#I found out they made a movie adaptation & of course I had to watch it

[layla-carstairs]

sorry about being inactive for the past few days + still not answering the asks I received a month ago. unfortunately I will continue to be inactive </3

[thebellearchives]

I saw your fluff post for Gojo, and sheesh it was so good! If you're still taking requests for your event, can I request fluff #12 for Gojo? 💖

𝐒𝐄𝐑𝐈𝐎𝐔𝐒𝐋𝐘

~ satoru gojo ; jujutsu kaisen

✧˚ · . S Y N O P S I S : it isn’t like satoru’s known for being the most serious of sorcerers out there, so why would’ve you taken seriously all of those flirty jokes of his?

‧₊˚ c o n t e n t s : gn!reader, fluff, friends to lovers, first love coded so this one’s about younger gojo!

‧₊˚ a / n : you’re so sweet anon thank you so much ! hope you like this one, i feel like it’s a little bit all over the place, but hopefully no one will pick up on it 💃🏻

Toge ver. || Sukuna ver. || Gojo ver.

“What’s so good about this movie anyway?” Satoru had rolled his eyes behind his glasses with a mocking smile, but still didn’t bicker much more when you sat him down in your couch to watch it.

Surprisingly, you found yourself asking that exact same question in your head. You were eager to watch it because it was an adaptation of a book you had read a long time ago, but now watching it in your TV screen you weren’t sure if was just a terrible adaptation or the book had been this bad too. Maybe you had just been a bit too impresionable when you read it. Maybe if you re read it you’d find out it was trashier than you thought.

Whatever it was your eyes had started to give up after a while, eyelids trying their best to close in search of some nice rest. And you probably would’ve fallen asleep already if it weren’t for this weird sensation of someone watching you. You were alone in your living room with Satoru, so there was no way anyone else had their eyes set on you, but every time you glanced at him he was absorbed in the movie.

You closed your eyes for a second, just a small bit of time to rest, but there it was again. Someone was watching you. So you turned to Satoru for like the fourth time, his blue eyes staring intently at the screen… a little too intently, honestly. You squinted, studying his facial expression. His lips were slightly pursed in an attempt to hold back a smile, and he was so stiff he wasn’t even blinking. Satoru was always up to something, and the fact that he kept you on your toes all the time was probably one of your favourite things about him. So you sighed and opened your mouth to ask what the hell was he up to, but he quickly turned to you with a cheeky smile.

“How long are you planning to stare at me?”

The question took you by surprise. Of course it did, he always did.

“Are you serious?” you quirked an eyebrow.

“Yeah? This is like the fourth time you glance at me. Am I really that handsome?”

You giggled at that, you had always thought he was handsome, but… he was just your friend. Right?

“Am I really that beautiful?” you went along with his joke “I can’t fall asleep when I feel your eyes on me like that.”

“Is that so?” he smiled wider, moving closer to you and forcing you to pick up your legs against you chest to give him space “staring at you like what?”

Defiant, you moved closer to him too.

“That’s what I’d like to know. You keep staring at me instead of watching the film, so what’s up?”

“Me?” he tilted his head, pretending to be confused, biting his lip “I just asked you why you were glancing at me all the time, it was totally not the other way around.”

“You just did it before I had the chance to ask!”

“Nah, you were staring at me first” he winked, a cocky grin on his lips.

“Why are you so desperate for my attention?” rolling your eyes, you let your legs hang from the side of the sofa and straightened your back, leaning towards him just slightly.

“Because I keep trying to flirt with you and you keep dismissing me!” he whined, but his statement only made you laugh.

“What are you talking about?!”

He sighed and rolled his eyes, letting his shoulder hit the sofa.

“You know what I’m talking about…” his irises stared at you above his glasses, almost looking like he was giving you puppy dog eyes “I wouldn’t be here watching this trashy movie otherwise.”

You just stared at him, eyebrows almost meeting in confusion. Yeah, he had always played around like that. But it was just playing! He was always playing! … or was he?

“… 'Toru, are you being serious right now?”

“Honestly, how many times do I have to tell you I am being serious!”

“Listen to you! All whiny and childish, how am I supposed to take you seriou-”

In the blink of a eye, Satoru’s lips were on yours. It took you a second to warm up to his gesture, but your body relaxed. You closed your eyes, lifting up your chin and kissing him back. Your heartbeat quickened and your chest felt like it was on fire. Was your friend Gojo Satoru really kissing you then or had you fallen asleep? Maybe you were dreaming about it. Maybe you were dreaming about the way his lips insistently kissed yours, or about the way your hands held his face to keep him from pulling back. About the way his hands reached out to hold you by your hips, that tiny moment where he gasped for air and kept on kissing you passionately, until his body was hovering over yours and you weren’t sure if you were gasping for air because of the kiss or to calm down the fire he had started inside of you. He inhaled sharply too, your lashes fluttering in confused blinking. There was this longing in the air around you, a need for more of his kisses so unfamiliar to you and yet so alluring.

“Do you think I’m serious now?”

It was just finally making sense, all the pieces of the puzzle finally being completed in you head. All that playing around, smiles and jokes…

“Maybe. I’m not sure. You should kiss me again to see if that works.”

Satoru snorted, but he’d lie if he said he didn’t eagerly comply to that request.

[hotvintagepoll]

Propaganda

Cyd Charisse (The Bandwagon, Brigadoon, Singin’ in the Rain)—LEGS LEGS LEGS I would sell my soul for the legs of Cyd Charisse - she oozed style and glamour and sex appeal!! And she could DANCE! She was dancing next to the greats - Gene Kelly, Fred Astaire but they are never who you're looking at because why would you when you can look at her. I will only sit through too long ballet breaks for her. If there was any woman who you could call sex on legs it was her. These dances are everything to meeee (she comes in at the minute mark) and this dance too of course is iconic. In the words of Fred Astaire 'When you've danced with Cyd Charisse you stay danced with'

Suchitra Sen (Harano Sur, Chaowa Pawa)—Suchitra Sen! She had a 25-year career in Bengali films, and was at the height of popularity for a solid two decades as half of the wildly beloved pair of Uttam-Suchitra, who were practically the entire romantic genre of Bengali films by themselves. She acted in literary adaptations, romantic comedies, (melo)dramas and inspired-by-current-events films. She was the first Indian actress to receive an international award at the Moscow International Film Festival. In 1978, after the release of her last film (a box-office flop) she pulled a Garbo and put herself out of the public eye completely. She made no appearances, gave no interviews, refused awards, all of it. She didn't even show up for her daughter's or grand-daughters' debuts! She was taken for funerary rites in a covered hearse! The glamour! The mystery! That blinding smile!

This is round 2 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Suchitra Sen:

Not to take away from her costars in Devdas (1955), but the great Indian cinematic tradition of Tragic Romantic Yearning would not, I argue, be what it is without Suchitra Sen's performance in that film. I root for things to turn out better for her every time, even though I know how things are going to go.

A Bengali cinema icon. Liked crows (per Gulzar, "It was an astonishing sight. The crows used to pick at the grapes from her hand").

Linked gifset

She once rejected Raj Kapoor's movie offer (one of the most successful actor and director at the time). She was quoted saying, “In men, I don’t look for beauty. I look for intelligence and sharp conversations. I had refused Raj Kapoor’s offer almost immediately. He came to my residence offering a lead role and, as I took my seat, he suddenly sat near my foot and offered me a bouquet of roses while offering the role. I rejected the offer. I did not like his personality. The way he behaved – sitting near my foot – did not befit a man.”

Legendary poet, lyricist, director and writer Gulzaar had this to say about her "Glad that my ‘Sir’—that’s what I call her— got the Dada Saheb Phalke award during her lifetime. Contrary to people’s perceptions, Suchitra Sen is an extremely warm and very very friendly person. I adore and respect her. But she has the right to choose her friends. Surely she’s justified in keeping away from every Tom, Dick and Harry. She’s the only example of such quiet dignity in show-biz. That’s why the media compares her with Great Garbo. Suchitra Sen is my Sir. I’ll explain. During the shooting of Aandhi she started calling me Sir. Everyone in Kolkata calls her Madame. Since I’m her junior I requested her not to call me Sir. But she insisted. (We always converse in Bengali). So I call her Sir and she calls me Sir.”

Linked musical number [won't let me display embedded for some reason]

Cyd:

Photos do not do Cyd Charisse justice, unfortunately, because she is at her hottest while dancing, which she was exquisitely good at. Just go watch her first number in Singin' in the Rain, in that green dress; nothing I could say here will be more convincing that that.

She had amazing legs, and she knew how to use them! You probably know her best from the dream sequence in Singin' In The Rain. She was such a stunning dancer, and all her dance scenes are hard to look away from.

Dancing in the Dark clip:

She's an amazing dancer and my favorite from the period. Here's her and Fred Astaire in the Band Wagon:

I just like a woman who's there to be really incredibly good at dancing.

One of the most talented female dancers in Hollywood history, but what sets her apart from other competitors for that title is that she...umm...well let's be blunt, she was the dancer who put sex into it. The one who said "Hey, you know that A+ leg tone that naturally develops from doing this for a living? Why don't I let people see that? Like at every opportunity?" She reportedly insured her legs for five million dollars after hitting it big, which just goes to show that fame makes you crazy. It should have been ten million.

Arguably the Best female dancer of her time, she supposedly insured her legs for $5 million dollars. Stole the show whenever she had a dance number, even if she went uncredited. Musicals started to go out of fashion so unfortunately she didn't have as many big roles as she should have, but those she did are unforgettable. The Broadway Melody number in Singin' in the Rain - the green dress!

She could pirouette in pointes or tear it up in taps. Fred Astaire called her "beautiful dynamite" and wrote, "That Cyd! When you've danced with her you stay danced with." Gene Kelly partnered with her three times. Her legs were (reportedly) insured for $5 million in 1952 ($57.8 million in 2024 dollars)! Everyone in this poll will be iconic, but for raw physical grace, Cyd is up there with the best.

Legs for days, beautiful dancer in the most iconic scenes of Singin in the Rain. She's glorious. As some guys sung to her in It's Always fair weather, 'baby you knock me out!'

Incredibly, Cyd Charisse only started learning to dance as a rehab exercise to strengthen her body after a childhood bout of polio. She was in high demand as a dance partner, Fred Astaire called her beautiful dynamite and said "When you've danced with her, you stayed danced with". She was one of a few leading ladies to dance with both Astaire and Kelly, declaring them both delicious. Kelly apparently was stronger, while Astaire was more coordinated. She also said her husband would always know who she had been dancing with because Kelly left her bruised, while Astaire didn't leave a mark. She's better known for her dance numbers today, but she was a leading lady in her time! Her Scottish accent in Brigadoon leaves a lot to be desired, but compared to the other actors in the movie, it's almost good. She appeared in The Harvey Girls alongside Judy Garland and Angela Lansbury in her first speaking role, but she really burst onto the scene with Singin' in the Rain and her infamous Broadway Melody Ballet number with Gene Kelly (no one could handle a length of fabric like Cyd Charisse). She was brought in because Debbie Reynolds wasn't really a dancer and Kelly was notoriously a stickler about his Vision. After that she starred opposite Astaire in The Band Wagon, which was a bit of a flop but created some enduringly incredible dance numbers. She went on to star in a number of MGM movies, and was one of the last of the Studio era stars to remain on contract. Since we've got up to 1970, I'm including her opening routine in The Silencers (1966) to show just how long she was making a splash - she's into her 40s here and still a siren:

and of course, the iconic Broadway Melody Ballet -

[c-schroed]

Bram Stoker's Dracula (1992) Or Why The Probably Most Accurate Movie Adaptation Of Dracula Still Is Not Accurate Enough

I mentioned some time ago - while salivating over the marvellous razor scene of Francis Ford Coppola's Dracula adaptation - that there is quite some stuff to unpack here. And now I found some time to unpack. So let's begin. I'll start with the good stuff, firstly the good stuff that's not in the book (i.e., the Flourishes), than the good stuff that's true to the book (the Well-Conserved). Thirdly, I'll make note of things that were, unnervingly, changed (by which I mean They Came Back Wrong), and then I'll deal with what is unfortunately left out from the book (the Missing). And finally, finally I'll rant over that two bad things that never were in the book in the first place (a section I'll call JUST WHY?).

