#Here She Comes…Miss Amphipolis

[xenagabrielleforever]

www.whenheartscollide.net

[markthexenaaddicted]

When Xena fighted against transphobia and HIV

Hey guys, I worked on this video and it has english subtitles. Let me know your thoughts!

I think XWP was really ahead of its time!

[green-ajah]

Xena: Warrior Princess (1995 - 2001) ⤷ Fave Episodes: S2 EP11 "Here She Comes … Miss Amphipolis"

[telumendils]

i am once again thinking about season 2 episode 11 of xena: warrior princess, "here she comes... miss amphipolis," during which a trans woman enters a beauty pageant and wins. on tv. in 1997.

granted, she does sort of win by default after the other women drop out for one reason or other, but i think there's something valuable to draw even from that part of the narrative: out of all the women in the pageant, this trans woman is the only one who actually wants to be there. all the other women have been forced into it by men in power.

she wins the crown because she's the one who wants it the most.

and i think it's saying something about how a lot of trans women find freedom and joy in performing femininity where other women might feel trapped by it. like i hated skirts for so long because they were forced on me as a kid but have you ever seen a trans girl flare out the skirt of her sundress for the first time? that kind of energy.

i'm not saying it's perfect trans rep. i mean the character's going by the name "miss artiphys" in the pageant, which is questionable if you don't assume she chose it for the pun (artifice) herself. but still, her character is treated with respect by the show's lead (xena) and she's never outed or misgendered as far as i can remember (it has been a couple years since i watched it last). she's also played by actual trans actress karen dior!!! so overall, i think it holds up remarkably well.

[marley-manson]

scattered thoughts on season 2 of xena after marathoning it over a few nights.

-- Girls Just Wanna Have Fun is so fun lmao, it didn't even occur to me that the vampire ladies could've been hypnotizing Gab until I saw it mentioned in a tumblr post lol, I 100% just took it as Gabrielle being attracted to them. I mean one of them even has a buzzcut.

-- Xena is great because it's a true genderswapped cheesy genre show, complete with extremely bland one episode love interests who die to provide our heroes with manpain. Also Xena totally subconsciously let Callisto kill Perdicus, come on. Loved Gab's rage afterwards <3

-- Lucy Lawless and Hudson Leick are excellent at playing each other. Hudson Leick is so good as Xena that I always forget Lucy Lawless isn't actually in Ten Little Warlords lol, and Lucy Lawless' Callisto is great too, especially when she's playing Callisto pretending to be Xena.

-- Love Ares' first episode as a mortal too. Love that he's scared of rats, a decent fighter but still needs Xena to save him a few times, and the moment where he contemplates having actual blood on his hands for the first time is *chef kiss*

-- I'd skipped Miss Amphipolis when I first watched Xena because I'd heard it was transphobic, and then saw a post praising the episode for its progressiveness so I was like hm I guess I'll give it a shot. Honestly, it had its good elements, but yeah I think the criticism is warranted. Awesome if it's true that Karen Dior was openly HIV+ when she and Lucy Lawless kissed here, love that. And if the idea was that Miss Artiphys was more a drag queen than a trans woman it's not too bad I guess? But if she was meant to be trans then yikes, terrible depiction, lots of 'he's really a man' shit (plus the name c'mon). And the lack of clarity doesn't help either way.

Also Gabrielle's mild homophobia was a weird choice, and I didn't like that she only won after every other woman turned down the crown lol - I get the point that none of them really wanted it or enjoyed the pageant while Artiphys did, but I feel like that point could've been made without putting her in last place.

Kudos to the director for objectifying her just as much as any other woman though lol.

-- They should've given a little bit more time to Xena and M'lila's relationship in Destiny, since her death is the catalyst for her going evil, but unfortunately it felt like a very arbitrary final straw. It was funny though that M'lila died for her because she just knew it wasn't Xena's time to die yet lol. Like c'mon, at least imply they got close off-screen.

