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#I have SO many feelings about my girls
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one of the most consistent... messages? morals? throughlines? in Fantasy High that I've noticed is that people change, and grow, and experience regret, and it is NEVER the duty of a child who's just struggling to survive puberty to facilitate that change or make themselves small and miserable so others can have room to feel/heal/grow. And especially not the girls.
Aelwyn was abused, too. Adaine was never expected by anyone but their abusive parents to let her walk all over Adaine and use her to bring about the end of the world. Adaine is rewarded, over and over, for not suffering in order for others to be happy.
Fig acts tough but she still desperately wants at least one parent who is a Perfect Victim that she can take care of, help heal their broken heart. Both her dads and her mom very clearly, and kindly, tell her no. She's a kid. She needs to learn that people fuck up and hurt each other, but also that she was never obligated to choose anyone's side.
Kristen finds out her parents are members of a doomsday cult that wanted to kill her in order to destroy the world, and immediately tells them to go fuck themselves. Everyone is so proud of her, and her friends open their homes to her. She is never told "but they're your family, you HAVE to love them!" by the people closest to her.
The girls of the Bad Kids are praised and supported when they refuse to be quiet, good little daughters who put everyone before themselves. I don't know how much of that was intentional and how much just organically came out of the improvisational nature of the game, but I find it very, very comforting. I hope all teen girls realize you don't owe anyone peace-keeping and docility in the face of trauma.
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skellagirl · 7 months
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help help help I can't stop drawing gay lawyers
Trucy should be brown and I'll die on that hill
The fact that Klavier is 5'11" and Apollo is 5'5" 🥹 I love a height difference
I am convinced they drew Valant's hair Like That (tm) in-game because otherwise we would have all fallen madly in love with him
Wesley is my favorite witness in Apollo Justice, I'm so sorry for my shit taste 😔
I've drawn Godot without a mask before but I wanted to do it Again because I am still enamored with the idea of him having white eyelashes
Aromantic Miles means so much to me
I get that it's probably just the way they drew his jacket but why is Miles's little court sprite so caked though 😭
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figueroth and sandra lynn faeth; daughter and mother // dimension 20: fantasy high
fantasy high: junior year - a very merry moonar yulenear // lady bird, 2017 // ijeoma umebinyuo - questions for ada // alexuma // wych elm - susan smith // joan tierney - the elektra complex // fantasy high: sophomore year - hellbound // imma_slytherin - fig the unfaithable and the summer sads // nora kasten // honeytuesday // fantasy high: junior year - untapped rage // ethel cain - family tree (intro) // lynn emanuel - single girl. one room flat.
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Listen I’m sure someone has already talked about this scene, and way better than I ever could, but it makes me so feral and I need to talk about it too
This is hands down the most depressing scene in the entirety of NtN in my opinion.
Surface level it’s Gideon yelling at Crux, but the significance here comes from the exact word choice. “You could have lived for her. But you didn’t know how.”
She uses past tense.
It’s not about Crux (who arguably did live for Harrow, considering his purpose was raising and protecting her, and could by all means still do this if he changed his mind about dying for Harrow.) It’s not about the congregation who worshipped her.
It’s about Gideon, who can’t live for Harrow anymore, because she’s dead. It’s about the promise she broke at the end of the first book. She’s talking about herself.
Harrow made her promise that when it comes down to it, Gideon needs to save herself. If only one of them can survive, it has to be Gideon.
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At the end of the first book, Harrow is actively planning to sacrifice herself so Gideon can live, bringing up the promise and then diving into what this is actually about. Namely, how she owes Gideon her life back.
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And Gideon breaks that promise, instead deciding to sacrifice herself for Harrow.
“I can’t keep my promise because the entire point of me is you. There is no me without you.”
Gideon doesn’t know how to live for Harrow, how to exist without her, even though it’s the most important thing Harrow ever asked of her—and so she dies for her instead.
“You could have lived for her. But you didn’t know how.”
And the sacrifice ended up being rejected by Harrow, because it’s not what Harrow wanted. It never was. So Gideon ended up feeling rejected and like her life and giving it up wasn’t worth anything. And she still immediately offers herself up again without hesitation. She’s ready to die for Harrow all over again, even now that she’s already dead.
