#How To Make a Helicopter

[iztea]

awkward helicopter ride back home

[whatsfourteenupto]

Fourteen’s replacing the screen on Donna’s phone for like the fifth time right now. They’re the family’s own private iFix guy, and lord is he insufferable about it

[whollyjoly]

so aisha just tweeted this....

and im looking at those last two emojis 😐😳....

and i remember that lou said this....

...and this....

...

...what does it MEAN??

[finnitesimal]

the cannon is an allegory for. The S

Happy birthday to my captain 🫡🫡🫡 thank you for your service Captain Ashiro here's to many more years of blasting huge hot loads in giant monsters

[lotus-pear]

BOY WHAT THE FUCK WAS THAT NEW CHAPTER........

[tommystummy]

One of the failed opportunities of season 7 that can be blamed on time constraints is the fact they don’t address that Eddie just… got in a helicopter. Twice. Lives weren’t even on the line the second time he just casually had his new friend Tommy fly him in a helicopter. Like obviously this season was more interested in Eddie’s Shannon Trauma but some acknowledgment, even a single line, about Eddie being up in the air again, would have been nice

[ganondoodle]

so with echoes of wisdom .. i havent watched any of the trailers beyond the very first one and the thumbnails/screenshots and what others have said about it-

but with the world inside the rift being called "Welt des Nichts" aka "world of nothing/void" in german ('still' in english, for some reason) and demises title in french being "avatar of nothing" ... yeah my anxiety is shooting through the roof again

(hopefully you can be a little more forgiving for me being anxious/weird about it bc demise is my blorbo)

i had similar worries with totk, that werent proven true thankfully, but the darn book is making it all worse again with all those weird lore things the game doesnt even so much as hint at AND potential retcons- im in for a really rough time huh, not just stress in real life (more in tags.. its alot) but now about my specific hyperfixation from two things even (AND artblock still..)

weird as it may sound, i dont want demise to get more lore, partly bc i dont believe theyd do anything with him that i would like (given their track record) but much more importantly- the fact that he has this little lore about him is precisely one of the reasons why i fell in love with him, i tend to like characters that are neglected by the narrative, and his story being both so flat and already done meant i can be very creative with what i come up with for him without necessarily contradicting anything in canon (which is ... or was a big point of how i wrote destiny's story and lore, working with canon in a way that reframes it all without straight up ignoring it ... but i suppose i urgently need to let go of that and accept i spend alot of time working things that will go to waste :( ) AND not having to worry that there will be more stuff with him that would massively change not only what im writing but also potentially how i feel about him since the game he was briefly in was the oldest chronologically and ended with his death- i didnt expect them to mess with anything that far back and thought theyd just go forward and leave the timeline behind and wouldnt mess with it again, given how botw seemed to be a sort of 'fresh start' that seemingly regarded the past as the past that needs to rest and that the timeline was finally no longer a discussion if everythings unified through botw and one thing going forward

but i suppose i was very wrong with that .__.

right now the only thing that motivates me still is the left over determination and spite to work on my zelda comic, since i have never gotten this far and really want to get something done for once, but i cant lie that im feeling like i should pause all work on it too to wait and see waht the book and the new game will do .. either to determine if i still have the will to keep working on it after those things are out (my love for tloz has been taking alot of hits lately ..) or if i have to change stuff (mostly bc of my lore problem trying to not ignore it ..)

[thissisatitle]

I often speculated that Elena would be acting like a tsundere concerning Rufus due to her behavior in BC & TKAA and I'm happy that Rebirth confirmed that =')

[krimbler]

Thats one down, 6 more to go, and yes i will be adding doodles of how Seraphiel would interact with said character ^^

Fallen Gabriel belongs to @muzzleroars, i could not for the life of me find a front view of this man's armour.

[evanbi-ckley]

things i do not need: more wip ideas

and yet

[astradyke]

hey sleuths do any of y'all have the picture on hand from one of their videos where you can see their gaming channel bookshelf in the background? like, the one we used to figure out that they got sent the couple date night game?

