying that he could have been living there the whole time and is choosing not to, for some reason?). You could argue he's feeling unmoored without Hell telling him what to do, but isn't that what he wanted? Isn't that what he still wants, by the end of the season? All season long, he's never indicated the desire for a new job, or a new project. He stopped the apocalypse because he wanted the freedom to openly spend time with Aziraphale, to spend his time on Earth however he sees fit. Until Gabriel arrives, he has exactly that (minus a flat).

So where does the dissatisfaction come from? And if it represents anything to do with his relationship, what does he want out of it that he isn't getting already?

I think Crowley only really comes to the realisation of what he's missing when Nina names it for him, not only putting them in the category of romantic, but physical (outright asking if they are sleeping together). These two posts [1], [2] go into more detail about what I mean, but I think it really pushes him into acknowledging that their relationship is more human than either of them have stopped to consider, and what that might mean as far as everything a human relationship can entail.

After all, Nina and Maggie only advised that he should talk to Aziraphale, make clear his feelings. The decision to kiss him, to tip them over the edge from nonphysical to physical, that was all him. And no, kissing isn't sex, but I wonder how taboo even that might be in the kind of all-encompassing asexuality most angels seem to identify with. (If they're disgusted by food and drink, I can only imagine what they think of snogging, much less sex.)

Aziraphale doesn't have this moment of someone observing their relationship from the outside. He loves Crowley, and as of 1941 probably even knows he's in love with him in a way that Crowley doesn't understand yet. Which makes sense, since love is technically his job, he'd be more likely to recognise it for what it is.

However, Aziraphale's reference for romance and relationships is Jane Austen. It's chaste. It's dancing and dinner and doing sweet things for each other and roses and candles and handholding. He contextualises his love for Crowley in that soft fantasy sort of way, where it's there, it's obviously there, but it's neat and easy and unspoken. Not to quote Glee in this, the year of our lord 2023, but it's all very "the touch of the fingertips is as sexy as it gets".

Someone should tell that to Aziraphale's face, then.

I'm not going to pretend I know what Michael Sheen's script notes were, but there were definitely some Choices™ made. Because yes, there were plenty of moments in both seasons with Aziraphale looking at Crowley in a sweet, loving, smitten way. And then there were moments that were yearning.

But yearning for what, exactly? All of those sappy Jane Austen tropes already apply to the two of them. So why are there moments where Aziraphale is looking Crowley up and down like the last eclair in the window and licking his lips and visibly exhaling like he's trying to get in control of himself (see: Bastille scene + Crowley telling Muriel to ask him if they have any other questions about love)? Why is Aziraphale not only unconcerned when Crowley shoves him bodily up against a wall in s1, but staring at his lips and a beat too late in noticing Sister Mary's arrival? Why are some of his lines so suggestive? I'm sorry, but the car ride after the church explosion might as well have been the beginning of a Pizza Man porn with a really weird Blitz theme. If even my mother picked up on that vibe, I can't imagine it wasn't intentional on part of both the dialogue and the delivery.

(This section may feel like more of a reach/joke, but I'm really only 20% joking. These are writers and actors who are EXTREMELY good at their jobs; they know what they were doing here.)

More importantly, I don't think Aziraphale is even aware that there is more to what he wants. He lives in the Jane Austen fantasy and it never even occurs to him that he might be interested in anything further. It never even occurs to him that, as an angel, there is anything further to be interested in in the first place. Until Crowley forces it to occur to him. Just like I believe Nina forced Crowley to confront the idea that romantic love is what he's been feeling all along, I believe Crowley forced Aziraphale to confront the idea that physical intimacy is something he's been wanting, without even realising.

Aziraphale's Hedonism

Expanding on Aziraphale for a moment. We talked about his relationship with food, but we all know that Aziraphale is defined by his love of things that Feel Good.

It isn't just that he and Crowley love human things. Aziraphale loves the best of the best, or at least his version of it. He doesn't just love food, he loves going to fancy restaurants. He doesn't just love clothes, he loves soft, cosy, warm, plush clothes, or shiny, flashy, bougie fashion. He loves the warmth of tea and cocoa, loves getting drunk, and sitting in a comfy chair in the sunlight. He doesn't just experience, he indulges.

Given the emphasis put on things that Aziraphale loves just because they Feel Good, it feels narratively strange to assume that he wouldn't enjoy the feeling of being touched, or that he wouldn't be willing to try it, at least once, with someone he cared very deeply for. And just like the ox rib, I think that once he gets the first taste of things, he would absolutely tip over into complete and utter self-indulgence.

Dancing

I also think that dancing could be construed as a huge metaphor here. After all, we're told flat-out that angels don't Dance. Except one.

I would argue that Aziraphale, in fact, Made An Effort to learn how to Dance. He threw himself into the gavotte with delight (at a Victorian gay club; noted) and worked hard to be good at it. He's chomping at the bit to Dance with Crowley, working up the nerve to ask him with undeniably romantic intent and eagerness. So, angels don't Dance... unless they Make An Effort to do so.

We are told that demons, on the other hand, do Dance, but not well. Makes sense, since they're the ones who would want to encourage a deadly sin like lust, but have as little understanding of human love and physical intimacy as the angels. Crowley, however, is shown to be an excellent dancer at the ball, especially in his compatibility with Aziraphale.

(But Aziraphale WandaVisioned the ball so everyone knew how to dance! Yes, he did. However, the rest of the brainwashing doesn't seem to affect Crowley in any way, and they did actually live through the time period where this sort of dancing was a social norm; I'd be surprised if he never needed to learn. After all, the demons can't spell either, and Crowley is at least functionally literate, as far as we know.)

As of today, it's also been confirmed that when Aziraphale asked Crowley to dance, Crowley replied with "you don't dance." Not "WE don't dance". So going along with the metaphor, Crowley is just now discovering that Dancing is something Aziraphale is interested in at all, much less with him, and not denying that he himself is interested in Dancing. In his defense, I believe he was asleep for a few years while Aziraphale was learning the gavotte, so he wasn't exactly aware of Aziraphale's hot girl summer.

Love Languages

I want to expand on that; Crowley and Aziraphale's compatibility. Specifically in regards to their individual love languages.

We all know Crowley's love language is Acts of Service. I don't think there's any debate there. He loves it, Aziraphale loves it, they're both aware of it, we're all aware of it, God and Satan are aware of it, no surprise there.

You may disagree with me, but I believe Aziraphale's love language is Physical Touch, for a number of reasons. One of which being his aforementioned hedonism. Aziraphale likes things that Feel Good, remember? He likes soft clothes, and well-worn books. Neil himself has said that they like holding hands. And any time he is taken by surprise (Brielzebub getting together, the wave of love in Tadfield, etc.) what is the first thing he does? Reaches out for Crowley. He stops him with a hand to the chest in the pub. He leads him by the hand to the dance floor. He guides him by the waist in the graveyard. He reaches out during the entire Brielzebub scene, whether he can reach Crowley or not. Despite his own turmoil, he grasps at Crowley's back during the kiss.

The one time Crowley reaches out for him (not counting the kiss yet; we'll get there), he is aggressively pushed against a wall (by someone he loves and trusts) with a complete and utter lack of concern (and perhaps some interest, depending on how you read it).

And when he isn't reaching out for anyone, or there isn't anyone to reach out to? Well, he's wringing his own hands together, squeezing his own fingers, as if to find that physical comfort in himself.

So. With that theory in mind, we have Aziraphale (Physical Touch) + Crowley (Acts of Service). Throw in 6000+ years of deep love, cherished companionship, and forcibly repressed longing, and there is a very real potential of this combination resulting in fierce sexual compatibility. Where Aziraphale would want to touch and be touched, to indulge in physical pleasure with someone he adores, in the same the way he indulges in every other fine thing in his life. And where Crowley would want to indulge him in return, to give him everything he wants, and to take pleasure in Aziraphale's pleasure, in the same way he enjoys watching him take joy in food everything else.

So Aziraphale is an angel who is insecure about his own less-than-holy desires, who would want to treat Crowley like a luxury to be touched and cherished and adored. And Crowley is a demon who has, over the millennia, been unhappy about how they've been forced to deny even their friendship with each other, who would want Aziraphale to feel comfortable and safe and encouraged to indulge in earthly delights. That sounds like a stunning recipe for sexual compatibility to me.

"You said 'trust me'" / "And you did"

Just like the Job minisode, the Blitz is RIFE with symbolism (intentional or otherwise). This one will be quick, but I did want to touch on it because I thought it was interesting. Maybe I'm reaching at this point, but I'm assuming you read the tin.

First of all, Crowley not wanting to admit to never firing a gun before; comes off as someone who very much does not want to admit to their crush that they're a virgin ("You must have done this lots of times!" / "Umm.... yyyyyeah.")

(You could make the argument that Aziraphale having a firearms license and a Derringer in a hollowed-out book is symbolic of him not being a virgin while Crowley is. I disagree, for reasons I'll go into later, but it's a valid reading. However, I see it more like keeping a condom in your wallet; it's there in case you need it, but the opportunity has not yet risen no pun intended.)

More importantly, the theme of this entire minisode is trust. We already know they trust each other with their lives against the rest of Heaven, Hell, and the world. But specifically, this is about the importance of having complete trust in your partner in a charged, physically vulnerable, intimate moment, where the only danger is between the two of you.

Aziraphale needs to believe Crowley would never hurt him if he can help it. Crowley needs to trust Aziraphale's unwavering blind faith in him. Frankly, it all feels very symbolic of two people deeply in love losing their respective virginities with each other.

The trick is a success, and they share an intimate candlelit dinner in which they reaffirm their faith in each other. Aziraphale also begins to voice his agreement with Crowley, that maybe Heaven's rules shouldn't have to be as black and white as they are, and that there are benefits to... blurring the lines, shades of grey, wink wink (at which point even my mom was like, whoa guys, this is a family show).

Btw also: Can we all agree how much it looked like Crowley was getting ready to get a lapdance in that one scene? You know the one.

Also also: "Aim for my mouth"? Come on.

The Birds & The Bees

Now that I think of it, there's also something to be said for the fact that Crowley and Aziraphale are both obviously familiar with where babies come from (how they're made and how they're born) while the other angels aren't.

Something something Aziraphale and Crowley fundamentally understand sex and reproduction in a way the other angels (and probably demons) very much do not, nor have any desire to.

Probably not important. Just thought it was worth mentioning.

The Kiss™ & Religious Trauma

The Kiss. Where to even begin?

This has definitely been the hardest one to start, because there is so much going on here that I definitely won't be able to cover it all, and will certainly miss a few things here and there.

Aziraphale's reaction to the kiss afterwards is the most interesting to me. And I don't mean directly after, I don't mean the "I forgive you" part. I mean the way he touches his lips when Crowley is no longer in the room and he no longer needs to save face, when he is completely alone. Had it been directly after the kiss, it would have been rightfully read as horror, or disgust, a shield to discourage further action.

It's not. It isn't just a touch, it's a press. As desperate and angry and unexpected and imperfect as the kiss had been, Aziraphale is pressing it into himself, recreating the feeling as best he can. Beneath all the poor timing and shock and hurt from their fight and fallout, I think it's fair to say that it was something he enjoyed. Something he doesn't think he should enjoy, something that Feels Good that he only allows himself to indulge in when completely alone.

Remember, Aziraphale's idea of love is Jane Austen and gentleness and courtship and fantasy. If he'd ever even considered kissing an option, it might have been gentle pecks, cheek kisses, forehead kiss, hand kisses. Soft, safe, chaste affection.

Crowley's kiss turns all of that on its head. He introduces physical intimacy in a very real, very messy, very human way that I don't think Aziraphale ever even considered could apply to them. Considering what other angels are like and what they look down on, even Aziraphale's Jane Austen fantasies probably would have been considered taboo.

So for their first kiss to be rough and desperate and passionate in the way it was, of course he was confused and in shock. It was deeply physical, and as overwhelming and awful as it was in the moment, it Felt Good. Enough that he grasped at Crowley and kissed back, if only just for a moment, before stopping himself. Enough that he actively pressed it into his lips afterwards, in private, to remember.

I adore how Neil has decided to evolve these characters past the first book/season. More so in this season, Aziraphale and Crowley have both become such interesting allegories for queer people on either side of the spectrum of toxic religion. Aziraphale in particular obviously, because he is the side that so desperately wants to believe, to make a difference, and to unlearn all of the propaganda he's been fed over such a long time. Just like so much of organised religion, there is so much that he is told, time and time again, that he should not want, that he is silly or stupid or outright wrong for wanting. It reminds me so much of the severe Catholic guilt one might feel for wanting/engaging in sex for the first time, and the stigma of being queer layered on top of that.

What is so critical to Aziraphale's character is that he goes on wanting, and more than that, actively pursues. He was convinced to go up against Heaven and Hell and stop all of Armageddon because he wanted to go on listening to music and eating lunch and reading books and enjoying the simple company of the person he cares most deeply for, even if that person is supposed to be the enemy.

All this to say that if angels are as generally asexual/sex-averse as I believe them to be, narratively speaking, it would make sense for Aziraphale to be singular in that regard as well. Mirroring his first experience with food, it would make sense for Crowley to be the one to first introduce this new messy, physical, human dynamic between them, for Aziraphale to hesitate (obviously we are at the Hesitation phase at the moment), and then (eventually) for him to dive in wholeheartedly, to absolutely glut himself on this new thing that Feels Good. It would make sense for his character development to show him overcoming his metaphorical Catholic guilt and pursuing the sexual intimacy most (if not all) of the other angels would scorn.

