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Ron said there was a sixty second window of suggestibility, yes?
That’s the exact amount of time it takes for Reagan to read the script and give her heartfelt emotional speech about how much she loves him.
Who’s to say that second part doesn’t stick with him same as the Martin Higgins identity?
#Reagan/Ron shippers this is how we can still win#I’m thinking end of season three or through season four we introduce the idea that someone is kinda. looking into Reagan.#and Reagan - she’s got her team life is how it is at Cognito#but this new implied threat - it’s weird because they don’t actually exist? it’s hard to track them down#it’s like they’ve done this paranoid conspiracy work before#it’s Ron we all know it’s Ron - but he’s Martin now#that’s who he is but he just has the faintest echos of memories bc of what he heard Reagan say#and it wasn’t a big deal but it’s like a little lapse of memory. a lyric you can’t place to a song.#Martin wasn’t gonna care or think of it much but then he sees Reagan… maybe on the news? something?#and he goes ‘oh. that’s her. she’s the person.’#what happens next? for the sake of his arc I think he and Reagan talk. and she tells him just enough.#she explains ‘you worked somewhere like here. and you weren’t happy. you wanted to leave#I cared - care - about you and so I helped you set up a new life.’#and through this Martin recognizes he wouldn’t be happy going back. and he wouldn’t be happy as Ron again. He has what he came for#he knows who Reagan is and he sees her as a good person to leave the world to.#and he doesn’t need much more than that.#it’s probably bittersweet parting. Reagan probably asks him if he sleeps well at night (he does)#and they part ways#the other ending is where he and regan start dating again - he’s just a normal dude boyfriend but#I don’t think that fits his arc#look. look. I just want a little more Ron content: Please.#that’s it the end#inside job#inside job netflix#my post#reagan ridley#ron staedtler
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My less popular opinion (and what I believe to be implied by the art in Lost Days) is that rather than waking up in a fully grown body Jason didn’t actually complete his puberty until after his Lazarus pit dip while he was on his murder tour. Imagine you’re tied up in a basement in Berlin getting interrogated by a teenager and his voice is cracking the entire time and if you laugh he’s going to shoot you
#Late puberty Jason truthers rise#Egon calling up Talia like ‘did you send me a middle schooler what is this’. ‘He’s technically high school aged actually’#he would’ve been like 18 when he finally regained consciousness but the way he’s drawn could easily be mistaken for 15#I know people love the body dysmorphia angst of Jason waking up big but I offer you this: Jason wakes up looking basically the same to a#world that has moved on without him and is unrecognizable. His death/injuries stunted him he existed for years in a state of suspension#while the world passed him by. He was on pause while everyone kept moving on and he didn’t get unpaused until the Lazarus pit and he has#to scramble to catch up. He’s actually 18 but the last thing he remembers is being 15 and his body reflects this state#and then once his mind is finally back online puberty hits him like a truck. Just look at the difference between how Jason is drawn#immediately after his dip in the Lazarus pit vs the end of lost days when his training arc is over#It implies it could’ve been multiple years but in order to fit with the timeline of other comics I personally don’t think it#would’ve been that long. I think he just sprouted up like a weed#Jason Todd#dc#I think Jason is technically still growing by the time he’s red hood. In my personal mindscape he doesn’t reach his peak buffness/height#he’s like 21 and he’s 19 in utrh#Sorry for my 1538283th post about red hood lost days I’m obsessed with his little fucked up coming of age story#Red hood lost days
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HEYYY GUYS quickly hopping back on here, messily taping/supergluing my art onto the blog, and then promptly skedaddling right afterwards because OH BOY I need to focus this week and lock into my animation MAP part. The time crunch has gotten real!! AUUUUU!! But I had to get this image out of my system before anything else so here ya go enjoy some solitary confinement Puzzle appreciation. I’m sorry that it’s rushed!! Maybe once I finish this MAP I’ll return and make it less janky (specifically for the animated gif here because OOF that looks rough buddy. But it’s the best I can afford to do without getting totally side tracked on my goals. It looks real lazy and is low-key triggering me but I’m letting it slide—sir is mocking my perfectionism right now. Gotta focus all that energy onto the MAP instead).
Yea okay that’s all folks byeeee
Okayyyy so apparently not only is the animated gif janky in motion but also kinda broken?? It’s supposed to loop but that’s not working on Tumblr so guess the entire thing needs to be redone when I have spare time :P
I’ve decided to include a compressed version so you can at LEAST see what I was trying to achieve jksjsksp help this is a mess right now
#hplonesome art#mr. puzzles solitary confinement#WOTFI mr. puzzles#mr. puzzles WOTFI#WOTFI 2024 mr puzzles#mr puzzles in prison#mr puzzles smg4#mr. puzzles smg4#YEA ALL THE TAGS ARE VERY ODDLY SPECIFIC AND VAGUE RIGHT NOW I KNOW AND I’M SORRY#BUT COME ON IT’S UNFINISHED 😭#I don’t mind if anyone wants to still add tags or reblog though lol#it’s just the in-between frame animator in me screaming bloody murder at the choppy tweening#I’m used to drawing completely separate drawings to achieve a smoother motion#not just copy/paste one singular drawing and animate it#BECAUSE THEN IT TURNS OUT LIKE THIS AHSJHSKWNXJSNKSP#it’s okay we can be nice to ourselves today it’s okay still be proud of your accomplishments calm down#chat is his insanity rubbing off on me help#OH YEA also worth pointing out I gave his uniform cell number ‘999’ because Puzzlevison Arc reference#where they all try to escape by going into the last TV channel (aka 999)#felt like it’s the only number that symbolically fits him? Unless anyone else can think of a number he’s connected to
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Attire mission: Purchase premium attire to get an extended romantic story!
Me: *on Liam's route* Romantic my ass! This is a tragedy
#THEY KEEP GETTING SADDER!#also apparently by definition romances need to have a happy ending#so if the main couple isn’t together by the end and/or it's sad then it's a tragedy#ikedevs weren't fucking around when the first play I went to with Liam was Romeo and Juilet!#which is a very famous tragedy!#and Don Quixote is about a delusional man trying to be the main character of his idealized story#or something like that I feel like there's some symbolism in that#and in the Hunchback of Notre Dame it was already obvious in the route how it fits in but Esmerelda dies at the end#and Quasimodo cried until he died#I don’t know shit about Wuthering Heights but considering everything else it might have some meaning there too#I had thought the devs weren't paying attention to contents of the books/plays they were picking#when first hearing them bring up Don Quixote and Romeo and Juliet but now I'm thinking it was very much on purpose#and I just hadn't know what story I was signing up for#I thought it was going to be yandere or corruption arc#I didn’t realize the dark part was tragedy!#so anyway I'm good now#and yeah it was chapter 14 I just finished#ikevil#ikemen villains#liam evans#ikevil liam#ikevil spoilers#rant
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Characterization discourse is so funny for me to watch because it’s people getting upset that a character they really like has their personality changed over time, whether this be because their a new iteration of the character in a new canon or their still in one canon but changed how they act because of different writers, usually to appeal to a newer fans which causes long time fans to be upset more often. It genuinely does suck to see a character you’ve liked possibly as early as your childhood be butchered by the writers just to try to appeal to a newer audience that they feel like a shell of them old selves, especially when this is a character you consider to be one of your favorites OR all time favorite…
But then I’m standing outside of this fire like “good fucking thing the only character I liked that has been reintroduced multiple times is from something that’s not really ongoing but also never fucked up his character to begin with!” Even if the trade of being a ryoma fan is some people just flanderize him.
#meg text#getter robo#ryoma nagare#I will say: there’s a good few ryomas I don’t know well enough simply because I didn’t consume their source#but even with toei and devo being so “different” I don’t think they necessarily ruin his character#especially given the context their teenagers and meant to not be as violent as his other counterparts#I may love ryoma as a violent boy but that’s also what gets flanderize about him a lot#so nice to see variants like that spice things up a little and explore other aspects of him you don’t see much#but also like- wow ova wise ryoma fucking lucked out LOL#I say Kawagoe improved in writing with each show generally but this is easily reflected with ryoma#it took three shows for him to get a full on fleshed out character arc anime wise#but he was always a enjoyable character#arma has that missed potential but still ends up having a subtle arc of healing from his past#neo doesn’t have a arc but he’s interesting just for the fact he isn’t doomed by the narrative#then new fits so much manga characterization within him but gives him a different ending#my boy has a pool of depth despite not having like- 500 variants like a superhero lol#so much to pull and think about with him#yes this turned into a excuse to ramble about ryoma RIGHT after I made a Kei post but sh
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Me doing extensive research for comic arcs that don’t exist:
#I’m thinking SO HARD about how Miles’ revenge arc should look what exactly he should be wearing and why#I want his fit to be something dark and gunky like the symbiote but how do you translate that into regular clothes it’s a conundrum#I don’t want him looking like a discount Prowler even though he wears his mask so green is out of the question
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-ˋˏ FLOW ˎˊ
SYNOPSIS. with your auto workshop at risk of closing down, your best friend kira ryosuke offers to introduce you to people who are definitely in need of your high quality services: underground street racers of blue lock, whose obsessions are winning the races. however, your arrival at the track makes them think otherwise.