So. A tragedy in five acts. Here we go.

Act I - The Flourishes

The razor scene. I think I dealt with this enough by now. It's perfection and I'll die on that hill.

The music. Obviously, Bram Stoker's gothic lil masterpiece is lacking some gorgeous score. But mourn no longer, because Wojciech Kilar cooked up some dashing, pushing tune for us, fitting perfectly to this dark tale of spreading darkness and deepening madness.

Some basic knowledge about blood groups. Yeah, Stoker can't be blamed for this, but still. It's a nice addition to remind us that we do indeed live in a world where blood groups exist.

The Westenra Estate. As much as I pity that the lovely town of Whitby did not make it into the movie, I do love Lucy Westenra's house. Because I'm a sucker for hedge mazes. Simple as that.

Those glasses. Those. Fucking. Nice. Glasses.

Act II - The Well-Conserved

The plot in general. Yes, there are a lot of maddening differences, as we will see soon. But still, this movie at least makes the impression that most of the people working on it had indeed read the darn novel. Which is something that I can't say about many other Dracula adaptations I have seen.

The costumes, the sets, the atmosphere. Well done, everyone!

The Actors. The good thing about being not native in a language is that one is not very prone to dialects that seem off. And as I happen to not be a native speaker of English, I have little problems with Keanu Reeves and Winona Ryder adding some US touch to what should be very, very, v e r y British characters. I even find Reeves perfectly fitting for the oh so darn young Jonathan Harker. And the rest of the cast is marvellous, too (with the exception of Winona Ryder, see below for details). Especially Tom Waits, who is hard-wired to the name of Renfield in my brain ever since I first saw this movie. And Gary Oldman as Dracula… Well. I think I already made clear what opinion I have about that sexy bastard.

Some lucky few of lovely quotes made it over to the film. Dracula's welcome. The Fowl Bauble of Human Vanity, of course. And Qunincey almost making me faint when saying "Little girl" when I least expected it.

Act III - They Came Back Wrong

The dates. Goshdarnit, the dates! It's an epistolary novel, so why make the effort of making up completely new dates for events that already had a precise date in the novel? I just don't get it. And it unnerves me. Every. Fucking. Time.

Time in general. Watching the movie after Dracula Daily makes it feel so very, very hasty. Jonathan travels to Castle Dracula like it's no thing at all. And the first few days in Castle Dracula are condensed into one weird evening.

Dracula meeting Mina before Jonathan is back. I really, really loved the book for avoiding the most terrible tropes. And then comes this movie, and struts right into this terrible pitfall.

Mina. I'm sorry, usually I love the work of Winona Ryder, but here she was way too bland. Maybe it was because her character had quite a revamp (ha. ha.) and no one cared to tell her what new approach she should take. But whatever reason, the clever, adorable train fiend of the original did not deserve this!

Act IV - The Missing

The Voyage of the Demeter is way too short. Where is "But I am captain, and I must not leave my ship"? Where is the poor sea captain tying himself to the wheel? And where is his funeral? Oh, I really missed all that. And, I mean, I don't mind hearing Anthony Hopkins read the lines, but would it have been such an expense to at least hire an additional actor to voice the correspondent or the sea captain?

Jonathan Holding Mina By the Arm. That's really not an objectively big issue. That's just me who fell in love with JonMina after reading this chapter. And almost no one does it properly. They deserve justice!

(Thanks a ton to @smieska for capturing my mood just perfectly!)

Act V - JUST WHY?

Elisabeta. Don't get me wrong here: All of the oh so tragic Drac backstory they invented for this movie is terribly unnecessary. But in this sea of uselessness, the tragically deceased wife of Vlad Țepeș that just so happens to perfectly resemble Mina Murray is an audience-insulting island of unoriginality. I mean, yeah, I guess someone wanted to add some romance to the story of Vlad the Fucking Impaler. Because, well, nineties or so. But Mina, of all women? Why not invent some new character that can be bothered with such stuff? Why ruin an all-nice JonMina ship? I don't get the whole new backstory, and I especially don't get this aspect.

Dracula raping Lucy in his shitty werewolf form. Everything about this is wrong. And it has no relevance for the plot. Just. Blergh.

Epilogue

It's cruel to watch Francis Ford Coppola's take on Dracula right after finishing @re-dracula. I know that now. Everything is still too fresh. It's a good movie, after all, but especially because it's quite good it is frustrating to be so terribly aware of all its shortcomings. In a few weeks or so, I would recommend it, again, I guess. As long as it's still Dracula Off-Season. 7 out of 10 points.

[glux2]

Musing: Emotional connection

Recently a very close person to me suggested i binge watch "Angel Hare", before that day my only exposure to that project was a fan game that had a very funny punchline in lampooning the "cursed videogame" genre.

So i watched the whole thing and it was great.

This scene right here made me feel more feelings than most of the media i have watched/played/read in like the last 5 years or so.

So it made my mind wonder, like, "hold on, when was the last time i felt this strongly about a piece of entertainment?"

Sure, if you know me, i felt strongly about the ongoing plotline for Noelle on Deltarune, so one would think "2021 when chapter two came out", right? but no, i got very invested but it wasn't it.

The last time i felt so strongly about a piece of media was actually Deltarune's predecesor, Undertale in 2015.

I finished Undertale in tears, i got in a very bad funk when i found out about the genocide ending, it truly made me feel emotions.

So i began to ponder, just what really moves me?

Full disclosure: I don't cry at movies. This is not a "look at me i am a badass who is not beheld by feelings" statement, no, i kinda just dont connect emotionally with movies as easily as other people.

I have talked about this, many times actually, Toy Story 3 did not make me cry, it always bothers me how people at the time were like "if TS3 didn't make you cry, you have no soul" and shit like that, so let me repeat something i have said many times before:

Toy Story 3 was a movie i went to see the day doctors had informed me my mother had entered terminal phase of cancer.

My friends took me to see TS3 when i felt the greatest sadness i have ever felt in my entire life. And im glad TS3 was a pretty funny movie that managed to distract me from what i was going through. TS3 uplifted me when i had a very real reason to cry.

So what im getting at is, i rarely connect emotionally with what conventionally makes people emotionally connected, not that i havent felt strong emotions from movies, but as we'll get to later, it's just not the stuff you would expect, when we get back to movies you'll be thinking, "what the fuck, Toy story 3 did not make you emotional but THIS THING DID?!"

So, if traditional "emotional things" rarely have moved me i began to think to myself, "what are things that have made me feel this strongly?"

I realized it's the damn weirdest things.

I'll try to list things that i can remember making me feel this emotional.

Now i'll be upfront, im not a very cultured person, so you'll notice most of this is...not very high brow.

Also, obviously spoilers for all this stuff im about to talk about.

Before we begin: Honorable mention goes to me finding out i had repressed memories of being traumatized as a kid by being show an animated adaptation of "Pilgrim's progress" by an aunt, which disturbed me greatly towards the end as the main character dies and before it the souls of two people he met are condemned to eternal damnation from making MISTAKES, not sins, not evil, but THE FUCKING MISTAKE of exploring alternate routes before them.

-Yoshi's Island, 1994 When i was a wee one Yoshi was one of my fave videogame characters, so of course i was beyond hype when a game where you play as yoshi came out, the ending is one of the greatest moments in videogame history, the beautiful music, the journey of the stork, and finally the classic Mario fan fare playing as baby mario and baby luigi being held by their parents with the words "Heroes are born", it's such a powerful moment. To this day i still cannot listen to that credits music without tearing up.

Sequel? Retcon?! I DON'T KNOW WHAT YOU ARE TALKING ABOUT, SHUT UP, THIS IS THE PERFECT ENDING AND NOTHING ELSE HAPPENED AFTER IT!

-The bicentennial man, 1999 The bicentennial man is one of the biggest examples of a movie being fucking mischaracterized in the marketing, this movie is based on Isaac Asimov's short story and later novel, it stars Robin Williams, so all marketing was presenting the movie as Robin Williams comedy movie, IT. IS. NOT. The bicentennial man is a scifi drama about the existential search for meaning and the nature of what truly is to be alive. You get invested on the quest of this robot trying to find humanity for 200 years, and the punchline to this movie is, in his quest for humanity he forgoes the immortality being a machine provides him as he had developed the way to turn himself biological, still artificial but biological, and he dies peacefully on his sleep before he can be told that humanity had declared him, legally, a human being. To me it was such a powerful moment, he found true meaning to his life, became human, yet died before knowing so.

-Courage the cowardly dog, "The Mask", 2002 This is a legendary episode of an already great show that has a lot of very good emotional moments, some may cite episodes like "the giving tree" or "the last star maker", but for me it's this one. For those who have never experienced this episode, it revolves around a cat girl named Kitty who one day shows up at Courage's farm and she's wearing an upsetting mask, she abuses courage because she believes all dogs are bad. The mask serves 2 purposes, one is metaphorical, "her inability to face reality", the second is to hide her identity as she believes she is in danger. The thing is, she is on the run because her lover best friend Bunny is trapped in an abusive relationship with a gangster dog who threatened to kill her if she was seen near Bunny ever again, the episode coats the whole situation with a ton of goofiness, but it's actually very fucking dark: A young lesbian is trapped against her will on an abusive relationship with a toxic, violent man who threatened to kill her girlfriend if she refused to date him. Courage, being a good little dog ventures to save Bunny and have her reunite with Kitty because, despite how bad Kitty was to him, he recognizes that Kitty is a victim and she and Bunny deserve better, leading to Courage letting them escape away together, to live happy and free. I don't think it's just me, but the final image of Kitty and Bunny hugging as the train takes them to freedom felt so powerful to me.

-Twisted Metal Head-on, 2002 This is one of the weirdest things i have ever gotten emotionally invested, but honestly? i love when some shitposting franchise suddenly manages to pull this off, specially given the set up for this whole thing im going to describe starts in an early game as a fucking joke. So to contextualize this, the first two Twisted metal games were helmed by the og creators of the franchise, TM 3, 4 and small brawl were made by different developers when the creators lost the rights, but during the PS2 era when the og developers came back and created TM: Black, and TM: Head-on, Black was a reboot, Head-on was a retcon sequel to TM 2 that eliminated TM3 from the timeline, but not TM 4. Still with me? Okay so TM2 had this character, Krista Sparks, who was the revealed to be the daughter of the main antagonist of the game, Calypso, but hold on? wasn't Calypso's backstory that his family died in a tragic accident which lead him to become evil? So turns out, the FBI retrieved his daughter's corpse, turned it into a robot with a bomb with the intend to make her get close to Calypso and blow him up. The ending ends comically with a message reading "The FBI wishes to thank you for putting an end to Twisted metal". Stil Still with me?!?!?! ok! so Head on! In this game Krista is back, as a ghost, her ending consists on her confronting her dad, who has now brought up so much pain, misery and death to the world, Calypso tries to explain that the nature of his powers mean he has to do this otherwise he cannot use his powers, and his plan was for Krista to win so he could bring her back and her mom to life, but Krista is so horrified with what has happened that she refuses and blurts "I wish the accident that killed me and mom never happened" the intention being impeding Calypso from becoming this evil super natural villian, but as per all endings, it's always a monkey paw affair and Calypso knows it, looking saddened he grants the wish because he has no option, his powers force him to. Briefly Krista has a vision of her childhood with her dad before he became evil as they share a sweet moment playing on a swing set. HARD CUT TO A HOSPITAL, Krista is on a bed in coma, Calypso is there and whispers to her something along the lines of "Sleep tight my dear, may you finally find peace", as Calypso is leaving the hospital you can hear 2 doctors talking, mentioning that Krista had been in coma for more than a decade and apparently Calypso just had found out. Excuse me Twisted Metal, but WHAT THE FUCK? You are a dumb fucking edgy car combat game, how dare you make me feel these things?