“Die. Die for her. It’s the only goddamn good you’ll ever do her.”
Gideon is fucking furious—so much that Nona can’t even place her voice anymore—but not at any of the people who would rightfully deserve her fury. Not at Crux. She’s furious at herself. This whole scene is so damn heartbreaking to me.
And out of all the cruel things Crux has done to Gideon throughout her life, this might be the worst one: telling the girl who died for the Reverend Daughter once and was ready to die for her a second time that she couldn’t even get that right. That she managed to screw up the one purpose she was actually supposed to serve, the only good she’s ever done for Harrow.
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Gideon is dead. She can’t do what Harrow asked and live for her anymore. What the hell is she supposed to do if she can’t die for her, either?
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savorycannoli · 1 year
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Can I talk about sugar for a second? Like all of the berzatto children are tragic and doomed by the narrative in their own right, but nat’s story means so such to me idk if I can even fully talk about it all. We see her relationship with her mom is strained at best, it seems like she’s the least favorite child, maybe BECAUSE of her existence as a woman.
And then we find out that her lifelong nickname is based off of a childhood mistake, her being overeager to help her family literally turned into a lifelong reminder of her fuck up. Is there anything more tragic?? A child wanting love but getting scorn?? And then it makes the flashback scene where she tries to add raisins in season 1 all the more upsetting because why did she add them?
“That’s how mom makes it.” she’s the only one that still follows their mom’s recipe. The reason? Could be anything. But I have no doubt in my mind if she DIDN’T add the raisins if Donna had been around she would’ve been ridiculed even more.
I have such a soft spot in my heart for girls and their complex relationships with their moms and motherhood, and it makes her scene with cicero in the car that much more impactful. When cicero says he would let his kids make more mistakes and not been as careful, i almost started crying. Nat has a nickname from her mistakes and it seems like in her mom’s eyes she’s nothing but mistakes. And then her uncle tells her that she’ll be a good mother and that it’s okay for kids to make mistakes, great, even.
I’m so happy nat is in a place where she’s happy and supported. She has a husband who deeply understands her family and doesn’t judge her for it, even making an effort to try and include Donna. I was kind of meh about pete before season 2, but it solidified for me that he’s so so good for nat and a great character. He is so excited to be a dad, he’s patient and kind with her and her family, and he doesn’t call her sugar.
She’s nat. And she’s allowed to make mistakes.
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starry-bi-sky · 4 months
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tales of the passerine - danny fenton being bruce wayne's first kid
okay okay. so this is like a continuation/elaboration of my oneshot/prompt i wrote about the idea that Danny was the first batkid. We have a lot of aus where he joins the family after the rest of the bats do, right? So hey! Lets shake things up a bit. Danny is the first to be adopted by Bruce Wayne.
Danny's parents and unfortunately Jazz die shortly after the events of TUE -- how so? I was gonna say an ecto-filter explosion, that would call back to the TUE explosion and trauma behind that. But lets do something new! Carbon-monoxide poisoning.
It's not too unexpected for something to break in the Fenton house, especially with the Fenton parents' questionable understanding of proper weapon handling and lab safety. The water heater broke from a stray shot by one of the weapons, and was promptly MacGyver'd incorrectly. Danny went to stay with Tucker for a guys' night, and came back to a dead silent house.
(Danny's neighbors got a very unfortunate shock when he ran to the next house over in hysterics.)
There was a lot of shuffling around with CPS, the police. People had to be called in to handle the equipment in the lab, and the GIW was rumoring to show up in aid to clearing the scene. When Danny heard of that, he immediately went and dismantled the ghost portal to the best of his abilities. He burned the physical blueprints of all his parents' inventions, their blueprints on the ghost portal, and their most dangerous weapons were destroyed beyond recognition. Anything to prevent the GIW from getting their hands on his parents' tech.
It opened up another investigation, but he was not under the list of suspects. He was placed in the care of Vlad Masters, where they then went back to the rebuilt castle mansion in Wisconsin. Danny, terrified of the future that has once passed and may do so again, shuts down in his grief. Inadvertently, he ends up somewhat repressing his ghost half. Something Vlad, who is grieving Madeline but relishing in Jack's demise and his custody of Daniel, is not very happy with.
