#I had no idea why that trope specifically was so popular

[merakiui]

wait mera can u elaborate more on slasher!floyd? 🥺🥺🥺🥺 the plot twist of jock floyd being the slasher sounds hot ngl

and what if reader was the unpopular, outcast type? and her group of friends get killed one by one because it turns out floyd got jealous you give them attention more since you have never look in his way for once? when in truth you’ve always did from afar but you never had the guts to approach him before since hes always hanging out with the popular kids. i just like the yandere potential of this idea it got my brain cookin!!

:O omg omg omg yes!!!!!! The trope of popular jock x unpopular outcast is so yummy... imagine Floyd sending you anonymous love letters, but he's the last person you suspect because he never seems engaged in your literature class and you never pegged him as a poetic sort of guy. The letters are all so sugary-sweet. Whoever's writing and sending them genuinely loves you. It's a gentle love, mostly. The pining-from-afar sort. But this mysterious admirer becomes the last of your worries when your friends start turning up dead in ways more brutal than the last. You're devastated, reeling from the horror of it all.

What if you're next? What if this person is specifically targeting you and your friends and you're next on their chopping block? You're trying to grieve and mourn the losses while also attempting to stay safe. It's such a stressful time. Floyd just wants you to notice him. You probably think he's just a stupid jerk who loves sports and sex, but that's not true. Sure, that's the face he wears for everyone because it's easy to be carefree. But he has his own worries, too! No one ever bothers to ask because it's a rainy day when Floyd worries, so he never says anything. But if you just talked to him... if you wouldn't push him away or cower whenever he tries to be cool and talk to you in that lively manner everyone knows this could have been avoided. He feels bad for scaring you and he feels bad for being a bit of a bully before whenever he'd get impatient and intimidate you into a conversation with him.

But now there's no one left to stand in his way. It's terrible being alone. Floyd would know. In a crowd of dozens, he's never once fit in. He doesn't care about the things all of these social cliques pride themselves on. He just wants you, but you never seemed to want him in return. Why bother running from him? You know as well as he does that he'll catch you in the end. He plays basketball and works out daily. Come on, Shrimpy. Not very smart.

He won't kill you. He'd never! Sure, he might rough you up a little if you struggle, but that's only because he can't have you escaping. Was it surprising to find out he was the one who killed your friends? You didn't expect the popular jock, did you? No one ever does because the popular jock almost always dies in the arms of his lover or fuck buddy in most horror films.

Floyd hates seeing you cry. He did note in his many love letters that he adores your eyes the most. They're expressive even when you don't mean for them to be. You may have thought no one would ever notice an outcast like you, but he did. So even if your eyes are filled with fear now, one day they'll soften with love. He's sure of it.

[vacuouslyfalse]

I was sent this by @metamatar on my thread about the material reasons why the US is not materially incentivized to back Israel. I'll be honest - I do not find it very convincing. Let's dive in.

The recent period has seen the bloom of two falsehoods, stemming from the same root of irrationality, glibly ahistorical narratives, and disinterest in understanding struggles for national liberation against imperialism. One: Benjamin Netanyahu more-or-less conspired with Hamas to maintain the Palestinian national division and empowered the movement in Gaza. Two: Israel and its parasitic lobby drive America into irrational warmongering.

The first is a slight overstatement of my position - there is no conspiracy, merely shared interests. The second is very far from my position - the US needs no external sources to drive it into irrational warmongering, but in this specific case, domestic support for Israel (both popular and elite) is what drives US support.

The ‘Netanyahu courted Hamas’ fairy-tale is newer, an odd chimera of the older truth that Israel and the US preferred Hamas – but, seldom mentioned, also Fatah – to Marxist-led Palestinian forces in the 1980s, and the newer truth that Netanyahu made deals that had allowed Hamas some financial manoeuvring space since 2014.

I think this basically concedes to my position on the first "falsehood," though it fails to mention Netanyahu's statements arguing that Hamas was a bulwark against Palestinian statehood.

From here on, the article spends several paragraphs summarizing the history of the Israeli-US relationship. While riveting, this does not directly relate to the question of US interests in this current war, so we'll skip ahead a bit.

The ‘Netanyahu enabled Hamas’ distortion rests on the correct statement that Netanyahu dealt indirectly with Hamas via Qatar and allowed the formation of a permit regime for Palestinian Gaza guest workers. This was meant to ensure relative quiet in the South. Far from Hamas collaborating with Netanyahu, or policing the ceasefire, this set-up was an achievement of the Palestinian resistance, allowing it the appearance of political stillness on its surface waters while underneath it moved fast and built up a deep defensive infrastructure. The lie is meant to suggest that Hamas’ strength is due to conspiracy with Israel, when Hamas simply expresses the nationalist aspirations of the Palestinian people. 

This is another, further distortion of the argument being made in "falsehood" one - that Israel's interests were served by Hamas. The idea that Hamas' strength emerges from conspiracy with Israel is absurd. It is, however, true that Israel has been willing to bolster Hamas and prefers it to a unified Palestine under the PA. Speaking of which:

This tall tale has also suggested that Netanyahu wished to avoid direct talks with the PA in Ramallah towards a peace agreement. The lie is the implication that the neo-colonial PA is a force for state building and Palestinian sovereignty. In fact, it is the velvet – more often these days, mailed – gauntlet of neo-colonial collaboration in the West Bank, amidst PA coordination with Israel and the murder of anti-collaborationist cadre like Nizar Banat in 2021.

This is, imo, completely correct - the PA is collaborationist. What this misses is that modern Israeli maximalists like Netanyahu reject the line pursued by the US, that of a collaborationist state governed by the PA. Even this shell of a state, along the lines of what was offered during the prior peace process, is now outside the bounds of what the ultranationalist Israeli far right is willing to accept.

Amidst closure and de-development, the popular resistance has been able to consolidate an arsenal and bring 1.5% of its population into a guerrilla force of 30,000-40,000 men that can – man for man – outmatch nearly any in the world.

This is where the article starts to go off the rails a bit. Can Hamas, man to man, outmatch nearly any army in the world? How would we know? Does this read like someone trying to do analysis or trying to write a PR piece?

The concrete is their mountains. From there they have imperiled an enemy with orders of magnitude higher GDP per capita – Israeli GDP is at $52,000 a year, with arsenals worth billions.

Fifth, through these achievements, the Palestinian resistance has been able to present an acute threat to the settler-capitalist property structures called Israel,

Here, we continue into mythmaking. How has Israel been imperiled? What acute threat has been presented? Certainly, over a thousand people were killed, but this does not constitute a threat to a nationstate. The article does not attempt to justify these statements further.

It is unimaginable that the neocolonial authoritarian states nor their US benefactor would remotely tolerate massive working-class militia which speak a language of justice and republicanism and raise arms against those states’ sponsors. In turn, it is as natural as the sun rising in the East that the US, the UK, Germany, France, and their Gulf and Arab satraps would converge on support for Israel as the spear’s tip of the assault on the surrounding Arab popular militia. 

Much of the "analysis" in this article takes this form - broad, sweeping statements with little attempt at justification.

Interestingly enough, this article actually links a far more lucid and well-reasoned analysis of the situation, with this funny aside:

(When did Marxists decide it is their job to whisper to the exterminationist class that their calculus is off?)

Good analysis is its own reward!

This article contains sentences like this one:

To contemplate any real reduction in its presence, though, it first needs a security settlement that would strengthen friendly regimes and constrain the influence of nonconforming ones. The 2020 Abraham Accords advanced this agenda, as Bahrain and the UAE, by agreeing to normalize relations with Israel, joined a wider ‘reactionary axis’ spanning the Saudi Kingdom and Egyptian autocracy. Trump expanded arms sales to these states and cultivated connections between them – military, commercial, diplomatic – with the aim of creating a reliable phalanx of allies who would tilt towards the US in the New Cold War while acting as a bulwark against Iran.

Which was really a breath of fresh air after the previous article. Directly citing US policy from the last ten years - incredible!

While it would be flattening a very nuanced article to claim that it takes my point of view, this is one of its core arguments:

Second, in pinning its imperial strategy on the Israeli normalization process, the US became especially reliant on this settler-colonial project just before it was captured by its most extreme and volatile elements: Smotrich, Ben-Gvir, Galant. If American support for Israel has historically exceeded any reasonable political calculus, under Trump and Biden it acquired a coherent rationale: to place its ally at the centre of a stable Middle Eastern security framework. Yet the Israeli cabinet that came to power in 2022 – addled by eliminationist fantasies, and determined to draw the US into war with Iran – proved least able to play that role.

