one of the most consistent... messages? morals? throughlines? in Fantasy High that I've noticed is that people change, and grow, and experience regret, and it is NEVER the duty of a child who's just struggling to survive puberty to facilitate that change or make themselves small and miserable so others can have room to feel/heal/grow. And especially not the girls.
Aelwyn was abused, too. Adaine was never expected by anyone but their abusive parents to let her walk all over Adaine and use her to bring about the end of the world. Adaine is rewarded, over and over, for not suffering in order for others to be happy.
Fig acts tough but she still desperately wants at least one parent who is a Perfect Victim that she can take care of, help heal their broken heart. Both her dads and her mom very clearly, and kindly, tell her no. She's a kid. She needs to learn that people fuck up and hurt each other, but also that she was never obligated to choose anyone's side.
Kristen finds out her parents are members of a doomsday cult that wanted to kill her in order to destroy the world, and immediately tells them to go fuck themselves. Everyone is so proud of her, and her friends open their homes to her. She is never told "but they're your family, you HAVE to love them!" by the people closest to her.
The girls of the Bad Kids are praised and supported when they refuse to be quiet, good little daughters who put everyone before themselves. I don't know how much of that was intentional and how much just organically came out of the improvisational nature of the game, but I find it very, very comforting. I hope all teen girls realize you don't owe anyone peace-keeping and docility in the face of trauma.
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Listen I’m sure someone has already talked about this scene, and way better than I ever could, but it makes me so feral and I need to talk about it too
This is hands down the most depressing scene in the entirety of NtN in my opinion.
Surface level it’s Gideon yelling at Crux, but the significance here comes from the exact word choice. “You could have lived for her. But you didn’t know how.”
She uses past tense.
It’s not about Crux (who arguably did live for Harrow, considering his purpose was raising and protecting her, and could by all means still do this if he changed his mind about dying for Harrow.) It’s not about the congregation who worshipped her.
It’s about Gideon, who can’t live for Harrow anymore, because she’s dead. It’s about the promise she broke at the end of the first book. She’s talking about herself.
Harrow made her promise that when it comes down to it, Gideon needs to save herself. If only one of them can survive, it has to be Gideon.
At the end of the first book, Harrow is actively planning to sacrifice herself so Gideon can live, bringing up the promise and then diving into what this is actually about. Namely, how she owes Gideon her life back.
And Gideon breaks that promise, instead deciding to sacrifice herself for Harrow.
“I can’t keep my promise because the entire point of me is you. There is no me without you.”
Gideon doesn’t know how to live for Harrow, how to exist without her, even though it’s the most important thing Harrow ever asked of her—and so she dies for her instead.
“You could have lived for her. But you didn’t know how.”
And the sacrifice ended up being rejected by Harrow, because it’s not what Harrow wanted. It never was. So Gideon ended up feeling rejected and like her life and giving it up wasn’t worth anything. And she still immediately offers herself up again without hesitation. She’s ready to die for Harrow all over again, even now that she’s already dead.
“Die. Die for her. It’s the only goddamn good you’ll ever do her.”
Gideon is fucking furious—so much that Nona can’t even place her voice anymore—but not at any of the people who would rightfully deserve her fury. Not at Crux. She’s furious at herself. This whole scene is so damn heartbreaking to me.
And out of all the cruel things Crux has done to Gideon throughout her life, this might be the worst one: telling the girl who died for the Reverend Daughter once and was ready to die for her a second time that she couldn’t even get that right. That she managed to screw up the one purpose she was actually supposed to serve, the only good she’s ever done for Harrow.
Gideon is dead. She can’t do what Harrow asked and live for her anymore. What the hell is she supposed to do if she can’t die for her, either?
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tales of the passerine - danny fenton being bruce wayne's first kid
okay okay. so this is like a continuation/elaboration of my oneshot/prompt i wrote about the idea that Danny was the first batkid. We have a lot of aus where he joins the family after the rest of the bats do, right? So hey! Lets shake things up a bit. Danny is the first to be adopted by Bruce Wayne.
Danny's parents and unfortunately Jazz die shortly after the events of TUE -- how so? I was gonna say an ecto-filter explosion, that would call back to the TUE explosion and trauma behind that. But lets do something new! Carbon-monoxide poisoning.