Vlad's... gone into a bit of a mental health spiral. He's becoming increasingly possessive over Daniel, the final remnants of his friends and a liminal being like him. He doesn't like that Danny's repressing his ghost half -- both out of genuine concern as a ghost, but also because of his desire to control Danny and groom him into the perfect son. If you ever had a phase where you read Dark SBI found family fics, first off; me too bro, and second off; those are the vibes I'm thinking of.
Danny's mentally shut down from grief! And fear. He's dropped into a bad depressive state -- paralyzed with grief and the terror of the inevitable. Clockwork saved his parents because he believes in second chances, but what's the point of that when his family ended up dead anyways? Danny doesn't wanna believe that he's destined to become evil, and he's holding out onto that hope, but it's a thin line, and he feels utterly hopeless and trapped. He hasn't used his powers or ghost form since he trashed the lab, and Vlad has alarms set up to prevent him from trying to escape.
He's also unintentionally cut off Sam and Tucker -- both of whom are so scared and concerned for Danny too, and are trying their damndest to reach out to him. He keeps ignoring their texts. Danny basically haunts Vlad's manor. He goes out to eat if he has to, attends parties Vlad drags him to, and stays in his room all day if he can.
At parties, Vlad doesn't allow Danny to leave his side, or really talk to anyone -- not that Danny wants to. A product of Vlad's increasing possessiveness. Well, he almost doesn't let Danny leave his side. Danny has a habit of slipping off to hide somewhere for the parties whenever he can, and Vlad reluctantly allows it so long as he stays alone.
This becomes an advantage when eventually, Bruce Wayne returns to Gotham after missing for years, and holds a bright charity ball to celebrate the return. Vlad has been chomping at the bits to get his hands on Wayne Industries, and with the return of its owner there is no better opportunity to wipe out his rival. He goes, and he as normal, brings Daniel with him.
Vlad thinks Wayne will bleed his little heart out for Daniel's poor orphan sob story -- he's a fellow orphan himself, after all. He's not wrong; Wayne's little heart will bleed, just not in the way that benefits him.
Bruce sees Vlad and Danny approaching before they're even close enough to introduce themselves - and like with many of the children he will soon come to care for, it's like someone set a mirror into the past right in front of him.
Danny Fenton's suit is tailor-made for him, and despite the fact that it's his perfect size, the sag in his shoulders, the ducked down head, and the way he hunches into himself all pictures the image of a child in shoes too big for him. There's a far away, glazed over look in his eyes and grief marble-cut into the lines of his face. There's not enough makeup in the world that will hide the dark circles under his eyes.
("My nephew, Daniel Fenton." Vlad's hands are possessive on Danny's shoulders. Bruce immediately notices the way the boy tenses under his touch. "His parents passed recently, and as his godfather I was designated his guardian.") ("I'm so sorry, the loss must've been terrible.") ("Yes, carbon-monoxide poisoning caused it. Daniel was out with friends, when he came home... they had already passed.") (Bruce immediately dislikes that Vlad shared the details of their death unprompted -- he likes it even less when Danny flinches at the reminder and hunches into himself.)
Danny runs off at some point earlier into the charity. At this point, parties are still being held at Wayne Manor (because iirc google search mentioned that was a thing at first before it was changed), so he disappears and hides in one of the empty rooms nearby. It just so happens to be the same room Bruce Wayne hides in when he needs a break from all of the socialization.
Thus begins a long, long process of trust. Bruce can't reveal his hand as being smarter than he looks, but he can be compassionate. Kindness needs no measure of intelligence. He keeps Danny company for as long as he can before he runs the risk of being found.
Rinse and repeat. Vlad insistently wants Wayne Industries, and he'll go to as many Wayne parties as he can to get his hooks into the man. The problem is that Bruce Wayne is never alone, and getting him alone is impossible. Finding him too. It's like the man never stops moving. Always talking to someone, always circling somewhere. He orbits around the room as if he isn't the sun of the Gotham Elite's solar system.
Danny's had such repetitive behavior that Vlad never thinks to believe that Bruce Wayne is disappearing to go talk to him. That "Vlad's" son is even interacting with him at all. Danny never gives him a reason to think so, and neither does Bruce.
