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#Great author too ! I love his work he's definitely in my top 5 French authors <3
another-clive-blog · 8 months
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got some lame ass frenchie surname
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My last name be like ☝️
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justlookfrightened · 4 years
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4, 5, or 35 ? Because I’m indecisive as hell and love your writing.
From this prompt list: 4. “If I die, I’m haunting you first.”; 5. “But I’ve never told you that before.” ; and 35.  “Oh honey, I’d never be jealous of you.”
Bitty played hockey and Samwell and went on to be a cookbook author; Jack went directly into the NHL.
Bitty’s eyes traveled up the the shelves of the cupboard, wondering what ingredients he could reasonably expect someone who did not cook or bake for a living to have.
Flour, of course, if they were volunteering to be on a baking show. Most likely all purpose. Sugar (white) and salt (iodized). Butter. Maybe they usually used margarine, but Bitty would not compromise on that. Butter surely counted as a common ingredient. Shortening, too.
What about spices? Most people probably had cinnamon in their cabinets, even if it was twelve years old and devoid of flavor. Would nutmeg or allspice be too much? Maybe.
And this contestant had requested a fruit pie. If they were going for common ingredients, that would most likely mean apple. Apples were nearly always plentiful and cheap at supermarkets, so if this pie was going to use fresh fruit (and it was), it would be apple.
*
Bitty had misgivings about appearing on “So You Think You Can Bake,” the new Food Network show that pitted expert bakers against celebrities. The idea was that the expert would develop a recipe they thought was suitable for an inexperienced home cook.
Then the expert and the celebrity would both make the dish in separate kitchens while being filmed. 
The expert baker and celebrity contestant would have their creations scored anonymously. If the celebrity chef received at least eighty percent of the score of the celebrity baker, they won money for the baker to keep and the celebrity to donate to charity. Total scores counted toward the final competition at season’s end, when the three best pairs would be brought back for the final, competing for a $50,0000 prize.
There were so many things that could go wrong. Bitty could get paired with a celebrity chef with no palate, or no coordination, or even no real interest in winning. Some people could mess up a perfectly good recipe by not measuring accurately, or doing steps in the wrong order, or even mistaking the salt for the sugar. If the celebrity chef messed up, it wouldn’t just look bad for them. It would throw shade on Bitty, whose job, after all, was to explain how to bake in a way that people would understand. Relatable was his brand.
But Eileen, the PR rep who handled his books for the publishing house, thought it would be a good idea.
“This show is literally made for you,” she said. “And the exposure would be great. Think of the campaign for your next book.”
So Bitty agreed. Then he found out who his assigned celebrity was.
“A hockey player?” Bitty asked. “Whose only memorable sound bite is ‘Eat more protein’? Which did not go viral for the reasons he thinks it did. I mean, I wasn’t expecting Beyonce, or even Taylor Swift, but why not a Kacey Musgraves?”
Bitty wasn’t at all bitter that, at 24, he no longer had regular access to an ice rink. He could pay to rent ice to figure skate, but it was hard to find the motivation since he was no longer in competition, and he hadn’t yet found a men’s league hockey team where he felt comfortable.
“I know Jack Zimmermann isn’t who most people think of as a home cook,” Eileen said. “But the producers were thrilled. They think he’ll bring on a whole new demographic.”
“How’d they rope him into it anyway?” Bitty asked, scrolling through interview after interview with Jack talking saying, “We win and lose as a team,” and “We have to protect the neutral zone and get the puck down low,” and “We need to keep our feet moving and have a shoot-first mentality.”
It was like they taught him six phrases in media training and he used them over and over again, in random order.
He wasn’t hard to look at, Bitty would give him that. And the physique -- yeah, his nutrition plan was definitely protein-heavy. Why would he agree to do a baking show? 
*
“My agent said it would be a good idea,” Jack Zimmermann said when he and Bitty had their first meeting. “He said it would humanize me. Actually, he said it would be the beginning of an arc of character development I wasn’t expecting, but that’s just the way he is.”
The actual first meeting was in the green room, waiting to go on-set for the “first meeting” taping. Jack had been sitting in a chair along the wall when Bitty came in, reading an actual, honest-to-God book.
Bitty had to shove his phone in his pocket as he cleared his throat to get Jack’s attention. It seemed like Jack kept reading for a few seconds after he noticed Bitty, which was annoying, because the book would always be there, but Bitty was prepared to be gracious.
“Mr. Zimmermann? I’m Eric Bittle,” Bitty said. “We’re going to be working together. Pleased to meet you.”
“I know,” Jack said. 
Okay. 
“When we start the taping, I’m going to ask you about any experience you have baking, any favorite desserts, things you’ve always wanted to learn to make,” Bitty said. “Anything you want me to steer the conversation toward? Or stay away from?”
“Are we supposed to be doing this?” Jack said. “Talking, I mean.”
“Um, yes?” Bitty said. “It’s not like we’re concocting a fake story. We just want the on-camera talk to go smoothly. So have you baked before?”
“No.”
“Any favorite desserts?”
“I don’t really eat sweets.”
“Well, you’re going to have to eat something sweet,” Bitty said. “Anything you want to make?”
Jack shrugged.
“Honey, don’t take this the wrong way, but why are you here?” Bitty asked.
“Uh, you can call me Jack,” Jack said, then launched into his explanation about his agent, a man with the improbable name of John Johnson.
Bitty shook his head at that, and tried to keep the conversation going.
“You’re Canadian, right?” 
“Dual citizenship,” Jack said. “But I mostly grew up in Montreal.”
“Anything special from back home?”
Then the assistant came to bring them on the set, dressed to look like a home kitchen, each of them seated at a table with mugs in front of them. The mugs just held water, but the audience wouldn’t see that; it was supposed to look like two friends talking over coffee.
Bitty decided to pick up the conversation where he left off in the green room, since it was the only thing he hadn’t struck out on already.
“So, Jack, I understand you’re from Montreal. Do have any memories of classic desserts or baked goods from your childhood?”
Jack paused and looked like he was really thinking, like he didn’t want to disappoint the producers.
“We used to have tarte au sucre at the holidays,” he finally said. “I liked that.”
“Sugar pie?” Bitty said, thankful that at least the cooking terms had stuck from his college French class. “We could do something with that.”
“But I’d like to do something that has some healthy ingredients,” Jack had said. 
“Is fruit healthy enough?” Bitty asked. “Maybe a fruit pie? You might not know this, but that’s kind of my specialty.”
Jack had offered a smile at that, and said, “Good to know. Maybe we can win this thing, eh?”
The taping didn’t last long, and soon Bitty was collecting his things from the green room.
“Wait, Jack, I forgot to ask you, any allergies? I wouldn’t want to kill you for a silly TV show.”
“If I die, I’m haunting you first,” Jack said. “But no, no food allergies. Is there anything I should practice beforehand?”
“I don’t think I’m allowed to tell you that,” Bitty said, starting to feel like maybe Jack wasn’t as wooden as he’d seemed at first. He seemed to relax once the taping ended. Maybe this would be okay after all.
*
Bitty started by making an apple pie, trying to write down the steps as precisely as he could just as he did them.
It didn’t work.
Sure, he could measure and mix the dry ingredients for the crust, and tell Jack to make sure his butter and shortening were cold, but how could he explain the twisting motion for the pastry cutter? When he had to start by explaining what a pastry cutter was? 
And how would Jack know when he was done cutting and should add the ice water? Bitty had read recipes over the years saying the mixture should look like everything from rough crumbs to small peas … which were not the same thing by a long shot. Bitty had learned what it should look like at his MooMaw’s elbow; sure, he’d tried to put it into words in his cookbooks, but there was a reason he always included photos.
Jack had said he’d never baked. He wouldn’t know what it should look like.
Bitty called the producers to ask if he could include pictures in the recipe he developed for Jack.  The answer -- hand-drawn sketches were fine, as long he drew them himself, but no photographs -- was not encouraging.
Bitty started over and this time took a photograph of the dough mixture just before he added the water. He could use that  to write a description, he decided. Then he had to think about how to explain when the dough was wet enough.
Once he had the dough made, the process for making the filling was easier. Peel and slice apples, coat with flour and a little cinnamon and sugar -- and, a last-minute brainstorm for Canadian Jack, a little maple syrup -- and set aside. He toyed with the idea of including maple sugar for the crust, but the studio pantry probably didn’t have real maple sugar. He could boil some syrup down -- but that wasn’t something Jack could (or would) do, probably. Better to just do an egg wash and sprinkle some sugar on for the sparkle.
The instructions for rolling out the dough were simple enough, provided Jack followed them. That was the hard part. Most people couldn’t seem to leave well enough alone with pie dough.
Bitty moved to his laptop and wrote at the top of the instructions:
“A general note on making pie dough. Do less than you think you need to. Don’t work it too much. If you do, it will be tough. So if you’re not sure if you should stop messing with it, stop.”
Then he did his best to put into words what it should like with all the fats cut in (“If you don’t see any powdery flour, it’s probably good”) and with the ice water added (“It should be moist, not wet”).
Then he thought about the top. Normally, people thought of lattices as being hard to do. But if the baker was methodical and followed directions, it wasn’t so bad. And it would be easier to put strips on top of the pie than to pick up the whole top crust and put it on intact. It didn’t really matter if the bottom was a mess; this wasn’t the Great British Bake-Off with Mary Berry and her hatred of soggy bottoms. The pie would be served from the dish, and no one would know if the bottom crust was torn and mended as long it still tasted good.
So, a nice, tightly woven lattice for the top. Bitty set to drawing a detailed diagram.
*
Bitty printed the recipe he developed -- all ten pages -- to bring with him and hand to Jack. He’d already supplied it to the producers to make sure they agreed all the ingredients were things a home cook would have in their pantry, or at least have ready access to.
“Real maple syrup?” the production assistant had asked. “What about something like Pillsbury pancake syrup? That’s what most people use.”
“My baker is Canadian,” Bitty argued. “He’d have the real stuff.”
“Fine, I guess.”
Bitty was dressed for TV in dark skinny jeans, a light T-shirt and a Samwell red button-down over it with red Chuck Taylors. The provided apron, he knew, would be beige with a dark red logo.
Jack came in dressed in charcoal gray tailored slacks and a light blue shirt, almost exactly the same color as his eyes. Yeah, he was good-looking. Bitty wasn’t sure if he would bring in the sports-loving young men the producers were hoping for, but it wouldn’t matter. The women would love him. And the gay boys like him. But no one ever counted them as their own demographic.
When the got into the studio, Bitty handed over the recipe.
Jack’s eyes widened when he saw how long it was.
“Does this take all day?” he asked.
“I can do it in about two hours,” Bitty said. “Counting chilling and baking time.”
“You’ll have three hours to complete the challenge,” the host said. “As long as you finish in that time, any differential in how long it takes won’t count against you.
Jack nodded, a determined set to his jaw. Bitty was almost glad they would be separated so he didn’t have to worry about cutting himself on that jawline.
Then Bitty was escorted to his studio kitchen, where he proceeded to make a pie, narrating each step, just like he was making a vlog post.
He made sure to turn the top of the bowl to the camera when he was done cutting the fats in, and again when he added the water. 
“You see those streaks of butter and shortening?” he said, when he gathered the dough into disks to chill. “You want those to make flaky crust.”
He made sure to slice the apples evenly, and mix them gently with the flour and flavorings, then he rolled his dough out.
He clucked at himself -- but didn’t say anything -- when he realized he’d forgotten to tell Jack to make sure he had the thinnest possible layer of fat on his work surface before he scattered flour over it.
Then, once the pie was done, he actually slapped himself upside the head.
“I never said anything about covering the edges with foil at the beginning,” he said. “Poor guy is definitely gonna have burnt edges. Oh well.”
Bitty’s pie came out of the oven at the two-hour mark, and he donned oven mitts to be filmed carrying it into the judging room.
“You’ve got some time if you want to head to the green room relax,” the production assistant said. “Someone will come get you before Jack is ready to bring his pie in.”
Bitty flung himself onto the couch and groaned. He could have used the $5,000 prize from this stage of the competition to get ahead on his rent for a couple of months … and maybe even rent an ice rink for a couple of hours to clear his mind. He didn’t regret his choice of career -- writing cookbooks, running his vlog, making appearances like this -- but the money tended to come in fits and starts.
He realized he’d never even asked Jack what his charity was. The show must have asked him at some point, so Bitty was sure he’d find out eventually. He hoped Jack would donate to his chosen charity regardless. He could certainly afford it. The only real advantage for the charity to having Jack appear on the show was publicity. Well, and convincing people that straight, athletic young men could bake and enjoy it.
But Bitty forgot to tell him to use foil to guard the edges, so they probably wouldn’t advance, and it would all be Bitty’s fault. Jack -- he had to be competitive, right? -- well, it didn’t matter if hated Bitty. They hardly knew one another. 
*
“Eric? Jack’s pie is done. Time to go to the judging room.”
Bitty roused himself from the sofa, resigned to his fate. If nothing else, he’d learned a lesson.
He took his place behind his pie and waited for Jack and his pie with its inevitable burnt edges.
He was sitting there when Jack came in, carrying his beautiful golden brown pie aloft. Jack set it on the empty cooling rack next to Bitty’s and stepped back.
It was beautiful. The lattice was maybe not quite as straight, not quite as even as Bitty’s, but it was close.
Bitty couldn’t help a pleased grin, first at the pie, then at Jack, who had finished with fifteen minutes to spare.
“Okay, you two. We’re going to break for lunch while Jack’s pie cools,” the production assistant said. “We need you back in an hour in the same clothes, so don’t mess them up.”
Bitty was about to head out when Jack said, “Want to grab a sandwich? There’s a place down the block.”
“Sure,” Bitty said. “I have some questions for you.”
“And me for you,” Jack said.
Once they had their food and settled at a table, Bitty said, “How did you keep the edges from burning?”
“I made foil collars,” Jack said.
“But I’ve never told you that before,” Bitty said.
“You always do it on your YouTube channel,” Jack said.
“Wait … you’ve seen … but you said you’d never baked,” Bitty said. 
“I hadn’t,” Jack said. “That doesn’t mean I’ve never watched anyone else bake on YouTube. When Johnson said you were doing this, it seemed like a good opportunity to meet you.”
“To meet me?” Bitty really had to start thinking of some of his own words instead of just repeating Jack’s.
“Well, yeah,” Jack said. “Someone showed me your videos when you were at Samwell, and I was intrigued by a hockey player who baked. Made me wonder what it would have been like to be on a college team, or whether I’d develop any other interests.”
“Someone?”
Jack actually blushed. “My mother. She went to Samwell.”
It was almost a physical effort for Bitty to push that out of his head. Jack’s mother was … nope. Not going there.
“So you wanted to make pie because you’d see me make it before?” 
“A lot,” Jack said. “But the instructions were really helpful.”
“I thought we’d lost it when I realized I’d never said anything about the foil,” Bitty admitted.
“But I figured you could make a donation to your charity anyway.”
Jack nodded.
“I plan on adding to it even if we win,” he said. “What do you want to do with the money? Bitty was not going to tell Jack Zimmermann that he needed money to pay his rent. Not this unexpected Jack Zimmermann, who for some reason had been interested in Bitty for years. Despite, Bitty reminded himself, being straight. Almost certainly.
“Some of it will buy ice time,” he said. “I miss skating, you know? I used to figure skate before I played hockey.”
“I’m not sure what I’d do if I couldn’t skate every day,” Jack said. “Sorry, maybe I shouldn’t say that. Don’t want to make you jealous.”
“Oh honey, I’d never be jealous of you,” Bitty said. ”I have the job I want. I just want to be able to skate for fun. Like you want to bake for fun, I guess.”
“I don’t know about that,” Jack said. “It was pretty stressful. I kept wanting to make it perfect, but you said not to overwork it. But maybe it would be more fun if it wasn’t being recorded for TV.”
“Maybe we could bake together sometime?” Bitty said. 
“Then skate?” Jack suggested. “On our practice ice.”
“That would be really great,” Bitty said. “Ready to go back? By the way, you never said what your charity is.”
“You Can Play,” Jack said. “I’m thinking of coming out next year.”
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uwua3 · 4 years
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hi parental goose (should I say bunny?) figure I am here to request 😌🤘 can I request some amusement park date hc for kazunari? ♡♡♡♡ I love how you put songs you listened to while writing so I, your goose ally, will suggest a song! I really recommend listening to "She Looks So Perfect" by 5 Seconds of Summer since it gives off summer vibes and specially, kAZOO VIBES ♡♡♡ THANK U ILYYY ♡♡♡♡♡♡♡♡♡
erisu 🥺 hi baby how are you everyone this is my Daughter my Baby my Other Child (lyd is the other baby) ♡ how r u did you sleep well here is *All My Love* of course you can request!!! i would do anything for you!!! but, thank you for recommending a song~ it is ON REPEAT as we speak!!! i remember being obsessed with this song when it came out! thanks for the nostalgia :D
summary: there was a rumor that couples who went on the ferris wheel together would be in love forever
warnings: multiple mentions of food
author’s note: HAPPY BIRTHDAY ERISU !!! I LOVE YOU SO MUCH I’M SO HAPPY YOU’RE A YEAR OLDER YOU’RE GROWING UP SO FAST ♡ I LOVE YOU (so. much. hand. holding)
word count: 3,562
music: she looks so perfect – 5sos, hey mama! – exo–cbx
all the luck in the world.
🌻🎨 miyoshi kazunari
this was it, the biggest fair in the whole country was this weekend and this weekend only. you guys had to go
“yo~ we gotta go!!!” kazunari practically pushed the flyer in your face, not giving you time to read the colorful, bright font as he excitedly rambled about it being his dream to even attend such an iconic event
it didn’t take much convincing before he had whipped out two admission tickets from his pocket, as if he already knew you’d be on board with such a fun date with the coolest boyfriend ever!
(seriously... if you said no... he might’ve cried by himself, he just wants to check off a bucketlist goal with his favorite person and best friend ever!)
(“wah~ i’m so #cool right? give me a kiss to prove it!!!” when you actually did it, he was quiet for about three seconds before he started cooing and sending an attack of affection your way)
you two planned your outfits ahead of time (the only thing he bothered planning), with kazunari rummaging through your closet and throwing pieces he thought would coordinate behind him (ultimately landing on your face).
he was being your personal fashion consultant (you didn’t question him, he was an art student who knew how to dress!)
throughout the entire process, you strutted out of the bathroom like it was a runway with your ever chaotic and supportive boyfriend clapping. he had a questionable french accent as he complimented you without end
“my chérie, you are absolutely darling!” kazunari flipped the end of a feather boa over his shoulder dramatically as he had on a pair of sunglasses (how he found that in your room was beyond you). he sat at the edge of your bed with his legs crossed, pretending to write critics down on an invisible notepad as he feigned fainting out of shock
kazunari ran over to pull you in a hug as soon as you found one of his options perfect. he blabbered about how cute you were and how he was so lucky
you tried processing how your boyfriend had so much energy. he was so dramatic, but you never felt unconfident or nervous to be yourself around him because kazunari loved you for who you were!
when you collectively agreed on the best outfit, kazunari worked to find something of his own to match you to be that couple at the amusement park (it was hilariously coincidental he almost had the same items)
(the #ootd on instagram that day got him so many likes when he included multiple mirror pictures with you doing ridiculous poses. he captioned the picture with so many happy faces and heart emojis)
(yes, he had his own story category reserved just for your pictures)
(yes, you also were the person behind a majority of his posts online and was credited every single time without fail) (you were known as “kazu’s photo guru”)
“kazu... are you sure you don’t want to plan ahead?” you asked carefully as he just scrolled through his phone, disrupting his rant about having the most iconic date of all time. kazunari just laughed, shrugging without looking up
“don’t worry~ everything will be fine!” kazunari exclaimed as he asked his followers recommendations for rides to check out. you knew he wouldn’t change his mind with his “happy–go–lucky” attitude
you just hoped the drive to the park wouldn’t be a nightmare since it would be so crowded
on the ride up, you two screamed pop lyrics at the top of your lungs no matter how busy the road was (you two never noticed, but at stop lights, you’d be the center of attention as kazunari just had to fail at a whistle note with the windows down)
the moment kazunari took control of the aux cord, you knew it was going to be a party until you arrived. you two sang together so much that you knew which parts were yours and effortlessly bounced off each other, flowing naturally and laughing nonstop
although kazunari went with the flow, he had the luck of the world on his side the day when you guys showed up. he had managed to find parking, got in line fast, and made it into the amusement park like it was second nature
(you knew of horror stories where the lines were way too long in the blazing heat, kids crying about not winning, indifferent employees not caring at all... how did kazunari manage to repel all the bad from your life and make it as easy as possible?)