CHARACTERS. isagi yoichi, bachira meguru, chigiri hyoma, kunigami rensuke, barou shouei, mikage reo, nagi seishiro, yukimiya kenyu, otoya eita, karasu tabito, shidou ryusei, itoshi rin, itoshi sae
CONTENT. f!reader. street racer au. fluff. 1.3k wc. rewrite of flow at my old main blog @/verxsyon. reader is labeled as “kira (ryosuke’s) girl” because they are always seen together. possessive behavior (barou). mentions of violence (shidou & rin).
VERA. what’s better than egoist soccer players? egoist street racers. you know what could be better than egoist street racers? the reonagi divorce arc in hd— oops, lmao. you know what could be better than the reonagi divorce arc in hd? season 2 premiere this week and sae has more screen time! i also bought a reo figure in his high school soccer uniform to celebrate, and it was the last one too. lucky!
𝄞༉‧₊˚. ISAGI YOICHI
the heart. quickly becomes popular for his freshness to the arena. isagi is a good friend of kira, so there’s one more person you can trust. while in his care as kira meets up with his team, he gives you a tour of blue lock to keep you entertained. sweet and kind, he fetches you water and asks if you feel alright because the racers have been ogling at you since you arrived. interrupted by an uproar caused by a racer who is standing on his car with paint all over his body, isagi is beyond irritated.
𝄞༉‧₊˚. BACHIRA MEGURU
the monster. obsessed with spray paint and loves decorating his car with it. bachira is terrible at being an artist. playful and cheerful outside, he holds amateur art performances for the crowd before races to get them pumped up. his gaze makes isagi flinch when he is told by the latter to quiet down. you can still hear the warning of staying close to someone you trust. he emits a dangerous aura, a strong first impression. bachira feels the same when he’s up at your face, studying you intensely.
𝄞༉‧₊˚. CHIGIRI HYOMA
the surge. the fastest racer in blue lock, securing victories at the speed of light. as chigiri approaches bachira to scold him for scaring newcomers, his beauty is so unreal that you don’t even realize you’ve been staring at him. he apologizes for his friend’s antics, justifying that he acts like this before a highly anticipated race. unfortunately, chigiri is not in this one due to a leg injury but luckily has someone helping him to stay in shape: an orange-haired racer waiting at the garage in his car.
𝄞༉‧₊˚. KUNIGAMI RENSUKE
the hero. kunigami has the highest endurance in blue lock, outlasting all racers in long-distance races. he acts like an older brother as he is very protective and solves issues in a civil manner, balancing out his friends’ hot-blooded personalities. kira trusts him enough to take you home as your best friend has matters to take care of. you thank kunigami for the ride and being nice to you. embarrassed, he says he’ll see you at the race and nothing else before zooming away.
𝄞༉‧₊˚. BAROU SHOUEI
the king. barou is the racer that kira complains about for as long as you can remember. he’s selfish and arrogant based on what you gathered so far from kira, claiming that the venue is his throne and the next race is his for the taking. his attitude fits your expectations; you already dislike him upon the first encounter. barou has the audacity to “claim” you as his prize when he wins this race. you’ll definitely follow kira’s advice to avoid him for sure when you see this guy again.
𝄞༉‧₊˚. MIKAGE REO
the heir. reo considers kira to be one of the best in the arena, besides his best friend, nagi, of course. a master of negotiations due to his status as the future chairman of a corporation, he hopes you will find his terms reasonable and collaborate with him as a business partner. but what he doesn’t expect is you playing hard to get. a pretty rich boy does deserve wild goose chase, making his pursuit exhilarating just like races at blue lock. nagi thinks that what he is doing is a waste of time.
𝄞༉‧₊˚. NAGI SEISHIRO
the genius. most people are happy with their achievements, but nagi does not care less as they’re essentially reo’s efforts. all he cares about are his video games and his cactus until you arrive to the arena with kira. all of a sudden, he attempts to impress you; “attempts” being the keyword. yet reo does the work once again by introducing him to you as his precious treasure and brags that you will see nagi’s full potential at the upcoming race. nagi doesn’t find you to be a bother, so he hopes to see you again.
𝄞༉‧₊˚. YUKIMIYA KENYU
the model. his charm is the focal point of his character, which drives the audience nuts. curious by nature, yukimiya wonders about the qualities you possess other than being “kira ryosuke’s girl” and how you manage to get the likes of barou, who treats everyone like trash, and nagi, who thinks of only going home, at your whim. seeing you teach nagi about car anatomy allows him to introduce himself. he believes that there is something special about you, but a friend of his thinks so otherwise.
𝄞༉‧₊˚. OTOYA EITA
the ninja. otoya claims to be not like his fellow racers and prefers to stay in the shadows. he doesn’t see you as an angel sent by god in the form of a mechanic to fix their cars, not understanding why everyone is smitten by you. he isn’t interested in interacting with you at first, however, that is proven wrong when yukimiya makes you laugh at a silly joke. it’s rude to make you feel unwelcome, so he decides to give you a chance. a crow- like racer mocks him for thinking he doesn’t find you attractive one bit.
𝄞༉‧₊˚. KARASU TABITO
the assassin. all about good vibes and good times, karasu does not want anyone to act “mediocre” around you. many newcomers are notorious for never setting foot in this place after their first round. he is relieved to hear that you came at your own volition thanks to kira. majority of racers you met so far are nice to you, so he doesn’t need to worry about making an impromptu spiel of why blue lock is great. if you think he’s too friendly for your taste, what about the guy stalking you right now.
𝄞༉‧₊˚. SHIDOU RYUSEI
the joker. unrestrained both in words and action, shidou goes about his day and does everything as he pleases. judging by how yukimiya, otoya, and karasu are quick to shield you, he’s bad news. the altercation grabs kunigami’s attention, who he has massive beef with. being “kira’s girl” doesn’t phase him, nor your best friend going after his head for being near you. one of his rivals isn’t amused by the ongoing circus act, as if he didn’t break his nose in the previous race.
𝄞༉‧₊˚. ITOSHI RIN
the puppeteer. rin has a score to settle with his older brother, sae, who is betting on shidou for the next race. physical violence is a usual solution to settle arguments, and it’s worse for rin to be involved in another fight with shidou, especially before a race that determines his fate and prove to his brother that he’s the best of the best. he doesn’t spare a glance at you or ask if you’re alright, as sae walks into the garage to check out the commotion.
𝄞༉‧₊˚. ITOSHI SAE
the prodigy. sae is one of the top eleven racers at the underground. you now know that he is betting on shidou for the upcoming race. rin does not seem pleased. even if it’s not obvious at face value, everyone can tell that there’s bad blood between the brothers by the intense atmosphere created from their staring contest. sae looks at you then at his brother, who he scoffs at for his lack of concern for you. for a girl to experience this in the first week, he’ll stop by your shop as reparation after the race.
#♪ .fics#house of solis occasum#blue lock#blue lock x reader#bllk x reader#isagi yoichi x reader#bachira meguru x reader#chigiri hyoma x reader#kunigami rensuke x reader#barou shouei x reader#mikage reo x reader#nagi seishiro x reader#yukimiya kenyu x reader#otoya eita x reader#karasu tabito x reader#shidou ryusei x reader#itoshi rin x reader#itoshi sae x reader#blue lock fluff#bllk fluff
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Well, it was a big piece of work, hah
I took a break from RW and decided to draw something nostalgic
Actually I've been stuck with this idea for two years now and I'm glad I finally found the strength to do something about it. Thanks for inspiration from one good man)
Long story short
In this AU autobots and deceptions are two unions of different tribes: mudwings, seawings and sandwings for the firsts and icewings, nightwings, rainwings and Pantala tribes for seconds. Skywings doesn’t exist anymore (because we need someone who takes place of predacons).
