#Hey it's up if you're interested!

[nattikay]

friendly reminder that Neteyam is a well-adjusted kid who has a good relationship with his parents, that he tries his darnedest to be a good warrior because he genuinely looks up to his dad and wants to be like him, and that the idea that Jake and Neytiri are "forcing" him to be perfect, that they "stole his childhood" or that he's "not allowed" to be a kid, etc. are all pure fanfiction with little to no evidence in canon thanks bye

[tenny-tori]

[kaltacore]

i think durge & orin should be weird. not in a bhaalcest way but in a "they grew up in a murder cult" way. these bitches probably played with someone else's internal organs as children. their pastime very likely included dissection and bloodletting for funsies and maybe educational reasons. i bet orin tried to perform a lobotomy on durge as a joke while they slept at least once until it wasn't a joke anymore. i bet if durge got too cocky about father appreciating them more orin would stab them just for the sake of it. they would make a "who kills sceleritas faster" and "who kills sceleritas in more intricate painful way" competitions with sceleritas as their judge with obvious biases so orin would be a leader in an unofficial "how many times you can kill sceleritas until he stops favoring durge" contest after that. they ended up respecting each other capabilities but probably still shit-talked each other's approach to killing behind the backs. there's nothing normal about them

[spottys-rathole]

(all q!)

There's that scene where Baghera, Antoine, and Bad go adventuring out with their kids, and Bad leads the way trying his best to show them good dungeons with useful loot that aren't too hard

They cross a field running, jump into a speedboat and dash through until they spot a structure on the horizon. They loot it, rinse and repeat.

They just raided an outpost, Baghera has just stepped in and is trying to collect the bookshelves inside when she hears one of the eggs outside blowing into a horn, calling for attention. All the while Baghera is feeling overwhelmed. She explains out loud that she feels the others don't realize how poor she really is, how she's got nothing and how she's still discovering so many new biomes and new features that were added recently. She wants to take her time to check it all out properly, she wants to collect building blocks she likes for her house - because Baghera doesn't have a house yet.

This isn't the first time she brings it up on this evening. Since the first time she encountered BBH earlier that day, he has been slowly introducing her to the idea of building a house near him and Pierre. He said so himself to the eggs that he's trying to convince her to do so. At first he asked her if she had anywhere to live, then upon learning she's only got a hole dug on the flank of a hill so far, he told her they needed to get her a house. Then he showed her his place, welcomed her in and showed him everything that could peak her interest :

Here's BBH's storage room, Baghera can have free unlimited access to it. Here's a flower field surrounding the place, it's really pretty isn't it ? Here's the beach house Pierre built on the bank of this cool lake, look how gorgeous it is, she could build the same if she wanted to. Also don't fail to mention there's a nearby lavender field around, Baghera really likes purple right ? Surely she could enjoy the biome enough to decide to settle down over there.

And Baghera's immediate response is to use Pierre's waystone to teleport the gang to her actual place. Actually, she doesn't exactly teleport them to her place, she teleports them to Phil's place first, which is right across the river from where she lives. Because she doesn't have a waystone to herself, because again : She is poor.

She then proceeds to show them around her "house", which is a (yet to be) repurposed dungeon. It's empty so far. BBH notices and remembers it's a dungeon that he had already raided with Dapper a week ago before Baghera found it.

Baghera doesn't have much if anything at all. She started the afternoon with -37 coins and a gapple which she offered to Acau as a welcoming gift. Still she was so happy when she accidentaly discovered that dungeon and loved its aesthetic, even if the loot that was left inside was barely useful, but to her it was all she had.

Back to the pillager outpost, Antoine overhears Baghera mention how exhausted she is and how meeting everyone at spawn earlier has been really draining for her. That's why she usually prefers exploring alone because then she can do it at her own pace without feeling pressured, because what is of interest to her may not be for her adventuring partners.