It makes the argument that recent US support for Israel was part of a larger strategy to disengage from the region, but one that made mistaken assumptions about the ability of Israel to maintain stability, and that the eliminationist actions of the Israeli state have undermined the realpolitik rationale for US support.

I am not going to go through the second article because it would mostly consist of me nodding along, but I think we see two distinct ways in which leftists write on display here.

The first article makes very broad assumptions about US goals and motivations and cites actual events only sparingly and selectively to support its thesis. The second puts the focus on the events themselves and draws out the motivations from them. The former is useful for writing fluff for people who are already convinced of your point of view, but it does not pass very convincingly for analysis. The latter reads like someone who is actually trying to understand the world.

[esprei]

I just recently got into the submas Fandom and people kept telling me about Emmet x Volo being bad and toxic.

But when I looked into it, all I saw was your art of them and some. And it's not toxic at all??? What are people talking about?

You show them so nice and healthy wholesome together. It actually makes me interested in that ship.

Is that wrong of me? I just think your art of them is pretty neat.

Maybe more people should see how you show their relationship and stop not letting people have nice things.

hey there! first of all, welcome to the fandom! :D hopefully you'll have a great time! and I can do my best to explain this from my perspective at least. or... at least from what I've experienced/seen. (sorry, this will probably end up being long ;;) so to preface, it's not wrong of you at all to be interested in the ship! Emmet and Volo themselves have had zero interactions with each other in canon up to this point, so their interactions/relationship/etc are a blank slate, free real estate sandbox that's up to one's imagination and fanon interpretation. there's nothing inherently wrong about putting them together because they have no dialogue between them or anything that can be referenced as "this is how they would go together, this is how they would interact because it's been established that way in this game or piece of media". all we've got is their dialogue and individual personalities that we can glean from official sources (i.e. Pokemon Masters EX, the Pokemon Special manga and BW/BW2 for Emmet and Legends Arceus for Volo). really the only thing that "connects" Emmet and Volo is Ingo ending up in Hisui. and the reason I say this "connects" them is because a popular theory is that Ingo being sent to Hisui was a direct result of Volo having Giratina open the rift to try and drive Arceus out. but none of this is actually ever stated in canon, I believe. (also when I've seen some people talk before about this theory, there's basically this implication that Volo did it out of malicious intent, as if he knew he was going to bring Ingo specifically to Hisui by doing it and...? I'm so sorry, but no, I just cannot get behind this at all. Volo's sole purpose of getting Giratina to open up the rift was to drive Dialga and Palkia mad in order to bring Arceus from out of hiding - that's literally what he says in the game's dialogue.

I highly doubt that he had any idea as to who Ingo was at all before he met him at some point in Hisui for the first time). but yeah. i only bring this up because it's kinda what I think started the idea of Emmet and Volo interacting at all? maybe not exactly, I can't remember because it's been too long and I both don't remember and wasn't too directly involved when all of this started. but essentially Emmet and Volo even being considered interacting kinda revolved around this idea that Emmet is looking for Ingo, finds out that Volo was the reason for the rift that caused Ingo's disappearance, and that now leads me into the part of why I think the ship is seen as toxic. so. the main reason I'm pretty sure that people say that the ship is toxic is because of how much a lot of early art/works portrayed it (based on what I just explained above). and it's totally fair. because admittedly it did start out with some violent aspects and really just Emmet doing things I personally don't think he would ever do. for example, beating the crap out of Volo for being the reason Ingo disappeared. Emmet being violent in order to demand answers for the sake of getting his brother back. etc, etc. and this really put a bad taste in people's mouths because it really just cast Emmet in a bad light. that, and it was a toxic, unhealthy portrayal of an enemies to lovers trope. and Volo was kinda portrayed as conniving/sneaky/manipulative/etc, and yeah. just things like that I think made popular for it ended up giving the pair a bad rep early on when Legends Arceus was still a popular topic (we're talking like... I dunno. late March into April and on of 2022? ...2022 was when PLA came out right?) honestly though? the beauty about a ship like this is that, as i said before, it's a completely blank slate. it's free real estate. you can portray it however you see fit because there's absolutely zero canon to base it off of (as far as the two characters themselves interacting with each other goes). it can be as wholesome as you want it to be. or it can be enemies to lovers. it can be rivals to lovers. it can be just two guys who happen to meet on the Battle Subway or in Gear Station and connect through a shared love of Pokemon/battling and develop a relationship that way. just because the ship itself maybe had the majority of its portrayal in the beginning as unhealthy doesn't mean it's forever bad, toxic and all around unsalvageable at this point. and while I certainly don't expect anyone who's perhaps uncomfortable or otherwise turned off from the ship because of its roots to suddenly turn around one day and warm up to it because it has potential to be portrayed in a wholesome or positive way, I also don't think it's very fair to blanket label the whole ship bad and toxic just for the fact alone that a lot of the early works for it were depicting a not-so-healthy relationship between the two. i mean that was like... two years ago at this point. things can change. anyway, this is getting long like I knew it would so I'll stop there XD I hope this at least maybe gives some context as to why the ship is seen that way by some? but at the end of the day there's no canon official way to portray it. it has potential to be healthy! and there's nothing wrong about being interested in it. that's just my two cents on it :D

and lastly, thank you so much! it really warms my heart to hear that you think my art of them is pretty neat! I really do want to draw more for them, just... you know. time and motivation 😅 but hopefully I can do something again for them soon!

[roachliquid]

I've noticed that sometimes people have a sort of knee-jerk revulsion to the idea of studying Lovecraft. Which I can completely understand, honestly. It's well known by now that the man was a turbo racist and general reactionary dick for at least the majority of his life, something that is not remotely concealed in his actual writing. This is a man who thought it was clever and funny to write poetry degrading Black people's humanity.

However, it seems to me that it's a bit too quick to discard him altogether because of his bigotry. Not because his writing has some special redeeming quality that needs to be preserved or anything - sure, I like some of his concepts, but it's not like they hold any transcendent importance.

No, the reason why I think it's important not to discard Lovecraft is because of the educational value of his works. Specifically, the way he expressed his intense bigotry through specific tropes and ideas that are still in play by racists, homophobes, transphobes, etc. today.

Because Lovecraft was a turbo racist, but he wasn't a fringe racist. He believed the same awful shit that a lot of people still believe to this day, and Nazis and other right-wing bigots like to cling to in particular. Some of his ideas are pretty well-known by laypeople at this point, like the concept of racial inferiority, while others are a little more obscure unless you've already been digging into the topic - e.g. the myth of "Roman decadence" (the myth wherein Rome fell because the people forgot how to culture and also totally legalized gay marriage you guys), or the tendency to use fictional 'races' as metaphors/stand-ins for their hatred of some real demographic (he did this more than once).

And the other reason I would not dismiss Lovecraft out of hand is because his work has had an unavoidable impact on the world of science fiction and fantasy. Some of people's very favoritest tropes were directly popularized by this guy, and that's not something that you can will away just by declaring that he was racist and is therefore irrelevant; in fact, doing so just makes it harder for everyone to recognize when those tropes are smuggling some serious bigotry of their own.

[bothoutsiders]

if you’re still taking requests, maybe identity porn? or just mutual pining fluff!

hey anon! this is my first time trying identity porn, that's why it took me so long. also jason's undercover name is john as in john doe. it was fun trying this new trope, thank you for the experience!

--

From all the odd jobs and undercover cases that Jason had gone through - nothing compared to this one.

It was probably one of the easiest and clean jobs he had ever had though. While the pay wasn’t that good, he could enjoy some peace, the AC and at the same time, study his target. His tasks were simple; he was in charge of the music, cleaning his work area and making fun, colorful beverages that were so popular nowadays. 

He wouldn’t admit it, but he honestly kind of enjoyed making lattes, smoothies and sweet-fruit drinks. Not as much as getting rid of the garbage of Gotham, of course, but for a day-job, he thought it was a pretty nice change of pace.

The clients were all types of different people. Guys in a suit coming for their boring americano, teens coming for lattes and smoothies, young adults for tea, milkshakes and more. It was interesting.

Jason even had fun the day he convinced an old stoic man to try something sweet. Men have to like bitter things, the client had said. Jason snorted, did some convincing and made up ‘scientific’ and social explanations about it before handing him a strawberry latte.

He couldn’t help but grin the moment he saw the client’s face change from deadpan to surprise and then some embarrassment for actually liking it.