(I can't help but remember that plot idea Neil described from the unwritten sequel, with Aziraphale in a hotel room trying to watch a full porno by way of the free 2-minute teaser clips so he wasn't technically sinning by paying for it. I so hope this is used in season 3, because gosh, I wonder why Aziraphale would suddenly be so interested in observing human physical intimacy after 6,000 years. Lonely and doing a little surreptitious research there, angel?)

Crowley, on the other hand, is the queer person who has broken free from his toxic religion. He prides himself on being his own person, on their his own side. He doesn't have the hang-ups Aziraphale does. He doesn't worry that he's going to be judged or cast aside for wanting things he's not supposed to. So it only makes sense for him to be the first one to suggest/initiate physical intimacy. It makes sense for him to be the one who "goes too fast" (another fantastic example of this dynamic beginning as early as s1; what is that conversation in the car meant to represent, if not Aziraphale being overwhelmed by the intensity of their relationship, and his fear of succumbing to it when he believes he shouldn't? It's also interesting that this is the first conversation to take place in Soho, just after watching Aziraphale realise he's caught feelings for a demon, with the red glow of lust serving as the backdrop).

Do I think the kiss in and of itself was sexual? No. I think it was a passionate and devastating last-ditch effort on Crowley's part to convey the way he feels for Aziraphale. Not just that he loves him, but that he loves him in the most human way possible. But I do think that the kiss represents how they can move forward from here, and what they might want to explore with each other once they feel free enough to do so.

In Conclusion

I am sure, deep in my bones (unless we are explicitly told otherwise), that this was both of their first kisses no, I'm not counting the gavotte, and that neither of them have ever thought to do anything else physical with the humans while they have been on Earth. Like I said before, they adore the human race and lifestyle in general, but ultimately view them as a separate species altogether, and they seem mostly happy to keep to themselves and each other, unless otherwise necessary. I just can't see either of them being drawn enough to a human to pursue anything close to sex. If Crowley in particular has had anything to do with sex in the context of temptations, I'm positive he would be inciting lust amongst the humans themselves, not involving himself directly. At least not that directly.

So, like every other human experience they've had on Earth, sex is something new that they could explore together, just the two of them, on their own side. A deeply intimate, tangible declaration of their love and everything they've gone through to earn it. A visceral finger to give both Heaven and Hell. A renewed appreciation for their corporations and for each other's. A enjoyable method for immortal beings to simply pass the time in each other's company. A new and exciting way to Feel Good, and all the variations that come with it.

You might agree with this post, or you might not. Whether this is something that is ever addressed or not, it doesn't matter to me. This is a brilliant love story either way, and I genuinely feel so privileged to witness it.

But I just can't find it in myself to imagine, given everything we know about these two characters, that sex isn't an experience they would both consume with wholehearted enthusiasm, curiosity, and profound, ineffable adoration.

___________________________________

Bonus feature: the very silly notes I made to myself that inspired this post

[ccsainzleclerc5516]

This Is Where You Stand With Me (part 2)

Pairing: Charles Leclerc x reader

Warnings: none

Part 1 here

Y/N's POV

"Hola madre!" I say jokingly as my mother answered the phone.

"Too much influence from Sophie's boyfriend or what?" She chuckles.

"Yeah, something like that." I laugh adjusting myself on the couch. "How are you? What's new?" I ask.

"Nothing much, I'm just going back home from work. What's up with you?"

"I'm enjoying my day off from work." I say biting my lip not sure how's she going to react to my new "job" which I haven't told her about yet. But I'm certain she's not going to be thrilled about it.

"What do you mean y/n? What work?" As soon as she says "Y/N" I know there's no joking anymore.

"Well," I take a deep breath before I continue. "First of all, don't freak out, it's only my temporary job, you know while I'm here in Monaco with Sophie. And second of all, I started working for Ferrari practically. I'm managing their social media."

"Explain it a bit better, please. What does that mean?" She asks confused.

"Basically, I'm spending a lot of time with their drivers. I'm filming them for social media, like when they're getting ready for the race, asking them some questions, filming behind the scenes like what happens before the race, filming them training and stuff like that you know. And I edit those videos and then post them." I try to explain to her as simply as possible. but my mom, like most others, is not on the internet, she is not interested in the world of social media and probably still does not understand why anyone would be interested in any of this.

"So who are you filming then? Sophie's boyfriend and?"

"Carlos and Charles." As I say his name my mind wanders briefly to Charles and the grand prix from last weekend. I wonder how he is, and if he talked to Ava. and what happened between them afterwards. I also wonder if he has already thrown somewhere the bracelet I gave him. As I've already said, you just never know with him.

"Y/n?" My mom's voice snaps me out of my thoughts. "Are you even listening to me?"

"Sorry my thoughts wandered for a moment. What did you ask?"

"I asked if you are satisfied with that job? Are you treated well? What are those boys like?" Like any mother, she worriedly asks a million questions and I, like any other daughter, of course, will not tell her everything in detail.

I have always been close to my mother, but I never liked to share every detail of my life with her, even though she wanted to know it. But I just wasn't comfortable with her knowing all my private things. I believe that you can be close to your mother, without her being involved in all your decisions, attitudes and thoughts. We talk more or less about everything, but I have set some boundaries for myself about what I want to share with her and I think that's exactly why we have a relatively good and healthy relationship.

"Yeah, I mean it's not something I'll do forever, it's just a temporary type of thing, so while I'm here I might as well earn some money." I say. "And everybody's nice to me, of course, I already told you that Carlos is a wonderful person and boyfriend to Sophie, and Charles..He's not so bad either."

"You don't sound so convincing with the other one." She says referring to Charles.

"Don't worry really, both of them are very nice, it's just that I don't know Charles very well yet and I haven't spent much time with him so I can't say much about him." I say honestly.

While talking to her on the phone, I get up and head to the kitchen to make myself some coffee. While walking to the kitchen, I pass by the mirror and almost get scared when I see what I look like. Shaggy hair in a bun, without a hint of makeup, braless in an extra-large t-shirt with a print of Los Pollos Hermanos that also serves as my nightgown and house slippers on my feet. I guess I'm not one of those ex girlfriends that has a glow up after a breakup, but oh well.

"Well, as long as you're happy and safe, I'm fine with it." My mom says. "And besides, I think it's good for you that you left Manchester for a bit. Stay as long as you want."

"Really?" I am a bit taken aback and surprised by her words. "How come you think so?" I ask while waiting for coffee to be poured from the machine into the cup.

"I-I.." Just as she was about to say something the doorbell rings. Sophie went to lunch with Carlos, I doubt they forgot their keys.

"Mom, there's someone at the door, I'll have to call you a little later, okay?"

"Okay, we'll talk later, bye." She says and I hung up the phone.

I leave my phone on the kitchen counter and just as I'm about to go into the hallway to open the door, I accidentally pull the cup with my hand and spill hot coffee on my right thigh.

"Ouchh!" I almost scream in pain while the hot coffee continues to pour down my leg. "Fuck!!" My eyes get watery from the pain and stinging. Cursing my clumsiness I grab a cloth and wipe my thigh which is burning more and more and the doorbell keeps ringing. I go and open the front door when none other than Charles is standing leaning against the door frame.

"Charles, what are you doing here?" I ask with a sniff. I don't open the door all the way, but just peek out with my head. The last thing I needed is him here while I'm crying over my coffee burn and looking like I got mowed by a tornado.

"Y/n, are you alright? Why are you crying?" He asks, his expression immediately turned serious as he tries to enter.

"I just spilled hot coffee on myself. Please don't come in.." I really don't want him to see me like this.

"Let me help you." He says ignoring me and coming in anyway closing the door behind him.

"No, Charles..I-I'll be fine." I say pulling my t-shirt down with one hand and still holding the cloth with the other one.

"Let me see." He bends down and removes my hand with which I'm holding the cloth. "You got burned well." He says.

"Yeah, I can feel it. It hurts pretty bad."

"Come here." He waves his hand for me to follow him into the bathroom. It seems like he has already been in this apartment before. They probably had some gathering at Sophie's, so he knows where everything is.

"Sit there." He says pointing to the tub as he takes a small towel from the shelf under the sink and soaks it in cold water. I briefly feel a sense of relief as he kneels down in front of me and places a wet towel over my burn.

"You know, I really appreciate your help, but I feel terribly uncomfortable-"

"Yeah, I already saw that you don't have a bra on." He cuts me off and my cheeks instantly get as red as the burn on my thigh.

"You don't have to point it out like that.." I can't help but chuckle a little at his nonchalant response.

"You really do have to stop embarrassing yourself in front of me." He laughs.

"Why did you come here in the first place?" I ask shaking my head.

"I'm here to pick up Carlos. We agreed to go to the gym together, and he said he would be at Sophie's." He says taking the towel off my thigh and soaking it again. "So here I am. Where are the two of them anyway?"

"They went out for lunch. I think they should be back any minute now since they've been gone for a while." As he comes back with the cold towel I notice that he's wearing the red bracelet I gave him last weekend. He puts the towel over my thigh again and gently presses it.

"And what are you doing alone in the apartment, except destroying it?" I really like this funny side of Charles. For I moment I wished he could be like this all the time.

"Certainly not waiting for you." I playfully answer back.

"Yeah, sure you aren't." He says confidently and I roll my eyes at him. "I'm going to clean up that coffee you spilled on the floor." You can see the kitchen from the bathroom, so he definitely made sure I knew that he saw the mess I made.

While Charles is cleaning up in the kitchen, I quickly go to my room and put on shorts and a bra under my t shirt. Since he's already seen me at my worst, I decide not to fix my hair but to leave it messy like this. It's already too late now to look presentable anyway.

"Have you put on a bra yet?" He asks shamelessly as I enter the kitchen.

"Has anyone ever told you that you can be very inappropriate?" I honestly ask him.

"Quite rude thing to say to someone who just helped you."

"Thank you. Charles. For your generous help." I say slightly sarcastically through gritted teeth. "Do you want me to check when they're coming back?"

"Why? Can't wait to get rid of me?"

"No." I roll my eyes. "I'm just asking if you're in a hurry."

"I'm not. I'll wait for him. I hope they'll be back soon." He says taking a seat on the high chair at the kitchen island.

"Do you want something to drink while you wait?"

"A glass of water will do."

I reach for a glass from the top kitchen unit and in the process I scratch the injured thigh on the handle of the lower element. I wince in pain and curse under my breath.

"Be careful, where is your towel?" Charles asks me getting up from the chair. Before I can say I left it on the tub, he's already back from the bathroom with it. "Sit there." He almost orders me and I do it obediently while he soaks the towel again in the kitchen sink. He moves my hand from my thigh and puts the wet towel over it.

I don't know why, but I decide not to tell him that I can do it myself. And he doesn't say it either but proceeds to hold his hand a little longer over the cold compress looking down at it and gently pressing on it. I lift up my head to look up at him and for a second we lock our eyes together without saying a word.

"I-I.." In a moment of nervousness I wanted to say something just to break the silence, but luckily I hear the front door open. Charles quickly moves his hand away and goes to the opposite side of the kitchen island clearing his throat.

"Hello..guys..?" Sophie says as Carlos and her enter the kitchen looking very confused at the scene before them.

part 3

[sunnys-out]

I've loved you for so long (1) | Lucy Bronze

A/N: Hello! I haven't written in so long but here is something that I have been working on since the WC (she's a short one I know). I didn't post it earlier because I was moving and starting a new job but everything has calmed down and I had time to edit it. Please let me know what y'all think and hopefully, I can post the 2nd part soon! If you like my writing maybe through in a suggestion and I'll try my best! :D

Content: Angst, Fluff if you squint

{Word Count: 2004}

______________________________________________________________

I've loved you for so long

Oh, I'd forgotten how it feels

Feelings come back strong

'I've Loved You For So Long - The Aces'

Lucy and I had met, informally, in 2015 in Canada, we never played against each other in that World Cup but that didn’t stop us from bumping into each other at Tim Hortons. The couple of times that we ran into each other at the World Cup caused small conversations and laughs that left me wanting more. God, even just her smile left me wanting. 

I didn’t message her throughout our respective seasons right after the World Cup but sometimes I’d click on her Instagram profile and just scroll and see her thrive in Manchester City. Well I did drum up the courage to message once.

‘It’d probably be weird if I messaged her out of the blue right?... I mean it has been weeks  since Canada?’ I told myself as I lay on my small apartment couch in Portland.  

My thumb hovered over the send button with a slight tremble.

“Fuck it” My thumb harshly hit the screen and the quick ‘Wanted to say that you had an amazing tournament. Shame we never played against each other ♥️That goal against Canada was a banger meant to send that in Canada lol!”  message was delivered.

 I swear I threw my phone onto the other side of my couch and took a shower not expecting to see two notifications sent five minutes after me.

‘Lucy Bronze liked your message’

‘Lucy Bronze: ‘means a lot. Hope to see you again soon, miss world champion ⭐️⭐️⭐️’

I didn’t notice the smile growing as I looked at the notifications on the screen. I probably read it 20 times, setting the phone down on my coffee table and pacing the room debating whether I should respond or what I even should respond with. 

“Lucy is funny, maybe I can joke about how it’s been long or maybe just a ‘feeling is mutual’” I said aloud to myself.

‘Why am I getting worked up about this?” My hair is now messy by how many times I redid my ponytail pacing the room for 13 minutes. I kept procrastinating and just settled with getting ready for bed.

‘I’ll just respond tomorrow,’ I said, confidently,  plugging in my phone and placing it on my nightstand. That sentiment lasted about 2 minutes before I walked quickly back into my room picking up my phone, opening the message, and liking Lucy’s before responding. 