Antoine immidiately tries to reassure her the best he can, tells her that she can take all her time and shouldn't hurry for them, that they will wait for her. Baghera apologizes. While BBH is wondering what they're doing, Dapper goes up the tower to check on them, Antoine asks them to wait for them as they are taking their time. Baghera apologizes. When alone with her again she explains that it bothers her to not be able to take breaks and go at her own pace, but she blames herself for it because she accepted to go exploring in group and obviously even if Antoine and Bad keep telling her that they understand and try to make her feel the most at ease, and giving her food and gear. Well anyone would still feel pressured because making the others wait all the time might become boring for the rest of the group whether they say they're okay with it or not. At some point Baghera explains to Bad that she isn't feeling so hot, when she turns around he is 30 ft further ; something caught his attention and he wanted to check it out briefly. She comes up to him again and tell him she needs to get sugar because she is feeling dizzy, she insists that they shouldn't wait for her. Once she comes back, she tells the group that she wants to part ways and go back to building her house. Right on queue, Bad reminds her that she is the most welcome if she wants to come live near his place. Baghera still doesn't explicitely agree nor disagree with the idea, she only says she wants to build because that's what she enjoys doing. Right after, the group catch her up on what they were doing while she was afk : They're about to go raid this very dangerous sky dungeon, and Bad invites Baghera to join them. She iterates that sadly she will not, but Bad who's attention was caught by Dapper, has already ran off to listen to his child. Pomme and Antoine tell her it's okay, but then Bad rushes back towards them to excitedly show them what cool shenanigan Dapper is up to. Baghera bids them goodbye and Bad seems both surprised and disappointed to hear she's leaving now. As she is walking away, Antoine once again whispers to Bad that she was feeling real tired to which the latest answers he completely understands.

It's not so relevant of a moment lore-wise, but I've still been thinking about it a lot because I'm usually really into these kinds of small interactions that are still loud because of everyone's points of views ? Baghera's been there for 3 days and she still hasn't properly brought up to anyone what happened to her during Purgatory - she is not doing fine (I'm not going to go in depth because I'd have to slap a big ol trigger warning but her reaction to reading Pomme's and Richas' signs kicked me in the guts with the strenght of a 3T truck). And meanwhile BBH is this close to kick the bucket too and there's all his motivations that push him to surround himself with people when he would previously be paranoid about inviting anyone to his old base (and none of the french-speakers knew back then). Antoine is just vibing good for him (this was his last qsmp stream too lmao pretend i'm not crying rn /hj)

But it's one of those cases where everything was set up perfectly for it (Pomme was literally jumping with excitement at the idea of two more of her parents getting to live near) but it simply wasn't meant to happen -at least not that day-

[wormshirt]

The Doctor needs one of those classes they give to expecting/hopeful parents but for humans. Get their ass enrolled in a parenting course. And everytime they get a new companion he has to retake the course.

[langernameohnebedeutung]

My crowfriends came so close today <3 I love watching their trust in me develop

[waterfall-ambience]

nghm okay my take on the neuvillette 'ships' is that they're...all kinda boring? theres a lot of interesting dynamics to explore dont get me wrong but for all of them romance is the least interesting option lol. first is because i dont think he's romantically-inclined by nature (aroace king) but also he intentionally tries to keep people at arms length because of his position as iudex (so even if he has friendly connections i cant see anything 'more' than that actually working out) .

however the most interesting juxtaposition for his character imo is being so filled with love for the world and the people around him and simulataneously not experiencing 'love' in the way a lot of people traditionally understand it. he loves people so deeply no he does not want to pursue any of them romantically. it doesnt even have anything to do with him being a dragon, he's just like that.

[metamatar]

switched my planned research direction entirely bc all the advisors here who do work on that stuff are funded by the US military lol

[theflyingfeeling]

Samy & Middy performing Anna mulle piiskaa (originally by Apulanta) @ Revolution, Jyväskylä, 5.12.2023

[not-poignant]

hey pia! i love your work, hi!!! im a young writer interested in posting some of my big projects online (not that i really expect them to get any traction lol). i was wondering how you protect your work from plagiarism, or how you deal with people plagiarizing your work. it seems like the internet is kind of the wild west, and that’s only sometimes a good thing :/ im probably a bit too poor to afford any sort of copyright or whatever online authors do, but maybe i can save up? 🙏🙏

PS - i didn’t actually care whether or not this ask was anonymous, but from my experience on tumblr it seems like an unspoken rule🤨 so i guess i’ll turn it on🫡

Hi anon!

