#I did have a certain fixation

[pinkoptics]

I posted 688 times in 2022

That's 176 more posts than 2021!

35 posts created (5%)

653 posts reblogged (95%)

Blogs I reblogged the most:

@dedkake

@spockvarietyhour

@akasanata

@fullmetalcarer

I tagged 652 of my posts in 2022

Only 5% of my posts had no tags

#stargate atlantis - 371 posts

#cherik - 94 posts

#yes - 45 posts

#mcshep - 35 posts

#rofl - 32 posts

#lol - 31 posts

#rofl🤣 - 26 posts

#john sheppard - 16 posts

#um - 12 posts

#this - 10 posts

Longest Tag: 125 characters

My Top Posts in 2022:

#5

And also:

thighs

thigh holster

butt

bleps

expressive eyebrows

heart eyes

@dedkake

32 notes - Posted February 20, 2022

#4

I continued work on my Shrine fic today! 4/5 times John touches Rodney during the Shrine have been written.

Previously mentioned here.

I am both thrilled and in emotional pain.

because

well

The Shrine

I mean—

Preview anyone?

*

John grasps Rodney’s wrists.

Squeezing tight enough to hurt. Yanking them back. Away. Trying to stop him. He can’t watch this. He can’t stand by and watch.

This had been a terrible idea.

John knew it would end up this way. Blames himself. Should have stopped it earlier. Should have insisted, should have been better, should have protected Rodney. Even if it was from himself.

But, it was what Rodney had wanted. How could he deny Rodney anything he wants right now? Besides, it has been another way to track the progression of the illness. Not his memory—he and Keller had that one covered with the videos—but his ability to think critically, problem solve, strategize.

A nightly chess match.

It couldn’t have ended up any other way, any other way but this.

“Stop it!”

John is trying to rip Rodney’s hands away from his face, where Rodney is attempting, literally, awfully, to pound his brain into working properly. Hitting himself over and over.

“Stupid!” Rodney’s shout is over loud, pained. He manages to hit himself again, despite John’s best efforts. Rodney’s desperation makes him strong. Too strong. Stronger than John. “So fucking stupid!”

“No! Rodney! Please! Come on!”

Rodney shouldn’t be this strong, shouldn’t be able to keep violently hitting his own forehead over and over. But he twists, he jerks, he slips away and John grabs at him again.

“Sixth graders can play this fucking game! I played it in first grade! I’m officially more imbecilic than I was when I was fucking six.”

“Rodney! God damn it!” John had managed to get a hand around his bicep, but then the bicep is gone, leaving his fingers grasping at air. “You just used the word imbecilic, clearly you’re not— ”

John’s words are silenced by Rodney inadvertantly hitting the coffee table with the backs of his knees. The chessboard goes flying, pieces scattering everywhere. Rodney goes flying too, his back hitting the table hard before the momentum rolls him off and onto the ground.

John doesn’t know which sound he’s heard tonight that’s snaked the deepest fracture line in his heart— the heels of Rodney’s palms smacking against his own skin, the anguished self-recriminations, or the crack of Rodney’s skull against Atlantean metal.

He’s on his knees hovering over Rodney before he even knows he’s made the decision. After a moment of chilling stillness, where John is half-convinced the universe has played an even crueller joke and he’s lost Rodney sooner than they’d expected, Rodney groans, eyes flickering open.

“Well that fucking hurt.”

John’s whole body attempts to collapse on top of him with relief, and definitely without his permission, but he just trembles instead.

You’re okay. Fuck. You’re okay. For now, you’re okay. I can’t do this. How do I do this? Rodney, how do I do this?

*

See the full post

33 notes - Posted May 1, 2022

#3

Three A.M.

McShep | 260 words | G

Sleepy boys | Sleepy Cuddles

on Ao3

John wakes to the click-clacking of keyboard keys being pressed just this side of too hard. He doesn’t check the time. It could be 11pm, 1am or 3. It doesn’t really matter. John long ago gave up on berating the man for his poor sleeping habits. Atlantis needs too much from him and Rodney asks too much of himself. Instead, John slips from the warmth of the blankets and curls his arms around Rodney from behind. He rests his head against the nape of Rodney’s neck, then presses a kiss there.

“That’s enough for tonight.”

He presses another soft kiss to punctuate the point.

Rodney’s body slumps, coiled tension releasing. It works today, but it doesn’t always. Sometimes there’s no slump. Sometimes there’s Rodney shaking him off with muttered words John never quite makes out and the click-clacking of the keyboard resumes. John never argues anymore, just slips back into bed and drifts back off, ensuring that he, at least, has had enough rest to be alert and able to protect his scientist.

Today, though, Rodney follows him, shedding uniform clothes until he’s down to an undershirt and briefs. John slides to the far side of the bed, the cold side, letting Rodney slip into the warmth John left behind. He lets him wriggle and settle, watching as he sighs contentedly in his newly created pocket of comfort. John slides back, curling an arm and leg over Rodney, who wriggles and settles and sighs contentedly once more. John waits, listens, for Rodney’s breathing to even out. Makes sure.

They sleep.

42 notes - Posted November 26, 2022

#2

So friends, mcshep sick fic. But not h/c, hilarity of huge misunderstandings instead. @dedkake’s fault. Can’t remember how we got here 😆

Established relationship (or not, really could work either way).

John’s in bed. Wakes up. Is feeling gross. Headache, stuffed nose, sore throat, achey muscles, too hot/too cold in turns. The works.

Sees Rodney puttering around his room, picking up used tissues, clearing a soup bowl, refilling a cold water glass. But…

He’s in a hazmat suit.

Cue panic. John must be dying. Whatever he’s got, it’s bad. Alien bacteria, ebola… something that warrants quarantine protocols. Oh no. But Rodney. Hypochondriac Rodney is there. Quiet. Caring.

John is so in love. Has been. For so long. Suddenly Rodney must know. This could be his last chance, right?! Must tell him.

Feverish outpouring of feelings. Over the top love confession. So Un-john. Hardly making sense because hello fever. Rodney just standing there stupid.

What the fuck has gotten into you?

I’m dying.

No you’re not.

But hazmat suit. Quarantine.

I just don’t want your gross flu germs. You’re a disgusting human petri dish.

John why do I love this absolute idiot omg.

Rodney I love you too. But you’re still gross. I’ll kiss you when there is no longer a hazmat suit between us.

44 notes - Posted March 12, 2022

My #1 post of 2022

File this under fanfic writer problems:

Coming to an Ao3 page near you, John’s… cocoa ☕️

It’s hot.

Real hot.

Steamy.

53 notes - Posted July 27, 2022

Get your Tumblr 2022 Year in Review →

[vanlegion]

"Ha ha . . . Unless?"

*sighs heavily* When the stray thoughts start to hit...

I'm not typically a multishipper . . . but sometimes. . . sometimes it *happens*

[swinging-stars-from-satellites]

I hate when I get into these phases when once I process through one thing causing me anxiety there's another thing right behind it

[writeouswriter]

Me being interested in certain scientific concepts or areas of study in theory and wanting to constantly create scientist OCs vs my brain’s inability to focus on actually reading or retaining any scientific writing or related information for research no matter how much I try: fight

[starbuck]

good things today:

National Park agreed to let us do a year-long research project starting in January which is gonna look REALLY good on my resume (and also be fun!)

difficult conversation with my boss went well (I think she agreed with me and I’d gonna follow my advice/had already reached the same conclusion herself)

fun concert (with banjo!)

made plans with a friend for tomorrow

got school work done

[archduke-enver-gortash]

truly zeke is such a roach, i’ve described him this way multiple times and i will continue to do so because it’s just that fitting but he looks like if a malnourished victorian newspaper boy got turned into a ghoul by a necromancer. sends a chill down people’s spine when he’s in the room. watching. (except for gort of course he loves that shit.) truly imagining some uncanny valley shit with his lanky spindly features twisting and bending and snapping back into place when he’s severely injured. you think you’ve slain the beast but then it rips your arrows out of its body chases you while bleeding with a ferocity that is unmatched.