It's not too unexpected for something to break in the Fenton house, especially with the Fenton parents' questionable understanding of proper weapon handling and lab safety. The water heater broke from a stray shot by one of the weapons, and was promptly MacGyver'd incorrectly. Danny went to stay with Tucker for a guys' night, and came back to a dead silent house.
(Danny's neighbors got a very unfortunate shock when he ran to the next house over in hysterics.)
There was a lot of shuffling around with CPS, the police. People had to be called in to handle the equipment in the lab, and the GIW was rumoring to show up in aid to clearing the scene. When Danny heard of that, he immediately went and dismantled the ghost portal to the best of his abilities. He burned the physical blueprints of all his parents' inventions, their blueprints on the ghost portal, and their most dangerous weapons were destroyed beyond recognition. Anything to prevent the GIW from getting their hands on his parents' tech.
It opened up another investigation, but he was not under the list of suspects. He was placed in the care of Vlad Masters, where they then went back to the rebuilt castle mansion in Wisconsin. Danny, terrified of the future that has once passed and may do so again, shuts down in his grief. Inadvertently, he ends up somewhat repressing his ghost half. Something Vlad, who is grieving Madeline but relishing in Jack's demise and his custody of Daniel, is not very happy with.
Vlad's... gone into a bit of a mental health spiral. He's becoming increasingly possessive over Daniel, the final remnants of his friends and a liminal being like him. He doesn't like that Danny's repressing his ghost half -- both out of genuine concern as a ghost, but also because of his desire to control Danny and groom him into the perfect son. If you ever had a phase where you read Dark SBI found family fics, first off; me too bro, and second off; those are the vibes I'm thinking of.
Danny's mentally shut down from grief! And fear. He's dropped into a bad depressive state -- paralyzed with grief and the terror of the inevitable. Clockwork saved his parents because he believes in second chances, but what's the point of that when his family ended up dead anyways? Danny doesn't wanna believe that he's destined to become evil, and he's holding out onto that hope, but it's a thin line, and he feels utterly hopeless and trapped. He hasn't used his powers or ghost form since he trashed the lab, and Vlad has alarms set up to prevent him from trying to escape.
He's also unintentionally cut off Sam and Tucker -- both of whom are so scared and concerned for Danny too, and are trying their damndest to reach out to him. He keeps ignoring their texts. Danny basically haunts Vlad's manor. He goes out to eat if he has to, attends parties Vlad drags him to, and stays in his room all day if he can.
At parties, Vlad doesn't allow Danny to leave his side, or really talk to anyone -- not that Danny wants to. A product of Vlad's increasing possessiveness. Well, he almost doesn't let Danny leave his side. Danny has a habit of slipping off to hide somewhere for the parties whenever he can, and Vlad reluctantly allows it so long as he stays alone.
This becomes an advantage when eventually, Bruce Wayne returns to Gotham after missing for years, and holds a bright charity ball to celebrate the return. Vlad has been chomping at the bits to get his hands on Wayne Industries, and with the return of its owner there is no better opportunity to wipe out his rival. He goes, and he as normal, brings Daniel with him.
Vlad thinks Wayne will bleed his little heart out for Daniel's poor orphan sob story -- he's a fellow orphan himself, after all. He's not wrong; Wayne's little heart will bleed, just not in the way that benefits him.
Bruce sees Vlad and Danny approaching before they're even close enough to introduce themselves - and like with many of the children he will soon come to care for, it's like someone set a mirror into the past right in front of him.
Danny Fenton's suit is tailor-made for him, and despite the fact that it's his perfect size, the sag in his shoulders, the ducked down head, and the way he hunches into himself all pictures the image of a child in shoes too big for him. There's a far away, glazed over look in his eyes and grief marble-cut into the lines of his face. There's not enough makeup in the world that will hide the dark circles under his eyes.
("My nephew, Daniel Fenton." Vlad's hands are possessive on Danny's shoulders. Bruce immediately notices the way the boy tenses under his touch. "His parents passed recently, and as his godfather I was designated his guardian.")
("I'm so sorry, the loss must've been terrible.")
("Yes, carbon-monoxide poisoning caused it. Daniel was out with friends, when he came home... they had already passed.")
(Bruce immediately dislikes that Vlad shared the details of their death unprompted -- he likes it even less when Danny flinches at the reminder and hunches into himself.)