It was good that he didn’t get bored when his target wasn’t around. The people were friendly and he was enjoying his time, but still, this job in particular was hard for one specific reason.

“It’s getting late.” He neatly folded a cloth and wiped the surface of the counter.

There was no response. Of course.

“If you don’t pack your things I’ll kick you out without them.”

There was still no response. Besides the music in the background, he could hear some fast typing. This was how his evenings went most of the time.

In past jobs he had dealt with drunkards, with abusive bosses, awful customers, annoying and nosy coworkers, but this? This was something he never expected to happen to him.

“Okay, that’s enough Timothy.” He could feel his heart pounding against his chest as he made his way to Tim’s table. He knew he was good at pretending nothing extraordinary was happening, but deep inside he was panicking only because he was talking to him.

Even if Tim was ignoring him right now.

“I’m gonna close soon so I need you to leave. Go home and have some real sleep.” He said resting his elbow on the table. He wasn’t into touching without consent so even if he wanted to be annoying to Tim, he didn’t dare to do such a thing. “Are you listening, monkey?”

Tim looked up at him a bit surprised but as soon as the words sunk in, he looked at his watch. “It’s already closing time?” He began to whine but almost immediately he changed his mood. “Before you kick me out– look!” With a big smile on his face, he was quick to take his phone, unlock it and shove it into Jason’s face.

“How many times have I told you to stop doing that?” He pushed the phone away and tried to focus his eyes on the screen. He already knew what he was about to see. “What’s that ugly thing?”

“John. You really have bad taste,” he frowned slightly before he’d swipe right and smile again. “There are more photos! I took them last night.” It was clear that Tim was proud of it.

“Are you … friends with that guy?” Jason didn’t look him in the eye, pretending that the idea of Tim and Red Hood being friends made him nervous. This kid had so many photos of him on his laptop and phone, it was crazy. And honestly? Jason was flattered. “He’s a menace.”

“He’s not!” Tim was quick to defend him. “I know that he carries guns and he kills people but he kills the bad ones! That terrible people won’t be coming back to keep hurting others. Most of you are fans of Batman even if the cops hate him, right? Well, Red Hood is my Batman.”

There was a small smirk on Jason’s face. He bothered Tim about this only because he liked to hear all the nice things he had to say about Red Hood. It wasn’t often that he would find someone who thought in such a positive way about him. “You’re a crazy little guy.”

“Nah, I’m just telling the truth. He’s funny too.” Since the very first time that they met, Tim didn’t hide his ‘admiration’ for Red Hood. He’d spend his evenings at the café talking about how great he was, how Red Hood had saved him once and how they would talk some nights and even let Tim take his photos. 

“So you hang out at 3am with a criminal only because he’s fun?” He huffed. “Tim, you gotta meet new people. People your age and you’ll see there’s more funny, safe people out there that you can meet during the day. I’m sure this is why you spend your evenings here, consuming all that caffeine.”

For Jason it was love at first sight, but Tim? Tim was too blind with how great Red Hood was that there were days Jason would even get jealous of himself. He blamed it on his night job and how tired he could be after patrolling the city and then coming to the café without much rest.

“There’s no one at home, I would rather spend it here where I can eat and drink and then get ready for the night.” He replied as he took his time to put everything in his backpack.

“You’re not a vigilante like him, Tim. Be careful, okay?”

“Yeah, I always make sure not to get in his way.”

“So how is your little fan club going?” The day was slow and there weren't many people at the café, except for Tim who was close to the counter, and a girl in a corner, buried in books and looking like she might explode if someone dated to interrupt her.

Jason decided to change the music to something relaxing for studying.

“It’s okay. I don’t share all my photos though.” Tim wasn’t looking at him, he was still busy with his laptop. By now Jason knew that if it wasn’t him doing homework or talking to his friends, he was busy with his Red Hood fan club.

“You don’t?” He was confused. He thought that was the purpose of those photos, to share them and make it obvious who was Red Hood’s favorite.

“Mm no.” Tim looked at him and after a big pause, he decided to confess. “I don’t like sharing. I even have a couple of selfies with him, but I don’t post those. They are only for myself.”

“But you showed them to me.”

“Yes, but I didn’t send them to you, it’s different.” There was a light shrug before he’d focus back on his laptop.

“Do you print them as posters for your bedroom?”

Tim didn’t reply, only looked up at Jason.

“You do, don’t you?” He grinned. “I can’t believe you’re obsessed with that stinky guy. You’re into bad boys, huh?”

There was a cute blush that spread through Tim’s face instantly. “He’s not a bad guy.”

“Yeah, I mean I guess being a criminal and killing people is something good people do.” Jason shrugged, a smirk still on his face. “What is so cool about him? Does he even do the laundry?”

“Everything is cool about him,” Tim frowned slightly but after a moment of wondering what to do, he sighed and closed his laptop, focusing entirely on Jason. 

Oh, he was getting serious.

“Look, he’s amazing. He’s someone you can talk to and has good advice, he is kind and worries about everyone. Yes, killing is bad but he’s a good person. He does this to stop innocent people from getting hurt or murdered.” He spoke as if he was pleading for Red Hood’s life. “He has a nice voice even if it’s kind of muffled under his helmet, and he makes sure I get home safe. He has this kind of humor that I actually find funny and he has big hands and his thighs are…”

“Oh wait, wait. Hold on.” Jason lifted his hands. “I don’t want to hear about your fantasies. I get it, you like him that way but are you sure he isn’t like someone who is trying to fool you? Pretend he is cool and then he shows his true colors?”

“I’m sure he isn’t pretending. He’s not a nice guy. He’s kind and a real man.” Tim said this looking him in the eye.

Maybe Jason felt something like butterflies in his stomach and something warm blossoming in his chest. 

Maybe. But who knows.

“What about guys who help elderly people with chores or do their groceries shopping? What about those who help kids find their parents when they are lost and cook meals at shelters?” It wasn’t that Jason wanted Tim to stop liking Red Hood, he only wanted to have a chance too. Maybe mentioning some of the things he had done and still does would help his case.

“Good for them?” Tim arched an eyebrow.

Jason was about to complain but the bell over the door chimed, announcing a new customer arriving. When he turned to look, he saw it was his target coming in and oh, right, I’m working-working. 

He looked at Tim one more time and sighed dramatically. “Okaay, okaay. I’m glad you found the one. Just make sure to get home safe after you see him.” It was a bit silly that he would like to bother him about it and then get jealous when he would hear all that admiration Tim felt for Red Hood, but it was somehow addicting.

“Sure.” He hummed happily, a light blush still on his face as he opened his laptop to start typing again.

Jason smiled, hoping that one day Tim would like him too, and not only one version of himself. Maybe one day.

[artbyblastweave]

As a big superhero guy, I have a question: Why do you think it's so common to show Reed Richards, Tony Stark, Hank Pym, Hank McCoy (ESPESCIALLY those last two) as, at best, morally ambiguous and at worst, downright awful in modern portrayals? Is it standard American anti-intellectualism, tied into our growing distrust of science and technology, or is it just that they seem kinda bland?

I don't think it's anti-intellectualism per se. For three of the four I think it's just a consequence of contemporary writers being Allowed To Notice And Unpack Things.

For Reed Richards, it's the result of fans and writers applying a level of scrutiny to early plots and character beats that weren't intended to stand up to any real level of scrutiny. He's a guy who got all his best friends horribly mutated by taking them up in an untested spacecraft. He's a guy who brainwashed a bunch of captured skrulls into thinking they were cows. He's a guy who keeps whipping up extremely specific technological solutions to the problem at hand, which never seem to trickle down to the consumer market- hence the "Reed Richards is Useless" trope. And he's gotta dodge and weave around patriarchal accusations vis a vis a lot of the casual sexism of early FF, where Sue had limited combat utility and was often in the mix as the Damsel-in-distress classic. And obviously excising the unconsidered sexism from the dynamic is the right way to go, but treating that early recklessness/ruthlessness/callousness seriously, as an actual personality flaw that he has, and has to work around, is significantly more interesting than just rewriting the character to not behave like that.

For Iron Man it's the result of people starting to take more seriously the moral implications of the fact that he's an arms dealer and a billionaire. (Apocryphally, Stan Lee did this to see if he could create a character who would be popular with his left-leaning audience despite being everything they hate ideologically, but I take this with a grain of salt.) Another element, I think, is that in preparation for the release of Iron Man, Marvel made him a headliner in Civil War in 2007; the nature of Civil War lent itself to him doing a lot of authoritarian bullshit, and said bullshit sort of set the bar for his capacity for extreme behavior when pressed. Put Iron Man in any situation, try to determine the extent he'll go to in order to resolve it, and you have to take into account that time he was sticking his colleagues in virtual-reality prisons on behalf of the government. A demonstrated willingness to do atrocities for what you think of as the greater good does add some flavor and tension, I have to give them that!