[vicsuragi]

hiya! feel free to ignore this but if you have time, do you have a list of all the things you've watched that have con o'neill in them?

i don't actually have a list but for you, anon, anything (and as close to chronological order as i can get)

cucumber (2015) - con appears in episodes 1, 2, 5, 7 and 8

our flag means death (2022-) - con appears in episodes 2, 3, 4, 5, 6, 7, 9 and 10

telstar (2008) - this one is really distressing towards the end but it has a lot of con kissing and being in bed with a pretty boy

uncle (2014-2017) - con appears throughout the series and i cannot overstate my love for it as a whole even beyond val, as iconic as he is

the batman (2022) - not enough con, but his american accent was really bad in the movie and that was really fun for me

banana (2015) - he was in one episode of this and it wasn't enough but he also was really pretty in it sooo

midsomer murders: schooled in murder (2013) - i didn't finish this episode. but a woman was murdered by a wheel of cheese to the head and con was there so if that's at all interesting to you.

inspector lewis: fearful symmetry (2012) - i didn't finish this one either because this character made me so angry but he plays a researcher who is studying chimps or something and is possibly involved in a bdsm-style murder (it really sounds more interesting that it is)

criminal justice (2008) - features in every episode as ralph stone, a solicitor attempting to get a guy out of a murder charge he isn't sure he committed (also ben whishaw is in it if you like ben whishaw)

happy valley (2016-2022) - fully admitting i did not watch more than an episode of this one but con was there and he seemed very sweet, but he could also potentially be a murderer (or he is just the boyfriend of the lead's sister)

chernobyl (2019) - appears in three episodes (1, 2 and 5), has a perm, is kinda a shitty guy

bedrooms and hallways (1998) - earliest con project i have watched, has a bit of biphobia directed at the lead towards the end, but con is absolutely glorious in it and his character got a very happy ending

and that's all i think i've seen so far, i could definitely be missing one or two things i saw but just cannot remember, but i think this is everything! i'll probably start moving into the earlier projects now because i need to see dancin thru the dark

[im-smart-i-swear]

Does Jiro has ghost like abilities (possession, ability to levitate things, etc etc) or does she just live in Shiro's head?

when i created this au, i thought the best option would be for her to be unable to interact with the physical world in any way(including possesion), beacuse i really wanted to lean into her isolation and how it affects her....... and while thats something i still want to emphasise here, lately ive been toying with the idea of jiro being able to impact the physical world somehow(though it still being fairly limited). i think letting her have some control could have a lot of potential! buuuut i also have no idea what abilities i want her to have lol

For now i think im not gonna give her any telekinetic abilities, bc i feel like it would be giving her too much power......... if she could throw shit, shed go APESHIT with it. it would made things too easy for her. i'm sorry babygirl but i'm NOT giving you the possibilty to throw knives and other sharp objects, i dont trust you to not kill someone:/

i really like the idea of her being able to temporarily posses her old body in certain circumstances tho- maybe when shiros uncouncious?? or like when hes is very tired or heavily injured she can kind of 'squeeze through' and take control back for a few minutes???? idk. i think this could be a very cool ability to give her- it cant be frequently used but can also be very helpful, and also theres so much potential for ✨shenanigans✨here>:) oh god i could put these fuckers in so many Situations with this..........

uhhh. so basically i think all of her influence on the physical world are through shiro. shes here bc of her connection to her old body, and thus its the only way for her to interact with anyone besides him- and shes NOT HAPPY about this(neither is shiro).

[reikunrei]

maaaan I’ve really got my brain stuck on the lack of period/menstruation explicitly mentioned in st. bc that’s weird right??? like… I understand that a lot of any sort of vaginal imagery would be bc of the tie to birth, and menstruation is almost explicitly a lack of pregnancy so it’s like opposite but. it goes hand in hand you know? so why…

[drbtinglecannon]

o(-(

[444lotus]

how i manifested (+revised) my dream body ౨ৎ

This is my first post on my new account, though I am NOT new to the law and NOT new to loablr either. This post is specifically about how I manifested my dream body instantly with no technique besides knowing :)

PART ONE - the old story

In the old story, I was so fixated on my body and my weight all of the time, I was tracking my calories and weighing myself and my food obsessively and constantly gaining and losing weight. Back then, my beliefs were that 1) Excess food causes weight gain, 2) If I don't track my food and weigh myself, I will become too fat/skinny, and 3) There is something wrong with my body, and I need to diet/exercise to fix it.

Noticing these beliefs were key to changing the way I viewed food and my body, and therefore changing how I knew food to effect me and how I knew my body to be.

When I was overweight, I knew my body was too big, I knew I was eating too much, I knew excess calories made me gain weight. When I was underweight, I knew I had no appetite, I knew I was too bony, I knew that exercise makes you gain muscle which is why I had none, etc. I had to identify the limiting beliefs that made me know my body was a certain way.

PART TWO - writing the new story

Once I identified the beliefs that were holding me back and kept me from my goals ("I know I eat too much, even if I affirm I'm skinny, I'm still going to gain weight."), I could then change them. I wrote down a list of these beliefs, like I did above, and came up with reversals. For example;

"I overeat, so I will gain weight" -> "Calories aren't even real, so I can eat whatever I want and stay the same weight."

"I eat junk food, so I'll never be skinny" -> "I love how fast my metabolism is, I can eat junk all day and still stay so skinny." or "Junk food is just like other foods. Raspberries can't make me fat so neither can hamburgers."

"I don't exercise enough to be toned" -> "It's crazy how I'm naturally so toned and fit without trying."

The key for me was changing key beliefs that kept me dieting and exercising to lose weight, to sever the tie between calories consumed and weight, and hours exercising and muscles. These are limiting beliefs. We literally create our reality. Not ice cream, not soda and chips, none of that can overcome YOU as a divine creator. It sounds silly when you spell it out like that, doesn't it?

PART THREE - how i did it

Okay, now we understand that the secret is to change the rules of our own reality to allow us to know a higher truth (my higher truth? I am a skinny legend). So how do we put this into practice?

All you have to do is know. You set these rules, so you know they are true, reality is bound to them. You must know you are successful, know that reality is in the 4d, and feel truly satisfied in that realm. You can do this using whatever method you need to, but personally, I just knew deep within me that I was my ideal weight, and that nothing could change that, that is simply the reality, that is simply the way things are. I thought about old pictures I took of myself, and remembered how skinny I looked in them, I thought about the last time I saw my friends and how much littler they said I'd gotten, I thought about the last time I stood on the scale and how it read the exact weight I knew myself to be. And I just knew, deep within me, that was simply how things were.

And the last step, for me, was to feel truly joyful at this realization. To feel satisfied it came into fruition. Without seeking confirmation, because I already KNEW.

And what do you know? Pictures of myself in my phone from weeks ago, they were my ideal body. The girl I saw in the mirror when I stood up from my meditation? She had my ideal body. My clothes? XS and S, all of them. I had revised my ideal body all the way back to the day I bought them. And confirmed this by checking pictures I took in the dressing room.

I'm telling you right now it is possible if you know in your heart you've always had your desire. It's always been fulfilled within you. You make the rules because you are a divine creator. Nothing outside of you can change what you know to be true.