Tbh the only real difference between anon and attaching your name is that I have the choice to reply to you privately if you send an ask under your name (which is sometimes preferrable if the question is personal or really niche!) and that gives me more options. Anon forces me to only answer publicly (which is probably why you're seeing that so much!!), but the downside is that sometimes I have to delete anon messages when I don't want the responses or even the ask/s on my public blog.

Anyway! This is something I'd respond to publicly anyway, because I think this is a fear a lot of new and young writers have. The tl;dr is that copyright is often assumed on the internet, provenance makes it easy to send DMCA takedowns, and letting a fear of piracy stop you from putting your work up is one of the biggest ways I see new authors handicap themselves on the web currently (idk if it's confirmation bias or what but it seems like I see this several times each month atm from specifically new authors), and it's like...not a thing...to be hampering yourself with.

Okay, now for the longer explanation:

The first thing with copyright is that it by and large depends on your country and what you want to do with the story. In Australia, every created work by default has legal copyright protection simply by being created by someone. We don't need to pay to apply for copyright on creative works, we automatically have it and if we can prove provenance (i.e. if we can demonstrate we created it first, with like a document date etc.) we are legally protected.

So I can't answer for the country you're in, anon, but honestly, this is how it works on most of the internet where you're likely to put a project online. AO3 will respect that a work is yours if it gets stolen, if you can prove you came up with it or published it before another person did (literally all you need is a screenshot or a link). In the Properties or Details of most of your documents, the 'date created' is your best friend.

I've had my work stolen quite a few times over the years. It's been stolen the most from AO3 over to Wattpad (it's almost like Wattpad authors don't realise that sometimes we look lol).

In one case, blanket commenting on one of the fics that the original fic was on AO3 *and complete and not stolen* was enough for the author themselves to take it down. x.x Otherwise what you generally do is send a DMCA takedown notice, which almost all creative sites give you access to when reporting theft (your readers cannot do this for you, you must do it.)

Similarly, on AO3, if this happens, you can just report it. The big downside here is that it can take the volunteers there some time - sometimes up to two weeks or more - to get on top of that, so it might feel like nothing at all is happening. Patience is recommended.

Look, theft happens, you can't avoid it. It is a normal part of putting your work out there in the world. And I can't tell you how many new authors I know who kind of shoot themselves in the foot trying to prevent the acts of thieves, while not realising they're hampering themselves in the process.

Pirating is the worst, but so is never putting your work out there, or waiting for a magical protection from piracy. It doesn't exist - and there's a general rule where the more steps you introduce to stop or reduce piracy, the more you actually alienate your general readers - think about how having right-click disabled on a website can feel, for example. It's considered hostile internet architecture that is often very inaccessible.

(There's also a phenomenon where the authors most scared of theft are the ones least likely to encounter it, because their works are new, and they'll need a lot of time to build up readers and engagement in the first place. Most of the time, those who plagiarise don't want to take the works of new/young authors over the works of experienced authors who just won't think to check the sites they're using. By the time you're popular enough for that to be an issue, you'll probably have more confidence in yourself and your ability to handle this. I will say theft of ebooks on sites like Amazon etc. is way more common than theft of original stories and fanfics on AO3, but both happen more often than they used to, that's just...sadly a part of life.)

Also, applying for copyright doesn't mean your work won't get stolen. You'll still have to send DMCA takedowns, and you'll still have to get in contact with websites. A lot of the time websites have a form you can fill out. You still have to do all that labour and pay to register copyright. The filing of copyright is sadly not a magical shield against theft of a creative work. It does make it easier to take someone to court, but that's expensive, often not worth it, and the labour someone can spend chasing down thieves is often better spent amongst the readers who actually give a shit (they're the ones who often notice the theft in the first place when it comes to serials).