For Hank Pym, it's totally down to the midlife crisis arc from 1981, where he rebranded as Yellowjacket, got drummed out of the Avengers for using excessive force, and battered his wife Janet when she tried to. You know. Talk him out of building a robot to perform a false flag attack against the rest of the team to get back in their good graces. The whole arc was supposed to be a very deliberate tragedy about his mental breakdown but it kind of poisoned the well on the character and became the thing future writers endlessly relitigate, either doubling down on it (The Ultimates, Marvel Zombies) or trying to repudiate it (Mighty Avengers, Avengers Academy.) Even before that, though, he had a pointed loose-cannon mad scientist situation going on even in comparison to the others on this list- his debut was a Twighlight zone-style horror story where he nearly gets himself killed testing the shrinking formula, and he also created Ultron and nearly got everyone killed that way!

I have no idea what's going on with Hank McCoy. I don't think I want to know what's going on with Hank McCoy. Every time I turn my ear in the direction of that corner of the fandom these days, all I hear is screaming. Are you guys alright

[moistvonlipwig]

9 10 16 please? :D (cwsg, i’m sorry)

aye aye cap'n 🫡 under the cut for length

9. worst part of canon

I think it has to be Mon-El, who is so very terrible that even now he is stealing my ability to kvetch about other things. ...Luckily, this is my blog, so I can do what I want. So the other worst part of canon was the demonization and eventual murder of Manchester Black at J'onn's hands in the same season that saw James cozying up to the Children of Liberty (WHY) and the Superfriends insisting that killing them (the neo-Nazi analogues), even to prevent them from killing their marginalized alien targets, was Wrong and Bad.

(Crisis on Earth-X was pretty bad, too. Not sure how it didn't occur to any of the higher-ups that putting their heroes in Nazi uniforms in order to make them ~Cool Villains~ was maybe kind of a super fucking antisemitic thing to do.)

10. worst part of fanon

I was sorely tempted to just answer this with "el problema es el racismo," but thinking on it further that is technically the worst part of fandom, whereas fanon is generally understood to mean (a) post-colonial Marxist philosopher Frantz Fanon or (b) fan-constructed canon, i.e. headcanons that have become popular and widely accepted by many people in a fandom (sometimes to the point where people mistakenly believe that these headcanons are canon). I've already talked about my problems with the "Kara is a genius"/"Krypton is Advanced™ and Earth is Primitive™" take, as well as the "Lena never really cared about James" take; other popular fanon ideas I can't stand include "Clark is an asshole" (no >:( I like Clark), "J'onn is Alex and Kara's space dad" (citation needed), and "Eliza Danvers is the best mom ever" (when, lest we forget, Alex's whole Deal is a direct result of her Not being the best mom ever lol). Um...there's probably more but to be honest I'm blanking on what they would be.

16. you can’t understand why so many people like this thing (characterization, trope, headcanon, etc)

Hm, well, I could talk about general fanfic tropes I don't get but I prefer to stay fandom-specific in order to maximize damage from my biting and maiming. So I'll just expand on what I commented on your earlier post: I don't understand the appeal of the trope where Kara shows Lena Disney movies or imparts upon her the True Meaning of Christmas and thus transforms her life from one of forever sadness to one of joyful bliss. I'm not saying I don't like fics where Kara's presence in Lena's life improves her life -- ideally, I would imagine that both of them improve each other's lives. But the specific trope of "OMG, Lena had an abnormally wealthy and abusive childhood and thus has never done [normative thing for American (Christian) children to do that there is no canon evidence she hasn't done and also that is not necessary for healthy childhood psychological development], we must rectify this immediately!!!" baffles me.

[seeingteacupsindragons]

Perhaps some of you remember that time I wrote up an entire essay for the TVTropes forums to get William cemented as a Magnificent Bastard because you literally have to get fictional characters vetted by people who care an absurd amount about this to add them to the trope page.

I am now back on my bullshit, and just got Albert confirmed (Louis is in the works, but the voting looks good for him so far). I did his write up today and it should be up later this week? I enjoy the short version as well.

And now:

The Work

Moriarty the Patriot is a (very loose) retelling of the Sherlock Holmes stories combined with James Bond set in the late 1800s, focused on Professor James Moriarty and exploring his motivations.

The Character

This post is to open a discussion specifically on Albert James Moriarty, older brother of Professor Moriarty (who we already confirmed) and one the Professor's Co-Dragons. Albert is the original "Moriarty" family member biologically who took the other two in as children, and is the leader of MI6 for most of the series.

Why Is He a Bastard

I mean, he kills his own younger biological brother and his mother by hand and then arranged for the entire rest of his family and servants to die in their sleep in a fire. So like. Is that enough?

He also took two orphan kids in, then basically said, "Hey, in exchange for getting your little brother heart surgery he needed to live, help me murder like so many people. Kthx."

He tends to come off colder than either of his brothers, which is sort of impressive since they're all murderers.

I like Albert, but he's certainly a bastard.

But Not That Bad?

Much like his brothers, Albert is trying in a very fucked up way to improve society by murdering people he thinks are making society worse. He is...trying to help in a Pay Evil unto Evil sort of way.

Honestly, Albert is the Moriarty brother who gets the least amount of sympathy from fans, although this shifted a fair amount after it was revealed he has severely untreated OCD, which is a massive contributing factor to his need to eliminate the hypocrisies of all these abusive nobles who keep going to Christian churches. But it's not like most people with OCD are murderers, so there's a limit to how far this Freudian Excuse is going to take him.

Is He Charming/Magnificent

Albert is, according to an official Japanese fan poll, the second most popular character in the series (second to the protagonist of the series, who won by a landslide). This seems to track from the interactions I've had with people. So people are charmed by him.

Albert is also in the series pretty much assigned to "socialization" on behalf of everyone else. He doesn't seem to really like it very much, but he gets along with people rather well. According to his official character profile, he's still getting asked out and courted even after losing his title and going to prison for the murders, so apparently people are really into him.

He also has a similar flair for the dramatic to his younger brother. This is absolutely a man who is going to revel in elaborate schemes and acting a part. While he often asks his brother to arrange details and plans, he always shows up to convince people that he's just so worried about his kidnapped brother, please help him, and oh, gasp, people have died, how tragic.

But Is He Brilliant?

This, I think, is a key factor in Albert's case here: Most of William's subordinates are very subordinate to him. It's made clear that William expects all of his crew to be able to think and plan for themselves and make their own decisions, but the series doesn't always take time to show that off for everyone. Albert does get that time.

Albert often sees opportunities before he engages William for a plan to make it work. Manipulating Mycroft Holmes into getting MI6 created so he could lead it was Albert's idea, and he executed the plan (and he leads MI6 when it's not doing Lord of Crime business), even if William came up with many of the details to help him out. Albert is the one who sees the potential in Adam Whitley and brings the topic up to William.

Also, Albert was the first person to bring William's dreams of killing nobles and creating a brighter world into fruition and set it into a tangible, real path. He and William are frequently tagged as the only two who originated the entire plan.

Albert is a brilliant opportunist and an excellent man to have making sure everything goes off without a hitch, even if the details of getting things done aren't really his forte.

He's brilliant.

What About His Competition?

Most of the nemeses in the series are focused on William, and Albert is his subordinate. Basically none of Sherlock or Milverton's attention ever splashes Albert's way. The person he really engages with in a competitive dance with is...Mycroft Holmes. And while Albert doesn't exactly win, neither does he lose to Mycroft. They come to a couple of agreements and passes to work together and watch to make sure the other isn't getting in their way.

Verdict:

Yes.

[amerricanartwork]

More Love for Lilypad

Hi! To be honest, I don’t know why I’m writing this, I guess because reading everything has moved me more than I probably thought.

I don’t know how much text he let me put

I have read the current Lilypad publication and I honestly loved it, otherwise I would be here writing like an excited silly girl.

How do you connect the story of Luna and No Harassment with Sleeping Beauty (From the Disney movie because the original story is horrible, believe me, you wouldn’t want to use it if it were the original), it’s so beautiful that it moved me and connected me more with the ships. how much I love them and lilypad mainly sadly for my part I don’t see much art from them (I think it happens to me with ships that generally are not so popular or so loved, it happens to me with the message of love from SpearmasterXHunter, Godmode SaintXEnot, lilypad and PebblesXSun )

The topic, I loved reading these ideas that come from your ingenious and beautiful imagination, I want to read more of this and that would be all! Nice day/night :3!