Danny doesn't actually acknowledge Bruce until a handful of parties in, where he hands Bruce a small slip of paper he smuggled in that says; "don't trust Vlad". Danny's face stays carefully blank, but he's so tense that his hands are trembling, and he's purposely looking away from him. Bruce plasters a smile onto his face, slips the paper into his pocket, and tells him "okay".
(he's been busy with his own goals with the mafia, but he sets aside time to investigate Vlad Masters. He was holding off. Until now.)
Danny does eventually start speaking to Bruce, he's starting to really like the guy. He's starting to see a little hope, even as Vlad is starting to get more and more agitated with him the more he refuses to use his powers.
He reaches out to Sam and Tucker again, and starts trying to reconnect with them. Vlad has spyware on his phone, and he limits the amount of times he can talk to them. A weird parental control lock of some sort that leaves a time limit on how long he can talk to them for. 30 minutes. Danny doesn't tell them anything about Mr. Wayne.
Danny, slowly, wants out of here, and he's slowly gathering the motivation to do it. Vlad is genuinely scaring him -- and Danny wonders just how truthful the past-future Vlad was when he told him that Danny wanted his ghost half separate. He starts trying to come up with an escape plan.
Vlad has anti-ghost wards everywhere around the mansion, and while they're always on, they boost to full power at sunset. The doors and windows are always locked, all main exits have alarms set on them. The only reason it's not super extensive is because Danny hasn't tried leaving at all yet, so Vlad hasn't had to tighten anything.
At night, Vlad locks the door to his room and puts up an anti-ghost ward around the room. The mansion is on the outside westward side of Madison, more entrenched in rural Wisconsin. The closest town is a four-way stop sign with one house on three corners, and an open bar on the fourth. Not much to go.
He refuses to go to Sam and Tucker; Vlad would look there first. It's too dangerous. Vlad would sound alarm bells and have a manhunt looking for him, Danny can't risk going just anywhere. Too much risk of being found, sold out, or caught. There's really nowhere for him to hide.
Until there is. Bruce is telling Danny about the history of Wayne Manor, and says, as casually as saying the weather; "The manor has dozens of empty rooms, I'm sure Alfred wouldn't mind filling another one if he could." And quietly, hesitantly, Bruce places a careful hand on Danny's shoulder, unrestrictive and gentle; "He wouldn't mind getting one ready for you if you need one."
And there it is. There's his out.
Danny, just as quietly, replies; "I'll keep that in mind."
The ball starts rolling.
Now I've been trying to summarize this au as much as possible for length convenience, but Vlad has been steadily growing more and more controlling. More emotionally manipulative. More agitated at Danny for not using his powers.
He wants Wayne Industries under his thumb but he's been steadily growing more and more concerned with Danny. He's started grabbing him, yanking him around, shaking him; trying to goad him into using his powers. He gets angry when Danny doesn't react, or tells him he doesn't want to use his powers. He hasn't outright attacked him, but he's getting there. This has been happening over the time it takes for Bruce to indirectly offer Danny sanctuary at his home.
It all comes to a head when Vlad stops going to parties at all -- something Danny has to pretend he isn't upset about -- because Vlad doesn't want him around other people anymore. Vlad rarely goes now without him, and only leaves to go to a Wayne function or to handle something at VladCo.
Danny can't wait for Vlad to leave long enough to escape. So he leaves during the night of a big storm. Vlad's locked him in his room, but Danny doesn't bother trying to go for it; he goes to the alarmed window instead. Danny's been repressing his ghost half so long that he can't access his powers immediately anymore -- he can feel it, he knows its there, but he can't quite reach it.
He breaks the lock by hand.
Immediately the alarm goes off through the entire castle, filling the room with red, and he scrambles for the rope the Wisconsin Ghost left for him a few months back. Danny's already out and climbing down the side of the castle before Vlad even reaches his door -- the only good thing about the entire room being ghost-proof is that Vlad can't get in that way.
The rope ends before it reaches the bottom, and he's still twenty feet in the air. It won't kill him if he lands it right. Danny takes his chances, and drops. He breaks his ankle, but he survives.
And he fucking books it to the back garden. He hears Vlad shrieking over the thunder and rain.