That's all for now ౨ৎ

[minarinnn]

“notice me”

luke castellan x aphrodite!reader (pt2 here)

content/trigger warnings: fem! reader, doesn’t follow the plot of tlt!, mentions of smut, sexual tension, manipulation?, groping, reader making luke jealous

a/n: the show has once again sparked up my love for the percy jackson book saga and charlie bushnell has me weakkk ughhh.. i normally don’t write for pjo characters but oh well, lmk if y’all want a continuation of this or just more luke castellan in general ;)

you had always been so used to being the center of attention. as a daughter of aphrodite, you had always been the most popular girl in school, and there was no shortage of boys falling for your charms

arriving at camp half-blood didn change that, nothing was different. except that, for the first time in your life, you found yourself chasing after the attention of a certain boy. luke castellan, the son of hermes and the head counselor of his cabin, he just wouldn’t fawn over you like the others would. despite your best efforts, luke had always remained indifferent to your constant flirting, leaving you feeling frustrated and determined to change his mind

you found yourself spending every waking moment trying to get his attention, trying to find some way to charm him and make him see you the way the other boys did. but no matter how hard you tried, luke remained distant and unimpressed

this week you were extremely busy, you were helping out in the infirmary, one of the apollo kids who usually worked in the infirmary had been sent on a quest and you were asked to fill in until they came back. juggling that with all your other responsibilities as counselor had you beyond occupied

during that week, annabeth barged in with two other guys; percy and luke. apparently their sparring session had gone a little out of hand and they were both injured

luke was already aware of how you’ve been trying to get his attention these past few years. he actually seems to quite like having you, the most fawned over girl at camp, fawning over him instead. he liked the attention you gave him, though he knew that if he ever gave in to your charms you would stop, so he didn’t

he was fully prepared and expected you to be the one to tend to him, so when he sees you head to percy and tend to him while an apollo girl tended to him he was confused

what happened? why would you choose percy over him? we’re you tired of him? did you give up on trying to win him over? luke’s confusion quickly turned to frustration, and he couldn't help but feel a twinge of jealousy as he watched you tend to percy’s wounds

"how are you feeling, percy?" you asked, giving him a warm smile, one that always had the boys weak in the knees. "n-not great, but i’ll manage" he laughed awkwardly, suddenly nervous. you put your hand on his shoulder, giving it a small squeeze "oh, i’m sure you’ll live”

out of the corner of your eye, you saw luke. he was watching you, watching the way you cared for percy. this was the first time you had ever caught him staring at you with such intensity

so you’re plan was working. you had tried everything to get his attention and you had only one trick left in your arsenal; jealosy. no boy is immune to jealousy, and that was exactly how you were gonna get him

in the end, all you had to do was throw some water at percy and he was good to go. luke though, he had to spend the night in the infirmary

the other apollo kid had left a few minutes ago, something about ‘having other things to do’. so it was just luke and you in the infirmary. you walk over to luke's bed and start tending to his wounds

“oh so now you wanna take care of me? how nice of you” he speaks, sarcasm dripping from his words. “you can tough it out, can't you?" you tease, dabbing away at his cuts with an alcohol-soaked cotton ball. luke is watching you intently and you can feel the tension in the room increasing, his eyes fixated on your hands as you work

luke’s eyes narrow, and you can see the rage boiling beneath the surface. he’s frustrated, jealous, and he doesn't know what to do with all these emotions. you’ve never seen him like this before, and it's a thrill to know that you have the power to make him feel this way

you try to ignore the tense atmosphere in the room, focusing instead on luke's wounds. you finish cleaning and bandaging the cut on his wrist, holding it up to your face to land a soft kiss on the bandages. “all done” you whisper. he tenses at the feeling of your soft lips, and you can see the anger in his eyes. however, you can also see a hint of something else— desire

you look up at him with a smile, knowing that you've got him right where you want him. his eyes are locked on your every movement. you know that you have him wrapped around your finger, and it's a delicious feeling of power

luke’s expression is one of confusion, a mix of rage and desire. he wants you, and he wants to hate you at the same time. it’s a weird combo, but it's working for you.

you lean closer to him, your lips inches away from each other. you can feel his breath on your skin, the heat of his body as he's lying there

"you’re not stopping me" you state, breaking the silence. it’s a quiet, soft whisper, filled with a tiny bit of amusement

"maybe.. maybe i don’t want you to stop" he says, his eyes locked on yours, voice low and husky. you can see the desire building in him, how his gaze trails down to your lips

luke’s breathing quickened, and he could feel his heart pounding in his chest. he knew that this was a game for you, a game where you would always be determined to win him over, but now, in this very moment, he felt like he was losing

he lets out a hiss of frustration, of desire, of... something. he’s sure knows that you're proud of it, but he’s not quite sure what to do about it

you leaned in for the kiss, your lips pressing gently against his, your hand running through his hair. you could feel his body tensing, his hands gripping your waist as he attempted to pull you on top of him

you pull away from the kiss slowly, your lips still pressed to his. luke is still trying to catch his breath, his eyes fixed on yours, searching for any hint of what your next move will be

"not bad" you whisper. "you’re playing a dangerous game here” he chuckles lowly, making your lower regions throb. you smirk softly and brush his hair out of his face “i’ll take my chances”

despite being injured, he pulls you on top of him, making you realize just how hard he’s been this whole time. his eyes are dark, and you can see the lust burning within them

you lean in for another kiss, this one soft and gentle. luke groans when he feels you grind against him, his hands moving down to grab hold of your ass

“i need you s’bad” he mutters out. you smirk as you slide off him, making him furrow his brows in confusion. you land a soft kiss on his cheek. “let’s do this when you’re not injured” you whisper in his ear. now he was alone and hard in the infirmary, how nice

© MINARINNN 2024 - please do not plagiarize or upload my content on any social media platform.

[taliabhattwrites]

The Sexed Regime, or: You Probably Have the Wrong Critiques of "TME/TMA" Terminology

Let's begin by looking at an interesting dichotomy.

There's an oddly pervasive idea in queer spaces that a truly progressive trans or post-gender politic underscores the irrelevance of sex. In contrast to patriarchal society's utter fixation on "natal sex", queer existence must be transcendent, a space in which one's bodily configuration is understood to be entirely under one's purview, where presentation is simply something we inhabit and implies nothing about our sexualities or embodiments. It is an idea of emancipation rooted in agnosticism, an anti-patriarchal revolution spurred by the lack of belief in our cissexist society's deranged emphasis on knowing what's in our pants at all times.

It's a very appealing idea, I'll admit.

Here's the thing, though.

The naturalization of sex is the foundation of patriarchy, as well as the basis of the heterosexual regime it instantiates. Humanity is cleft in twain, with one sex marked for reproductive-sexual exploitation by the other. Like most other regimes, this one is also powered by belief--belief in the superiority of the 'male sex', the unfitness of the 'female sex', and most of all: absolute belief that sex is immutable, exhaustively binary, and non-overlapping.

What this also means, ultimately, is that those of us who dare to desert the sex we were conscripted into face different pressures and violence. It is obvious that many trans people are also subject to reproductive injustice, as cis women are, and consequently the transphobia they face is very acutely a regendering impulse, a patriarchal desire to drag them back to the confines of womanhood to fulfill their patriarchal purpose. There is, understandably, a certain amount of solidarity between cis women and trans people who have suffered these aspects of the heterosexual regime.

This is in fact the understanding that gives rise to even liberal-progressive uses of 'male socialization' directed at transfems. Trans women are understood to have been spared certain excesses of misogynistic violence and therefore expected to see and approach the world differently. It is simply a neutral observation, of course, no judgment behind it ... well, until it comes time to deny trans women epistemic authority over experiences of misogyny or womanhood, even their own. After all, can transfems really be said to have a full understanding of patriarchy? They weren't 'raised AFAB'!

Oftentimes, this becomes a double bind of proving that transfems did experience trauma, feminization, and abuse even pretransition, often as children, which is then usually dismissed as "trauma dumping" or "equating womanhood to being abused"--despite the minimization of our experiences being predicated on our "lesser" understanding of the trauma of being "misogyny-affected". So let's not retread that.

Instead, I'll point out that people assume a symmetry, a complementarian equivalence, almost, between the experiences of trans people. What I would like to stress is that there is no such thing as a coherent "AMAB" class or a shared "AMAB solidarity" based on shared experiences of oppression, because I have some shocking news that readers may wish to sit down for:

Trans women are oppressed by cis men.

Cis men are overwhelmingly the ones who rape us, beat us, kill us, and seek to abuse us. When we were children, we were bullied and violated for our perceived effeminacy, largely by the cis boys we were most proximate to. Most of us have been around cis men when they've voiced their most dehumanizing, misogynistic thoughts about women, and have been punished for not participating in these rituals of misogynistic rhetoric, too. The trauma of our upbringing involves being locked into spaces with those who sniffed out our differences, our non-conformance, and routinely punished us for being deviant. When we grow up, they are the ones who largely continue to prey on us.