PD: As a warning, I don’t know where I had to send this and I’m sorry if I didn’t have to send it here, and I take this opportunity to say that your ArtiXGourmand is simply beautiful and I adore it!

-.-.-.-.-.-.-.-.-

Oh my, @amaerumeru, thank you so much for this submission!!

I’m so glad to see someone enjoy those ideas so much, and to hear my essay has inspired some more love for these two sweethearts! Seeing people sympathize at least with the fairytale stuff is a very pleasant surprise!

Regarding the lack of content, I feel you, I’ve had my fair share of rarepairs across my fandoms too (heck, I’m even considering adopting a super rare RW ship right now...), and not being able to find content of them is always pretty rough! Although for me, the struggle doesn’t always come from lacking any content of the ship, but lacking the specific kind of content I want for it. 

Part of the reason why I began that extension of the Lilypad essay by listing the ship tropes I love and particularly explaining the main two was because, to me, how a ship is depicted is just as important as which ship is depicted. It’s so much so I actually won’t like content of a ship I normally love if I don’t like the way the characters are and act within it, or if I don’t like the ideas being shown through the characters enough. 

Both situations exist with Lilypad, and although I can excuse the lack of content as Rain World generally not having much canon ship potential, the portrayal struggle is one I have faced in basically every fandom I’ve been in, where no one seems to really appreciate those traditional dynamics I love with the ships I enjoy the most. Most of the time I still enjoy the content because it’s pretty cute and romantic, and I don’t dislike anything about it enough to cancel out that cuteness/romance factor, but it’s still not what I love most, tailored to what I identify with the greatest; I’ll eat it, but it’s not my favorite flavor. And with the New Year and self-improvement being a common focus this time of year, I figured I’d finally get the courage to take my classic art approach with these themes now; if I can’t find someone else who’s made the content I want, I’ll make it myself (like this sketch I drew up for this post), and just maybe they’ll find me!

And find someone I have! Once again, I’m so glad someone appreciates these older fairytale tropes, and I really do feel inspired to openly make more content including these ideas! I’ve always had a habit of thinking about not just ships, but fiction in general through the lens of the poetic significance characters, scenes, and plot points do or can have, and recently I’ve developed a habit of linking characters and ships back to songs and previous characters from other cartoons (like I did with Sleeping Beauty here), and trust me, if you want more content of this sort, I could both write similar essays deriving these themes within other ships AND make a lot more Lilypad content like this! I mean, after posting that addition I realized somehow forgot to talk about “Once Upon a Dream” specifically and how it so perfectly fits this ship, so I’m already probably gonna do a post and drawing on that sometime soon — !

And one last thing, thanks for liking the Artimand stuff too! Artimand is probably a better example of my “I like this ship in general, but I really wanna see more of these traditional themes in content for it“ attitude, so it’s nice to see that’s enjoyable to other people on some level too!

 Big thanks for the submission, a reason to ramble even more about Lilypad and my favorite ship tropes, and inspiration to make that drawing, Meru! And hey, I love hearing the deeper reasons why other people ship what they do too, so if you ever wanna ramble about your own ships, I’m all ears!

[midnightstargazer]

why I, as a Regulus stan, don't ship Jegulus

With the disclaimer upfront that I'm not saying nobody should. I know I have mutuals who do. Y'all are cool. We can ship and let ship. But I don't ship them, and here's why.

I don't care for how Regulus is usually characterized in the context of Jegulus. I prefer him redeemable, but morally gray; someone who was influenced by family and peer pressure but ultimately made his own bad choices and later changed his mind, not someone who was forced into every bad thing he ever did. I'm sure there are Jegulus fics out there where he is more morally gray. But from what I've seen, he's often a bit too sanitized for my taste.

I don't care for how James is usually characterized, either. Sunshine boy who wants to believe the best of everyone? I don't see it. In canon he's very loyal and caring towards his friends, but there's no evidence he would have a nuanced point of view towards someone like Regulus, particularly during their late teenage years when Regulus is actively espousing blood supremacist ideology and working for the Death Eaters.

(Which doesn't mean I think Regulus is unworthy of love. I just don't think it's likely James, specifically, would have liked him very much during the time period when they would have known each other in canon)

Because of this, I can only imagine Jegulus in a context very far removed from canon: either a Muggle AU, a no Voldemort AU, an AU where Regulus runs away with Sirius, etc. None of those are very interesting to me. It could also work if Regulus survives and ends up in the Order, which is a favorite trope of mine, but I'd just as soon see that with a different ship or no ship for Regulus and keep Jily together.

I ship Jily. Which isn't necessarily an obstacle, because I'm willing to multi-ship basically anybody except Tedromeda. I can totally get on board with the idea that one or both of them had another relationship before they got together, or that in a canon divergence story where one of them survives, they might eventually move on with someone else. But because I do ship Jily, I'm not really looking for someone else to ship with James.

Who Regulus ends up with romantically, if anybody, is the least interesting thing about him imo. I'll read fics where he's paired up romantically, and I've written a few of them - although I also have a long ongoing series where he's aro-ace. Having a romance arc for Regulus at all is 100% optional as far as I'm concerned.

The "best friend's brother" thing - I think it mischaracterizes Sirius's relationships with both of them to assume he would be overprotective of Regulus and suspicious of James if they were to get together. I love fics where the Black brothers reconcile, but still, I doubt they'd ever have such a stereotypically normal sibling relationship. And that's not even getting started on how it undermines Sirius's friendship with James.

Its sheer overwhelming popularity annoys me. No offense intended to anyone who likes it. Your personal preference is valid. It's the expectation for everyone to share that preference that I don't love. A lot of the time in the Marauders fandom the pairing is simply taken for granted as the default. So that does make me dig my heels in a bit.

[lieutenant-teach]

Read several books about Loki and Sigyn, which were marked with hashtag ‘justice for sigyn’. All of them are written by really talented people (I’m often baffled by situations when fans write better stories than professional writers – why do the latter get their money?). After reading I can’t agree on some specific points in these books that rubbed me wrong.

Contains spoilers!

Cat Rector ‘The Goddess of Nothing at all’ – the story is strong. A well-written book, pleasure to read. But. Even here, on Tumblr, I read lots of meta and criticism ‘Angrboda wasn’t Loki’s mistress! She was his wife before Sigyn!’. And the author goes this standard way ‘Angrboda is Loki’s mistress’. It works for this story, but it’s in lots and lots of books about Norse myths! Why NOT make her a mistress? Why go a typical way? The ending – I loved the ending. A new All-mother Sigyn – chef’s kiss.

Nicki Chapelway ‘The Harbinger of the end’ (1st book) – an interesting take on Volsung saga, the adventures were really engaging. But, frankly, I didn’t understand why Sigyn fell in love with Loki. I mean, they never had any meaningful conversations or actions between two of them to start love. She just decides ‘I’m a wife, I must love him, and also he’s handsome’. That’s it! Next morning she acts as if she’s deeply in love with him. It seemed as if the author wanted to go into slowburn, but didn’t manage to pull it off and just jumped to the moment when they’re already in love.

Lyra Wolf ‘Truth and other lies’ – again, where’s Sigyn as the Goddess of Victory? So much for all these cries in the internet and on Tumblr specifically ‘but she’s not the Goddess of Fidelity! Marvel just made it up!’. Then WHY use this trope? Not saying it’s a bad idea in and on itself, but it’s so established in general public’s mind. Why not change it? Why not at least combine these two elements – fidelity AND victory?

Surprisingly, only Melvin Burgess writes Sigyn as the Goddess of Victory. Burgess! It was the single thing I liked in this book. Of course, he didn’t give justice to her, but at least he named her title right.

Of course, I guess, nothing can beat the Marvel comics – they’re the first to blame for this Fidelity mess and general treatment of Sigyn. Lots of nowadays popular books are based on comics portrayal. I believe fan books should go as far from these typical Logyn tropes as possible.

[wulvercazz]

grimmichigrimmichigrimmichi >:3333 (pairing meme)

heheh okay- so shiP IT ofc 😂 .. but here's the answers;

What made you ship it?

so... I have a very specific list of qualities I look for when it comes to my favorite male characters. And Grimmjow fit them all 😂💕

When I first watched Bleach the only thing I shipped was IchiRuki, bc naturally that was the only way to go for me tbh, but then Grimm appeared and I was obsessed. When it comes to otps for me, first I find a fave character, then I consider the possible pairings. Not any other way. And with Grimmjow... well the only option for me was Ichigo tbh.