I'll save the full experience for a future oneshot, but Danny makes it out into the nearby woods and forcibly experiences what it's like to be in a horror game, trying to hide from the thing that's hunting you. There's only one thing going through his mind; "i'm going to die"
I have this mental image for this scene. Very stereotypical horror imo. Where Danny is hiding behind a tree, with a hand over his mouth, and Vlad is a few feet away from him, glowing ominously red through the trees, trying to search for him.
Danny doesn't get away from this unscathed, but he does get away alive. That's all he could ask for. He gets away by getting his ghost half awakened long enough to transform into Phantom and fly to Gotham.
But he gets to Wayne Manor, he gets to Bruce. Or, at least, Alfred answers the door from his insistent pounding. Danny's just in tears and Alfred gets him in the living room, wrapped in a towel, with ice on his swollen leg before he has to step out and alert Bruce.
Bruce already breaks multiple traffic laws on a nightly basis. And that's just with the sheer existence of the batmobile itself, not including the speeding and military artillery attached. He breaks double the amount trying to speed back to the cave and get out of the suit.
Right off the bat: Bruce will know, at least before Dick enters the picture, about danny's powers. He'll figure out something considering the fact that Danny traveled from Wisconsin to New York in a single night. That'll be a bit of complicated affair, but I've already got something in mind.
Actually it'll probably be very soon after Danny joins the family, because Bruce tries to offer to fight for custody for Danny - the state Danny was in at arrival is clear enough evidence for a trial. But Danny immediately shuts it down, says it's not going to work and then Vlad will know Danny's with him and he won't be safe. He tells him that Vlad cannot know Danny was with Bruce.
Danny's biggest regret was not telling his parents he was a halfa, and while he doesn't want to tell mister wayne (yet), he does tell him about Vlad being one. He needs to know why Danny can't be seen with Bruce. So he tells him, and Danny's current plan is to just hide out from Vlad until he turns 18. That way, he has no more legal jurisdiction over him. After that? He's not sure.
And to wrap this up, since this has already gotten very long and I can make more posts about this au later; I've thought about it, and I'm going to say that Danny does become a vigilante before Dick enters the scene. He goes by, as you probably guessed; Nightingale. "Gale" for short.
#dpxdc#dp x dc#danny fenton is not the ghost king#dp x dc crossover#dpxdc crossover#tales of the passerine au#i dont want to overemphasize how much vlad sucks but also i dont want to downplay it. but also i didn't wanna make this post too long#i didn't emphasize enough on vlad's possessiveness but i wanted to make this post as general enough as possible for the au.#for some more wiggle room in the future if i make more posts about this au.#the consequences for Danny repressing himself was not a concern i was focused on for the post but i am thinking about it and mulling it ove#i'll be blunt my main specific reason for why this occurs shortly after tue is bc it means dani doesn't exist yet and it means i dont have#to include her in the continuation of this au. i love that girl but she's a dead weight. i dont wanna come up with an elaborate reason as#to why she's not in the picture when i can just say 'she never created in the first place' instead. i don't have anything for her to do#I don't want to risk giving her a poor plot line just so that she exists in au.#sometimes i really hate just how long my posts get. i feel like it kills my engagement. but i also don't want to make posts that have#a part 1 and part 2 just because I think it got too long.#i feel kinda bad for having Danny take the spot of 'first partner' from Dick. But that was part of the reason i was inspired to make this a#i've already got the skeleton of a reasoning for danny becoming a vigilante being made in my head.#He can't go by Phantom since that risks drawing Vlad's attention -- a new vigilante showing up in Gotham. a place the visited frequently#who goes by the name Phantom? He'd be on that faster than chickens on meat. and nightingale has familial meaning behind it due to being#part of an ancestral name. it follows robin's theme of using it to honor his parents while still having its own unique enough lore to stand#on its own without feeling like a cheap copy. plus the bonus meta reason that it follows the bird theme. which personally is vital to me#my other alternative to Nightingale is Sparrow. mostly because it has good phonetic structure for a hero name. not too many syllables#a good balance of consonants and vowels. dont want a hero name with too many syllables or unbalanced consonants. or worse; both.#my reasonings is that hero names should be easy for a civ or teammate to yell while still being understood. max amount of syllables before#it threatens to become too wordy is 3. If it goes over 3 it should have a balanced consonant-vowel ratio. Wonder Woman is a good example#some things got cut here that were in the initial oneshot. like danny giving bruce his physical ghost core and showing up bloody.#the first son au
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soft-cryptids · 2 years
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Ghost's attention almost had a weight of it's own, dark eyes sharp when they locked on the object of his interest, his focus absolute and unwavering. Most of the time it was cold, clinical, assessing; analyzing the risks and the possible benefits. Sometimes it was predatory. Possessive. Dangerous.  