The chief characteristic of transmisogyny is the presumed artificiality of trans womanhood, the idea that we are mimetics, and our womanhood is a farce, a costume whose only purpose is sexual. This dovetails with our disposability--our inability to be women who can bear children, further patrilineality, and secure what minuscule respectability is afforded to the domestically-confined women who continue the male line. As such, our hyperfetishization marks us for extreme violence, as sexual objects that can be freely used and discarded, guilt-free, because after all ... We asked for it.

Why would we "choose" womanhood if we did not want this?

Which, ultimately, brings me to my point: Sex is a social regime of difference imposed on us, but it is, unfortunately, a regime still in existence. My sex is the basis upon which my womanhood is denied and my disposability justified, because the transfeminized are degendered--we are not, as a rule, provided a path "back" to manhood. Our "effeminacy" ensures that we are 'failed' men, because gender is ultimately hierarchal. Losing status, being unmanned, is frankly trivial, and is what underlies the oppression of queer men--trans men included. Most of us are ultimately subject to some kind of degendering, largely due to how a patriarchal society regards those who defy the reproductive mandate, but transmisogyny is a specific manifestation of degendering that trans women experience.

"TME/TMA" may well be an imperfect categorization--all undertakings in boundary formation are imprecise, though not always violent, given that we need descriptive terms to communicate--but the real issue with it is that it's an overly-ponderous and ultimately clunky terminology for the frank reality that the binary sex imposed on us shapes the contours of the violence we experience. I have never experienced the specific kind of misogyny that sees me as nothing but a broodmare, because I'm a filthy troon, that dehumanized abject thing whose only purpose is absorbing (sexual) violence. Yet the acknowledgment that transfems experience forms of violence that others do not--or sometimes, even the acknowledgment that transfems face violent misogyny at all--is much less forthcoming.

Our struggles are indelibly connected, of course, stemming from the same source and promulgated by the same regime that seeks to define us as nothing more than male property. The shape of each is distinct, however, and because people frequently misunderstand the shape of mine, the idea that my struggles are even connected to theirs, that I experience misogynistic violence homoousian with that which they experience, is frequently dismissed, or considered outright offensive.

This is why I talk and write about transmisogyny, and why more people need to become more familiar with how the naturalization of sex and the regime of heterosexuality under patriarchy necessitates our common struggle.

And unfortunately, in order to properly express these ideas, we do need to talk about the regime of sex.

[loriache]

Kabru, impossible mutual understanding & unknowable objects

Despite his concerted and constant efforts to understand other people, it’s established in a few extras that Kabru believes that true mutual understanding between certain different races is impossible. Specifically, between long-lived and short-lived races, and between humans and demi-humans. Partially, we can trace this conviction back to specific hang-ups caused by his life; the trauma of the Utaya disaster, prejudices he carries from his childhood, and his experience of racism among the elves. In this “little” essay, I’m gonna discuss how I think those experiences formed this belief, how it comes out in his actions, and how some of his actions seem to contradict it. The question of whether it’s possible to reach mutual understanding with other living beings despite our differences is one of the core themes of the manga, and I’ll also touch on how this aspect of Kabru’s character links to that.

Seeking understanding

Kabru is a character who devotes a huge amount of time and effort to understanding people, and he is very good at it. In his internal monologue, we can tell how advanced and complex his skills of analysis are. He is able to read a huge amount of information just from looking at people's faces and body language.

People are, to him, what monsters are to Laios. This is something that's been expanded on at length in other, excellent meta. It's the fact that they're foils; it's the fact that Kabru is also very easy to read as autistic, with a special interest which is the opposite and parallel of Laios'. It's something that came out of trauma and alienation, as Laios' special interest in monsters also began as a coping mechanism.

The complicated origin of this "love" for monsters and for people comes through, I think, in the fact that one of the places we see both characters use their fixation is in being very, very good at killing the thing that they love. This also ties into the idea that loving something isn't even remotely mutually exclusive with using it to sustain your own survival; using it for your own purposes; hurting it or killing it. Love can be, and often is, violent, possessive and consumptive. This understanding is part of what makes Kui's depiction of interpersonal relationships so compelling to me.

While Laios fixated on monsters and animals to seek a place of escape, in both his imagination and his self-image, from the humans who he couldn't understand and who couldn't understand him, Kabru seems to have fixated on understanding people in order to navigate the complex, socially marginal places that he has been forced into throughout his life. As an illegitimate child raised by a single mother with an appearance that marked him out as different to the point his father's family wanted to kill him, and a tallman child raised among elves who didn't treat him as fully human and wanted him to perform gratefulness for that treatment – treatment that, after he met Rin at age 9, he certainly always understood could be a lot worse – his ability to work out what people wanted from him, whether they were friendly or hostile or had ulterior motives, wasn’t just an interest. It will have been an essential skill.  

Milsiril, I think, was a flawed parent who tried to do her best by Kabru and did a lot of harm to him despite her best intentions. She may have treated him much better than an average elf would have, but like Otta and Marcille's mother, there are other elves with different outlooks on short-lived races. How would they judge her treatment of him? We don’t have any insight on what it could be, but to be honest, the person’s whose opinion of her I’d be most interested in knowing is Rin’s.

But even if she'd been perfect, living as an trans-racial adoptee in a deeply hierarchical nation with a queen who is a 'staunch traditionalist' who wouldn't even acknowledge the existence of a half-elf like Marcille (according to Cithis) is an experience that would deeply impact anyone.

Elves & Impossible mutual understanding

While Kabru was living with Milsiril - in other words, while living in the Northern Central Continent - he came to believe that "there was no way to achieve mutual understanding with the long-lived races."

This is evident in his political project: he wants short-lived races to have ownership over the dungeon's secrets. Despite his dislike of the Lord of the Island, he's a useful bulwark to stop the elves taking over. Despite his doubts about Laios, Laios needs to be the one to defeat the dungeon, because if he doesn't the elves will take over.

Kabru still carries a deep scar from Utaya, one that was exacerbated by the fact that he never got an answer to any of his questions about what happened or why. This, despite the fact that Milsiril knows about the demon and how it works. Do you think Kabru, with his social perceptiveness that borders on the superhuman, wasn't aware that she knew more than she would tell him?

Given that, the fact that he gets to a place where he "doesn't have any particularly negative feelings about [elves/long-lived species]" .... well, to put it bluntly, I believe that he thinks that's the case, but I kind of doubt it. After all, if he did have resentment, of Milsiril (someone who was his primary provider and caretaker since age six, and who despite her flaws, loves him and who I do think he loves) or of elves (who he has had to play nice with for most of his life, in order to survive, and will still have to play nice with in order to achieve his goals, since they hold all the power) what would that do except hurt him and make his life harder? Kabru is Mr. Pragmatic, so I don't think he'd let himself acknowledge any such feelings he did have. Exactly because he can't acknowledge them, they're well placed to get internalised as beliefs about the Fundamental Unchangeable Nature of the World.

However, these stated beliefs seem to contradict his actions. Despite his belief in the impossibility of forming a mutual understanding, he certainly seems to try to understand long-lived people, just as much as he does short-lived people. There's no noticeable difference between his treatment of Daya & Holm versus Mickbell & Rin that isn't clearly down to their relationship with him. His skills of human analysis were honed and developed while living amongst elves, and as soon as he's alone with Mithrun he immediately sets to understanding him - his interests, his motivations, his needs, and his past.

He treats him considerately and without bias, and despite the fact that Mithrun conquering the dungeon for the elves is both a reenactment of a core part of his childhood trauma and a political disaster for his aims, that doesn't seem to colour his perspective on Mithrun negatively at all.

This is something I find extremely laudable about Kabru, and it's another way he parallels Laios. He seems to understand that people, as a rule, (in Laios' case, he understands this about monsters - and eventually, all living beings) will act in their own interests, and if those interests conflict with yours, might harm you. But that's just their nature, and it's not something that should be held against them; you're also doing the same thing, after all. The crux of Laios' arc is precisely that he has to accept the responsibility of hurting someone else in order to achieve what he wants.

Kabru is deeply concerned with his own morals, what he should and shouldn't do, but mostly in the context of responsibility for the consequences - a responsibility he takes onto himself. He isn't scrupulous about what he needs to do in order to create the outcome he wants, but if he fails to create that outcome, then....