Not to discredit any other Grimmjow ships, I've done a few of them myself, but with how passionately these two throw themselves at each other I truly couldn't look any other way. Lol

So tldr; Grimmjow's got slut potential and I dig that, and they're too into each other for me not to see "gay" plastered all over them 💫

2. What are your favorite things about the ship?

Hmmm 🤔maybe how inherently feral it is, canon-wise. Also how harmonious their overall designs are together, there's nothing nicer than a pair that looks good together, at least as an artist. Also how easy they are (for me at least) to write/draw; I have a hard time focusing on one thing for long enough to get good at things (hence the many AUs lol!) so for me to have a ship I draw constantly for more than four years now... is truly astounding lmao. They helped me grow soooo much so they hold a dear dear place in my heart just bc of that alone.

And because of that last one: how easy it is to apply AUs to themmmm ;w;<33333 I can legit think of anything and make an AU out of it and not struggle too much to find the perfect place for them in it.

And also,, sort of fave sort of least fave- that it's not an overly popular ship in general (ik it's popular in the Bleach fandom itself, but rather; not popular like a ship from BNHA or JJK). Why; bc I get to have my quiet space where I draw all the ideas I want and yet have had verY few people throw insults at me for some of my darker stuff 😂 Bigger fandoms I've interacted with (as a viewer mostly) have had issues popping up left and right, people getting upset over dumb shit and letting that grow to huge proportions, "antis" everywhere... yeahhhh no thanks 😖

but also-- it gets verY quiet at times specially for someone who's so picky. Like, if I could find a fandom space like the exclusive bottom Bakugo enthusiasts I followed on twt (and even bought a whole zine about) but for GriMMJOW??? WOOF😭💕 so yeah,,, love-hate situation on this last bit lmaooo

3. Is there an unpopular opinion you have on your ship?

A few 😂😭 everyone who's followed my art for a certain amount of time can probs tell how the 'tism really affects how I enjoy ships lmaoooo I have to enjoy them a very specific certain way so... that means I don't partake at all on a good few of the popular tropes for the ship. Some I can think of rn; damsel-in-distress!Ichigo, overly hurtful!Grimm (although this one is more old fandom I think 🤔? I remember, in a lot of fics back then, Grimmjow was portrayed a lot as this violent rapist adgdfddfdff not for me lmaoo), ofc top!Grimm, Grimmjow acting all macho relationship wise, and too much angst (I think this ship (and Ichigo in general lets be honest) can call for a lot of angst in fic so I totally get it- but ...meh, if it's not romaticized/sexualized angst, idc for it adgdfgf I don't like it when they actually suffer 😭)

OOH OH! ALSO --- making them OOC in AUs CAN be great actually (to me at least). I know a lot of people (not just here, but in any ship/fandom/etc) don't love OOC characterizations of their fave characters/ships (hence why it's a tag we use tbh) but I personally love that at times??? I won't do it all the time and all over the place... but AUs where there's space to make Grimm less violent? or Ichigo less friendly/loving??? While still within their canon character potentials--- hecC yes. >:)ccc

Also ofc; that I wish it was still common to tag ships as top-bottom like it is with HoEn/EnHo (bnha), VK/KV /trigun, KRBK/BKKR (bnha) etc or at least tag it some other way along the ship.... it would be sO much easier to filter out stuff i don't want to see instead of having to mute/block a whole person I would still love to see stuff from.

BuT I am aware most have no preference whatsoever lmaO so... yeah nothing I can do there except not follow people pfFFF 😂😭 (and wait until I find peeps with similar tastes aasdfs)

[sporksaber]

A fic outline for an idea I had awhile ago:

I probably wont be writing this though I am considering it, so if anyone else wants to it's fair game just send me the link. If this has been done before then p l e a s e send me the link because I tried to find somthing similar and couldnt.

So internet friends to lovers with danny phantom batman cross over.

I'm using tim because I feel he makes most sense with the trope.

Some timeline things: danny becomes phantom at 15 instead of fourteen. Tim becomes robin at 14, 11 months after jason dies. I want jason to be in the main part of this fic, but the timeline would be messy with that, so here is what I'm going off of: He was dead for six months, resurrected by reality shifting shenanigans, thrown in the pit immidiently after, and then was red hood for a year before the full identity reveal to the batfam.

So danny was a very tech savvy kid with no supervision. As was tim. They meet on some server discussing the home solar system of a popular hero or a heroes published expierience on black holes or somthing like that where their interests intersect. They end up on a specific message board and then a group chat about that topic and later they eventually start talking privately.

Let's say they're 13 at the start with tim a few months older than danny. They grow very close over their shared interests, enjoying the other talk about their personal interests, and commiseration on their parents being neglectful. By the time (insert whatever event happens with his parents that leads to him becoming robin in this au) happens they are very close. They at this point are talking everyday, calling fairly often, and have video chatted. Tim was a bit hesitant talking about his new family but danny couldn't be happier for him.

Jason's reveal and danny becoming phantom line up one after the other (roughly 7 months after tim becomes robin, which is a number I totally didnt have to do physical math for). So tim starts messaging less, and then so does danny with the initial distraction of ghosts and becoming a ghost and a hero and then the existential crisis brought on by the giw and his parents wanting to kill him. By the time things with Jason die down and become more normal six months have past. Tim tries to get back into messaging him consistently after having not messaged at all in a month, but Danny is acting a bit different.

Tim couldn't place exactly why he felt that way and tried to write it off as the result of the time they spent not talking, but he could just feel somthing was wrong. Danny was always easily distracted, but he'd never dropped in and out of conversations like he was doing now, at least not without reasons. And then there was the fact that he was more closed off about his parents than he used to be. Danny eventually mentions giving up on his dream of being an astronaught and his plummeting grades and tim is distraught with the fact that he can't help him.

It was their final video (several months after getting back into messaging) call that solidified Tim's idea of what was happening. It was suggested several times before it actually happened as danny always avoided the idea or came up with an excuse why he couldn't. Tim didnt want to push but he desperately needed more clues and wouldnt cross the line into hacking the information.

Danny was much paler than before and he had deep dark circles under his eyes. The camera was kind of blurry, almost like he had messed with the focus or gotten one that was a lower quality than last time. Overall the call went the same as the ones prior, though danny was a bit jumpy. And then danny shivered violently. He looked scared as he made an excuse about having somthing he forgot to do and hung up.

Tim was feeling lost afterwards. To the point that bruce noticed and asked what was wrong. "I think my best friend is dying."

Danny meanwhile is also having a very not good time. In the nearly year since he became phantom so much had changed. At first it was fine, it seemed fun even. Then it became annoying as he realised school and ghost crime fighting while avoiding capture by your parents didnt mix. And then there was everything with vlad and the giw that made him realize he was screwed if any government entity ever found out his identity. And then the giw worked with his parents and he realized, "oh, haha, my parents could really kill me one of these days."

And then there was clockwork and the ancients and dan. Feeling really off anytime he leaves amity. Plasmius. The fact that he really had died. That even if he managed to fix his grades among all the ghost fighting he'd never pass the physical exam to achieve his dream. That he wasnt considered human anymore by either his parents or the government. The increased number of ghosts coming through the portal.

He hadn't realized how much he really missed tim until they started talking again, but it was hard to leave so much out when they used to share everything. When he finally gave in to the video call he was kind of terrified. Both in the "what if it's different now," and the "what if he notices," way. The first part wasnt needed, the call was great. He forgot how nice his voice was. He could've talked to him for hours, but then his ghost sense was set off. And it was somthing big.

For the first few weeks following the call danny tries. He doesn't want to lose touch with tim, but it becomes too much. Something is wrong and he's the only one who can fix it.

There's a huge issue with the giw still working with his parents for a stronger portal and vlad being vlad and occasionally popping by to shove his entire fist into everyone's pie and then leave again. Danny could believe that was his real obsession. Fisting pies.

Then danny learns that it's not just the portals strength causing everything, its him too. Apparently the ghost king's crown was passed through combat. And the core of the king draws other ectoplasmic entities towards them.

This ends with danny ghosting (haha) tim for several more months until he eventually destroyes both his parents and vlad's portals and all their research. And he couldnt stay in amity at that point, especially since vlad and his parents arent the only ones who know what he did. So he leaves. And with the new title of ghost king he's not core bound to amity anymore.