it was as if his positive energy about the whole day manifested the universe to give him the easiest entrance ever (or it was his insanely charming charisma that got him off the hook with just about anything)
you two even got a discount on your tickets, believe it or not! somehow, one look at you two and the seller knew you were a couple (the matching outfits definitely didn’t give it away) and gave you extra for “young love”
(kazunari was so ecstatic, you were almost worried he was going to kiss the employee right then and there. you had to drag him away before he got on first–name basis with everyone)
when you two got your wristbands and went to the grounds, kazunari let out the loudest squeal of excitement ever and had to stop himself from jumping up and down (just bouncing on his heels like an impatient child)
“O. M. G!!! we’re gonna have the best date ever!” kazunari shouted, holding onto your hand as he took in the entire view, with so much to do for the entire day
booths were set up with so many fun (but rigged) games with yelling handlers, advertising their set–up to passerbys with infectious energy. crowds of children were rambling in awe about the animal display (like the world’s biggest pig apparently, who knew?). screaming passengers were swinging over your heads from the multitudes of crazy rides only the country’s biggest fair could have
you were so busy taking in the view of kazunari’s excited big eyes and huge grin that you missed the mischevious spark glinting back at you
when he craned his head back at the tallest ride there was, that contraption that somehow brought tens of people in the air just to swing them around in a circle, you suddenly came back to earth
“—wanna bet?” kazunari finished, tilting his head towards you with a competitive edge. you raised an eyebrow, not bothering to question it when you swung your arm around his shoulders and smirked back
“bet.”
suddenly, you were being dragged to the games section, passing by the crowds easily when kazunari was always by your side. it was as if the road parted for him when he reached a display with balloons pinned to the wall
“i know you didn’t hear me, which is why i’m going to win~” kazunari teasingly hip–bumped you, passing the necessary amount of tickets to the game runner which they accepted graciously. you just shrugged, picking up the fake plastic rifle they let players use
(“was i too handsome?!” kazunari joked, missing how you actually agreed)
“yeah, yeah. i don’t need to know, i’m gonna win.” you winked, making kazunari swoon as he lifted his arm to his forehead with a dramatic flair
“my hero!” kazunari called out as you readied yourself to shoot the balloons, knowing the odds were gravely against your favor
“what am i shooting for again?” you asked, putting your cheek against the gun. kazunari just slid up to next to you, his lips brushing your ear with a smile
“if you lose, we’re riding the swings together~” kazunari giggled and you fired, hitting one balloon with satisfaction. kazunari wrapped his arms around your waist, reading his chin on your free shoulder despite you trying to focus
“and if i win?” you asked, not bothering to entertain your clingy boyfriend as you hit another balloon. even the person running the game seemed anxious about your chances at crushing the whole thing
“we can do whatever you want.” kazunari breathed out, placing a gentle kiss on your neck with a laugh when you flinched. you hit your last shot though, exhaling in relief when the attendant begrudgingly gave you a large–sized prize
(it was a super triangle, you definitely knew who you were giving this to when you got to the dorms)
“you know what, i think we’re both winners.” kazunari tried to laugh off, but you didn’t let him get away that easy when you grabbed his hand quickly
“nu–uh! you know where we’re going!” you giddily pulled him towards another game, leaving kazunari holding onto the super triangle with great difficulty as you two played game after game
(you were right; kazunari was an universal favorite as he somehow managed to swindle the toughest of games with sheer luck)
(when a kid began asking him to play a game for them, you knew you had to stop making your boyfriend do outrageous things just for a stuffed animal)
(at least kazunari got a cool boomerang story on his snapchat of him throwing a ring onto a bottle)
“make a deal with me~” kazunari begged, holding way too many prizes to count in between his arms as you looked around for more. he was about to give up but as he caught sight of two double doors with a neon sign, he knew you’d agree immediately
“if i win every game in the arcade, we’re going on the carnival rides.”
when you accepted the deal, you regretted it. somehow, you forgot how kazunari always had everything go his way
it was like you forgot all about the rides outside. you two entered an air–conditioned, hipster arcade and had to play everything despite dropping the coins everywhere (“please keep them in the cup!” “it’s not my fault!!!”)
you name it, kazunari probably won it. fuseball, air hockey, pac–man, nintendo crane machines, zombie shooters, motorcycle/driving simulators, he won it all just for the hell of it. you’d never admit it, but he really was just the best at everything he did
although the games were fun, it was time to fulfill your end of the deal (as deserved since kazunari had no reason to go as hard as he did at the ddr pad inside the arcade)
after storing all the stuffed animals into the cramped back of the car with kazunari apologizing to them profusely (“dad is so sorry! we’ll be back soon~ promise!”), you two returned to have the biggest adrenaline rush of your life
any rollercoaster kazunari saw, he wanted to go on right away. lines felt like nothing when all he did was talk them away and get so excited seeing the ride rush by
kid–specific rollercoasters had to prevent him from going (“i’m sorry, sir, but your height exceeds the maximum” “what???” kazunari would feign shock as if he wasn’t five heads taller than the whole line)
he wanted to try it all since he never had this experience before! he wanted to make all these memories with you even if it meant yelling his head off as long as you were by his side
(seriously, one ride you had squeezed your eyes shut but heard the most high–pitched scream ever. you thought it was someone else, but of course it was your boyfriend)
you didn’t mind that much, since you used the whole ride time to grip kazunari’s hand tightly and make sure his hat stayed on the entire ride (why he wore one was questionable, anything for fashion, you guess)
ironically enough, you had done about ten rides with dizzying effects before ending it with the swings, the tall ride he initially wanted to go on with you. when you looked up at the full height, you gulped after being strapped to the two–person swing (how was this safe?!)
it was the first ride you weren’t exactly comfortable with, but when you looked at your seat partner, kazunari had two thumbs up with a big dumb grin. you instantly calmed down before the ride started
“i love you!” kazunari exclaimed as the ride began pulling you up further from the ground, holding onto your hand and looking up at the blue sky with the giddiest expression ever
it was the first time he had said he loved you out loud before, but before you could process it, all you could do was scream when the ride began rotating you around in a circle
(you had to stop him from taking out his phone, reminding him the post wasn’t worth it)
(though, kazunari did drop his hat this time. he really was lucky to find it again)
“okay, okay,” kazunari stumbled off the ride, exaggerating his lack of balance by holding onto you, his excitement not even decreasing a little after so many hours of fun
“food time! my muse needs a snack!” kazunari had whipped out the crumpled map someone gave him from his pocket, quickly locating the area without being delayed (he was always good at directions, it must’ve been why he was so popular at these types of social events)
somehow, kazunari always knew what you needed at every exact moment. you were thankful he couldn’t hear your stomach growl over the sound of the general atmostphere
when you guys arrived at the food hall, it was definitely the greatest prize of all (sorry to the stuffed animals who were defintely overheating in the parking lot)
all the best chefs and caterers came together for this event with the most outrageous food options of all time. fried oreos, cheese curds, cotton candy, caramel apples, churros, basically anything you imagined, it was most likely 1000x better with some funky twist
you never had to be nervous ordering because kazunari always stepped up and spoke, letting you hold his hand as if to reassure you he had the situation handled. he would somehow form a meaningful friendship with someone within two minutes of ordering and got extras, hurrying over to a table with every option possible
(yes, he took a photo of the whole spread and added ridiculous hashtags only savvy internet users knew) (he also posted on his private an embarrassing candid picture of you drooling at the food)
kazunari liked feeding you whatever he was eating, always encouraging you to try new things but respecting your boundaries at the same time just in case you weren’t up for it
(“oh, you don’t want to? no big deal~ just happy to be with you!” he’d say, wiping your mouth with a napkin regardless and just being content with you not being hungry)
while eating, you noticed a pattern of kids walking by, pointing at kazunari like he was a legend
“is that the guy who won basically every prize back at the games? wow~” they whispered, not realizing kazunari was extremely observant as his ears perked up at his name. he had turned to wave at the children, but they ran off
“you know...” kazunari started, and you already knew what he was gonna say as you rolled your eyes fondly, knowing how big his heart was, especially for innocent children who kept getting scammed by games
“yes, we have no need for most of the giant stuffed animals.” you pretended to sigh, as he quickly got up, giving you a quick kiss as thanks on your cheek as he ran back to the car
for the next hour or so, you and kazunari managed to give out most of your prizes (except anything triangular) to the children who had been staring, all of their parents or guardians thanking you guys profusely for your gift (though, there were some who were staring at kazunari suspiciously)
(as if they should be afraid of a liberal arts college student)
“it’s no big deal~ no problem!” kazunari always said, truly finding it not bothersome at all to share. you always admired that about kazunari, his natural instinct to care for everybody and make people smile. at a distance
you leaned against a light pole with a small smile as you watched kazunari crouch down, ruffling some kid’s hair as he gave them a prize
when he instinctually looked for you, he smiled back like you were the only person at the park
suddenly, you wished you said “i love you, too” before back at the swings
after indulging, you two shared an ice cream cone on the hot summer’s day as the lights began to turn on and the sun set. this was apparently the best part of the fair, where all the colors would pop like fireworks and the night breeze was your friend
you two had basically done everything at this point, even being the amusement park’s robin hoods with your wins. the arcade had both your names at the top of every digital leaderboard, the ride controllers had seen you too many times to count, and you two had digested an unhealthy amount of snacks that you’d regret the next day
what else could you do? it was already the most perfect date, there was nothing else except...
this time, you leaned your head back and saw a circular shape blocking the sunset: the ferris wheel
you turned to kazunari, who was already admiring the way the light hit your face. he wanted to paint you right then and there before you ruined the serene moment by biting your ice cream (why?!)
“i bet i can make it to the ferris wheel the fastest, wanna bet?” you questioned and you never saw kazunari grin even bigger as his eyes lit up with recognition
“bet!”
you two raced to the ferris wheel, much to the chagrin of every carnival–goer ever who dodged your fast advances. you got to the line first, skidding to a stop and nearly bumping into the person ahead of you as kazunari whacked into your back with an “oof!”
“awww, what do i have to do now that i totally lost?” kazunari pouted, but you just giggled and poked his cheek, not noticing how he became slightly flustered from your touch (you could never tell, it was a hot day)
“go on it with me.” you offered and he didn’t even think twice before he agreed, realizing this was the ride he’s been waiting to go on with you this entire time
(kazunari remembered the only other thing he really researched was this ferris wheel, where a rumor around it stated two people who went on it would be together forever)
when you two were allowed into one of the trolleys, you two sat close like always with your head on his shoulder. the orange light made everything feel like a fantasy, like this was a daydream. you didn’t want to wake up as kazunari squeezed your hand the moment the wheel started increasing
slowly but surely, you two were going around in circles as you savored the moment, wanting nothing more than to be here with kazunari forever
“you know... i never thought i’d be here.” kazunari started and you hummed, encouraging him to keep going as his thumb traced circles around your palm
“i didn’t have many friends growing up, so it would’ve been totes not cool to come to these things alone!” kazunari tried to play it off as some joke, but you knew better, just lowering your hand to his lap and waiting for him to talk
“but... now... i have friends? good—no, great friends! and... i have you. i’m living, and i have you.” kazunari trailed off, like this was a revelation he hadn’t realized before. the quietness between you two dragged on too long, you wondered what he was thinking
you opened your eyes and kazunari was already looking at you again with a soft smile, not bothering to notice anything else but you, like he wanted to remember this forever
you two reached the top of the ferris wheel, the wheel stopping to give you two a moment by yourself with the sunset
“i love you.” kazunari said again, and you didn’t hold back this time
“i love you, too.” you whispered, afraid to break the moment. but kazunari laughed, and you were laughing, and it was like the funniest joke ever as you two tried to maintain your composure
even as you two got off, you couldn’t let go of him as he did the same. these were the memories child–kazunari always dreamt of, and they were so much better than he ever imagined
after saying goodbye to all his new friends, kazunari couldn’t stop smiling as he drove home, with you sleeping beside him in the passenger seat
he turned off his music this time and carefully watched the road. taking one hand off the wheel, kazunari took your own and kissed your knuckles again and again with love
“i love you, i love you, i love you.” kazunari said, like he couldn’t say anything else but that
(kazunari posted a shot where he held your hand in front of the sunset on the ferris wheel with the caption: “best date ever”)
kazunari really had luck on his side if he was in love with you, maybe he had the ferris wheel to thank for that!
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devintrinidad · 4 years
Text
So Uhm, CAW anon here. I haven’t been into Hetalia for years. But I feel like talking about a few things I noticed back in fandom a lot that I didn’t see at all in the canon manga/anime (though Hetalia itself is just a fanfic of history. I’m only focusing on character and relationships present in the canon series). 
Ok a lot has probably changed since the last couple of years in fandom. But back then I saw a lot of depictions of the FACE group: England and Canada not having much of a relationship. France and Canda being the closest while France and America aren’t close at all. America and Canada having a strained if not dysfunctional brotherly bond. Canada having no backbone and being a sad sack all the time or just being a pure angel with no flaws. America being too childish.
I’m going to try to remember all the canon bits to back me up. But I’m mostly curious if there’s anything off and your (most likely much more up to date and informed) thoughts. 
Canada and England have a pretty good relationship from what I’ve seen. We’ve sen plenty of material of England being present in colony Canada’s life. He used to cook for him too (poor Canada) and Canada spent almost about the same amount of time with him as America did. Later on Canada chose Enlgand over America when the colonies revolted. He didn’t want to pick a side but in the end he did. He fought against American troops. Was there when England was heartbroken over the fighting. He even acted as a strategist, using his knowledge as America’s twin brother to use America’s weaknesses against him (sending surrender papers inside a basket of food. America was so hungry it took George Washington telling him to resist to not take the bait).  Later on when America and Canada were trying to mend their relationship. Canada would get so nervous and have England talk for him all the time instead (which only confused America). England did it without any fuss despite any issues he and America might still have. Overall Canada recalls having a good childhood and England was a part of that. The two might not be as close as America and England are, but they have their own history and bond both are very comfortable and happy with each other. 
America and Canada. Fans I ran into often focused on America and England’s dynamic history. But the North American brothers have a lot of their own turmoil and strength to them as well. While Canada might,moan about being invisible and such. Canada also remembers having a very fun childhood with America. So much he remembers how sad he was when America grew up much faster then him and couldn’t play with him all the time like he used to. When Canada told America he didn’t want to fight, only to choose England, America felt betrayed. He loved Canada and wanted his twin brother to fight for freedom with him. Their relationship went pretty sour for a long time. But the two did end up trying to be mature later on in life and congratulate each other despite how annoyed they are at how different the other is. 
From there we only get brother goodness. They can bug each other a lot. Canada takes for granted everything America has done and gone through, things that have also been good for Canada. While America likes to mess with Canada and act pushy with him. They do like to horse around and spend time together. Despite their differences, they’re probably the closest siblings in the world of nations. They’ve gone through their bitterness and still chose to be close brothers in the end. They like to play sports together. They like to use their appearances to mess with England who can’t tell them apart like France can. They call each other on the phone a lot. They have a joint Search for Santa Claus operations every winter. America respects Canada’s opportunity and ability to easily get along with others. He also takes Canada’s concerns very seriously and offers reasonable and helpful advice such as how to help his citizens get along. Canada’s opinions must mean a lot to him since Canada is the only individual to make America cry in despair when he went into his 3 hour insult rant against him. Despite his complaints about his personality, Canada looks up to America as a big brother who he always goes to for comfort or help. He respects and admires America a lot and trusts him as his closest confidante (after his polar bear. Not that that bear is ever helpful). Overall America and Canada have their downs like every sibling pair has. But they also seem to have a very strong and stable connection where they can act like brothers and best friends. Sometimes I think it’s easier to imagine America is closer to Canada then he is to England. 
America and France. Back then these two didn’t get a lot of attention. Which is strange because there’s tons of material of them interacting throughout the centuries. France used to cook for America when England wasn’t around (I bet when Colony America said English food was as good as French food, some thing broke inside France. The reason America started disliking English food is because France made it his mission to salvage some of his tastebuds. Xp). France has been the only FACE member to stay by America’s side without conflict. Both of them obviously had a close bond since France gave America Lady Liberty and you could see teasing and ruffling America’s hair like a big brother. The two hang out a lot. They go to Maid Cafes together. They seem to have lunch together all the time at conferences since France is always looking for America to go eat together. They apparently also have sleepovers a lot and like to compare different genres of movies. Whatever issues their people can have with each other never seems to affect their personal interactions. France is the big brother of love and that’s sometimes a running gag for jokes. But he really seems to be like a normal big brother figure for America. He often worries about America and Russia’s scary relationship and chides England for raising America to be weird. In a deleted strip, France is preventing America from drinking alcohol because he’s too young (being physically 19). It also gets a bit heartwarming when you recall the Joan of arc strips where France meets the reincarnation of Joan and she’s an American. Almost like America is now taking care of Joan and giving her the opportunity to be free and happy in ways she couldn’t before. 
Also while it’s not part of their dynamic. It’s always interesting that when the author wanted to show the Nation’s personal relationships with humanity. He always chose America and France. The supposed happy go lucky airheads who often gain a affectionate yet somber (to even downright tragic) experience from it. 
Overall America and France have a nice quiet and stable relationship. You could say while England raised America as a colony. France was among the mentors to America on how to be his own Nation. 
I think that’s it. Again my memory might be foggy but that’s what I can recall. =P
~~~
WAIT A MINUTE YOU’RE ALSO A HETALIAN??? AND YOU NEVER TOLD ME???
Okay, I’m going to prioritize this ask/submission thing first because wow, you’re a Hetalian and Hetalia has a special place in my heart. First of all, I’m kind of flattered that you think that I’m up to date for this, hahaha. I’ll have to tell you, while I do know a lot about American history, I’m actually more of a fan of the Itabros, hehehe.
A few tumblr people that I know specialize in Hetalia and have already posted FACE dynamics a lot in the blogs are, but not limited to: @historihet  @stirringwinds and @ellawritesficssometimes. I’m not sure if Ella is still active, but there’s a lot of content that you can browse through if I’m not thorough. Also, again, the list of tumblrs that have been associated with FACE are definitely more than I can imagine, those are the three that I follow and know off the top of my head.
To @historihet @stirringwinds @ellawritesficssometimes, I love your interpretations and love for history! If I say anything inaccurate or something you don’t find to your liking, please inform me! I don’t want to spread misinformation and I’m just so excited to talk about Hetalia to my dear Anon Friend :D 
If you’re reading this, I hope that you all have a wonderful day! And keep up the great work with your own analyses/fanart/fanfiction/etc. You guys rock and keep the fandom alive. :D
Anywhoozles, what you said here is fairly accurate. FACE definitely has its up and downs. Assuming that you haven’t been active in the fandom since... let’s say 2012-2014ish era, you might have noticed that the common bonds are Canada and France (platonic), France and England (rivalry/lovers/enemies), and the most concerning relationship America and England (brothers/rivals/lovers???). What you said in your analysis really applies within the sense of what is considered to be manga/anime canon, not necessarily historical canon. 
In historical canon (if you want to go down that route), FACE is one dysfunctional mess if you want to consider it as one family unit. Every one of them at one point has been at each other’s throat at one point (whether it be at war or just snubbing the other because of politics). 
We have:
1. The Revolutionary War (England vs America)
2. War of 1812 (Canada/England vs America, with special emphasis in 1814 because Canada burned down America’s White House if I remember correctly)
3. The XYZ Affair (I’m pretty sure it was a snub in diplomacy??? which actually started a war???)
4. The fact that American promised to help France in their own revolution, but Washington said no because we’re still a new country and all that jazz (...I know this because of Hamilton IF YOU’RE ALSO A HAMILFAN I WILL CRY)
5. And like the entire history of France/England is just its own thing
As you can probably tell, FACE... I think was just a  term for the fans to make this makeshift family dynamic that is cute in some respects if this was like a human au, but definitely a cluster of effs if you imagine them as eldritch abominations that were brought to life because of human imagination. 
Like, the dynamics can go in so many directions if you want to choose one aspect of history over another. 
In @stirringwinds, they often write/draw about America as this Prodigal son who happens to be like the Crown Prince succeeding his once proud father. (America turning into a superpower after the World Wars and the English Empire just kinda dismantling itself because of everything.... OF COURSE THAT’S AN OVERSIMPLIFICATION, PLEASE DON’T KILL ME FOR INACCURACY!
Whereas for another tumblr, @historihet they portray the USUK relationship as more of a ship. Like, the whole brother relationship that is skewed in the anime/dubs/subs (this is due to the fact that some fans take the whole older brother thing too literally because in Japan, you call your elders/peers that happen to be older than you via polite endearments) is more of a... I’m not gonna say paternal, but it was more of a mentor thing? I’m not sure, I haven’t interacted with them much, but I’m pretty sure they ship it. Plus, their art is so amazing and they’re obviously a fan of history because wow, their head canons and their art is so beautiful and detailed.
As for the whole France and Canada relationship, I think this can be further elaborated via @ellawritesficssometimes. I remember reading that France and Canada, while having a similar relationship to England and America, it wasn’t that close or as heartwarming as many fans make it out to be. If you follow Canadian history, I’m pretty sure Canada was under French rule for a sort time before becoming part of the English Empire. Like, Canada was part of the Empire for a longer time than under France. This means that France wasn’t always there, England was. You can further read between the lines about the English/Canadian relationships, especially if you consider the fact that America fought an entire revolution to get away from England because of neglect on England’s part and on Canada’s part.... all he had to do was ask. 
Soooooo....
Overall, I’m glad that you told me that you were part of the Hetalia fandom. It’s nice to see that the fandom is still alive and kicking, hahah. That reminds me, I’ve got to finish my series concerning Italia Veneziano, oops. Just wondering, but why did you want to talk about this? Not that I mind, it just seems out of the blue... 
Thanks for the analysis and your chat! I hope that you have a wonderful day! :D
Please don’t tell me you want a FACE fic, hahahah. XD
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please-buckme · 4 years
Text
Him or Me. - Bi Ani x reader x male partner
Authors note: This is definitely a favorite of mine. I really took a step out of my comfort zone and I really enjoyed writing Anakin in this new and different way!