If you plan on publishing ebooks, there's software and organisations you can pay a monthly fee to, who just exist to issue takedown notices to piracy sites so you don't have to. I've never used these personally, but from what I've read on Facebook writing groups, they're often not worth it compared to the past, because new sites spring up all the time. But different authors have different experiences with online theft (and different levels of income to combat it) so you'll hear different things on that front.

I'm...pretty zen about it. To me, it's only a worry when I have to send someone a notice about it, which I don't actually have to do all that often. Like, it sucks, but almost always it never happens as much as a new author like yourself fears it will. That doesn't mean you won't hate it when it happens, but you'll live, and your works will keep finding readers, and it won't be what you're likely imagining it will be. It's for most authors, just an occasional giant pain in the ass that we forget about a day or two later sdakfjdsa

[aro-culture-is]

Aro culture is wishing desperately for physical and emotional connection but not pursuing it because it has romantic connotations and you dont want romance. Its knowing that your friends in relationships will never be the same with you again.

please don't cut yourself off from physical and emotional connections. i promise that things will be okay. yes, you will lose some friends - but you can always make new friends, even new friends already in relationships, and it will be okay.

[saysun]

a character from the story I'm creating with my friend

[tenny-tori]

[mirror-ralsei]

THOUGHTS: Threat Level and TwistedSwd

This is just a quick connecting of a couple of dots: the “threat level” demarcated by backing out of deleting a file at the last minute, and the ThornRing only being acquired by aborting a Weird Route at the last minute. (Shoutout to HalfBreadChaos for pointing out both.)

Notably, keeping the ThornRing - that is, a last-second abortion of Chapter 2’s Weird Route - is required in order to craft the TwistedSwd. We know little about the TwistedSwd beyond that it’s “a strange blade” for Kris that lowers Trance (contrasted with the ThornRing itself, which increases Trance).

“Twisted” kind of reminds me of Chara’s line to us about “a perverted sentimentality,” especially in context. Chara is specifically talking to a player who completed a No Mercy run twice, something most players would not do.

This, to me, is a bit similar to the conditions required to keep the ThornRing, and therefore obtain the TwistedSwd: a very obscure and deliberate path, probably followed for the purpose of obtaining a specific result. In the double No Mercy player’s case, it’s probably to see what kind of dialogue might change. In the TwistedSwd player’s, it’s obviously to obtain the TwistedSwd.

There’s also one more use of “twisted.”

Flowey describes you as “more twisted than [him]” if you subscribe to the newsletter “just to see what would happen if you unsubscribed. This does seem to line up with the way “perverted” is used to describe us by Chara.

Even if that’s not the case, and there’s no parallel between these ideas, I think “threat” and “trance” will probably be some kind of Chekov’s Guns for plot purposes later, as will the TwistedSwd. And I definitely wonder, like others, if we might have to do some, well, twisted things to get a “good” or “true” outcome.

(Screenshot credit: 1 2 3)

[ghostlygunk]

man this game is great

[strawberrycola]

hello. i made a very long, very indulgent addition to the sam and max subreddit post earlier, and decided to make it its own post because i had way too many thoughts for a reblog. and the idea of clogging notes was eating away at my brain like mice eat a cheese. this is mostly just train of thought, so i apologise if it's complete nonsense. i've just thought a lot about sam and max's relationship, and the connection lgbt (and neurodivergent, for that matter) fans have had to the series, from my perspective since i was like 8. obviously that's gonna be tinted thru a tumblr lens, because ftmp that's where i see The Good Stuff. and i'm gay as hell, so there's bias. ok read more time kiss kiss.

anyhoozles, coincidentally i've been back on my sam and max bullshit recently, as i finally got a chance to play "this time it's virtual". and discovered vr is not my thing.