Danny runs off at some point earlier into the charity. At this point, parties are still being held at Wayne Manor (because iirc google search mentioned that was a thing at first before it was changed), so he disappears and hides in one of the empty rooms nearby. It just so happens to be the same room Bruce Wayne hides in when he needs a break from all of the socialization.
Thus begins a long, long process of trust. Bruce can't reveal his hand as being smarter than he looks, but he can be compassionate. Kindness needs no measure of intelligence. He keeps Danny company for as long as he can before he runs the risk of being found.
Rinse and repeat. Vlad insistently wants Wayne Industries, and he'll go to as many Wayne parties as he can to get his hooks into the man. The problem is that Bruce Wayne is never alone, and getting him alone is impossible. Finding him too. It's like the man never stops moving. Always talking to someone, always circling somewhere. He orbits around the room as if he isn't the sun of the Gotham Elite's solar system.
Danny's had such repetitive behavior that Vlad never thinks to believe that Bruce Wayne is disappearing to go talk to him. That "Vlad's" son is even interacting with him at all. Danny never gives him a reason to think so, and neither does Bruce.
Danny doesn't actually acknowledge Bruce until a handful of parties in, where he hands Bruce a small slip of paper he smuggled in that says; "don't trust Vlad". Danny's face stays carefully blank, but he's so tense that his hands are trembling, and he's purposely looking away from him. Bruce plasters a smile onto his face, slips the paper into his pocket, and tells him "okay".
(he's been busy with his own goals with the mafia, but he sets aside time to investigate Vlad Masters. He was holding off. Until now.)
Danny does eventually start speaking to Bruce, he's starting to really like the guy. He's starting to see a little hope, even as Vlad is starting to get more and more agitated with him the more he refuses to use his powers.
He reaches out to Sam and Tucker again, and starts trying to reconnect with them. Vlad has spyware on his phone, and he limits the amount of times he can talk to them. A weird parental control lock of some sort that leaves a time limit on how long he can talk to them for. 30 minutes. Danny doesn't tell them anything about Mr. Wayne.
Danny, slowly, wants out of here, and he's slowly gathering the motivation to do it. Vlad is genuinely scaring him -- and Danny wonders just how truthful the past-future Vlad was when he told him that Danny wanted his ghost half separate. He starts trying to come up with an escape plan.
Vlad has anti-ghost wards everywhere around the mansion, and while they're always on, they boost to full power at sunset. The doors and windows are always locked, all main exits have alarms set on them. The only reason it's not super extensive is because Danny hasn't tried leaving at all yet, so Vlad hasn't had to tighten anything.
At night, Vlad locks the door to his room and puts up an anti-ghost ward around the room. The mansion is on the outside westward side of Madison, more entrenched in rural Wisconsin. The closest town is a four-way stop sign with one house on three corners, and an open bar on the fourth. Not much to go.
He refuses to go to Sam and Tucker; Vlad would look there first. It's too dangerous. Vlad would sound alarm bells and have a manhunt looking for him, Danny can't risk going just anywhere. Too much risk of being found, sold out, or caught. There's really nowhere for him to hide.
Until there is. Bruce is telling Danny about the history of Wayne Manor, and says, as casually as saying the weather; "The manor has dozens of empty rooms, I'm sure Alfred wouldn't mind filling another one if he could." And quietly, hesitantly, Bruce places a careful hand on Danny's shoulder, unrestrictive and gentle; "He wouldn't mind getting one ready for you if you need one."
And there it is. There's his out.
Danny, just as quietly, replies; "I'll keep that in mind."
The ball starts rolling.
Now I've been trying to summarize this au as much as possible for length convenience, but Vlad has been steadily growing more and more controlling. More emotionally manipulative. More agitated at Danny for not using his powers.
He wants Wayne Industries under his thumb but he's been steadily growing more and more concerned with Danny. He's started grabbing him, yanking him around, shaking him; trying to goad him into using his powers. He gets angry when Danny doesn't react, or tells him he doesn't want to use his powers. He hasn't outright attacked him, but he's getting there. This has been happening over the time it takes for Bruce to indirectly offer Danny sanctuary at his home.
It all comes to a head when Vlad stops going to parties at all -- something Danny has to pretend he isn't upset about -- because Vlad doesn't want him around other people anymore. Vlad rarely goes now without him, and only leaves to go to a Wayne function or to handle something at VladCo.