⚠️Warning: explicit, cursing
3,631 words
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It's was a Saturday night and you had just gotten off work. You lived in a small town so everyday was the same here. Every Saturday you and all your friends met at the diner in town, Dex's. It was run by an older couple who make every Saturday a $2 cheeseburger night for teens, their way of keeping you and all your friends out of trouble and to caught up on all the gossip around town.
Before you went to hangout with your friends you decided it'd be best to run home and freshen up. You took a quick shower and put on your favorite outfit which consisted of: high waisted ripped skinnies; a red and white, cotton, striped shirt and a light blue jean jacket. You felt
dork-ish-ly cool when you wore this outfit, almost badass.
After applying some red lipstick to your lips, to match your shirt, you grabbed your purse and flew down the stairs. Once you got into your car you text your best friend, Ahsoka.
Hey bitch I'm on my way. :p
Btw don't tell Ani. He thinks I'm still at work. I wanna surprise him.
With that you put your phone away and headed to the diner. You were in a great mood. Saturday was always the best day of the week to you. You got to work at the supermarket in town with all your work friends, which you loved, and got to spend the rest of the night hanging with your friends and your amazing boyfriend, Anakin.
You and Anakin had been dating for 3 happy years and you wouldn't trade him for anything. Ahsoka was your best friend but you weren't close to anyone like you were Anakin. You were the couple that finished each other's sentences and wore matching costumes on Halloween. You loved him and he loved you. Your life couldn't be anymore perfect and you didn't want it to be. Every aspect of your life was amazing.
After about a 5 minute drive that like an hour, you finally arrived At Dex's. You practically leaped our of your car you were so excited to see everyone, but most of all Anakin. You walked in saying hello to everyone you passed until you saw Ahsoka in the corner booth in the back, you made your way to her.
"Finally!" Ahsoka exclaimed throwing her arms up in the air for you to hug her. "You made it. I've been dying here without you."
"I know I'm sorry! I had to go home and change out of my uniform." You say whilst hugging her. "Did you order me a shake?" You asked pulling away from the hug to smile mischievously at Ahsoka. She reaches behind her and hands you a delicious chocolate shake, your favorite.
"Annnnddd that's why I love you." You say before taking the shake from her and bring the straw up to your mouth for a sip. "Where's Ani?" You ask in between sips. You looked around the restaurant but didn't see him.
"Um I think I saw him go to the bathroom but that was forever ago." She said popping her head up to look for him too.
"Well I don't see him anywhere else." You state getting a little frustrated now. Had he left? He didn't know you were coming so he may have. You thought to yourself. "Should I go check the bathroom? Maybe he's sick."
"I guess if you want to. I'm not brave enough to go into their bathroom. Boys are disgusting." Ahsoka says with a chuckle. You took one last sip of your milkshake then headed to the bathrooms. You tried to be a little sneaky going into the boys bathroom so people didn't think you were going in there for other reasons. You slowly went in trying not to make a sound till the door was shut.
"Anakin?" You whispered. "Anakin are you in here?" You didn't get a response but you could hear faint moaning coming from the handicap stall. You could till it was Anakin because the sound of him moaning was your favorite soundtrack on a hot summer night.
He must be sick. You thought.
You walked up to the stall and put your hand out to open the door. "Ani, are you okay?" You asked before opening the door. You opened it slowly but immediately wish you hadn't. There you saw someone else giving your boyfriend head. You gasp in shock and Anakin rolls his head back finally making eye contact with you. It took him a second to realize it was you but when he did he pushed the other guy to the floor and shot up. "A-alex?" Alex was your science partner. He would always tell you how cute Anakin was and how luck you were to be with him. You never thought he actually had feelings for your boyfriend let alone your boyfriend having feelings for him.
"Oh my god, (Y/N) no this isn't what you think." Anakin says zipping his pants.
"It isn't?" Alex spat back in response to Anakin's allegation whilst wiping his mouth.
"H-how could you? How could either of you?" You stood there blank unable to move. All you wanted to do was run, run as fast as you can, but you can't. You all of a sudden let out a breath you didn't realize you were holding in. "I- I- I don't know. I don't know what to think. I- I have to go." You convince your feet that it was time to leave and you walk out of there as fast as you can. You can hear Ahsoka and Anakin calling for you to wait but you physically could not stop. You had to get out of there. You get to the front of the diner and realize it's pouring outside but it didn't matter, there's no way in hell you'd wait it out here with Anakin. You start to fumble with your keys, unlocking the door to your car. Once you get it open you hop inside and turn on the ignition. And for a moment you just sat there in your car. The song that you were listening to before you went into the diner came on and it's almost like it sent you into a trance. You suddenly realize that you'd been so stunned by the events that just took place that you hadn't been crying. You reach your finger up to your face to wipe one single tear from your rosy cheeks. You stare at the tear for what felt like forever, letting it trickle down your finger.
Then everything hit you all at once. Everything. The first time you met Anakin, prom, graduation, his first car, your first car; everything you'd done in both your cars. You now felt every single burning tear that stained your cheeks. You let out a loud scream, you think. You were in such a trance you couldn't even hear your own voice.
"(Y/N)?" You could barely hear your name being called from outside your car. "(Y/N)! Can we please talk? Please?" You finally come out of your trance to see Anakin's beautiful figure standing over your car. Even when he's distraught in the pouring rain, he still manages to be the most luminous boy you'd ever laid eyes on. "Open the door (Y/N)!"
You shook your head violently before putting the car in drive and bolting out of the parking lot.
You were so overwhelmed. You were a blubbering mess. You looked into your rear view mirror and didn't recognize the person starring back at you. Your red lipstick was smeared all around your lips and your eyes were so blood shot that they turned into a faint shade of green. It was raining, you were crying and you couldn't see 2 feet in front of you but you didn't care. You new these roads well enough to drive blindfolded.
You weren't driving home, no. Too many memories of you and Anakin in your room and it also didn't help that there were pictures of him on every wall, even pictures of him and you lining the wall going up the stairs. Your parents loved him too, so you knew they'd want to talk to you about it and you had no idea what you could've told them. Truthfully, though, you weren't ready to talk to anyone about anything at this point.
So, you drove over to the supermarket that you worked at and gathered up a bunch of supplies and food to 'camp out' for a couple of days. You had a spot that you thought of as your own in the nearby wilderness park. There were never any tire tracks leading up to it and you'd never seen anyone else drive out that far. You'd go there time to time when things weren't great. Whether it be bullies at school or a fight with Anakin, this was your safe place. Anakin is the only person who knows about your spot. He wanted to know where you would disappear to and you trusted him enough to show him. Memories of the night you spent there with him come rushing back.
~
"So this is the spot, huh?" Anakin asked picking up and throwing a rock.
"This is the spot." You say walking towards him. "You know, you're the only person I've ever had out here." You say kicking at the rocks.
"That must make me kind of special." He says closing the gap between him and you. "Thank you for showing me this part of your world. This view is almost as beautiful as you." He puts your hand in his kissing it gently.
"Wow. Cheesy but I'll take it." You say making him chuckle. His goofy chuckle always gave you goosebumps on your arms and butterflies in your stomach. "I love you, Ani." You say hesitantly, now holding your breath waiting for his reaction. He looks up at you with a smirk on his face.
"Love you too, princess."
SNAP OUT OF IT!
~
You are so mad at yourself for letting your thoughts betray you like that. What were you doing to yourself? Was this your mind telling you to turn around and go talk to Anakin?
NO!
You weren't going back. You start the car after putting all your items in car and you drive to your spot. Every song on the radio made you think of Anakin so you flipped it off.
Everywhere you looked you saw Anakin, the passenger seat where he spilt a whole thing of French fries in your floor board. "Ooo party fowl" you said teasing him. The backseat were you cried in his arms for the first time. You don't even remember why you were crying you just remember being wrapped up in his big strong arms as he combed his fingers through your hair. "I've got you baby. Is okay, I got you"
You scream at the top of your lungs, hearing it this time. You had hoped it would make all the memories go away. You just wanted to stop seeing his face in everything you do. You turned the radio back on just to drowned out your thoughts. You were now ugly crying and ugly singing, but you didn't care it was working.
~
You'd been out at your spot for about 1 1/2 days now and you loved it. You loved the singing birds in the morning, the swaying of the trees throughout the day and the smell of the fire at night. Your parents were very outdoorsy when you were younger so they taught you a lot about survival. You could set up a tent, build a fire, fish and even set up traps for wild animals, but you never could bring yourself to kill an innocent creatures. You got enough food and water at the store to last a couple days so you didn't have to live off the land.
For fun you'd been bird watching, hiking and every now and then you'd just.. scream. You'd scream till your voice was gone. You couldn't have cared less though, it felt so good just to let everything go. Ahsoka had been trying to contact you since the second you left Dex's. She had sent a few text asking where you were and that Anakin was losing his mind because You weren't talking to him. As he should be. You thought. Even with all the time you'd spent out here you still couldn't explain what you saw. Was Anakin ever actually in love with you? Were you his cover up? How long had him and Alex been 'hanging out'? Were they dating? Were you guys even dating anymore, or ever?
Now that you know you started putting the dots together. Anakin has been canceling on you more often and he would not let you touch his phone. You never minded it though because naively you trust him with every inch of your soul. How stupid.
You went on another hike to clear all the questions building up in your brain out. You pulled a leaf off one of the tree branches and started fiddling with it. You round it up and folded it until you decided to tear it to shreds. You sprinkled it through the air getting rid of the remanence. You had definitely gotten a little tan since being out here. To be honest you were feeling yourself. Your sweat made you glisten and the hiking and all the water had you feeling super healthy and clean.
You were almost back to you'd spot when you heard a car pull up. At first it scared you half to death. Who could that possibly be? You asked yourself. When you came around the corner you hid behind a nearby tree making sure it wasn't a stranger. But even worse than a stranger.. it was Anakin. Of course he knew you'd come here, he knew you better than anyone.
"(Y/N)? Are you going to come out from behind the tree or..?" You signed in defeat at his words. You slowly came around to be in front of the tree. You so badly wanted his embrace around you, once again stroking your hair and telling you it'd be alright but you couldn't.
"I'm definitely regretting bringing you up here." You say making your way up to him. "Why are you here, Anakin?" Your whole body was shaking but your voice was calm like nothing ever happened and you were fine.
"Because I was worried sick about you, (Y/N). Nobody knew where you were and I didn't find out your were missing until an hour ago. The second I found out you hadn't been seen since.. since.. you know, I got worried. We need to talk about it whether you like it or not, baby. I'm-" you cut him off.
"I know your 'sorry' honestly An-" he now cut you off.
"No no I'm not sorry for what I was doing. I mean yes I did it behind your back and I definitely didn't want you to find out like that. That I'm sorry about." He rubbed his neck. You could tell he was conflict but you still weren't quite sure what was going on.
"Find out what, Ani?" You asked hesitantly.
"Alex and I have been.. uh.. we've been seeing each other for a while, well 3 months. I've been dying to tell you for so long a just didn't know how." Anakin admitted.
"I don't know Ani I think letting me catch you with your pants around your ankles and your cock down his throat was the perfect way to tell me, so thank you. You really saved me on that one." You say in an aggressive tone. At this point you could say anything. Having time to clear your mind really helped you ease your nerves around him now.
"(Y/N) please hear me out." He pleaded with you.
"I'm all ears, baby." You spat back.
"I- I love you, I always have and I always will." You scoffed at his statement.
"You could've fooled me. Actually you know what you did fool me for 3 years, Skywalker."
"(Y/N) you don't understand. I love both of you. I love you both so much it drives me crazy. I want you both and I need you both. I don't know how to explain it but I never meant to hurt you in any way. I know it's too soon for you to forgive me but please try and understand." He's flustered trying to explain to you what's been going on. After he finished talking you realized you were crying. You wiped your tears away frantically trying to keep your composure.
"We were so happy, Ani. You were my best friend, my everything. Do you fully understand how heartbreaking this is for me? To know that I wasn't good enough so you had to go behind my back and meet someone new. I'm just supposed to come to terms with the fact that to you I'm not good enough all on my own. No I can't. I- I can't live like that Anakin." Your rush of emotion came back like a bolt of lightening. New, old memories of you and him together. The one so fresh to you was the one that started it all:
~
You were walking down the hall looking over your practice exam papers sense you had to test in an hour. You were totally flustered and consumed by all the knowledge that you forgot to watch where you were going.
All of a sudden you hit what felt like a brick wall. You fell to the floor as did all your papers. You frantically started to pick them up.
"Wow wow slow down. It's all going to be okay, I'll help." you heard the brick wall talking. You then look up to see THE Anakin Skywalker smiling down at you. This didn't help your mess of a mind at all. You were even MORE flustered now.
"I-Im so sorry. I must look like such a dork." You said trying to make some sort of  effort at a conversation.
"I wouldn't say a dork." He then looked into your eyes. "Okay, yeah, you look like a dork." He said before chuckling at himself. You punch his arm playfully. "A cute dork. You didn't let me finish." You started to blush. You looked down at the floor not being able to make eye contact with him. "I'm Ana-"
"Anakin Skywalker." You cut him off and brushed a piece of hair behind your ear. "I'm (Y/N). (Y/F/N) (Y/L/N)." You finally get all your papers off the floor and Anakin helps you stand up. "I'm sorry again for bumping into." You say fiddling with your hair again. "You should be. In fact you should feel so sorry that you have to go on a date with me this weekend." He says now fiddling with your hair as well.
"Why would you want to go out with me?" You asked stunned by what was transpiring.
"I guess you'll have to find out. Dex's 7pm Saturday. I'll see you there." Anakin then walked away and left you and the butterflies in your stomach to revel in the moment you two had shared.
~
When you finally snapped back to reality Anakin's arms were wrapped around you tight as you both stood there and cried. He was swaying you back and forth as he usually did when saying goodbye to you. This wasn't a goodbye hug, though. This hug was deeper, stronger. This was his physical way of saying sorry. You accepted it for a moment then pushed him away.
"I'm not sharing you Ani. I can't do it. It's either all me all the time or it's.. nothing." You stood there with your arms crossed waiting for an answer. He just stared at you. "Ani, him or me?" He almost seemed caught off guard by your question. You were puzzled that he couldn't answer. You had been with Anakin for 3 years. How could he not pick you? He put his hands over his face and started to cry even more. You could tell the decision was eating him up inside and you just starred as his mind tore him apart.
After what felt like hours you went up to him and grabbed his hands. His face, though still beautiful, was a mess. His whole face was red and you couldn't tell where the tears stopped and the snot began. He was hyperventilating a little so you started to breath with him trying to calm him down. Shouldn't I be the more upset one here? You thought. You gave him a sympathetic smile and tucked his knuckles under your chin. "I'm really gonna miss you Ani." You could feel yourself starting to cry again.
"Don't- don't say that. We- we can figure this out." He started breathing heavily again.
"As much as I would love to try and figure this part out with you, Ani, I can't. I can't share you. I can't." You put your hand up to his face. "Goodbye my love." He leaned into your hand and cried even harder as did you.
You stay this way for about an hour until you both composed yourselves. Anakin kissed you tenderly before heading back into town. You almost felt at peace with the situation. You know Anakin loves you and he would never intentionally hurt you. He was truly one of the best people you'd ever met and you honestly did want the best for him and to be happy. Although you wish it were with you you couldn't have stopped him from falling for someone new.
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lizabethstucker · 3 years
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The Misadventures of Nero Wolfe edited by Josh Pachter
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Subtitled: Parodies and Pastiches Featuring the Great Detective of West 35th Street
I loved this collection of stories, with only a few exceptions. Overall, I would give it 4.5 out of 5.
Introductions: Trouble in Triplicate
“At Wolfe’s Door” by Otto Penzler ~ about the characters.
“A Family Affair” by Rebecca Stout Bradbury ~ Rex Stout’s daughter provides a peek at the author.
“Plot It Yourself” by Josh Pachter ~ how the collection came to be.
Pastiches (Respectful imitations of the original works)
“The Red Orchid” by Thomas Narcejac
Translated from French, the story was written in 1947. The first English publication wasn’t until 1961. A young woman comes to hire Wolfe to discover who is trying to kill her uncle, a man who claims to have developed a red orchid. More creepy than respectful, especially how Archie hits on the female client. Too offensive for me. DNF
“Chapter 8 from ‘Murder in Pastiche’” by Marion Mainwaining
Published in 1955, this novel can also be found under the title of “Nine Detectives All at Sea”. A notorious gossip columnist is murdered during a sea cruise across the Atlantic. There are nine famous detectives on the ship as passengers. Trajan Beare, aka Nero Wolfe, is the focus of this particular chapter. It is hard to judge the whole book based on just one chapter. However, the characterization should be noted as being extremely close to the original source material. A nice read. No rating as it is just an excerpt.
“The Archie Hunters” by Jon L. Breen
Written in 1968, but never published until now. A cross of Nero Wolfe and Mike Hammer. Mock Himmler beats the crap out of anyone he encounters, particularly if they disagree with him or do something he doesn’t like. After beating up a news seller for carrying a “commie” magazine, Mock discovers an ad in the back requesting a private investigator for a missing person case. The ad, placed by Nero Wolfe, leads Mock to presume the missing person is Archie Goodwin. I’ve never been a fan of Mike Hammer nor his creator, Mickey Spillane, finding both of them to be disgusting in their love of violence, misogyny, and attitudes in general. I did enjoy this story nonetheless. 4 out of 5
“The Frightened Man” by O. X. Rusett
Gave up early on this anagram-stuffed story, even to the author’s name. More annoying than clever or cute. DNF
“Chapter 1 from ‘Murder in E Minor’” by Robert Goldsborough
I read the whole book when it was first published and, frankly, wasn’t too impressed. I do know that Goldsborough was selected by the Stout Estate to be the official author of the novels and I have read a few of his more recent books. I may try and reread it sometime down the road to see if my opinion has changed. No rating as it is only one chapter.
“The Purloined Platypus” by Marvin Kaye
While Goldsborough has the exclusive novel rights, Kaye asked to write short stories and was given the Estate’s permission as long as no novels were ever written. Benjamin Moultrie, president and board chairman of the Museum of the Strange, Odd and Peculiar, wants to hire Wolfe to investigate a robbery at the museum. As I wasn’t reading the magazines such as Ellery Queen and Alfred Hitchcock, I missed reading any of these stories. Which is quite a tragedy. Excellent portrayals of not only the characters, but the case itself. 4 out of 5.
Parodies (Exaggerated imitations intended to poke fun at the source material)
“The House on 35th Street” by Frank Littler
Originally appeared in The Saturday Review in 1966. Little is known about the author, despite Pachter’s research attempts. A crowd is assembled in the Brownstone in a murder case, wanting to see some of the detective’s famous actions and quirks. There is an undercurrent of a very personal nature, especially at the end. 3.5 out of 5
“The Sidekick Case” by Patrick Butler
Another entry from The Saturday Review, this time in 1968, and another case of little information on the author. Wolfe objects to Archie being called a “sidekick” in a listing of the latest book. Cute. 3.5 out of 5
“The Case of the Disposable Jalopy” by Mack Reynolds
America has turned into an illiterate welfare state, Wolfe and Archie are old and sometimes forgetful, and things are beyond tight financially. Reynolds uses the last names of some of the biggest authors in Science Fiction in the story. These men want to hire Wolfe for a case of sabotage and the disappearance of a key developer. What a weird world Reynolds has built. As to the updates on the normal cast of characters in the series? Well, I never liked Orrie anyway. 4 out of 5
“As Dark as Christmas Gets” by Lawrence Block
An unpublished manuscript written by Cornell Woolrich is stolen during a Christmas party. The owner hires Wolfe wannabe Leo Haig and his Goodwin substitute, Chip Harrison, to recover it. I’ve come across stories in this series before and loved them, both for the obvious affection for the source material as well as the excellent characterization. 4.5 out of 5
“Who’s Afraid of Nero Wolfe?” by Loren D. Estleman
Arnie Woodbine, currently on parole, was fired from his last job for gambling on company time. He needs a job and finds an ad looking for an assistant sharp of wit. He finds himself hired by Claudius Lyon, a corpulent man with delusions of being Nero Wolfe. Arnie is hired as his Archie. Now all they need is a case. Since Lyon doesn’t have a private detective license and Arnie’s felony record prevents him from ever getting one, they would not be able to charge for their services. No problem as Lyon is actually quite wealthy. Their first case is regarding a poetry award that carries with it a $10,000 prize. One winner doesn’t appear to actually exist. Seriously one of the best sendups that I’ve ever read! This was a delight to read and deserved more stories. 4.5 out of 5.
“Julius Katz and the Case of Exploding Wine” by Dave Zeltserman
A friend of Julius’ that has a champion bulldog and heads a dog food company comes to see Julius with the dog in tow, asking for help to find someone to prevent Brutus from being kidnapped. He also asks that Julius find his murderer if he’s killed. Sure enough, the man is killed. Julius had agreed to investigate, but only after he gave the police a week to solve it themselves. Just as the week is up, an adversary calls to warn Julius that there is a bomb in his house, contained in a box of wine. Julius allows almost everyone to believe he is dead after the townhouse is completely destroyed from top to bottom. I absolutely loved this sorta tribute to Rex Stout. I’m particularly intrigued by Archie, an AI who is installed in Julius’ tie pin. That alone has me eyeing the book collections, but to be honest, this is a damn fine mystery. Julius is definitely not Nero Wolfe, at least in size, athleticism (martial arts), and loving women (a former womanizer who now has a regular girlfriend). He definitely is in the aspects of intelligence, laziness, and cutting Archie out of the loop. His collecting focus is wine rather than orchids, but both can be very expensive hobbies. 4.5 out of 5.