Danny eventually calls tim. Tim is both relieved and terrified. The call is kind of awkward at first, since they hadn't in awhile. But then danny says he's traveling a bit. "I was thinking of going through Gotham, I heard they have a wicked observatory."

Tim says he cant wait.

*****

That's it on my original fic idea. I wanted to tell it mostly through chatlogs and their calls. I have a lot of other ideas on Danny's time in Gotham though.

I havent gone back over this and theres probably be some small timeline shifting. I want danny to be 17 when he leaves.

But that's all for now.

[mdhwrites]

When I watched Amphibia, I kinda had a hard time understanding how certain headcanons were developed in the fandom. Especially Grime being Sasha's 'toad dad' and Olivia and Yunan being Marcy's 'newt moms.'

Like...by the end of the series, I totally bought Sasha and Grime as close friends (heck, they sold me as friends partway through season two), but Grime never gave 'adoptive dad' vibes to me. Putting aside the fact Grime's the reason Sasha spent her first month in Amphibia in a cell, he's also a pretty toxic influence on her, indulging her worst traits and only really improving as a person when he and Sasha form the resistance in season three.

And I'm confident viewers only started the 'newt moms' headcanon because of the episode Olivia & Yunan. Which is pretty ironic, since in that episode, Yunan initially objects to saving Marcy (she didn't even refer to Marcy by her name, just 'the human' XD), and like you said, Olivia explicitly states she's motivated to save Marcy because she trusts her and thinks her intelligence will help them defeat Andrias, not because Marcy is someone she's emotionally attached to.

Sure, in The Hardest Thing, Olivia and Yunan hug Marcy goodbye, so there was clearly some fondness for her by the end, but nowhere near familial feelings. And yeah, maybe you could argue Olivia cared for Marcy since she insisted on being 'gentle' when Marcy was being pulled out of the tank, but that's just basic decency; hardly 'adoptive mother' behaviour.

With all that in mind, why do you think so many got so hooked on the idea of these people being found families for Sasha and Marcy? Did they think Sasha and Marcy both 'deserved' a found family just because Anne got that with the Plantars? Did they just like the idea, even if canon did almost nothing to validate it?

I personally think it's because a lot of people thought Sasha and Marcy's parents were abusive (another headcanon I can't get behind), and believed they deserved to find 'better' families in Amphibia. But that's my take; what's yours?

So there's a LOT here to potentially discuss because you're not wrong in saying that it's a dubious claim. Let's start with just my thoughts on them being found families: I like Grime as Sasha's father figure in works but it is much more a mentor and student relationship but where who is doing which is very dubious. The two need each other but how much one or the other need each other is constantly shifting and it's part of what makes their dynamic interesting. Trying to place a specific label on them is rough and I'd agree that saying that Grime is Sasha's first healthy friendship would be accurate because of the push and pull there.

Yunan and Olivia are great in fanworks as having had a real relationship with Marcy but the show just doesn't support it. Yunan seems to look down on her and barely know her while Olivia is a very normal archtype of the proper, Victorian woman who has to deal with childish antics. Neither are bad characters for it but it does mean that the moment in the end with her hugging Yunan and Olivia is more for the sake of a curtain call than it is a big relationship being wrapped up. They honestly symbolize Newtopia, which Marcy definitely should still love, rather than their actual characters in that hug and I think that works.

Now, why are they called found families?

Well, the first reading for why is honestly what I'd probably put my money on: It's a popular trope and people liked the dynamics enough to want to push it into the box they wanted it to be. Like how TOH is praised for its found family despite the family doing so little together, it's a trope with poor definitions, is hard to disprove and is just roaring through fiction right now so its overuse as a term isn't surprising. The fact that it gets used to describe so many people with just dynamics in general (frankly, it feels like it's becoming harder to write best friends in fiction partially from this) makes me unsurprised that it is getting used here since Anne does absolutely get a found family with the Plantars.

Which does bring a second part in: It makes Sasha and Marcy more important. If they're going on similar journeys as Anne than they totally aren't there to help with the themes and the like, the journey is about them too! It brings them closer to being the focus of the story and as narratively important as Anne which, as we've seen, was a big deal to the fandom. I won't even call this bad, fandom will do as it does, but it does also end up diminishing just how big a deal it was for the Plantars to so thoroughly integrate Anne into their family and then how the Boonchuys recognize that work and accept them readily too. If it's as easy as it had to have been for Marcy, Yunan and Olivia, it kind of cheapens the core thrust of the show, almost like it focused on Anne for a reason.

The last one is... KIND OF what you brought up but I think it's a lot deeper than you frame it. I recognize that nowadays I am an outlier. I literally go and take a walk with my mom every morning, or I'm supposed to, to try and help her be more physically active. My problems with my parents are mostly due to my brain not being able to accept anyone actually approves of me, let alone people who's approval I care about. I am so very lucky to have good parents who I am happy to call my parents and who I am glad to have the support of.

All too many kids, even those not in the LGBTQIA+ but ESPECIALLY if they are, have bad family homes. They dream of being able to escape to a new world that's better than theirs, meet people who accept them for them and let them do cool things and be themselves. Escapism, especially isekai, is EXTREMELY popular for a reason, especially as just the world in general sucks, regardless of your relationship with your family.

So then we get Marcy and Sasha still going back. Them ALL going back because sometimes change is inevitable and not always can you bring the ones you care about with you. It's a powerful message that spits in the eye of that escapism and for a lot of people, that HURTS. Like for as much as I defend the choice, I do understand why so many in the fandom reacted negatively to it. For as much as they potentially didn't care about the Amphibians, they don't want to lose the froggy world that they wanted to live in themselves.

And so we get the projection of abusive parents. We get the toads and newts also being found families because it's so much worse to give those people up in your life than just saying bye to your friends. We get reasons why they should have stayed or at least been allowed to travel between worlds. This isn't even all inherently wrong, especially if you are willing to admit that there was a reason why the show chose the ending it did, even if you wish you could have the one that makes you happier.

Hell, we even see some of that with how people treat angst right here. They want Sasha and Marcy to have abusive parents... Because then they can be told it's okay to reject reality, be given a hug and then move on. Not to explore that abuse but to be given the wish fulfillment of that abuse being met with kindness which is admittedly how you should meet that stuff, please take abuse victims seriously and help them, but life is more complicated than that most of the time.

These are arguments I can understand and sympathize with though. I wish I could see someone using mental illness as now their superpower to be something that makes me happy because it WOULD be nice if my depression made me better than others. I just... don't quite engage with media that way though. It's actually part of what I think makes scripted content harder for me because I engage too genuinely and don't just want a pat on the head and a juice box.

And that isn't to say people who do want that are wrong. I still don't want to be actively hurt by the media I consume. I am still there to be entertained and happy and how that happens will be different for each person. That's part of the joy of life.

So I won't tell people who want Yunan and Olivia to be Marcy's lesbian moms they're bad for wanting that. Just don't tell me that's objectively what happened in the story since analysis and headcanon are genuinely different.

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I have a public Discord for any and all who want to join!

I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.

A Twitter you can follow too

And a Kofi if you like what I do and want to help out with the fact that disability doesn’t pay much.

[bloomeng]

I don’t normally share personal projects here but I'm happy with the art so why not. Anyway these are some character concepts for a game pitch assignment I've been working on. It's still very much in its infancy but the idea is a dating sim/visual novel-style game based around the concept of a support group for the henchmen of supervillains, called "Henchman Anonymous."

You-- the player-- are the familiar to Carmilla de Villeneuve, the Vampire Princess (pictured left). No, she isn't royalty. Yes, you're pretty sure she stole her name from popular vampire media. But yes, she's actually a vampire, a vampire supervillain more specifically, and a very mediocre one at that. After years of thankless work executing her extravagantly stupid schemes (that might also just be a wee bit genius) and styling her finger waves you've about had it. That's what Henchman Anonymous is for, breaking up with your abusive boss! Only one issue you might sort of actually be a bit in love with her... Perhaps what you need is a little help getting over her.

As of right now I only have two main routes planned.

Route #1: Amélie is one of Ring Master's many henchmen and she is also her daughter. Let's just say crime runs in the family, as in they're literally a crime family. Amélie is the fourth eldest of eight, meaning her smack dab in the middle and often overlooked. Between the size of her family and her mother's controlling tendencies, Amélie feels more than a little stifled. She hopes that Henchmen Anonymous will help her break free and lead a normal life. It's too bad her boss just happens to be your boss' villain rival— not that Ring Master knows that.