People are just people or scavenger if you prefer. And instead of whole cosmos it’s just two mainlands.
- Optimus Prime - I kinda like tfp Optimus. So formidable, powerful and mysterious but really gentle at the same time. And mud/sea combo works here in the best way. As the representation of two main tribes union and strong father/brother figure for team members.
I also think he might be an animus (but don’t use his magic often, especially for killing someone)
- Ultra Magnus - Pure Icewing already will be great for him, but I gave him part of seawing so he could be more like an Optimus. But instead of being softer and warmer, Magnus is more cold and pragmatic version of him. A character who sees other dragons not as close allies and friends but as ordinary soldiers.
- Ratchet - Yeah, the seawing would fit him better, but i just don’t know how to make the colors work here sooo… he’s a weak-fire mudwing. Like a skywing, but mudwing. Why not. Make sense with his lack of guns in origin. I think he’s design can be better, and maybe I’ll remake it.
I love his arc of recognizing people as equals and especially his interactions with Raphael. I think Ratchet often read him scrolls about history and magical artifacts.
- Bulkhead - No surprises here - mudwing fit him perfectly. I think that the Wreckers could been a big and strong mudwing troops, and Bulkhead was a bigwings in such a one. He is lost a lot of his siblings during the war, and therefore tries with all his might to protect the new members of his family. I absolutely adore his relationship with Miko and Jackie, so for me he’s one of the cutest character, and I tried to make his forms round and soft.
- Bumblebee - I know that majority draw him as a hivewing, but in that case the most logical for him will be a night/sandwing. Literally, autobots get their own Sunny)
I think in this version with his lack of a voice he could communicate using sign language or some variation of aquatic.
- Arcee - Also nothing special - she is a seawing. I originally wanted to give her a helmet but it was too hard to draw. Just like Sunny she was born pretty small and now even younger dragons can be bigger than her. I’m pretty sure she is old enough to have seen Bumblebee when he was a dragonet, so she's literally like an older sister to him.
Actually she really gives me a Queen Glory vibes with her sarcasm and dangerous beauty, so rainwing might fit her as well.
- Smokescreen - I used to think he was just a cringe, but now I realize he's a pretty interesting and realistic character. Like Ultra Magnus, I wanted to make him look like Optimus, only this time Smoke is more of a younger and much more irresponsible version of him. I think in this version (being part rainwing) he's trying to mimic Optimus's coloring using same red, blue and pale-gray shades.
- Wheeljack - The scruffy boy! I think in this version he could be Bulkhead's "adopted sibling", so they are really close to each other. And, because he spent most of his life with Bulkhead, it's harder for him to get close to other tribes and dragons.
Painting scales to keep canonical colors is kinda cheating, but for this dude it totally works. He should have a pretty bright appearance with all those scars and bright spots.
Cliffjumper - Ohoh… this poor guy. I didn't even think of putting him here, but I like his smug face too much. Even making his scales darker than the original, it's still too brightly colored for mudwing. He probably jokes about it a lot, saying that his ancestors were skywings.
I really like his dynamic with Arcee, and it's a shame we haven't seen much of their relationship. I think I need to do something cute about that.
#wof#wings of fire#mudwing#seawing#sandwing#tfp#transformers#transformers prime#wof crossover#tf#tf crossover#optimus prime#ultra magnus#bumblebee#arcee#ratchet#tfp smokescreen#cliffjumper#bulkhead
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Guys.
Super long post; read at your own peril (tl;dr at the end).
But I just had a brilliant possible idea about where Echo (the new Zelda from Echoes of Wisdom) fits in the Wisdomverse, so I’m documenting it in case I decide to use it.
See, merging Echo into Fable would be cool. They seem very similar already (relevant post), and it’s a good option.
Yet there are a few small problems with this. I can get around them, but they’re still something to consider.
Fable’s already in four separate games (Most Zeldas get one game or less). Adding EoW makes a fifth.
Fable is already quite powerful amongst the Zeldas. Adding EoW makes her a bit OP. I’ll have to balance that carefully.
Fable has a planned story arc in the Wisdomverse. This might conflict with EoW (for example, this is why LU decided against adding TotK to Wild)
So while I still think it could be cool to merge Fable and Echo, I’m also looking for other possibilities. I don’t want to introduce a new Zelda between Fable and Dawn unless I have to.
And then I realized:
There is already a canon Zelda between Fable and Dawn.
I’ve literally already introduced her.
I have plans for her that could totally work with what we see in Echoes of Wisdom.
She’s vastly underpowered and could use the abilities from EoW very well
I could totally see myself writing her personality into EoW Zelda— it’s a different take than how I’ve depicted Echo before, but it would work equally well imo
And she’s also the Zelda with the least canon information; the one we know the least about overall— especially since we never meet her in her own time.
Guys, if Fable doesn’t work out, I think it might be awesome to merge Echo with Aurora— Hyrule’s second Zelda.
Imagine this:
Aurora woke up centuries in the future, after the Great Decline. She’s trapped in a vastly different world with Dawn and Hyrule as her only solace. She loves them, but she’s not from here; and she can’t shake the dread that she’s left everything behind: her friends, her realm, her brother, who she still cares about despite everything he did to her— and also, of course, her Link, who she loves, and went on an entire adventure to save.
When she was Echo, she was a hero. But as Aurora, she’s an echo of the past; a mournful ghost of a bygone age
Tl;dr: What if Echoes of Wisdom is the era Aurora came from— and where she desperately longs to return?
Masterpost
(More thoughts on the timeline under the cut.)
So— Echoes of Wisdom seems (so far) to take place around the time of Legend’s era, with enough ambiguity that it could be either before or after Legend’s era of ALttP/Oracles/ALBW/TH.
Currently leaning towards “EoW before Legend” considering the similarities to OoT, but I could very well go with “EoW after Legend,” which would be necessary for the Aurora merge. The Oracle games, after all, have a lot of similarities with OoT in terms of races and characters present (Zoras, the Deku Tree, Zelda’s design, etc), and they come after ALttP, which doesn’t have quite as many. Same thing with FSA, which is canonically after Twilight Princess but obviously resembles Four Swords more, and both Wisdomverse and LU have shifted the timeline to match. So there is precedent for similarities to skip a generation or two, even in canon.
I also doubt EoW is going to include a Prince of Hyrule (the one character we know of from Aurora’s backstory). This is fine, because I’m confident I can come up with a reason the Prince was away during the events of EoW. Perhaps during the events of EoW, the Prince left on a journey of his own and first encountered the Wizard that leads to Aurora’s downfall.
Anyways, these are just tentative plans. We’ll see what happens when the game comes out!
#zelda#wisdomverse#echoes of wisdom#wis echo#lin thinks#lin rambles#adventure of link zelda#lin writes#lu wielders of wisdom#wielders of wisdom#linked universe#loz#lu legend#wis fable#wis dawn#wis aurora#echoes of wisdom spoilers
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Unfortunately I came across a very strange and misinformed video about Black Butler.
It’s not good. Don’t watch it. Unless you wanna ruin your day, in which case have fun.
Despite it all, I watched it. What left me wondering, however, was how off the mark the person who made the video was on, well, everything.
From their insistence that the Book of Circus Arc theme or point is non existent, to reading Ciel’s character so badly they genuinely thought the Green Witch Arc did nothing for his character development.
While baffled, it also made me think on how someone could read Black Butler so badly.
Sure, you can say that there’s no real way to read or interpret something “in the wrong way” but interpreting The Hunger Games as a pure battle-royale action story would make you believe it’s bad.
“Why are we focusing so much on how the capitol preps them?” Or “Why isn’t Katniss winning everything?” Or “I wanna know more about the rebellion” All questions that miss the actual point of the story - which is criticizing (not solving or ignoring) the way that media distracts us from violence via spectacle.
The same thing applies here. While there is no “right” way to consume media, there’s things that the author makes clear they wanna focus when creating a story. Things that, if you understand, make the story you’re reading actually make sense.
And in Black Butler there’s three things that you have to understand to properly get what Yana is saying.
Sebastian is the protagonist
Ciel and Sebastian’s relationship IS the story.
And that relationship is, fundamentally, a positive one.
A quicker version of it would be:
Black Butler is a love story from the POV of Sebastian, and you have to ship it to get it
- but that’s not entirely true.
You can still look at it as a complex but ultimately positive rship and get in broad strokes of what it’s conveying. It doesn’t have to be romantic. Although, it helps much more than a platonic framing.