Y/N: I would love to see you again! I hope it's somewhere other than Tim Hortons even though I loved that place lol 🙂

My phone immediately locked as I got into bed and turned away from my phone. I closed my eyes tightly trying to go to sleep quickly so that in the rare probability that Lucy would continue the conversation, I could deal with it tomorrow morning, maybe ask Klingenburg for advice. Though she might scold me for fraternizing with the enemy, jokingly of course. Defenders knew other defenders right? Kling would find it funny that a right winger is flirting with a right back.

My thoughts were interrupted by one vibration and then two more in succession. My body slowly turned over to see my phone lit up still and then slowly dimming. My hand, subconsciously, went over, picked up my phone, and opened the messages seeing Lucy liking my message.

Lucy: Let me buy you a cup whenever you’re in Manchester; there are some cafes you’d like here.

Lucy: I would love to show you around 🙂 

I smiled at the messages and immediately replied without a second thought

Y/N: I will let you know because I do need a vacation 🥲

Y/N: And I would love to give you a tour of Portland, the coffee capital of the world. Worth it.

I stared at the messages until I saw a little heart appear on my last message. The little dots of a message incoming made me nervously tap the side of my phone. 

Lucy Bronze: I’ll take that as a promise 😉

Y/N: And I expect that cup of coffee in Manchester is a promise too ☺️

Lucy would only like the message and I would promptly go to sleep after waiting 15 minutes for a message that never came. I tried my best to not think about it but the feeling that came from reading her messages and the smile that would creep onto my face…I wouldn’t forget. 

Hayley Raso came into my life slowly after that. Glances turned to long stares. The lingering touches throughout practice became more than a pat on the back for a job well done. The smiles and laughs echoed off the walls of Providence Park as we walked to our cars until it was just to my car.

The weekly movie nights at my place turned into watching a show and cuddling together after practice for days on end. Another toothbrush appeared in the bathroom and suddenly my queen-sized bed wasn’t as empty. 

Mornings were met with a quick kiss, a hug from behind, and sweet nothings whispered in each other's ear.

Going to practice wasn’t done alone anymore and it was nice to have someone waiting on you if you had to stay behind to see the physio.

It was easy since we were both playing for Portland at the time and the team weren’t surprised when we told them.

 Little by little the Australian would appear in my Instagram photos and I in hers. 

The one that “broke the internet” was Hayley’s post of her kissing me on the cheek at the end of a game when the USWNT and Australia had a friendly. The one that sealed the deal for everyone was my Christmas post of photos of the party I had at my apartment. One, a particular one at the end, Hayley was in my lap while I kissed her. 

Something, however, nagged at me every time I saw a certain person's name pop up “Lucy Bronze liked your post” but I ignored it. I now know it was the feeling of the “what if” and “what could have been”. 

‘Did Lucy not want this with me? Maybe that’s why she never followed up. I probably said something to scare her away. Hayley didn’t run away’ I remember thinking to myself and as if on cue two arms snake their way around my waist. 

“Everything alright babe?” Hayley said into my back, I, immediately, felt my shoulders relax at the sound of Hayley’s voice.

I whispered, “I'm alright, just read some rude comments. You know how some people get”. I lied to Hayley; I was happy in our relationship and shouldn’t be wondering about the “what could have been” with someone that wasn’t her.  

Hayley would then go on to say that she’s told me to never look at the comments because when have the mean ones ever done something for us? She’d led me back to the bedroom to get ready for bed as we had an early practice but not after she promised to take my mind off the “negative comments”...it worked. 

______________________________________________________________

She Believes Cup March 6th, 2016, 

Lucy Bronze’s POV

We hadn’t played the United States in Canada which is a shame to not be able to play the future World Champions. Once, we had heard that we would be playing them in the She Believes Cup. I was excited for multiple reasons.

The US call up was released and I would be playing against (y/n). Since the World Cup, (Y/N) was making a name for herself as a strong right winger and playmaker for Portland and the National team.

On the pitch, she seemed cold and intimidating, but I met her as the complete opposite. 

I was able to just watch her tap her lip with her finger with her US cap on backward as she decided which pastry she wanted with her coffee at that Tim Hortons. She whistled quietly as she waited her turn and then adorably, fumbled through her order. Then humming to herself happily as she waited on the side with her warm croissant covered by a napkin.  

I was in awe of her. I had seen her play before and was always impressed by what I’d seen but never played against her. 

As I went up to order my own coffee and pastry I noticed her scrolling through her phone, laughing to herself. (y/n’s) eyes crinkle when she laughs or smiles really big. She hadn’t noticed me when I stood next to her, also waiting for my drink, there I took notice that she was at least three inches above me and that she sticks out her tongue when she is reading something. 

I breathed in and said loud enough for her to hear as she read, “I won’t tell your trainer if you don’t tell mine” I shook my little bag containing the coffee cake I had just ordered. I chuckled at the little jump she gave when she noticed me.

“Shit, sorry you scared me” a nervous laugh leaving her mouth

I extended my hand, “Sorry bout that. I’m Lucy, Lucy Bronze with England”  

She completed the handshake, “(y/n) (l/n) with the US…obviously” She pointed to her hat that had USA stitched on the back.

The conversation had good enough banter that we both remained at a table for about 2 hours talking about life and football. I could tell you that I fell for the way she looked at me with her gentle (y/e/c) eyes as she described the antics of her new golden retriever puppy named Chili she had adopted when she went to Portland.

I never really was intimidated or made nervous by any American player, especially on the pitch but watching her warm up with an icy cold expression during the She Believes Cup match made me question if the person I met at Tim Horton’s was the same person. 

I don’t think I was nervous but I lost count of how many times I would try to get a glimpse of her as she warmed up. Every time I did I’d feel the blush on my cheeks as I remembered the short text conversation that we had shortly after the World Cup. 

I regretted so much for not following up immediately; I got scared. If (y/n) asked me today why I didn’t respond, I wouldn’t have known what to say to be honest. Lack of courage was what Jill had told me as Jordan patted my back while reading the messages.  

The moment that I finally gained the courage to message (y/n) on Instagram to invite her to Manchester for a visit, was the day when I saw the picture of Hayley Raso kissing her cheek at a friendly. It was the first thing I saw when I opened the app to message her.

I remember my stomach dropping like the feeling when you don’t feel the bottom of a pool. 

I had it all planned in my head that she’d accept and I had a mini itinerary in my head of things she would’ve enjoyed and sightseeing spots. But the photo of her with her face buried in Hayley’s neck as she hugged her made the feeling worse.

Raso had beat me to (y/n) and she didn’t even know it. I kicked myself for not being brave. I would’ve had her in my arms sooner. I tell her all the time that I fell for her immediately and from meeting her I wanted more of her every passing day. 

Just seeing her across the field filled me with the tucked away feelings I had for her. I remember thinking…What I would have given to be there again talking about the most mundane things over coffee. Hearing her try her hardest to tell a joke but failing as she laughs remembering the punch line or even unconsciously speaking with an English accent when we spoke… God, I really loved her for so long.

[outlanderfandomfollies]

MIK s2e2: MĀORI CULTURE: Sam recalls some poignant moments when he gets a Māori "moko"

After reading a post about a TV Line recap of MIK episode 202, I decided to watch this episode about Māori culture for myself. I was touched by the scenes where Sam and Graham each tell their stories in the process of getting a nonpermanent version of a "moko" (or tā moko), a deeply meaningful form of tattoo in the Māori culture.

Tā moko artist Hohua Mohi explains that someone who wants a moko will "sit down for a good hour" and start talking about some part of their life that is meaningful, like their family, where they came from, etc. As they are talking, the moko artist is drawing, and consequently, every moko is unique and very personal.

The Story Behind Sam's Moko

SAM: Well my dad left, when I was, uh, very young, three years old, so I didn't--I didn't know him at all. HOHUA: Yeah. SAM: I actually didn't know his name.

SAM: And uh, my mum brought me up with my elder brother in the south of Scotland. She's--she's been very, very strong my whole life. And she struggled, I think, to look after two young boys.

SAM: Um, and it probably wasn't until I was… mid-20s that I finally, uh, met my dad. And, actually, very recently, I got to see him just before he died, which was uh, incredible, just to learn about him and his life.

SAM: And, uh, we spent a few days together. I work a lot, and I'm very fortunate. But I always put it first. So I guess, uh, relationships are difficult.

Sam's Moko Explained and Revealed

HOHUA: So, if you look at it, it talks about your--your father. It talks about your dad and then your brother in here. This manaia here represents your mum. And so it's obviously facing upwards. SAM: Yeah. HOHUA: I've been giving you advice. SAM: Ah, so she's been giving me advice, mm.

HOHUA: And if you look at it, rather than just follow a single line, all of these colors, they branch off, they branch off, they branch off. SAM: Yeah, yeah. HOHUA: And it was-- They came from you talking about how you wanted-- ultimately, you know, you don't know whether or not you're gonna settle down there, but you- you want to go and see the world. SAM: Somewhere else, yeah, yeah. HOHUA: So that's what--that's what this will remind you of. You know? SAM: Different branches.

HOHUA: Yeah, but also, no matter which way you branch off, never forget where... [speaking native language] SAM: Wow. HOHUA: Hmm. SAM: My friend. [shakes hand] So beautiful. GRAHAM: That is really-- SAM: Thank you so much. GRAHAM: It's pretty. SAM: Isn't that awesome?

SAM: A strange experience as well. GRAHAM: A unique experience. SAM: Yeah, just also very personal. It felt like going to therapy a little bit. GRAHAM: Yeah. SAM: But, uh, very, very honored. GRAHAM: Yeah. Yeah. Really, thank you so much.

Being a therapist myself, it seemed to me that the process of getting a moko is very much a therapeutic experience. The person getting a moko focuses inwardly and shares important parts of their past that define who they are. The moko artist appears not to be judgmental and listens at a deep level. Then the artist presents the moko, which is a visual symbol of something very unique about the person. And they also give verbal feedback to the person about what they have understood to be the essence of their story.

Sounds like a "therapeutic" encounter to me!

[edited]

___________ NOTE: Images of Sam's moko were enhanced for clarity and to accentuate the colors. Thanks @thetruthwilloutsworld for making the TV Line Recap post. I'd never watched any episode of MIK before. I'm glad I watched this episode. I enjoyed learning about Māori culture, as well as finding out more about Sam's and Graham's personal backgrounds.

[lizaluvsthis]

Hello everyone and welcome to my blog! (master post)

Hello Hello! My name is Liza (without the E)

I'm a SMG34 Shipper and a Fan of SMG4's contents!

People are only allowed at my blog if you're 13+ I cuss sometimes and well you might find other things disturbing or not on the way-

Too many tabs! Still arranging them!

My Romance Trope For these two

OFFICIAL TWITTER ACCOUNT

I do have a Wattpad account

Persona right here :>

FANARTS + SPECIAL THANKS

TOP SECTION:

"Indigo Secret":

AU and Comic by me

Flashback and plot idea by @justin-peudeau

About: "Indigo Secret":

How long was is planned?

Coffee N' Bombs / Brewing Romance AU:

Design created by me

AU and Fanfic by @shygirl4991

SMG4's Uni CnB outfit

SMG3's CnB outfit

Confused who owns the AU?

ABOUT CNB BR AU

Whats so good about it?

Pride Bombs! - aroace too

My Arts for CnB BR: CLICK HERE!

.

Snowtrapped 3.0...:

For somereason.

ITS DISCONTINUED!!!

Moving Out - A short smg34 comic

Hyperfixations and Research

My SMG34 headcanons

Boundaries + Shipping + Sexualities

Fanarts/Animatics I made for Fics

Artistic Family

UPDATES - LINK

My pronouns go by They/Them

Undiagnosed ADHD person

Country? What country...

Birthday:

First month of the year?

How many fingers in one hand?

500+1000+509=?

I'm Pansexual (buttt I'm in the asexual spectrum)

Gender? I have no gender I'm a blueberry

(Following gifs are from- Blinkies)

I love to illustrate and write silly fanfics and make other stuff :)

■

---

I'm currently up making my own comics called 'Indigo Secret' I'm the one and only owner who created this and no one else.

I have an artist collaborating with Idea and Art from some parts of the chapter please send thanks and appreciation to @justin-peudeau

----

Shay owns the Coffee N' Bombs / Brewing Romance AU and I draw the designs/add ideas!

This collaborator joined in to make the fic and AU please send thanks and appreciation to @shygirl4991

You can find their fics about the AU just by looking at their blog (its somewhere :))

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I'm a Co-Designer and Collaborator of The Frog Prince AU with other collaborators Shay and Aly

[FANFIC NOT AVAILABLE - GETTING RE-WRITTEN]

The Frog Prince (Fanfic by @shygirl4991 )

Official SMG3 and SMG4 Designs

Official Mario Bros Designs

SMG3 Kid Design and bonus arts (Art by @alianarepasa )

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The A Spark Beneath Hearts is a Strange Magic AU collaborated by me and @itsajjanea

Design for EMO SMG4 is out

Same goes to TAG6

If you want to make fanarts from my works you can! Just mention me in the tags. I also can't wait to get asks/requests from you guys!

I also do bunch of researches and analytics, I'm busy at the moment in sometimes I won't be there to respond quickly!

(Again I'm a minor student who's still studying)

By the way- if you ever see my arts in pinterests, instagram, or any kind of other social platforms there is? THAT. is NOT. ME. Report it to me immediately. This account is the only social platform I use and not any other type of apps.

I've been aware that other people steal arts without permission mind doing me a favor to not repost mine somewhere else okay?

I don't do any of that NSFW crap so don't accuse me of it.