It was always heavy.   It was always there.
A physical touch, blade pressed to skin, cold air on the back of the neck.
Most people found it unnerving, but Soap felt almost naked without it; the weight of Ghost's attention was as familiar as the shape of a knife in the palm of his hand, the scent of smoke, the burn of good scotch at the back of his throat. With Ghost next to him, or knowing he's watching from afar, following him with a scope - it was grounding. It felt right.
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freaky-flawless · 5 months
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Headless Headmistress Bloodgood redesign!
I've been wanting to redesign her for a while, in a way that would marry the aspects from each of her designs that I like. I'm pretty happy with how she turned out!
At some point I would like to design some more Monster High teachers and staff, because no matter what gen, that school is struggling.
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st4rking · 1 year
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tfw you, as a mind reader, have to team up with a man who thinks too much
Slight spoilers in tags
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werewolfsmile · 6 months
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Just watched The Big Bang Job again today and I rambled about this in an earlier post reblog but it deserves its own post..
The way Eliot dresses makes so much more sense after meeting Moreau and his goons. He rejects all notions of being anything like those well dressed men in their suits again. So blank and uniform, just another soldier in Moreau's private army.
That's why his shirt is always untucked, sleeves rolled up, collar unbuttoned. Not to mention the hair - the biggest rebellion is his hair. A constant reminder of who he is now that stays the same, no matter what he wears.
And it just makes me think how this is such a good representation of the identity crisis he went through (and let's be real, is still going through).
Eliot used to be one of those men. He had his hair short, wore the tailored suits and carried the guns. He didn't accessorise. He suppressed every aspect of an individual personality in order to fit the role that Moreau had for him.
Sure, we're not blatantly told all of those things in the show, but we can infer, simply from looking at Moreau's goons and how they're presented.
Seeing Eliot surrounded by those goons in the pool scene is more than just showing us the threat to Eliot and Hardison - and also the threat that Eliot and his reputation present. It's about showing us the demons of his past, the nightmare that he doesn't want to go back to. Eliot had alluded to his past before but it's been nebulous. Now, we finally see that past take shape and it's hideous.
But Eliot didn't stay like that. He got out - he got free - and he has been reclaiming pieces of himself ever since. Until, finally, he's the evolving Eliot that we know and love. He prefers to dress casual and relaxed, with strong reminders of his roots throughout. He keeps his hair long and loose - not military regulation, not 'professional' as far as male standards go, not even convenient for fighting. It's all a way of stealing himself back, and making sure the differences between who he was then and now are stark and vivid.
I could keep rambling but this is already twice as long as I intended. Just ... Eliot Spencer. He still doesn't view himself as a better man, never mind a redeemable man, but he is. When compared to those goons, his transformation is clear as day.
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stuckinapril · 4 months
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A major annoying thing about being in a male dominated stem field (chemistry for me) is you basically work w guys 99% of the time & they ALL think you have a crush on them if you’re even fleetingly nice. And so far I’ve refused to water down my personality to compensate for it but it’s so annoying knowing I’m inadvertently feeding into someone’s unchecked ego
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sammygender · 12 days
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not indirecting anyone but i keep seeing the take that sam has power over dean because dean is so attached to and dependent on him. like it’s everywhere. and its just soooo fundamentally flawed. that is not how anything works. not to sound like a broken record but that type of dynamic (where one partner, the aggressor, views themselves as in fact controlled/dictated by the whims of the other) is actually very standard in an abusive relationship…
whether or not sam has ‘power’ over dean in this way is functionally irrelevant because his ‘power’ extends to his ability to somehow, what, psychically manipulate dean into doing what he wants?? whereas dean’s ‘power’ over sam is making sure sam adheres to exactly what he’s decided sam should do and punishing him if he doesnt do that, and deciding he has ultimate control over sam’s own decisions about his life (see main plot events of s4, 5, 6, 8, 9, 10, so on and so forth…).