He blames himself to the point of thinking he should die. He doesn't blame Laios, or seem at all angry with him, despite concluding he should have killed him to prevent this outcome. That's because in his eyes, ultimately Laios was going to act according to his own nature, and it's Kabru's fault for not understanding that nature well enough. He's extremely confident in his ability to understand and predict others, (including elves and other long-lived people). Then, where does his conviction that mutual understanding is impossible come from?

Partially, it's the "mutual" part. I'm sure Kabru, who isn't able or willing to deny Otta's insinuation that Milsiril saw him more like a pet than a son, has felt that his full interiority, the depth of his feelings and his ability to grow, act, and think as a fully equal being, was something that the elves around him just couldn't grasp. Because that was their excuse for it, he came to understand this as a gulf between short-lived and long-lived beings, an inevitable difference in outlook caused by their different lifespans.

This experience might be part of what leads to his iconic “fake” behaviour. He trusts his ability to understand others, but if they aren’t able to understand him, then there isn’t any benefit to being honest about his feelings and thoughts. If his attempts to reach mutual understanding with his caretakers were never able to be fulfilled, then it isn’t any wonder that he reacts with such surprise and horror at blurting out his desire to be Laios’ friend.

In his experience, making yourself vulnerable in that way only leads to being hurt. Soothing him, hushing him, lying to him, talking to him like a child that isn’t able to use proper judgement – that’s an inadequate and deeply hurtful way to respond to genuine distress, the desire for autonomy, or disagreement. Ultimately, I think that’s why he comes out on the side of being grateful to Milsiril; because she did equip him with the skills and knowledge he’d need to reach his goal, and let him go.

Though he could understand them, they couldn't understand him. To the extent that was true - which I'm sure it was - it wasn't due to anything about lifespan. It was due to the elves’ racism, and the solipsitic mindset & prejudiced attitude that it caused them to approach him with.

Because, if it needs to be said, the idea that there is an unbreachable gap in understanding between the long-lived and short-lived species is not true. Marcille and Laios have a much greater difference in lifespan than any full elf from any short-lived person, and they’re able to understand each other – maybe not perfectly, but better than many other people who are closer in life-span to them.

That doesn’t mean that I think Kabru is wrong about this, however. Because there’s an interpretation of his statement that is reflected in his actions and is true. When he talks about his problem with elves, it’s not just their attitudes: it’s their power, and what they use it to do. They “explain nothing and take everything”. Though it’s presented in the guise of ‘guiding and protecting’, in fact it’s a simple case of a powerful nation using their military power, wealth, access to resources, and historically stolen land – including the island itself – to protect their own interests and advance their own agenda. That’s why they’d be able to show up, seize the dungeon, and forcibly take Kabru’s party and Laios’ party to the West. If Kabru wants to stop that from happening, or change that status quo, persuasion or a bid to be understood would be completely pointless. Between the political blocs formed by long-lived species and the interests of short-lived species, “mutual understanding”, given their current, unequal terms, would be impossible. This is something that we see reflected in Kabru’s actions; before he asks his questions about the dungeon, he grabs Mithrun as leverage. He never really attempts to persuade the canaries to see his point of view, because that would be pointless: they’re agents of the Northern Central Continent’s monarchy, and will act in its interests regardless of any individual relationship with him.  

I don’t think Kabru sees the different dimensions of this belief of his in quite such clear terms, however, as is evidenced by the other group who he thinks it’s impossible to communicate with.

Demi-Humans & Unknowable Objects

The other place that we see his conviction about the impossibility of mutual understanding is in the kobold extra.

I'm including the whole thing, because I think it's an excellent and clever piece of world-building. Aside from what it says about Kabru, which I'll expand on shortly, what this extra does is deconstruct and call into question the usual "fantasy ontological biology" present in these sort of DnD-like settings. Essentially, the kind of worldbuilding where a race (such as kobolds) can be described as war-like, and that's establishing something essential about their biological nature. That's common to the point that if Kui didn't include this, some people would probably come away thinking that's the case about, e.g., the orcs.

But here, despite what Kabru is saying, the information the reader actually gets is:

the conflict between short-lived humans and demi-humans such as kobolds is mostly over access to material resources that they need to survive.

These resources are scarce because powerful nations, such as the elves, have monopolised them.

Kabru, who has grown up in a place at the centre of these conflicts, ascribes essential, negative traits to a cultural group which was in direct conflict with his own. Communication with this other group is impossible; they aren't people, they're more like objects.

oh yes! just like this conflict between groups of tall-men, a conflict which the reader will immediately interpret as more clearly analogous to real-life racism. Our other protagonists also carry prejudices from growing up in a place where a marginalised group was in conflict with the dominant group over scarce resources. It's definitely impossible to communicate with these people, and you can only kill them.

Woah, when you say it like that, it sounds pretty bad!

But also, nobody walks away having had a realisation or unlearned their prejudices - because they don't have the tools they need to do that work. Yet. I do think, to an extent, it could happen - especially with Kabru, since it's suggested in the epilogue that Melini might become a safe-haven for demi-humans.

To focus in on Kabru, the key here is his statement that you should think of demi-humans as "unknowable objects". Even his extraordinary powers of understanding have seemingly hit a limit. Part of this is just inherited prejudice, and doesn't need to have a complicated psychological explanation, any more than the elves who were prejudiced against him need one.

But also... this is probably somewhat linked to the way demi-humans seem to be considered "pseudo-monsters". They're the place that the strict delineation between the human and the monstrous is permeated. Laios, who is not interested in humans, remembers and is excited by Kuro. Chilchuck and Laios argue over whether it's OK to eat a mermaid. Kabru's prepared to (pretend to) roll with the idea that Laios ate the orcs.

But these are people, aren't they? Of course, this is a social construction, as we see from the fact that in the Eastern Archipelago, the label of "human" is reserved for tallmen, but in most of the rest of the world it depends on some obviously arbirary classification based on number of bones; "demi-humans" aren't in any essential way monstrous, except to an extent in their appearance, and physical location - due to their marginal social status, they're pushed out to live in unsafe places such as dungeons.

Therefore, Kabru's view of demi-humans as fundamentally "other", unable to be understood - monstrous - could be read as akin to abjection, the psychoanalytical concept described by Julia Kristeva. In order to create a bounded, secure superego, that thing which permeates and calls into question the border between self and other, human and animal, life and death, is rejected and pushed to the margin.

“Not me. Not that. But not nothing, either. A "something" that I do not recognize as a thing.[...] On the edge of nonexistence and hallucination, of a reality that, if I acknowledge it, annihilates me. There, abject and abjection are my safeguards. The primers of my culture.” (Kristeva et al., 1984, p. 11) “It is thus not lack of cleanliness or health that causes abjection but what disturbs identity, system, order. ” (Kristeva et al., 1984, p. 13) “The pure will be that which conforms to an established taxonomy; the impure, that which unsettles it, establishes intermixture and disorder. [...] the impure will be those that do not confine themselves to one element but point to admixture and confusion.” (Kristeva et al., 1984, p. 107) (discussing food prohibitions in Leviticus)

This is both (due to its affinity with food-loathing and disgust) a very fruitful concept to apply to dunmeshi, and a psychoanalytical theory which I wouldn't exactly cosign as True Facts About Human Psychological Development. You may also know the abject from its utilisation in the classic essay "Horror and the Monstrous-Feminine" by Barbara Creed - that's a lot more approachable than Kristeva if anyone's interested.

Key here, though, is that through the symbol of the "demi-human" is embodied a step between "human" and "monster" - and that's a prospect that puts at risk the whole notion of an absolute separation between those two categories in the first place. To Laios, that's something wonderful, and to Kabru, it's terrifying. We can see this principle further embodied in the relationship both characters have with the notion of becoming monstrous.

To Laios, this is transcendent, and represents a renunciation of everything human - in fact, if it didn't, it wouldn't "count".

To Kabru, it's a deeply-held fear, established by his childhood alienation (due to his illegitimacy, his eyes, and perhaps also his neurodivergency), deepened by monster-related trauma and the sense of responsibility and survivors guilt he feels for what happened at Utaya. His identity as a human who is not monstrous is key to his sense of stability and safety; he doesn't want to touch monsters, he doesn't even want to see them.