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□□□□

HOBBIES AND INTERESTS-

- Voice Acting

I get paid to voice act

I was known for voice acting:

Secret Level - NIGHTMARE: Never Ending by Midori

Voice auditioned from the past Gacha Era

- Digital Editor

I can edit videos

- Artist

Traditional/Digital

- Music Composer

Barely written any songs and also create music but I do make them

- Musician

I do plenty ukulele, piano, and drummer

My most favorite thing of all is singing

- Research

I also make written documents about the ship or any other type of opinions- or anything at all

- Hyperfixation

Talk more about the husbands or anyother bunch of stuff about SMG4

- Collaborator

We can collab just keep things appropriate pls I don't want to get involved at people who're toxic/problematic

♡♡♡♡

I'm Semiactive- I dont mind spam likes or reblogs (well appreciated with love)

[kiwiana-writes]

Six(ish) Sentence Sunday

Thanks for the tag @hgejfmw-hgejhsf and @onthewaytosomewhere - it's always nice when I'm not kicking the week off lmao. I didn't get a lot of writing done this week because I was busy editing the Going Platinum podfic I posted today, but I've powered through so I have something to share!

Rockstar Alex is now officially fully epistolary, because I figured out how to get #3 from the five fun facts game into a fully epistolary format. If you are thinking to yourself, "Great! If it's fully epistolary then it can't hurt as much!" I would advise you to turn to your nearest Schitt's Creek fandom buddy who has read my fics in that fandom and ask them how they feel about chapter 5 of Meet me out at the end of my rope (aka angstapalooza), and calibrate accordingly 😈

SO. Below the cut is a little sneak peek of this with the skin on (and some bonus Reddit comments because when I go epistolary I go balls to the wall), but if you don't want to venture under the cut, enjoy the text version of an r/TIFU post:

TIFU by breaking my no-hookup rule Obligatory ‘this didn’t happen today’ but my friends are still making fun of me days later, so. I’m not a hookup/cruising kind of gay. Full respect to you if you are, it’s just never been my thing - I’m more of a serial monogamist type But it was my friend’s birthday last weekend and we all went out to a gay bar, and I ended up dancing with this guy who… honestly if I describe how off the charts hot he was you wouldn’t believe me anyway, so you’ll just have to trust me on this. He was there with a friend and the friend bought us a few rounds of vodka shots before fucking off somewhere, so me and this guy went back to dancing. And then the dancing was grinding, and then we were making out for a bit before he said he was gonna go to the bathroom with THAT head tilt. You know the one. Even my no-hookups ass knows the one. And yeah, I don’t do hookups, but fuck it. I said yes (I really cannot express how hot this guy was lol) and followed him to the bathroom. I won’t get into all the details but suffice to say getting blown by this dude was a religious experience. I’m just getting to the point of no return when he pulls back all of a sudden. And he’s got tears in his eyes, but I just thought it was from like… well, you know… but then he STOOD UP. I was like “what the fuck dude” and he just started APOLOGIZING, saying something about the song????? I hadn’t been paying attention tbh, I was a bit busy having my brains sucked out through my dick, but this guy just muttered something about the song and his ex and then he LEFT ME in the fucking club bathroom, dick bobbing in the wind. I think I’m back to no hookups from now on tbh. TL;DR: first ever hookup ended with a stranger literally sobbing his way off my dick, and ACD’s new song is a banger, but I’ll probably never be able to hear it without thinking of the worst case of blue balls I’ve ever had.

Forever feeling feral for whatever y'all are up to, so tagging @affectionatelyrs @anchoredarchangel @anincompletelist @blairwaldcrf @cha-melodius @clottedcreamfudge @cricketnationrise @cultofsappho @daisymae-12 @dumbpeachjuice @everwitch-magiks @firenati0n @getmehighonmagic @happiness-of-the-pursuit @heybuddy-drabbles @indestructibleheart @indomitable-love @inexplicablymine @leaves-of-laurelin @littlemisskittentoes @lizzie-bennetdarcy @matherines @myheartalivewrites @ninzied @notspecialbabe @orchidscript @rmd-writes @sherryvalli @ships-to-sail @smc-27 @sparklepocalypse @ssmtskw @stereopticons @tintagel-or-cockleshells @welcometololaland @whimsymanaged and, as always, anyone who wants to play! (If you take the open tag please tag me so I can see!!)

[waitmyturtles]

Turtles Catches Up With Old GMMTV: KinnPorsche, and Analyzing the KP Cultural Zeitgeist Edition (Part 1)

[What’s going on here? After joining Tumblr and discovering Thai BLs through KinnPorsche in 2022, I began watching GMMTV’s new offerings -- and realized that I had a lot of history to catch up on, to appreciate the more recent works that I was delving into. From tropes to BL frameworks, what we’re watching now hails from somewhere, and I’m learning about Thai BL's history through what I’m calling the Old GMMTV Challenge (OGMMTVC). Starting with recommendations from @absolutebl on their post regarding how GMMTV is correcting for its mistakes with its shows today, I’ve made an expansive list to get me through a condensed history of essential/classic/significant Thai BLs produced by GMMTV and many other BL studios. My watchlist, pasted below, lists what I’ve watched and what’s upcoming, along with the reviews I’ve written so far. Today, in a two-part series, I offer my thoughts on KinnPorsche, my very first Thai BL, and the impact that I think KP has had on the Thai BL industry since 2022.]

Hot damn! It has been a MINUTE since my last OGMMTVC review, so I'm glad to be back. I've been very much looking forward to writing my thoughts about my recent KinnPorsche rewatch: I enjoyed this ENTIRE process, especially in regards to watching KinnPorsche in the context and chronology of past Thai BLs, and man, did I ever see KP WAYYYYY differently than the first time I watched it.

Why's that? Welp -- *KinnPorsche was my first-ever Thai BL*. (Not my first BL drama ever; that award goes to the GOAT, Kinou Nani Tabeta?/What Did You Eat Yesterday?)

But when I joined Tumblr officially in July 2022, just about a year and a half ago (in the heat of passionately obsessing over Old Fashion Cupcake), my dash was awash, AWASH, in KP posts. AWASH.

I had no idea what the fuck the algorithm was telling me.

I went into KinnPorsche knowing absolutely NOTHING about Thai BL tropes, the history of the genre, the actors in the roles, what made KP so innovative by way of its storyline, NADA. Dudes -- I'm half-Malaysian, and I had never even watched a show from the Southeast Asian region, let alone Thailand, and I was unaware of how prolific the Thai drama industry was (at least compared to the Korean drama machine).

When I first watched KinnPorsche, my perspective was that I had watched a pretty good show, and I was left surprised back then in particular by the No Homophobia Bubble (well, almost no homophobia, Big) that I now know is so much more common in Thai BLs than I realized.

It was through KinnPorsche that I discovered Thai BLs, and it was subsequently through Bad Buddy that I realized that I NEEDED to understand the development of this national genre -- so back to the history annals I went, through my OGMMTVC project, starting from 2014's Love Sick, and here we are at this moment of the timeline, the hot hot late spring and summer of 2022, enjoying the ✨vibbbeeezz✨ between Mile Phakphum and Apo Nattawin, and leaving me wondering why there was a national shirt button shortage in the midst of a Thai mafia crime drama. I'm glad I have history on my side now as I think about KinnPorsche as a standalone drama, and as I also think about the impact it has had on the Thai BL genre and fandoms prior to its premiere, up to today's moment in time.

I took my time to draft this piece partly because I was busy watching Be On Cloud's second and latest serial drama in Dead Friend Forever. I think BOC is doing something very interesting by way of their acting and contracted scripting choices, which I want to ponder by way of the context and aftermath of KP's airing. As such, while I had intended to write just one post about KP, I have a bunch of thoughts that'll spill over to tomorrow. So here we go, a quick overall outline for the lovers for today and tomorrow on my ruminating thoughts:

1) My critical thoughts on KinnPorsche as a standalone drama in the context of the history of previous Thai BLs, 2) My thoughts on how new arrivals to the wider Thai BL fandom shaped the perception of KP vis à vis older Thai BLs, 3) How I think KP has impacted how other studios approach, market, and write Thai BLs now, and 4) A quick passing thought on BOC's own continued influence on the Thai BL genre and industry since 2022, particularly by way of Dead Friend Forever.

I'm going to concentrate on numbers 1 and 2 in this piece, and they're actually going to be a touch conflated, because I want to lean into a now-obvious fact that the BL Elder community knew all along about KP when it first aired in 2022: there was not much that was new about what KinnPorsche was doing. (This is not necessarily a bad thing, as I’ll get into below.)

When I was a newbie on Tumblr, and the algorithm was feeding my dash, I remember seeing posts about how Be On Cloud, the studio behind KP, was doing things differently than the rest of the Thai BL field -- I recall posts about the studio hiring the best acting coaches, how the cinematography was nothing like what we had seen in other shows, and how Be On Cloud was committed to creating safe environments for its actors, particularly Apo Nattawin, who had reportedly faced discrimination in his past acting career, reportedly leading him to leave the Thai drama industry for a number of years.

While some very early Thai BL studios were known to not have the safest or friendliest environments (the filming of What The Duck comes to mind by way of this lore), by the time of KP's airing, GMMTV had strongly established itself as the leader of Thai BL productions, and other players, including New Siwaj and Cheewin Thanamin, had produced quite the number of dramas under each of their respective studio outfits. The industry, by 2020 and 2021, when KP was in its development origins, wasn't new anymore. Acting coaches, such as Aof Noppharnach, were now also regularly writing, directing, and producing original shows, and major BL studios had introduced workshopping as a regular step to production. On the artistic end, studios and writers had established expected artistic tropes -- 2018's Love By Chance is the first example that comes to my mind of when the Thai BL genre crystallized in a structurally derivative piece of art by way of containing and using prior trope references and dynamics.

Be On Cloud, in picking up the KinnPorsche script from Filmania during the pandemic (I use these posts here and here for my non-primary sources of KP lore) clearly knew it had something innovative on its hands by way of producing the genre's first mafia-based BL romance.

But 2020's Manner of Death had already introduced crime and mystery to BL, and 2021's Not Me continued a multi-genre perspective somewhat successfully around romance. And regarding sex and heat: KinnPorsche didn't do that first, either. MaxTul brought it first in 2017's Together With Me, and MAME has owned this corner since 2018's Love By Chance and 2019's TharnType. (Props to MaxTul for being in both Together With Me and Manner of Death; MileApo owe those dudes some beers.) By way of cinematography, which KP does extremely well: we had already begun seeing prestige cinematography in 2020's I Told Sunset About You, and 2021's I Promised You The Moon and A Tale of Thousand Stars.

It was natural, I think, for much of the KP fandom to think that KP was innovative in a lot of these categories, because, like me -- KP was our first-ever Thai BL. By way of money clearly spent on the show, the directorial purview of the show, the utterly gorgeous cinematography (man, that nighttime pull-away shot when the guys are in the roof pool, oof, why couldn't I find a gif), a new fan might think, geez, this has never been done before! But it had, and not just in Thailand, but for years prior in Japan, and more recently in Korea.

This is ALL not to say that KinnPorsche “suffered” because of what I'm uncovering by way of KP's misunderstood innovation. I think a perception of KP being entirely “new” in the BL field has contributed to its lore and enduring influential status. On this rewatch, I appreciated the mafia-based storyline as a support system to the central KinnPorsche romance. Yok being centered as an important mentor to Porsche, played by the inimitable Sprite Patteerat, was refreshing to see. Porsche accepting his bisexuality, especially with Yok's support, without the typical BL head-spinning queer revelation, was a welcome element to the show. And, frankly -- I had, on my first watch, missed, of course, the clear references to Thai BLs of the past in this show, references that I really loved seeing this time around.

From the old school, we got Kob Songsit, the OG BL dad, no longer Tong's dad in the seminal movie, The Love of Siam, nor Dean's dad in Until We Meet Again. This BL veteran is now a damn dad don, weapons and all.

We've also got Na Naphat, who played important side characters in IPYTM and UWMA. We have former BL lead guys in Jeff Satur and Perth Nakhun. We've got guitars and singing, we have underwater smooching, we have a cute-cute first date. We arguably have questionable kabedon in Kinn's and Porsche's first intimate moments. We have cooking for your lover, we have feeding your lover, we have the towel-drying of the hair. KP, by 2022, keeps up with Idol Factory's Secret Crush On You in prominently featuring a femme-presenting side character in Tankhun, PHENOMENALLY ACTED by Tong Thanayut, who we had seen previously in TharnType.

KP was, in part, directed by Pepzi Banchorn, who served as an assistant director on 2019's Dark Blue Kiss and 2021-22's Bad Buddy, and had a quick guest spot in 2022's The Warp Effect. KP was also, in part, directed by Khom Kongkiat, who played Uncle Tong in Bad Buddy, and subsequently directed The Promise in 2023. AND, finally, one of the KP screenwriters is Bee Pongsate, who has co-written so much flippin' BL: Last Twilight, Bad Buddy, Dangerous Romance (😬), Vice Versa, My School President, A Tale of Thousand Stars, 2gether and Still 2gether, and that's not even scratching the list -- you get it.

KP's supporting cast and crew was simply stacked with BL vets, who clearly knew the scene, and who helped to support Mile Phakphum's rookie acting and Apo Nattawin's return to the screen. I'd posit that this group of people knew EXACTLY what references they were putting into KinnPorsche, from actors to tropes, and also knew when, where, and how to innovate around those references to still make this show unique.

Certainly, KP's approach to sex and heat -- by way of Kinn's and Porsche's first drunken encounters (hi again, MaxTul), the uncut intimate scenes between them, and Vegas's and Pete's union by way of, well, semi-torture and/or kink -- was bold enough to be overall quite notable. But again: Thai BLs had been pushing that envelope for years past, and it has continued to do so in shows like MAME's Love In the Air and GMMTV's Only Friends.