-- Also Xena 🤝 Dennis Reynolds: because of the implication. I'm actually torn on how much that's intended lol, because on the one hand they certainly do not frame Xena as an actual rapist here, she's still sympathetic and Caesar's still the ruthless villian. But on the other hand the predator/prey metaphor when she was coming onto him was incredibly on the nose (she even says "cutting off his path of retreat" like, yikes girl); Xena later points out that crucifying her was an overreaction and thinks she must've fucked with his head; Caesar has psychosexual nightmares about her in another later ep (ie killing him mid sex basic instinct style); and Caesar's "all those who prey on Rome" line is basically the payoff to his earlier "I am Rome" thing, essentially a coded way of phrasing "prey on me," which fits the sex thing more than the hostage thing, since that was literally preying on Rome.

Idk, I'm curious what the writers were aiming for here. Maybe some of it's just meant to suggest that Caesar has a crush and is mad about it lol, but it's eyebrow raising.

-- Also also: the montage of Gab and Xena at the end of Destiny is so ridiculously romantic <3

-- I love that Xena agrees to only possess Autolycus when he gives her permission, then bodyjacks him whenever he says no anyway. Autolycus is a delight in this ep. And I love how the show does everything it can to make it clear that it's Xena kissing Gabrielle in Autolycus' body, from Bruce Campbell's acting demonstrating exactly when he regains control of himself, to his "Seems like you two worked things out" in repsonse to the kiss, to him not noticing his hand was still on Gab's ass lmao.

-- A Day in the Life is still such a ridiculously good episode.

-- Can't believe how almost explicitly gay Blind Faith is even with the rest of season 2 to compare it to. Like okay maybe it's not quite The Quest's kiss, but something about Gabrielle's conversation with the gay dude where they both very overtly use ambiguous pronouns for the people they love feels like a step beyond. It's not just two close characters who love each other, it's lesbians situated specifically in a gay solidarity context, idk. I love it.

-- Also I cite this a lot but idc, I still fucking LOVE that Xena is temporarily rendered blind in this episode and she is still never physically challenged by anyone in a fight lmao. Like you'd think as a plotpoint it would be a way to have her uncharacteristically defenseless and reliant on this one-ep dude to defend her, right? Nope, she still outclasses him, all she needs him for is to watch out for cliff edges.

-- Also also I love that this annoying dude sees her as an idol and it's just accepted as obvious, absolutely no commentary on a dude modeling himself after a woman. She's Xena, of course aspiring warlords desperately wanna be her.

-- Ulysses here to reassure the straight audience after the tidal wave of gay we've seen in the last few episodes, but it can't even do that right because Gabrielle and Xena still 100% interact like they're hooking up and catching feelings but not exclusive.

-- The Price would be a perfect episode if it weren't for the racism in the depiction of the antagonist force, man, it's such a blot on an ideal Xena story. Also Xena is at her absolute sexiest here. I'm usually more of a Gab girl, but fuuuuuuck her hardass sadistic commander persona has me like 🥵. Hits the perfect balance of serious and dark, while her warlord flashbacks tend to be a little too exaggerated and campy to be truly sexy to me.

-- Also another episode where I love how men relate to Xena. She shows up, they find out she's Xena, and they immediately go "holy shit please take over, please command us, you're our only hope."

-- Cecrops is one of my favourite one-ep characters I think

-- Comedy of Eros is dumb but fun lol, I always enjoy how the show flips the script for Xena's occasional heterosexual turns, in the sense that she's the active participant, acting upon the men and going for what she wants. It is a relief when it stops being earnest and starts being solely for the sake of manipulation though lol, and I'm glad we have Cupid to blame for this one too. In fact, I think all the genuine reciprocated het is behind us now, right?

-- I love the fake out where Gabrielle nearly sees Xena first before Joxer gets in the way. I feel like I've seen some writer say once that they considered having Gabrielle fall in love with Xena for this episode, but they decided against it because they didn't want it to be a joke she gets over, and I am 100% behind that reasoning. It would've felt cheap imo. But the tease was cute lol, they know what the audience wants.

[glompcat]

NGL the most helpful advice I can give with regards to figuring out if a youtuber is worth watching or not is to look and see if they have a video on something you already know a whooooooooole hell of a lot about. Watch that, and pay attention to the places where what they say contradicts what you already went in knowing. Look that stuff up after to check and see both where your previous knowledge came from and where their claim came from (it of course could be that you were remembering wrong!). Really think about what it is they left out and what their argument gained from not talking about that thing. This then should help you navigate all their other videos because you will have started to discover how the sausage is made.