so to start, listen...i don't think sam and max's relationship is quite as cut and dry as i believe myself and perhaps many others would imagine/hope. i'm eyeing the "susan" gag from the aformentioned ttiv, in particular. but as your resident specialist in "complex and obscure knowledge of three series total or so", the question of sam and max's relationship has been here since the very beginning of the official comics. like. this has been a thing. pretending it's new is foolhardy. and wrong. obviously there's "like butch and sundance", the wedding toppers, hell, the devs of the telltale game trilogy lampshade their relationship a very decent amount, both in the game itself and in the commentary. at the end of 209, "chariot of the dogs", they directly bring it up during the final cutscene tie straightening maneuver max does. one of the devs literally gets excited about it, iirc. and one of my personal favourite examples is "do you find my warmth...alarming, sam?" from 305, "the city that dares not sleep."

that, in particular, is one of several lines directly from MR. PURCELL HIMSELF, that he gave to the devs each game as lines that must be in the game.

and speaking of season 3, i'd like to mention 305, "they stole max's brain".

(i am now holding "noir sam" so close to my chest, jsyk. that trope means the world to me. it has influenced SO much of my work, and i still use napalm's playthrough on youtube as a sleep aid. REMASTER WHEN.)

of course i and many others latched onto that shit, are you kidding me???? that whole episode was RIPE for hurt/comfort. minor spoiler warning for those that would mind, it's a roaring rampage of revenge plot. at least for the first 30 minutes or so. it's part of a long history between the two of freaking the hell out the second they're separated from each other in a way that doesn't end in like, five minutes. (305. if you know, you know. fkin brutal, man.) sam, in the second act of the game, has been affected by an alternate reality plot, and fully believes he has carried max's brain in a jar his whole LIFE and seemingly has no plans to stop doing so!! it's part of a season where the WHOLE PLOT revolves around the nature of their relationship and how it could change. you don't have to be a shipper yourself to understand how that could be incredibly compelling to the people that fancy them as a couple.

and it's a fandom that i give a lot of credit to lgbt people for revitalising in the mid 2010s~ (i was already a fan by then, and i'm still really curious as to why it blew up so much, but hey, who's complaining?), as well as in 2021~ in response to skunkape's remaster of telltale's season one "save the world" installment, and the release of ttiv. (obviously the actual demographic spread across platform to platform is a varied thing, etc. etc. i'd like to stay firmly in my lane, and i don't wanna overstate any particular demos in my discussion here, or hyperbolise too much.)

Obviously, you don't have. to be a shipper. completely fine. pretty common. Who Give A Care. and we're not even gonna get into the "not suitable" content. i can't fault anyone for not being cool with the actual sexualisation of childhood stuff they like. that's something i'm pretty "ambivalent with a leaning towards discomfort" about for quite a few things myself. and it turns out there wasn't even any "unmentionable graphic imagery" to begin with. shocking. HOWEVER. i'm fascinated but not completely surprised by the blatant homophobia and disgust towards the fanart of the ship.

like, to be nuanced about things, and it's not like the admin is extending the same courtesy here, this is clearly an older fan. like i think from around the same timeframe i was first introduced to it, give or take. maybe they missed a lot of the tumblr mid-2010s activity, or maybe that's going in to their Burning Disgust towards Yaoi Sam and Max Kissing Not Clickbait. i know the fanart had some level of cross-posting, at least on youtube as dubs iirc. OR maybe i'm a fool who is actively tricking you with my words and none of the above is true at all. however...pal. again, in my opinion, we owe those lgbt and neurodivergent kids and adults our whole rights as a fan community. you don't have to like it, but you do have to be respectful, jerkbag.

i can't be the only one who was devastated by the drought of content post "the devil's playhouse". we had a [1] singular whole webcomic to tide us over, with the occasional sketch on purcell's social medias. of course, there was a small community of fans, and some incredible stuff they made, looking at you Sam Dies At The End. i weeped. but it was slow and steady. and then, out of seemingly nowhere, people en masse suddenly REALLY CARED ABOUT THE THING THAT BROUGHT ME SO MUCH JOY AS A LITTLE GUY. like, fuck man...i first found out what autism was when i was real young because max's character description on wikipedia contained speculation as to whether or not he has it. (jury's still out, ...but we all have our little comforts. okay? also speaking of, "is max gay?" is like. one of the longest ongoing bits. like cmon dude.) now granted, by 2021 i was a little old for the new wave of shipping that sprouted up. tiktok edits are Not Always My Thing. but that's okay!!!! it doesn't need to be my thing. i'm really glad they're having fun. :] and i don't want to come across as like. infantilising in my discussion of the younger fanbase, so i apologise if my tone has come across that way. it really is simply the comforting thought that kids like me can experience what i had.