In other words: after this rewatch, with the history of the older Thai BLs I've watched under my belt, I don't see KinnPorsche as firstly innovative. But I appreciate the show differently now, in particular for how very obvious it worked to include past Thai BL references in its production, and I actually gained a different appreciation for it.

I also want to made a quick tangential note about Apo and Tong specifically by way of innovation. Dr. Thomas Baudinette, a long-time BL fan and academic researcher on Thai and Japanese queer media, notes in his book, Boys Love Media in Thailand, that an ideal trajectory for a Thai BL actor is to debut in BLs in order to transition to more popular primetime het Thai dramas, as Gulf Kanuwat of TharnType, and Ohm Thitiwat and Kao Noppakao of UWMA and Lovely Writer, respectively, are notably doing at the moment. Apo Nattawin did this the other way around: he had established his career in het lakorns, most notably in 2015’s major hit drama, Sut Khaen Saen Rak, and subsequently left the Thai drama industry after reportedly being discriminated against for his skin tone and fashion choices. And his way back to the industry was through BLs. Taking the lore of Mile Phakphum recruiting Apo for KP out of the picture for a moment: I think this indicates a shift in how BLs are increasingly perceived in Thailand, and even globally, as being a career-worthy genre of content on its own for actors. (Apo's exploding fashion career is proof of this.) And BOC has now recruited another lakorn vet in Jes Jespipat for its third upcoming drama, 4 Minutes.

As well, Tong Thanayut’s very public coming out after the conclusion of KP’s airing is notable for how Be On Cloud has continued to center Tong in its productions after that fact, most notably in 2023’s film, Man Suang, while other out BL actors are not as lucky by way of guaranteeing and attracting future work.

I have a lot more to say about KinnPorsche's and Be On Cloud's impact on the current Thai BL industry, and how I think that impact has affected the marketing and creation of more recent shows like 2023's Only Friends, and 2023-24's Playboyy. But this first post has gotten long, and I actually haven't written much about the actual show itself, HA. So let me say this:

I think it's notable that the first shows that played around with themes outside of romance, like 2020's Manner of Death, and 2021's Not Me, were not perfect shows. We see now how multi-genre BLs are just exploding, what with Dead Friend Forever and the upcoming slew of vampire BLs that are going to drop (and let's not forget the first omegaverse BL drama in Pit Babe -- or should we forget it, I dunno). Not all of these shows are perfect, but the genre has only been around for a decade. There's a lot of time, and a tremendous amount of interest and funding, that upcoming shows can leverage to become better, especially these multi-genre shows that we're seeing more of.

KinnPorsche as well, was not a perfect show. I have some thoughts particularly on VegasPete to offer tomorrow, and I think, overall, that KP could have easily been a shorter series with more impact.

But I'll still give the show some of its flowers, because I think, unlike MoD and Not Me, that KinnPorsche did a better job of centering the Kinn and Porsche romance for dramatic effect, particularly by leveraging comedy. Were there many moments of hibbly-jibblies? Oh, totally. Dudes, also, Kinn fucking forgot about Pete! Pete coming back to the house and reminiscing about Vegas while holding his neck? Eeeeyikes, no thanx. There were a number of these weird bumps that I think could be explained by way of intentional camp (which I think KP did pretty well), but I do believe the show could have been tighter with more editing.

But, I gotta admit: I had a great time re-watching KP. That says something. Was it the heat that tiddled my dopamine cycles? Probably, somewhat. (No shame in my game.) Or -- a more reasonable theory, ha, is that Apo, as a veteran actor, demonstrated more range than I originally remembered. He can really do comedy well, and he timed his comedy perfectly for the absurdities that peppered KP through the series (the bread crawl, the constant throwing of hands, the jumping-on-Kinn when the ghost of Pete showed up, oh shit we're in the forest now, etc). Apo and Tong, in particular, stayed true to the bit many times during the show, and I think the series benefitted greatly from their collective comedic talent and timing -- which I thought was nicely refreshing for the genre.

With that, I'll have more ruminating tomorrow about the show itself, about how I think the impact that KP and BOC have had on the genre after KP's airing, and other thoughts about the cultural moment that KP demarcated when it aired -- see you tomorrow!

[MORE MORE MORE KP tomorrow! And I'll have more thoughts about the watchlist then. But for now, here's the classic OGMMTVC list for you to chew on!

1) The Love of Siam (2007) (movie) (review here) 2) My Bromance (2014) (movie) (review here) 3) Love Sick and Love Sick 2 (2014 and 2015) (review here) 4) Gay OK Bangkok Season 1 (2016) (a non-BL queer series directed by Jojo Tichakorn and written by Aof Noppharnach) (review here) 5) Make It Right (2016) (review here) 6) SOTUS (2016-2017) (review here) 7) Gay OK Bangkok Season 2 (2017) (a non-BL queer series directed by Jojo Tichakorn and written by Aof Noppharnach) (review here) 8) Make It Right 2 (2017) (review here) 9) Together With Me (2017) (review here) 10) SOTUS S/Our Skyy x SOTUS (2017-2018) (review here) 11) Love By Chance (2018) (review here) 12) Kiss Me Again: PeteKao cuts (2018) (no review) 13) He’s Coming To Me (2019) (review here) 14) Dark Blue Kiss (2019) and Our Skyy x Kiss Me Again (2018) (review here) 15) TharnType (2019-2020) (review here) 16) Senior Secret Love: Puppy Honey (OffGun BL cuts) (2016 and 2017) (no review) 17) Theory of Love (2019) (review here) 18) 3 Will Be Free (2019) (a non-BL and an important harbinger of things to come in 2019 and beyond re: Jojo Tichakorn pushing queer content in non-BLs) (review here) 19) Dew the Movie (2019) (review here) 20) Until We Meet Again (2019-2020) (review here) (and notes on my UWMA rewatch here) 21) 2gether (2020) and Still 2gether (2020) (review here) 22) I Told Sunset About You (2020) (review here) 23) YYY (2020, out of chronological order) (review here) 24) Manner of Death (2020-2021) (review here) 25) A Tale of Thousand Stars (2021) (review here) 26) A Tale of Thousand Stars (2021) OGMMTVC Fastest Rewatch Known To Humankind For The Sake Of Rewatching Our Skyy 2 x BBS x ATOTS (re-review here) 27) Lovely Writer (2021) (review here) 28) Last Twilight in Phuket (2021) (the mini-special before IPYTM) (review here) 29) I Promised You the Moon (2021) (review here) 30) Not Me (2021-2022) (review here) 31) Bad Buddy (2021-2022) (thesis here) 32) 55:15 Never Too Late (2021-2022) (not a BL, but a GMMTV drama that features a macro BL storyline about shipper culture and the BL industry) (review here) 33) Bad Buddy (2021-2022) and Our Skyy 2 x BBS x ATOTS (2023) OGMMTVC Rewatch (Links to the BBS OGMMTVC Meta Series are here: preamble here, part 1, part 2, part 3a, part 3b, and part 4) 34) Secret Crush On You (2022) (review here) 35) KinnPorsche (2022) (tag here)  36) KinnPorsche (2022) OGMMTVC Fastest Rewatch Known To Humankind For the Sake of Re-Analyzing the KP Cultural Zeitgeist

...interrupting the OGMMTVC list here to watch War of Y (2022) (watching) in chronology to decide if it gets listed...

37) The Eclipse (2022) (tag here) 38) The Eclipse OGMMTVC Rewatch to Reexamine “Genre BLs” and Internalized/Externalized Homophobia in GMMTV Shows  39) GAP (2022-2023) (Thailand’s first GL) 40) My School President (2022-2023) and Our Skyy 2 x My School President (2023) 41) Moonlight Chicken (2023) (tag here) 42) Bed Friend (2023) (tag here) 43 La Pluie (2023) (review coming) 44) Be My Favorite (2023) (tag here) (I’m including this for BMF’s sophisticated commentary on Krist’s career past as a BL icon) 45) Wedding Plan (2023) (Recommended as an important trajectory in the course of MAME’s work and influence from TharnType) 46) Only Friends (2023) (tag here) (not technically a BL, but it certainly became one in the end) 47) Last Twilight (2023-24) (tag here) (on the list as Thailand’s first major BL to center disability, successfully or otherwise) 48) Cherry Magic Thailand (2023-24) (tag here) (on the list as the first major Japanese-to-Thai drama adaptation, featuring the comeback of TayNew) 49) Ossan’s Love Returns (2024) (adding for the EarthMix cameo and the eventual Thai remake) 50) Dead Friend Forever (2024) (thoughts here) 51) 23.5 (tag here) (2024)]

[sindar-princeling]

(I was wondering for a while if I should edit this post to be neater, or erase the things I've already said, but after all I decided to keep it just as it was, because over the past few months I was adding more and more thoughts to it as I edited, and I wanted to keep them that way, unedited and just the way they came to me. so here are some thoughts I had while editing the newsletter)

editing LOTR to go chronologically felt like constantly finding some hidden gems that can only be found when you read that way, and wondering if they were put there intentionally (and knowing jirt, they most probably were). it was a truly, deeply special experience, and a unique way of experiencing LOTR to me

there are so many fragments where jirt says what happens after everything! the ponies were okay, Pippin cried when he heard horns after the battle of Pelennor fields for years to come, even the prologue reveals some information about who survived the War

the long breaks in Rivendell and Lórien were very interesting in this format. some people were remarking how they liked thinking about the fellowship just chilling during those breaks, and I think it created a nice effect of both the characters and us forgetting how close the danger is for them. it let us take those breaks with them!

the only part of the quest that doesn't have a date assigned to it takes part in Lórien, it's the one where Frodo and Sam sing about Gandalf. and it's SUCH a good detail! Tolkien kept track of every event, of dates and even times of day for the entire duration of the quest, but this fragment is just Somewhere There, because in Lórien time seems to stand still, and you can never know when you are

the only other fragments which are confusing time-wise take place during the dark days with no sun, which is of course a great writing choice, but even they are described in Appendix B - the Lórien fragment has no date, no reference point, nothing

it doesn't hit you that much when you read the book, but the battle of Helm's Deep happened literally just one (1) week after the breaking of the Fellowship. Aragorn was out there having the Worst Week Of His Fucking Life

I loved feeling the impact of certain events more while reading chronologically (the three hunters running for days made more impact on me when I was sending yet another entry and they were still running)

before actually going through TTT and ROTK, I was preparing for very long entries for each day. but after the Tower of Cirith Ungol and the Battle of the Pelennor Fields (March 15th), the next ten days before the Ring is destroyed are so... empty in comparison. and it works amazingly well when you read according to dates. we hear just enough from Aragorn and the Host of the West to let the tension grow and grow. we hear just enough from Frodo and Sam to feel the oppressive atmosphere of these entries. but on the other hand, the entries are short enough to set our imaginations to work and make them fill in the rest. to me it's the perfect balance of the horror you read about and the horror you know is still there even after you close the book. this is what I mean by hidden gems, because it works that well only when you read day-by-day - in the book those fragments are just a few pages long, and you can get through those ten days very fast. but when you read according to dates, the torment is spread over so much time

the previous point is why I loved seeing the pacing in LOTR this way. in LOTR, so much can happen in ten days; and yet so little happened between march 15th and 25th besides fear and suffering

there was one part that gave me a headache because I spent so long trying to figure it out I forgot to eat - March 10th-14th in the Frodo and Sam subplot. it was a huge relief when I opened my atlas of Middle-earth and found its author Karen Wynn Fonstad had the same doubts when she'd been researching for the book that I did (and also that she arrived at the same conclusion).

apart from the March 11th-14th fragments, the most challenging day to edit was March 15th because Everything Happened So Much, and many things - simultaneously. it was a choice between chopping certain fragments into really small bits or sacrificing the impact of certain scenes

the only thing I'm sad about losing in this format is the ending, because Frodo getting ill and leaving Middle-Earth in fall, the same season as when he first set out, brackets the plot of LOTR such a beautiful and heartbreaking way and underlines one last time that "there and back again" is never really just that - you always end up somewhere else than where you started

[jakes3resin]

Can you tell us about your other fics if you already have an established plot?

I'd love to! So there's quite a number of them I won't lie. I tend to get inspired by the randomest things. These are all in various stages of plotted out and written.

A/B/O fic (technically turning into 3 fics) that follows Bucky & Buck through the war, described below.

Courting Arc (top of my list to finish writing) - Bucky POV as he is anonymously courted during his time in the states just before he gets sent over to England (there's a post I'm basing my writing around I'll link it in a moment) <- published

England Arc- a quick look into their lives as they run missions with A/B/O elements (this will be pretty short I think) mostly snippets of scenes from the show just now with Omega Bucky and Alpha Buck <- published

Stalag Arc - Omega Bucky and his awful time in Germany. Here is where we see what being an Omega in war is really like in my omegaverse. Bucky is the highest ranked Omega in the camp meaning he's technically 'in charge' of keeping those Omegas in line. He's tested by his heats, keeping his pack together, and finally by a German order that could tear Buck and Bucky apart. This is a big fic for me to prepare for, and I'm building up to it by writing the Courting Arc first <- next on deck

Biker Gale AU (my beloved, genuinely obsessed with this AU) - this was inspired by one of hogans-heroes AUs. So, Gale leads an outlaw-esque biker club, and Bucky used to be his right hand (and lover) except one day out of the blue he just disappeared. Gale does everything he can to find Bucky, but there's no trail to follow, no clues to put together, nothing. Fast forward about two years, Bucky arrives on Curt's doorstep holding a small baby with the brightest blue eyes and prettiest blonde curls and begs Curt to watch his baby for 5 days. 5 days later Bucky comes back in town bruised to all hell with the FBI on his tail with their own nefarious reasons for tracking Bucky down. Bucky has nowhere else to turn especially since when he comes back to Curt's he finds Gale holding his little baby. (This could be A/B/O I haven't decided, but it's definitely at least mpreg)

Amnesia fic - this is based off of a post I made about the effects of Bucky getting hit over the head like 3 times in the span of two days, its... somewhere (edit: here). But its about Bucky waking up with no memory of who he is just before he gets interrogated by the Germans and sent to Stalag Luft III where he meets a man that his heart rejoices at seeing but his mind doesn't recognize. Buck of course has to deal with the love of his life forgetting him.