To acknowledge a kinship, a possibility of similarity between the things he loves (humans) and the things he hates (monsters) would be more than touching them - it would be putting them inside him. We know, quite explicitly, that this notion is triggering to Kabru. He literally has what seems to be a flashback when he's about to eat the harpy omelette.

So he abjects it, classifying the demi-human as fundamentally unlike him - an unknowable object, or an object that he refuses to know. Because in understanding it, he would interject the things he hates and fears into his self, which is already, always under threat by that hated and feared object.

Of course, again, Kabru isn't very good at enacting this refusal in practice. For one, when he chooses between his desires and ingesting the feared object, eating monsters... he eats monsters. Part of this is treating himself badly, the "ends justify the means" mentality. His goal is to destroy all monsters, so if he needs to become monster-like to do that, he will. But part of it is also the other motivation that he didn't even seem to know about until he said it: he wants to become Laios' friend, and to learn from him how a person can like monsters. He wants, at least in some part of him, to reconcile the feared and hated object into something he can understand.

For another:

Kabru can speak the kobold language. In the first place, while this may have been common in Utaya, it also could have been something he chose to learn, an early expression of his interest in understanding and talking to all sorts of people. It isn't the kind of thing you learn if you believe that communication between yourself and the group that speak it is impossible, is it?

It's possible to harbour prejudices against a group while being kind to an individual, and given Kabru has those prejudices regardless of his reasons, that is what he is doing. But also, his treatment of Kuro doesn't reflect a sincerely held belief that he's an "unknowable object" at all. His approach is exactly the same as it is to any other person: an analysis of goal and motive, and an attempt to help if he's sympathetic and their goals align - going out of his way to give language and local knowledge lessons in secret. His conviction that Mickbell and Kuro will truly become friends when they can properly communicate is completely contradictory to any sense of demi-humans as fundamentally different, or impossible to reach mutual understanding with. To me, it seems like this self-protective shield against the corruptive force demi-humans as an idea present to his identity, this abjection, when Kabru is face-to-face with one, just simply can't hold up against his finely honed skill of intellectual empathy. Perhaps because he's autistic, it seems his "empathy" is less an emotional mirror response, and more a set of cognitive skills for analysis of others. That instinctual, emotional empathy might not trigger when presented with a member of an out-group, but if it’s possible for Kabru to turn his cognitive empathy off, we don’t see him do it.

This isn't to say that this prejudice doesn't affect his behaviour. For one, it could negatively impact his judgement of politics and policy, where individual people don't enter into it. For another, I'm not convinced he'd be willing to overlook Mickbell's exploitative relationship with Kuro if Kuro wasn't a kobold. As it is, since both of them are satisfied, he doesn't feel like he needs to intervene, regardless of the fact Mickbell isn't paying Kuro. But if Daya and Holm were in a relationship, and Holm took both Daya's and his own share from their ventures, but only compensated her in living expenses and kept the rest, do you think he'd tolerate it, for example? Even if she said it was OK?

Conclusion

The kelpie chapter establishes that "people can never know what monsters are really thinking." That isn't just true of monsters, though.

True mutual understanding is impossible - between anyone. We can never truly understand another person's heart. This is touched on in, for example, the existence of shapeshifters and dopplegangers. Even a monster that seemed like a perfect copy of a person wouldn’t be that person, and wouldn’t be a satisfactory replacement.

We’re intended, I think, to understand the winged lion's repeated suggestions to just replace people who have been lost with copies as something uncanny, which demonstrates the way that the winged lion never manages to attain a complete understanding of humans. A version of a person who was created to fulfil your memories of them, to be the person who you wanted them to be, would be a terrible, miserable thing.

Disagreeing, coming into conflict, and misunderstanding each other, are essential parts of what it means to be living beings, as fundamental as the need to eat.

The only thing to do is not to take more than you need to eat to survive, and not impose your own desires onto others. To do your best to sincerely communicate your desires, even if they're embarrassing or vulnerable or strange, like Kabru eventually does with Laios; like Laios does, bit by bit, with the people around him; like Marcille does, Chilchuck does, Senshi does... to hope they will accept you, and do your best to understand them in return.

We can re-examine, in that context, Kabru's line about the elves' tendency to "explain nothing and take everything".

They have the power to impose their preferred "menu" onto less powerful groups. And in that context, mutual understanding being impossible just means that they won't give up their power because they're asked nicely. Kabru's goal is to seize the truth that they won't give to him, and to create a situation where they can't take everything. Because he's accurately surmised that nothing about the treatment of short-lived races will change so long as the power imbalance remains. Despite the way he mistakenly ascribes part of that to "long-lived vs short-lived" or "human vs demi-human", the actual gulfs in understanding he identifies are structural, are about power and about access to material resources and safety.

I think he could come to recognise this. Yaad is teaching him political science after all, and while a prince's lessons on political science won't exactly get at much that's radical or invested in the interests and perspectives of the marginalised (Capital is a critique of for a reason after all...) I believe in Kabru's ability to learn critically and get more from a lesson than it was intended to teach.

[cosmicschmidt]

UNTIL I FOUND YOU

PART 2, PART 3

Coriolanus Snow x fem!Reader

Synopsis: When the 18 year old Coriolanus Snow recieves the news that he has to mentor a tribute in order to claim the Plinth Prize, he expected everything but not a shy girl from district 12 to claim his heart.

Word count: 2,4K

Warnings: Lucy Gray does not exsist in this (I´m sorry), some things might not fully add up to the movie plot ´cause I only saw it once and that was two days ago, use of Y/N, it´s implied that the reader is shorter than Coryo, small swearing, simple inhumane Hunger Games topics

Reblogs and requests are always welcomed <3 (just like pointing out grammatical mistakes :))

Coriolanus Snow did not mean for this to happen.

He did not intend to have this weird tingly feeling in his chest every time he caught a glimpse of her.

He did not mean to fall for his tribute from District 12.

As he patiently sat in his seat with his heart hammering in his chest due to not knowing if he´d receive the scholarship, adrenaline and excitement ran through his veins.

Yet, that was taken from him the moment Sejanus Plinth whispered to him that that certain day he looked forward to would not turn out as he hoped.

The Plinth Prize was won by the best mentor.

Each of them has to mentor a tribute and create the best version of them, create strategies and work on their behavior in the arena.

As all the tributes are presented, their names called alongside their mentors, Coriolanus´ hands start to sweat the longer he is not told who he has to work with.

The faces of his fellow students show different emotions, some cheer in happiness at their tributes state, others are laced with worry if their tribute even manages to walk straight.

"And last but not least, the girl from District 12, Coriolanus Snow."

His eyes shoot back to the small screen, his gaze falls to the name written underneath the short clip, Y/N L/N.

"I volunteer as tribute."

The screen shows a screaming girl, around the age of 11 as she trashes in the hold of someone else´s arms, desperately trying to escape their grasp to reach the other girl.

The other girl's face is slightly blurred due to the wide angle of the camera that is following her figure, but as the picture clears up, Coriolanus can´t help but suck in a breath.

A weird feeling boils in his chest that causes his heartbeat to pick up behind his ribcage, just as he thought it couldn´t get worse a few butterflies form in his stomach causing his white tunic to suddenly feel tighter. His hands go to the collar pulling a little on the fabric to calm his heartbeat.

The tribute from 12, stepped in for the younger girl and took her fate as her own. The girl, now known as Y/N doesn´t look back at the screaming girl, she takes small steps to the stage and steps on it the moment she reaches it.

Although her hands tremble beside her body, her eyes are stern and show no emotion, successfully keeping herself from spilling the dread that formed in her chest the moment her little sister's name was called.

"What a twist! Our first ever volunteer of 12, what an honor." the 12´s mayor speaks, yet no reaction falls from the crowd at his attempt to lighten the mood.

"I suppose that was your sister? Sweet little thing just turned 12, but luckily she has you as her big sister." Mayor Lipp tries to create small talk, but Y/N doesn´t seem to take interest in that, her eyes boring into the camera that is fixated on her face.

Everyone that surrounds Coriolanus watches intensely and waits for her next words.