(That said, interpreting their rship as father and son, still isn’t the best way to go about it. Mostly because by its very nature of “soul consuming” their relationship is extremely sexually charged. And hey, if you’re into that I don’t judge. However, if you’re desperately trying to interpret their rship as NOT romantic to the point you fall back on heteronormative patriarchal ideals of nuclear familiar as framing device, I don’t think this interpretation bodes with you)
Now, having all that ground work:
Why do I say these are the key components to understand BB?
Okay so, first,
1. Sebastian is the Main Character. The protagonist.
There’s a lot of people who wanna argue against it, claiming he’s either the villain or the antagonist. Both wrong.
He does not function as an antagonist. Even if, and an emphasis on if, you consider Ciel to the protagonist, Sebastian isn’t a narrative antagonist.
If you wanna go back to Creative Writing 101, be my guest. An antagonist is directly defined by the protagonist. It’s the opposing force. If the protagonist wants A, the antagonist wants to stop them from getting A.
Sebastian’s catchphrase is “Yes, my Lord”. He never opposes Ciel, in fact quite the contrary. By the mere fact they’ve created contract, it means that they’ve both agreed in the inevitable outcome.
People want to frame Sebastian as the villain, because Ciel having his soul taken by a demon, would be a BAD END in the context of their moral compass. They see Ciel as a frail victim of abuse, who’s being tricked by Sebastian, who wants Ciel’s soul.
Which is an. Interpretation. A bad one. But still one.
The narrative (and whether the narrative fits your personal moral compass and lack of critical thinking is irrelevant) treats Ciel as an agent in his own destiny. The abuse he suffered was the moment in which he had no control. It’s only after he meets Sebastian that he can rid of both his guilt and his despair, and do what he wants.
In this case though, it’s revenge.
The famous “Asthma” scene shows this. If Ciel is taken back to his past, he becomes helpless. Swarmed with pain and memories that make it so that he can’t even react. Sebastian is his saving grace. If Ciel didn’t have him, and the power he wields to rebuilt what’s broken, he would crumble once more.
If Ciel has a panic attack, because of all the pain he has, Sebastian picks him up and says “you are not a helpless child anymore, you are not a victim anymore, you have the power to do anything. So, what do you wanna do?”
Ciel’s answer is to kill them.
A proper analogy would be to say that, if Sebastian offers a gun, Ciel pulls the trigger. They are both at fault. Sebastian, strictly speaking, is not here to directly cause Ciel’s downfall, but as a tool Ciel uses to plunge into the abyss.
If, again if, you were to frame Ciel as a protagonist, Sebastian falls closer to the “Voice of reason” character. Not a literal voice of reason, but a literary one. If you have a protagonist and an antagonist exchanging ideals, the Voice of Reason serves to engage with the protagonist on their own ideals.
That said, Ciel isn’t the protagonist. The story quickly falls apart if you interpret it as such.
Things such as Ciel’s character arc being…shall I say odd?
It’s not that his character arc isn’t there, but it’s never lineal. His goals stay the same, the only thing that happens is that we start to peel back the “why”s of his goals. Throughout the series it’s never about Ciel understanding himself better, he knows who he is, he knows what he wants, he knows why he wants it. He doesn’t ever need to uncover these, but simply remember them. Because it’s always about the audience understanding Ciel.
He knows he wants revenge.
In the Circus Arc: He knows that he needs Sebastian because without him, the pain of the abuse he suffered would be too much to bear. But WE are introduced to it.
In the Book of Atlantis: He knows that with this new lease he does not want happiness and peace, he wants revenge. The one being told this is the audience.
In Green Witch Arc: He knows that their revenge isn’t for his family, the real Ciel or guilt. It’s because he wants it. He’s angry, he’s upset, and this is entirely for him. The one being told this is the audience.
Except. Not really. The one either discovering or remembering these key moments - is always Sebastian.
Sebastian is the one who reassures him that he now holds the power of a demon to override the pain. Sebastian is the one who remembers that to override that pain, Ciel wants revenge. And Sebastian is the one who discovers that that revenge isn’t built out of grief or guilt, but for himself.
We are witnessing it all, through the eyes of Sebastian.
This is why we have an extremely vague idea of who Ciel is, Sebastian does not have the whole picture.
If you haven’t been reading this manga with your eyes closed, you’ll realize we have a better grasp at Sebastian’s character than that of Ciel. We get a lot of insight on how he thinks and what he values through light hearted dialogue he has with the servants. You even see the character development in these little interactions.
Think about how when he first arrived to the mansion he magically created food with no regards to taste, but when he meets Bard he states that food is created to see whoever will eat it, smile.
That is character development, more than you will be able to see from Ciel.
Because Ciel’s character, while not static, doesn’t go from point A to point B. Mostly, cause it doesn’t need to. He went through that when he lost the real Ciel and got Sebastian. Everything we are watching is the falling out.
Now, given the fact that I’ve told you that it makes more sense for Sebastian to be the protagonist/main character, and that he 100% isn’t either a villain or antagonist in ANY of the interpretations you can get:
Do you believe me?
If you don’t, you’ll probably believe Yana herself.
This is from the first Volume, where Yana herself describes the process of making Black Butler. The primary idea behind the creation of BB was a butler as a “hero”.
If you go back to the introductory chapter, you notice that Ciel is barely mentioned. He’s simply the one to give Sebastian impossible tasks and standards that Sebastian must find how to overcome.
Ciel is properly introduced until the NEXT chapter. The second chapter has this formula too, introducing Lizzie as a problem to overcome. Although, to Sebastian the best way to “get rid of the problem” is simply to indulge her.
The issue here being that the problem isn’t as simple as a business meeting but something directly tied to Ciel and Ciel’s past. Each time that Sebastian has to solve a problem, it chips away at Ciel. While with Lizzie he shows a persona, once he’s alone with Sebastian he acknowledges the toll it took on him. It serves to build Ciel as Sebastian’s master, and how some problems aren’t as simple as discarding a tablecloth.
The third and the fourth, are a unified narrative, with a similar premise to the first chapter. Ciel gets kidnapped and Sebastian must find a way to retrieve him without raising suspicions.
If the first chapter is to set up what Sebastian must do as a butler, the third and the fourth serve to set up what he must do as a demon.
The entirety of the volume, and up to Book of Circus Arc, is about how Sebastian tries to follow the increasingly absurd orders that Ciel has - it is not about Ciel trying to solve them.
That’s how they work, we follow Sebastian for the most part, because he’s the one having to come up with the solutions.
If anything, in early Kuro, where the emphasis was more on a slice of life conflict, Ciel is the antagonist. He’s the one creating problems for Sebastian to solve.
What’s more, in the second volume, the very first chapter is one from Sebastian’s POV. So far, we hadn’t gotten an entire chapter from Ciel’s POV. In fact, I would find it hard to point to a single chapter where Ciel is the POV throughout. The reveal of real Ciel and the flashback is the closest contender.
But once we move past early Kuro, and into Book of Circus, this set up changes.
It’s fairly easy to assume that Ciel is the main character, because from this point on the conflict of the plot sorta surrounded him. We spend a lot of time with him and with his story. The enemies start being people directly tied to Ciel and Ciel’s trauma. Rarely, if at all, we get to see Sebastian before he met Ciel.The framing device for the story, is Ciel.
This is where point 2 gets intertwined.
2.- Sebastian and Ciel’s relationship IS the story.
The story begins at the point where Sebastian and Ciel met. Who Ciel was before he met Sebastian, informs why he’s the way he is when he does. You have to know all he went through to understand why he’s a brat, why he lashes out. However Sebastian’s past doesn’t matter…because Sebastian himself doesn’t care much for who he was, before he was “Sebastian”. That’s also part of the narrative.
Unlike Ciel, he doesn’t seem opposed to revealing information from before the contract. He talks about how pets from where he is from are gross, he talks about how he knows how to dance because of other places he’s been to, and alludes to the life he's lived before.
Just that, to him, they're footnotes.
He makes allusions to a very bland, uninteresting life, up to the point he meets Ciel.
That’s why we don’t know more about his past.
As for why we focus on Ciel’s story…okay maybe we need Creative Writing lessons 102
I studied Dramaturgy for about 3 to 4 years. And something you notice is how play-writing is the quintessential story telling. It’s making it work with the bare bones of a story.
Some other mediums have more finesse, more depth, or more spectacle - all amazing things that work for whatever they’re created for. But understanding a play, how and why it works, helps understand the fundamentals of any derivative story telling medium.
Particularly, conflict.
Conflict is dialogue and dialogue can take many forms. A story, in its essence, is a dialogue between two opposing ideas.