Route #2: Dorian is a man of mystery, well it's more accurate to say he's a stubborn jerk who refuses to share anything, despite being in a support group. You swear he looks familiar though. Little do you know the reason Dorian won't talk is because he's not-so-secretly the sidekick to the Ebony Knight-- your city's resident vigilante-- who's undercover trying to get insider information on supervillains so that maybe his boss will fully take him under his wing. Unfortunately for you, the reason he looks so familiar is that the Ebony Knight might just be Carmilla's nemesis and absolute obsession. (Lego Batman and Lego Joker vibes)

Main Route:

Ideally, I would like to have a non-romance-based route for those who want to explore the plots of both stories. This route would allow players to learn about both Amélie and Dorian's connections to Carmilla and allow you to befriend them. There are also a couple secondary non-romanceable characters that I haven't mentioned because I don't have concepts drawn up for them that would get more emphasis. I haven't decided if it would be something activated by not scoring high enough with either of the romanceable characters or if it's something I would let players choose.

Secret Route:

In my head, I'm calling this the "I can fix her" route, because that's basically what it is. It would focus on getting to know Carmilla. In all versions of the story, there would ideally be a plot about learning to set boundaries with Carmilla, but this secret route would basically allow you to then romance her. Unlike the other routes, Carmilla wouldn't be something you could choose, you'd have to earn it through the main route.

Notes on the designs:

Carmilla died in the 50's and is old Hollywood-inspired, specifically Marilyn Monroe who I used as a clothing reference. Overall I wanted this whole series to read very campy and lean into tropes, so I tried to also capture as many vampire motifs as I could. While she loves to look glamorous she's actually not all that good at styling herself. I sort of based her on the wwdits vampire logic of them being dated but not completely tied down to whatever century they died in. Committing to the aesthetic is the most important factor.

Amélie is based on court jesters and is absolutely supposed to be a Harley Quinn knockoff. I mixed several eras for her clothing. Court jesters are associated mostly with being medieval so I pulled some references there with the headdress, which I heavily stylized to look like devil horns. The ribbons are a call back to the veils women used to wear. The collar and sleeves are more Elizabethan, while the stays are based on 18th century fashion. (I've been drawing too much ofmd fanart my bad everypony) Don't ask me where the chemise is, maybe it's cropped. For the bottom half I referenced DC comics silhouettes. It might also be worth mentioning that I was listening to Chappell Roan while drawing her initial designs, so that really carried over in the make-up, but I swear she was always going to be a redhead!

Dorian's outfit I have to be so real about, I'm not super satisfied with. I wanted to do a more modern, street-wear look. The best way to describe the vibe I wanted to go for is "if DC's Nightwing were to try to style Marvel's Prowler." I wanted this sort of uptight, hyper-serious sidekick to dress like what he thought villains dressed like. So I opted to put him in stereotypical "bad boy" clothing; leather jacket, studded belts, fingerless gloves. I looked at a lot of Shadow the Hedgehog gijinka fanart. I don't hate what I came up with, but I definitely want to push the design more next time, really amp up the emo, bad boy-ness of it all. 

some notes on the design of the game:

Because I'm still very early on in the hypothetical process I don't have backgrounds or specific graphic design elements selected. However, my initial idea would be to use the classic comic book style font with the text bar emulating speech bubbles-- well, closer to the bubbles they use for inner dialogue or establishing shots. I want to play up that comic book vibe.

And for funsies here’s a facial sprite in action:

(ingore her lack of feet it's a sprite draft)

[1eoness]

BROOO u were literally probably the first author whose fic i read when i first searched up leon smuts last year 😭 ur works r so good n idk if u'll see this but it's nice to hear abt ur perspective, i feel like fics abt leon these days r so fucked up and scary, it reminds me of when i first read a fic of yours and it was nothing but normal and hot? i just mean it's like, what fanfiction should be, how smuts should be, just p in v and stuff without all that crazy shit, it sucks to see writers these days waste their talent on writing dead dove fics that are so horrendous that it really affected me mentally

helloo!! (im not dead mueheaheah)

WARNING : Mentions of dead dove content and the likes of its themes!

before i talk : [HIIIIII HEHAHEH thank you for your support!! i'm glad you liked my (very subpar) work! now that i look back on it those themes did enter a somewhat gray line at some point because i lacked a lot of experience in writing. i do not condone ever letting your professor have sex with you nor do i promote any kind of hate-motivated sex, or dubcon! it was merely a bold attempt of expressing hormones (if you know 😭) like a lot of people my age commonly do and so i had (and still have to) reedit the tropes in my work a bit, also because i turned 18 now and i wanna readjust my boundaries! i hope you dont mind. regardless, i love that you like those themes. very good! love you!! /p]

anyway, leaning more towards the topic at hand. i don't doubt that your opinion is much different than a large part of the community under this tag. which is a very, very good thing! i'm pretty sure it was ever since @/gilfhub's posts started to quickly rise in the top pages that lead a lot of users to be influenced and begin to tear down a very, very important boundary. i'm very sorry to hear that being exposed to that affected you mentally, that's the entire reason why i absolutely abhor blogs that post and enable that content. you're not alone on that either <3 and i agree! people should ALWAYS write boundaries in mind. i've lurked around the tag a lot and noticed a lot of "popular" writers who also have an alternative blog for dark content (this isn't just a specific account, there are a lot of these.) warnings don't make things better, they don't fend witnesses away, and it doesn't make you any less insensitive. "dead dove content" itself (which is really just incestual/horribly taboo sexual assault fantasies, no need to sanitize it) should always be suppressed and private (or, well, NOT WRITTEN AT ALL). the moment you put it up on any kind of digital page, you are attracting ANY kind of viewer and none of that shit is cute, i'm sorry. projecting your trauma onto a character is one thing but writing them as someone who skips the morality line is just straight up trying to exercise your power through the wrong means. just as much as you have the power to express yourself, you also have the power to make someone very uncomfortable. people don't think about these situations in the long run, that's why. they seem to really like using the "leon is just a character, i promise he won't care" argument which i also think is total bullshit cause this isn't even about leon, it just entirely reflects what your true values really are. they centralize around the need to express yourself at the expense of other people's comfort (because, for the nth time, it's a public space with an unpredictable demographic yet people seem to really like just doing the "bare minimum" on their part). whilst your perception of a traumatic experience may be valid, it doesn't give you any excuse. this is far from the idea of free individualistic expression, it is just as bad as some 4channer posting about wanting similar situations be inflicted onto them with even real, sentient people. because we all know why these themes allow themselves to be exposed to the audience and that's because it tries to appeal to a very specific group of people (which is very disgusting.) they want to be so condescending, too. like "oh grow up, i'm all under ur skin and for what." it's blatant ignorance, you're not very smart!

and finally as ironic as it is, porn is to blame for enabling a lot of similar themes. it's so obvious, too, a lot of fictions like the ones you mentioned that are dead dove always have to mention pornography titles in it. (honestly doesn't have to be dead dove either). sanitization can be done in MANY ways, and a lot of the times I notice it's through the way of romanticizing or aestheticizing it. I'm talking about those who put up mini pinterest-board headers of like three whatevercore images and then putting lyrics at the bottom of it. it's like an attempt at writing a very bad fucking movie not gonna lie. for example, they end up trying to decorate their post with elements that fall under anything curated aesthetic. and guess what? we've all been there but NOT for writing about uncle!character and their kid reader thats just flat out WEIRD. trust me you are NOT anais nin, you do not have to write lyrical prose and try to beautify something that will always be ugly and demented to its very core. you cannot call dead dove content "artistic vents", either. i also think i can understand that some people are victims who have failed to get help thus they try to cope through other means. but i will never applause someone for making the right choices. i think there's no excuse behind writing dead dove content other than to self mutilate your mental health in the long run for a temporary moment of "safe fun", and not even knowing that it is also in/directly harming the public eye.

it's rotten. it's disgusting. dead dove writers should not be welcomed in any fictional writing space. i've been triggered over and over again and it made me put off writing and reading for a very long time. i've experienced something similar before and i have gone crazy over it, and trust me, the things these people write so "generously" for their viewers are NOTHING but toxic waste.

tumblr is NOT your space, but everyone has a space in tumblr, so be conscious of yours.

i also encourage people to not stay silent on the matters if they want to speak up on it but are afraid of getting backlash. i've seen people delete their accounts over it (which, i guess is good on them since then they won't have to confront this kind of space anymore).