Y/N´s jaw clenches a little as her gaze wanders over her district's citizens, some laugh at her situation, while others, alongside her family have tears in their eyes and hold a hand in front of their mouths to contain a sob from spilling past their lips.

Instead of words leaving her mouth, she does a mocking and overly dramatic bend forward with her arms stretched out on each side of her body.

Just as two Peacekeepers grab a hold of her arms and pull her off the stage she yells out,

"YOU CAN ALL SUCK I-" but her words muffle due to her being pulled away.

Meanwhile, everyone around Coriolanus starts to whisper.

Some voice behind him, "Who does she think she is?"

"Imagine having to work with that, guess who won´t win the Plinth Prize.." followed by laughing.

And more to his left, "The audacity, I´m telling you she´s the first to bleed out." followed by more remarks and chuckles.

Though Coriolanus can’t feel bothered by their remarks, as he watches her being dragged away from the stage with a stern look on her face.

The blonde watches with bewilderment yet with respect for her volunteering for someone else, a small smirk forming on his face as the side of his mouth pull up a little.

* ˚ ✦

Coriolanus´ gaze is fixated on the white rose in his palms, his eyes trail over each and every flaw he can spot.

Is it pretty enough?

Or is this gesture not normal in the relationship between a mentor and their tribute?

He wonders how you might react to this act of politeness, yet before he can keep up with his thoughts he´s pulled out of it when he hears the train near the train station.

There it is, it glides against the train racks before it comes to a harsh stop with a small screech, the blonde´s eyes trail over the different train carts, wondering where the certain girl from 12 is being kept.

At least a dozen armed Peacekeepers emerge from around the station, and the first cart´s handle is grabbed forcefully and shoved open, a small girl hesitantly jumps down to the ground, before she erupts into a few coughs as if she has to catch her breath from taking a run.

She´s followed by a tall boy who wears a expression he can´t read, although his brows are furrowed and a small line forms between them. The tall male´s eyes immediately find Coriolanus due to his bloody red outfit.

The male doesn´t seem to be the only one, almost everyone that already emerged from their part of the train has their eyes on him.

He fidgets with the rose again, a shiver running down his spine and all the way to his feet and then his toes.

As some tributes are escorted to the transporter outside, Coriolanus finally spots the male tribute from District 12, he remembers his name, Jessup. With a sigh of relief, he takes a few steps to him, and finally, his eyes spot the girl he so desperately tried to find the entire time.

Jessup´s hands are securely wrapped around her waist as he picks her up and helps her out of the train so she can steady herself. She smiles up at Jessup whispers a small ´thanks´ and pats him on his upper arm before she starts to take in all her surroundings.

Although their conversation is muffled, "Are you sure your neck is fine? The bite looks painful..."

Coriolanus´ breathing stops for a second, just now he notices that no camera ever will be able to take in all her beauty, his lips part a little and he can feel his mouth running dry.

Now that Y/N dusted her clothes off and had taken a look around the train station, her eyes move to her right and are met with piercing blue orbs. Although she acknowledged him, he couldn´t help but keep staring at her, the white rose in his left hand long forgotten as it rested next to his body. Confusion dawned on her face as she looked over to Jessup who offered the same expression.

The two of them share a look with a shrug before she turns her back to Coriolanus and starts to take a few steps away from him.

The blonde seems to snap out of it and with a small shake of his head and with two steps he keeps up with her smaller ones.

"Uhm- Welcome to the Capitol." he offers her a smile and holds the rose up for her to see.

Her mouth set in a hard line while her cheeks glowed a tad bit redder than before, "You don´t look like you should be here…?" she asked unsure, her eyes still trained up at his face before they fell on the flower in his hand - which slightly started to tremble -

"Uhm, I shouldn´t, my name is Coriolanus Snow, and I´m your mentor," he adds, the smile still coating his lips as he offers her the rose again.

"Mentor?" she laughs out in disbelief after she finally takes the flower out of his trembling hand and looks at it. Jessup is standing behind her, and his face still shows the same confusion it did earlier.

"Yeah, it´s my job to help you survive the arena," Coriolanus replies, the moment she took the rose out of his grasp his hand went limp and fell back to his side.

"And how exactly-" Y/N doesn´t get the opportunity to reply to his words before someone roughly pulls on her arm and drags her forcefully to the exit of the train station.

Peacekeepers decided to cut their conversation short, they pulled her with them like she weighed nothing, "I can walk by myself perfectly fine." she said loudly before she slapped the hand that was wrapped around her biceps off.

"Wait! I´m her Mentor!" Coriolanus speaks up, yet the distance between mentor and tribute is growing with each second, and the blonde picks up his steps in order to keep up with them.

A few shouts and orders are ringing through the air, the atmosphere filled with dread and an uncomfortable tension. Outside awaits a transporter for the tributes, and like pigs they are thrown and shoved into it, ready to be taken to the slaughterhouse.

The district 12 girl's eyes are trailing behind her trying to catch a glimpse of the red that coats her so-called ´mentor´, she can´t seem to see him but his shouts still reach her ringing ears.

A small hand wraps around her right hand startling the 17-year-old girl, but she quickly relaxes when she sees the small girl from District 8, Wovey. She seems scared by the loud noises, and Y/N offers her a small smile and squeeze of the hand in order to calm her down. Y/N spots a small seat at the back right corner and leads her over to it, there´s not enough space for the both of them, so she lets Wovey take it and stands beside her.

Coriolanus´ opportunity seems to flash in front of him for a split second as a tribute tries to make a run for it, the Peacekeepers running close behind, and with three steps the blonde leaps into the back of the transporter.

He runs all the way to the back of it, before he takes a few breaths trying to tame the adrenaline that shoots through his veins, his breathing calming down from the small thrill he felt.

He straightens down his clothes, and immediately spots Y/N, hand-in-hand with the little girl, her eyes holding awe, yet mostly confusion at why he just ran after her. "What are you doing here?" she whisper-yells, in order not to attract the Peacekeeper's attention.

He can´t help but draw his lower lip between his teeth, letting his actions sink in "Yeah who the hell are you?"

"Uhm-" he starts to speak up, as the other tributes´ eyes hold anger and confusion, most of them standing up and taking a few steps closer to him, cornering him a little. The red that radiates from his red clothes alerts the others.

"I suppose he´s my mentor." Y/N quickly speaks up, her voice cutting through the tension that started to build itself.

"What the hell is a mentor? And why did you get one but we didn´t?"

"Did she get one just because she was the first to volunteer?"

Y/N opens her mouth again to reply but Coriolanus beats her to it, "No, you all get a mentor, I promise the same chances are laid out for everyone." he says with a slightly raised voice so everyone hears his words.

A few unamused chuckles emerge from the ´crowd´ that formed around him, nevertheless a tall guy grabs him by the collar and slams Coriolanus back against the wall behind him pulling a gasp from his lips.

"Don´t shit talk us, what are you doing here?! Are you here to spy on us? What sick games did you plan?!" he yells in his face, although Coriolanus is taller than him, he raises his hands in surrender in order to calm the angry tribute.

Y/N sighs and softly drops Wolvey´s hand onto the girl's lap, she takes a step forward rests her hand on the tribute´s shoulder gently yet harshly, and pushes against him.

"You get your own mentor, now drop it," she says loudly, the tributes around them purse their lips and keep looking at Coriolanus like he´s some meal they can devour.

"A Capitol´s sweetheart could be helpful, why not kill him to send a fucking message." everyone around them agrees except for Y/N and a few in the back, them equally as terrified as Coriolanus.

Coriolanus laughs at their ´plan´ and breathes out a few pained breathes due to him being pressed against the wall, however, before anyone else gets the chance to speak up, the container they are kept in starts to shake a little and then does a jump that causes everyone to lose their balance. The tribute that held the blonde up against the wall let go of him, the everyone including Coriolanus hold onto the nearest thing they could find to steady themselves.

Y/N yelps at the sudden movement that throws her forward and grabs onto Coriolanus´ right arm, the boy in question sneaks his right arm around her waist to steady her and takes hold of a handle that sticks out of the metal wall.

With a rumble and another much harsher shake of the container, the doors suddenly swing open and the place they were kept in for the past 10 minutes moves upwards, changing the position from vertical to horizontal.