Magic AU - Bucky is a Scamander and its now everyone's problem to deal with it. The tag to find all of my ramblings for it is magic au (not that Tumblr's tag system works), and @getinthefuckingjaeger just wrote the best ever fic of Bucky and Theseus so go read that.

I've also got a few paragraphs written of Foster Kid Bucky somewhere but that might never see the light of day (that's also from a hogans-heroes AU) where Bucky is a jaded teenager just trying to make it to 18 to get out of his shitty foster placement when in comes Buck whose mother finally divorced his dad, got custody of her kids, and moved to her hometown to escape. It's about a Bright Buck meeting a Jaded Bucky (a flip on their usual dynamics)

Blonde Bucky AU - I wrote a blurb on the Twin Cleven AU post, and the idea of Bucky bleaching his hair on a drunken night out with Curt and Bubbles has haunted me since <- published as well

There might be more? But these are the only ones I can remember off the top of my head right now that are plotted out beyond oh that'd be a good fic. I have a lot of time spent sitting and waiting right now, so I have the ability to write a multitude of fics. I'm happy to talk about any of these fics if you want to come into my inbox or my messages.

[bqstqnbruin]

See You Again

I'm actually posting a fic for the first time in seven months aka the first fic I've finished in seven months peace love teaching

anyway, I wrote this for the lovely @wyattjohnston's summer fic exchange! I got to write for @selfindulgentpoorlywritten but I've never written for Nico before, so I hope you like this (I was fully inspired by my own mess of a life)

Edit since I’m a dumbass thank you to @kat-hearts for reading this first and being amazing ily 😭

One of the characters, Nat is nonbinary, and I did my best to make the reader gender netural, which I haven't done before on either account, so I hope I did it justice (if something is glaringly wrong, please let me know!)

Warnings: I was mean with the ending? A little? Also, some swearing, drinking, almost physical fighting

Word Count: almost 2.8k

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“When was the last time you saw him?”

You tried to shift through your memory to figure that out. In person, the last time was sometime in the first week of December about two years ago. Thinking about him, which thankfully didn’t count, would involve you giving a much more recent answer, way more recent than you would really like to admit. “I don’t remember.” 

“Well,” your roommate Nat says, looking down at their phone. “I have bad news.”

“Fucking hell,” you moan, tilting your head to hit the back of the seat of the Uber. You knew what they were going to say before the words even started to come out of their mouth.

“Nico is going to be there tonight. With all the guys.” You let out another groan, the Uber driver giving you a scowl through the rearview mirror. “I’m sorry! Jack didn’t know he was coming, or he would have told us way before we got ready.” 

You stare out the window, trying to think of all the ways that you could get out of this situation. You already paid for the Uber and didn’t want to pay for another one. You weren’t about to go somewhere by yourself, especially since the bar you were heading towards wasn’t within a reasonable walking distance if you were to go somewhere by yourself, and no way was Nat going to leave with you without Jack, and Jack, of course, wasn't going to leave without his teammates. 

“We can go back right now and I’ll tell Jack to have fun with his team instead,” Nat tells you as if they could read your mind. They put their hand over yours, trying to give you any sense of calm that was setting into your panic. “We do not have to be around Nico.” 

“What kind of person tells someone they like them but not enough to date them?” you mutter, knowing you and Nat have had this conversation many times on your kitchen floor, drunk and crying together at 2 in the morning. They had introduced you to Nico one night after a game when the team went out to celebrate. They had been dating Jack for about a year at that point, meeting him through his brother at Michigan and reconnecting when they both realized they were going to be in New Jersey together. Quinn had used the reasoning of, “he won’t know anyone in the state,” only for everyone to realize later that he knew Jack had been smitten with Nat since they met. If only you had been so lucky. 

You had known of Nico, obviously. How could you not? He was the captain of the Devils, the team you grew up surrounded by, the number one draft pick in the sport your roommate never shut up about. He covered your social media feeds without you really wanting them to and everyone you knew talked about what a great game he had the night before. You couldn’t escape the idea of him, no matter where you went. 

When you met him that night a few years back, there was something about him in person that you were drawn to. He had been just an idea to you, not someone you could think about as being real. You spent that entire night with him, your friends either wandering off or you too enthralled with Nico to notice that they were there. Nat and Jack were heading back to your place before last call, and you were left knowing that you had to see Nico again.  

He asked if he could kiss you, making you melt as his hand gently snaked its way to your cheek, pulling you close when you said yes and covering your mouth with his. You waited for his text the next day, anxiously checking your phone until he finally did after 3 pm. From then on, you told each other everything, texting each other whenever you could, him calling you and heading over to your apartment whenever he didn’t have an obligation to the team. You fell hard for him and you had believed that he felt the same about you. 

“The kind of person who doesn’t know what they have until it’s gone,” Nat tells you, trying to pep you up. “Hey, we can find you a guy that is just as hot as Nico tonight.” 

“I’m gonna move to Ireland and isolate myself with the spuds.”

“Act like you can be away from me for that long,” they tease, earning a laugh from you. “I’m serious, though. Tell me what you want to do, or who you want to do, and Jack and I will make it happen.”

You didn’t want someone just as hot as Nico, you wanted Nico. You hated the fact that there was more than one time that you had pulled up his messages on your phone, part of you unable to delete that conversation thread even though you knew it would be the healthy thing to do. But you weren’t known amongst your friends for doing what was best for your mental wellbeing, so you kept them, going back through the conversations you had in the four months you were seeing him. The last text was what haunted you the most, him telling you that he was going to be back in Switzerland for the summer and that he ‘didn’t want you tied down to one person’ while he was gone.

He said he would text you when he was back. 

He never did. 

There were multiple times when you wanted to text him, but you never did, either. 

“Yeah,” you manage to choke out. “Let’s do it.” 

You spend the rest of the ride in silence, trying to think of where in the bar you would be able to hide from Nico so that he wouldn’t see you. The guys were already inside, Jack telling Nat about 10 minutes ago that they went to start drinking as fast as they could. 

The bar was somehow muggy inside, as if the beer itself hung in the air rather than the sweat of the nearly one hundred drunk people that were crowding every square inch of the floor. Jack was easy to spot for Nat, his five foot eleven frame not the largest of his teammates, but still distinct enough that your roommate had left your side within seconds of entering to be with their partner. 

So much for finding you someone tonight. 

You tried to stay away from him, closer to Nat and Jack as best as you could, but they kept wandering off from you. The last thing you wanted to do was go with them when they were both on their way to drunk and have a history of doing slightly illegal things in the bathrooms at bars. 

You had to find someone to talk to. Any person who looked interesting. Any other guy on the team who you were friends with, but that was really only Jack, and that was really only because he’s dating Nat. Your phone was your only comfort, finding a table that had been pushed up against the wall and hoping that there was something you could doom scroll on that would distract you from looking towards Nico. 

He had the right to do what he wanted at the bar with his teammates. You weren’t together. 

“You ok?” you hear during a lull in the music, pulling you away from your phone for a moment. You didn’t know who was standing in front of you, one of the newer guys from the trade deadline that Nat definitely hadn’t introduced you to. He was waiting for you to respond, looking like he had wanted to sit down with you.

“Yeah, just, not a big ‘going out’ person.”

He lets out a nervous laugh, a smile that sends a jolt through your system that you hadn’t felt in a while. Since Nico, if you were really willing to be honest with yourself. “Me neither, honestly. I’m just here because I didn’t have anything else to do.” 

“I got dragged here with my roommate so they can be with their boyfriend,” you tell him, gesturing to Nat and Jack trying their best to sneak out of the bathroom, Jack’s shirt buttoned wrong, both of their previously neatly styled hair in a mess that you only saw after hearing them the night before. 

“So that’s the infamous Nat,” he says, taking the seat beside you. You nod as he continues, “Jack never shuts up about them. Not that Jack shuts up about anything or anyone, ever, but especially not Nat.” 

“I always knew he was a good one,” you tell him, introducing yourself so he knew you as more than just, ‘his teammate's partner’s roommate.’

“I’m Timo.” 

You spent the rest of the night bouncing between the table and the bar with Timo, him buying you every drink you wanted. There was something about him that was different, but you couldn’t focus all of your attention on him. 

He was talking about his time in San Jose while you were waiting for your next round of drinks. You couldn’t focus on a word he was saying, Nico within your line of sight talking to a girl. A really attractive girl, you might add. You felt your heart drop, feeling a lump in your throat forming faster than you could lie to yourself about that scene having no effect on you. Naturally, Nico would talk to other people. You hadn’t talked to him in two years, let alone seen him in person. Just because you couldn’t get over him, no matter how hard you tried, that didn’t mean he didn’t get over you.

“And then I got traded here, and I love it, so far,” you tune back into Timo, who is suddenly much closer than you remember. It’s just because the bar is loud, people are starting to crowd for drinks, and, fuck, you have to admit, he’s pretty hot. 

Nico was still watching. 

Timo took your hand, leading you off to the table where you were before, the drinks in your hand probably not ones that you needed to begin with. His free hand snaked its way to your waist, pulling you close to him. You could feel your heart racing faster with every inch he got closer to you. You wanted him to kiss you. 

You thought you did. 

“I’m sorry,” you pull away right as his lips were about to meet yours, tears starting to form in your eyes, leaving the drink he bought you in his hands as you ran from him. Your breath catches in your throat while you try to find Nat and Jack, just praying that they weren’t back in the bathroom or too intoxicated in general to help out. 

You heard Timo calling after you, somehow, through the volume of the music and your own drunkenness, breaking through and getting to you. You didn’t want Timo calling your name, you wanted it to be Nico. 

You needed it to be Nico. 

“Hey, hey,” you hear, feeling a familiar hand gently place itself on your arm. You turn around, Nico’s face a mixture of concern and fury. “What did he do?” 

“He, he,” you stammer, the tears falling faster the more you looked at him, every memory you had with him suddenly rushing back into your mind. “He didn’t do anything. You did.”

You yank your arm from him, trying to find anywhere to be in the building that didn’t have one of Nico’s teammates looking at you causing a scene. You knew he was following you, calling your name again and again over the music. People were starting to stare, but no part of you cared, trying harder to not let the tears that were burning your eyes fall down your cheeks. 

Nat and Jack were nowhere to be seen, the rest of Nico’s teammates trying to figure out what was going on when you burst through the front door of the bar, the cold fall air hitting your face as soon as you did. You let out a sob, trying to steady yourself against the wall of the building, sliding down to the ground while people waiting to get in tried to figure out if they should help you or if you were just another drunk person having some sort of meltdown that was none of their business. 

“Hey,” you hear, a soft voice coming from above you. “I’m so sorry if I did something wrong.” Timo slid down next to you. “I read the situation wrong, I thought you were also into me.”

“I am, I just,” you start, trying to think of what to say. 

“Hey, what the fuck did you do?” Nico yells, pulling Timo off the ground. “What did he do to make you cry?”

“Nico, stop,” you let out, Timo looking both confused and terrified by his new captain’s hand on his shirt collar. “He didn’t do anything.”

“What the fuck did I miss?” Timo asked, slowly trying to back away from Nico staring you down. 

“Why can you talk to other people and I can’t?” you ask him, feeling your sadness turn into anger. “You had no issue not talking to me for the last two years.” 

“I’m gonna go,” Timo lets out, barely loud enough for the two of you to hear and sneaking away before you could notice. 

“You didn’t want to talk to me,” Nico counters, taking a step towards you. “But you wanted to talk to TImo instead?”

“Where the fuck did you get that idea?” 

“You never texted me. You’ve spent the entire night avoiding me. You think I didn’t see you when you were by yourself on your phone?” 

“You were in Sweden. And you could have come up to me and talked to me, what was stopping you? Oh, that’s right, your new girlfriend.”

“Switzerland. And she’s not my girlfriend. I haven’t seen anyone in ages.”

“Wherever you were, you weren’t here,” you tell him, your back against the wall. How long had it been since he had last seen someone? There was no way you had been the last person he was with. “You told me you didn’t want to be tied down while you were back home. You didn’t even want to talk to me, because if you did, you would have.” 

“You’re joking,” he scoffs. “You think I didn’t want to talk to you? Every fucking day I have thought about how our conversations would go when I saw you after you get home from work. I would think about you telling me about your day, about everything you would tell Nat, or whoever you were seeing at the time. Every single person I saw in the last two years, I wanted them to be you.” 

You didn’t know what to say, letting Nico’s words sink in. “Then why didn’t you text me when you came back from Switzerland?” 

Nico took in a deep breath, closing his eyes and tilting his head up to the sky. “Because I thought there was no way someone else wouldn’t have realized how amazing you are. There was no way I could be someone who you thought was worth waiting for.” 

Nico takes a step towards you, his hand gently taking yours. This was a moment you had been thinking about since he left for Switzerland two years ago. You knew he was going to kiss you, having you pinned against the wall of the building. His free hand cupped your cheek.