Take Batman, for example, who embodies the ideas of justice and order. On his own, he’s not a well rounded character.
If you ONLY present him, in a vaccum with nothing else, you don’t have a character. You have a list of characteristics that you’re supposed to know.
You only know who he is when you have dialogue with another character.
I say Dialogue, but it doesn’t necessarily mean spoken language at one another. Dialogue can mean fist fighting, playing tabletop games, talking to other people about the other, or even just a competition. The idea is to simply to compare and contrast both ideas.
If you want an example on how tabletop games serve as dialogue, watch the video “Well, Someone Had to Explain the Liar’s Dice Scene” by Lord Ravecraft
Another example, were we to retake Batman, you have him fight Joker. Who’s the embodiment of chaos and randomness.
In the following picture, you get far more information than the one previously shown. While the Joke fights with daggers and fake guns, Batman only uses his fists. He doesn’t use the tricks that Joker does. His serious demeanor, contrasted with Joker’s glee at the dangerous situation. The fact that Batman has a deathly grip on Joker’s shirt, while the Joker doesn’t, which shows a desperation to catch him.
You are being shown, through a dialogue, who Batman is.
It’s so much easier and much more effective to explore a character through another character.
This is the reason why Shonen has a tendency to make incredibly good gay ships. If you want to explore Naruto’s personality, and his feelings of inferiority, you HAVE to have him interact with Sasuke.
If you wanna understand Hinata’s passion for volleyball, you have him enjoy himself the most with the only other crazy motherfucker who’s as obsessed with volleyball - Kageyama.
And I think that originally, Yana had this problem.
Sebastian was the protagonist, but she had little room to develop him as a character in the confines of the manor, dealing with random enemies.
She likely tried to create Grell as someone of the same stature as Sebastian. Someone who could be this other person to engage dialogue with and show or allude to his past a bit more.
The problem being that Sebastian didn’t care for his past. Or really, engaging with anyone. He sees everyone as below him, but when confronted with Grell who isn’t below him, he doesn’t wanna talk to her.
So you’re stuck in conundrum.
How do you have dialogue with a character, that as a character trait, doesn’t really wanna have dialogue?
Well, Grell also solves the problem. Because only the moment she gets him to start any semblance of a dialogue - is questioning why he’s serving Ciel.
And this is the moment when it’s perfectly cemented that the focus of the story is their relationship.
Why is Sebastian here? Why does he stay? What did he see in Ciel that made him want this extremely convoluted contract?
THATS the dialogue.
THATS the conversation we’re having in Black Butler.
We need to know Ciel because understanding who he is, let’s us know WHY /Sebastian/ is here.
Then slowly, with the introduction with the Undertaker, we find out Sebastian’s conflict.
Which is…
He’s scared of losing Ciel. It becomes apparent with the constant imagery of the Undertaker taking away Ciel and at some point even obtaining r!Ciel’s body, that he’s worried it might happen.
But he can only be worried that Ciel might be taken away if he wants to stay near Ciel.
And that’s his character arc.
Realizing that he actually likes Ciel, cares for him and the role he plays a butler that he doesn’t want this to end.
In the first chapters, he doesn’t feel a need to protect Ciel anymore than what’s strictly necessary. Just don’t die, that’s about as deep as his involvement in chapter 4 gets.
But by the Green Witch Arc, he feels a need to protect Ciel from ANY harm.
This is why I also said
3.- Their relationship is fundamentally a positive one.
In broad strokes, Sebastian to Ciel is the person who allows him to survive. He’s not worried about giving up his soul since he’s already dead. While Ciel to Sebastian, is someone who’s making him have fun. He’s slowly becoming more and more attached to Ciel and the life he has with Ciel.
Their relationship is not that of just a predator and prey, but also of master and pet.
In the terms that Black Butler itself would call: Sebastian is a wild wolf acting like a collared dog.
Ciel is aware that the wild beast will eat him at the end of the day, but if he clings hard to leash for now, he might just be able to have Sebastian maul his abusers.
Sebastian as a dog, currently finds that he enjoys being a chained dog.
(This is demonstrated in the Green Witch arc where he quite literally says, he doesn’t wanna be a wild beast and prefers to be a butler)
And much like the actual DOG Sebastian, Ciel constantly interprets his attempts to get close and protect him, as an act of aggression.
This push and pull of Ciel’s perception of Sebastian and Sebastian’s true motives is what feeds the story.
And the briefs interludes were that isn’t the case (what other people call the “plot”, but I would refer to as the connective tissue) such as Sullivan and Wolfram, the other servant’s past, the grim reapers and the like, serve as a parallel to Ciel and Sebastian relationship. Either to signify how they care for each other, highlight their weaknesses or fears, or explore how they feel.
It’s no surprise that Sullivan and Wolfram are parallels to Ciel and Sebastian. A sheltered sickly child who seeks the protection of a cold hearted machine that only knew how to kill, but who eventually found he cared for her genuinely.
Undertaker and Claudia’s relationship being heavily paralleled with them, even though we aren’t 109% sure what they had but heavily implied it was a romantic attraction from the undead supernatural creature and a Phantomhive.
Everything is a parallel.
That’s why, like the approach of the terrible original video, is flawed.
Trying to interpret Black Butler as action scene after action scene, with mystery after mystery with the only connective tissue being the mystery of who burned down the mansion - is missing the trees for the forest.
That’s not the point.
And if you’re too much of a prude to engage with gothic horror in its gothic horror game, I see little point as to why you even bother to engage with it at all.
A lot of people, including the person who create the video, simply refuse to acknowledge Black Butler IS the story of Sebastian and Ciel as a close and positive relationship, romantically and sexually charged. The reason for it being that they’re “put off” by it.
Part of me wonders how much that is genuinely true, and how much is just performative outrage. It’s like ignoring the fact that Cersei and Jami are in an incestous relationship and try to frame it as “platonic love”, because the idea of it is THAT off putting.
But regardless of that, if you don’t like the fact that it’s as canon as canon can get, I would reccomend you don’t engage with the story at all.
As I’ve explained, the entirety of the series is about them. If you refuse to see Sebastian and Ciel as, at the very least, a duo that cares deeply for the other - you aren’t reading Black Butler.
I have no idea what you’re reading.Perhaps your own biases and subconscious stigma with British aesthetic. At that point, watch the fucking British Royalty Gossip Magazine. You’d find more substance there.
Just don’t be like the person in the video, please? Don’t play dumb. Don’t ignore the fact that Yana is a Shotacon, don’t ignore the fact Sebastian is a hero, don’t ignore the fact that the entirety of the story is based on Sebastian and Ciel’s dynamic.
Because if you do, you are ashamed. You are ashamed of what this story is about. You don’t wanna engage with the text, you want to engage with yourself. You wanna project into Ciel whatever traumas and experiences you have, for the sake a vanity project, where you come out as the morally superior.
You don’t wanna talk about Black Butler, you wanna talk about how good YOU are. How you “don’t sin” by watching it “without all the gross unholy stuff”.
Which is the exact opposite of what BB is about.
So, if you don’t want to, save us all the humiliation fetish and leave.
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So I know that a lot of people are anxious about the “Stolas joins I.M.P. Arc” and I get it, but since it looks like the show is going that way, I do want to point out three reassuring things:
1. He’ll more of a chance to find community. It wasn’t just Paimon keeping him under lock-and-key that kept him isolated. It’s also a cult that actively kept him discouraged from talking to anyone that wasn’t a Goetia or a Sin. There just aren’t that many Goetia or Sin, and even less who like him. If he’s able to diversify his options for community, he’ll find other out and proud queer people. Autistic people. People who don’t use him as the scapegoat or the cautionary tale. It’s not like Blitzø will keep him dependent and locked up. If anything, I imagine Blitzø will actively encourage Stolas to find community in others.
2. Stolas’ classism/racism is at its worst when he’s around the other Goetia (namely Stella). Probably because he's unconsciously trying to fit in to a community that will not accept him. But when he doesn't talk to the other Goetia for a while, he chills out a lot. Not to where he needs to be, but he at least treats them like autonomous beings with feelings. I think it’ll be a lot easier for someone to point out his race/class issues if he’s not being influenced by a community that requires that mentality to be accepted.
3. The Ars Goetia is a cult. I cannot stress that enough. He’s in a cult. He needs to GTFO for his own safety and well-being. It’s a high-control setting that does not allow you to fraternize with anyone not like you and controls everything about you, like how you dress, who you marry, your reproductive life, your job, etc. He was nearly murdered and there were no repercussions. The Ars Goetia need to be torn down as a society. They are actively damaging not only their own people, but also a lot of Hell, itself.