[hauntingblue]

chopper has become catholic

[whatudottu]

Yo imagine instead of being small because Airachnid is vaguely a lady by human standards, what if she was built like a daddy longlegs spider and dwarfed bots after unfolding her copter blades?

They hate to see a girlboss winning 😞😔

[thedreadvampy]

btw about Neil Gaiman I periodically agree with the 'Neil Gaiman is annoying' stuff bc I feel like both he and Amanda Palmer seem like people who I would go insane stuck in a room with bc we have very different ideas about art and suchlike. and I also do think that the career trajectory he's on lately is cynically redoing his greatest hits and pretending that was the dream all along when it clearly was not. which is at best meh.

having said which

as far as I can tell by far the most common complaint about Neil Gaiman is "Snow, Glass, Apples is problematic/gross/it's got incest and rape and frames the child as the aggressor"

which strikes me as a weird complaint to pull out of a 40 year body of work tbh when that short story is pretty clearly coming from a place of 'how far can I push this'. like you don't have to like the story. I don't really like the story. but it is. a horror story.

like and this is the thing with particularly 90s alt horror right? a lot of the interest is in transgression and sitting in the worst possible perspective and seeing what happens if you pull those strings. like I really like Clive Barker for example but there's a good chunk of his short stories that I'm like I'm not picking up what you're putting down Clive this seems Kinda Off. but that willingness to write some trite or Bad Message horror fiction that doesn't land is imo a side effect of being willing to try writing uncomfortable and unpleasant fiction at all. which is what horror is for, among other things, it's for creating discomfort as a form of catharsis or engagement.

like I am not a huge fan of the type of sex-horror that pops up in a lot of Gaiman's work and other contemporary horror writers - to me I don't find it upsetting or horny it just ends up feeling kind of edgy and tryhard - but I'm also a bit like. it does seem like a lot of people's beef with Neil Gaiman is that In The 90s He Was A Horror Writer

and this approach to Problematic Horror in Snow, Glass, Apples I find kind of microcosmic of how The Discourse often approaches art in this kind of 1:1 way. if you write a story which seems to line up with rape apologia it can only be because you agree with it. if you write a story about transphobia you're a transphobe. if you write a story that makes me genuinely uncomfortable you're attacking me.

but artwork, especially art like horror that's not necessarily trying to provoke enjoyment as its main response, is necessarily hit and miss. and if what you're shooting for is discomfort then whether it works, falls flat or goes too far incredibly depends on your audience. and making good art - as in art that makes its audience think, art that opens the audience up to discomfort and catharsis and sticks with them and changes them - requires the space to experiment and tbh the space to fuck up. like they aren't all going to be winners and they certainly aren't all going to work for you as a singular audience.

personally I don't see the appeal of Snow, Glass, Apples, less cause it's nasty and more cause it's hack. ooh an edgy monstrous version of a fairy tale where there's lots of rape and cannibalism? you're soooo original Neil. but like. that's fine. I don't really vibe with like 70% of Neil Gaiman stuff I've read but I still like Neil Gaiman because the stuff that works for me really works for me.

idk I think there's a lot of folk on this website who shouldn't interact with horror cause they clearly aren't interested in being horrified. that's not everyone who dislikes Snow, Glass, Apples, but it's a real undercurrent to a lot of the criticism and tbh this kinda vibe is shit for art. making standout art What Is Good also requires being ready to make art which stands out for the wrong reasons. sometimes they'll be the same art to different people.

[ratatatastic]

and you ask why might a diva need to ride in a helicopter with the cup? oh fair question my friend! fair question! its actually to take her sightseeing and land in linköping! in style!

of course a cup party is not complete without the millionth rendition of we are the champions (please help me i think im dying) as the cup is brought in!!!

Forsy Cup Day | 8.2.24

[simon-like-the-chipmunk]

RIP Victor Hugo, you would've loved my brain 😔