#I haven’t been active in a fandom in a long time

[hasello]

HELLO MY LOVES

it’s a 1000 followers special from twitter but I really like it so I decided to post it here too lol here on tumblr there’s even more of you and I should have made a special a long time ago but here we are💀 sorry! I still very much appreciate you all and I’m very grateful for all of you!! ❤️❤️ Y’ALL ARE AWESOME

[bandzboy]

not timothee stans acting more delusional than kpop stans i never thought i would see the day 💀

[kindlythevoid]

It’s really beautiful how Tolkien takes the time to honor the dead. After Gandalf’s death, they take the time in Lothlorien to deal with their grief and sing their laments, but as there is no body, that’s all they can do.

But when Boromir dies, even when Aragorn has to make the decision to either pursue Frodo or Merry and Pippin, and both are rapidly growing farther from the three left, they take the time to honor their friend. They don’t leave immediately, even though efficiency would dictate otherwise. No, instead they take the time to decide how to “bury” him (quotations only because it’s not burying in the strictest sense of the word, but rather reverently dealing with Boromir’s body). And then they gather trophies of his last stand and arrange them in the boat with him, taking time to “[comb] his long dark hair and [array] it upon his shoulders.”

How many times have other adventurers dedicated valuable time to honor the bodies of fallen companions, specifically to this extent? More often than not, they have to leave them behind, or only take the time to fold their arms or close their eyes.

Occasionally, they’ll build a pyre or bury them or whatnot, but it’s always after the battle that they set aside a significant chunk of time, or they live up to the term of fantasy (which isn’t a bad thing!) and there is no time wasted in building a cairn or burial or what-have-you.

My point is that time is spent, time that could be used for more “productive” things, such as, I don’t know, pursuing Merry and Pippin whose lives are at stake. And it isn’t framed as a bad thing, because it isn’t! Each life is precious, even when only the body is left. And they take the, well, the time to acknowledge this, in a reasonable and conservative way. (And when I say conservative, I mean that they pick the burial most fitting for their running clock, balancing both their need for a grieving period as well as the haste that the hobbits will require.)

I can’t speak to the rest of the deaths in the books as I haven’t caught up and refreshed my memory, but I will touch on another death, this time in the movie, that shares the same theme.

Theodred.

While he certainly hasn’t been totally forgotten by the fandom, I believe it is fair to say that he gets less discussion. Which is fair, considering he gets almost no active dialogue that I can remember and he is unconscious for most, if not all, of his screen time (and book time) before dying shortly after.

And one could say it’s because he’s a prince, one could say it’s because he was the heir, etc., etc. But it honestly makes no sense to dedicate all that time to preparing and putting on a large funeral when Saruman is right at Rohan’s door and there are so many bigger and more impactful decisions to be making now that Theoden has his mind back.

But, again, it isn’t criticized in the movie. It isn’t treated as the wrong decision. The people, included Theoden, needed time to mourn and Theodred deserved to be honored, even in death, even as the great forces of orcs and Uruk-hai were marching across Rohan.

Time is valuable, time is precious, and it should be wasted, especially when you’re trying your hardest to make sure you and yours survive. But time is meaningless if you don’t use it to live and subsequently honor those who have lived.

[rallamajoop]

Resident Evil 7 and Mia's secrets

(Oh, did you think I was done talking about Mia? Not even close! >D)

Coming into this fandom late, I was surprised that popular fanon has it that Mia never does come clean to Ethan, post-RE7. Sure, RE8 depends on Mia not having told Ethan he died in Dulvey, but that has nothing to do with her own past with the Connections (and far more to do with Ethan's own denial, but that's a whole other thing).

Myself, I’d taken it as given that the scene where Ethan learns the truth must have just happened off-screen. Because, disappointing as that omission is, the whole damn game is leading up to it.

And having replayed RE7 lately, I realised there'd be no better way to explain my take than to catalog every time the game spells out to us that Ethan knows Mia’s keeping secrets and wants answers, and that Mia herself wants to come clean.

Heck, it’s just about the very first thing we learn about them.

“Ethan... You were right. I did lie to you. I shouldn’t have, but…”

Ethan's not actually stupid, and Mia's secrecy has obviously strained their marriage for some time. And as soon as Ethan finds her, he’s asking questions.

Here, he’s mostly asking who did this to you; it's way too early for real answers. But then Eveline takes control, shit goes down, and next we see her, it’s in her recorded message from the “Mia” video tape.