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Feather of Fate🕊️
Lucifer x Seraphim!fem!reader
Soulmate arc
naughty naughty Lucifer
Lucifer thinking about you riding his dick and face
A little bit NSFW mentioned
Snake in Paradise
Chapter 2 < Chapter 3 > Chapter 4
Your mind screamed at you to leave but you couldn’t move. Your whole body was shivering but didn’t even move an inch.
Lucifer could feel how you started to feel uncomfortable.
Ache
He wasn’t going to point it out, but his heart started to ache every second more and harder.
For you everything made sense. The puzzles starts to fit in.
How you feel comfortable around him, how his divine smell that made you weak and crumble to your knees.
How his touch excites you and makes you feel like a fool in love.
He probably doesn’t know that you are his Soulmate. But when this is true, then what is the deal with Lilith?
Where is she anyways? Isn’t she supposed to be on his side, ruling hell together. Why is he all Alone?
The question is easy to answer but you can’t Imagine that she’d just leave him. How can she not want him? Did She cheat on him, and they got a divorce? Or did he do something unforgivable.
Either way you wouldn't let him go.
Lucifer couldn’t take it anymore. This ache.
You were deep in thoughts with a sad expression on your face. which only fueled this ache more.
Ache
his heart ached as he looked at you. He can’t look away, but he wants to. Not wanting to see you in this kind of state.
With a heavy deep breath, he started talking. “Is everything alright?”
Snapping out of your thoughts your gaze shifted from his mark towards his face. Worried laced his pearl white face.
“Yeah, yeah… of course. Everything’s alright.”
That was the worst lie ever.
Lucifer smiled a bit, “You know, it’s okay to feel what you feel. It’s one hundred percent valid. God Y/n, you fell from heaven a couple days ago. Just sit down, relax, and let me take care for you.” He wants that you to have a good time in hell after you recover.
Cute,
That’s what’s running through your mind. Forgetting your worries about the soulmate mark.
Maybe this isn’t all bad.
But one Question was buzzing in your head like a mosquito mid summer.
Where is Lilith and why isn’t she here?
And why does it bother you so much?
…
Sera was in a heating discussing.
The tension was so thick that you couldn’t even cut it with a knife.
Michael's angry gaze didn’t help at all.
“Michael I can explain- I.“ Sera stopped mid-sentence not knowing how and where to start.
Azrael raised his hand, not wanting to hear Sera’s useless apologize.
“You know Sera, you’re in deep shit.” Azrael shifted his paper in his hand to look on this case.
“You didn’t Informed us about the extermination, nor asked for permission. Never thought you wanted to play God, Sera.” Gabriel looked at Sera with zero Emotions.
But his Voice let everyone fall for him. His smooth voice is alluring.
And He knows it.
And he uses it.
Letting everyone fell in this trap of comfort, to trust him with everything.
And then he will use it against you.
Just like he did with his brother.
“It was something what I had to do. They were uprising I-.” Michael let out a loud hmpf, showing Sera that he’s not pleased at all. His head rested on his fist, looking down at Sera.
“Uprising? You’ve got to be kidding me. Sera look, I don’t have time for your bullshit. You want to end up like Lucifer?” the weight of this topic only filled the tension even more than before.
“Or like your own daughter?” Azrael added for her demise. He raised a brow, now finally taking a look at the Seraphim Infront of him.
She felt Embarrassed and bare as if she’s naked.
Laid for them ready on a golden plate for them to be devour.
But the moment they involved you in it, she has to say something.
“Leave my daughter out of this!”
“Wasn’t it your idea to decent her from heaven?” Michael showed the document with your case that led you to fall from heaven into hell, “You’re quite a terrible mother you know.” Michael threw the document infront of Sera and Gabriel glared at Michael for his childish behavior.
“I Apologize for my brothers behavior, but he does speak the truth. Your daughter didn’t deserve That punishment you gave her.” Gabriel looked on your Information Paper.
“Seems that you couldn’t tolerate that she was against you.” Azrael sighed, disappointed in Sera. “You got a pretty daughter, you know.”
Sweat dripped down Sera’s forehead, everything but you. Even after all she's done to you, she still loves you dearly.
“You know father said that she should come back to heaven, and you’ll be thrown into hell Instead. Prove us that you’re still worth residing in heaven.” Gabriel announced, stopping his brother with their blabbering about some fallen Seraphim.
...
In the end of the meeting, they discussed that they give Sera one last chance and get you back somehow.
But the "how" was the unsolved question. And no one has the answer for it.
But for the worst part. Michael seemed very interested in you.
…Time Skip…
Lucifer paced nervous Infront of your room.
He finally told Charlie that he had found a fallen angel in the front yard of his Home.
Since then, you got your own room to live in.
Charlie pressured her father that she wants to see you and show you around.
But knowing how difficult it could be for you, he was nervous. Will you hate him after this? No, right?
He laughed nervously and grabbed his hair lightly.
“Hey Y/n. I know you just fell from heaven, but do you want to meet my daughter!... No that’s not good. Fuck, ehm…” gipping his hair tighter he paced quicker from side to side on the carpet on the floor.
“Luci?” The door creaked open revealing you in your cute, oversized nighty he bought you not long ago.
His heart melted at his new given nickname.
You two kind of grew close these last days.
“What are you doing here this early?” Lucifer's shoulder was now all tense again. Right, he’s not here to eat breakfast with you.
“Hello dearest. I want you to meet the other guest and employees around this place! Get you socialized” He laughed nervously, the look on your face already gave him the answer.
You slammed the door into his face. That was unexpected.
“Okay rude?” Lucifer knew you wouldn’t like the idea of going out but slamming the door into his face. It irked him.
'Fuck' he thought.
Standing Infront of your door kind of dumb folded.
Inside your room you were running around and looking for a decent good-looking outfit.
Squealing like a teenager.
In these last days you were living in hell you began to love this place.
Even though you rarely go out. You still feel uncomfortable in the new area, but it was better than heaven.
Way better.
Very Brutal sometimes but you could live free and in peace.
You can watch Tv and eat Ice cream, not doing anything like annoying paperwork all day.
You rarely watch Tv though because Lucifer hates Tv. Saying it makes people dumb, maybe it’s true but where’s the fun in that.
Finally finding a nice dress, heels and to top it all: over knees! To make it all cute. Smiling at your outfit you nod, and you were ready to go.
You re-opened the door where Lucifer was standing in all his mighty, looking perplexed at your now opened door.
Lucifer was about to leave but in the exact moment you opened the door revealing you in a very very pretty dress.
Lucifer already can’t get enough.
The dress hugged your body perfectly showing your juicy curves that makes him weak and drool on spot.
His cheeks warmed up and he felt his blood going from his head towards his pants.
Oh god have mercy with him.
Coughing in his clawed hand he tried to hide his upcoming arousal.
‘Now is not the perfect timing Lucifer.’
He regained his posture and smiled at you, “You look Amazing, eh- I meant pretty haha, the dress fits you.” He awkwardly laughed hoping that you didn’t catch up with whatever that was.
Fucking Simp.
“Thank you, this dress is indeed very pretty.” You looked at your dress and spun a bit letting the dress move swiftly and smooth around your body.
God, you should stop.
He already has to take a cold shower.
He turned rather fast away from you.
It hurt somehow, wasn’t it attractive enough to him?
The one thing you didn’t know is that he was aroused and all what he wanted is to just claim you right here in your room.
He gestures you to follow him and you let out a frustrated huff.
Following him through the red, white halls down to the main opening.
There was a tall spider like creature standing there and beside him was a tall girl with red circle on her cheeks.
Charlie!
You remember her.
And the aftermath that happened after that meeting.
The memories and flashbacks were harsh, water started well in your eyes.
The scar on your back started to sting, you touched it and massaged it with hope that it would help with the shadow pain.
Looking around for lucifer for support you couldn’t find him.
Lucifer was gone for a couple of seconds to deal with that little problem you caused.
He felt kind of disgusted by himself.
You were so Innocent and sweet and here he was taking a quick cold shower to calm his aroused bulge that grew in his pants.
In the last days he was whipped with you in no time.
Such kind of euphoric he hasn’t felt before, not even from his ex-wife Lilith.
He wanted to drown in this new warm feeling.
Every time he spent time with you, he felt like the happiest man Alife.
He was sure that in his demonic form his tail would wag in happiness like a dog.