Here are two examples, put under a read more because this is not me calling these people out or anything like that, just making observations:

For example there is a youtuber who reviews "trans episodes" of TV shows. Before watching any of the others I watched her video on the 1997 Xena episode "Here She Comes… Miss Amphipolis." During the video I was mystified that at no point in the analysis was any mention made of episode writer Chris Manheim's brother, Keith K. Walsh, a drag queen who died due to AIDS in 1992. The episode in question even has "In loving memory of Keith K Walsh" in the credits. This is a pretty major thing to ignore (or worse, miss in your research) - especially when the crux of your video is looking at how the episode never commits to definitively saying if Karen Dior's character is a trans woman or a drag queen. Based on watching that video, because I went in already knowing these things, I knew that anything I possibly would learn in her other videos would potentially be missing really important context - up to and including the real life queer people who inspired the story and how that inspiration could have impacted the story that was made.

Another example would be a popular Doctor Who youtuber who sums up TARDIS wiki pages, and does not understand that history as presented on Doctor Who is not real world history and should not be treated as such. He regularly will say things about stories that are just blatantly untrue - but you would only know that if you read/listened to them yourself as opposed to reading the wiki page (or taking a youtuber's word on them). He is a professional video editor, so his videos look super slick, but is someone skimming the TARDIS wiki someone you want to view as an expert on well... anything? At all???????? Like honestly he once introduced a story as taking place on an unknown planet even though the literal first page of said story tells you it is set in London, on Earth. That is how lazy youtubers can be.

Truly and fully - look for videos on a channel that touch on things you already know about before looking to learn new things. They will tell you SO MUCH about how much follow up research you are going to need to actually understand anything about the thing the youtuber is talking about.

[kakaphoe]

It’s so weird that Here She Comes... Miss Amphipolis aired in 1997, 3 years before Miss Congeniality came out.

[leofrith]

what can you tell us about indigo sky and a fixed point? have they changed since you first started them + if so what had impacted the changes made? also i may not know anything about AC but sweet new url!!! ❤️❤️❤️

(hell site ate my first attempt at this post. let's try this again. i hate it here.)

HI JO THANK YOUUU!!! 💖💖💖

indigo sky is a little early game one-shot featuring eivor and hytham bonding over shared experiences (dead parents, complicated relationships with their adoptive father figures, feeling untethered after life-changing events, etc.) and realizing how much they actually relate to one another after having not liked each other very much at first.

this is probably also the next thing i'll post, my brain willing. 🥲 it hasn't really changed at all since i started writing it, but i'm now thinking i might have an idea for a second part/chapter that i may or may not add.

“How does it feel?” Hytham asks. “To have your revenge?” Eivor is silent. When Hytham glances at her, she is looking straight ahead to where the fjord opens up to meet the sea, but her gaze is unseeing. Her lips are parted in thought and when she finally speaks again, she does so slowly, as if picking her words carefully. “I have spent more than half of my life hunting the man who murdered my parents. My parents, who I have now been without for far longer than I ever had them in the first place. Kjotve has haunted my dreams so often that I remember his face with more clarity than those of my own flesh and blood. I thought killing him would be a relief, would bring me some semblance of peace, but… but now I only feel aimless. Set adrift without a purpose.”

a fixed point is an odyssey fic in which kassandra begins having prophetic dreams about brasidas's death at amphipolis (one of seven spartans who died there? come the fuck onnnnnnn) and does her very best to stop it.

this originally was meant to be a sort of time loop situation but then i realized that 1) i have no idea how to resolve that version of this fic and 2) kassandra having prophetic visions that nobody listens to is an irony that is not lost on me, and certainly wouldn't be lost on kassandra. her entire existence is a greek tragedy and it makes me SICK!!!!!

