#Hard work and dedication

[inmyperfectworld]

I'm manifesting and hustling every day to bring my goals to life.

[jeanmoreaux]

adore how the evil boop is *the* expression of love when booping people like yes ofc i did waste precious seconds to press that stupid button for an annoyingly long time just to send you the most useless yet most specialest, weirdly aggressive boop <3

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[halfbaked00q]

.... 'ang on, now

On these things he spent all his money and it was his ambition to have as little as possible in his banking account when he was killed, as, when he was depressed, he knew he would be, before the statutory age of forty-five. Eight years to go before he was automatically taken off the 00 list and given a staff job at Headquarters. At least eight tough assignments. Probably sixteen. Perhaps twenty-four. Too many.

"too many." "too many"?? Ooouuuggh, James Bond hates his job NOT an exclusively Craig!Bond thing, it literallyyy comes from Fleming Moonraker?? Book 3??

Like, not surprising to me that Bond is depressed/has depression moments - Fleming writes out Bond's penchant for catastrophizing in the last book - but ough that Fleming literally spells it right, right there. "when he was killed, as he KNEW he would be, before the statutory age of 45."

and then continuing the thing about how there are rly only 2 or 3 missions a year that call for his abilities. the grim, "at least 8. probably 16. perhaps 24. too many."

He, like Loelia Ponsonby, is trapped within the "perpetual concubinage to your King and Country" and, along with Loelia Ponsonby and the other girls, has been locked in his own version of a Cavell-Nightingale world "more securely into the company of the other girls at Headquarters and every day it seemed more difficult to betray by resignation the father-figure which The Service had become."

Unlike Loelia, who actually does think about but dismisses the idea of resigning, Bond doesn't even THINK of it. He just assumes it's inevitable that he will keep running on the job until his time runs out, one of the ways or the other.

like. dang, okayyy. and also. bruh appeals to patriotism whomst?? only if u can't read, perhaps?? lmao

(from Moonraker)

[bruciemilf]

There’s a lot of reasons to love Jason/Jaime. Main one being: Jason dating a Batman fanboy is INCREDIBLY funny

[pangur-and-grim]

this broken leg experience has made me realize how much muscle you need just to move around the house. I can walk without the cast now, but squatting to pick something up? kneeling and then rising? even standing for a long period in the kitchen takes a lot. and carrying things too, that’s something I couldn’t do while hopping about on crutches. every night I’ve been going to sleep with sore legs and arms just from performing my normal non-intensive household tasks.

[possession1981-moving]

LIZ Heya, 240504

[lexosaurus]

Put your hands up 🙌 put your hands up 🙌

'Cause Danny 👻 DIED 😵 FOR OUR SINS 😱🙅‍♀️

🙏🙏😤🫡👌

(Please enjoy this year's 20th Anniversary Dannypocalypse Magnum Opus Rap Song. Special shoutout to @mace-from-outerspace and @bibliophilea for providing some backup vocals.)

[yuwuta]

OMEGA SATORU????????????? RAAAAAAAHHHHWOLF ON HIS KNEES RIPPING OFF CLOTHES im normal about it please elaborate please

chuckles evilly…. satoru’s the kind of omega that knows that other people want him, knows that he could date or sleep with pretty much anybody he wants, but there’s only one person he wants and it’s you, and he’s stubborn and insufferable about it. you seem to be the only alpha in his life that’s immune to him and it drives him crazy—it doesn’t matter how much he flirts, how good he smells, how many times he pouts and blinks and calls you alpha, you just smile and ruffle his hair and it kills him. he doesn’t get it. even nanami has had to take a step away from him when he’s close his heat, but you’re not phased by him at all. 

it’s bordering on pathetic bc you’re not even mates, not even dating, not even close to being anything really—you’re friends and have been for a while, but that doesn’t stop satoru from throwing himself onto you, from pouting, and from proudly declaring that you’re His alpha. he brags and brags and brags to anyone who will listen about how he’s in the best pack in the world, how you’re the best alpha of them all, how he’s the luckiest omega ever, but every time he’s hit with the reality that he’s not yours, he gets unreasonably upset. sometimes, he even tries to take it out on you, gets himself sick or drunk or lets his pheromones run wild while he clings to you and slurs about how you’re supposed to be a good alpha, and take care of him. gets himself all worked up, pacing the floor and pouting and ranting incoherently about how he’s always been yours and it’s not fair that you’re not his and he’s being irrational and he’s definitely not sober, but still, all you have to do is call his name and barely nip at his wrist and it’s like his entire body resets. he freezes and goes slack and he’s scolding himself internally because he’s so weak to you and he can’t do anything to make you succumb to him. 

it’s not like he’d change that tho. it bothers him that he has no sway over you, but, truthfully, he loves the control that you have over him. he likes you can tame him, he likes belonging to you like that. he just wants to have you like that, too. and so yes he’s desperate, yes he’s pathetic, yes he’ll do anything for your attention, but he doesn’t care, satoru wants you and he will do whatever it takes to have you 

[siggiedraws]

Hello! i absolutely adore your art and agree with your sonic opinions, you're overall one of the best sonic blogs out there. May i ask how do you plan out and draw your comics? How do you choose the formatting of panels themselves, the composition, the dialogue and so on? From A to Z, please! I apologize if this ask might be inconvenient, but i'm curious because i love your comics and have attempted to draw a sonic comic myself that failed miserably.