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chappelroans · 2 months
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in remembrance of all deceased transgender individuals who have been misgendered through paleontology
trans liberation does not stop with death insp by @sweatermuppet
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averlym · 10 months
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fairest of the fair
#hi! im alive and back and etc.#six the musical#six the musical fanart#katherine howard#thinking of that post going 'i think eventually you become the person you needed most' and like maybe that's the thing with my art#this started out as a redraw and <improvement meme> i think i've finally reached the stage where i'm making the things that my younger self#aspired to create. like i can do this now! i've reached That level of technical skill! tiny me would be so proud. it's very gratifying#redraw from august this year actually. i've made a surprising amount of improvement HAHA maybe it was the adamandi stuff getting me#back into digital rendering. i think that obsession has quietly slipped away but yknow. one never truly leaves a fandom. just less intensit#also speaking of old fandoms! we're back with the six stuff haha. as of writing i'm in the midst of blog revamp- figuring out how to chill#multifandom status doesn't mean ditch all the old stuff ! but i do feel much freer and less stressed. i think hiatus has been good for me#notes on this piece particularly: redraw about cutting hair and thinking of the lyric above. also lowkey &j ref + pinterest poem excerpts#of female suffering. and maybe a dash of amanda heng let's walk inspo. this work is really just full of contradictions..#1. the mirror and cutting hair as an act of self liberation 2. the & is part of the lyric but also a nod to &j (in another iteration it was#pink but the white looked better) and like. &j is really all !!! girl power!!! etc. and i was like hmmmm. also matching pink shiny aes#3. the frame as a cage; the mirror as a self reflection idea (ie. saville's propped insp) but also as a sign of vanity. 4. sparkly costume#and pretty pose- read one too many poems about women feeling like they have to be pretty even in their suffering. something i wanted to#explore. and also in 5. the show itself... all you wanna do is. despite all the dancing and pink and sparkly the content of the song is#darker. and even though it's a story of her suffering it's still presented as a shiny fun pop song and ajshdhfhfh ok... 6. the lyrics fall#outside the frame. sort of a caught inbetween. sort of a trapped in the narrative and yet#within the frame it's all. vaguely handwavy breaking free vibes. like i said contradictions?#7. cutting off the long ponytail vs the pull my hair lyric at the end. yeah#8. the blocked off & looks a bit like scissors. positioned to cut right at the neck#anyways yeah irl remains hectic! but if i get around to more doodles they'll appear here :)
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sanjiaftersex · 2 months
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Sanji during Water 7 and Enies Lobby :
"Who the hell are you?"
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GET HIM, CUNTJI
I firmly stand by the point that the strawhats would fall apart and Robin would be taken if sanji (and zoro) were not present during water 7 and Enies lobby. These are some of the things i loved the most about sanji during Water7 and Enies Lobby arcs :
(1) Protecting the captain AND the crew : When Luffy and usopp were fighting over merry, at one point sanji instantly kicks Luffy to shut him up.
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His empathy, protectiveness and foresight really shines here. He knew that Luffy wouldnt be able to forgive himself if he kicked Usopp out, but at the heat of the moment he was about to do just that. So he protected Luffy and became the voice of reason in Luffy's incredibly vulnerable moment.
At the same time, sanji showed empathy towards Usopp by standing up for him. During this fight, Usopp was physically and mentally weak, and seeing that at least one of his crewmates stopped the captain actually helped usopp feel like less alienated in the crew. This way Sanji became the (violent) rock for both Luffy and usopp in that moment.
(2) Trust : Some people make fun of this panel but all the Strawhats were deeply CONFUSED with Robin's participation in iceburg's assassination (which is normal cz she hadnt been with them for long and she was an enemy before joining the crew). But sanji could tell that she was lying and he trusted his crewmate (NOT BECAUSE SHE IS A WOMAN). Sanji never doubted Robin's intentions for even a moment and he was fully prepared to go save her (not question or clarify with her like the others wanted to) from the very first moment.