-Mother 3, 2006 (translation on 2008) Mother 3 hopefully needs no introduction, or maybe it does, because many people have reduced it to a joke due to how nintendo stubbornly refuses to give us an official release, but also many of you must know this franchise is the spark that ignited the flame of the absolute Juggernaut Undertale would become, as well as many other games influenced by it. The Mother/Earthbound games were known for being quirky and deviating from the standard conventions of the game, notably for the modern day setting and unorthodox choices of how you deal with the villians, they were always billed as emotional, but i feel they did not live up to that...until 3. The general narrative to Mother 3 is about how greed is destroying the world, the main villian corrupting what we see of the world (a paradise little town where everybody is nice) by introducing luxury, money and status....and also stomping everything with his fascist army and cyborg mutants. Mother 3 is a game about how the worst traits of humanity are destroying the world and upsetting nature. Mother 3 is also the story of 2 twin brothers who suffer tragedy after tragedy after tragedy that ultimately pits them one against the other with the fate of the world at stake. Mother 3 punches you almost immediately by killing the mother character (which i might mention you're encouraged to name after your own mother) at the end of the first chapter and how this affects her surviving family. one of the Twins, Claus, is so disturbed that he decides to on on his own to try to kill the monster that took his mom, while the other, Lucas, was too afraid and weak to stop his brother, resulting on Claus dying as well...but the badguys take his corpse and reanimate it into a cold, emotionless cyborg who follow's the big bad's order and is using him to try to cause the end of the world. In the climax of the story Lucas is force to confront Claus, clause is a brain washed cyborg, his master is out of the picture and all he can do is fight, you can't reason with him...and then.... Lucas and Claus begin to hear a voice, a familiar voice, it's their mother, reaching for them from beyond the grave, pleading for them to stop fighting, suddenly Lucas and Claus both have a flash back to when they were babies, overhearing their parents talk about the hopes they have for them, the many things they will be able to achieve together, this makes Clause snap out of his brain washing, removing the helmet that had been hiding his face since he was resurrected, Lucas and him have a moment as they are finally reunited, Claus realizes all the bad things he has done while under control of the bad guy and realizes he must atone for his crimes, he prepares a lightning attack he knows cannot hurt Lucas and cause HIM to die. "Im sorry for all the problems i caused" he says as he is dying on his dad's arm, "I must go to where mom is now", as he passes away he can hear his mother calling for him, "You just be so tired" she says. Now i know it will sound insane for people to hear a videogame of all things can make one so emotional, but damn, just recollecting these scenes for this dumb post has made me start to cry, the emotional punch of this scene is very strong, it demolished me when i played the game back in the day, but now? After my own mother passed away? I have been scared of playing this game again. I mot sure if im emotionally prepare to go though that again, even 10+ years later. That's how powerful this scene was to me.

-Elite Beat Agents, 2007 If you have played this game, you know were im going, for those who dont, EBA is a silly rhythm game about secret agent cheer leaders that are dispatched around the world to help people in need by raising their spirit and allow them to overcome adversity, the game is insanely wacky and have scenarios like helping a ninja car salesman prevent a company from stealing his company's secrets, helping a washed up baseball star fight a lava spitting golem rampaging on an amusement park and traveling back in time to help davinci paint the mona lisa. EBA is also the second game in the Ouendan series, and there is something you need to know about this series: They all include tearjerker levels to contrast with all the goofiness. "A christmas Wish" is a christmas themed level set to Chicago's "You are the inspiration" and the story to this level is positively DEVASTATING: A few months before christmas a business man tells his daughter and wife he has to go on a business trip but he promises he'll be back just in time for christmas, the girl asks him to bring back a "girlfriend" for her teddy bear. The father dies on a plane crash. When the mother breaks the news to the little girl she gets angry, crying to the skies that her dad promised he would be back for christmas. The backdrop of the stage is set the girl and the mom doing things to remember the dad, like looking through a photo album and baking a cake for his birthday, it's very sweet, but...this is EBA, if you're doing poorly you see the "bad" versions of these scenes, and in this one, one is very devastating, the little girl is having a dream where she's chasing the spirit of her dad, if you're doing well she calls for him and for a brief moment the dad stops and starts turning towards her, if you're doing bad the spirit fades away and the girl wakes up in tears. Dear goodness. But of course, if you beat the level you get this sequence of the ghost of the dad showing up on chrismas morning to fullfil his promise, giving the little girl the teddy bear he promised and having the chance to say good bye to his family.

This punches you really fucking hard in the gut. I am incapable of doing this level without ending in tears. For a time i could not even listen to this song without tearing up until, i shit you now, the deadpool movie used it on a comedy scene.

-Punch out!!, 2009 This one is one i know got me because of personal nostalgia, when i was a wee one the og NES punch out was a big part of my childhood, Punch Out!! on the wii was a masterfully crafted tribute to the franchise. To not dwell too much time on this, this game has an interesting quirk, the ending is a downer ending and it's the only ending you can get. After you beat the last opponent there is a sequence where Mac and Doc seemingly are having a disagreement, where Mac seemingly has decided that if he loses 3 times, he'll retire from boxing completely. After this you face randomly opponents from the game, the first time you lose in this mode you lose your champion title, after three loses, it's game over and the story mode becomes locked for that save file. The final cutscene is Doc walking through what seems to be a gallery with boxing memorabilia, and untold number of years later, he is alone, he spots his old bike on this gallery and rings the bell, he looks up and speak to an absent Mac, "Good job son, good job", as he leaves the camera pans to reveal he was looking at a framed photo of him and Mac on one of their training sessions. The music on this sequence is so perfect, and it was aimed at people like me, people who grew up with the franchise, the idea was making it feel like Doc was reminiscing of YOUR time with punch out when you were a kid, and to make you think about how far YOU have come since the first time you played the games in an arcade, or your nes, or snes. It's actually pretty effective and it got me.

-Regular Show, "Trucker Hall of Fame", 2012 What makes this one different from others instances of me making me emotional, it's, much like the "Angel Hare" example at the top, this one is all about WARM HAPPY FEELINGS, so for those who did not watch this episode, let me summarize it for you: One day Muscleman gets word that his dad, who was his personal hero, has passed away, and he's tasked with carrying his final wish, spread his [hat's] ashes in a place called "Trucker hall of fame", you see, Muscleman was lead to believe his dad was a legendary trucker and that earned him his admiration, but during the episode Muscleman finds out he was lied to, his dad was a forklift driver that the truckers belittled, altho feeling cheated for having been lied to he carries on with his father's wishes. Now because this is regular show, when they arrive at the trucker's hall of fame they are immediately attacked by ghost trucker for "desecrating the hall of fame" as they spread the ashes something happens: The ghost of Muscleman's dad manifests himself and saves his son, taking the chance to apologize to his son and having the chance to say his final good bye personally. Despite the inherent silliness of the show's premise, i think this episode really did a good job on expressing that sense of catharsis of making peace with the passing of a love one.

-The Final Girls, 2015 A friend suggested we watched this movie, and much like Twisted metal up there, i absolutely did not expect for this incredibly stupid comedy horror movie to hit me with any sort of emotional connection, and yet... The Final Girls opens with the main character in a car with her mom, who is an struggling C-tier actress whose biggest achievement ever was appearing on a Friday the 13th knock off movie, during this sequence they get in an accident where the mom dies and even after it's been some time since the accident the main character has not properly moved on from the passing of her mom. Her friends and some people at the college she attends are preparing this horror movie festival where the main event is they are going to play the movies from the franchise her mom was on, and they suggest she should come. Then some bullshit happens and they all end up somehow trapped in the world of the movie. A quick rundown of the rules of horror movies is explained to them, the monster cannot be defeated by fighting it, it's only the final girl who can defeat the killer, and unfortunately for them they accidentally killed the character that, in the canon of the movie, is the final girl, so they believe one of them has to become the final girl and end the movie to hopefully get out of it. The problem is, the main character is experimenting shock from interacting with her mom's character, she is not taking well to seeing her mom on the flesh and she dedicates the entire movie to "save her mom", in the climax of the movie the mom character begins to understand that she is a fictional character and the nature of her attachment to the main character, understanding that they cannot be both the final girl and if then main character wants to make it back to the real world she has to learn "To let go", choosing to sacrifice herself so there is only one final girl. It's kinda weird, that of all possible premises, this managed to make a "You need to move on" message that somehow managed to resonate with me, you might have figured out by now a running theme here, but, i was really hard for me to deal with my mother's passing even if it's been years since it happened, so it's kinda funny for me to think these are the places i have found comfort from.

-Undertale, 2015 Okay this is tumblr, i already talked about Undertale on the prologue to, whatever the fuck im doing here, you know what undertale is, you know how effective it is, Undertale is really well designed for you to grow emotionally attached to these characters, so being able to see all these characters you know have grown attached to have their happy ending on the pacifist ending does fill one with a very satisfactory warm happy feeling that can move you to tears. ...Or you can be bummed out by being a little greedy gaming bitch and taking a look at the bad ending. Because you just couldn't help yourself, could you?

-Onward, 2020 This movie did not hit me as hard as the most emotional entries on this, but it still got me, because in the end of the day the main motivation of the characters on this movie is experiencing closure, catharsis over the death of their father, for Ian it's the fact that he died before he was born so he never met him and is driven by this desire to finally see the father who he shares such a connection with on the stories everybody who knew him in life have told him, and then there is Barley, the elder brother, who did know his dad in life, but is tortured by how, as a kid, he did not properly say good bye to him because he was terrified of death and avoided being there for him in his final days. The ending for this movie is very powerful, Ian choosing to sacrifice being able to meet his dad in the flesh, even for a few minutes, in order to give Barley the chance to being able to properly make peace with his dad and properly say good bye to him. Ian doesn't even get to SEE this, he does not get to see his dad even tho it was what he wanted most of all, but he understood bringing closure to Barley was more important than his selfish desire to see his dad, someone he never knew in life.

So what have i learned from whatever the hell this trainwreck of a post is...i guess that what really gets to me, what really moves me, is when a character, maybe not even someone i can realistically relate to, gets to experience closure, catharsis and be in peace with the people who are missing on their life. The majority of these things in here, even the Angel Hare example, relate to a character being able to experience catharsis by being able to properly make pace or otherwise contact someone they lost, or their ability to move on from this world, so to speak, knowing that their affairs and in order and that their loved ones will be okay.

Things can always look dark, the world may be trying to keep you down, maybe losing someone has been specially hard for you, but it's not the end of the world, you are loved and things can get better, it always hurts and we'll never stop missing what we have lost, but the memories of happier times are there to remind us, we can be happy again, and we can move on, use those memories as your motivation, you can lead yourself to a future filled with light.

[semisgroupie]

oct 17th: ichigo kurosaki

ichigo kurosaki x fem. reader

wc: 3.1k

warnings: stepcest, daddy kink, slightly jealous ichigo, possessiveness, unprotected sex, creampie, fingering (f!receiving), multiple orgasms (f!receiving), grimmjow and ichigo tension, mentions of masturbation, ichigo’s kinda pervy here, mention of voyeurism, noncon photo taking (reader is asleep when he takes the picture)

synopsis: your sweet stepbrother shows you a different side to him

Ichigo prides himself on being a great big brother, it has always been an easy feat for him but this is the first time he and his morals have ever been put to the test.

