#I enjoy this aspect of them

[incendiorum-arch]

as I have mentioned so many times that you all are probably like 'yes adair we know' io has stupidly massive trust issues. this is because of their childhood and also the entire thing with col really fucked them up. io will always have trust issues. they do not want them. they do not like giving these thoughts ground. but it is very hard for them not to. lucrezia is very distrustful and often hostile/rude to strangers. io does not trust strangers at all, themself. because a stranger could be a hunter. on top of their already present trust issues, io has to be vigilant and paranoid to stay alive. they are, literally, hunted. when io starts to become closer to people, they start to let their guard down little bit by little bit. lucrezia starts to accept them a little more, herself, but she is still obviously rather rude and resentful about their presence. she is always watching them to make sure that they don't get up to any funny business. and when io really gets closer to someone and starts to allow themself those bits and pieces of trust, lucrezia starts to calm down, too. she still watches carefully and keeps an eye on things, but she might also start to offer affection. lu is a perfect echo to iovita's own trust. even in established relationships, if io is starting to feel distrustful for whatever reason, lu will immediately echo it. so, if io is hiding these thoughts, lucrezia will give them away by how she's acting - standoffish, distant, withdrawing her affections.

[dazzelmethat]

Anteater Weevil. Smaller than a great anteater and more arboreal, the species combo would eat more termites and sap from trees than ants on the ground.

@weevilsdaily Hope you don't mind me tagging you. Your blog is what got me to get down and fully design an idea I've had for a while.

I love both great anteaters and weevils so so much.

[ruporas]

endless love!

[ID Two drawing collage pages of Vash and Wolfwood from Trigun Maximum. In the first collage, top corner, Wolfwood looks upwards disgruntled with a flushed expression, lying against a pillow, as his hair is being pet by Vash's hand. Next shows Vash and Wolfwood from behind, Wolfwood with his top bare and hickies covers around his nape area. Vash lifts hair away from his nape and asks, "More?" Wolfwood nervously says, "No." Next is a side profile of Vash, his arms around Wolfwood from behind while Wolfwood rests his hands against Vash's arms. Next to this are two smaller drawings; Vash turns to Wolfwood and says repetitively, "Wolfwood, Wolfwood..." Wolfwood, not looking at him, says "What?" He finally turns his head and looks shocked as he exclaims, "So close!" Vash says plainly, "You just noticed?" Below these is a drawing of Vash and Wolfwood sitting together as Vash kisses and hugs him from behind with his right arm around Wolfwood's neck and his left hand around his side. He also has his right leg propped against Wolfwood's knee. Bottom of the page has a comic. Wolfwood looks annoyed, speaking to himself, "Where is that idiot?! Need to get out of town before--" A chat bubble exclaims, "Wolfwood!" The next panel shows Vash running from the townspeople, small text saying "Get him! Vash the stampede!". Wolfwood, mad and about to pull the Punisher off his shoulder, says, "Argh, you fucking dumbass!" Vash exclaims, "Ah, don't!" before pulling Wolfwood into a quick kiss. He then tugs on Wolfwood's collar and says, "There's no need to shoot, just run!" Wolfwood stammers, "R-right..." with a flushed, dumbstruck expression.

Second collage; Top left, Wolfwood spoons Vash in bed, his arms around his chest and the other beneath Vash's head. Vash has his hand on top of Wolfwood's as he sleeps while Wolfwood lies awake. Behind this drawing is faint sketches of Vash's face. In a small panel, Wolfwood hides in Vash's neck as he mumbles to himself "Stop. Stop thinking embarrassing things, Wolfwood..." Beneath this drawing is another of them in bed, Vash now turned to Wolfwood and a hand on his cheek as he kisses him good morning. In a simpler style, Vash wraps an arm tightly around wolfwood with the text "snork mimimi" next to him while Wolfwood says, "We need to get up. Spikey! HEY!" In this corner, there are faint sketches of Vash and Wolfwood; one of them looking at each other; Vash kissing Wolfwood's forehead; Wolfwood saying, "Hand" with an outstretch hand and Vash says "ok" behind a drawing of them holding hands, both turned away from each other shyly. Next is a 4 panel comic. First shows Wolfwood's face getting squished by Vash's hands with the text "squish" around his face. Next, his cheeks are stretched with the text "Chee--" Wolfwood then hits Vash's face with his palm, exclaimining "That hurts!" The last shows Vash on Wolfwood's lap, smiling to himself as he continues to have Wolfwood's face in his hands. Next to this is another comic; A close up of their hands, Vash holding Wolfwood's with both of his. He then kisses the palm of Wolfwood's palm and says, "They're soft!" Wolfwood looks at him with flushed cheeks, "There's no way that's true..." END ID]

[margle]

my hopes and wishes for s17:

dee and the waitress have scenes together

dee maims someone

dee is an evil horrible woman

[copia]

THIRTY-ONE DAYS OF GHOST ⛧ DAY ONE

first song you heard — Mary On A Cross

September 1969; Papa Nihil and the beginning of the Ghost Project take to the stage at the Whiskey a Go Go club in Los Angeles, under the watchful eye of Sister Imperator. Fifty-three years later, in Tampa, Florida, Papa Emeritus the Fourth performs Mary On A Cross, unaware that he is singing the story of his parents—and that of himself.