“There you guys are!” Nat interrupts, them and Jack clearly having just finished up doing something they weren’t supposed to be doing. Nico steps away from you, clearing his throat, the red in his cheeks so noticeable there was no way even your roommate wouldn’t comment on it later.  “We’ve been looking for you, for um.”

“Long enough,” Jack finishes their sentence, a stupid smile covering his face. You knew he was lying, but no part of your brain was letting you focus on that. Nico leaned against the building, his arm up over your head. “The uber’s almost here. Are you ready to go?”

No. “Yes.” 

The three of you leave Nico standing there by himself, Nat and Jack falling asleep in the Uber as soon as it gets on the highway. 

You check your phone for the first time in a while, a lone notification popping up on your phone that hadn’t been there in almost two years. 

‘Nico, iMessage.’ 

[dduane]

Hi there! I'm not sure if this is something you've talked about before in another post, but I just finished the first draft of my first novel, and I was wondering if you could talk about what your experience was like getting your first novel edited and published. I have this story that I'm excited about but no idea what to do with it now that I've reached "The End," do you have any advice on what my next step ought to be towards eventually getting it published? Thanks in advance!

First of all: thanks for asking. ...And now I have to warn you that I am possibly one of the worst possible people to ask about what their first novel's publication looked like... as it was completely atypical.

Not that that's going to stop me, mind you. (And you know what? I'm inserting a cut here, because this goes on a bit. Warning: contains [calculated] dissing by old friends, pulp non-fiction, unexpurgated language, unexpected awards nominations, and advice that's worth just what you're paying for it.)

What happened with me and my first book goes like this:...

In the late 1970s I was starting to burn out on psychiatric nursing, and was offered a job as assistant to the novelist and Star Trek ["The Trouble with Tribbles"] writer David Gerrold. I took it happily, as I was in a place in my life where I really needed some kind of change. The work with David was part-time; I also occasionally did special duty nursing shifts to help make ends meet.

Now during this period, I was writing for my own amusement (as I'd been doing all my life from about age eight onward). Right then I was working on a project I'd been tinkering with from my late high school years right through college, nursing school, and my first couple/few years of practice as an RN. This was the background worldbuilding for a vaguely Tolkienesque, somewhere-between-late-Medieval-and-early Renaissance fantasy scenario featuring a couple of moderately unusual magic systems, a sexually diverse culture, and a pair of "These Two Idiots"-style protagonists with complex interleaving problems.

While I was working for David, I had a lot of opportunity to observe, close up, what the life and workflow of a career writer looked like. Slowly, over a year or so, the realization crept up on me that what David was doing, I could do too. And it was at this point that I finally admitted to him that I thought I might want to write as well.

David's (as I later discovered, extremely calculated) eyeroll could probably have been seen from space. "Oy, not another one," he moaned. After which I went away from the abortive conversation pretty much resolved never to speak to him about this again... but also with a single thought filling my brain: You fucking supercilious sonofabitch, I'm going to show you that I'm not just another one.

...I'll never be able to thank him enough for that. Fury can be so motivating. :)

In the aftermath I got busy pulling together my background material with much more focused intent, and beating the most significant parts of it into something that started looking like a plot. It came together with surprising speed and unnerving insistence—one of the very few times in my career when a project, once begun, has simply flung me into the writing chair and insisted that it was the most important thing in my life and needed handling now. And when in the fullness of time David went on vacation, leaving me to house-sit at his place in LA, I immediately started using his very early computer to transcribe my novel's so-far-only-handwritten draft material.

I took what I thought was considerable care to cover my tracks... but not quite enough. On his return from vacation, when he was putting out the trash, David found some of my discarded draft pages, read them, and confronted me (with a certain amount of friendly teasing) about what had been going on. Then he said to me, "What I've seen of this thing doesn't look too bad. Let me see it when you're finished, and if it looks good enough, I'll ask one of my publishers if they want to take a look at it."

So that's what happened. I finished my first draft and a polish of it in about six weeks, and passed it to David. He read it and immediately handed it on to his editors at Dell, who were just starting a fantasy line for which they needed product. Two weeks later, they said they liked the novel and made an offer, which I accepted. Not a vast amount, but respectable enough. So there it was, my first sale: this book. Which then got me nominated two years running for the Astounding Award, and opened the door for the sale and publication of So You Want To Be A Wizard, as well as my earliest Star Trek work and my entry into the animation world.

I remember very little about the editing process, except that it was painless. What was not exactly painless was the book's cover, about which...well, the less said here the better. But the book came out to generally good reviews. So, with this series of events behind it, you can see why as regards first-publication stories, I'm a first-class outlier and should definitely not be counted. (Also to be avoided by new writers if at all possible: the experience of having half their strongly-selling first novel's initial print run pulped in the warehouse* because it was taking up room needed by a new book by a world-famous novelist.) (Whom I have long since forgiven, since it wasn't his fault, and...well, what can you do? Shit happens.)

...Anyway, that's more than enough about me. Now let's talk about you.

My first advice about what to do with the novel you've just finished? Stick it in a drawer (literally or figuratively speaking, whichever suits your case better) and don't look at it for at least a month. Two would be better. You can spend those two months thinking about your next moves... because you need to give those some consideration before you do anything else.

The question that you first need to answer is going to at least partially shape what you do next. And it's this:

Are you seriously considering making a career out of writing?

It's not that it can't be done! Of course it can. But it won't be easy... not at all. Anyone who tells you it will is either just outright lying through their teeth, or trying to sell you something. ...Or both.

Be honest with yourself as you consider this. If you aren't, you may be letting yourself in for considerable pain over a prolonged period... and I'd sooner you were spared that, if you can be. In particular, be clear about the difference between the statements "I want to write" and "I want to be a writer." Often enough people like the sound of the lifestyle and what they see as going with it—the signings, the book tours (physical or virtual), the interviews, the best-seller lists—without any real concept of the grueling, day-to-day, weekends-are-for-other-people, why-am-I-making-less-than-minimum-wage-most-of-the-time labor that underpins it.

If you simply want to write and be published—without the concept of a career necessarily being involved, or the lovely shimmering dreamlike vision of Giving Up The Day Job—you now have work pathways available to you that would've been unimaginable in the previous century. Self-publishing makes it possible for you to get your work in front of many, many eyes without necessarily having to submit yourself to the specific set of trials that go with achieving the initial stages of an intended career. Selfpubbing still has significant unique challenges of its own, of course, which have to be evaluated so that you can tell (as the commercials say) if they're right for you.

But if you're thinking of a career in what's usually being referred to these days as "traditional publishing", then you face a number of challenges that don't necessarily come with the self-publishing end of things. In particular: many publishing houses no longer consider manuscripts that come to them un-agented. So you're going to need to find an agent who's willing to represent your work... and this is a task that no longer looks anything like what it did when I found mine. (Or rather, when he found me, having been recommended to me by one of my editors. I've been with him for even longer than I've been with @petermorwood... and that's saying something. But this is yet another way in which my career's been wildly atypical.)

There is so much that could be said about this subject alone—the business of researching agencies to see which one seems like a good fit for you, the art of writing the perfect query letter to get their attention focused on a given book, and so much more—that I could hardly begin to even skim the surface of it here. There are whole websites devoted to shopping for agents, not to mention how to pitch yourself and your work to a given literary agency.

Let me leave this whole subject here for the moment. We can come back to it another time, because right now you need to be thinking this through. ...This I'll say, however. For the past six to nine months I've been pulling together links to various online resources that can be beneficial to new writers just getting started. These will be available as posts over at the FicFoundry.com site that I'm going to be bringing online before summer. I'm hoping to build that into kind of a compendium site or clearing house for online resources on this subject. We'll see how it goes.

Meanwhile, thanks for inquiring about this. You're standing at the first branching of what I'm hoping will be, for you at least, a fascinating variant of the Choose Your Own Adventure genre. :)

More on this later.

("Wait. Did she just call us idiots??")

*Now that we live in the era of just-in-time warehousing, this is something that fortunately doesn't happen much any more... as far as I know. But once upon a time, if somebody's new best-seller was going to the warehouse in its many thousands of copies, and your relatively-less-well-selling book was taking up space that could be used by the other author's "more valuable"/higher-priced titles, your books (5-10K of them, in my case) were simply thrown into a machine and turned into papery mush. And these go on your sales record as "unsold copies". (sigh) Some discussion of this phenomenon can be found over here.

[apprenticestanheight]

THE FIVE DAYS OF SMUTMAS QUEUE: DAY THREE

Somno - Peter Strahm x gn! reader

Allllllll right, we are on to day three of this event and despite the fact that I never really write this many fics in less than a week unless motivation has come around and hyped me to a point where I'm capable of doing it across two days, I am still chuggin on and to be honest, the concept for this fic is largely what's kept me from going down the demotivated slope.

I have had a very not great last two months of the year and so body worship with peter strahm and a touch of angst with hurt/comfort it is, because I needed to write this idea out and figured this event would be a good opportunity lol.

Last note before this fic begins, this fic is meant for audiences of 18+! Minors, do not interact.

Fic type- this is smut and hurt/comfort

Warnings- somnophilia, oral (afab recieving), there is one mention of trauma/anxiety induced insomnia, and the reader is gn for all intents and purposes, but I went with an AFAB reader as that's the anatomy I know best, and this is edited but barely bc I wanted to post oops.

Peter is all too aware of how rough the last few months have been for you.

Granted, you've not said a word of it because you'd sooner see hell than let anyone know when you're going through a rough spot, but since your relationship has begun, Peter has learned to look for the subtle tells you display whenever you feel like your life is about to start falling apart.

Peter is something of a chronic insomniac because of how the on-call schedule of his work with the Jigsaw case has impacted his sleeping capabilities, and so he's used to staying awake for hours on end in case he gets a phone call from someone at the Jersey precinct.

You, however, work a decent and consistent job as a cleaner that pays more than well. You have a set of routines—you wake up at six thirty every morning, make a steaming mug of chai from the K-Cups you adore, eat an easy breakfast and a cliff bar on your way out of the house.

You're at work from seven-thirty in the morning to six thirty most nights, come home and do whatever needs doing around the apartment that you and Peter share, and you watch TV or read until Peter comes home and the two of you order dinner.

You always go to bed sooner than Peter does, typically going to bed somewhere around eleven or midnight where the earliest Peter goes to sleep is one, and then you wake up the next morning and your cycle repeats.

However, since September, whenever Peter has come to bed, you've still been awake, even if it's three or four in the morning. The chai you made with the K-Cups you adore has turned into a steaming cup of coffee that you have to sweeten with brown sugar, honey, and sometimes maple syrup to be able to tolerate.

You're at work from seven am to nine or ten most nights now, and by the time you're home, the housework has been looked after because Peters hired a cleaning lady to come by the house and make sure the house stays clean once every four or five days.

You come home and Peter tries to get you to smile but nothing really does the trick. Peter finds that he misses you, wants to try to goad you into talking it out with him but knows from too many attempts to do so that it absolutely will not work.

But, when he comes home on the 22nd at 7:30, a rarely early time for him get home as the stuff with Jigsaw has progressed, he's completely and utterly shocked to see you sitting on the couch in your living room.

When he closes the door, your gaze snaps to his.

"I owe you an apology," you say. "I've been very terrible at being a spouse the past few months. I shouldn't've subjected you to that. I know I need to be better at communicating and I just feel awful because I've pretty much shut you out and I just—it's just not—it's not fair to you, Peter."

"It's all right, Y/N," he says. "I thought that something had happened, yeah? I figured you wanted space and I was going to give it to you until you decided you wanted closeness again. I know I get angry really quick and am frankly a little surprised I haven't snapped about it but I have worked on not snapping a lot since we started dating."

You've been married something like a decade. It took a lot of storming for Peter to reach the level of evenness, the level of calm, where he stood.

"Yeah, but I've been terrible," you laugh. Peter approaches, sits next to you on your couch. "I've not—it's not been fair, Pete. I haven't talked, I've worked myself almost to the bone, I don't eat breakfast like I used to—all of my routines have been thrown off by this, and I can't imagine how yours have been."

He wishes he could say that he was fine, completely unaffected by it, but to say that would be to lie right to your face, which is something he promised never to do in his wedding vows. He worried about you all the time, desperately wanted to ask you if you were okay and try to goad you into talking to him even though that had never, ever worked in his favor.

Peter grins at you. "I'm just glad you're okay, Y/N," he says. "Had me worried for a stretch, if I'm honest."

"I'm sorry to have worried you," you say. "I've just—work has been driving me mental. I took more hours to get a bit of a Christmas bonus on top of the bonus I get tomorrow to try to ease the mental stuff I've been dealing with and yeah, the cushy paycheck is great but fuck if I don't hate dealing with people during the holiday season. I have been yelled at about how spotless houses need to be more times than I can count."

Peter laughs. "You're the one who decided to go into the cleaning business," he says. You laugh a bit yourself, press your forehead against his shoulder.

"I know," you mumble sadly, a laugh trailing through your words. "But when I started, I'd really hoped I would spend less time talking to people, more time deep cleaning carpets while I had decent music playing through a Walkman. I do get to listen to music but the people are becoming more and more of an issue lately."

Peter presses a kiss to the top of your head. "You're gonna take a bit of time off, mm? You definitely seem like you could use it."

"I booked it last night," you nod. "Tomorrow through til valentines day. I need the time to settle back into routines and I've been drinking coffee religiously—it's more than the one I drink here. I drink at least three cups a day just in the name of keeping myself upright and that needs to stop. I am beyond caffeine overdose. I can drink 600 miligrams a day and not feel a thing."

"That is definitely cause for concern," Peter laughs. "But I'm glad you're okay and that you're trying to get better. I've booked up until the New Year off so that I could catch up on sleep, too, but if we're both home, it means a lot of us time after Christmas. Still goin' up to New York?"