“The Possibly Last Case of Tiberius Dingo” by Michael Bracken
Age and diet are catching up to Tiberius Dingo’s body, but his mind and deductive reasoning is still as sharp as ever. His long-time assistant, Jughead Badloss, brings a client he dances with at the Senior Center, a woman who is certain she is being stalked. Family ties and age-old secrets are ripped out into the open before the case is done, for their client and for Jughead himself. The names are a little lame, but the story made up for it. 3.5 out of 5.
Potpourri
“The Woman Who Read Rex Stout” by William Brittain
Gertrude Jellison was the fat lady at a carnival sideshow, an intelligent woman whose extreme weight, over 500 pounds, kept her from her dream job of teaching psychology. Her partner, Robert Kirby, is the thin man, barely weighing seventy-five pounds. As a stunt, the carnival boss gave her Rex Stout’s Nero Wolfe books to read during the shows. Surprisingly enough, Gert loved them and continued reading. She never expected to use what she learned to solve a murder, but sadly a newer member of the troup, a beautiful woman named Lili who was like a daughter to Gert, is murdered and the older woman knows she can solve the crime. This is a character that I could seriously have loved to read more about. A good little mystery as well, even if I quickly realized who the murderer would turn out to be. 3.5 out of 5.
“Sam Buried Caesar” by Josh Pachter
Police inspector Griffen had eleven children, each of whom was named after a famous fictional detective. Nero, just eleven years old, had set up his own detective agency, aided by his best friend and neighbor Artie Goodman. Their latest client, Sam, came to them after his dog, Caesar, was hit and killed by an out-of-state driver. Not wanting the poor animal to be left coldly abandoned on the street, he buried the dog in an empty lot. Coming back a short time later to get Caesar’s collar, the body is missing. He hires Nero and Artie to find the killer and recover the body. Sad and cute and inventive, but how Artie puts up with Nero will always be a mystery. 3.5 out of 5.
“Chapter 24 from Rasputin’s Revenge” by John Lescroart
The basic premise is that Nero Wolfe is the son of Sherlock Holmes and Irene Adler. I’ve not read this particular book, but it appears to be the last chapter in which Archie and Wolfe, going under his original name, are in Russia, appeared to have come up against Gregori Rasputin (although the author has it as Gregory), and was helped by Holmes and Dr. Watson after they were wanted for murder. I’m not going to rate it as I don’t consider it fair to rate a novel based on just one chapter.
“A scene from Might as Well Be Dead” by Joseph Goodrich
Adaptation of the story into a play. Once again, not rated.
“The Damned Doorbell Rang” by Robert Lopresti
When their fourteen granddaughter came to visit in a snit because her parents won’t allow her to go with friends to a concert in New York City, Eve and Jack decide to tell her about why they left the City. When they were younger, they had a brownstone in the City. Their neighbors were definitely different, all men living there. Jack didn’t much like any of them and keeps disparaging Eve’s stories about what they saw while living there. But Eve tells a tale of how she saved the men’s lives. Too many close calls are the reason that they moved to New Jersey. How could I not love this outsider’s look at Nero Wolfe? 3.5 out of 5.
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dailybestiary · 6 years
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Patch Has Issues: Dungeon #2
Issue: Dungeon #2
Date: November/December 1986 (Pretty sure my Christmas haul that year was full of dope toys from The Transformers movie/show.)
The Cover:
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(Use of cover for review purposes only and should not be taken as a challenge to status. Credit and copyright remain with their respective holders.)
Ah, Clyde Caldwell. He, Larry Elmore, Jeff Easley, and last issue’s Keith Parkinson were the mainstays of TSR’s amazing stable of artists. I have a soft spot for Caldwell. He did the covers for the D&D Gazetteer series, which means his work emblazoned some of my absolute favorite books from my middle school years. (At the time I had the whole series except the two island books, GAZ 4 & GAZ 9 (which I’ve since collected), plus the Dawn of the Emperors box set. My favorites, for the record, were GAZ 3, 5, 10, and 13. I...may like elves...a little too much.) And even as I sit here, other covers demand to be named. The very first Dragonlance adventure, the iconic Dragons of Despair? The Finder’s Stone trilogy? The first Ravenloft box? Dragon #147? Yep, he did those covers too. He was amazing.
But hoo-boy, we also have to talk about the not-amazing parts. Once Caldwell settled on a way of doing things, that’s how he did them. Points for consistency, but man, he had tropes. Even his tropes had tropes. He had a way of painting dragon’s wings. He had a way of painting swords and boots. He had a way of painting jewelry, and belts and coins—ovals upon ovals upon ovals.
And his way of painting women was with as few clothes as possible. Everything I said about Parkinson last entry? Yeah, that goes double for Caldwell. He never paints pants when a thong will do. His take on the reserved and regal Goldmoon—thighs as long as a dwarf and bronzed buttcheeks exposed—reportedly left Margaret Weis in tears. Magic-users (God, I hate that term) famously couldn’t use armor in D&D and AD&D, but Caldwell’s sorceresses pretty much stick to gauze just to be safe. And the Finder’s Stone trilogy I mentioned above? Yeah, the authors of Azure Bonds took one look at Caldwell’s cover art and literally had to come up with in-text reasons why the heroine Alias—one of the most surly woman sellswords in existence—would wear armor with a Caldwell boob hole.
Don’t get me wrong, I love cheesecake as much as the next dude. (Actually that’s not true; I came up in the grunge ’90s—our version of cheesecake was an Olympia brunette in three layers of thrift store sweaters reading Sandman while eating a cheesecake. Hell, that’s still my jam.) But context matters. The sorceress from “White Magic,” Dragon #147’s cover, may barely be wearing a negligee, but she’s also in the seat of her power and probably magically warded to the hilt—she can wear whatever she damn wants; it’s her tower. So no complaints there. But this cover’s pirate queen Porky Piggin’ it seems like an unwise choice. (The friction burns alone from clambering around the rigging…)
It’s clear from reading The Art of the Dragonlance Saga that TSR was trying to turn the ship around when it came to portrayals of women in fantasy, however slowly. And in Caldwell’s defense and to his credit, he definitely delivered women with agency—in nearly every image, they are nearly always doing something active and essential. They just tend to be doing it half-dressed.
Which is all a way of saying I dig this cover—the explosion, the churning sea (even if it does more look like snow drifts than waves), the sailors all running to the rail to look—but yeah, that pirate captain needs to put on some damn pants.
The Adventures: Before we get started, I have to note that though we’re only an issue in, already the magazine feels more noticeably like the work of editor Roger Moore. This is 100% a guess, but it really feels to me like Dungeon #1 was made of adventures that the Dragon office already had laying around, whereas Dungeon #2 was composed of adventures that Roger Moore and the new Dungeon team had more of a hand in sifting through. (He also has an assistant editor this time in Robin Jenkins, which had to have helped.) Even the cartography looks better. Again, I have zero confirmation of this, but the feeling is strong.
“The Titan’s Dream” by W. Todo Todorsky, AD&D, Levels 5–9
PCs visiting an oracle accidentally walk right into a titan’s dream and must solve some conundrums to escape. What an awesome concept this is! (Spoilers for “Best Concept” section below.) It’s a shame I don’t like this more.
First of all, dreamworld adventures are really hard to do well. And for them to work, there usually need to be real stakes—and not just “If you die in the dream, you die in real life!”—and/or a real connection to the PCs in your campaign. The latter, especially, is really hard to pull off in a published adventure; typically it’s only achieved through tactics that critics deride as railroading. (For instance, @wesschneider’s excellent In Search of Sanity does a great job of connecting the characters to their dream adventures...but it does that by a) forging the connection at 1st level, and b) pretty strongly dictating how the adventure begins and how the characters are affiliated. It works, but that’s high-wire-act adventure writing.)
Being a magazine adventure, “The Titan’s Dream” doesn’t have that luxury—it’s got to be for a general audience and work for most campaigns. That unfortunately means the default “Why” of the adventure—a lord with a child, a wedding, and an alliance at stake hires the PCs to chat with a wise titan—is little more than that: a default.
On top of that...I cannot get excited about anything Greek mythology-related. To me, just the fact I’m seeing it is a red flag.
Look, Greek mythology is why I got into this hobby. Hell, it’s why I got into fiction, period. (For some reason I somehow decided I had no use for fiction books targeted to my age, with the exception of Beverly Cleary. Then in 4th(?) grade, I got a copy of Alice Low’s Greek Gods and Heroes, and the rest is history.) But Greek mythology is often the only mythology anyone knows. When people think polytheism, that’s where most people’s minds go. Which is why, if you ever played D&D in the ’80s, I pretty much guarantee your first deity was from that pantheon. (In my first game, my first-level cleric pretty much met Ares and got bitch-slapped by him, because that’s what 4th-grade DMs do.)
So to me, putting Greek deities or titans in your adventure is the equivalent of putting dudes riding sandworms into your desert adventures—you can do it, but you better blow me away, because that is ground so well trod it’s mud. And this one doesn’t do the job.
The format is three dreams, each with five scenes. Parties will move randomly—a mechanic meant to represent dream logic (or lack thereof)—through these scenes, until all the scenes from one dream have been resolved. This is actually kind of fascinating, and I wonder how it would play at the table—I have a feeling observant players will dig it, but others may find the mechanism’s charm wears off quickly, especially if they have difficulty solving the scenes or get frustrated with the achronicity of events. I also like that every scene has a number of possible resolutions, so the PCs aren’t locked into achieving a single specific objective like they were stuck in a computer game.
But...I can’t shake the feeling of weak planning and execution (or even laziness?) that stayed with me throughout the adventure. Like, okay, the first adventure is a cyclops encounter out of the Odyssey. Cool! But then...why does the Titan follow it up with pseudo-Norse/Arthurian encounter? Did the Odyssey not hold the author’s attention? (Nor the Iliad, the Aeneid, or Metamorphosis? Really?) And then why is the third dream “drawn from the realm of pure fairy tale”? Like, were you out of pantheons? Horus didn’t return your calls? Or be more specific—why not German fairy tales, or Danish, or French Court, or Elizabethan? It feels like a class project where one group was on point, one group got the assignment a little wrong, and one didn’t even try.
Again, it’s not even that this adventure is bad—I honestly can’t tell if it is or not; I’m sure a lot of its success is determined at the table. And I could totally see throwing this at a party if I was out of inspiration that week or we needed a low-stakes breather before our next big arc. But the instant I think about it for more than a second, it all falls apart for me.
Have any of you tried this one? Let me know what you thought. And for a similar exploration into dream logic/fairy tale scenarios, I recommend Crystal Frasier’s The Harrowing for Pathfinder.
“In The Dwarven King’s Court” by Willie Walsh, AD&D, Levels 3–5
Willie Walsh is a name we’re going to see a lot more in issues to come—he’s a legendarily prolific Dungeon contributor, delivering quality, typically low-level, and often light-hearted or humorous adventurers issue after issue after issue. His first entry is a mystery with a time limit: A dwarf king is supposed to make a gift of a ceremonial sword to seal a treaty, but the sword has vanished. Brought to the king’s court courtesy of a dream, adventurers must find the sword and the surprising identity of the culprit before the rival power’s delegation arrives.
At first I was going to ding this adventure for its “What, even more dreams this issue?” hook...but here’s the thing with Walsh—never judge his modules until you reach the final page. Nearly every time I’m tempted to dismiss one of his sillier or more random adventure elements, it turns out that it makes sense and works just fine. In this case, the cause of the dream is haunt connected to the mystery, and I feel dumb for being all judgy.
So anyway, the PCs are given leave to search for the stolen object and the thief, but of course it turns out there is a whole lot of light-fingeredness going around. As Bryce (see below) puts it, “It’s like a Poirot mystery: everyone has something to hide.” This castle has as much upstairs-downstairs drama as any British farce, with nearly every NPC having either a fun personality and/or a fun secret (and with the major players illustrated by some equally fun portraits) that should make them memorable friends and foils for PCs to interact with. Not to mention the actual culprit is definitely a twist that will be hard explaining to the king...
GMs should be ready to adjust on the fly, though—a) it’s a lot of characters to juggle, and b) since the PCs are 3rd–5th level, the right spells or some lucky secret door searches could prematurely end the adventure as written. You may want to have some last-minute showdowns, betrayals, or other political intrigue outlined and in your back pocket if what’s on the page resolves too quickly.
Overall though, I’m a big fan of this adventure, and look forward to the rest of Walsh’s output. Also, given the dwarven focus and the geography of the land, this adventure could be a very nice sequel to last issue’s “Assault on Eddistone Point.”
“Caermor” by Nigel D. Findley, AD&D, Levels 2–4
Look at this author’s list of writing credits! Findley was amazingly prolific, and his work was pretty high-quality across the board, as far as I know. I particularly loved the original Draconomicon, one of the first and only 2e AD&D books I ever bought as a kid. I also loved his “Ecology of the Gibbering Mouther” from the excellent Dragon #160, and some of his Spelljammer supplements are currently sitting upstairs in my to-read pile, recently purchased but as yet shamefully untouched.
Now look at his age at the time of his death. Life is not always fair or kind.
(Speaking of unkind, man is the bio in this issue unfortunate in retrospect: “[H]e write for DRAGON® Magazine, enjoys windsurfing, plays in a jazz band, and manages a computer software company in the little time he has left.” As Archer would say, “Phrasing!”)
Anyway, this adventure is simple: An otherworldly force has been murdering the locals. The locals have pinned the blame on a handsome bard from out of town, and their own prejudices and general obstinacy are sure to get in the way of the investigation—that is, if the true culprits, some devil-worshipping culprits and and an abishai devil, don’t get in the way first.
All in all, this is a tight, well-written adventure, so I don’t have much to say about it, other than that if you like the idea of sending your party to help out some young lovers and save some faux-Scots/Yorkshiremen too stubborn to save themselves (and maybe slip in a valuable lesson about prejudice and xenophobia as well), this is the adventure for you.
One thing that does jump out to a contemporary reader, though, is the comically overpowered nature of the baddie pulling the strings in this adventure: Baalphegor, Princess of Hell (emphasis mine). Overpowered, you-won’t-really-fight-this-NPC happens with a lot of low-level adventures, when the writers want a story more epic than characters at the table can handle or are trying to plot the seeds for future evils. But still, any princess of Hell would already be a bit much...but an 18-Hit Dice, “supra-genius”, the Princess of Hell? Like, what the f—er, I mean, Hell?
If you use the adventure as written, the only way to have Baalphegor’s presence make sense is to eventually reveal that the area is an epicenter of some major badness. (Maybe that explains the lost nation of evil dwarves in the adventure background.) For a good model on how to seed early adventures in this matter, Dungeon’s Age of Worms Adventure Path and Pathfinder Adventure Path’s Rise of the Runelords AP, both from Paizo, are exemplars of small-town disturbances that eventually have world-shaking implications.
It’s also fascinating in retrospect to note Ed Greenwood’s massive impact in the hobby. Any article that appears in Dragon has the sheen of being at least semi-official, but it’s clear that Greenwood’s content was a cut above even that. In this case, an NPC from a three-year-old article of his is not just treated as canon, but also supplies the mastermind behind the adventure! It’s no surprise that in the following year his home campaign, the Forgotten Realms, would soon become AD&D’s newest and then its default setting.
Two final thoughts: 1) There’s some fascinating anti-dwarf prejudice in this article. Nearly every mention of dwarves paints them as exceptionally greedy and/or villains. And 2) how did one even begin to balance adventures in those days? This adventure is for “4–8 characters of 2nd–4th level.” There are a lot of difference at the extreme ends of those power scales…
“The Keep at Koralgesh,” by Robert Giacomozzi & Jonathan Simmons, D&D, Levels 1–3
One of the problems of BECMI D&D being known as “basic D&D” is that writers often assumed the players to be basic (that is, younger/new) as well. Which probably accounts for some of the early suggestions to the DM we get at the beginning of this adventure—like some pretty patronizing advice along the lines of not immediately announcing to PCs what the pluses are on their magical swords.
Fortunately, after that the article settles down and gives us Dungeon’s first real D&D adventure. In fact, not just real, but massive: 20 full pages of content—nearly half the issue! It’s a fully fledged dungeon crawl that has the PCs taking advantage of the summer solstice to open a shrine door that will lead them inside a long-ruined keep said to hold great treasure.
Now, I imagine in the coming installments it’s going to seem to many of you like I’m grading D&D adventures on a curve, because of my love for the system and the Known World/Mystara. That’s a fair accusation, but a better way to consider it is that I’m reviewing D&D adventures for what they are—adventures from a separate system, with a more limited rules system and palette of options than AD&D. You don’t go to a performance of Balinese shadow puppetry and compare it against Andrew Lloyd Webber; you look at it for what it achieves in its own medium. Since they appear side-by-side in the same magazine, comparison is going to be inevitable, but that’s with the understanding that AD&D was the kid coloring with the 64-crayon box of Crayola, while D&D was getting by with just eight.
On its own terms then, “The Keep of Korgalesh” is a decent, if not superlative, success. I love that it’s practically module-length and that we get three complete levels—a far cry from the previous issue’s side-trek-at-best, “The Elven Home.” We also get two new monsters, which absolutely fills my inner BECMI D&D player with glee. And I like that what starts as a dungeon crawl/fetch quest evolves into a “kill the big bad thing” and “find out what really happened to this city.”
There are issues, though. If the whole city was destroyed, getting to see some of it besides the keep would have been nice. Some of the ecology for the dungeon inhabitants is questionable. There pretty much wasn’t a single pool or fountain in this era of D&D adventure design that wasn’t magical, and this adventure was no exception. One of the new monster’s names makes no sense except that “tyranna” and “abyss” are cool words (I mean, I guess you could read that as “tyrant of the depths,” but still…) And there are painfully obvious borrowings from other works, especially Tolkien—a door that only opens at solstice, a lake monster, an orc with a split personality that is clearly a Gollum homage, etc.
What this adventure really needs is stakes—just something to give it a bit more oomph beyond the dungeon crawl. (Finding a blacksmith’s lost hammer is the hook offered in the adventure but it’s pretty flimsy.) Perhaps the PCs are some of Kor’s last worshippers, and clearing out the dangers here and resanctifying his temple is one of their first steps toward returning him to prominence. Maybe the PCs’ grandparents were involved in the city’s demise and restoring Koralgesh will restore the families’ honor. Or you could keep it simple and have a band of pirates or a rival adventuring group also trying to clean out the keep, turning it into a race (with the tyrannabyss causing the scales of fate to wobble at appropriately cinematic moments).
So the final analysis is this is a decent dungeon crawl upon which you can build a good adventure. The real reward of this module isn’t treasure; it’s finding out just what happened to Koralgesh. But for that to matter, it needs to tie into the PCs’ pasts, futures, or both.
BONUS CONTENT FOR KNOWN WORLD/MYSTARA NERDS: Kor is almost certainly a local name for the sun god Ixion. The chaotic deity Tram is probably a local version of Alphaks, though Atzanteotl is another strong candidate, especially since deceit was key to the pirates’ success. Koralgesh could be located somewhere on the Isle of Dawn, the northern coast of Davania, or an Ierendi/Minrothad Isle that those nations haven’t made it a priority to rebuild.
Best Read: “Caermor.” Nigel D. Findley was a pro.
Best Adventure I Could Actually Run with Minimal Prep: “The Keep at Koralgesh,” as a well-written, straight-ahead dungeon crawl. Every other adventure here relies on a pretty strong handle of very mobile NPCs and their motivations, or a Titan’s dream mechanics.
Best Concept: “The Titan’s Dream,” as noted above. It’s a great idea very worth exploring, even if I wasn’t about the execution we got in this case.
Best Monster: This was actually a monster-light issue. Despite some awesome art for the tyrannabyss, I have to go with the epadrazzil, a scaly ape from a two-dimensional plane of existence that has to be summoned via a painting. All of those details are just so wonderfully and weirdly specific it has to win. (Extra points for anyone who noticed the thoul—a classic D&D monster (though it did make its way into AD&D’s Mystara setting) born from a typo.)
Best NPC: Since this is a role-playing-heavy issue, there are a bunch of contenders, and the final verdict will go to whoever your party sparks to at the table. Obviously King Baradon the Wise should get the nod for [spoiler-y reasons], but I also really like the opportunity the executioner Tarfa offers, thanks to his incriminating goblet and how it might bring the PCs to the attention of a far-off assassin’s guild at just the right level.
Best Map: All together the maps from “The Keep at Koralgesh” form an extremely appealing whole. But for best single map I have to go for the palace of Mount Diadem—that is a bangin’ dwarven demesne.
Best Thing Worth Stealing: Jim Holloway’s illustrations of dwarves. Good dwarf, gnome, and halfling art is hard to find, and even the good stuff often leans stereotypical. While Holloway’s art is often humorous—I have a feeling he and Roger Moore jibed really well, though that’s totally a guess based purely on what assignments he got handed—his dwarves, especially in this issue, are fresh, specific, and unique. You could identify them by their silhouettes alone—always the sign of good character art. If you need an image of a dwarf NPC to show the players, “In the Dwarven King’s Court” is a great first stop.
Worst Aged: Female thong pirates on magazine covers. Also using the actual names of actual mental illnesses in game materials.