Your mother married Isshin when you were still in high school but Yuzu, Karin and Ichigo welcomed you to the family like you were always part of it, making it easy for you to adapt and made you feel safe. Ichigo was a year older than you so you clung to him when it came to adjusting into school and often stood with him whenever you wanted to hang out with someone. Then when it came to college and when he found out you got accepted into the same college he was attending, he didn’t give it a second thought to let you move in with him. He’s lived with you for a few years when you and the family were all together so what would stop him now?

He didn’t realize that things would be so different when he was alone with you, how even just sitting in the living room while watching a movie just felt suffocating. It was odd to him, he didn’t like the burning in his stomach whenever he saw you walking around in just a towel after your shower or walking around in a shirt you stole from him. He didn’t like the thoughts that he had whenever he was alone in the confines of his room. He didn’t like how his thoughts of you turning into ones filled with lust rather and pure.

Most of all, he hated that he needed to make you his.

His fist wasn’t enough anymore and you not only caught his attention you also caught the attention of other guys. He didn’t mind most of them, Keigo was harmless and always girl-crazy, the boys in your classes were harmless and never really posed a threat, but there was one person that he had to keep a close eye on, Grimmjow Jaegerjaquez.

You met Grimmjow in your ethics in society course and from the moment he found out you were Ichigo’s step sister, he decided to make a move on you. It was little compliments that evolved to lingering touches which later grew to him asking you out on dates. You declined the offers due to pure nerves but the more persistent he was, the more you wanted to say yes. You never told Ichigo though, you knew there was tension between the two bright haired males and you didn’t want Ichigo to get mad.

It was Friday night and you were sitting with Ichigo on the couch while a movie of your choosing played on the TV. You paid no attention to the screen though, all your attention was on your phone. Grimmjow had been texting you the entire night, his flirting nature bleeding through the little text boxes. After a few giggles from your end of the couch, Ichigo grew curious, he turned his attention away from the TV and gave it all to you. He nudged your shoulder with his foot and raised an eyebrow, “who are you texting?”

You set your phone down on the couch, your bright screen still shining so he could quickly glance at the contact before looking into your eyes. “Just a guy from my ethics class.”

He sat up a bit and moved just a little closer to you, properly reading the contact before looking at you. “Grimmjow? What does he want from you? Is he fucking up in class?”

You giggled and shook your head, “nope, he’s asking if I’m free tomorrow to go out with him. He’s been asking me out for about a month now and I might just say yes. He is pretty cute.”

His eyes widened at your words, Grimmjow? Asking you on a date? You might say yes? His blood boiled and his jaw tensed, there was no fucking way he’d let someone as innocent and precious as you go into the den of a beast like Grimmjow. No fucking way, not even over his dead body. But it finally hit him, it all started to make sense. There were more taunts coming from Grimmjow whenever Ichigo saw him but he always just pushed them aside, just attributing it to Grimmjow being an asshole. There was still something that Grimmjow had said that still rings in his mind, even now, it was something that no matter how hard he tried to push it away, it kept coming back.

It was about a week ago and they saw each other in passing while on campus. Grimmjow passed Ichigo and muttered the words that are in the back of his mind. “Keep an eye on your precious little stepsister Kurosaki, don’t want her losing that innocence.” At the moment he just brushed it aside but the more he let it ruminate, the more it made his blood boil. Ichigo has never been the possessive type with anyone he was attracted to but with you he felt this need to make you his and keep it that way. Now that he knows that Grimmjow wanted you too, this need grew more and more and he had to satiate it. He wouldn’t know what else it could grow to and he needed to act on it now.

“Tell him no.”

You furrowed your eyebrows and turned to face him better, the shirt you stole from him rode up your thighs slightly and gave him a little peek of your cute shorts. “Why should I do that? Is there something wrong with him?”

He scoffed a little at your response, what wasn’t wrong with the brute? “I just don’t think someone like him is good for you, I’ve known him for a while and I know how he is. You deserve someone that’s better than him, someone who will cherish you and treat you like a princess, someone who is gentle and someone who cares about you more than anyone and anything else.”

His voice softened a bit and he reached over to grab your hands, taking them in his. Your heart pounded in your chest at the warm touch, you would be lying to yourself if you said you didn’t have a little thing for your stepbrother, he’s perfect. He’s everything you could ever want in a man, kind, strong, caring, intelligent, and sexy. There have been nights in the confines in your room where you whimpered out for him as your fingers dipped in and out of your soaking wet pussy. There were some nights where those whimpers grew louder and you should’ve been concerned about covering your mouth but there was that little sliver of hope that he would hear you and finally indulge you in your dark desires.

“W-Who would that person be? Who would treat me like that?” Your heart started pounding faster and harder and you could hear your heartbeat in your ears. He leaned closer and closer until his breath hit your lips.

“Me.” With that he closed the distance, pressing his lips against yours in a deep kiss. His hands moved around you and pulled you onto his lap as he deepened the kiss, his tongue slipping into your mouth to lick over yours. You whimpered against his lips and your hands gripped his shirt tightly. His hands moved from your back to the curve of your ass, gripping the flesh before landing a spank on it. He groaned against your lips and broke the kiss slightly to let you both catch your breath, “my room or yours?”

“I-Ichigo—”

“Don’t call me that” he groaned and stood up, heading to his room and holding you with ease. He leaned in and started kissing your neck, nipping and biting at the sensitive skin as he walked there, breathless moans and whimpers left your lips as you held onto him tighter. “You’re gonna call me daddy now okay? Not Ichigo, just daddy.” Your eyes widened slightly and you felt your cunt clench around nothing,

The distance from the living room to his room seemed like nothing and before you knew it the soft fabric of his comforter was against your back. He held himself over you as he leaned down and kissed you again, one of his hands moving up to caress the soft skin of your leg as it drifted up to touch you over your shorts. The fabric was extremely thin and he could feel every twitch of your pussy as his fingers traced over your folds. His slender fingers moved down to where your entrance was and he circled his fingers around the growing wet spot. He broke the kiss and started kissing down your jaw and neck, sucking the skin and biting down before licking over the indentations of his teeth.

“Only I get to see you like this okay? No one else, especially not that blue haired freak Grimmjow, got it?” He pulled your shorts and panties down, barely moving them down your legs before he plunged his fingers inside you, you keened and moaned his name while his fingers pumped quickly inside you. It was like he knew everything you liked, like he was there with you every single time you pleasured yourself. Little did you know that each time you dove into your little world of pleasure, he would crack your door open and peek in to watch you. He heard every single whimper and cry for him and he wanted to go inside and fuck you, hear every cry and whimper for himself as his cock plunged in and out of your tight pussy. All he could do was stand at the doorway and pump his cock at the same pace you pumped your fingers in yourself, matching your movements until you both experienced that sweet release. Your poor little fingers could never compare to his cock and now he could finally give you what you so desperately desired, he could finally put out the flames of desire that was eating you both up.

His fingers pumped in and out of you at a quick pace and his thumb was pressed against your clit, rubbing quick circles. You were in complete bliss, your mind filling with him and the pleasure he was giving you. He was going to burn the association with him and pleasure into your head and he was going to do whatever it took to make sure you would never forget that, even if he had to fuck you for days straight, he would do it. But there was still something missing, he leaned down to your ear and groaned.

“I asked you a question earlier, didn't I? It’s very rude to not respond to a question that daddy asks you.”

Your mind wandered in circles to try to backtrack what he asked you in the first place. The look of pure pleasure on your face morphed into a look mixed with pleasure and slight confusion, he couldn’t help but chuckle. “I’ll remind you but next time you need to remember what daddy asks you, he’s not going to be so kind next time and repeat himself. I asked, if you understood that only I get to see you like this. No one else gets to see you like this, not any guy that tries to swoon you and definitely not that fucker Grimmjow. Do you understand, angel?”

His fingers pressed right against your g spot, pushing against the spongy spot that made your toes curl and made you cry out for him. “Cmon, I expect an answer. If I don’t get one then maybe I should just stop.”

Your eyes widened at the idea of him stopping and you fumbled over your thoughts, trying to find the most coherent one to answer him. He couldn’t stop, you couldn’t have him stop, not when you were right on the edge. “I-I understand daddy, I’m only yours and I only want you to see me like this. Please don’t stop daddy, I wanna cum.” You felt tears brim your eyes and with the combination of the sight of your desperate expression, your pitiful plea and the way your cunt clenched around his fingers, he pumped his fingers faster and soon you were crumbling underneath him. “Daddy! I’m cumming, thank you thank you!” Your thighs shook as the waves of your orgasm coursed through you and his fingers didn’t stop until you stopped clenching around them. He slowly pulled his fingers out and gazed at the translucent white that coated them, such a beautiful sight and all for him.

He brought his fingers to his lips and sucked them clean, he wanted to taste you properly but he needed to feel you around his cock. He needed to feel you clench around him the same way you clenched around his fingers. He quickly moved to strip himself of his shirt and pulled his shorts and boxers down to expose his cock. A small tuft of neatly trimmed orange hair leading down to his throbbing cock. He pulled your shorts and panties down further until they were hanging off one of your ankles and he positioned himself. He brought your legs over his shoulders and he slammed his cock inside you. Your back arched beautifully and your legs started shaking again as your cunt milked him for cum that wasn’t there…yet.

“So fucking beautiful, you’re so beautiful.” His hips slammed into yours as he moved based on pure instinct. The thoughtful and methodological Ichigo wasn’t in front of you anymore, this Ichigo was different. Like a feral beast out in the wild, he moved on pure instinct and desire. Seems like it was eating at him more than he thought and your cries and moans of “daddy” and “more” drove him further into this feral and deprived state. You needed to see it more, you needed more of it.

You looked so beautiful underneath him and it looked even better than you were still wearing his shirt, now crumpled and wrinkled from how hard he groped at your chest but it made no difference. You could only have the scraps of his clothes covering you but that still wouldn’t matter, as long as it was something of his then he would still have the same reaction. His thrusts grew heavier and harder as his cock twitched inside you, he knew from the moment he pushed his fingers inside you that once he got to fuck you he wouldn’t last long. “Cum with me angel, make a mess of my cock and I’ll make a mess of this pretty cunt. Make you mine entirely.” He brought his fingers back to your clit and rubbed it quickly, sending you headfirst into another orgasm and at the first clench of his cock you sent him into his orgasm. He dropped his head down and bit down on your neck harder than before, the action alone made you clench around him tighter and made your orgasm even more powerful.

There would probably be a complaint from the neighbors in the morning but that meant nothing, he finally had you and he could have a million noise complaints posted on the door. That just meant he was doing his job right. He licked over the bite and kissed up your neck to your lips, kissing you softly before pulling back. “Are you okay? Does anything hurt?”

You shook your head and looked at him with half lidded eyes. “‘M okay daddy, just feel really good and really warm.” He chuckled and pecked your lips before pulling out, he gently placed your legs down on the bed and stood. “I’ll get you some water and a rag to clean you off, don’t move.” You nodded and closed your eyes. Just as he was about to leave the room you weakly lifted your head, “I love you daddy.”

“I love you more, angel.” He left and quickly gathered everything, on his way back to the room your phone went off on the couch. He walked over and saw it was a message from Grimmjow that read, “come on, ditch Ichigo and spend the weekend with me. I can promise we’ll have more fun than you could ever have with him.” He scoffed at the message and an idea perked in his mind. He walked back into the room and you were sound asleep, your panties and shorts hanging on a limb off your left ankle and his cum leaking out of your swollen cunt. What a perfect sight. He set the water and the rag on his nightstand and opened up your phone, your password was easy to figure out and even if it wasn’t you would’ve told him if you asked. He moved to the foot of the bed and opened up your camera, he angled the phone to get the perfect view of you and your leaking cunt and once he got it he snapped the picture.