"My mother will put us to death if we don't," you laugh. Peter laughs.

For a solid few minutes, things really do feel like they'll be okay.

-

For what is probably the first time since before he was so much as a cop, Peter Strahm is asleep, you also asleep next to him in the bed that you share, at nine o'clock. He wakes up at six thirty from an unfortunately kinky dream and all he wants to do is part your legs and eat you out until he can't breathe.

Granted—you've spoken extensively about it before, and you've given him the okay to do it several times just as he has you, but still. The part of Peter that's turned on by the idea is equally matched by the part that kind of feels gross about it.

But then, approximately five minutes into unbearably loud thoughts about pulling down the sweatpants you'd stolen from him and parting your legs and devouring you, and five minutes away from just running to the bathroom and rubbing one out to the idea, he watches you press your face against the pillow and moan loud enough for him to hear it.

"Peter," you moan. "Fuck, feels so good."

Peters eyes nearly roll to the back of his head and he bites down on his tongue to keep himself from floating.

He tries to shake out his hands, tries to think of anything else while your quiet, desperate moans fill the air.

He thrums through the Jigsaw victims that've popped up in recent weeks, tries to think about something like the weather or the baseball scores or something to focus on anything but the fact that you're in the midst of a sex dream, one involving him, and the fact that you're moaning your way through it in a way that makes Peter want to lose his mind.

And then, you moan Peters name in a way that you know in your lucid moments drives him crazy, and Peter can't stop himself.

You've discussed it before, and Peters done it before, and every single time he's woken you up with his tongue rubbing wildly against your clit, you've moaned out and started rutting against his face and made a comment about how much you liked waking up to Peter bringing you to orgasm.

Peter is careful to remove the sweatpants you've taken from his drawer, lifting up the shirt you also stole and exposing some of your waist.

He licks a stripe through your folds, not at all surprised to find you're wet if the way that you're moaning from the dream is of any indication, and almost moans against your cunt right then and there.

He starts off slowly, licking stripes against your folds and drinking your wetness down his throat like it's water. Every single time you moan something within him flutters, and he knows it's been too long since he's taken his time with eating you out.

And then, as his tongue attaches to your clit, he feels one of your hands move to his hair.

"Best way to wake up ever," you whisper. "Oh, Peter. Thank you."

You sound half-asleep, but Peter moans against you and you tug on his hair encouragingly, so he keeps going.

He runs his tongue in circles over your clit, sliding a digit into your wet hole without a thought in the world, fighting a smirk when you moan and tug on his hair again.

He starts thrusting, sets a pace that has you writhing within minutes, and takes his fingers out in the last split second before you release, replacing his fingers with his tongue and lapping up your cum without thought, care, or merit. You thrust against his face in the aftershocks, moan as he gets up from his position.

He pulls you in for a kiss while you use one arm to amble through your nightstand for a condom, feeling Marks half-hard, clothed-but-only-by-flannel-pajama-pants length against your bare thigh.

You pull away only so that he can take his pants off, and you slide the condom on with care for how hard his cock is. He peppers your neck and jawline with kisses as he slowly thrusts into your sensitive folds, moaning as he bottoms out.

"I love you," he says to fill the silence while he waits for you to adjust.

"Thank you for dealing with me when I'm at my worst," you press a kiss to his cheekbone. "And for waking me up in the best way ever. Love it when you eat me out, Pete. You're so fucking good at it."

Your legs are wrapped around his waist and you squeeze his hips to tell him to start moving, and when he does, he sets a slow pace. Despite his fervency when it came to oral, he did intend to actually make it known that he did love you and wasn't always in it just to get you or himself to orgasm as quickly as possible.

His pace is slow indeed, but not slow enough that you're pretty much begging him to pick it up a little, and his thrusts are languid in a way that's perfect.

Both of you start moaning after a bit, and Peter, the guy who never moans and usually just likes hearing how you sound when you do, is moaning lewdly and loudly into the nape of your neck while you moan quietly near his ear.

"Peter," you moan. "Peter, fuck. You're so fucking good at this, yeah? You're treating me so well, baby. You're amazing."

Peter moans, clearly enjoying the praise, and you rut your hips against him.

"Fuck," he moans, picking up the pace just a little. "Fuck, Y/N. I love getting you so slick. You were dreaming about me, yeah?"

"Yeah," you nod. "Yeah. We were fucking at the precinct, in one of the storage closets."

Peter moves a hand to rub your clit, loving the moan that it brings out of you.

Minutes pass by of the same, and your release triggers Peters. You moan each others names as you come, and while you go pee to make sure you don't end up with a UTI, Peter pulls the condom off and trashes it, gets a bath going for the two of you.

In the bath, you talk of plans for the day, which will consist entirely of going to the shops together, reading books and doing last-minute christmas shopping.

All in all, you're happy that Peter woke you up with oral and Peter is happy that you're feeling okay enough to want to be woken up that way again.

[aikea-guinea]

This post isn't about Nadja, I just wanted to share this pic because it makes me happy and I love my cat so much. 😻😍

So recently (within the last three months) I realized that I'd been struggling with my art for so long because I was trying to be something I'm not. It turns out I never was and never will be a digital artist. Through therapy I discovered that it's just too much for my perfectionism and ADHD, that infinite layers and undo-s (undoes? undies??) paralyze me. I can erase forever without worrying about ruining paper or wasting supplies, but without any boundaries nothing was ever finished. Hell, most things were hardly started! It could always be "more perfect." I was trying to change my style to be more like what I see online, but it wasn't working.

It wasn't really until I'd finished the piece for my sister that I realized that, even though I'd sobbed my eyes out several times while working on it, there was something there still, something I'd been missing with digital art. When I paint with watercolors, there's something else there that's spontaneous, something I can't control, and that was leading to some really cool results! When I painted the wolf for my brother in law, I was actually excited to see what the paint would do. Playing around gave me an awesome effect in the background that I would have overworked to death had it been digital.

All that is to say, I've accepted that I'm analog. Or, maybe a bit of a hybrid in a way since I use my iPad for sketching and then transfer that to paper. Definitely not anywhere near fully digital though. (That's not to say I'm not good at certain KINDS of digital art [my catalog of Sims creations speaks to that!] but yeah definitely way more analog.)

My brain reset...

Edit: WAIT THERE WAS MORE!

Now that I'm getting back to being more comfortable creating art again, I'm going to be pushing myself to do more of the art I know is still inside me somewhere. Ghost Lady is the first attempt at trying to stop being so damned afraid of letting my darker side come out. I'm so annoyed that I'm so scared (OF WHAT?! being mocked??) to be who I am and let that show.

Good thing I'm in therapy.

[sonofshu]

I've been burnt out, and all that's left is Ash...

I should've made one of these a long time ago

Hi! I'm Ash or Shu, I go by she/her, and I am quantifiably stupid. INFP.

My url is pronounced:

If you ask me about myself I'll probably not know, but I do know that I'm a girl addict.

I'm dating @ash-the-tiefling, @gobodegoblin, @godofautism, @f4y3w00d5, @the-cherryblossom-system, @space-rocc , and @be-gentle-with-littluns-2 (qpr) who are all cute and they need to know it >:3 (And I'm kinda worried about them sometimes)

If I know you you can also get my Discord if you'd like, but I'll be too awkward to ask for yours (you can also just guess maybe :p)

My ask box is open to the weirdest of questions, no matter how strange or perverted they may be

I want to interact with other people here, so please move first. Tagging me is fine, DMing is fine, and asks are always open with anon. Please use them please please I'm begging. Mutuals are open to traumadump at any time, I'd love to try to comfort you. All mutuals also get a free cuddle if I can get to your location.

I do creative stuff sometimes but I'm also insecure about it so it will probably never see the light of day

This blog will be cringe enough, but in case you want more cringe because I haven't been trying hard enough here: @candlegal, @asheslab, @the-forgotten-nomad, and @rain-the-harpy and others that you may find around the island :3333

All of my characters are the gods of their respective domain, but don't know it yet.

Edit as of 4:10 3/17/2024 just in case my biological mom will continue being a snoop: I will be active on this blog even through the smallest of forms, and I have no intention of deactivating no matter what. If I stop posting for whatever reason, blame her, and I will forever savor the times we may have had.

If you think you know me from somewhere

No you don't

[emelinstriker]

Is mk a sex slave..?

Absolutely not.

[I've already covered the basis of what the AU is about.]

And I'm still upset about how people are spreading misinformation behind my back recently. Especially a blog I used to respect for their work.

Literally the only time I've ever even touched anything upon the topic of slavery was all the way back when I explained the brandmarks. Which are actually more like honormarks in the AU, if people were to actually read and connect the dots instead of throwing around rants filled with assumptions.

And that line wasn't even talking about the champions/the main cast people are talking about. That was literally me just barely mentioning that there can be people classified as slaves somewhere, but you never actually get to see them. I've only ever touched upon the direct fluff and angst, and sometimes suggestive route with the main cast.

But as mentioned in the post I linked, Readers literally get to choose their own preferences regarding the characters and how they interact. If someone for some reason decides that they feel platonic about the cast and only wants to imagine being romantic/sexual with one of the characters, that's fine. That's what the AU is for. I'm literally only laying out the Legos and cards on the table and explaining the game rules.

How people interpret and imagine something is up to them. If everyone for some reason immediately says it's a slavery AU while spewing more misinformation based on assumptions and preferences, then I'm questioning how much people have actually read and tried to understand before throwing around rants behind my back.

Like, I'm literally open to talk about things to clear up any confusion people may have. I don't talk shit behind someone's work without having the full context of the situation. So I don't understand why there's all this assumption and opinion-based misinformation going around when I know that at least one of the blogs ranting is an adult as well. I was even already working on a response to the first rant before the second one dropped, making me have to add things.

But I have to go to work in a few minutes so I can't spend more time editing it right now.

[yumethefrostypanda]

Hi yume! I have three questions I would like to ask you...

What do you think about these two photos? do you think Simon is really like that under the mask? (in my opinion it might look more like the first photo, but I don't know. Many say it's the second because it looks more like Samuel, but honestly, the haircut of the first is very similar to the scene where he takes off the mask.)

In your opinion, how would Simon behave in a social context? (for example going out alone, taking a bus or any other public transport.) do you think he would still keep the mask on, or would he cover himself with something else?

How would Simon behave with children (you know, in the comic he had a nephew who was very important to him.) What do you think he would do if maybe a small child, in the park with his/her mother, approached him curiously and touched him? or are there kids throwing the ball in his direction by accident? would he kicks the ball back to them?

Thanks in advance, you are the best!🫶🏻❤️

I love your answers and everything you post! (I'll never stop saying this, sorry...🥲)

Hey Sofia :D Thank you for your ask and sweet words 🥺 It's truly nice to hear you like my answers :D Appreciate your support 🫶 First things first ;p the art on the right is from Wombywoo, if i'm not mistaken. Alright, let's do this *cracks knuckles and neck, cause i always spend wayy too much time on answering my asks >.<*

1. You know.. headcanon-ing Simon's face is kinda fun cause his face is hidden :D Everyone can put their own thoughts in the mix. I thiink when MWIII is out, imma do a part 2 on Simon's face. Anyway, I remember that first photo (left) was on reddit, extracted from MWII files somewhere last year. It was already said that the hair was from Graves(?) and put on his head. I also think it's either a placeholder or not finished since they've only used his 3D head for mask placement and the scene where he takes of the mask and we (only) see his fluffy short hair. It really wouldn't be a surprise if Simon's (face) features are alot of that from his VA, Samuel Roukin. I've seen every frame multiple times by now *edit life* and to me, it really looks like Simon has Roukin's eye shape and nose(for the most part). I loove the fact the devs stayed true to Simon's brown eyes *-* So what else did they stay true to? Or is it completely Roukin's face? We might never know :P But personally for me it's still 50/50. Half Roukin's face/ half comic Simon's face. Ok ok, maybe now more like 70/30. idc, just show me. No, don't! Yes!

2. Ooff, good question. I wonder if he uses public transport since he also can drive. (i'd rather take the car thn the bus ngl :P). At the end of the campaign with 141 and Laswell sitting in a bar, Simon still has his eye paint and mask on. Though be it another mask thn that he was wearing during the Chicago mission. So that makes me believe he conceals his face in his free time (outside), i'm not exactly sure how tho cause wearing a skull mask like that in public might alarm ppl? idk. I kinda lean more to the idea he isn't that among people much (being outside). If he already prefers to work alone than in a team (141 is a no brainer for him tho, imo) i don't really see him being out and about and social in his off time Q_Q And with all this online ordering, he gucci. But okok, i do see him do groceries and stuff. You know, basic stuff. He will have alot of hooded clothes, caps and what not. Corona must've been a 'delight' for him. (ok ill stop. sorry) I think he barely makes eyecontact, or just shortly cause he's friendly. He a good lad. Srsly don't waste your time on this next hc; You know.. what if he just lives in a very small village somewhere quiet in England where everyone knows eachother and he don't have to worry about all that outside shii cause everyone in that small village knows how he is. Easy peasy, live and let live. Often people in small villages are old cause many young move to the city. So them golden oldies in his town are just happy they have a soldier in their midst and respect his privacy. Buut.. thn again, the bigger the city.. the easier it is to blend. Oh well. Whatever XD 3. I THINK HE'S REALLY GOOD WITH KIDS! But doesn't show, is scared to show, etc etc all that. I even think if a kid is being bullied in his presence he would intervine. I'm sure of it. But i think he would avoid being around kids. If one's come up to him i think he will be friendly but not interested in a conversation or play ball. I'll let myself out