She feels water droplets dust her cheeks, her mouth. She wonders how, even in the heat of battle, she could have missed the approach of rain clouds. But the sky is clear, save for the smoke from the little fires that burn all around them, and when the liquid meets her tongue it tastes of salt. Brasidas is hovering over her, so so close, and haloed by the sun, always bright. Anyone who has ever compared her to a goddess has clearly never seen Brasidas under the afternoon sun. She realizes, distantly, that he is cradling her, but she can feel nothing. His lips move and she recognizes the voice she hears to be his, repeating her name. Kassandra. Kassandra. A prayer. A plea.

send me a title from my wip list and i'll post a snippet or tell you something about it!

[girl4music]

Miss Artiphys - Transgender representation in 1996!

This is a relevant and relatable conversation in the Season 2 episode, ‘Here She Comes… Miss Amphipolis’, between Xena and a transgender character. Even though this episode is considered a comedy, it’s very heartfelt and honest because of the themes of domestic abuse and transgender representation. I’m so happy they were able to air this episode for being in the year of 1996 when these controversial themes were rarely talked about on TV. Especially being transgender. The character, Miss Artiphys, played by drag queen; Karen Dior, talks about how your power and worth is taken away from you just because you’re different. Making you feel like you don’t belong in the world, in your community, or just in general perception. It’s something anyone could resonate with but never more so than those who identify by a different gender to what they’re born as and want to be accepted for it. It’s not clear whether the character is transgender or just a transvestite but I would say this conversation sub-textually implies that Miss Artiphys is a transgender because it seems that they feel much happier as a woman than a man which makes a huge difference between them as a transgender isn’t just gender expression but also personal identification. It’s who the person is instead of who they perform as for entertainment purposes. So I very much think of this character as transgender.

It’s a cruel world for transgenders at the moment in America, what with the Texas bathroom bill and transgenders being banned from joining the U.S. military. Including transgender veterans being fired from their job just because of their identity. And you know, a lot of people think these people choose to be this way. They don’t. Much like a homosexual doesn’t choose to be one. It’s what they innately are and how they feel inside. They only choose to embrace it instead of deny it. Unlike some cisgender and heterosexual individuals, who feel so uncomfortable with the thought of change and someone being different from them, to the point where they consider them dangerous and a threat to society. I’ll never understand it. It’s beyond me to comprehend why transphobia or homophobia exists. Why being LGBTQ is even an issue at all... Especially nowadays when a good portion of the human population is LGBTQ or questioning. And they still face this today! This injustice and this discrimination! It has to end!

I think the character, Nomi Marks, from the show, ‘Sense8′, played by a real trans actor; Jamie Clayton, said it best: “The real violence, the violence I realized was unforgivable, is the violence we do to ourselves, when we’re too afraid to be who we really are.”

If we can’t believe in ourselves and accept ourselves for what we truly are, how can we ever expect to be happy in life, and to live peacefully with others? Because what matters at the end of the day, regardless what philosophy or faith you follow, is to believe in yourself. First and foremost, that should be the most important moral you have. Believing in yourself and what you’re capable of doing. All other values fall under that. And if you don’t see it that way, then you’ll never be happy, because mindset makes the difference. Your thoughts and feelings are key to this! You must understand that you only view the world and other people through the filters of how you think and feel about it and them. You don’t see any other way. A lot of people don’t realize that the subjective is all they have. They know that experience requires consciousness, but they don’t understand that that means every experience is different for everyone. So, they treat them with the misunderstanding that everyone thinks and feels the same. The only way to resolve this is for us all to be more aware of how we treat ourselves and each other. To listen to and to care for ourselves and each other. Our thoughts and feelings can turn the tables on us otherwise. And we wonder why so many people struggle with mental illness. It’s obvious why to me.

Rest in power, Geoffrey Gann (aka; Karen Dior). And thank you for portraying this character that provided much needed representation for the trans community.

This is for you @frankierose. I might not know what it’s like to be trans and therefore not understand what you have and must still go through… but just like Xena, know that you will always have an ally in me. This is the original commentary for ‘Here She Comes… Miss Amphipolis’ that I wanted to show you the other day but couldn’t find it. Perhaps the post got deleted or something… who knows? Nevertheless, you can read the commentary now. I hope you like it.