A few screams erupt from the group of tributes, and everyone starts to slide out like bags of flour. Y/N yelps again and tries to hold onto Coriolanus, he manages to hold both of their weights, but Y/N´s grip on him loosens when she wiggles in his grasp.

"Wait- Y/N hold on!" he hisses out, but Y/N moves in his grasp trying to get a hold of Wovey´s hand who´s close to sliding down as well.

"Grab my hand!" she yells, but Wovey slips away, and Y/N watches the little girl and Jessup move out of her view into the unknown.

Y/N removes herself from his grasp, just as Coriolanus can´t hold them up anymore due to the shaking wagon, and they all slide into whatever the Capitol planned for them.

I might consider writing a second part! I hope you enjoyed reading this <33

[gutsby]

Mouthful

Pairing: dbf!Joel x Reader

Summary: Joel Miller thinks he’s strong enough to quit it, but something in the way you suck him says he isn’t.

Warnings: 18+. A man with a big, bad oral fixation + lots of love for a sneaky succ. Daddy kink. Dirty talk. Age gap. Blowing Joel under the table at dad’s birthday dinner.

Snippet of Hating Game

He knows better than to let a moan slip at a time like this. Not when he’s sitting at the dinner table; not when he’s surrounded by the people he knows and loves the most. Not when he’s celebrating his best friend’s 51st birthday, and certainly not when that man’s daughter is perched between his thighs, out of sight from every eye but his.

Joel lifts the tablecloth. He almost unloads on the spot.

Seeing your mouth open wide and your lips curled tight around his hot, throbbing member, Joel can’t help but ache for a split-second lapse of judgment—one where he forgets all sense of decorum and simply goes to town on that pretty little face. But, as it is, the rest of the party is totally oblivious to your absence, and he doesn’t want to draw attention to it, or him, by roughfucking your mouth.

That’ll come later.

No, now he’ll let you glide your mouth gently over his shaft, leaving trails of thick spit and hints of a shiny pink lip gloss in its wake. He’ll let you bob your head softly—self-assured in a pace you get to set—and he won’t lay a finger on your face or let a thrust of his get in the way, because this was all about you giving him the pleasure.

That doesn’t mean he can’t steal a glimpse every now and then and pin you with an expectant look when he wants something done a certain way. The room is dimly lit and everyone in it drunk; Joel will gladly take the risk.

‘You can go deeper than that, sweet pea.’

‘Nope, three-fourths ain’t enough, I need your mouth around me whole.’

‘You did wanna make daddy feel good, didn’t ya, sugar?’

He doesn’t have to speak a word of it for you to know what he means. What he needs. You loosen your jaw and stretch your lips even wider, whining just a little when the head of his cock grazes your tonsils.

“Fuck that feels nice,” Joel says aloud.

You freeze.

Then, without missing a beat, you hear him continue just as comfortably, speaking to the people around him,

“Y’all feel that breeze comin’ in?”

Sick fuck. You continue to suck him anyway.

One hand braces tight against Joel’s leg and the other flits shamelessly between your own, and you try not to moan, but the sound escapes anyway. No one hears it, but Joel feels it reverberate down his shaft, and he grips his glass of Merlot like a vice. Your dad shoots him a curious look from across the table but says nothing.

“Can’t get enough’a her, huh?” Tommy grins beside him.

“What?” Joel falters. Sets his drink aside carefully.

Down below, you drag your mouth just far enough to take his tip between your lips and suckle. Joel grunts.

“The wine,” Tommy says, still smiling, “You must love it.”

Joel lets out another strangled breath that he tries to pass off as a chuckle and nods.

“Got me on my fuckin’ knees,” he admits.

And that’s the truth. Starved for air and blinking through tears as you kneel down to blow him, it’s still you with the chokehold on Joel, and both of you know it.

Try as you might to convince yourselves otherwise, the man is enrapt. It’s just that small matter of you being his best friend’s daughter that makes Joel loath to admit it. At any rate, he has your tongue licking stripes up his cock and feels a sudden, sharp clench in his stomach.

He knows he won’t last much longer. Neither will you.

Joel can’t see it now, but you’ve practically soaked your own hand from how hard you’ve been rubbing your clit—and how turned on you are from just sucking his dick, keeping your mouth wide open for a fucking whenever he wants it. While Joel reaches for another draught of wine, you bring one hand to his balls and keep the other at your cunt, triple-tasking like the efficient little slut he needs you to be: sucking, cupping, and rubbing all at once to get the two of you off in one minute or less.

You guide him down to the furthest place in your throat, then push him even deeper. You gag, just slightly, and feel a hand reach down for your cheek. A thumb starts to rub at the tears welled up at the corners of your eyes.

‘Sweet thing hasn’t felt a man this deep before, huh? Wanna swallow some more?’

You nod that you do. Can’t actually hear him now, or see much else besides the soft tufts of hair on his belly, but you can feel a light, heady warmth seep into your brain.

You rut your hips and hope no one drops a fork nearby. Buck desperately into your hand and feel the heat start to swell to a whole new feeling, and suddenly you’re whimpering, whining on Joel’s cock from under the shade of the table and cumming all over your fingers.

Joel returns a quick smile from your father and cracks a joke about the Super Bowl. Raises his hips just the slightest bit and wipes one of your tear-soaked cheeks.

‘Almost there, hon, keep that throat open for daddy.’

All you can do is cry and try your best. Wild feelings from both the slow, deep facefuck he’s giving you and the flurry of euphoric aftershocks coursing all throughout your body make it almost impossible to bear, but you obey your sweet and strong and steady-handed Joel and sense a blossoming desire crop up for something else.

You want to taste him as he blows his load in your mouth, floods your tongue with his spend, and paints every inch of your insides with that hot, sticky stuff.

You need him whole

Your Joel.

In tune with your thoughts—or perhaps just overcome with a need to see you before he reaches his peak—Joel raises the tablecloth when Tommy isn’t looking. His gaze locks on yours and his tongue darts quick between his lips. He cocks a brow. Brushes his thumb up again.

‘Ya want this, darlin’? Want all of me?’

You give one soft, wide-eyed nod, and that’s all he needs.

No sooner do you give him the green light than his cum goes pulsing out in ropes, coating your whole throat and eventually your mouth as you hold still and take it all.

There’s so much more than you thought. So much of Joel that’s been waiting to giving your mouth a proper fucking glaze that once he’s started he just can’t stop. Above the table, your dad shoots a pointed look in his direction—‘You good, man?’—and it takes every ounce of strength in Joel’s body to grit his teeth tight and nod.

He’s filled so much of your mouth it’s spilling out now.

You try to hold steady, keep your movements extra slow. You’d heard your dad’s voice and just know there’d be a lot more on the line than Joel’s dribbling seed if either one of you fuck up now. Your breath catches in your chest, and you feel too afraid to even swallow.

“I just…came,” Joel starts, and your head almost cracks on the wood surface from how abruptly you flinch back,

“—to the realization. That you are so…fuckin’ old, man.”

Your father’s laugh is the first thing you hear, followed by Tommy, your friends, and a dozen other party guests.

The next thing you feel, to your complete and utter shock, is Joel’s cock brushing your cheek. Then your lips. Then your tongue. He slides his still-hard member through the ‘o’ your mouth has made in awe and starts to move in gentle motions back and forth, like a man all but desperate to get a feel for your wet, sodden walls.

A man who can’t risk a glimpse at you now, but wants more than anything to see the mouth he’s just filled.

Your father’s words haven’t even cooled in the air.

Joel Miller, you sneaky, freaky fuck.

As the laughter subsides and Tommy scoots back in his chair, taking leave of your table, you feel a spark ignite. Whether it’s yours or Joel’s or both your perverted minds suddenly alight and insane, you can’t be sure, but you can make out a tablecloth flipping back up above you.

Joel slips his dick out of your mouth and grins. Takes a firm hold of your face under the table so his fingers are practically coaxing your jaw to unhinge before him.

It’s the lowest, slowest, menacing sort of sound you’d ever heard from him before, but it was his all the same.

Speaking to you now, softly, “Show daddy, darlin’.”

Your Joel.