What Bryce Thinks: “This seems to be a stronger issue than #1, although half of the adventures are … unusual.”
Bryce actually almost likes “The Titan’s Dream,” confirming my loathing of it. He in turn loathes “In the Court of the Dwarven King.” Like me, though, he is pro-”Caermor” and sees potential in “The Keep at Koralgesh.” (Also credit where it’s due: I might have missed the condescension at the start if he hadn’t called it out.)
So, Is It Worth It?: If you’re a Clyde Caldwell fan, this issue might be worth searching out in print. So much of Caldwell’s work from this era was dictated by product needs, cropped and boxed up in ads, or shrunk down to fit on a paperback cover. So to get this cover in full magazine size, with only the masthead tucked up top to get in the way—that could be well worth a few bucks to you.
Also, if you’re BECMI/Rules Cyclopedia-era D&D fan (or know someone who is), again, this one might be worth having in print. “The Keep at Koralgesh” is a legit, proper BECMI D&D adventure, spanning 20 whole pages and with two new monsters to boot. I would have practically have cried if someone had given 7th-grade me this.
Beyond that you can probably just rely on the PDF. But both “Caermor” and “In the Dwarven King’s Court” have strong bones worth putting some modern muscle and skin on.
Random Thoughts:
The Caldwell cover painting was also used for the Blackmoor module DA4 The Duchy of Ten. PS: I’m not trying to tell you what to do or anything, but if you do happen to run across a physical copy of The Duchy of Ten or and of the DA modules, holla at ya boy over here.
Since this is our second issue, we now have a “Letters” column. Turns out Dungeon had been announced in Dragon #111 with a really detailed set of writer’s guidelines; most of the correspondence is questions re: those. In the process of answering, we get some surprisingly frank talk about payment. The $900 for a cover seemed low until I converted it to 2018 dollars, and ~$2,000 does seem right to my ignorant eye. I then made the mistake of converting my current salary to 1986 dollars and felt a lot worse about myself and what I’ve achieved.
Apologies this took so long to post. I had the issue read by early October and most of this review written with the next week or two after...but then I got involved in dealing with a 4.5 week hospitalization and aftermath...and then a second still-ongoing hospitalization...and even though I only had about four paragraphs left I just couldn’t find time to put a bow on it.
Notable Ads: The gold Immortals Rules box for D&D. (I also still don’t have that one yet, and Christmas is coming. Just saying, guys, if you happen to find one in your attic.) ;-) Also an ad for subscribing to Dungeon itself, starring “my war dinosaur, Boo-Boo.” No, really.
Over in Dragon: Beneath a glorious cover, Roger Moore is the new editor of Dragon #115, three authors (including Vince Garcia, who I like a lot) share credit on a massive six articles about fantasy thieves, a famous article proposing that clerics get the weapons of their deity (people were still talking about it in the “Forum” column when I was buying my first issues two years later), and a look at harps from the Forgotten Realms (notable because behind the scenes Ed Greenwood’s home setting was being developed for the AD&D game for launch in 1987.) A photographic cover and a 3-D sailing ship are served up in Dragon #116, along with maritime adventures, more Ed Greenwood (rogue stones), and articles for ELFQUEST, Marvel Super Heroes (Crossfire’s gang), and FASA’s Dr. Who game (looking at all six(!) doctors). (Incidentally, I had an Irish babysitter around this time who first mentioned Dr. Who to me—I wish I’d explored more but I was too young to understand what I’d been offered.)
PS: Yes, I’ve heard about the upcoming Tumblr ban. It is a terrible idea that will affect way too many of my readers. It shouldn’t affect me much (and I have all my monster entries backed up at the original site), but I will keep you posted as I learn more, particularly if I find you, my readers, packing up and going elsewhere.
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thebestoftimes · 6 years
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50 QUESTION BOOK TAG FOR WORLD BOOK DAY
By me, Jess. I made this for world book day but then got depressed and didn’t post it on time lmao but here ya go kids be warned though it’s a long one. Also the numbers thing got fucked up and I couldn’t fix it.  I got a lot of these questions from other tags I’ve seen and google so if something sounds familiar... that’s why.
Who or what sparked your love of literature?
Aw my parents fueled my book habit when I was a kid and took me to the bookstore all the time and since then all my teachers have always encouraged me and made me love books even more than I thought possible.
Do you have an ‘odd’ book habit? (page sniffing/never leaving the house with a book)
It’s true that I never go anywhere without a book. I got one in my backpack or purse or reading on my phone but it’s always there.
Do you have a book that you think has changed your life? How?
A lot of books and series have made significant impacts on my life (like I can’t picture elementary school without Percy Jackson being in my life) but like as a person I can’t think of any one book that has changed who I am. It’s been a team effort.
Which book have you reread most frequently?
I think I reread Hush Hush every year lmao idk why
You can meet any author and ask one question. What author would you chose and what question would you ask?
I’d want to meet Shakespeare and ask him if all his characters really were just that gay or if we’re all reading too much into it.
Best book published this year so far?
It’s only March but The Gilded Wolves by Roshani Chokshi
Imagine you’ve started a book and don’t like it. Do you see the experience through to the bitter end, or are you able to talk away from it mid story?
I used to always finish what I started but now that I’m in college and have a mountain of a TBR I’ll just stop.
What book is top of your wish list/TBR pile?
Uhh A Winter’s Promise by Christelle Dabos  is on top rn
Favourite place to read?
My bed. Boring but a classic.
If you buy books, do you lend them out? Ever had a bad experience?
Of course. No all my friends respect my stuff and return them promptly.
What fictional character do you ship yourself with?
So many but I think Gansey and I from The Raven Cycle would make the best couple.
Weirdest thing you’ve used as a bookmark
I use whatever near me so I might have done something weirder but lately I’ve been using tissues because I have a tissue box by my bed and never real bookmarks. But I’ve used graded homework, a toy car, a crayon, earbuds, etc.
Favorite quality/qualities in a protagonist and antagonist
Wow this is s hard okay for protag I am a sucker for like stubborn, smartass with a martyr complex. Sad but true. Antags I love a good morally grey character or anti-villain. Tragic backstory but smart as hell. The worst (the best). Characters like the Darkling from The Grisha Trilogy, and Warner from the first Shatter Me book (I know he’s a good guy NOW but back then we all thought he was a sadistic and sexy villain).
Favorite genre and favorite book from that genre.
YA Urban Fantasy babyyy and that’d be City of Bones by Cassandra Clare or Lady Midnight by Cassandra Clare:)
  Best/worst movie adaptation in your eyes
Best: Harry Potter and The Hunger Games | Worst: Percy Jackson
Do you prefer reading your own books, or library books?
My own.
How do you choose your next book to read?
Literally whatever I’m feeling like at the moment.
Your favorite word.
I love many words but I have a soft spot for “lively” and “lilt”.
Book that got you hooked on reading/how you got hooked.
I’ve always been obsessed with reading but The Peter and the Starcatchers Series was like my shift from nicotine to heroine.
Opinion on dog-earing, margin writing, ect.
I only write in the margins of books I have to read for class/textbooks. And that’s for studying and active reading purposes. For any other situation: no.
Top 5 immediate to read in no order
A Winter’s Promise by Christelle Dabos
A Very Large Expanse of Sea by Tahereh Mafi
Crazy Rich Asians by Kevin Kwan
The Wicker King by K. Ancrum
A Darker Shade of Magic by V.E Schwab
Most underrated book you’ve read
Definitely The Foxhole Court/ All for the Game series. Fairly small fanbase for some of THE most amazing books I’ve ever read. And the memes will have you in stitches.
What is the first book that catches your eye when you look at your bookshelf?
Fangirl by Rainbow Rowell because of the exceedingly bright cover/spine haha
How do you arrange your books on your shelves?
LOL I do not have a system at all. I keep series and authors together and that’s it. Everything is placed where there is room.
You have the power to change a book’s ending. Which ending would you change and what would you make happen instead?
I’d change the end to Allegiant and SPOILERS SPOILERS not make Tris fucking die over her shitty ass brother. I know why she did it but like Veronica girl wyd with that. And I’d want the entirety of Mockingjay by Suzanne Collins to be rewritten into a book that just focused on the domestic life of Finnick and Annie and no one dies.
Favourite book cover?
This is SO HARD. Either The Unbecoming of Mara Dyer by Michelle Hodkin or Ignite Me by Tahereh Mafi
Which book from your childhood has had the most impact on you?
My entire personality was shaped by the Maxmimum Ride series by James Patterson. For better and worse.
When reading, what do you value most: writing style, characters, plot, world building, pacing, etc?
Characters. I think all of those things are essential and as I read more and more, the pickier I get, but I find myself leaning towards being a fan of a book when I become obsessed with the characters. Like hey!! New friends!!! For my brain!!!
Do you prefer buying books or borrowing them from a library/friend?
Buying them even though I shouldn’t. It’s a real problem.
What books/sequels that are being published this year are you most excited for?
SO MANY OH MY GOD
Okay some of these already came out because it’s March right now but I’ll include them anyways.
SEQUELS/ SPIN-OFFS AND SHIT
The Wicked King by Holly Black; King of Scars by Leigh Bardugo; Dream by Natalia Jaster; Chain of Gold by Cassandra Clare; The Red Scrolls of Magic by Cassandra Clare; Capturing the Devil by Kerri Maniscalco, Call Down the Hawk by Maggie Stiefvater; Defy Me by Tahereh Mafi; The Shaw Confessions #3 by Michelle Hodkin
FIRST BOOKS
The Binding by Bridget Collins; Wicked Saints by Emily A. Duncan; The Gilded Wolves by Roshani Chokshi; A Curse So Dark and Lonely by Brigid Kemmerer; Romanov by Nadine Brandes; The Infinite Noise by Lauren Shippen; The Beautiful by Renee Ahdieh
Which fictional character would you want as a sidekick?
Percy Jackson because he’s my firstborn son and one of my favourite characters of all time. He is talented, smart, hilarious, an amazing friend, and the sweetest of boys (when he isn’t the sassiest of boys).
How many books have you read so far this year?
Only 15 I am so behind :(
What’s been your favourite read so far this year?
Oh man. Gotta be Crooked Kingdom by Leigh Bardugo :)
You’re stuck on an island with a suitcase big enough to hold five books. What books are they?
I probably shouldn’t cheat and say How to Build a Boat huh
City of Bones by Cassandra Clare
Wuthering Heights by Emily Bronte
The King’s Men by Nora Sakovic
Six of Crows by Leigh Bardugo
The Lightning Thief by Rick Riordan
If you had to go out to dinner with any character who would it be and why? What would you talk about?
Will Herondale and we’d talk about books
Is there a book you have such a hatred for that you would throw it off of the highest tower knowing that the last copy of it will be destroyed so that not another living soul can read it or would you rather keep it and give it to someone else who might actually enjoy it?
The Scarlet Letter by Nathaniel Hawthorne or After by Anna Todd
Do you believe books make nice decoration?
I mean. I think they should be read before used as decor but I love showing off my books so I guess both. But I don’t believe in buying books for the purpose of decoration instead of reference or reading lol
Do you listen to music when you read? Or do you need complete silence? 
I need silence or low amount of white noise. I used to read and listen to Taylor Swift when I was a kid but I can’t do it anymore.
Do you have a favorite book? If not are you in the group that believes there are too many great books out there to just choose one?
I tell people it’s City of Bones by Cassandra Clare but in all honesty no I don’t have a favourite.
Do you sleep with books under your pillow.
Nope
Do you go to the library or do you have a book buying addiction or are you one of those lucky people who is able to do both?
I do both. Mostly bookstore though.
Own any book inspired clothing?
Yes. Several items :)
Have you ever read a book in another language?
I read Harry Potter and the Sorcerer’s Stone, Tristan and Isolde, and Beauty and the Beast in French. And parts of Les Mis.
Strangest book you’ve ever read?
John Dies at the End by David Wong. Still not sure exactly what was going on. 
Favourite type of non-fiction?
Memoirs babey
Favourite non-fiction?
Unbroken by Laura Hillenbrand
Favourite subject to read about?
History
Favourite book you’ve read in school?
Wuthering Heights by Emily Bronte
Favourite work of Shakespeare?
Hamlet
Character you’d love as a mom or dad or guardian?
Hmm Sally Jackson, The Women of 300 Fox Way, or Tessa and Will (they totally count because The Last Hours Series)
I tag literally whoever wants to do this and @fangirl-daydreamer97 @acleeds12 @iviisastrawberry @221bdoom @bicycles-bees-bisexuals @betterthanapit @dippindots126 @vlctorvale
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janiedean · 6 years
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Hi 😊 I’m not reading much these days but I really wanna make an effort and do it more, do you have any suggestions? I don’t really have a favorite genre, but I’m looking for books where the psychology of the characters is very well done, thank you!!
hey! :D
okay so let me think, other than asoiaf of course because that definitely has very well-done psychology ;) :
if you want some scifi easy-ish reading (in the sense that it’s mostly finished trilogies that don’t require extra effort) I’ll recommend you anything by my pal ian tregillis who has done two AMAZING fantasy/scifi series, the milkweed tryptich and alchemy wars (AW is the best but milkweed is also great), which have some of the best genre character work I’ve seen in the last twenty years;
(btw grrm does very good character build also in his other genre novels - fevre dream is a+, the armageddon rag is my favorite out of the nonasoiaf books he wrote and dying of the light also was great)
anything by michael chabon too - he’s a gem of a writer with an exceptional use of language and who always has a+++ characters. my favorite is kavalier & clay but really anything of his is good;
any stephen king has a+++ character work but if you wanna start small, either misery, different seasons, dolores claiborne or carrie will do :) (the dark tower is my fave OBV. but it’s a seven books series I don’t hate you that much lmao)
margaret atwood is great at that too - handmaid’s tale is not too long and a perfect introduction, but her best imo is the madaddam trilogy and out of the solo ones alias grace and the blind assassin (oryx & crake ie the first one in the madaddam trilogy is The Literal Best tho);
if you want good quality easy reading with lovely flawed characters nick hornby is absolutely your friend - my fave is a long way down but high fidelity and about a boy are also great to start with;
if you REALLY wanna go hard on it with GOOD PSYCHOLOGICAL STUFF I’d say go with the classic and try dostoevskij but I mean that stuff is literal bricks so if you wanted something short to start with maybe not a good idea, but like anything from the middle of his career (crime & punishment, the idiot, demons, brothers karamazov etc.) is like... MASTERPIECE PSYCHOLOGICAL WORK ON THE CHARACTERS like seriously;
if you wanna go for english classics that aren’t too-much-of-a-brick, forster is a great author (maurice is my fave in the centuries tbh);
the french classics are usually great as well tho long, but if you’re up for it I’d try stendhal - the red and the black is a masterpiece imo, and dumas also does excellent char. work AND even if his novels are bricks they’re really easy-reading, try the three musketeers for one ;) they’re also fun XD
if you’re into shakespeare try m. l. rio’s if we were villains, it’s a REALLY good book with REALLY well-done characters AND it has the ship of the century tbh ;)
if you want good characters and in general excellent writing BUT with short books, try vonnegut. anything, but guys VONNEGUT IS AMAZING my fave is god bless you mr rosewater but slaughterhouse 5, cat’s cradle, breakfast of champions and the sirens of titan are also very good to start with but really he’s never written a bad book in his life ;)
also hmm try steinbeck? if you want short stuff go with of mice and men and cannery row + sweet thursday (the latter two FOR A MIRACLE AREN’T SAD), if then you wanna brave the grapes of wrath you’re in for top five books according to me ;)
if you go under /tagged/book-recs there’s more stuff I recced that might be useful :)
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emmagreen1220-blog · 6 years
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New Post has been published on Literary Techniques
New Post has been published on https://literarytechniques.org/allusion/
Allusion
Allusion Definition
Allusion can be defined as a casual reference to a person or a thing which adds extra meaning to the neighboring context. In other words, merely saying “The Good Samaritan is a character in a parable told by Jesus in the Gospel of Luke” is not an allusion—it is merely a straightforward reference. However, it is an allusion when, for example, Julia says to Edward in T.S Eliot’s comedy The Cocktail Party (I.2.49-50): “Don’t you realise how lucky you are/ To have two Good Samaritans?”
Allusions are, by definition, indirect. That means that they are never explicitly clarified by the author and that they work pretty much like riddles: it is left to the reader to both identify them and make the connection to a previous text. However, sometimes this process can prove especially tricky.
For example, Alexander Pope’s verses are densely allusive, filled with both classical and topical references that can’t be understood without some proper help from a specialized scholar. Moreover, modernist poets such as T.S. Eliot and Ezra Pound consciously strove to enrich their writings with obscure, esoteric and personal allusions, the understanding of which is frequently essential to understanding the meaning of the works as a whole.
In some cases, allusions may even have a structural significance: James Joyce’s novel Ulysses, for example, is modeled after Homer’s epic Odyssey and can’t be sufficiently made sense of without it.
ExamplesQuizFlashcardsWorksheets
Allusion Examples
Allusion in a Sentence
Example #1: Achilles’ Heel
Divorce is the Achilles’ heel of marriage.
– George Bernard Shaw, Letters (July 2, 1965)
According to a story in Greek mythology, in an attempt to make her son immortal, the sea nymph Thetis washed the baby Achilles in the waters of the infernal river Styx. However, as she was doing this, she held him by his heel, which remained the only vulnerable place on her son’s body. This would prove a fatal mistake, since, late in the Trojan War, an arrow fired by the Trojan prince Paris and guided by Apollo, pierced through the heel of Achilles, killing the great Achaean hero on the spot. In the 19th century, the phrase “Achilles’ heel” was first used to mean a weak spot in spite of overall strength—and George Bernard Shaw wittily plays with this meaning in his clever remark above.
Example #2: Janus
A friend is Janus-faced: he looks to the past and the future. He is the child of all my foregoing hours, the prophet of those to come.
– Ralph Waldo Emerson, “Friendship” (1841)
Janus was an ancient Roman deity, worshipped as a guardian of doors and gates, and as a god of transitions, beginnings and endings. He was depicted as having two faces—one looking back and another forward—and this is what Ralph Waldo Emerson alludes to in the sentences above, describing a friend as someone who is both an indelible part of one’s past and an architect of his or her future.
Example #3: Panglossian
Many searchers for life beyond Earth seem to be possessed of an almost Panglossian optimism, and since their speculations include the entire universe, their optimism might seem justified.
– Tim Flannery, The New York Review of Books, November 2, 2000
Dr. Pangloss is a character in Voltaire’s 1759 satirical masterpiece Candide. A professor of “metaphysico-theologo-cosmoronology” he is a self-proclaimed optimist who firmly believes that we are living in “the best of all possible worlds” and that “all is for the best.” He remains convinced in the veracity of his beliefs even after countless misfortunes, which cost him an eye and an ear due to syphilis, and, at one point, even his freedom. Because of this, when someone is Panglossian, he or she is overly—and naively—optimistic.
(Further Reading: Top 10 Examples of Allusion in a Sentence)
Allusion in Poetry
Example #1: Dead Sea Fruits
May Life’s unblessed cup for him Be drugg’d with treacheries to the brim, With hopes that but allure to fly, With joys that vanish while he sips, Like Dead-Sea fruits, that tempt the eye, But turn to ashes on the lips!
– Thomas Moore, Lalla Rookh (1817)
A Dead Sea fruit—sometimes also called a Sodom apple—is, according to the legend, a tempting fruit which dissolves into smoke and ashes once touched. Thomas Moore must have considered the allusion somewhat obscure when he wrote the above stanza in 1817 because he decided to annotate it himself, quoting a sentence by French explorer Jean de Thévenot as an explanation: “They say that there are apple-trees upon the sides of this sea, which bear very lovely fruit, but within are full of ashes.” A Dead Sea fruit is now used as an allusion to anything which may look promising at first but ultimately brings disappointment and discontent.
Example #2: Gehenna
Down to Gehenna or up to the Throne, He travels the fastest who travels alone.
– Rudyard Kipling, “The Winners” (1890)
Gehenna—or, literally translated, the “Valley of (the Son of) Hinnom”—is a place in Jerusalem, where, according to the Old Testament, worshippers of the pagan gods Baal and Moloch sacrificed their children by fire: “They have built the high places of Baal to burn their children in the fire as offerings to Baal” (Jeremiah 19:5). In time, the term came to symbolize Hell itself, so much so that the name given to Hell in the Quran, Jahannam, is a direct derivation of Gehenna. Additionally, the phrase “go to Gehenna” can be used as a more esoteric alternative to the everyday expression “go to hell.”
Example #3: The Mad Hatter
The Naming of Cats is a difficult matter, It isn’t just one of your holiday games; You may think at first I’m as mad as a hatter When I tell you, a cat must have THREE DIFFERENT NAMES.
– T. S. Eliot, “The Naming of Cats” 1-4 (1939)
As almost everybody knows, the Mad Hatter is a character in Lewis Carroll’s Alice’s Adventures in Wonderland, and the eccentric host of one of the craziest tea parties you can ever imagine, also attended by the March Hare and the Dormouse. However, the phrases “mad as a hatter” and “mad as a (March) hare” predate Carroll’s book. According to OED, the first of these two expressions may refer to “the effects of mercury poisoning formerly suffered by hat-makers as a result of the use of mercurous nitrate in the manufacture of felt hats.” Ultimately, however, it’s irrelevant which of these sources is alluded to by T.S. Eliot in the stanza above—the meaning is immediately clear either way.