“There’s so much you need to know.”

When Ethan finds Mia again under the old house, he’s angry and has every right to be, and he doesn’t pull any punches.

“I always wanted to tell you…”

But Mia’s memory’s still a mess, and Lucas interrupts. Ethan’s next chance to ask questions comes in the boat, and he wastes no time.

“You had something to do with this, didn’t you?”

Mia’s a little more defensive here, but she’s not lying about the holes in her memory. The game’s gearing up for the big reveal anyway, and the writers aren’t about to let her spoil it early.

If you choose Zoe instead of Mia, Ethan spends the boat ride asking all the same questions, only louder.

“I knew Mia was hiding something.”

But in the end, what do we get?

Whoever you choose, Ethan only gets a few brief moments with Mia after she frees him from Eveline’s mould, and no explanations are offered. But if you do pick Mia, then we end with Ethan flying away with her in the helicopter, saying only, “Mia's back and she wants to start over,” and I’m left going, wait, what? Haven’t we skipped something here?

In defence of the fanon consensus that Ethan never finds out the truth, that does seem to be the ‘canonical’ intent ‒ at least inasmuch as there's this one throwaway bit about Mia not wanting Ethan to know buried in a bonus text file only available with this one overpriced DLC for RE8. That’s it, that’s as much explicit recognition as this thing ever gets, one way or the other. And fucking hell, but that's a let down.

Even if we assume that Mia’s desire to come clean goes away once her memory comes back, why would Ethan just stop asking? He’s been asking questions the whole damn game – was clearly asking questions long before the game began! Knowing that Eveline was controlling people doesn’t explain what Mia had to do with it all. Now he’s suddenly all, ‘killed the bad guy, saved the girl, everything’s fine’? Was all that ‘a door closed’ bullshit supposed to be him accepting he’d never get answers? Why?

There are workable ways to spin Ethan never finding out. You could suggest he just accepts that Mia’s memory is gone (hell, for all we actually see of the ending, Mia genuinely might have lost her memory again after Eveline sucked her back into the mould). After all the trauma Ethan’s been through, you could also suggest he’s gone directly into denial, refusing to face anything that might threaten his ‘happy ending’ with Mia. You could even suggest that that bit with Eveline saying 'I can make him love you' is her actively wiping Ethan's suspicions away. There's some lovely, subtle horror in any of these possibilities ‒ I would genuinely love to see all of them explored in fic! But none of them actually come through in the ending we get, and that omission is the single biggest issue that makes that conclusion to RE7 unsatisfying to me.

The whole damn game has been building up to the big confrontation where Ethan finds out the truth and (eventually, if not immediately) finds a way to forgive Mia, so we can still have our happy ending. As much OTT hate as Mia gets, the game is consistent in portraying her as someone who is painfully aware of how bad she’s fucked up, regrets it, and is committed to doing everything she can to protect the man she loves from the fallout of her mistakes.

I cannot overstate how willing Mia is to die to save Ethan, from the very moment she realises she's infected. She does die to save him if you choose Zoe over her. It's so much of why I ship them do hard.

But most frustrating of all, denying Mia the chance to come clean denies her any chance to explain herself. How did she get involved with the Connections? Did she know from the outset who she was working for? Did she genuinely buy into the idea they were finding ways to win wars without losing soldiers on battlefield, that the human casualties of all their work was worth it? If not, why did she keep working there? Was she slowly frog-boiled down to the deep end, did they have dirt on her, did she fear they might kill her if she tried to leave? What excuses did she make to herself as the months or years went on?

It's possible Mia’s the kind of hypocrite who doesn’t care about the human casualties of her employer, just as long as she and hers are okay, but nothing we see from her sells me on that interpretation. And even if she ever was, it's even harder to believe she's still that person after all she's been through.

It aggravates me that the games never gave us answers, not just because I want explanations that cast Mia in a sympathetic light, but because not giving us answers leaves this huge hole in her character. I'd even take explanations that cast her in an unsympathetic light, as long as it all ties together.

It irritates me even more because, even if Capcom wasn’t up for giving Ethan and Mia the big emotional confrontation they deserved, the solution was so simple: let Ethan find Mia’s diary on his way out of the ship. The whole goddamn franchise is filled with diaries and documents where characters lay out their backstories and motivations in ludicrous detail – why does Mia never get one? Just give us a handful of entries dated over the years, laying out her own feelings and anxieties about the job she’s doing. It would’ve been so easy!