[xenagabrielleforever]

www.whenheartscollide.net

[markthexenaaddicted]

Lucy Lawless and Simone Kessel together again in My Life is Murder 3.10

She was Miss Messini in Xena's episode "Here she comes Miss Amphipolis". Fun Fact: in My Life is Murder she played the role of a former supermodel. This makes the MLIM episode the direct sequel to that Xena's one.

[green-ajah]

Xena: Warrior Princess (1995 - 2001) ⤷ Fave Episodes: S2 EP11 "Here She Comes … Miss Amphipolis"

[dollsome-does-tumblr]

i think what’s fun about xena is that it truly has the air of a community theatre production where the entire cast and crew is giving one million percent

[aflawedfashion]

Xena: Warrior Princess 2x11 - Here She Comes... Miss Amphipolis  (1997)

[filmmakerdreamst]

Why Xena: Warrior Princess Was Groundbreaking

If you remember Xena: Warrior Princess, you probably do for a few reasons. The tiny, tight-fitting costumes worn by its lead characters. That circular spinny thing Xena threw at people (it’s called a chakram). Xena’s fabulous ululating war cry. The bizarre mish-mash of history the show threw together (though the producers knew their stuff, deep down – Rob Tapert later produced the rather more accurate Spartacus for STARZ). What you might not remember, or might not know if you’re unfamiliar with the show, is just how important and ground-breaking Xena was when it first aired between 1995 and 2001.

The first and most obviously groundbreaking thing about Xena: Warrior Princess was, of course, the gender of its lead character. Xena wasn’t the first female lead of an action-adventure series – Charlie’s Angels and Lynda Carter’s Wonder Woman, for example, had enjoyed success in the 1970s, while non-action-adventure shows led by women had been common for quite some time, with 1990s examples including Ellen, Blossom, Sabrina the Teenage Witch, and Cybill.

The way Xena presented its female hero, though, was a bit different. The opening narration describes how “a land in turmoil cried out for a hero” and then presents the hero in question with an emphatic “she” as we see Xena riding into battle. Lucy Lawless, aside from being likable and charismatic, gave us a heroine who looked like she could physically handle a fight (rather than a super-powered waif-like heroine) while still being extremely attractive (as the costume department and directors were keen to emphasize!). She owed a lot to Carter and Wonder Woman, but Xena’s capability, confidence, and independence were a breath of fresh air in the 1990s SFF television landscape.

Xena’s portrayals of race, gender, and sexuality may seem fairly normal or even disappointing now but were highly progressive at the time. While the show was white-dominated, there was a clear effort made to introduce a more diverse cast. One of Xena’s early love interests was a black man, something hopefully no longer of note, but still relatively unusual at the time. The show also cast a black actress, Galyn Görg, as Helen of Troy, the most beautiful woman in the world, offering a nice change from the usual blonde, blue-eyed Helens we’ve seen on film and TV for decades. Similarly, Cleopatra was later played by Gina Torres. The series also set several episodes in Asia, featuring Asian guest characters.

The most significant relationship on Xena was, of course, that between Xena and Gabrielle. To a modern viewer, their relationship probably comes across as frustrating and disappointing, as despite many hints, frequent sub-textual references, and great chemistry between the two actresses, their relationship was never officially clearly stated to be romantic. They did, however, kiss as early as season 2.

Back in the 1990s, two characters of the same gender kissing was still a huge deal. Carol and Susan on Friends were restricted to hugging even at their wedding, while Willow and Tara’s first on-screen kiss on Buffy the Vampire Slayer was eventually worked into the deeply emotional episode “The Body,” after almost two years of subtext and more hugging.

On Xena, in the grand tradition of SFF TV (see also: Star Trek‘s “Plato’s Stepchildren”), a way was found to make the kiss more palatable to the networks. Xena was occupying the body of a man, Autolycus, at the time, so we see Xena’s spirit and Gabrielle’s come together for the kiss, played by the actresses, and then cut to Renee O’Connor’s Gabrielle kissing Bruce Campbell’s Autolycus, so the image actually broadcast is that of a man and a woman kissing. This may look like pandering and queer-baiting to modern eyes, but for the 1990s, it was a major step forward and the kiss was hugely important to LGBTQ Xena fans. Throughout the series, tricks like this were used to create a romantic story by the back door, so to speak. In another plot arc, Xena and Gabrielle’s reincarnated souls married each other.