Example #4: Paris · Menelaus · Troy
I will be Paris and, for love of thee, Instead of Troy shall Wittenberg be sacked; And I will combat with weak Menelaus And wear thy colours on my plumed crest.
– Christopher Marlowe, Doctor Faustus V.1.98-101 (1592)
This is what Doctor Faustus says to a summoned infernal spirit who has assumed the shape of Helen in the fifth act of Christopher Marlowe’s tragedy. The wife of Menelaus, Helen was a Spartan princess who was abducted by the Trojan prince, Paris—an event which triggered the Trojan War. Doctor Faustus reimagines himself as Helen’s lover and, in a trance, rewrites parts of the original story: in Homer’s Iliad, it is Paris who is unskilled and cowardly, and Menelaus an epitome of bravery. A few verses above this passage, Marlowe describes Helen’s face as one “that launch’d a thousand ships,/ And burnt the topless towers of Ilium?,” a phrase which has been alluded to numerous times ever since.
Example #5: The Trojan War · Helen and Clytemnestra
A shudder in the loins engenders there The broken wall, the burning roof and tower And Agamemnon dead.
– William Butler Yeats, “Leda and the Swan” 9-11 (1923)
As you can read in the example above, Yeats finds an even more implicit way to allude to some of the people and events Christopher Marlowe calls into mind in Doctor Faustus. His sonnet “Leda and the Swan” vividly describes how Zeus, disguised as a swan, rapes Leda, the Queen of Sparta. From this union, Helen and Clytemnestra were subsequently born, the former responsible for the Trojan War (“the broken wall, the burning roof and tower”) and the latter the murderer of the Achaean leader (“And Agamemnon dead”). Thus, the three verses above hide allusions within allusions: by referring to the consequences (the Trojan War and the death of Agamemnon), Yeats actually alludes to the causes (Helen and Clytemnestra) without even using their names.
(Further Reading: Top 10 Examples of Allusion in Poetry)
Allusion in Literature
Example #1: Gargantua
You must borrow me Gargantua’s mouth first. ‘Tis a word too great for any mouth of this age’s size.
– William Shakespeare, As You Like It III.2.221 (1599)
This is what Celia replies to Rosalind in Shakespeare’s pastoral comedy, As You Like It, after the latter asks to answer her “in one word” a host of Orlando-related questions. (“What did he when thou saw’st him? What said he? How looked he? Wherein went he? What makes him here? Did he ask for me? Where remains he? How parted he with thee? And when shalt thou see him again?”) The meaning of the sentence is clear as it is, but it becomes even more palpable once you learn that Gargantua is a giant, the title protagonist in François Rabelais’ satirical pentalogy of novels, The Life of Gargantua and of Pantagruel.
Example #2: Methuselah
Now, you are my witness, Miss Summerson, I say I don’t care—but if he was to come to our house with his great, shining, lumpy forehead night after night till he was as old as Methuselah, I wouldn’t have anything to say to him.
– Charles Dickens, Bleak House (1853)
The son of Enoch and the grandfather of Noah, Methuselah is the oldest man mentioned in the Bible; Genesis 5:27 claims that he lived to be 969 years. Consequently, the word Methuselah is now almost synonymous with longevity, and is often used to mean “extremely aged” or “ancient.” The phrase “as old as Methuselah” is also regularly used.
Example #3: Procrustean Bed
‘The measures, then,’ he continued, ‘were good in their kind, and well executed; their defect lay in their being inapplicable to the case, and to the man. A certain set of highly ingenious resources are, with the Prefect, a sort of Procrustean bed, to which he forcibly adapts his designs. But he perpetually errs by being too deep or too shallow, for the matter in hand; and many a schoolboy is a better reasoner than he.
– Edgar Allan Poe, “The Purloined Letter” (1845)
Procrustes—literally, “The Stretcher”—was a street bandit in Greek mythology famous for the eccentricity of his modus operandi. Namely, he first invited travelers to lie on an iron bed he held in his possession, and, then, in an attempt to force them to fit the length of the bed, he either stretched them (if they were short) or cut off their legs (if they were longer than his bed). The adjective “procrustean” refers to this act, and means enforcing conformity through ruthless measures which disregard individual differences.
(Further Reading: Top 10 Allusion Examples in Literature)
Songs with Assonance
Example #1: The Cure, Killing an Arab (1979)
Standing on the beach With a gun in my hand Staring at the sea Staring at the sand Staring down the barrel At the Arab on the ground I can see his open mouth But I hear no sound
I’m alive I’m dead I’m the stranger Killing an Arab
Released a few days before the end of 1978, Killing an Arab was the controversial debut single of The Cure. As Robert Smith explains in a 1991 interview, the song “is a short poetic attempt at condensing [his] impression of the key moments in The Stranger by Albert Camus”—explicitly referenced in the chorus quoted above. However, the allusion was lost to many, leading to many accusations that Killing an Arab is a racist song which promotes violence against Arabs. As a result of the hostile response, The Cure rarely play the song even today; and when they do, they modify the last verse of the chorus to either “Killing another” or “Killing an Ahab.” And yes—the latter is another example of literary allusion!
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Example #2: Leonard Cohen, Hallelujah (1984)
Well, your faith was strong but you needed proof You saw her bathing on the roof Her beauty and the moonlight overthrew ya She tied you to the kitchen chair She broke your throne and she cut your hair And from your lips, she drew the Hallelujah Hallelujah, Hallelujah Hallelujah, Hallelujah
The second stanza of Leonard Cohen’s most covered song, Hallelujah, skillfully merges two biblical accounts. In the first three verses, it alludes to the story of David and Bathsheba, and the moment the Jewish king falls in love with the wife of Uriah the Hittite: “One evening David got up from his bed and walked around on the roof of the palace. From the roof he saw a woman bathing. The woman was very beautiful” (2 Samuel 11:2). Furthermore, the second three verses refer to the story of Samson, an Israelite of enormous strength, who lost all of it after his lover Delilah betrayed him and cut his hair (Judges 13-16). However, Cohen subverts the climax of this story, portraying the emasculated Samson/David not as a bitter man, but one ready to greet his defeat with a “Hallelujah.”
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Example #3: Frank Turner, 1933 (2018)
The first time it was a tragedy The second time is a farce Outside it’s 1933 so I’m hitting the bar.
Written—by his own admission—during the U.S. election campaign of 2016, 1933 refers, both in the title and in the last verse of the pre-chorus excerpted above, to the year when the Nazis came to power in Germany. In Turner’s opinion, something similar is happening around us at the moment. (The chorus states this explicitly: “I don’t know what’s going on anymore/ The world outside is burning with a brand-new light/ But it isn’t one that makes me feel warm.”) To point out how farcical this all seems, he alludes to a famous Karl Marx observation in the first two verses above. It can be found in The Eighteenth Brumaire of Louis Napoleon and, originally, it goes something like this: “Hegel remarks somewhere that all great, world-historical facts and personages occur, as it were, twice. He has forgotten to add: the first time as tragedy, the second as farce.”
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(Further Reading: Top 5 Songs with Allusion)
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fantroll-purgatory · 6 years
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@theo-theleo
Your name is PRAXIS AUTEUR and you have quite the interest in OLD TIMEY MOVIES your favorite being those that are SILENT. You have a large disdain for LOUD NOISES and would much rather keep things QUIET. If you aren’t watching movies you can be found in your INDOOR GARDEN caring for your various plants, your favorite of which contain powerful POISONS and SEDATIVES. You are very LETHARGIC and are tired more often then not, you’d much rather keep to yourself and drink a nice warm glass of HOMEMADE TEA. While you try to keep the peace and are fairly polite, loud noises set off you ANGER ISSUES, and you can get quite VIOLENT. Your weapon of choice if a lovely pair of HEDGE CLIPPERS from your garden, but you’d much rather not get them dirty. You have a QUIET way of speaking almost as if you where WHISPERING you never ever use caps and your sentences tend to TRAIL OFF…
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This guy is probably an alterian troll but I don’t think I’ve ever decided 100% (this takes place in an au without sburb but I will happily include sburb info!)
It’s all good! At this point we mostly ask for aspect/moon to assign an extended zodiac sign. At this point we’re not totally sold on only using Extended Zodiac symbols, but it’s fun to “type” a troll and try to modify their existing symbols to include elements of their sign.
Name- Praxis (derived from Zoopraxiscope an early device for playing moving pictures)
Auteur (straight up a word that means “a filmmaker whose personal influence and artistic control over a movie are so great that the filmmaker is regarded as the author of the movie” )
I think I’m gonna change both of these names because both “praxis” and “auteur” are words you hear in the English language, but I wanna keep the spirit of both names!
My suggestion is Monpon Andret, and I’ll explain my reasoning:
The zoopraxiscope was invented by Eadweard Muybridge, who definitely wins prizes for having the weirdest (weardeast?) goddamn spelling of Edward I’ve ever seen. Last name pronounced like “my bridge.” The oldest surviving silent film is Roundhay Garden Scene, filmed by French inventor Louis Le Prince.  So I took the phrase “my bridge” and translated it to French: mon pont.
Auteurism was popular with 40s French critics, based on the theories of Andre Bazin and Alexandre Astruc, and was dubbed “auteur theory” by Andrew Sarris. That’s a lot of Andres surrounding one theory! Seems like an appropriate way to reference it.
Age- 9 sweeps
Strife Specibus- Hedge Clippers
I like this! How would you feel about making his specibus clipperKind, especially to maintain the reference to early film editing that used literal clippers?
Fetch Modus- ‘Movie Titles’ a Modus in which every item is given a title similar in length based around their use and purpose, to withdraw an item one must flawlessly recite it’s title
example- the title ‘A small cylindrical utensil in which our protagonist or antagonist may use to transfer ink to a sheet of pressed plant mater to convey a written message or picture’ may be used to describe a pen
gfdlksjlsgj;h I fucking forgot troll movie titles were that long. Since he does silent films, what about this concept exactly but in a Charades modus? Like a solid 5 minutes of wild gesticulation just to get a fucking pen?
Blood color- Indigo Blood
Symbol and meaning- Stylized Film Reel (this character was designed before the extended zodiac and I’m 100% will to take feedback that would give him one of those symbols)
I gotcha! I think it’s a good symbol and I remember there’s a canon indigo sign that’s just a circle with an arrow, so this should be a simple adjustment!
Trolltag- animorphicLarkspur (animorphic being a film term talking about the purposeful distortion of film to make it fit the screen, a reference to how Praxis hides his anger issues to fit a calm picture. Larkspur being a blue flower that is poisonous a reference to Praxis’ work with deadly plants and his own toxic ways.)
Yeah, I’m a fan!
Quirk- All sentences trail off, no capitals (ex. i am quite positive that you are a major thorn in my side…)
I like it as a simple quirk. If I may suggest an alternate, maybe something based stylistically off intertitles? Only using brief descriptive bits to “set up” a scene, then enclosing stuff he actually wants to say in quotes. Mostly reacting to others’ actions? And keeping all messages brief, but in full sentences.
Example: On a dark and stormy night…
“Goodness! Did you see that fox jump over that dog?”
The mystery deepens…
Special Abilities (if any)- Praxis has no special abilities other than distain for loud noises
Lusus- An oversized praying mantis, Deadly but unassuming
So far we have seen two canon indigoblood lusii, and they are Arthour and Zebruh’s lusus which is…guess what: a zebra. A sample size of two means nothing, but it may be fun to play with the idea that all indigoblood lusii are horselike. Which is a perfect tie-back to your theme, actually, considering that Eadweard Muybridge’s first go with the zoopraxiscope was an animated horse. Maybe we can go a horse with like, way too many legs, like how it would look if you layered all the frames one atop the other?
Personality- Praxis tries to come off as a quiet calm and unassuming individual in a society full of violence. He very much keeps to himself and craves constant solitude, he is a film buff but even the sound of those can get to him at times, hence his overwhelming interest in silent films. He feels they fill the hole that the avoidance of others bring. He’s very slow moving and sleepy taking everything at his own gruelingly slow pace, he likes plants because they don’t go anywhere and are just as unmoving as him. He has anger issues and agressive outbursts that are often triggered by loud noises, he doesn’t want to be seen as ‘uncivil’ hence the avoidance of sound and those outbursts. He hates being seen as a ruthless high blood.
Ooooh I like it! Interesting angle to take, especially since he’s avoiding the broader highblood stereotype of violence while collapsing into the indigoblood stereotype of being like…WAY too into his hobbies.
Interests- Film, Gardening, Tea, Homemade remedies, and peace and quiet
Title: I haven’t picked one out and am 100% open to suggestions
I kind of think he might be a Knight of Hope? Like he’s drowning in his aspect in the sense that he keeps retreating to the limitless potential of film, but he’s also being a shut-in and reducing his own ability to get out there and live his life! Also ghosting Rage in the form of being a film critic. But he has the potential to step out of his house and bring his vision to others, to inspire!
Also, Hope players are known for their “black and white” thinking, which tickles me.
Land: again no idea
If he doesn’t play SBURB it’s not super relevant, but I like the idea of a Land of Slate and Bells. Full of greys and also he *needs* to make noise to progress through the planet. While the bells give off a nice, round, assonant tone, they also attract nearby monsters.
Dream Planet: Derse
Yep, I agree with that.
I think that makes him Sagirius, sign of the Bardic! I’ll see what I can do to incorporate that into your symbol!
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So this gent didn’t need *too* much tweaking; as is the case sometimes, I mostly just wanted to sprite him for fun and for sport
Credits:
fan-troll for the horn base, the suspenders, and the shoes
naphal for the pants and initial bow tie
llemonlum for the glasses
you for the hair
Glasses - I don’t know what it is but a pair of glasses seems to be the difference between me conceiving this guy as a composer vs. a critic. llemonlum has a nice set that looks suitably Ebert-like, which I felt was a good tie-in.
Symbol - since Sagirius is just a horizontally bisected circle with an arrow coming off the top, it was pretty easy to incorporate into your existing symbol! I made my own stylized film reel, cut it in half, and slapped an arrow on. I also like the bisected reel because critics often come under fire for “tearing a movie apart.”
Color scheme - we’ve seen from existing trolls that indigobloods rep their color quite readily, so I changed them all to the canon indigoblood color. I also adjusted the shirt color because it’s a little too neon a blood color to work well with mid-tone greys.
And that’s it! I like this dude.
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mermaidsirennikita · 6 years
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March 2018 Book Roundup
I read a lot of books this month!  And two of them were actually five star reads, which I would recommend for completely different reasons.  Read A Girl Like That by Tanaz Bhathena if you want to be completely devastated.  Read To Kill A Kingdom by Alexandra Christo if you want a fantastic fairy tale romp with a good bit of blood.  But like, read both?  There was also one pretty big disappointment (that was still by no means a failure, this book just got hyped to hell) and a book I actually hated.  So like, a mixed bag!
The Belles by Dhonielle Clayton.  4/5.  In Orleans, beauty drives people--in part because they don’t naturally have it.  They’re born gray-skinned, red-eyed, and ugly; and this can only be changed with the help of a Belle, one of the lovely young women with the power to (temporarily) manipulate people’s physical appearances.  Camellia is making her Belle debut with her sisters--but only one can get the coveted spot of the queen’s favorite, working on the royal family.  Initially, Camellia is passed over; but when her winning sister mysteriously vacates the spot, she is thrust into the role of favorite and tasked with the seemingly impossible feat of healing the queen’s older daughter who’s been in a coma for years.  As it turns out, the fate of Orleans could very well hang in the balance.  On the surface, I thought that The Belles would be like a lot of those YA fantasy/dystopian books centered on looks that is basically a transparent riff on reality shows/21st century pop culture meets Harry Potter/The Hunger Games/What Have You.  In fact, the way the Belles work in their world is very much its own thing, and Clayton does a lovely job of weaving in these super sugary descriptions--obviously drawing from the French royal court of Marie Antoinette or Louis XIV--while never dropping this sense of mystery and dread.  Part of that mystery revolves around what the Belles really are, and to be honest I’m still not 100% sure about that--but this is the beginning of a series, and it’s incredibly intriguing.  Furthermore, the horror factor was much more present than I expected.  It’s a book that gets a lot out of the eeriness behind what people do for beauty--the only thing it needs to work on, for me, is fleshing out the characters a bit more.
Bygone Badass Broads by Mackenzi Lee.  3/5.  Lee expands on her popular Twitter series, telling the stories of women who have been scrubbed from history because they’re not white enough, not straight enough, not cis enough, or otherwise too transgressive in some other ways.  Basically, this is one of those books that lists dozens of rebellious or unusual women, and I tend to love that.  I wouldn’t say that this book is bad, but it also doesn’t rank super high in the subgenre.  Yes, Lee does a great job of digging up women that even I hadn’t heard of (and I say “even” because again, I read a lot of books like this) but the write-ups are so short (about three-ish pages on Nook each) that I didn’t get a lot out of them.  Which of course allows Lee to include more women, but I would have rather seen more about each woman and less women in general, especially as some were honestly--less impressive than others.  As important as lady publishers are, I feel like there’s less intrigue and yeah, importance overall to their stories compared to those about women like the Maribel sisters.  There were a couple of women included who were borderline legends as well, and I don’t know...  Maybe cut them in favor of the women who definitely did something?  Furthermore, there’s a huge imbalance in time periods, or at least it felt that way--I mean, it seemed like most of the ladies were from the nineteenth century and onward.  And that’s just a matter of personal taste--I’m more interested in history from ancient times to the eighteenth century.  Nineteenth century is where my interest begins to wane a bit!  But with that being said, it’s not a bad book and definitely a nice, quick read when you want to discover some interesting women written about in a chatty tone.
A Girl Like That by Tanaz Bhathena.  5/5.  For most of her life, Zarin--an Indian immigrant to Saudi Arabia--has been viewed as a bad girl.  She’s seen that way by the mentally ill aunt who raised her, subjected to abuse in part simply because she’s a “bastard orphan”.  Her uncle sympathizes but won’t actually help.  The girls at school and their mothers see her as a flirt and a bad influence.  The only person who seems to give Zarin a chance is Porus, the boy who worships the ground she walks on, no matter how careless she is about his feelings.  Now Porus and Zarin are dead in a car accident, and few know what actually lead up to it; in bits and pieces, from multiple perspectives, we learn the reality of Zarin’s life, and why she was far more than “a girl like that”.  First off, this book is absolutely heartbreaking.  Though you know from page one that Zarin and Porus are dead, you still fall in love with them and there’s this sense of dread throughout as you get closer and closer to their deaths.  Zarin is one of the best YA protagonists I’ve read about in a while--flawed but incredibly human, easy to relate to, and terribly wounded in a way that isn’t over the top.  And Porus isn’t a knight in shining armor, he’s a romantic boy in love with a girl who may or may not want him back, and the book doesn’t hesitate to call him out for his white knight-ing while not abandoning his inherent goodness (which is implied to be present because he had the influence of a good father, whereas the other, less good boys in the book are following the examples of shitty fathers).  It was great to read a YA contemporary novel that was set somewhere other than America, or even Europe.  The author has a background similar to Zarin’s, so she’s not talking out of her ass here.  And there’s a deep sympathy for almost every character in the book--even when they’re horrible, they aren’t mindless villains.  There are cultural and religious elements at play, and none of them are good or bad without cause.  As a warning, rape and abuse (sexual and otherwise) are themes throughout the book, as is depression, suicidal ideation, and more.  It’s not an easy read.  But it should absolutely be read.
The Woman in the Window by A.J. Finn.  4/5.  Anna is an agoraphobe and classic cinema fan, spending her days talking to fellow agoraphobes on a message board and her nights watching movies--and spying on her neighbors.  She hasn’t left her home in ten months, doesn’t live with her husband and daughter anymore, and seems beyond hope when her new neighbor Jane visits and breathes new life into her boring routine.  No sooner has Anna made a friend, however, than she sees something horrible happen in Jane’s home.  The issue?  Everyone--including the police--say that it didn’t happen.  This book is a clear Rear Window tribute, and acknowledges as much--in fact, Anna’s obsession with classic thrillers, along with her alcoholism and psych meds, probably contribute to her status as an unreliable narrator.  And I love an unreliable narrator.  Anna is flawed without losing my sympathy (another favorite character type) and while I can’t say that this is the most original thriller I’ve read, it’s entertaining and well-done and even a bit emotional.  Definitely satisfying.
Rosemarked by Livia Blackburne.  2/5.  Zivah is a healer, struck down by the same plague she’s been treating people for--the rose plague.  It will shorten her life but kill her slowly, isolating her in a little cottage (think shades of leprosy, but not as gross, of course). Dineas has survived the same plague, leaving him immune, and has escaped the Amparans who tortured him to the point of breaking.  His desire to liberate his people brings him to Zivah, who wants to make the remainder of her life mean something--and together the two unite on a mission to steal from the capital.  I think.  Honestly, this book was so boring that I wasn’t really absorbing much of the plot.  In theory, it’s such a cool idea: a slow-burn romance between a warrior and a dying healer that has them acting as spies.  But it’s told in alternating perspectives, and Dineas and Zivah are both so bland that I couldn’t really tell the difference between the two of them. There was a lot of summary without much urgency.  Also: the romance is clearly meant to be a big part of the story.  However, Dineas and Zivah lack chemistry, and this issue is only exacerbated by the fact that... for reasons... which I didn’t totally get... Dineas keeps having his memory taken away?  Willingly?  “For the mission”.  So Zivah is supposedly falling in love with amnesiac Dineas, who isn’t even really Dineas completely--or is he???  God, it made no sense.