It irritates me nearly as much that, even in the few corners of this fandom sympathetic to Mia, no-one seems to be very interested in answering these questions in fic or shared headcanons (and if there are examples out there I don't know about, please do link me to them!) How much did Mia know about what she was getting into when she started working for the Connections? Was it the job she kept telling herself was just until she could find something better, only for that ‘something better’ to never come along? Did she have stains on her record that made it hard to find another job? How much of her lying was a misguided attempt to protect Ethan, and how much was simply about protecting herself? There's so much to explore here!

This is also where I mention that I've already put my money where my mouth on this one, and written up my own take on Mia's backstory, and how Ethan might have found out the truth. You don't have to agree with my version, of course ‒ I mean it when I say I'd love to see other people's ideas too. Heck, I'd even be up for versions where Ethan ultimately can't forgive her, just as long as people come at it from the angle of looking at Mia as a character, not just a one-dimensional-villain.

But of course, I'd still prefer to think about versions where these two do find a way to make it work. It takes a lot to make me ship het this hard, but these two stealth-badasses have pulled it off with style.

[detailtilted]

In Search of Supernatural Fans from the Early Years

Hi! I’m looking for the legends who originally recorded old Supernatural convention panels featuring Jared or Jensen, or possibly Misha. See "What I'm Looking For" below. If you know one of them, or if you're a member of a community with people who were in the fandom in those early years, I’d greatly appreciate it if you could let them know about this post. I can be reached at DetailTilted@gmail.com or here on Tumblr.

If you aren’t familiar with my project, see the “Project Background” section below. This is not a low-effort exercise to merely repackage old videos. I’m putting many hours of work into each video to improve their watchability and accessibility. I will always credit my sources unless you wish to remain anonymous.

Even if your videos are on YouTube, I’m likely to have more success upscaling them if I can get the original video files. Thanks to the videos AgtSpooky kindly sent me, I've learned how big of a difference it can make when I have the original files to work with. That's why I’m putting more effort into finding those elusive original video takers.

The problem is that they all seem to have fallen off the face of the earth. Most of their YouTube accounts, LiveJournal accounts, and whatever other accounts I’ve dug up haven’t had any activity in 10-15 years. I’ve left a few messages on some of them, but I doubt they’ll be seen on dormant accounts. I’ve also gone down some crazy and twisted Googling paths trying to find current contact info for them, but without much success. In one case I even messaged the wrong person, who was at least kind enough to reply to the psycho asking for videos to let me know she wasn't the person I'd hoped she was. Oops!

What I’m Looking For

I’ve already finished CHICON 2007, Comic-Con 2008, and CHICON 2008, so I don’t need videos from those events, but I’d be happy to try to upscale your videos for your own collection if you have some you'd like to send me.

Actually, I could use CHICON 2008 Breakfast videos if you have any. I plan to attempt to redo that video either late this year or early next year.

I’ve been trying especially hard to reach people with original video files from either LA 2009 or Asylum 3 (2009), and I’d also be ecstatic to get some from LA 2008.

Any other old con videos you’re willing to share that have Jared or Jensen in them would be awesome. I hope to get to all the old conventions eventually. I haven’t yet defined “old”, so I don’t have a specific cutoff point.

Even if you just have audio files without video, those could be helpful too.

Length doesn't matter. Both long and short videos are welcome. Maybe I won't end up using them all, but the more options I have the better. Even if I don't put your video in my final edit, it would still be used because I always listen to every single video I can find when I'm finalizing my subtitles. Each video sounds at least a little different, and sometimes just hearing the audio in a slightly different way lets me catch a subtitle I'd missed or misheard.

Also, just to be clear, it isn’t necessarily my intent to exclude Misha. I’ve watched and enjoyed many of his convention videos and I liked Castiel for the most part, especially in the earlier seasons. I’m just not obsessed with Misha like I am with Jared and Jensen, and these videos do take quite a lot of work, so I’ve been putting my energy where my greatest interests lie. I’ll absolutely be including him when he’s in panels with Jared and/or Jensen, and in the future I may consider doing some of his solo panels.