[kate-apologist]

hey disney what the fuck do you mean ncuti's second season will also only have 8 episodes and a christmas special i'm holding a fucking gun to your head

[mewobrute]

ANGST of Killer Sans, it includes Killer and nightmare in a relationship (Unhealthy/Toxic).

might make some folks uncomfortable maybe, just putting this out there.. (theres a smooching part.)

Maybe the question that Killer was asking in the beginning is something like, "if this is what he really wants." as in if he really wanted to be in a relationship with Nightmare.

sorry that its so short, i just thought this up and did it. (also when he says 'he did it again' that means that he's been silenced by Nightmare again and he just let it happen.)

[noxious-fennec]

Trying out some new designs (aka playing dress up)

[hauntingofhouses]

yeah taimizu IS toxic and off putting actually ‼️‼️🗣️🗣️🗣️

EDIT: TO BE CLEAR THIS IS A POST IN FAVOUR OF TAIMIZU!!! I AM A DIRTY TAIMIZU SHIPPER!!!!!

[alexkablob]

not to wade into discourse about shows online which I swore to stop doing but I think some of you need to recognize that not every piece of media is about you, and that focusing only on the themes that you personally identify with while erasing the ones you don't is Not Great

[awakenthebeing]

(1/2)

(Second part)

[1driedpersimmon]

Thought I’d give this piece I did, a few months ago, another go since now I know how to draw these two a lot better 🤭🤭

[agender-witchery]

Canto IV was really good

Project Moon does a cool thing that I really like with their stories, which in theory isn't really anything special, but I see so few stories do this that it really does single Project Moon out in my mind.

Each Project Moon game is in a dialogue with itself, having a discussion about politics and philosophy and society in general. They universally present the status quo as Not Great which is... evident for anyone living in the real world, but importantly to me, they do not present any proper answers to this.

This isn't to say that Project Moon stories are fence sitting nonsense that call for the importance of meeting in the middle, that's your own decision on whether you think that's worthwhile. And Project Moon DOES express opinions in the world they have created, so they're not cowards in that sense either. It's pretty clear, at least to me, that they believe things in our world do have to change, that the vision of capitalism that exists in the City is horrendous, and that we in the real world are on a clear trajectory toward the world of the City if action is not taken.

However, the way they frame the two opposing sides of each argument they present is important. And key to that framing is that in every game you play antisocial, morally dubious murderers. This is a constant. The people you're fighting aren't the good guys, but hey, neither are you.

In Ruina, when it comes down to the final confrontation with the Reverberation Ensemble, you are presented with two opposing ideals. Carmen and the Ensemble would love nothing more than to see the world torn down in its entirety, built back up in their own imagining of an ideal society. The Librarians, on the other hand, are there to fight against that notion, that the world they have as it is can be changed.

And while I definitely fall on the side of "maybe there's hope to be had in this dying, hellish apocalypse" I do GET where the Ensemble is coming from. I GET what Carmen's trying to do. It's a naive and childish attempt at creating a better world from the ashes of the old, an idea whose inevitable result is tyranny, but to someone who's already experiencing tyranny, tyranny but this time you're on top seems appealing. And I also understand that, for the Librarians, even if the ultimate goal here is to create a better society without that sort of tyranny, well you're kind of murdering people to achieve that.

And I think all this plays into why I enjoyed Canto IV so much. First off, the main conflict in Canto IV isn't between Limbus Company and another group, it's the conflict between K Corp and the Technology Liberation Alliance, which can be further distilled down to the conflict between Dongrang and Dongbaek.

In the case of K Corp, they're a bunch of utilitarians, people who say that even torture is acceptable if it leads to lives saved. And they quite literally do this, torturing the Tearful Thing in literally every possible way, just to produce the tears needed for regeneration ampules, forcing it to cry for the sake of others. Dongbaek doesn't even fully refute that this might be useful, but she does assert that if you're going to go to these lengths, there better be a foreseeable end to it, you better be curing EVERYONE.