Danny can't wait for Vlad to leave long enough to escape. So he leaves during the night of a big storm. Vlad's locked him in his room, but Danny doesn't bother trying to go for it; he goes to the alarmed window instead. Danny's been repressing his ghost half so long that he can't access his powers immediately anymore -- he can feel it, he knows its there, but he can't quite reach it.
He breaks the lock by hand.
Immediately the alarm goes off through the entire castle, filling the room with red, and he scrambles for the rope the Wisconsin Ghost left for him a few months back. Danny's already out and climbing down the side of the castle before Vlad even reaches his door -- the only good thing about the entire room being ghost-proof is that Vlad can't get in that way.
The rope ends before it reaches the bottom, and he's still twenty feet in the air. It won't kill him if he lands it right. Danny takes his chances, and drops. He breaks his ankle, but he survives.
And he fucking books it to the back garden. He hears Vlad shrieking over the thunder and rain.
I'll save the full experience for a future oneshot, but Danny makes it out into the nearby woods and forcibly experiences what it's like to be in a horror game, trying to hide from the thing that's hunting you. There's only one thing going through his mind; "i'm going to die"
I have this mental image for this scene. Very stereotypical horror imo. Where Danny is hiding behind a tree, with a hand over his mouth, and Vlad is a few feet away from him, glowing ominously red through the trees, trying to search for him.
Danny doesn't get away from this unscathed, but he does get away alive. That's all he could ask for. He gets away by getting his ghost half awakened long enough to transform into Phantom and fly to Gotham.
But he gets to Wayne Manor, he gets to Bruce. Or, at least, Alfred answers the door from his insistent pounding. Danny's just in tears and Alfred gets him in the living room, wrapped in a towel, with ice on his swollen leg before he has to step out and alert Bruce.
Bruce already breaks multiple traffic laws on a nightly basis. And that's just with the sheer existence of the batmobile itself, not including the speeding and military artillery attached. He breaks double the amount trying to speed back to the cave and get out of the suit.
Right off the bat: Bruce will know, at least before Dick enters the picture, about danny's powers. He'll figure out something considering the fact that Danny traveled from Wisconsin to New York in a single night. That'll be a bit of complicated affair, but I've already got something in mind.
Actually it'll probably be very soon after Danny joins the family, because Bruce tries to offer to fight for custody for Danny - the state Danny was in at arrival is clear enough evidence for a trial. But Danny immediately shuts it down, says it's not going to work and then Vlad will know Danny's with him and he won't be safe. He tells him that Vlad cannot know Danny was with Bruce.
Danny's biggest regret was not telling his parents he was a halfa, and while he doesn't want to tell mister wayne (yet), he does tell him about Vlad being one. He needs to know why Danny can't be seen with Bruce. So he tells him, and Danny's current plan is to just hide out from Vlad until he turns 18. That way, he has no more legal jurisdiction over him. After that? He's not sure.
And to wrap this up, since this has already gotten very long and I can make more posts about this au later; I've thought about it, and I'm going to say that Danny does become a vigilante before Dick enters the scene. He goes by, as you probably guessed; Nightingale. "Gale" for short.
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Just watched The Big Bang Job again today and I rambled about this in an earlier post reblog but it deserves its own post..
The way Eliot dresses makes so much more sense after meeting Moreau and his goons. He rejects all notions of being anything like those well dressed men in their suits again. So blank and uniform, just another soldier in Moreau's private army.
That's why his shirt is always untucked, sleeves rolled up, collar unbuttoned. Not to mention the hair - the biggest rebellion is his hair. A constant reminder of who he is now that stays the same, no matter what he wears.
And it just makes me think how this is such a good representation of the identity crisis he went through (and let's be real, is still going through).
Eliot used to be one of those men. He had his hair short, wore the tailored suits and carried the guns. He didn't accessorise. He suppressed every aspect of an individual personality in order to fit the role that Moreau had for him.
Sure, we're not blatantly told all of those things in the show, but we can infer, simply from looking at Moreau's goons and how they're presented.
Seeing Eliot surrounded by those goons in the pool scene is more than just showing us the threat to Eliot and Hardison - and also the threat that Eliot and his reputation present. It's about showing us the demons of his past, the nightmare that he doesn't want to go back to. Eliot had alluded to his past before but it's been nebulous. Now, we finally see that past take shape and it's hideous.
