#I TOLD YALL THAT IS ALL HE KNOWS

[aa-carnivorousfatality]

KNOW ME AS THE VILLAIN.

***** -------- the betrayer. *

You like to do things up close and personal. As personal as you can get. You are an excellent actor, and you do adore putting on a smile knowing your worst enemy, the one you hate the most, doesn't suspect a thing when they tell you their deepest secrets. Your only motivation is revenge, and revenge you shall get. Perhaps you loved them once, long ago, but any fondness for your target you once felt has long since warped and twisted into perverse obsession, laced with malice and venom and seething hatred. Good or evil does not matter to you. All that matters is they get what they deserve.

Found this and tagging: @attercopus , @neonwebs , @h0b1e , @novaragno , @primordyalsoul , @lacewove , @rpdbdge , @d4ngerous , AND ANYONE ELSE WHO WANTS TO DO IT!!

[cashmoneyyysstuff]

you’re watching the maury show on your computer when katsuki marches into your room without a word and flops down next to you on your bed.

“ hello to you, too.” you snort. his words are muffled by your sheets but you’re about 90% sure he told you to shut up, you ignore it.

he lays face down on your bed for a while not saying anything and you know he’s had a long day and wants to be close to you without actually talking. you don’t mind, you’ll give him his space until he reaches out himself.

and he does after a little bit, turning his head around to face you as he looks from you to your computer screen, eyes focusing on the woman screaming that the man she cheated on her husband with was 100% not the father of her baby, mixed with the cheers of the audience.

he looks at you and raises a brow “ what’s happenin ?”

“ lady cheated on her husband with his brother.” you respond.

“ his brother ?” he repeats. his eyebrows furrow and you know he’s hooked. if there’s one thing katsuki loves but will never admit he does, it’s trash tv.

you nod, grinning somewhat evilly “his brother. now they’re trying to find out which one’s the father.”

he hums, scooting himself closer to you so he can see the screen too. he flips himself around so his neck isn’t craned at that awkward angle anymore and settles himself down right next to you. hook, line and sinker.

he wraps his arm around your shoulder and shoves his head in your neck, breathing you in. you both don’t say anything. “do you want me to play it from the beginning for you ?” he shakes his head in your neck. you reach your hand up to scratch at his scalp and you smile when he sighs. he holds you a little tighter, pressing feather light kisses into your neck.

katsuki’s never been good at expressing himself with any other emotion that isn’t anger. it makes him feel stupid and weak and soft. he’s had a long fucking day and he doesn’t wanna talk about it, simply wanting to indulge in you but he can’t tell you that, can’t find the words to, so he tries to find other ways to tell you and he hopes you understand and you do.

katsuki’s thankful for you because sometimes he wants to talk, wants to open up about what’s bothering him but sometimes he doesn’t. he doesn’t and you don’t pry when you know he doesn’t and he’s so thankful for you. he presses kisses on your skin and soft bites at your flesh to convey just how thankful he is, how grateful he is for having you. he hopes every warm press of his lips against your skin can convey how much he loves you loving him. and it does, because you turn your head and kiss the side of his head so sweetly and he knows you’re it for him.

he’ll tell you all of this one day, he promises. he’ll tell you all the thoughts swimming around in his head one day, but he hopes this’ll do for now. and unknowingly to him, it absolutely does.

he pulls his head out of your neck and kisses you hard on the cheek one, two, three times and you giggle. you feel him smile into your cheek when he kisses you a fourth time.

“fuck’re they screamin’ about ?” he says and you turn to look back at the screen. the woman is yelling at her husband’s brother vehemently denying the possibility of him being her baby’s father. you feel a little bad for laughing. “ she says he’s not the dad” you answer.

he clicks his tongue “ why the fuck is she on the show then.” he says, turning his attention back to your computer but his grip on you stays secure. you press yourself a little closer to him.

you’re still smiling lightly when you look back at your screen, simply shrugging. “ she said something about her having more sex with her husband than with him.” you answer and he snorts.

“ ten bucks neither one of them’s the father.”

[om0000]

well rendered westley jumpscare

[tacagen]

one of the things that fascinate me about thawne: yes, he CAN be normal with kids! surprisingly normal!

((not at all times, though. his mental illness still spills through and as usual he, in trying to manipulate or hurt others, spits out at them the exact stuff that would hurt him (or have in his childhood/barry's rejection interpretation) the most in the first place lmao))

but at the same time. his like second instinct when doing his bullshit is FUCK THEM (as) KIDS

(and, well. whatever this classifies as)

[cravingforsweetsbooksandpurpose]

Currently thinking of an Angel AU where Sanji is one of Cupid's angels for the past 800 years. He makes people fall in love. And for angels of love to ascend, reincarnate or reborn they're given specific clients that he needs to fall in love.

But he has a problem. A mold problem. He only has one client left that he needs to fall in love. And it's the lone wandering swordsman with an odd memorable green hair. And no matter what Sanji does. No matter who he matches the swordsman with as every new lifetime pass, the man just never falls.

And so, as Sanji begrudgingly stands on the swordsman's grave alone, he swore that on the man's next life (11th) he will make him fall in love by hook or by crook.