He gazed at it for a few moments, like an artist gazing at their finished painting. “Fuck, how are you so beautiful?” He muttered to himself and sent the picture to himself for his own safe keeping then sent the picture to Grimmjow. It only took a few seconds for a barrage of replies to fill the screen and all he could do was chuckle. He left the room and answered the incoming call. He moved the phone away while Grimmjow yelled on the other line and once he found the perfect opportunity to speak up he brought the phone back to his ear. “She’ll have to decline your little proposition from earlier, Jaegerjaquez, we’re going to have a very busy weekend. Good luck finding someone else though, I heard there’s some girls on campus that’ll love to have the chance to spend a night with you. Just let the photo I sent you serve as a reminder that Y/N is mine. Stay away from her but if anything I could just fuck her in front of you so you could get an up close and personal reminder. See ya around.”

He hung up the call and let out a small sigh, maybe that should be the next step. It was hard to keep Grimmjow at bay, he was a persistent guy but so was Ichigo. Well, that could be a plan for next time. Now, he had his sweet little stepsister to care for, everything that you two did was taboo but he just took his job as a big brother seriously. As a big brother it was his job to protect you from danger and creeps, if that meant he had to fuck you to sleep to do so then so be it.

taglist: @xiao-tings @rubikenss @blueparadis @dangerouspursepeachbear @bubblepopneurotic-blog @brivetaroundtown @erenluvsrini @senjuasuna @caramelcandescence @dmwednesday @saneminx @akiella @celi-xxmoon @dxgrayson @tokyometronetwork

[snakxreader]

With the silly spooky Halloween day coming up in like- 2 days- can we get a silly little story where Triffany, Wambus, and the Reader watch a horror movie? Maybe 2 movies even? And then later on, they cuddle in the middle of the night on the couch because at least one of them had a nightmare?

A/N: I HAD TO STRUGGLE TO KEEP MY EYES AWAKE BUT. HAPPY HALLOWEEN!!! I GOT IT DONE!! Thank you everyone for being so so patient with me despite everything, I honestly don’t deserve it ^^’. As a treat, I did something a little extra as a joke.

Ooc Spoilers for the fic:

I’d say I’m sorry…but I’m really not lmaooo

Wambus x Triffany x Reader (Halloween Movie Night)

“I dunno why I let y’all talk me into this…”

“Come on, Wamby! It’ll be fun! I’ve heard good things about this movie! It’s supposed to be really good!”

Wambus still scowls, drumming nervously on the couch with his fingers, while Triffany tried to soothe him. You, meanwhile, was trying to find the movie on your streaming services, finally stumbling upon it on Peacock.

“Finally…” You groan, before turning to face your partners with an ecstatic expression. “Alright, darling, honey, welcome to the movie adaptation of one of the best horror franchises in the known world…..Five Nights at Freddy’s!”

You’re not a stranger to the franchise. You came across it randomly one day and found the idea so interesting that you binged playthroughs of all of the games. Your partners, while not really that understanding of it, have seen your dedication of it and respect it. When the movie was first announced, it was actually Triffany who suggested you all watch together.

Wambus was….less thrilled about the idea.

He wasn’t a big horror movie fan. Or a horror fan period. Never did good with the subject. You had to plead with him to watch the movie with nhim. And by plead, you just gave him puppy dog eyes until he caved in. Worth it though, as now you get to cuddle nest to the cutest Grumpuses in the world and watch a movie you’ve been exicted for ages.

“I still don’t see the point in watchin’ this…” Wambus grumbled, as you plopped next to him. “Why don’t we do somethin’ like..give out candy to kids on Halloween? Why we gotta watch blood and gore all the dang time.”

You patted his shoulder reassuringly. “Awww….it’s ok, you can hold our hands if you get scared.”

Unfortunately for Wambus, months of knowing him have made any sort of glare at you ineffective to getting you to back off. Instead, you just gave his cheek a nuzzle, feeling his fur bristle and hearing the little deep grumbling as he blushes.

“I don’t think it's gonna be that bad, actually.” Triffany interjects. “Last I’ve heard, it’s more a thriller than anythin’.” She says, throwing a blanket around all of you. Wambus still huffs but looks slightly more relieved. He leans on her shoulder as you press the play button, resting your head on Wambus’s arm, before he tucks you under it.

True to Triffany’s word, the movie is more thriller than actual slasher or psychological horror. Of course, the horror that was there, was in your opinion, perfectly executed, and well done. The retro, early 90s vibe it was trying to give added to the aspect and it made the experience all that more memorable.

Triffany was probably the most invested out of all of you, having been invested in the game’s timeline since you told her about it. She spent the movie trying to link the events there to what she had heard from you or seen about. The things that didn’t add up with the orginal were major, but she appericated the side plot between the two main characters, her cooing at the events.

Wambus was incredibly jittery and silent, almost jumping out of his body at the slightest fright. He yelped at every jumpscare, holding onto you and his wife’s hands tightly, so a sense of comfort. You both are more than willing to hold him right the whole movie, helping the brusque man through some of the harsher scenes. And somewhere along the way, he began to ease up a little.

When all was said and done, you three had all decently enjoyed yourselves, though one of you only enjoyed the close time with his partners. Regardless, drowsiness eventually overtook and you headed to bed, snuggled right in-between Wambus and Triffany.

You woke up one a.m. to an almost empty bed, devoid of one of the partners you were snuggled against. Groaning, you pulled yourself away from whoever was spooning you, albeit unwillingly, and headed out of the bedroom. In the distance, you could hear the living room television go off, alerting you to a presence in the house. Quietly and slowly, you step down the stairs towards the sound of the television, to find a familiar blue lug in front of it. He looked exhausted, weary eye bags under his face as he muttered to himself. You quietly sat next to him, causing him to jolt in shock before seeing your face.

“Hi Wamby…” You murmured, slipping his hand into yours.

“I’m sorry I woke ya.”

“Don’t worry about it.” You reassure him. “You ok?”

Wambus fell silent. You didn’t make him talk. Wambus still had struggles opening up about his emotions, even to you and Triffany. “….You’ll laugh.” He finally laments.

“Never.” Your voice is firm and steady. You’d never laugh at him over something that was clearly bothering him.

He sighed. “I had. A nightmare about that stupid movie. Getting chased by one of those dumb animatronics.”

“Oh hon.” You gently snort, and backtrack when you see his hurt face. “Not like that. It’s just, your nightmares are really common with this franchise.”

Wambus blinked. “…Really?” He rasped. You nodded. “I’ve…actually had a few myself.”

“You? You didn’t even flinch at the deaths and gore!”

“Once, I had a dream where I was chased by Foxy all the way down our block.” You said, reliving the event and rubbing Wambus’s back. “I was, like, pissing myself scared. Looking back, it’s kind of funny.”

The farmer seemed to relax a bit, groaning deeply. You didn’t press, simply basking in the silence of the TV. The creaking of the stairs and floorboard break it.

“What’re ya two doing up so late….?” Triffany yawns, sliding right next to you and dealing her arms around Wambus.

“Bad dream.”

“Ock-“ Triffany cuddles closer to Wambus. “I’m sorry dear, you want to talk about it?”

Wambus yawned. “….I was being chased and cornered by that stupid bear.”

“Sorry, hun. Do you want us to stay with you tonight on the couch?”

Wambus hesitated. “…That. Would be nice, yes.”

The blanket from earlier is once more draped across you three, everyone shifting into comfortable positions while the television blared. You three watched the show on there, some late night gane show.

“….Thank you.” You heard Wambus mumble, drowsy in his tone. “I love you two so much.”

“Always sweetheart. We love ya too.” Triffany says, as you nod in agreement.

After a minute, you can hear the soft snores of Wambus as Triffany snorts lovingly. “Must've been exhausted, big goof.” She turns to you. “You should rest up too, hun.”

“Triffs, I’m fi-”

“Shhhh.” She stroked your fur, and immediately you melted into her. Damn your weak spots. “Go back to bed hun….just ease your mind….”

You don’t even remember your eyes closing before you pass out.

[tsintotwo]

(Part 5/ Bonus part of 4)

Aight. After the last post I totally had to check myself because I was under the impression that Junkhearts was the only movie of Tom’s I hadn’t yet seen, but apparently there was another one called Three Way Junction, AND I found another cameo (someone add these and Hello Apartment on Tom’s wiki, I can’t figure out a way to edit tables on there) (Edit: Took care of it.) A few wonderful people got in touch with this info, PLUS a bootleg link to watch the 1984 production Tom was in!! Just, THANK YOU folks, and you bet your ass I watched everything. Let me talk a bit about that before I move on to the links.

Junkhearts (2011)- War vet very kindly offers homeless girl shelter in his house, but her bad crowd (including her bf, played by Tom) comes along and invades his life. Tom is a Northern Irish boy in this (complete with the accent) and is the kind of dude who would walk into a situation and abuse everyone and everything. It blows my mind that this irl smol bean did so many disturbing/disturbed characters and did them SO well. He really makes the angel-faced-devil thing work. This movie is dark, and deals with heavy matters like PTSD and drugs. Be advised. Good movie tho.

Double Date (2017)- Do NOT ask me anything about this one, man, idk. Tom in a beard, hat, eyes rimmed in black liner, and with a fake rhinestone tear for 1:30 mins. I didn’t even hear what he said.

Three Way Junction (2018)- English architect (Tom) goes soul searching to Namibia, everyone he meets acts wiser than him, then he gets stranded in the desert. I will call this movie formulaic, but before that, let me acknowledge I was just getting comfortable, then it stepped on my throat and left me agonizingly invested for a good amount of time. The desert-stranded scenes, Tom almost dying from thirst and hunger, body switching off, face peeling from the sun, hallucinating, all alone… it was hard to watch, y’all (in a good way, I suppose). Tom gives it his all and it pays off, because by the end I wanted to scream along with him. The very end is, again, formulaic.

1984 on Broadway (2017)- Winston in the book: I am a 39 y/o gray dude,  oppressed and depressed, listen to my musings and experience about politics

Me: Of course! I am intellectually stimulated!

Tom’s Winston: *spits aggressively*

Me: Fu** me, daddy

Trust Tom fuckin Sturridge to make Winston Smith SEXY I AM SO UPSET (AND HORNY) *deep breath* okay. Olivia Wilde broke Tom’s nose acting this, he broke her tailbone. People fainted, threw up, and left the theatre. Need I say more about how intense this production was? And I abfuckingsolutely loved it, oh my GOD. This was a brilliant adaptation of the classic George Orwell novel imo, the changes they made were very clever. Tom is the MC, and in the beginning, he is confused and is just reacting to things rather than acting. But he gets more and more into it and then comes the last act- graphic torture scene of him that they recreated from the book. I understand why people left the room, y’all. I mean, I KNEW what would happen and by the end even I was like ‘fuck me, fuck y’all, fuck this, what the fuck’, and I could PAUSE. But this is how 1984 should be, imo. I’m not saying this just because I’m a simp for Tom: the work he’s done for this is extraordinary. It takes a special kind of actor to even attempt something like it.

[Edit: I've discovered Tom also appeared in Brothers of the Head (2005), a mockumentary-movie about conjoined twins who became rockstars. Tom might be in it for just the ten seconds around 55:00 that I could find him in.]

Now that’s all done, let’s move on to the links. I know most people may have seen most of these, but still may be of help to a few? And I’m making this for my reference as much as for anyone else anyway, so.