Typically the first step I will take is to just rough it out in a sketchbook, because I find it much faster and when working digitally I feel more pressure to make things look nice. This is where I start thinking about paneling and composition. It doesn't look perfect or cohesive at this stage, but at least now I have a rough idea presented with barely legible scribbles that don't make sense to anyone but me.

For paneling, large panels linger more, and small panels indicate quick succession. This is the most important rule I personally follow when making panels. It affects things like comedic/dramatic timing and how the reader will be guided through your comic.

It's important to vary up the composition when it comes to dialogue scenes where not that much is happening. The shot-reverse-shot format works, but remember that once you have an establishing shot and the reader knows where the characters are, you can get creative. I like to do close-ups where not everything is shown to create a sense of vagueness around what emotion the character is feeling.

Don't do this too excessively unless you're trying to create a claustrophobic feeling - let it breathe with a medium shot or long shot after!

In film-making, there's a rule called the 180-degree rule that basically states that in a two-character interaction, there is an invisible line drawn between them. The camera does not cross this line and stays on one side. This basically keeps the characters on one respective side of the frame at all times to avoid confusing the viewer.

This is by no means something you have to follow for comics, but if you want to create something that is easier to follow, it's a good rule of thumb that I consider when drafting! It can also be broken depending on the effect you're going for.

Once I have a draft, I'll typically go into editing and changing things that don't work quite as well as I'd like. This can be done by yourself or you can get it revised by a friend, like I do!

After the draft is finished, I'll get to lining and colouring. To be honest, it's not something I can teach so easily, but rather something that takes a lot of time and practice to learn. I typically draw the backgrounds with thinner lineart so that the characters stand out. Same deal with colouring - the characters stand out from the background colour-wise. There are multiple ways to do this, but for example, here I made the background have less colour contrast than the characters and stick to an orange-ish tone, while the characters are different colours from the background.

For speech bubbles, generally the words should fit the shape of the bubble to the best of your ability. The line spacing should be as close and compact as possible without touching the lines above or below. This is to save space on the page so that speech bubbles don't take up a majority. The tail of the bubble should point towards the character's mouth.

Avoid tangenting! This is when the very edges of two different things touch each other. It creates a flatter effect so you want to avoid it as much as possible.

That's about all I can think of right now. Hope this helped!

[angelmush]

hosting my gf’s school friends for a spring cafe study party. she had such a fun idea to serve them fun themed beverages while they get grad school work done. she had the genius idea to decorate the apartment like a coffee shop and doodle a menu and everyone can bring their favorite mugs!! my gf is in charge of drinks and i’ve been delegated the bakery :))

here’s a rough outline of what ill be making:

- i’m baking croissants from scratch for the first time!!! it’s already been daunting but we have trader joe’s dough on standby in case they suck LOL but i’m trying to be confident and trust myself and learn as much as i can

- i’m making a spiced carrot loaf cake w goat cheese frosting that i’ve made before. it’s my FAVE!! effort to tastiness ratio is great and it’s so spring-y and on theme

- i have made brown butter miso dark chocolate chip cookies w pretzels and toffee for this group of people for prior events and received the most compliments ive ever gotten for my food in my LIFE so i had to make them some more to take home since they were such a hit

- a lemon poppyseed brioche bun thing, kind of like a giant cast iron cinnamon roll but w spring flavors instead (i’m most excited for this one ive been wanting to make it foreverrrrrr)

- also serving some cut fruits for the spring vibe :)

then for drinks, i’m not a coffee drinker at all so my gf is obvs the barista:

- we have matcha, chai concentrate, lemonade, and coffee

- our various special springy flavors include vanilla orange w optional candied orange wheels and fresh zest, lavender, rose, strawberry rose w optional fresh strawberries, and regular vanilla

- also pineapple and passion fruit spindrift because Yum

[arminthada]

Ming + being proactive in getting to know Joe and his works

MY STAND-IN (2024) | 1.03

[rainintheevening]

Okay, cranky post canceled. Name a favourite man (real or fictional) and list some of his best qualities.

[p-s-yokubo]

I love how basically the entire ninjago community is in agreement that Arin shouldn’t get powers bc that would ruin the point of his character but the nexo knights community is just totally chill with clay getting powers even though that also ruins the point of his character