He switched off the shower the cold.
When this happens again he won’t survive this.
You were just too pretty, Innocent, and sexy.
He can’t wait to see you milk and cream on his dick.
Hearing you cry out of pleasure while he sucks your pretty pussy dry.
You gripping his horns out of overstimulation and riding his face and dick just to get that high again.
He whines at that thought.
Throwing cold water into his face to get those Images out of his head, “you’re such a pervert.”
Ache
He knew something was wrong. This ache always came when you weren’t okay.
Teleporting himself beside you, he saw you in a panic like state. Alarming him.
“Y/n, did something happen?”
His sudden presence scared you. You let out a small scream alarming everyone in the main hall.
You apologized and glared at Lucifer for scaring you so badly. “We don’t have to-“ do this Today
A loud gasp interrupted Lucifer. Charlie’s eyes were literally sparkling when she saw you. “OMG, You’re the Angel that my father found?!”
She ran to you and gave you a crushing hug.
Lucifer and Vaggie looked at the scene that was unfolding.
Angel dust was eating ice cream and ignored Charlie’s shouting, he was used to it.
Lucifer admit that he felt a sting on his mark, weird. Vaggie’s eye was twitching out of annoyance she didn’t like how close they were.
Letting you go Charlie’s smile was so bright you swear you could get blind because of it.
“I’m so excited to show you around!” She was still holding you tight when she was pulling you around.
“Charlie.” Her father’s serious voice made her stop. She looked at him in surprise of his sudden shift of mood. “Be gentle with her, she’s still new here.” Charlie’s grip loosened and she nods at her father.
She continued to show you around and introduced everyone to you. She was so similar like her father, and it was so sweet.
You could get used to this; this was way better than your life in heaven.
…
Back in the main hall. You sat down on the couch watching Alastor and Lucifer get into a fight.
Angel dust and Husk were talking, and Nifty tried to kill the bugs in the area.
Charlie and Vaggie started to prepare an exercise, so you didn’t saw them near by.
But all the comforting living atmosphere was short lived.
A loud Bang followed with a broken wall and dust all over the place.
You coughed as you breathed in the dust that filled the whole room. Lucifer’s wings appeared on his back and he blew the dust away from the two of you.
Since when was he Infront of you?
“This fucking wall is cursed I tell y’all.” Vaggie nods at Angel Dust sudden outburst. Something was definitely wrong with that wall.
Meanwhile Lucifer growled softly at the danger. He already knows who it was. Someone he hoped he wouldn’t see anymore in his lifetime.
“What are you doing here, Michael?” He growled. His demonic form scratching in the back of his head, wanting to protect his mate from this Man.
“Can’t an older brother visit his younger Brother?”
A/n: I want to thank you all who Liked, repost and commented on this story❤️ Thank you so so sooooo muuchhh<3333
Thank you to the new follows❤️ This is all so crazy😭✋🏽
Like OMFG LOVE YOU POOKIES❤️❤️ Can't wait to give you more of this story and even beyond<3
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@ayanazoldyck
#y/n#hazbin lucifer#lucifer hazbin hotel#shapard#lucifer#hazbin hotel lucifer x reader#hazbin hotel lucifer#lucifer morningstar x reader#lucifer x reader#hazbin hotel#soulmate#hazbinhotel#lucifer morningstar#fem reader
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for the reqs/suggestions thing CCLINGY. CCLINGY maybe lnv pumpkins if you wanna expand on their freakery. maybe fundy my buddy fundy
My friends who are sickness induced and bring terror to the world around them. I don’t have much to say about these two regarding how I feel. Typical general consensus. Traumatized fellas who did not deserve what happen but had it not they would not have seen a day of betterness…
I guess I can speak on Tommy more Than I can Tubbo. Tommy I have a simple looking take on design wise but EVERYTHING HAS A REASON! Sometimes I shove random things onto him that have no place in canon because I feel like it. I think Tommy is cursed in a literal sense ! Like genuinely book o enchanting on his ass! EVERYTIME something big or serious happens to him seemingly no one is there for him. Either in a physical sense or no one is supporting/advocating for him. People seem to just vanish and disappear from his life no matter what he does!!!! The images of what they used to be vs what they are follows him around like a ghost!!!!! Hence the vanishing… I also gave him more human features with minimal other-worldly aspects … I feel like having him just out of the realm of human-like and mob-like makes him outcast from both parties … I don’t use a devil tail on any of my other designs except for maybe bbh? Food for thought.
Tubbo. Well he’s Tubbo. Shellshocked and trying to find a home in a world that’s trying to spit him out at every opportunity. Not even his own husband can stick around him. ( not that it’s his fault. But. Marriages can be messy and not rational. ) I hate when people try to make him dependent on someone or something, because part of his whole character arc to me was him realizing he didn’t need to stick himself to a higher power or someone to exist. He could be his own as he is. Even the people he willingly had around out of comfort didn’t control him or what he needs. The world took the sentimentality from him and now he lives in the present as much as he is able. He doesn’t need an extravagant plan to live. I made him & Schlatt & Puffy all siblings cause I think it sort of fits in a thematic way … I think all of them follow the same course of overzealous to crippled by power to recovering ( wether the last one be through death or something more positive. ) He’s definitely the youngest of the three. I have many ideas in my head for them all but this post is so damn long I will spare you the details… enjoy.
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Jeff and Miles’ relationship in ITSV and ATSV
I really really love how Spiderverse tackle Miles’ relationship with his parents, more specifically Jeff and Miles’ relationship. Jeff’s main arc in both movie has been on how to connect to his son so he doesn’t loose him. His relationship with Aaron was what helped him to realise how he could loose Miles.
In Into the Spiderverse, we see him as a father who direct where his son should be as someone who wanted the best opportunity for him. He also forced Miles to say “I love you” back even though Miles was reluctant to do because other kids were watching. He pushed Miles in the direction he think is best but doesn’t considered what Miles find important (fitting in) and his feelings.
Then we saw his relationship with Aaron and how they had drifted apart due to their differences with Jeff being the one who actively disconnected it. When Aaron died, he was devastated because despite all the things he doesn’t approved of Aaron, he still cared for him. Despite all, he regrets not reconnecting his relationship with Aaron and their relationship end with no resolve and no goodbye.
He probably realised then that his relationship with Miles could go down the same path as Aaron and he’s afraid of loosing his son. So when he goes to Miles, he doesn’t demand Miles to talk to him or come out. He stand on the other side of the door and give Miles the option to talk to him when he’s ready to talk. He also said “I love you. You don’t have to say it back, though.”
Because even though he want what’s best for Miles, his life is still his own and he would accept Miles no matter what. He doesn’t want one more important relationship in his life to drift apart until it’s too late to put back together.
And he worked hard to understand Miles, both in ITSV and ATSV. He doesn’t get what’s going on with Miles half of the time, either from his secret identity or him being a teenager, and he does fucked up here and there but he continues to try and learn to understand him. He just loves Miles so much and I think we should talk about Jeff more.
This is also why I think Miles’ “one person” being his dad is actually so important and significant. They both love the other too much to loose them.
“You can’t think about saving the world, you have to think about saving one person.”
#both jeff and miles relationship and aaron and Miles relationship are so important to me#into the spiderverse#across the spiderverse#itsv#atsv#spiderverse#jefferson morales#miles morales#aaron davis#spiderverse analysis
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Astro Post 🪽
Hi lovelies! A new astro post for ya’ll! Hope ya’ll enjoy! Feel free to like comment and reblog with your feedback, or thoughts. I would love to hear! 🤍
divider creds: @fairytopea
Cap moon babies…it takes us a while to figure out who we are amongst the chaos. I think its important for Cap moons to experience living alone, outside of trauma because its necessary for our development. We crave stability and order, and when we live in an environment that isn’t conducive to that, we get unstable within ourselves. That being said: cap moons need to be alone at some point to figure out who they are instead of constantly saving people around them, or adjusting their personality to reduce backlash. Love you cap moons 🤍 (including me)
Pisces moon, ya’ll be similar to cap moons too. Its easy for yall to get stuck to your environment because it feels safe. It feels like its your only “checkpoint” to everything feeling real. So much that when you enter the real world it feels like a dream. Doing day to day things can trigger dissociation, because you only really felt alive during the traumatic moments. Pisces babes, please if you can create a safe space for yourself to grow outside of trauma. Just like cap moon.
And I think this goes for everyone regardless of astrology.