Both characters had relationships with men throughout the series as well, but a reading of the show as led by two bisexual female characters who were in a relationship with each other was positively encouraged by numerous hints. In 1997, the same year as Xena and Gabrielle’s kiss, both Ellen DeGeneres and her namesake character on her own sitcom came out, something which sent shock waves through the entertainment industry, so this was a genuinely progressive move. And Xena told progressive stories about gender in other ways as well. Also in 1997, the episode “Here She Comes… Miss Amphipolis” featured a transvestite character winning a beauty pageant (in which Gabrielle acts as Xena’s “sponsor,” surrounded by men “sponsoring” their girlfriends).

Xena was groundbreaking in its format as well. Like contemporary show Frasier, Xena was a spin-off based on a character from another series and this produced a setup that might not have sold without its head start from Hercules: The Legendary Journeys. Our hero is not a pure and innocent champion of good, but a former villain trying to redeem herself for the bad things she’s done (this may sound familiar, but remember, the show pre-dates Angel!). This setup ensures that Xena never slips into standard Strong Female Character tropes. Strong she certainly is, but she is also fully three-dimensional, flawed (always trying to balance violent impulses and a desire for peace), looking for ways to use her violent skills for good and burdened by guilt. And then there’s her counterpart, Gabrielle – resisting physical violence for a long time, interested in art and literature but unable to tear herself away from Xena and the violence inherent in Xena’s lifestyle.

The show also popularized some of modern SFF television’s most beloved tropes. It was not the first show to break the fourth wall, or do a musical episode, or do a time loop episode, or any of the other tropes that show up. However, it did do a lot to popularize more experimental episodes like “A Day In The Life” or the famous first musical episode “The Bitter Suite” – which took the musical format completely seriously, a move unusual at the time – as the show used these in a manner and with a frequency that were unusual at the time (along with its parent show, Hercules).

The X-Files, for example, produced some great format-bending episodes, but usually only once or twice a season (with the exception of season six). Xena showed that a series format could be seriously flexible, including multiple episodes set in the twentieth century, hundreds of years away from the main setting of the show, as well as a wide range of other stories. Again, it was not the first or the only show to do so (Doctor Who is the most obvious example of a show with a seriously flexible format) but it made this type of television seem viable and popular.

Xena has had a huge influence on SFF film and television over the years. It takes only a brief look at a basic description of the show to see how much Buffy the Vampire Slayer (which debuted as a television series two years after Xena, in 1997, though the 1992 film pre-dates Xena) and Angel owe to Xena, and the debt was acknowledged in Buffy’s “Halloween” (“She couldn’t have dressed up like Xena?”).

It’s also worth noting that, before The Lord of The Rings showed the world how beautiful the New Zealand landscape was, the cast and crew of Xena and Hercules were ignoring the distinct lack of any similarity between the geography of New Zealand and Greece and showing the scenery off as best they could on relatively low budget television. Many of the cast and crew worked on the Lord of the Rings films as well – notable examples include cast members Karl Urban and Martin Csokas, costume designer Ngila Dickson (whose departure in 1999 presumably allowed her to focus on the films), and Richard Taylor and Tania Rodger, co-founders of Weta Workshop, who worked on a handful of early episodes.

In some ways, Xena: Warrior Princess hasn’t aged too well. The special effects can look a bit ropey (not surprising considering the show’s era and budget), the stories are often cheesy, and its episodic format has gone out of fashion. But the show is well worth a watch if you haven’t yet caught an episode. It has heart and heap-loads of humor (every episode ends with a joke disclaimer about who was or was not harmed during the making of it) and managed to balance dark and light pretty well, veering between pure comedy and deeply serious material with relative ease. The current SFF TV landscape wouldn’t be what it is without Xena and her chakram.

- Why Xena: Warrior Princess Was Groundbreaking by Juliette Harrisson

[jenxwp]

Bethell’s Beach

So today I want to talk about sand. Yep. Sand. I know, I know- “how is sand interesting?” you ask. “How is it related to Xena?”... Well. I will cover all of this.