And then we have the TLA, a bunch of anprims who aren't exactly wrong in the assertion that the way technology is used within the City causes immeasurable harm, but do come to the wrong conclusion that ALL tech needs to be incinerated. And, for them to come against K Corp specifically is significant, because sure, K Corp literally tortures people to produce their ampules, but the results are tangible. Lives are, in fact, saved, even if we discount the K Corp Security that will cut their own limbs off just to get healed.

And where Canto IV manages to stop saying "both sides bad" is in bringing Limbus Company back into the equation. A third party, who doesn't adhere to the ideals of either side.

Does Limbus Company have perfect answers to resolve this conflict? No, you're still a bunch of murderers. But they do present a third perspective, that instead of looking only at total harm done and coming to the conclusion that torture is acceptable, and instead of looking at all the injustices caused and coming to the conclusion that the entire world needs to be reset, through exploring the fathoms of Yi Sang's EGO, we can come to consider the possibility of caring for the individual. That yes, this world is fucked up and living in it can itself be considered a crime against humanity, but that doesn't mean you can't help someone in a way that doesn't hurt someone else. Yi Sang went from being horribly depressed with nothing in this world, someone who desperately wanted to die and couldn't even be afforded that mercy, to someone who finally smiled. The world is still fucked up, and we don't really have a solution to that, but we at least made it a little bit brighter for one person, and in the future, we can keep doing that.

And also? Canto IV introduced Alfonso so really it's just the best chapter.

[bulldog-butch]

sorry not sorry but if your favorite movie is some shiny polished “unproblematic” marvel or similar soulless hollywood cash cow then i will judge you a little

[aroaceleovaldez]

do you have any 75% god ocs?? like, children of demigods who have a godly parent

i imagine that it wouldn't be a common thing at all but mixing all of this ancestries it's really fun i love doing it, even if they end up kinda op,, sometimes that's the fun of it yknow

I would prefer to not refer to them by any percentages, because that feels extremely uncomfortable, but yes I have oc legacies who are also direct descendants of deities. I talked about Anton in a previous ask (legacy of Mars, child of Ceres), and I have a legacy of Summanus kid in the works who is also a direct descendant of a wind god, but I haven't decided who exactly yet and I only have one doodle of them because they are a Literal Baby and that one doodle is them as a toddler being tiny and babey.

So let's talk about some rogues I've been working on!

These are my waterfowl lesbians. They are born out of me learning that in some myths, the Graeae can turn into swans and I thought it'd be fun to make an Enyo & Nemesis duo who can both turn into waterfowl, plus I also wanted to make an Enyo & Lua combo kid who can just telekentically throw weapons around, because that's cool. Also just playing around with Enyo kids having fire eyes/demigods with nonhuman traits, because Yes Please. It's just fun. Knives ended up with an Odile/Black Swan theme, just cause I thought it'd be neat and I wanted her to look cool. Anser has some swan Valkyrie theming kinda sprinkled in there just for flavor, ergo the Thor legacy (also just fun for her being super loud + a personal hc of mine about Norse rogues being more common) even though she's a goose, not a swan.

I have plenty of other multi-legacy demigods as well, just not ones who are direct descendants specifically, because a.) I always find it fun to think of how powers and themes would mesh, and b.) I actually have a very specific headcanon that multi-legacies are super common in the First and Second cohorts, due to the whole their-families-are-more-likely-to-live-in-New-Rome thing.

I've actually been bouncing around an idea recently of Roman demigods who are children of lares, because there is mythological precedent for that and technically they are house gods. It's just the mortal parent is probably a New Rome citizen and that's sure to get awkward quick some way or another. There's no way a lar parent can not end up awkward, which is hilarious. I also have a fun OC whose concept is based on the idea of two mortals who moved to New Rome with their demigod partners but one way or another ended up single again and then married each other and had a completely mortal kid who just. Grew up in New Rome and joined the legion anyways. I'm just a big fan of getting really funky with riordanverse ocs.

[aroaessidhe]

2024 reads / storygraph

Our Lady Of Mysterious Ailments & The Mystery at Dunvegan Castle

books 2 & 3 in the Edinburgh Nights series

paranormal mystery set in a climate-ravaged future Scotland, plagued by ghosts and magic

follows a 15yo Black girl who’s finally gotten an in to learn scientific magic properly - but it turns out to be an unpaid internship, so she has to take more jobs delivering ghost messages and investigating mysteries to take care of her gran and little sister

in book 2 she’s investigating a strange illness centred on a magic school for boys

and in book 3 she’s attending a global magician conference held in a creepy castle - when someone’s murdered, and they’re locked in until she figures out the culprit

Zimbabwean magic, friendship, disabled characters, no romance (so far)