Interviews/Being Filmed:

1. We all know there have been sooo many interviews from the Sandman junket. Some of my favorite moments:

a. Tom talking about his experience in the glass cage here (4:15), here (2:00) and here (4:12)

b. Tom shows us (11:34) his button brickphone. An aside: I think he at least had a smartphone at one point- you can see him tapping one here (:10) and he mentioned in the giggly Sea Wall interview that he browsed Wiki on his way there, so… anyway, point is tho, it’s none of our fuckin business

c. Vivienne praises Tom so much that he clenches his fists and is out of breath. Aside: When people he’s less familiar with drop praises, he has no reaction. Like, not even awkwardness, zero reaction except a half smile, e.g. here (4:43), here (4:04) and here (10:11). I just think it’s a funny shy boi thing XD

d. Totally RANDOM, but I love his eyeroll (9:00)

e. Unexpectedly deep and amazing answer to what nightmare Tom would give other people (plus everything else tbh)

f. Tom insisting that eating only within 4 out of 24 hrs and exercising for 5 hrs each day for 3 months was ‘easy’ compared to actually playing Morpheus. This man is insane.

g. Tom stole the sand pouch and is so shifty about it lmao

h. I said this before: Tom and Morpheus are still totally separate in my mind, so seeing this BTS when he’s dressed as Morpheus but speaks as Tom is a reality-shifting experience for me every time. Also, in natural light the subtle eye makeup is really popping. God, this man would KILL it with smokey eyes!

2. I love animated talkers who are also articulate, they tend to be the best storytellers. Tom being just that in these Orphans (5:12) and Sea Wall (37:26) interviews (I recommend watching Tom in both in full, tbh)

3. Linking this Orphans interview because a. His eloquence and wisdom shine through and b. He’s looking sort of devastatingly pretty

4. Tom can play the piano!

5. Never seen a Brit giggle so much (I know I already gif-ed this but you gotta hear the SOUNDS)

6. Englishman struggles to speak English for half a minute straight

7. Tom’s workout vid for Sandman. Not to ogle, to appreciate the unholy amount of effort. You can also see the inconspicuous S tattoo on his back (for his ex, I guess). This man is wearing a hat in the gym... hair too long?

8. Far from the Madding Crowd interview because I need y’all to see this look

9. I like this 1984 interview ‘cause it’s interesting, been edited in a creepy way matching the content they’re talking about +Tom talks about not using a smartphone

10. Adding this to show how much Tom has grown, as we all grow. The ‘romantic’ experience he describes here, while startlingly honest, I can’t see him talking about now. He was a bit rough around the edges, a little awkward with his presence. I find that endearing and relatable, honestly, ‘cause I am VERY different in the way I present myself, speak, communicate now from a few yrs ago. It’s a process.

Fanvids:

Some of my faves here: 

1.      Best Sandman/Morpheus tributes 1, 2, 3, 4. Angsty king Morpheus. Cool Morpheus. 

2.      AMAZING Morpheus x Jessamy 1, 2 and 3

3.      Morpheus x Johanna 1 and 2

4.      Morpheus x Calliope 1, 2 and 3

5.      Me: I ain’t no Twilight fan and watched TVD only for Damon, vampires can suck it away form me. Also me: Watches this 50 times in a row. Edward x Morpheus

6.      Bruce Wayne x Morpheus

7.      WTF is going on and why do I love it: AU/Crossovers/Fancasts with Morpheus- 1, 2, 3, 4, 5, 6, 7

8.      Will x Emma, Waiting for Forever

9.      Best Jake x Tess, Sweetbitter, 1 , 2 , 3, 4

10.      Best Alex x Nigel, Like Minds, 1 and 2

11.      Effie Gray x John Everett Millais, 1 and 2

12. + Tom in Remainder 

13. Carlo Marx, Carl (3 Way Junction), King Henry VI, Danny (Junkhearts)

Voice Work:

1.      Sea Wall audio

2.      Someone isolated Tom’s voice from the music in the Netflix podcast

3.      Tom reading two letters. This one by Henry James is emotional and I expected his passionate reading, but this one by Mark Twain- Tom was HILARIOUS! Please make him do more comedy.

4. Tom reading Wordsworth’s ‘A Complaint’

5. Tom as Morpheus- playlist of his dialogues isolated for each episode 

Miscellaneous:

1.      1984 bootleg (480p)

2.      Context: Someone made a t-shirt with Tom’s head on the boobs and wore it, which RPatz saw and mentioned in an interview. The whole thing is bonkers. Maybe I was having a slow day but I laughed for a solid minute at this lmao (but I’m a whole adult-adult writing 1500+ words posts about Tom, so maybe I should shut my mouth).

3.   (Later addition): Masterlist of fics I wrote. The Sandman/Morpheus and Sweetbitter/Jake.

I might be adding more if I remember new things, but this is it for now. I actually enjoyed writing these posts. It’s been real, folks.

[koyangii]

2023 - The year of Japanese BLs (My 2023 BL wrapped)

After plenty of good BL releases in 2022, I was hoping 2023 would keep the pace and give us even better content. However, I turned out to be very disappointed. In my opinion, the majority of the shows were blank, superficial and had really bad script and bad acting, so there were very few of them I've managed to finish, mostly Japanese ones.

One thing that really draws me towards Japanese productions is that the stories are believable and portrayed in a natural way. Even when the acting has big "anime" reactions, they usually fit in the context. Kieta Hatsukoi, for instance, explores this type of reactions very well and they don't feel cringe at all, unlike most Thai BLs and some Korean ones as well.

Nationalities apart, there's an obvious gold rush that is happening in the BL industry. A lot of companies realized that BL does make profit and are producing a lot of shows, poorly written, poorly casted, but that's ok since people are still consuming for the skinship, right? There's a public for that, so why invest in good, but a little more expensive stories?

Anyway, this is my opinion of course, as a regular consumer of the genre, and I can't help to be disappointed. But enough of the complaining, right? Let's go to the list of my 2023 favorites!

Top 3:

The eight sense

This BL has entered my list of all-time favorites. Fresh and mature, the chemistry between the leads is amazing. Jihyun's innocent approach to life contrasts really well with Jaewon's harsh perspective and I love the way both of them bond while helping each other to evolve. The feeling of the show reminds me a bit of Skam, another all-time favorite, and I found out that it really was one of the materials they used for inspiration. If you haven't watched it yet, stop everything you're doing and go watch The eighth sense right now.

2. If it's with you

I loved this show so much! The manga adaptation was beautifully done, they really paid attention to the details. It's a very sweet, heart-warming and honest story. There's no "instant love”: the relationship between them is built little by little, through sincere conversations and empathy. The series invites you to be more honest with yourself and to not be afraid of showing your true self. 

3. My Beautiful Man 2 and My Beautiful Man: Eternal

Well, it's somehow funny that I put this BL on the list, because I hated the first season of My Beautiful Man. However, the second season and the movie explore the motives behind the characters' actions in a deeper way, so the viewer can better understand the relationship dynamic. One thing that I really like about this story is that, although there is a worship behavior from Hira towards Kiyoi, Hira's life is not all about Kiyoi. In the same way, despite the fact that Kiyoi enjoys to be worshiped, he's also unsure about Hira's feelings: does Hira love the perfect, godlike image of Kiyoi he created inside his head or does he love the true Kiyoi, the human being with flaws?

Honorable mentions:

Our Dining Table

A great slow-burn which approaches the fact that true family is the one you choose, so sweet that almost made me die of too much cuteness.

I Can't Reach You

A very sweet friends-to-lovers story, which is now on Netflix!

Love Tractor

A fresh and funny countryside love story. I just love how Yechan is so hyped when it comes to Seonyul. This man must be kept in a jar, protected from all the badness in the world.

Conclusion

Well, although I believe 2023 wasn't the best year for BLs, it did give us some true gems, more productions and more visibility. I've seen news about Kdrama actors working on BL projects that will be released in 2024, so I guess we're having some next-level good content this year.

So that was it for this BL wrapped. I hope you all had great holidays and that 2024 will be full of blessings to all of us! Bye, bye!

[oinkinpigprince]

Scientist!Charlie x Android!Pim 🙏

Wow, I this is fascinating! I love Detroit become human but honestly I feel like I’m going to have fun with this :o))!!

I’ll be referring to Pim as an it, for the sillies

Scientist!Charlie x android!Pim

Charlie has been working on his latest invention for about a decade, since he was getting older(he’s only 30??) he wanted a companion to keep him company and share his secrets with

So he created P.I.M! It isn’t an acronym he just thought it would be more sciencey. A companion he could share all his thoughts with

He actually didn’t create Pim with the idea of romance, Pim was just suppose to be a kind supportive friend. Charlie found himself seeking Pim for comfort when troubles arise in his life, especially social life.

Pim was given the ability to adapt and learn as it goes, getting pretty limited access to the internet during the earlier years to ensured he stayed positive and optimistic! It mainly watched light hearted comedies and romance movies, documentaries about anything, and animated movies/shows. Which morphed its personality a considerable bit

After charlie made sure Pim wouldn’t go bat shit and rip peoples spines out, he let Pim have free roam of the world. Until someone put Pim in a trash can then Charlie decided to stay close to him when it wanted to leave. Pim was just too trusting and believed everyone is his friend(he still thinks that)

Charlie of course kept tabs on Pim, watching him progress and learn. Pim didn’t like the sad or more brutal movies like Charlie did, it was interesting to see the androids reasons.

After a while he just kinda stopped, Pim became more and more like a true friend. Charlie was shocked with the humanity and understanding the robot showed. A small voice use to tell him that it was just because he was programmed to think this way, but as the two got to know each other more and more Charlie felt, like Pim was more of a person.

Pim grew more fond of Charlie as he learned about everything, it was like Pim had known Charlie for years. It asked questions and was fascinated by the answers, it never seemed to get tired of talking to Charlie, program or not. Charlie is his most special friend in the whole world

Charlie realized he had developed a crush on Pim when one night the two were talking and Pim leaned on Charlie to show comfort. He felt his heart race like never before, it scared him almost

Pim just is very physically affectionate with Charlie and it makes him so flustered. He loves it but he also hates it, it’s confusing

Talking about romance with Pim was a little, confusing. Pim couldn’t seem to understand the concept of it, it’s like a person you REALLY like right? Someone you want to spend your whole life with? Isn’t that just a really close friend?

The reason why Pim can’t figure it out is because he loves Charlie, and it just had no idea how to process romance so the closest thing it could find was friendship

Charlie had to explain “No Pim, friends don’t just kiss each other. Have you been kissing random people? Is that why I found you in the trash can?”

Pim is very straight forward with Charlie, scarily straight forward. When it finally clicked he straight up looked at Charlie and said “oh! I love you!” And Charlie just stood there blushing

Charlie has to explain what happens next after the, very interesting confession and Pim is so excited, NOW WE GET TO HUG? LETS GO!

It loves how soft and warm Charlie is, Pims soft ig but it’s artificial softness and it’s cold af. It likes to just curl into Charlie and feel the warmth of blood

Charlie gets so protective over Pim, he’s scared Pim will honestly trust the wrong person and divulge all of their personal information

Pim will forever see Charlie as is best friend, and is glad it got to know Charlie when it did

I can so easily make this sad :3

[mugbearerscorner]

I was yesterday years old when I learned that Mel Brooks adapted one of my favorite Soviet satirical books, Twelve Chairs by Ilf and Petrov. I found it, downloaded it, watched it, and it's very on par with Russian adaptations I've seen!

A 1 hr 40 mins movie of course cannot contain the entirety of the book's story, so Brooks had to carefully choose which parts of Ostap Bender's adventures made it to the screen, and I think he did his best and came out on the top.

The acting is superb, and Frank Langella feels like a fresh take on Ostap's whole image (the Soviet Ostap had a bunch of costume staples that migrated from one director to the next like peaked cap, striped jacket and a white scarf).

Ron Moody's Vorobyaninov seems to be about the same in both acting and costume, though his behavior grows more manic the further down the list of chairs they go.