[doctorwhoisadhd]

oh you KNOW tosh showed up at the hub again and the SECOND she got ianto owen and gwen alone in a room without jack she was spilling the beans on everything that happened & that jack told her in 1941

[poisonousquinzel]

thinking about just how likely it is that Batman was the only person Harley told about having suicidal thoughts whilst in Arkham in Detective Comics #831

"I was seriously considering hanging sheets from the light in my cell and doing the maximum checkout when I heard this voice..."

Detective Comics #831

and how he knew when she strapped that bomb to herself in Batman (2016) #100 that he had to go after her because she was going let herself die in an attempt to end Joker's rampage for good but that she refused to physically do it because he didn't want to her Kill him and he told her that so she's found a middle ground

"We don't need to end it this way. He needs to be locked back up."

that she'd rather die than keep living with his presence in the world haunting her, haunting Them.

That if he did choose Joker, she wasn't going to disarm the bomb herself.

"Honey. You're talking to the wrong girl if you think he's not dangerous locked up in Arkham. It's like I said. That's not good enough for me. Not anymore."

the way he yells for her as she leaves.

"You're only going to get to one of us in time, Bats. Who's it going to be?"

"Harley!"

the way the two men stare at each other in the way they have so many times before, in those moments when Joker stayed or prioritized their fight over her. the way he knew Joker loved the thrill of it all and thought it was funny, thought there was No way Batman would leave him and that this game had to end as according to the rules. And that Batman would do so, he would follow the rules and save him. The way he immediately assumed Batman would choose him, choose his life and choose to stay and disarm the bomb.

And how Batman didn't do that. How Batman walked away from him, leaving him to die or escape or whatever, because He was choosing Harley and her safety and prioritizing her life over him.

The way he stared him in the eyes before choosing the woman Joker had always left to die over him. The way that it was always Him, it was never a question if he would choose Batman over her, but when faced with that type of scenario, Joker is the one that gets left behind to die.

The way she literally woke up in the hospital instead of them having a scene just outside after he removed it. because she didn't intend to live in one of the two options. the way the bomb probably did go off to some capacity because you don't just end up in the hospital knocked out for a week.

Him saying that he's glad she's okay, after everything they've been through, this war and Everything else. and the way he didn't brush off her concern

"I'm glad you're okay."

"Are you?"

"I had to bury my father again today. I did it with my family."

i just, i can't,,,,, i cant

[givemewallywestorgivemedeath]

Hey!

I saw your probably very old post where someone asked you something like “Who’s the most OP speedsters”

In the tags I saw you mentioned that Meloni is a speedster? And that she’s classified as one? Can you give me a link, or a comic? Bc I think that’s rlly cool (and never rlly thought about it regarding the whole Thawne-Allen thing).

Yeah so, this was when Owen was trying to figure out who his mom was and was doing research into female speedsters. Off the top of my head I can't remember which Flash issue this was or what the arc was called but it was the one that the West twins were born in. The one with the rogues war. I actually did a whole post breaking that arc down if you can get the search function on Tumblr to work for once.

But yeah, Meloni was considered a 'female speedster' in that arc and it does make sense because Owen had to get his powers from somewhere. And his dad is Captain Boomerang, so he certainly didn't get them from him. Meloni has never shown any actual powers that I know of but she is a Thawne and both of her children are speedsters, so she does have some sort of inherent speedforce connection. (She might not use it though because of her father's hatred for speedsters)

So yeah, it's Wally's Flash run. The arc where the twins are born. But the start of that arc. If you've hit Zombie Captain Boomerang then turn back and look at earlier issues in the arc, cause you've gone too far.

[marxism-transgenderism]

..

[timetravellingkitty]

peeks out cause it's safe now you guys were really weird about Depp v Heard

[auriannaventiwithcaramel]

so i've finally watched yellowjacket

[thenixkat]

Anyway, if you aren’t Black don’t use any variation of woke. I don’t care what conservatives are calling fuckers/using as the new sjw/political correctness/what have you.

If you know what fuckers mean use what they mean, and if you don’t why are you copying what people are saying?

Woke ain’t for you. If the discussion isn’t about Black people being aware of and/or educating other Black people about racism/antiblackness/structural inequality/all the other bullshit then it doesn’t need to be used in the discussion.

[frobby]

I was talking to the shounen bro at my work and he asked me what my favorite animes were and we were talking and i said "hmm not blue exorcist..." and he was like "oh me neither and i was like "no you dont understand-" he dont know like half of my internet presence is blue exorcist related....

[erisolkat]

god i hate everyone

[chibi-scone]

Still can’t wrap my head around how Izzy shooting Ed was supposed to symbolize him “breaking up with Blackbeard” and have them go through that whole thing at the beginning of the season, to have Izzy be the one who tells Ed to follow what makes him happy, and have Izzy’s whole arc be about who he is without Blackbeard just for the finale to turn around and say that Izzy had to die because he was half of Blackbeard and that Ed couldn’t fully let go of Blackbeard otherwise.

[kavehater]

AAAH I have a mutual who’s 18 and he sorta kinda is flirting with this one guy who is a minor as a joke of course ( to which a concerned anon said that it’s weird ) but I can’t help but flashback to er*s