I know I have hyped up the sand-talk and we will get to it, but I really want to start this at the beginning. Back in 2006 when I was a teen, I visited New Zealand with my family. It really was an incredible trip. We flew into Auckland, hired a car and toured through both the North and South islands before flying home to Australia. Of course, living in Australia means that flying anywhere ‘overseas’ is a big thing- even if it’s only the 3hr flight to New Zealand. Unfortunately, this is the only time I have visited New Zealand, but it is a place I desperately want to visit again when post-covid travel resumes.

After being told about this family holiday, as an avid Xena fan, I spent a lot of time on my old-school brick computer (you know the one – big white monitor with a tower and corded keyboard and mouse) scouring the internet for anything ‘Xena’ I could visit or do. My family saw it as a holiday to go see the Maori culture- I saw it as going to Xena-land. My family was very supportive and told me that if there were some filming sites we could go to that were close to places we stayed at we could of course visit them. I ended up finding two places I was desperate to visit just outside of Auckland – Hunua Falls and Bethell’s Beach.

Bethell’s Beach is the location I want to talk about today. It was a staple set location that was used many, many times throughout the series. Almost any beach scene was filmed at Bethell’s Beach. From the incredible chariot race in Return of Callisto, to the  beginning of the beauty pageant in Here She Comes… Miss Amphipolis. It was also used when Xena was crucified in Destiny, when Gabrielle and Joxer arrive at the island in Ten Little Warlords, when Xena first faced off with the gods in Motherhood, and  when the Vikings are gathering in Return of the Valkyrie. Not to mention, when Xena and Gabrielle lay down in the ocean at the end of The Bitter Suite. I could go on and rattle off many more scenes but you get the idea.

…cue pictures of course 😄

So of course, this was a place I was desperate to visit. The beach was amazing. It was a trek to get to (we got lost), but once we got there, it was complete with ‘Poseidon’s Rock’ and ‘Callisto’s Cave’. I also remember there being a sheep and a donkey in a paddock adjacent to the carpark for some reason. Memories huh? Strange things.

I was in heaven. While I was there, I collected a jar of sand. Yes, my family thought I was strange- but it was very special to me. And this little jar of black sand has stayed with me ever since. Any time I have had a Xena table or display anywhere, the jar of sand has lived front and centre.

When it first came back with me, I brought it back in those small plastic hotel shampoo bottles that I had painstakingly rinsed and dried to carry my most precious souvenir. It then went through many iterations in the form of glass moccona coffee jars before finding a home in its current jar.

As an adult now with a science degree- this sand itself is fascinating. Unlike sand elsewhere, it is a finely coarse sand known for being ‘black’. The black colouring comes from the high titanomagetite (iron and titanium compound) content that is formed from the volcanic activity around the New Zealand islands and carried to this beach by the Tasman currents. Because of this, the sand is very heavy, and very hot when the sun hits it.

Funny story- when leaving New Zealand I carried the sand in my hand luggage. My mother was stopped because from the x-ray machine, the 5 tube bottles of black powder resembled TNT. So of course we had to explain ourselves to New Zealand airport staff. After that, I wasn’t quite sure if I had to declare it to customs when I brought it back to Australia, so I distinctly remember telling the customs officer that it was sand from the Xena beach. He had never had an instance of someone bringing sand back, but because living organisms didn’t generally live in sand, he couldn’t see why there was an issue so he let me through.

I am sad that I didn’t visit the adjoining sand dunes and river where many scenes were filmed (like in Mortal Beloved etc), but it really is a reason to go back and visit as soon as I am able.

I don’t have any digital images of my holiday, but here is a photo of the obligatory 00’s scrap-book page that I made for that day. Not too sure what the ‘quicksand’ sign is, but I must have taken a photo of it and cut it out for my scrap-book. Very much Callisto in Return of Callisto vibes. PS- loving the picture I took of a random dude- then proceeded to cut out and stick at the bottom of the page. Because why not? 00′s. Was a crazy time. 😂

“You have to enjoy the peaceful moments in life. You know, everything can’t be an adventure all the time. Like right now. I want you to close your eyes and just listen.”

“To what?”

“To nature speaking to us. It’ll give you a wonderful sense of peace. Close your eyes.”

-Gabrielle and Xena in ‘Ulysses’