i remember how much fun my friends and i used to have when we were 16! (hi xavier, if ur reading this. miss you, buddy. :]) we got silly with it! we got angsty about season 3!! we wrote fanfiction, hell, an amazing fic my friend wrote that i beta'd is still the most kudos'd shipping fic on ao3!! the fanartists i liked had such an INCREDIBLE grasp on how to write sam and max's banter. it was a good time! and knowing these characters are giving joy to a new generation makes me giddy, dude. hell yeah! get "feral" or whatever the hell it is these days. find comfort in characters that don't really care about anyone's opinion except each other's, who get to be as weird and annoying and gross as they want all the time. that tend to punch up. that show love differently than what's seen as conventional. that end up saving the day, not even because they have to, so much as they genuinely enjoy each adventure together. max was my personal opportunity to feel comfort in all my weird freaky mannerisms i kept safe behind the polished exterior i had to wear as a kid. i found solace in the thought that those two were practically made for each other, as i stumbled through my own gender and sexuality crises. i loved how dry and dark sam was allowed to be. the banjo bits, the phone jokes, the repartee. so much of this series has influenced me, and helped me become who i am, as a creator and as a functional guy who Does Things.

so that's a small bit of why i think sam and max had, and still has, a lot of appeal to people that grew up like me. there's a lot of rough stuff i went through that made the idea of a couple of anarchist detectives completely devoted to one another that go around the seedy underbelly of america saving the day ("almost on purpose!") really, really interesting. steve purcell is unapologetic about how gross america can be, especially in the comics. at the heart of it, sam and max do what they do both because they enjoy it, and they enjoy each other. and i think, to overlook that, is to miss some of the whole point of the franchise. oh, i'm sorry, giant cockroaches literally everywhere is fine, streets crusted in various goos, totally chill, but gay kissing is the thing that Absolutely Nauseates you? plugging your ears and screaming gross seems like...kind of a weak move here, ngl. a work that doesn't shy away from how confusing and wild life can be has a decent chance to be compelling to marginalised groups, who often have to put up with the more disgusting aspects of reality anyways. at least these two odd guys are having fun with it. sam and max understand each other, each of their strengths and flaws, and choose to be with each other every day because of and in spite of them. they choose to love where they are, because of and in spite of its many, many, many flaws. they choose to be who they are because they love what they do. there's something touching there, if you like to think about such things. there are some occasions i find myself wishing sam and max's relationship was more...concrete. i wish we had an answer to Does Sam And Max Is Gay? but at the same time, being vague and obtuse is like. their whole shtick. so maybe it's just right how it is. and uh. obviously this is a fictional series. in the end, it's all how we enjoy it that matters, and it's not the end of the world. and as a final cherry on top, nothing beats turning to my husband and asking, "is sam and max queerbait", before delighting in the 3 hr conversation that follows.

and to get to the point. as the old adage unfortunately goes, it's...okay. to not like...ships. and i can even somewhat understand being frustrated by a subreddit you created being "flooded" by a thing you're not into. only somewhat, because a: we've always been here, and b: because you can. just not look at it? idk if reddit has a filtering system, but. the scroll wheel is free. to throw a tantrum and ban topics because you're personally offended people think they're gay? you might be missing out on some of the most fun you can have outside the series, and you're spitting in the face of the people who held this fandom up on their shoulders like atlas.

and you're being a dick about it.

TO CONCLUDE:

wah wah they're gay gay homosexual gay and they don't pay taxes. deal or die, fake fan.