Awayland by Ramona Ausubel.  3/5.  A collection of short stories capturing the feelings of dreaminess and wanderlust, often with a dose of magical realism.  This book is very difficult for me to describe, in part because it’s just kind of weird?  Definitely well-written if you like pretty, sometimes purple prose.  There were a few stories I really liked, some that simply baffled me, and in general I loved the sense of the different lands the author described.  However, one story made me particularly uncomfortable in the almost fetishistic way that it described Africa, and I can’t help but feel how... deliberately vague... it seems to be.  And I’m not sure what to think about that.
To Kill A Kingdom by Alexandra Christo.  5/5.  Princess Lira has seventeen hearts in her bedroom.  The daughter of the siren Sea Queen, Lira waits for the day that she takes her mother’s throne, building a fearsome reputation by taking the still-beating hearts of princes.  Prince Elian isn’t so dissimilar--however, he sails the seas killing sirens, and his reputation has made him a prize for the sirens.  After killing one of her mother’s subjects, Lira is punished with a human form.  The only way she can return to her true body--and remain her mother’s heir--is to get Elian’s heart--without any of her powers.  This Little Mermaid retelling is dark--focusing a good bit on the effects of abusive parenting--and bloody, starring a monster princess and a prince who isn’t so nice either.  Yes, it’s a story of two people who are mortal enemies hating each other until they maybe don’t so much.  Yes, it’s full of the various lands Elias and Lira visit and all of their royal families.  Yes, it was one of the most fun and engaging books I’ve read in a long time, and certainly one of the best fairy tale retellings I’ve read.  READ IT.
Blood Water Paint by Joy McCullough.  3/5.  A verse-driven retelling of Artemisia Gentileschi’s rape and its aftermath, interspersed with stories of the women who would inspire some of her most famous works.  Let me tell you this upfront: I feel that other people would enjoy this book much more than I did.  It’s written in a lovely way--the stories of Judith and Susanna are told by Artemisia’s mother, almost as bedtime stories, which is... a bit weird, but cool--and it is an incredibly important, if brutal, story.  It’s also, at face value, pretty accurate: Artemisia was the daughter of a mediocre painter who she learned from and surpassed; she was raped by Agostino Tassi after an initial romance; she was tortured in court to prove that she wasn’t lying about her rape.  The story does skirt over the fact that Artemisia wanted to marry her rapist, and his refusal to marry her drove her to seek justice--not the rape on its own.  And that bothered me, the lack of real confrontation of that fact.  Because it renders Artemisia an “imperfect victim”, and few rape survivors ARE perfect victims.  Certainly, few in the seventeenth century fit a twenty-first century idea of what rape survivors are like.  And that was a huge issue with the book in general.  Artemisia--and her mother, to an extent--thought and sounded like twenty-first century women.  Artemisia approached painting like a twenty-first century artist.  As someone who has studied Italian painting of this era, and how Italian women painters were treated and acted, it just... didn’t sit well for me.  Sure, the whole book was stylized, but you can have a stylized story without losing authenticity.  Again, this will probably be a fantastic book for people who don’t share my background with the story.  But it didn’t work for me.
The Wicked Deep by Shea Ernshaw.  1/5.  Two centuries ago, the people of Sparrow drowned the three Swan sisters, all accused witches.  Ever since then, the sisters have returned every summer, possessing innocent girls until the solstice to seduce and drown boys.  Penny Talbot is familiar with the legend, and therefore hasn’t let herself get attached to the local boys.  Bo isn’t local--but he does have a connection to the sisters.  As they zero in on a boy she’s growing increasingly concerned for, Penny hunts for an answer to what the sisters really want and how she can stop them.  This was so bad.  So bad.  Bad because the idea was really cool--ghost witch sisters, possession, seduction, drowning--and there were some really interesting descriptions.  Basically, some of the bits that were just about the Swan sisters’ past were cool.  Some of them.  Until the end.  The rest was basically a hodge-podge of incredibly predictable “twists”, chemistry-less instalove, and a total inability to write people as people.  They made ridiculously stupid choices, experienced inexplicable emotional reactions, and in general just felt fake.  This should have been SO cool.  But it just made me want to write the opposite thing in order to prove a point.  (Also: it is set in OREGON.  Near Portland.  In our time, or at least a time where stereos are a thing.  I know that shady shit can happen anywhere and especially in small towns, but fuck.  Around 3 or more young boys from this town drown EVERY SUMMER, and not only is the town able to sustain itself but the FBI hasn’t gotten involved?  These all seem to be young white boys, in Oregon, just drowning.  Literally if this had been set in a made-up town in a made-up time, this would have been much more believable.)
The Merry Spinster by Mallory Ortzberg.  3/5.  A collection of short, spooky retellings of not only fairy tales, but classic children’s stories like “The Velveteen Rabbit”.  Overall, I’d recommend this book if you’re in the mood for something lyrical yet genuinely grim--but be warned, it can be a bit self-important sometimes.  A few of the creepier bits felt almost too self-aware; like, “this is scary because these are children’s characters acting really weird, oooh”.  Some of the stories I could have done without.  Standouts include “The Daughter Cells” (The Little Mermaid), “The Six Boy-Coffins” (The Six Swans, also the best story in the collection), “The Rabbit” (The Velveteen Rabbit) , and “Cast Your Bread Upon The Water” (Johnny Croy and His Mermaid Bride).  
The Radical Element ed. Jessica Spotswood.  2/5.  An anthology of short stories about young women who are “radical” in some what, from the nineteenth to twentieth century. Because really, for a historical fiction anthology, this is pretty limited in time periods and locations--it’s nineteenth and twentieth century America, barely stretching a century. Which is something I found irritating about the last anthology edited by Spotswood that I read (A Tyranny of Petticoats) but I liked that more because there were more stories for me to connect with.  Honestly, many of these read very young to me, so regardless of the writing quality I didn’t like most of them.  The only one that really stood out to me was Anna-Marie McLemore’s “Glamour”.  But this isn’t a bad anthology, in my opinion--I just think I’ve outgrown much of these stories.  
Sometimes I Lie by Alice Feeney.  2/5.  Amber is in a coma.  She can sense everything around her, hear everything people say, but can’t move her body, even to open her eyes.  She remembers nothing--only that her husband doesn’t love her anymore, and she believes that he had something to do with the “accident” that people refer to.  Alternating between Amber’s present in the coma, the days leading up to the accident, and a series of diary entries, the truth slowly unravels--or maybe.  Because sometimes Amber lies.  Basically, this had all of the plot elements it needed to have... But it moved at what felt like a glacial pace, and I couldn’t get into anything because the voices were dull.  Also: Amber has no control over her bodily functions while in a coma, and is sure to remind us of this every possible moment.  Furthermore, there is such a thing as too many twists, and to a degree, this book went there.
Children of Blood and Bone by Tomi Adeyemi.  3/5.  The land of Orisha was once full of magic--and Zelie’s mother was one of those who had it.  Until, that is, magic disappeared.  King Saran conducted a raid that killed all--or supposedly all--magic users, including Zelie’s mother.  Years later, Zelie and her brother Tzain embark on a quest to restore magic, aided by the runaway Princess Amari, and pursued by Amari’s brother Inan, who is determined to inherit his father’s ruthless legacy.  So...  This book.  I wanted so badly for it to be at least a four star read for me.  It’s been intensely hyped up, with the movie rights being sold ages ago.  Is it worth the hype?  For me, obviously not.  The hype oversold it.  Because Children of Blood and Bone is an enjoyable read with a ton of potential--but it’s also one of those books that was so clearly written by a debut author.  And I hate to say that, because I want to be a debut author someday; but there is a standard we need to hold ourselves and others to, and to me, this book needed some editing.  It was very overlong, with some parts dragging because I wanted to get back to the action.  The character beats sometimes felt rushed, comparatively--especially when it came to, you guessed it, the two central romances.  One of them was MADE FOR ME, but though I liked the pairing I wished that there had been more a realistic buildup.  The interesting thing about Children of Blood and Bone is that Adeyemi--who as I understand it is Nigerian-American, raised in America--based it off of West African culture.  As a white American, I obviously cannot speak to the authenticity of the usage of Yoruba, but I have seen a couple of Nigerian reviewers claim some issue with it, and that does make me wonder.  I do know that Adeyemi used, again, Yoruba in her book as well as several real place names.  This bugged me a bit.  Orisha is a fictional world--why refer to real African cities and a real language?  Obviously, most of the dialogue is in English, but Adeyemi could have referred to an imagined language as many fantasy novelists do.  To me, this all felt like... I don’t know, Jon Snow saying that he’d learned French from a tutor, or Gandalf saying that he was from Belfast.  It was a worldbuilding issue that knocked me out of the story.  For that matter, the fact that the catlike animals were referred to as “leonaires” (leopards), and so on... it seemed kind of weak.  There were a ton of very usual beats here--rebellious princess, young characters doomed from the first page, evil king who is evil because he is evil and had a dead love that is the sort of root of all of his problems...  It seems like I’m critiquing the fuck out of this book, but it had such a great idea and was so set up to be great that I don’t know.  I’m just disappointed, and it all could have been much better because the bones were there.  All that said, I’m probably going to read the second book because I was invested in the characters and do want to see what happens next.  But if the next book isn’t better, I probably won’t read beyond that.
In Search of Us by Ava Dellaira.  3/5.  Angie has never known her father; the biracial child of a white mother, she has never known the black side of her family, as her father apparently died before she was born along with his brother.  After discovering that her uncle is actually alive, Angie embarks on a trip to LA with her ex-boyfriend to seek the truth about her father.  In a parallel story, we see the journey of her mother, Marilyn, as a teenager being pushed by her mother to support them through a modeling career she doesn’t want.  After meeting James, Marilyn sees the opportunity for a new life--the question is how she’ll come to be the single mother of a daughter she keeps secrets from.  This book is really lovely and sweet in a lot of ways--the writing is quite pretty.  Marilyn’s story is, to be honest, much more compelling than Angie’s simply because she has a more dramatic arc.  Angie is essentially on a trip to uncover something you can probably guess fairly early on, and though her struggles are totally understandable, it is kind of difficult to watch her treat her very sweet ex like shit and kind of take advantage of his feelings.  Marilyn has this struggle of attempting to escape her mother’s impossible dreams, while engaging in genuinely sweet and sad romance.  The issue for me was that nobody quite as accessible as Marilyn, and while I appreciated the message the book was sending, it seemed a bit heavy-handed and abrupt towards the end.  Tacked on for points, to be frank.  Also, there was one sex scene that seemed... while not physically impossible, very unlikely.  But overall, if you want to read something sort of gentle and sad with good romance AND mother-daughter elements, I’d recommend it.
The Flight Attendant by Chris Bohjalian.  3/5.  Flight attendant Cassie is something of a train wreck, using her career to facilitate a habit of heavy partying and one night stands.  In Dubai, she has a one-nighter with a man named Alex, only to wake up to find him brutally murdered in the bed they shared.  Unable to remember the entirety of the previous night’s events and terrified of what will happen to her, Cassie sneaks out of the hotel room and finds herself embroiled in an international scandal.  The book follows not only Cassie’s perspective, but that of the mysterious Elena, who seems to be keeping tabs on Cassie.  This is definitely a gripping book, and I sped through it.  Honestly, much of the interest had to do with just how odd and intriguing a flight attendant’s life can be, and it was certainly a great profession for the main character of a thriller--Cassie was constantly jet-setting.  The issue was that she was also a total idiot, to the point that sometimes her stupidity felt less like a character trait and more like a plot device.  But I could have gotten over that.  What bumped this down from a 4 to a 3-star rating was the ending--the big twist wasn’t something I called, but it also wasn’t very thrilling.  You pretty much knew what was going on before the end.  And of course, everything was tied up in a very... borderline sexist way?  But it’s not the worst thriller I’ve read; I mean, it wasn’t even the worst one I read this month.
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The Weekend Warrior 12/11/20 - MINARI, THE MIDNIGHT SKY, LET THEM ALL TALK, WILD MOUNTAIN THYME, PARALLEL, WANDER DARKLY and More!
Honestly, I almost didn’t write a column this week for reasons I’ll probably be ranting about for a few more months, but the long and short of it is that I’ve now been writing movie reviews for 19 years, as well as writing a weekly column through most of that time, and I’m kind of sick of working my ass off, usually for very little money, and just not getting anything out of it.
This mainly came as I crossed 200 reviews for the year a few weeks back. As I was preparing to write this week’s column, Rotten Tomatoes, where most of my reviews have been available as FREE content for the past 17 years, decided to upgrade a number of critics to be “Top Critics”… but not yours truly. I have a lot more to say about this but don’t want to waste any more of my time or anger right now. I will be wrapping this column up and taking some time off for a month in January and deciding whether I want to keep wasting my time every week for no money and little feedback. It really just isn’t worth it anymore.
Fortunately, I saw a few good movies this week, and more than a few bad, so let’s start with one of the good ones, shall we?
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This week’s “Featured Flick” is Lee Isaac Chung’s MINARI (A24), which like Nomadland last week will get some sort of virtual cinema release in New York and L.A., presumably that can be seen across the country. It will then get its official release on February 12, 2021.
The movie stars Steven Yeun from The Walking Dead as Jacob, a Korean father who brings his family to an Arkansas house in the middle of nowhere in the ‘80s, hoping to start a farm. His wife Monica (Yeri Han) is not happy with this decision but their kids Anne (Noel Cho) and David (Alan S. Kim) try to adjust to the new life. Things aren’t going well but then Monica’s mother Soonja (Yuh-jung Youn) shows up, that just adds more pressure on Jacob, and the kids, especially David, who hates the quirky older woman who acts nothing like a grandmother.
I’d been hearing about Minari going all the way back to its debut at Sundance, and though I remained skeptical, I finally saw it a few months ago an again over the weekend, and it’s one of my favorite films of the year, probably Top 5. To me, it’s somewhat in the vein of The Farewell, my number 1 movie of 2019, vs. the Oscar Best Picture winner, Parasite. It’s a very personal story for Chung who based some of the experiences on his own childhood, which once again proves the adage that if you’re going to write a movie, make it personal since that’s the most likely to connect with others. (Not always true, but it was great advice when I was given it.)
It takes a little time to understand why Minari is so beloved, since Chung takes an interesting approach where we see various scenes that don’t necessarily seem to tie into some sort of plot. Characters like Will Patton’s ultra-religious zealot who seems to be a bit lost when Jacob takes him on to help with his farm. Otherwise, we see various character interactions as things get tenser and tenser between Jacob and Monica, who are fighting all the time. Although the drama does get intense at times, there’s a lot of joyful and fun moments, particularly those involving the wacky grandmother and her dysfunctional relationship with her grandson. I also enjoyed the relationship between the two kids where Anne is always protective of her younger brother, who has some sort of heart illness. 
It's a beautiful movie with an equally gorgeous score, but it’s really in the last 20 minutes or so when we start to see where Chung has been going with all these seemingly disparate elements, which builds up to a wonderful ending. Yeun is terrific, and the fact he reminded me of my own father -- we’re neither Korean nor have I ever been to Arkansas -- shows why his subdued performance is so effective. Overall, the film proves that however many awful things life might throw at you, your family can always fix things. I love that message, and I hope others will find and love this as well.
After its one week in virtual cinema, Minari will get an expanded theatrical release starting February 12… hopefully, New York City theaters will be open by then and I can see it in a theater.
Film at Lincoln Center in New York also is starting its 49th annual “New Directors/New Films” series, which was delayed from March, although being virtual, the movies in it can also be viewed nationwide for the first time. I feel like a lot of movies that were scheduled to play ND/NF ended up being released already but there should be some interesting things in there.
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George Clooney’s latest film THE MIDNIGHT SKY is based on Lily Brooks-Dalton’s novel Good Morning, Midnight, in which he plays Augustine, a scientist dying on his own at the Barbeau Observatory in the Arctic, who has to warn a group of astronauts returning to earth that it’s no longer safe for them to return.
Clooney has made a lot of good and great movies over the years, so that I’m one of those people anxiously ≠waiting for him to make something great again after the disappointment of Suburbicon. Midnight Sky is definitely one step forward and a few steps back, as it’s impossible not to think of previous Clooney movies like Solaris and Gravity, as well as The Martian and Passengers and Ad Astra. Yes, we somehow have gotten to the point where every year there’s some sort of space movie, and while Midnight Sky at its best is better than Solaris or Ad Astra (sorry, but I was not a fan), there’s enough that’s so quizzical and confounding I’m not sure people will be able to follow what’s going on.
Much of the first half of the movie involves Clooney’s Augustine alone at the Artic base interacting with a little girl (Caoillin Springall) who is completely silent. If it’s ever explained what the girl represents, I must have missed it. There are also flashbacks to Augustine’s earlier career as a scientist and explorer played by a somewhat only semi-impressive Clooney kinda look-alike in Ethan Peck.
The best moments of the movie involve the crew of astronauts on the spaceship Ether, including Felicity Jones and David Oyelowo, who are in a relationship, Demián Bichir, Kyle Chandler and Tiffany Boone, as they deal with various issues. This is really where comparisons to Gravity and The Martian are earned, but that’s such a mighty quintet of actors that these sections are far more interesting than sullen bearded Clooney with his young ward. The production design and visual FX in these portions of the film are also quite impressive.
The Midnight Sky throws a lot at the viewer but then tries too hard to be quizzical and enigmatic about how all of it ties together until the very end. I feel that some of Clooney’s more mainstream fans will be quite confounded and possibly even disappointed. The Midnight Sky is Clooney taking a swing and only partially connecting, and it might require multiple viewings to feel like it’s a worthy addition to his filmography.
Either way, The Midnight Sky will open theatrically in select cities this week and then be on Netflix on December 23, just in time for depressing everyone on Christmas!
Also hitting Netflix streaming this week is Ryan Murphy’s musical THE PROM, which I reviewed last week. It’s great, I loved it, and can’t wait to watch it again!
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Next up is Clooney’s pal Steven Soderbergh, whose new movie LET THEM ALL TALK, will premiere on HBO Max this Thursday, December 10. It stars Meryl Streep as renowned writer Alice who is called to England to receive a prestigious literary award. Since she doesn’t fly, she’s booked on a cross-Atlantic trip on the Queen Mary II ship. Alice decides to bring her old friend Roberta (Candice Bergen)—whom hasn’t spoken to her in three decades--and Susan (Dianne Wiest) as well as her nephew Tyler (Lucas Hedges) to serve as her assistant so she can focus on her writing. Little does she know that her young agent Karen (Gemma Chan) is also on the ship hoping to find out what Alice is writing about with the help of Tyler, who is quite smitten with her.  
I’m not sure where to begin with one of week’s films that I probably had the highest expectations and ended up leaving me with the most utter disappointment. I wasn’t really that crazy about last year’s The Laundromat, and I’ve generally found Soderbergh’s work to be hit or miss over the last few years. I loved his thriller Unsanefor instance, and the Magic Mike movies were fun. This one, written by author Deborah Eisenberg, is just plain boring for most of it, offering nothing particularly interesting or insightful, as it’s basically another movie where Streep is playing a character who moans about how difficult her life is and how much better everyone else has it. I mean, if I wanted that shit, I’d spend more time on Twitter than I already do. And then there’s Hedges, one of my favorite young actors over the past few years, who seems to have fallen into a niche playing
In fact, my favorite aspect of the film was Gemma Chan, who plays a character with far more depth and dimension than normal, although much of her role is just to spy on Alice and fend of the subtle advances by the much younger Tyler. The two actors have some fun scenes together, far more lively than anything involving the older actresses, but you always know where it’s going. It’s kind of awkward and painful to watch Hedges bomb so hard. (At least he fared better playing a similar role in French Exit, but in that one, his love interest was Danielle Macdonald.)
The movie looks good with Soderbergh handling his own camera duties and cinematography as usual, and it’s scored with the same hipster jazz he might have used in one of his Ocean movies, but the movie just goes on and on and on, and it hs one of the most “what the fuck?” moments you’ll see this year.
If you can imagine one of The Trip movies without any of the laughs or the delicious food porn…but on a ship, that’s basically what you end up with. More than once while watching Soderbergh’s movie, I was ready to abandon ship.
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And from pretty bad, we go to much, MUCH worse. Do you know what thyme it is? It’s WILD MOUNTAIN THYME!!!
John Patrick Shanley adapts his own play Outside Mullingar into a film that will be released in theaters and On Demand by Bleeker Street this Friday, and believe me, its biggest problems isn’t some of the awful Irish accents on display, but they certainly don’t help. Emily Blunt plays Rosemary and Jamie Dornan is Anthony, childhood friends who live down the street from each other in their Irish farming community. When they grow up, Rosemary’s father dies leaving her with a plot of land that forces Anthony and his father Tony (Christopher Walken) to have to use a gate to get to their home. Remember this gate, because it’s going to be mentioned so much over the course of the movie, you’ll wonder why the movie wasn’t called “Wild Mountain Gate.” (It’s actually named after a song that Blunt’s character sings for no apparent reason.)