Also, loved the alternative ending. Details under the cut.

Both endings see Vorobyaninov losing last grains of his dignity as he lashes out at Ostap, but originally he does so with a knife. Bender's fate is left intentionally dubious, especially given that he appears in the sequel novel called The Little Golden Calf.

In Brooks's version, Vorobyaninov also loses all his dignity but instead of attacking Ostap with a weapon, he resorts to the epileptic seizure trick Bender taught him in Yalta, which in turn draws Bender back in, reinvigorating their partnership.

I wish there was a second movie based on the sequel book, but Brooks never produced it and, since Vorobyaninov is nowhere to be seen in the original, it wouldn't mesh with the movie's ending.

[headcanonsandcupcakes]

My Thoughts on NATLA :)

Sorry that this wasnt posted yesterday as I had promised, but life got in the way and I wanted to write it without feeling rushed. And I want to preface this by saying that I am not the biggest blogger on ATLA, nor does my opinion truly matter, however, ATLA has meant a lot to me since I discovered it 4 years ago. It is the reason I reopened up my Tumblr since not touching it since 2015 (I know, I'm old). In addition to this, I have also been closely following the live action coverage since 2020 (thanks to the Avatarist on YouTube), so I feel the need to say something about it.

Now with that out of the way, below are my thoughts: The biggest criticism that I have seen is that the plot felt rushed, and most people that are using this point to criticize the live action are not noting that the show was only greenlit 8 episodes. In addition, the show was only greenlit for 1 season, making the writing process incredibly hard to make sure that fans were happy but also getting the main points across. Book 1 of ATLA appears to be considered the weakest season by many of the fans. And as someone who started watching this show back in 2020, I completely agree. There were many filler episodes, and there were some writing aspects that appeared to be all over the place. It should also be noted that Bryke was unsure if they would get another season, so they also had the same struggles as the NATLA showrunner/writers had. However, it appears as though many are holding the live action to a higher standard than the cartoon instead of realizing that both had their challenges. Another point that seems to be criticized is the acting. I think people seem to forget that most of the main cast were kids/teenagers that did not work in many roles besides this one. So of course, we arent going to get an outstanding performance. Lastly, another point that I have seen around the internet is the argument that, "this is why the creators left". Okay, I get it, to not have the creators involved in the series could be reflected as troublesome for sure, however, I think those making this argument seem to forget that Bryke are not perfect either. For one, they executive produced the abomination that is the 2010 film, and were gassing the movie up until the movie was released and was received poorly. Additionally, they also were heavily involved in Legend of Korra and look at how that turned out. So, what do I think of the show? Well, perhaps it is because I found this show later in life and I am not blinded to the nostalgia factor, but I personally loved this adaptation. To me, the changes that were made felt so necessary in order to get the plot moving, as well as please the OG fans, and also ensure that new fans can understand the lore. I also feel like they did capture most of Book 1 and you can tell that they cared about the source material. I also went into watching this with a very open mind and understood that this was an adaptation, not a carbon copy (which was constantly hammered by the showrunner multiple times but still seems to surprise people). I also feel as though you cant make everyone happy. The best analogy I can think of is the Lion King live action. People were upset that it was a 1:1 adaptation and didnt make any changes. I cannot help but think that if NATLA did take that 1:1 route, people would be upset that no changes were made. The SFX and the fan service that was given to us was so good, and it was nice to see Koizilla in live action. Now, I wont say the show was perfect. There were some clunky aspects and the dialogue could use some work, but to me I think they did a good job for what they were given (episode lengths and unsure of a season renewal). I think should they get a season 2 (fingers crossed), Netflix needs to give it at least 10-12 episodes. I mean, if somehow Orange is the New Black had 13 episodes for most of their seasons, why cant an exception be made for this franchise?

My favorite episode was by far episode 6. As someone whose favorite character is Zuko, I guess I'm biased, but I loved everything about this episode and the Pohuai Stronghold escape was so cool to see. I also think that Bumi's characterization made sense in this live action - I know this is a hot take but I feel like realistically, someone that has dealt with 100 years of war would be jaded and angry and hold some resentment. Again, maybe its because I am not blinded by the nostalgia but I thought it made sense. Additionally, I think it was very smart to include Azula in this version. We have to remember that Azula is a teenager just like Zuko and is manipulated by Ozai. To see her struggle and feel insecure doesnt inhibit her character to me. In fact, I think it sets the stage for when she eventually has that mental breakdown, it will make more sense and people will sympathize her more.

I know this is all over the place but I really hope we get a season 2. I think that all the criticisms aside (if you weed out the nitpicking), the NATLA team can make a great season 2.

[daenysthedreamer101]

Youngest Original ~ TVDU

Ch 5 - Where are you?

Mikaelson!OC

Warnings: none really, minor description of blood, compulsion

Masterlist

This is the shortest chapter by far, save the prologue and it is kind of filler but I liked it regardless, hope you like it as well

I'm a shoulder you can cry on Your best friend, I'm the one you must rely on

Mystic Falls, September 2010

In the following weeks, the renovations on the mansion Kassandra and Klaus picked out took place. It was mostly over, the only place left was the entrance hall. The bedrooms upstairs were all finished.

Klaus was currently gone, doing God knows what with his hybrids, so she was alone in the house. She was brushing out her hair and listening to music. Many of the artists she loved in the 80s and 90s were now older or passed away. She cried when she found out Michael Jackson passed away.

She was listening to "Chiquitita" by ABBA. As the finishing touch, she sprayed perfume on her wrists and neck - it was vanilla-scented with hints of rose and citrus. Once she was satisfied with herself she made her way downstairs.

Her mind was on her sister. It's been weeks and there was no sign of her. Rebekah was capable of protecting herself, sure, but she would be defenseless with a dagger in her heart. Kassandra sighed as she nervously played with the heart-shaped ring on her hand. 

Stefan Salvatore had stolen the caskets containing her sibling's bodies and he was using that as leverage against Klaus. "I just hope we find them soon..." She thought as she poured herself blood into a wine glass.

~

Kassie was currently on the couch in the living room - she was watching the movie adaptation of one of her favorite novels, The Lord Of the Rings. The movies were filmed and released while she was daggered so she only recently found out about their existence. 

She was currently on the scene where Aragorn and Arwen were talking to each other before the shards of Narsil when all of a sudden Klaus came in bursting through the house, sounding rather annoyed.

"Kassandra!" He yelled, his voice echoing through the large mansion. She sighed and paused the movie. 

"Here." She answered softly, knowing he would hear her. In an instant, he appeared in front of her. She looked up at him, with an annoyed expression on her face. "Yes?"

"Put some shoes on. We're going on a little field trip." He said as he took the remote from her hands and turned off the TV. 

"Hey! I was watching that!" She exclaimed. 

"What do you mean field trip? What are you talking about?" Kassie asked, confused.

"I've found a way to find Bekah." He replied. 

She looked at him suspiciously. "How?" She asked with narrowed eyes. 

"And here I thought Rebekah was the judgy one." He joked. "What do you think I've been doing all this time?" 

Kassie simply shrugged her shoulders. Klaus chuckled and put his arm around her. "Have some faith in me, love." She gave him an unimpressed look.

"So, what is your master plan?" She asked as she got up from the couch, in the process pushing away Klaus's arm.

He chuckled again. "It's fairly simple - a locator spell." 

"Of course! God, how haven't I thought of that!?" Kassie exclaimed. They walked toward the front door where her jacket was. "So that means you found a witch to help you?"

"Naturally."

"Right. But don't you need the blood of a relative to find the missing person?"

"And that's where you come in, dear sister." He said as he held the door open and the two of them walked out of the house.

Kassie furrowed her brows. "But you're her sibling as well. Why didn't you just give your blood?"

"The witch demanded your blood. She said yours would be better since you and Bekah are full-blooded siblings." He replied and Kassie didn't miss the hurt in his voice.

"And the witch said it would work even better because of your matching rings" Klaus added as they got inside his car.

Kassie and Bekah had matching heart-shaped rings. They were fairly simple in design, the only difference was that Rebekah's was made of gold and Kassie's was silver. They bought them from a small jewelry store back in the 1800s. The two sisters never took them off. (xx)

"Right...so where are we going exactly?"

"Thankfully for us, she moved to Richmond a couple of years ago."

~

Two hours later they found themselves in front of a small, shabby-looking apothecary. Klaus entered first and Kassie followed. The inside didn't look any better - dust was visible in the air, cobwebs covered most of the shelves, and an unpleasant smell of something burning was present.

"How...lovely..." Kassandra remarked as she looked around unimpressed.

"Now, now love, we're not here to be judgy," Klaus responded. Soon after, an elderly woman appeared. She was on the shorter side. Her golden hair was tied back into one long braid. Her icy blue eyes bore into Kassandra. 

Even though her youth was fading away, Kassie could see traces of her former beauty. The woman wore a flowy blue dress with long sleeves and had many necklaces covering her neck. On her head, she had a beautiful black headband. 

"Kassandra, this is Natalya. She will help us find Bekah." Klaus introduced the two women. The witch grabs Kassandra's hand and takes off her heart-shaped ring. After a few seconds, she lets her go and goes behind the counter.

She opens up a map of Virginia and puts it on the counter. She also brings out a knife. "Will you do it or shall I?" The witch asks Kassandra. 

Kassie is quiet for a second, then picks up the knife and cuts her left palm. She hissed but endured the pain. Blood dripped from her hand down onto the map. Natalya took the ring, grabbed Kassie's free hand, and started muttering.

As she was muttering, the blood started moving around the map. After a couple of seconds, it stopped right above two words - Mystic Falls. 

"I knew it! I told you, she never left town." Kassie exclaimed. 

Klaus hummed in response. "I think I know where she is." 

After they met with the witch, they returned to their mansion. Klaus poured himself a glass of bourbon while Kassandra watched, waiting for him to reveal his plan. 

He downed the remainder of his drink and turned to his sister. "Here's what you'll do. You'll go to their little Mystic Falls High and compel yourself an enrollment paper." 

"You want me to enroll in their high school? Why?" Kassie asked with furrowed brows.

"Because, little dove, I need you to be my eyes and ears since Rebekah is down at the moment." He explained while one of his hands moved a strand of hair from her face.

"You want me to spy on Elena and her friends." She concluded quickly.

"I knew you were a smart girl." He said with a wicked smile.

"But they'll know it's me. Stefan will recognize me." Kassie pointed out.

"It doesn't matter. What can they do against you? To everyone else, you're just the new girl in town." 

Kassie sighed. "I'll get to it, then." She picked up her purse, took the car keys from the table, and begrudgingly went to do what was expected of her.

~

"This is ridiculous." She thought as she parked the expensive Audi in the school parking lot. She got out of the car and walked inside the building. Her heels clicked against the floor, the sound reverberating off the walls. 

The halls were quiet and the school was almost empty, save for a few professors and a janitor. There seemed to be no students present. "To be fair it is Friday evening." She told herself.

She finally found her way into the office of the school secretary. "Right. Let's get this over with." Kassie thought as she entered the office. 

The woman seemed surprised by her entrance and asked her what she needed. "Can I help you?"

"Yes. I need enrollment papers." Kassie said, trying to be nice before inevitably using her powers. 

"Do you have any documentation with you?"

"No."

"Hun, how do you think to enroll without any documentation?"

"Like this," Kassie said as she leaned over the counter, looked the woman in the eye, and compelled her. 

After 10 minutes of waiting Kassie got her papers. She once again compelled the woman to forget their entire interaction and then left the office. 

~

Sherrif Liz Forbes was in Mystic Falls High, picking up some papers for Caroline. On her way there, she noticed an expensive-looking car parked in front of the school.

Once she entered the school and was walking toward the secretary's office, she saw an unfamiliar young woman walking out of said office.