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(3) Bravery :
Robin was scared out of her skull during this arc even though she was putting up a tough front at first. But sanji understood her desperation and the urgency of the situation. And like a dumbass, he got on the train ON HIS OWN after leaving a message to nami. Franky and usopp being there was his dumb luck but he would've been dead with the choice he made in water 7.
(4) Chivalry : It can't be a sanji admiration post without mentioning his endless chivalry. People may call him a pervert (which he is). But he actually respects women and he stood firm on his morals even in the face of death. This is a real Prince like man he didn't counter-attack kalifa even though she broke his teeth, turned him into a block of soap and pushed him from a high floor.
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(4) in a crisis situation sanji showed Usopp that he believed in his capabilities, not with sympathy but with logic. Even in the face of danger he was sharp in the mind and empathetic towards his friend. This eventually led to Usopp actually succeeding to snipe the keys to robin and franky on the bridge of hesitation and that move is what saved Robin from being dragged to the gates of justice.
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We can see how Sanji's words encouraged Usopp and propelled him into action.
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(5) Intelligence :
While on the train, sanji devised a plan to rescue Robin before reaching Enies Lobby.
At enies lobby when they were up against the the Government's elite assassinators, Sanji came up with the plan to collect the keys and save Robin.
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The strawhats would be deadmeats if sanji didnt sneak out mid fight to close the gates of justice. The whirlpool is what let the strawhats escape. So, Sanji's foresight and intelligence is what finally saved his crew from a national level buster call.
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(6) Emotional Intelligence :
Sanji quietly kept tabs on Usopp from time to time the entire period he was out of the crew. Let's all acknowledge Usopp would've probably died in that Aqua Laguna if sanji (and chopper) didn't go warn him about it. And he was very considerate in the way he didn't do it directly to not hurt usopp's pride.
Moreover in the water 7 filler arc we can see how sanji was still keeping an eye on Usopp and that he was planning to return to the crew. He didn't cut off his friend just because the crew was going through a rough phase.
(Someone joked how Usopp probably had to be put on suicide watch during water 7 and i was like THAT'S EXACTLY WHAT SANJI HAD BEEN DOING THE ENTIRE TIME THANKS FOR NOTICING )
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butterflysonnets · 8 months
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yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.
to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!
i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.
also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.
they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.
they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.
i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.
#eve text#elmike#stranger things#byler#only tagging byler because i feel like yall will like this take lol#tagging tagging tagging WHAT ARE EVERYONE ELSE'S THOUGHTS#god i can't believe i'm making a post about stranger things. this feels like poking a bear#i'm not particularly anti m*leven but like... they'd have to do something pretty special at this point for me to feel like it's viable#i'm seeing the bts of s5 and it's got me Having Thoughts#elmike friendship is something i am so passionate about#even before i ever liked byler (didn't ship at all until s4 even though i knew it was a thing before) i've felt this way about elmike#i always believed they were close friends at heart and needed to break up#the romance part of them felt very distinctly young and very much “he was a boy she was a girl” to me#and it hasn't deepened into anything more mature and i don't see how it could based on the current state of the writing...#the fact that lumax exists — a young relationship that is actively maturing and is healthy — makes that clear to me#and the “love confession” in s4 and how disingenuous and miserable it felt was just the nail in the coffin#also the fact that will (who is IN LOVE with mike) was instrumental in making it happen? ... uh... okay... interesting choice…#fucked up and reductive if they make it another queer unrequited love sacrifice for the sake of pushing the heterosexual agenda YUCK#so i really hope the speculation about a m*leven breakup is real!! i think it just makes sense for their characters but who knows#i don't believe in the notion of love at first sight or one true love and i think the writers don't too???#love to me is an accumulation of experiences and we inevitably choose it at some point rather than fall into it... but idk#tv is so fixated on keeping couples together... sometimes it's just not reality guys especially with young people... LET IT GO...#like i said though i'm not 100% sold that they're going to give up their “golden couple” LMAO#stranger things hasn't historically subverted too many tropes if i'm being honest#anyway i seriously need this season to come out quickly... i'm so bored and getting my master's is crushing my soul#i need frivolity#ALSO btw i won't respond to hateful messages about this so please don't bother. it's not that serious. this is a netflix show
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