First, you’ll have to get past the odd choice of the very non-Irish Walken in a key role as the dead narrator of the story with that aforementioned horrid accent. It won’t take long for you to start scratching your head how a noted playwright like Shanley could write such a horrible screenplay. Soon after, you’ll wonder how he convinced someone to finance making it into a movie. I’m normally a pretty big fan of Blunt, but this movie and role might be one of her biggest missteps as an actor to date. As a child, Rosemary was told by her father that she was the White Swan in Swan Lake, so of course that will lead to
It’s not long before Jon Hamm shows up as one of Anthony’s distant relatives who also has interest in Rosemary’s plot of land – nudge, nudge, wink, wink. Pretty soon we’re thrust into awkward love triangle rom-com that falls somewhere between Leap Year and The Holiday. Not exactly something you’d expect from the filmmaker behind the drama Doubt that produced multiple Oscar nominations for the cast, eh?
Instead, Shanley ends up trying to foist the… I don’t want to call it chemistry. What is the exact opposite of chemistry? Between Blunt and Dorman with one long boring conversation after another. At one point, they’re having a romantic chat about suicide, the next Anthony is telling Rosemary that he thinks he’s a honeybee. I mean, what the holy fuck?
Honestly, the whole thing is just grueling to watch, because you wonder how so much talent could falter so badly, particularly Shanley? Even the recent Shane MacGowan doc was a far more romantic take on Irish farming than this could ever possibly be.
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One of the nicer surprises of the week is the sci-fi thriller PARALLEL (Vertical), which will be in theaters and On Demand this Friday, and it’s likely to be missed by a lot of people who would enjoy it. Directed by Isaac Ezban from a screenplay by Scott Blaszak, it follows four young people working in the tech sector of Seattle who discover a mirror in a hidden section of the house they’re renting that apparently allows them to experience other dimensions and other versions of their lives. Soon, they’re experimenting with different ways they can make money and achieve fame, although not all of them are cool about how they’re doing it.
Although Parallel opens like a home invasion thriller featuring the great Kathleen Quinlan, we soon learn that it’s a red herring before we meet the quartet of young entepreneurs working on a parking app with an almost impossible deadline. When they find the mirror that leads into an alternative dimension, they immediately start to experiment with figuring out what is happening exactly, and once they do, they realize they can make money by stealing from “alts” i.e. other versions of themselves. Soon, their success starts driving them insane with a desire for even more money and power.
Ezban’s movie benefits from a talented mostly unknown cast, including Martin Wallstrom and Mark O’Brien as boisterous alpha males. Georgia King’s artist Leena is far more than a love interest, although she does become an obsession for one of them eventually – and man, does she remind me of a young Reese Witherspoon. British actor Aml Ameen plays Devin, whose father committed suicide after being accused of corruption, and he’s also wary of some of the activities his friends get up to. There’s also the quartet’s main competitor Seth who gets suspicious of their success as they start producing all sorts of incredible technical inventions.
Parallel is a pretty twisted sci-fi movie that in some way reminded me of the ‘90s thriller Flatliners and even Primer a little bit, but the mirror aspect to it also will draw comparisons to Oculus, one of Mike Flanagan’s cool earlier movies. It doesn’t take long for the twists to start flying at the viewer, and once they do, your mind will be boggled and not necessarily in a bad way. I wouldn’t want to even begin sharing some of the crazy places where the film goes, but even gore fans won’t be disappointed by some of it.
It’s a real shame this terrific movie has floundered without distribution or deserved attention for so long, because there’s absolutely no question in my mind that Jason Blum should be talking to Ezban and Blaszk about doing something together. Parallel is the type of quality high-concept thriller Blumhouse thrives upon.
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Another nice surprise this week was Ekwa Msangi’s FAREWELL AMOR (IFC Films), which debuted at Sundance earlier this year and barely got any attention, which is a real shame. It’s expanded from her earlier short, and it’s about an Angolan immigrant named Walter (Ntare Guma Mbaho Mwine), who is reunited with his wife Esther (Zainab Jah) and daughter Sylvia (Jayme Lawson) after 17 years. As they share a small New York apartment, Walter and Esther try to rekindle their romance while Sylvia tries to adjust to an American school.
Msangi’s film opens at Newark airport where the small family is reunited, Walter not having seen either wife or daughter in a decade and a half. He’s working as a cab driver, and he’s ready to rekindle the old flame and meet his daughter who was only a baby when he moved to the States. (Little does Esther know that Walter was in a relationship with another woman, a nurse who isn’t too happy about having to leave Walter’s life.)
One of the things Msangi does to keep things interesting is that she splits the film into three sections, one for each character that focuses specifically on them, and the story gets infinitely interesting as we learn more about each of them. Walter is somewhat at odds with doing the right thing by his wife and daughter, who is wanting to explore her love of dance that her ultra-religious mother forebids. For some reason, I thought Sylvia’s section would be the most interesting as she deals with the trials of being a teenager, but then Esther’s section shows her to be a far more layered character we might have assumed earlier. She also befriends a neighbor woman played by Joie Lee that helps her expand. The thing is that all three are clearly good people, and you never feel as if one is doing something bad in relation to the others.
Farewell Amor is a quiet but beautiful film that explores an immigrant story in a far different way than we’ve seen before. It’s a discovery film, and I hope people will not just presume it won’t hold their interest. It’s a wonderfully relatable human story, similar to Tom McCarthy’s The Visitor.
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Sienna Miller and Diego Luna star in Tara Miele’s psychological drama WANDER DARKLY (Lionsgate), playing Adrienne and Matteo, a couple who recently had a baby. After they get into a horrible car accident while arguing, they end up revisiting the highs and lows of their relationship as Adrienne believes either she or Matteo or both are dead.
This is a surprisingly stranger film than I expected, delving into the supernatural not quite in the way as something like Wes Craven’s Serpent and the Rainbow or Jacob’s Ladder, but having a few elements in common. Although I haven’t seen Miele’s other films, this one feels very much like something Drake Doremus might have made to the point where I’m not sure I could say I fully understood what was happening from one moment to the next. The film seems to be exploring a couple’s relationship through a horrible tragedy but does in a strange way.
With the emotional performances by the two leads being enhanced by an amazing score by Alex Weston (who also scored The Farewell last year), Wander Darkly is more than anything, a performance piece with a decent script and further proof Miller continues to be one of the most underrated actresses working today. Despite those great performances, the movie’s strange premise might be too metaphysical and intense in execution for everyone to be along for the entire ride. In that sense, I probably liked last week’s Black Bear just slightly more.
I reviewed Steve McQueen’s ALEX WHEATLE (Amazon Prime Video) in last week’s column, and that will hit Amazon Prime this Friday, but I think I’m going to save Education, the last film in his “Small Axe Anthology” for next week’s column.  I was also hoping to review Tom Moore and Ross Stewart’s WOLFWALKERS (Apple+) this week, since it premieres on Apple TV+ on Friday, but I just couldn’t get to it. Story of my life.
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I’m not sure if I could tell you how many of the Ip Man movies I’ve seen over the past 12 or so years, many of which I saw at the New York Asian Film Festival, but Ip Man is indeed back after last year’s Ip Man: The Finale, but that’s because IP MAN: KUNG FU MASTER (Magnet/Magnolia Pictures) is part of the spin-off prologue series starring Dennis (Yu-Hang) To, who looked enough like a younger Donnie Yen to start a whole sub-franchise. This one is directed by Liming Li, who is also directing a Young Ip Man: Crisis Time prequel movie that presumably stars someone younger than both Yen and To. Got it?
Okay, maybe this needs a little more explaining, although the nice thing about Kung Fu Master is that it works perfectly fine as a stand-alone in case you’ve never seen any of the other movies. This one takes place in the ‘40s as Man is a police captain in Foshan, dealing with the ever-present gang known as The Axes.  He’s framed for murder when the leader of the gang dies in prison, and his daughter, Miss Qingchuan (Wanliruo Xin), wanting revenge as she takes over the gang. Ip Man has other issues like being disgraced as a police officer and then the arrival of the Japanese army who have their own agenda. Ip Man ends up donning a mask to become the Black Knight to fight crime in another way.
I make no bones about my love of martial arts films when they’re not stupid or hoaky and sadly, the Donnie Yen franchise was getting by last year’s so-called “finale.” Kung Fu Master starts out with an amazing action scene of To fighting off what seems like hundred of axe-wielding gangsters, and it barely lets up, constantly throwing interesting and thoroughly entertaining fights at the viewer. Eventually, there’s a bounty on Ip Man’s head with whoever kills becoming leader of the Axes, but he has other issues, like his wife giving birth to their baby boy, just as the police chief and force shows up to arrest him. Cutting quickly between childbirth and kung fu action is just one of the interesting things Director Li does to make his Ip Man debut.
The resemblance between Dennis To and Donnie Yen is more than just facial as his wushu techniques are equally impressive, and sure, there’s a few more dramatic moments between Ip Man and his wife, but it’s Xin’s Miss Qingchuan who ends up being more of a formidable counter to To in just about every way, including a few fight scenes where axes are flying through the air.
Ip Man Kung Fu Master is fairly short, less than 90 minutes, but it still feels long because it feels like it finds a good ending, and then tacks on an epilogue and then another one. There were times I thought it might end on a cliffhanger to set up Ip Man’s inevitable next movie. The abundance of evil antagonists Ip Man must fight in this one tends to become a bit much, but it’s hard not to be thrilled by the martial arts on display and Li’s terrifically stylish visuals that keeps the movie interesting.
Ip Man Kung Fu Master will be available digitally Friday through a variety of platforms.
Filmmaker Adam Egypt Mortimer, who released Daniel Isn’t Real last year, returns with ARCHENEMY (RLJEfilms), starring Joe Manganiello as Max Fist, who claims to be a hero from another dimension that fell to earth. He ends up spending time with a teen brother and sister, Hamster (Skylan Brooks) and Indigo (Zelee Griggs) who want to clean the streets of the local drug syndicate, led by The Manager (Glenn Howerton from It’s Always Sunny in Philadelphia). It’s a strange and quirky dark superhero movie that includes appearances by the likes of Paul Scheer and Amy Seimetz, and though I ran out of time to review, I do have an interview with Mortimer at Below the Line.
Time to get to some docs, and there are definitely some you’ll want to check out, although I don’t have as much time to write that much about them, and some of them I wasn’t able to watch yet.
Another great doc out of the September festival circuit is Ryan White’s ASSASSINS (Greenwich Entertainment), which follows the assassination of Kim Jong-nam, half-brother to North Korean leader Kim Jon-un in 2017 at a busy airport in Malaysia by two young women. Although the two women had never met before, they were jointly charged with attacking the North Korean ex-pat with a lethal nerve gas called VX but White’s investigation takes him all over South-East Asia trying to get answers to how the two women were tricked into committing the assassination. This is a pretty masterful display of doc filmmaking by White, not just in the sense of the way the story is paced and edited like a good political thriller, but it’s one that keeps the viewer invested even as the last act deals with the trial of the two young women and the bond that forms between them.
I’ll have more about this film over on Below the Line sometime very soon, but it hits theaters and virtual cinema this Friday and then it will be on PVOD on January 15
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I saw Seamus Murphy’s doc PJ HARVEY: A DOG CALLED MONEY way back in March when it was supposed to open at New York’s Film Forum, but it’s finally getting a virtual cinema release there. Murphy travelled across Afghanistan, Kosovo and Washington DC with singer/songwriter PJ Harvey as she prepared material for her 2015 album, The Hope Six Million Project, which she produced with Flood and John Parish as an installation at Somerset House where people can walk by and view the recording process.  This is an amazing doc that allows you into the process of writing for an amazing recording artist who has given Murphy and the viewer unprecedented access into her creativity. I had fully lost track of Harvey over the years, even though I was a huge fan of hers when she first hit these shores – in fact, I saw her play a concert where Radiohead opened for her… and there as another band (Gallon Drunk) after them! Because of that, I wasn’t familiar with the album, but I just love good music docs, especially ones that take us behind the scenes of a talented artist, and Murphy has created quite a fascinating film even outside the recording studio, whether it’s following Harvey around (narrated by her own poetic observations) but also with commentary by others they encounter. I found the Washington DC segments particularly interesting, since that’s the one place where I’ve spent the most time.  An absolutely fantastic doc whether you’re a fan of Harvey’s or not.
Also playing in the Film Forum’s Virtual Cinema this week is Thomas Balmés’ SING ME A SONG, the filmmaker’s second doc set in the Himalayan village of Bhutan that’s been isolated for centuries. He returns to update on Peyangki, the 8-year-old Buddhist monk from his 2014 film Happiness, now a teenager who has fallen under the sway of technology including pop music and smartphone games, as he begins a WeChat romance with a young singer, which makes him consider leaving the monastery.
Also premiering on Netflix this Friday is Jim Stern and Fernando Villena’s doc GIVING VOICE, tying into the streaming premiere of August Wilson’s Ma Rainey’s Black Bottom next week. It follows six student actors auditioning for the August Wilson Monologue Competition, which brings thousands of students from twelve U.S. cities together to perform the Pulitzer Prize winner’s work.
Joshua Faudem’s doc THE LAST SERMON (Gravitas Ventures/Will Kennan) follows the director and Jack Baxter as they follow 14 years after making their 2004 documentary Blues by the Beach, in which the two ended up in a terrorist attack by British Nationals on Mike’s Place, a bar next door to the National Embassy on Tel Aviv. This event sends Baxter and Faudem across Europe to refugee camps and mosques in order to understand the essence of Islam and the truth about the international terrorists that almost killed them.
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Drew Barrymore plays a dual role in THE STAND-IN (Saban Films), directed by Jamie Babbitt (But I’m a Cheerleader). While under normal circumstances, Wild Mountain Thyme would have been the dog of the week, then this movie came along. Yikes. Barrymore plays Candy Black, a comedy star best known for her pratfalls in bad movies (ala Melissa McCarthy). She also plays Paula, Candy’s much sweeter and almost identical stand-in. Candy is a nightmare to work with and after a fall from grace, she holes herself up in her Long Island Estate for five years, while Paula’s own fortunes falter without having that work. I’m sure you can figure out where it goes from there.
Yes, folks, we have what is now one of the worst iterations of a Tale of Two Cities not made by Barrymore’s frequent co-star Adam Sandler, although there are times where you wonder if she is actually playing a version of Sandler with Candy. Eventually, either Candy or Paula or both decide that Paula can take Candy’s place in her attempt to return to work, but the results are just far worse than The Hottie or the Nottie, as Paula also stands in for Candy on dates with the man she’s fallen in love with online through their love of woodworking. (I didn’t make that up.) You almost always know where it’s going and can’t help but groan when you’re right.
Basically, there’s one Drew that’s glammed-down and the other talking in an annoying wispy voice, so there really isn’t getting away from the awfulness even for a second.The thing is that, like the worst comedies, The Stand In is not funny, and it’s sad to see a decent director like Babbitt being dragged into this one. It’s just a terrible overused premise that’s executed quite poorly. Not only that, but the movie also co-stars TJ Miller, who has fallen so far from grace himself, that it’s shocking to see him in another movie.
Besides guaranteeing Barrymore a double-dose Razzie nomination, The Stand In also leaves her with cow shit on her face, much like her character.
Movies I just didn’t have time to get to this week:
Funny Boy (Array/Netflix) Gunda (NEON) Safety (Disney+) Bee Gees: How Can You Mend a Broken Heart (HBO Max) 40 Years a Prisoner (HBO Docs) Through the Night (Longshot Factory) To the Ends of the Earth (KimStim) Rompan Todo: The History of Rock in Latin America (Netflix) The Wilds (Prime Video) Nasrin (Virgil Films) Finding Ying Yin
By the way, if you read this week’s column and have bothered to read this far down, feel free to drop me some thoughts at Edward dot Douglas at Gmail dot Com or drop me a note or tweet on Twitter. I love hearing from readers … honest!
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a1d6i · 7 years
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YOU are THE LIGHT that GLIMMERS in the Darkest
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“In the same way, let your light shine before others, that they may seem your good deeds and glorify your Father in heaven.”
-          Matthew 5:16 (NIV)
A Happy Sunday to you all! You are all reading the last instalment of this wonderful series, BLESSINGS. Last time, we have conversed about the simple 3 step process on how to “Enrich our Blessings”. At this time, we are going to have a very inspiring discussion on how to use the previously taught process to not only bless ourselves but to empower others too. As I have said previously, we will later dive right in on how famous people such as J.K. Rowling, Michael Jordan and Albert Einstein have used their talents to bless and change the whole world.
I will start this article, by giving my thoughts on Matthew 5:16. This verse is one of the most famous Bible passages and one of my personal favorites.  Google says that Light is defined as “the natural agent that stimulates sight and makes things visible”. In primordial times, hundreds of years before electricity was discovered, there were only few known sources of light to man, such as the sun, moon, stars, candles and lamps. As time passed by, when science and technology flourished, people are and still fortunate to search for many other artificial sources of light, but still, most have not seen that they themselves are a living spring of  light. You may be wondering how on the Earth would you produce light, but I am not talking about the kind of light that literally brings glow to the surroundings, instead, THE LIGHT that is not in need of an ignition of rocks or AAA Batteries, but the one that walks, talks and even chooses when or not to turn his/her switch off. It is very amusing to rethink that the light source itself does not even know that it can give light, and most are still in need of a daily reminder of what it can do. I would compare this verse to what an inventor would say to his invention after it had been made, the craftsman after years of hard work would without doubt wish his masterpiece the best of luck as it would be released for the world to see and expect it to serve the definite purpose for which it was made for.
Before I start, you must take note that all the respected personas today will never be what they are if they have not accepted and blessed themselves first before empowering the world in their respective fields. I would give a special acronym: B.L.E., to help you know more about the lives of the 3 stars of this article and make you a living source of light to those who are blinded by darkness.
Believe in yourself.
Let me give you a trivia, this is one of the most overused sentences in the world, but still, this means a lot many individuals. If you do not believe in yourself who else would? Believe me or not, scores of people never believed in themselves and in what they can do, they’d always think that what they do is nothing out of this world or cool, they say, it is just another common ordinary act. This is a common big mistake of our brothers and sisters, another reason why the light in this world is starting to lose its glow. Had enough of an introduction? The first person we are going to put the highlight on to is, no one new, because this not my first article in which I would state her name, to serve as a role model and an example. She is J.K. Rowling.
Joanne Kathleen Rowling or also known as J.K. Rowling is the first billionaire best selling woman author. She is famously known as the author of the Harry Potter Series and other bestselling novels, but before all this achievements she had received, I say all the worse had happened to her. The Harry Potter books have inspired and still are inspiring many children and young adults worldwide. The book, though not a medicine recommended by the local doctor, has helped in the healing and recovery of Juniper French, a then premature baby, her dad feels her temperature becoming better after every page he reads to her. I am part of an over 70,000 member Potterhead group in social media and every day I see how much they value the HP books because of what good it has done in their lives. The books were finally published because of the author’s belief in herself and the passion she has in what she does. Imagine if Miss Rowling had given up in her battle with depression and struggles being a single mom and failed to believe in herself, the Harry Potter books would never be born, not making people realize the beauty of her creation and therefore not being inspired at all and learn from the lessons she has taught.
Love what you do.
Who doesn’t know Michael Jordan? He is one of the most famous Hall of Famers in the NBA and greatest athletes in the world. He is considered the G.O.A.T. (Greatest Player of All Time) by thousands of his fans because of the championships he had won and the new level he had brought to the game of basketball. Did you know that before Michael Jeffrey Jordan became the legend everyone knew he is, he was not accepted in his high school basketball team because of his smaller height compared to others? If M.J. had stopped playing basketball from the time his high school coach had not said his name in the results of the final tryouts, do you think Chicago would have won 6 Championships that time and the game’s fans would have known the jersey name “Jordan”? No, not at all. It was because of Michael’s love for his game that he did not stop in playing it and proving that he is better than what other people thought he was. All his hard work had paid off when he was drafted for the Bulls in 1984 and in his rookie season simply averaged 28.2 points per game, became the “Rookie of the Year” and became part of the All Star Game. See? In working on himself and loving what he did, he consciously and at the same time unconsciously empowered many young basketball fans and players to be or play like him someday soon.
 Endure before you Reach the Top
All science and not-so science lovers would know who Albert Einstein is. He is the one who theorized “The Theory of Relativity” and made very significant contributions in space exploration, applications of light and atomic energy. Albert Einstein is regarded as the “Father of Modern Physics” because of his groundbreaking research and formulated theories that changed how science was seen. Very similar to the stories of our past personalities, Einstein had a very rough start, starting with his childhood. Einstein never talked fluently until the age of 7 making others think that he was mentally incapable. As he started working, his research was shunned by his professors saying all of his works are complete nonsense. Now, his works are greatly valued and his greatness has been the highest benchmark for physicists and doctors of this age. Without Einstein, scientists would never be able to get a fuller grasp of studies relating to space and time.
Upon reading these life stories, we have pondered that there are points in our life that we really have to fail or suffer in order for us to realize in the capabilities we are gifted with. Bear always in our minds and souls, that it is not only enough that you know and enrich your blessings, what is more are that you realize to the main reason why you are enhancing these gifts of yours. We are the Creator’s lamps and we would never serve our purpose by just being a lamp, but by placing ourselves in the middle of the room to shine to the darkest of areas. As D.H. Sidebottom had said in his book, Fragile Truths, “Stars can’t shine without darkness.” I do not care how many long decades you have been looking for what is the best part of yourself, what the most important thing is, that before you close your eyes, you have made sure that you had done something good in this world. Make it your dream, goal and purpose to Appreciate your Blessings Even More.
Come back next Sunday and join me in our new Sunday Special Series, “ROUNDS: Starting your Win Streak”.
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