The girl was tall, with long brown hair, and was dressed affluently. There was something odd about her, Liz thought, she didn't seem like a regular high school girl.

Before she could do anything, the girl was gone. Shaking her head, Liz entered the office and greeted the secretary. 

"Hello, Grace." 

"Oh, Liz! Hello, how are you?"

"I'm good...Grace, who was that girl?" Liz asked.

Grace tilted her head in confusion. "What girl?"

"...The girl that just walked out of your office."

"There was no one here. You're the first person to enter my office since lunch break." 

"Are you sure?" Liz asked again.

Grace chuckled. "I think I would know if someone entered my office, Liz." 

"Of course," Liz said, alarm bells going on in her head. "A vampire..." she thought grimly. 

***

Kassie and Klaus figured out that Bekah was daggered and we see how deep Kassie's care is for Bekah. We see her compel her way into high school lol and at the end, Sheriff Liz almost catches Kassie in the act. Hmmm..

Thank you for reading 💜💜💜

If you have any opinions feel free to comment!

[rainylana]

LOTR premiere with hellfire headcanons

Eddie Munson x female reader

summary: eddie and hellfire loose their shit over the new lord of the rings movie:)

requested by @itiscj

warnings: ultimate fluff and very slight language, reader is described with blonde hair! also lotr characters and scenes mentioned. that’s it!

taglist!

@ariesl0ves3ddiemuns0n @eddiemania @eddiemunnson @mic429 @kellysimagines @avobabe87 @bellasfavoritesweatpants @averysblog @antigoneidk @fionnthebandersnacc @imabadarsebard @lillianofliterature @underthebatcape @supercalifragilisticprincess @delilahtaylorsverson @your-starless-eyes-remain @cosmic-lavender @flowers-and-tsukki @catherinnn @imangy @ahzysauce @kaqua @getbillzoned @xx-hospitalforsouls-xx-blog @blowing-mikey @chaos-incorp @ultimate-sdmn-trash @noturmom15 @lexthemess21 @softyutae @tripthlightfantastic @livasaurasrex @hearts4laura @insomniac-nerd-posts-things @justaproudslytherpuff @ches-86 @actuallybarb @kneelforloki @fvcking-gxddess @phantomxoxo @tessiemessie @ohlovelyhollow @aa-li-yah @nothisispatric @genuine-possum @no0neknowsm3 @rovckwells @heeyitsg @dream-alittlebiggerdarling

• When it was released that the ever famous trilogy of Tolkiens ‘Lord of the Rings’ would be turning into a motion picture, never in your life had you seen Eddie, or all of hellfire, so excited. No, excited didn’t cover it. They cried. Legitimately cried when they heard the news.

• It was an entire year before the movie actually premiered, and during that year, it was all he ever talked about. He tried not to talk your ear off about it, but when Dustin and Mike came over, he wasn’t able to help himself. They talked about what they hoped would be included in the film, what they hoped would be left out. And when they found out Ian Mckellen was playing Gandalf….you had to leave the trailer for the night because it had flooded with tears.

• So instead of hellfire nights, they dedicated their time to rereading the trilogy, along with ‘The Hobbit’ and having very detailed discussions and arguments.

• “Eddie, I love you, honey. And I know you’re excited, but shit, can’t we talk about something else?”

“Oh. Y-yeah, sorry, sweetheart. I’ve been doing that a lot lately, huh?”

• They made their own costumes of their favorite characters for premiere night. Eddie was Aragorn, of course. He’d found armor at a second hand store and a sword to go with it. It was plastic and cheap, of course, but it got the job done. He had dusty, torn boots that matched the description of Aragorns in the book, and he kept his hair pulled back slightly.

• You weren’t exactly as big of a fan as he was, but you had to admit that you were excited to see the movie adaptation, so Eddie was able to convince you to go as Legolas since you had the blonde hair for it. You were able to borrow a few of Wayne’s hunting arrows to put on your back, and Nancy braided a strand to lay against your temple.

• Dustin went as Frodo💀

• You stood in line outside the theater for two hours waiting to get inside. You sat on the concrete sidewalk with your head against Eddie’s knee while everyone else stood.

• And oh, my gosh- when the movie started with Galadriel’s narration about the nine rings, Eddie had gripped your hand so tight you squealed in your seat. The theater was crowded with nerds so it wasn’t just them who were screaming and shouting.

• OH! when Gandalf was defeated by the Balrog, Eddie was sobbing💀

• You had to admit, though, it was pretty amazing to see the boy’s finally get to watch the movie, and it had been amazing. You know how special those books were to Eddie, how much they meant to him. Even Wayne knew how big of a deal this was.

• His favorite part was definitely when Boromir had been killed by the Urak-hai pack. And when Aragorn had kissed his forehead when he passed, you felt him squeeze your hand tighter.

• When it was over, you flinched when they all jumped up, clapping and cheering. There wasn’t a dry eye in the audience.

[goodest-bird]

Just watched nimona after reading nimona and. They did an incredible job adapting the book. Do I miss something’s in the book, sure, but by god they knew how to make a story that would hit hard now with the current horrors. This is gonna be a bit of a ramble.

It was kinda a breath of fresh air for how film media typically treats prejudice. They said everyone is guilty, nimona is right to want to break down the institution and no one is listening to how it’s suffocating people. The mirror the conflict of ballaster and ambrosious, where ballaster comes to understand how the system is rigged against him from a class perspective(he started with nothing and everyone always assumed he would turn out to do wrong with his power), and the conflict between nimona and ballaster(he was taught that it was good and right to kill wha was different for safety/preservation) was a beautiful juxtaposition. Fundamentally both conflicts are the same but ballaster is in the position of power in one versus being victim in the other. It lets ballaster see the injustice in his society’s structure while also understanding that he is a part of it and helps uphold that structure. Hence why he says I’m sorry to nimona at the end. He was supposed to be on her side and yet he wasn’t for just an instant when confronting her about that scroll because he gave in to the fear society had made cannon.

And then from nimona’s perspective she just wants to live, and to be friends with who she can. And she wants to get revenge on the system that forbids her to do either, by way of her being hunted and the consequences of that. She has lived at least 1000 years and seen humans repeat the same circle of hatred, and when she finally thinks she has found someone who should understand he turns his back to her as soon as he is given evidence that she might be what he feared. How can she possibly trust him. She sacrifices herself at the very end because ballaster in that one moment where he says “I see you” proves that she is wrong about humanity. That they can love her.

And then of course their is the very real metaphor for what’s it’s like being queer today. Where all across the world we see people suffering under capitalism, and yet have been tricked into thinking that if they perform well enough, stick to the system well enough, they can escape. People who should understand what it means to be subjected to the whims of government readily going along with the subjugation of queer people. Nimonas story parallels this dynamic. Under this perspective, we can interpret the story to have a broader meaning. I think in the end the movie is trying to say, nimona was right to want to tear things down, and we should have supported her. That by listening to her ballaster would have understood how he was being oppressed.

Anyways their is a billion more things you could analyze about this movie but I’m done now

[bluedalahorse]

So I wrote a little something about the RWRB movie, particularly the erasure or diminishing of some other queer characters’ (not Alex or Henry’s) identities. I’m cutting it so you don’t have to read it, but of course you can if you would like to. Not going to tag it for now, just for peace of mind.

So overall, there were parts of the movie I found charming and enjoyable, and I think things really picked up in the second half. I did find the whole thing kind of uneven on a writing level. I know changes have to be made and things have to be cut when you go from a novel to a two-hour movie, and I sort of like looking at how the adaptation process works. After a second watch I can probably pin down some of the writing issues and appreciate what did work. I don’t know if I will or won’t post about it.

Really, right now, the thing on my heart that I want to discuss, is the representation issue.

I actually think they did a good job representing Alex and Henry’s relationship mlm onscreen, once it got going. The tender moments were tender, the spicy moments were spicy. You didn’t get actors looking at one another like “oh god I have to be in love with a man now” and we didn’t cut away from the intimacy scenes like we were ashamed of them.

But—sigh. The way they cut or diminished every other queer character in the story. Obviously I knew Luna and Liam had been cut out, so I was ready to adjust my expectations there. I’m glad Amy was played by a trans actress, although I also wish we like… knew Amy was trans and sapphic? Maybe there was a line about Amy’s wife that I missed, but I don’t remember one. 

My biggest feelings of frustration, though, is how they handled Nora, who is very much bisexual and Jewish and a statistical analysis nerd. I get combining Nora and June to streamline things for the movie, but I do not understand why you wouldn’t make Nora bi? You can keep roughly the same number of scenes with her and Alex, and just rewrite their interactions to sound like two queer friends talking instead of a protagonist and his Black Best Friend archetype the protagonist says things to because he needs to say his internal monologue externally. Rachel Hilson did bring great energy to the role, so I liked seeing her onscreen. I just wish the script gave her more to work with and didn’t erase her bisexuality. Like there’s a certain audacity to the script saying that the B in LGBTQ isn’t silent (an important line to have!) when the film is either very much silent about a key character’s bisexuality or has written it out completely.

(Although, the part where Nora was obviously playing a drinking game over political debates? Loved that, excellent example of DC behavior right there, I did cheer at that scene. I am 100% serious.)

Also. There’s just… something. About implying that the gay Mexican journalist character was the one who leaked the emails, instead of the Republican Party. There’s something about writing that storyline in an America where gay people, Mexicans, and ~the media~ are regularly demonized. At a time when the actual Republican Party IRL is literally out here trying to do a genocide on trans people, and Florida’s Don’t Say Gay ban is on the books, and everything. I get that Prime was probably trying not to piss off the actual GOP and draw their ire, but like, conservatives are not going to watch this or like this anyway? I get changing the antagonists, maybe, but maybe we need to go in another direction with that. Hm.

One more thought, as far as overall vibe. Washington DC is statistically the city in America with the highest LGBTQIA+ population. Queer rights are visible in our city’s culture—maybe in a nerdier way than some of the more “hip” US cities but it’s still there if you know where to look. The West Wing/federal government are a bit removed from DC’s broader culture, depending on the administration, but Ellen Claremont is a liberal Democrat with a diverse staff, so she’s more likely to have an open relationship to DC’s queer culture than say, a conservative Republican president. So… idk. Let Alex move through scenes that reflect this culture, is what I’m saying.

Tl;dr I think the RWRB movie worked as a gay romcom in the Netflix Christmas movie sense. It reflected an mlm relationship and did it well enough. At the same time, Casey McQuiston writes books about queer community, which has always been one of the reasons I gravitate toward their work and come back to it. I feel like this movie chose queer individualism over queer community, and that makes me sad. It especially makes me sad in a time where we’re getting tons of mlm-themed things released but every other aspect of LGBTQIA+ identity has been ignored or diminished.

For comparison, RWRB is about the length of half a season of Heartstopper, and even half a season of Heartstopper depicts a range of LGBTQIA+ identities and knows how to write queer community, even when centering the story on a main mlm relationship. And yes, Heartstopper is different, different things need to be considered and so on. I do think the People Who Make Heartstopper looked at what the comic said, went “oh, one of the things this comic is about is about is queer community” and created a show that reflected that, even if they couldn’t adapt everything from the comic. I wish the People Who Make RWRB had looked at Casey’s book and done the same.

I hope we can simultaneously hold the competing truths that like, 1. it’s okay if the RWRB movie isn’t groundbreaking art, because some LGBTQIA+ movies are just allowed to be mid romcoms, but also 2. it didn’t do right by the queer community themes in the book, and it erased the queer women especially, and this feels like part of a larger pattern when so many mlm releases are happening all at once.

Anyway I’m done, for now. More thoughts later? I mean who knows.

Who’s looking forward to Aristotle and Dante Discover the Secrets of the Universe?