Aquarius placements, the need to feel unique and special can become tedious. Aquarius placements feel this way to feel chosen, and validated in their community after being neglected. Sometimes perfectionism can get in the way of Aquarius loving themselves truthfully, because they want to project an image of accuracy. So much that people can’t make out anything wrong about them. If they have neptune affliction to their personal placements, its almost about: “an illusion,” “i was never really there,” “and you cant find anything wrong with me if i never existed.” And some of them own this insecurity and work with it. Aqua placements, regardless of your past you will always be chosen by your higher self and spirit 🤍 you have someone rooting for you: you. Your future self.
Leo sun women, you don’t have to dim your light to seem more “mature,” “smart,” and “poised.” You are the light your inner child needs and anyone who stifles that, is also stifling the love you share to your inner child. Think about it. Your joy is your inner child, you get excitement from the littlest of things and having someone constrict that: means they are lessening the relationship you have with yourself. Don’t stick around with people who rain on your shine! Stick with others who shine with you. Leo sun women are so connected with their heart and inner child, that relationship is strong. Of course it can be weakened with trauma and pain, but Leo sun women need to be surrounded by those who uplift them!
Virgo placements knowing when something isn’t right and then dissing their intuition. Virgo pls, in esoteric astrology you’re known as the messenger of intuition and divine order! Gemini is the process of expressing it, but Virgo is the vessel to receive it. You guys know whats up immediately, and have a strong sense of internal navigation. You guys know where to find and create safe spaces if theres none, and your intuition knows if someone isn’t up to any good. Save yourself the villain arc, and trust yourself babes 🤍
Aries rising libra on the descendant, many others expected you to be poised, graceful, and humble to the point of neglecting who you are to fit in. Aries rising I think, always knew they weren’t the type to just “fit in,” since they were young. They knew they’d be open, outspoken, authentic and honest. Even if it shook people, which isn’t the same as being blunt: it’s called being truthful. And the truth scares people who avoid it. As Aries rising grows older they hone their personality that is honest, bold and confident, and releases the codependent part of them. 🪽🤍
Extra 🤍
Paid Readings 🪽
PAC Readings 🪽
#astrology community#devi post#astrology#tarotcommunity#divination#tarot deck#tarot#witchcraft#tarot reading#paid tarot#paid readings#paid tarot readings#tarotdaily#tarot readings#tarot witch#free tarot#daily tarot#astro posts#astrology notes#astro notes#astro observations#astro
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Uhhhhhhhh Sburb AU!! This was more of an excuse to classpect and make sprites, so don’t ask me questions about plot details because I put like zero thought into it. Tsumugi probably had something to do with setting up the session, and she’s hiding her real title and the fact it’s not her first session. Baby Kiibo is a robot baby because I thought that was the funniest option.
Drawing with anti-aliasing off really brings me back...
Classpect thoughts under the cut if you really want:
Immediate caveat: I mention speculative stuff here like unconfirmed active/passive class pairs and inversion theory. If you don’t like those things or otherwise disagree with the titles I gave people that’s fine but just know I’m not super interested in debating about it and won’t reply.
So, to start out with I wanted to make the 8 of them a session, so I needed no overlaps in class or aspect and one Time + one Space. I also wanted to have Kaito and Kokichi as opposing aspects. In general, I think of a Title as kind of the end of your assigned character arc, so depending on your level of maturity/introspection at the start, it can seem either really obvious or really unintuitive. I tried to base them off of the hypothetical chapter 6/survivor versions of characters, since those (plus maybe the chapter 5 deaths) of the ones that get a full arc in DR canon.
Immediately Tsumugi seemed like a deadringer for Space, not so much because of the literal physics-related stuff but because of its associations with creation/narratives and setting things up for other people to act. I made her Sylph of Space here, but that's a facade. She's actually a Muse of Space who participated in past session(s) and wants to watch how things play out.
Based on the Extended Zodiac description, Kaito or Kaede has to be time, but Kokichi CANNOT be Space by any stretch of the imagination. I made her Heir of Time with the interpretation of Heir as someone who invites change/influences of/through their aspect. Time is also associated with music and death, which is both fitting and a little mean. (I can also see Kaede as Breath outside of having to have someone be Time.)
So moving onto Kaito and Kokichi, I was considering Hope vs Rage (belief vs doubt, possibility vs restrictions), but 1) Rage is defined partially by hatred of lies despite otherwise sounding Kokichi-ish (that alone could be interesting, with the possibility of a negative/reverse title or else giving him Hope and Kaito Rage for the unexpected swerve........) 2) I really wanted to give Hope to Kiibo. So instead I went with Heart and Mind (emotion vs logic, intuition vs planning, identity/motivation vs action/decisiveness).
Kokichi is Thief of Mind for taking away other people's decisions for his own purposes but also for generally "stealing" things (e.g., the Mastermind Role, narrative importance in general, along with literal items) through his own cleverness. Vs Kaito, a Knight of Heart, who uses his constructed identity as a weapon to face challenges. I'm also a fan of inversion theory, so I think at low points they'd both trend towards Page of Heart (grows powerful late in the narrative based on his own ego/identity) and Rogue of Mind (taking choices/agency/logic away from people for their own good), respectively.
I always wanted Kiibo to be Hope since 1) Ult. Hope Robot 2) big on possibilities/faith but can be a little self-centered. I went with Bard at least partially to make a "guess we know whether he has a dick or not now!" joke, but I also think "inviting destruction through Hope, inviting destruction of (false) hope" is pretty spot on for chapter 6 Kiibo. Like, as the camera/audience surrogate, he's been forced into passively leading the others to despair, not to mention how the audience takes him over to destroy the hope of ending the show. But Kiibo ends up reversing this and helping destroy the audience's faith in Danganronpa, destroying the whole academy in accordance with the vote. (Sidenote: I wonder if Kiibo gets taken over by Horrorterrors and goes grimdark? Or if he's just really, really susceptible to orders from his Exile)
Shuichi, Page of Void, was another one that immediately came to mind. Like, "starts off weak but becomes really strong/important by the end" is Shuichi's thing! Also, counterpart to Kaito's Knight. And Void is all about secrets, mystery, etc. From the Extended Zodiac: "Where others might be compelled to go out and seek answers, the Void-bound lean more toward casting doubt on what is already considered understood. They don't take much on faith and would rather live in a state of confusion- than believe something that might be untrue or bow to intellectual authority... At their best, Void-bound are wise, intuitive, and vibrant. At their worst, they can be dismissive, indecisive and apathetic."
I had considering Light, for seeking out knowledge/truth, but Shuichi's character arc ends on "fuck you, I refuse to play. You all get nothing more from us" and learning to live with ambiguity, so I think he's way more Void. But, again, inversion would be Thief of Light, so selfishly taking away knowledge/importance from others.
Speaking of Light, I made Miu Mage of Light. Mage is like, active Seer, seeking out knowledge for yourself (vs advising others) and Light is luck, knowledge, and also importance/plot relevance. As an inventor, Miu keeps innovating and figuring things out, plus she's very motivated by her own importance to the world. She wants to be seen more than anything else and loves being smarter than those around her. Also: "At their best, the Light-bound are resourceful and driven. At their worst they can be fussy, pedantic, and insensitive." Inversion is Heir of Void, so "inviting change via hiding things" or "changing what's kept secret", which suits Miu when plotting murder.
Finally, Maki is Prince of Blood. Blood is trust, bonds, relationships, stubbornness, duty, obligation (vs freedom, change, choices) so "someone who breaks bonds/destroys relationships" but also "someone who destroys using/motivated by duty/relationships". Like, Maki is inherently a fracture point in the group because of her talent and then directly breaks the group apart and sabotages her relationships with the others in chapter 5, but also she's deeply motivated by her bonds to others in all of her destructive actions (protectiveness for orphanage/friend, love for Kaito). This sound super negative, but I think this is also the Maki who commits to destroying the institution of Danganronpa in chapter 6. Sometimes you have to be decisive and cut bad relationships out of your life.
Inversion would be Sylph of Breath, so "healing via change" or "encouraging growth towards freedom", which you can argue is sort of the way Kaito wants her to go? But she just doesn't. Idk, for better or worse, I think Maki is very aware of who she is and how people related to her, so even at her worst she's true to herself, vs, say, Kaito or Kokichi, who act "ooc".
#Homestuck#Kokichi Oma#Kaito Momota#Miu Iruma#Shuichi Saihara#Kaede Akamatsu#Maki Harukawa#Kiibo#Tsumugi Shirogane#New Danganronpa V3#Danganronpa#Sburb AU#Spectra Art
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