But Eliot didn't stay like that. He got out - he got free - and he has been reclaiming pieces of himself ever since. Until, finally, he's the evolving Eliot that we know and love. He prefers to dress casual and relaxed, with strong reminders of his roots throughout. He keeps his hair long and loose - not military regulation, not 'professional' as far as male standards go, not even convenient for fighting. It's all a way of stealing himself back, and making sure the differences between who he was then and now are stark and vivid.
I could keep rambling but this is already twice as long as I intended. Just ... Eliot Spencer. He still doesn't view himself as a better man, never mind a redeemable man, but he is. When compared to those goons, his transformation is clear as day.
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Sanji during Water 7 and Enies Lobby :
"Who the hell are you?"
GET HIM, CUNTJI
I firmly stand by the point that the strawhats would fall apart and Robin would be taken if sanji (and zoro) were not present during water 7 and Enies lobby. These are some of the things i loved the most about sanji during Water7 and Enies Lobby arcs :
(1) Protecting the captain AND the crew : When Luffy and usopp were fighting over merry, at one point sanji instantly kicks Luffy to shut him up.
His empathy, protectiveness and foresight really shines here. He knew that Luffy wouldnt be able to forgive himself if he kicked Usopp out, but at the heat of the moment he was about to do just that. So he protected Luffy and became the voice of reason in Luffy's incredibly vulnerable moment.
At the same time, sanji showed empathy towards Usopp by standing up for him. During this fight, Usopp was physically and mentally weak, and seeing that at least one of his crewmates stopped the captain actually helped usopp feel like less alienated in the crew. This way Sanji became the (violent) rock for both Luffy and usopp in that moment.
(2) Trust : Some people make fun of this panel but all the Strawhats were deeply CONFUSED with Robin's participation in iceburg's assassination (which is normal cz she hadnt been with them for long and she was an enemy before joining the crew). But sanji could tell that she was lying and he trusted his crewmate (NOT BECAUSE SHE IS A WOMAN). Sanji never doubted Robin's intentions for even a moment and he was fully prepared to go save her (not question or clarify with her like the others wanted to) from the very first moment.
(3) Bravery :
Robin was scared out of her skull during this arc even though she was putting up a tough front at first. But sanji understood her desperation and the urgency of the situation. And like a dumbass, he got on the train ON HIS OWN after leaving a message to nami. Franky and usopp being there was his dumb luck but he would've been dead with the choice he made in water 7.
(4) Chivalry : It can't be a sanji admiration post without mentioning his endless chivalry. People may call him a pervert (which he is). But he actually respects women and he stood firm on his morals even in the face of death. This is a real Prince like man he didn't counter-attack kalifa even though she broke his teeth, turned him into a block of soap and pushed him from a high floor.
(4) in a crisis situation sanji showed Usopp that he believed in his capabilities, not with sympathy but with logic. Even in the face of danger he was sharp in the mind and empathetic towards his friend. This eventually led to Usopp actually succeeding to snipe the keys to robin and franky on the bridge of hesitation and that move is what saved Robin from being dragged to the gates of justice.
We can see how Sanji's words encouraged Usopp and propelled him into action.
(5) Intelligence :
While on the train, sanji devised a plan to rescue Robin before reaching Enies Lobby.
At enies lobby when they were up against the the Government's elite assassinators, Sanji came up with the plan to collect the keys and save Robin.
The strawhats would be deadmeats if sanji didnt sneak out mid fight to close the gates of justice. The whirlpool is what let the strawhats escape. So, Sanji's foresight and intelligence is what finally saved his crew from a national level buster call.
(6) Emotional Intelligence :
Sanji quietly kept tabs on Usopp from time to time the entire period he was out of the crew. Let's all acknowledge Usopp would've probably died in that Aqua Laguna if sanji (and chopper) didn't go warn him about it. And he was very considerate in the way he didn't do it directly to not hurt usopp's pride.
Moreover in the water 7 filler arc we can see how sanji was still keeping an eye on Usopp and that he was planning to return to the crew. He didn't cut off his friend just because the crew was going through a rough phase.
(Someone joked how Usopp probably had to be put on suicide watch during water 7 and i was like THAT'S EXACTLY WHAT SANJI HAD BEEN DOING THE ENTIRE TIME THANKS FOR NOTICING )
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