So if you have original video files of Misha's solo panels that you’d like to send me, I’d be happy to add them to my stockpile for future possible use. If your videos turn out to be mostly complete, and if they upscale easily, then I might go ahead and do his panel at the same time I do the other panels from the same convention. If they'll take more effort to work with, I’ll probably skip them for now, but I may come back and tackle them if/when I run out of old Jared and Jensen videos to work with.

For any con videos you send me, regardless of whether I use them or not, I’d be happy to try to upscale them and send them back to you for your collection. I can’t always get things to upscale, so I can’t promise success, but I’ll definitely try.

Project Background - Enhanced Edition Con Videos

You can find my videos on my YouTube channel. (If you're already familiar with my project, skip to the next section -- there's nothing new to see here.)

I started this project in December 2023 to enhance old convention videos. My goal is to make them easier on the eyes and more accessible to both new and old fans from around the world. The videos on YouTube from that time can be difficult both to watch and to understand due to a combination of the older technology used to record them, the difficult recording conditions the fans were working with, and the lack of subtitles that make any sense.

I’m enhancing the videos as follows:

Visual Improvements: I’m upscaling the videos if possible, making color corrections if needed, and adding some slight stabilization to reduce the jitteriness. The end result is far from perfect because there’s only so much that current technology can do, but it's noticeably improved if you compare it to the originals.

Subtitles: I’m adding good, color-coded, English subtitles that can be turned on or off through YouTube’s CC button. The color-coding makes it more clear who's saying what when multiple people are speaking, and YouTube can auto-translate them into other languages to improve the accessibility.

Multiple Sources: If one video has gaps in it, then I'll try to find another that I can edit in to fill those gaps so the end result is as complete as possible. If I have more than one source that captured the same portion of the event, then I'll cut to whichever video I think had the best view of the action. In a few cases I’ve added a split screen with two different videos showing simultaneously so we can see action that's taking place in two separate areas. For example, when Jared and Jensen are on opposite sides of the stage. (There were also the infernal talking head bubbles on my Comic-Con 2008 video which nearly made me throw in the towel, but taught me a lot. 😅)

Extra Content for Context: These older videos don’t take up the full width of a modern video frame, so I’ve taken advantage of the extra space to display some still images with text to add extra context for many of the things they discuss. Some things are a lot funnier, or at least a lot more relevant, when you know exactly what they’re talking about. I clarify Supernatural episode references and pop culture references among other things. Sometimes I’ve also inserted short video clips, usually just a few seconds’ worth, if I thought it would add worthwhile clarity or entertainment to the topic at hand.

Current Project Status

If anyone has been wondering how I’m doing on my current video and what’s next… I’m almost done with the last video from CHICON 2008, which was Jensen’s solo panel. I should be ready to publish it on YouTube this Friday, May 24. I plan to use the same schedule as last time and put the Tumblr post up the following Tuesday when it’s a little more likely to be noticed here.

The next sequential conventions are LA 2009 and Asylum 2009, but I haven’t had much success in my attempts to upscale the available videos. If I were to work with what I have now, I know I could turn out something better than what’s on YouTube today, but the end result wouldn’t be nearly as good as what I might be able to achieve if I can get some original videos to work with. So I think it’s more logical to skip over these conventions for now and give it some time to see if I get any responses, in hope of a better end result.

I do intend to come back to the skipped conventions eventually, even if nobody sends me anything. Once I run out of conventions for which I can upscale the videos, if I still don't have anything better to work with for the ones I skipped, I’ll just do the best I can with what’s available. Even if I can't upscale, I can still do color corrections and stabilization, plus the subtitles and extra content. Some of these panels are split up into a bunch of very short videos, so it would also add value if I can combine them into something more sequential and cohesive. (I found 130 videos from the Jared and/or Jensen panels at LA 2009, and most of them were under 2 minutes long. 🤣) I don’t know if there’s enough footage to cover the entire panels seamlessly, but I’m itching to get my hands on that jigsaw puzzle of videos to try to make sense out of them.

So… the next videos I intend to work on will be from Vancouver 2009. This is one of the conventions that AgtSpooky attended and sent me videos for and they upscaled very well. Her breakfast video had already found its way onto YouTube, but wasn't properly credited. Her main panel videos aren't on YouTube as far as I could find, so that version may be new to newer fans. I'm only just starting to play around with upscaling the other sources out there, but my first attempt at the other main Breakfast source came out well. Both breakfast videos were taken from extreme opposite angles, so that should provide some useful editing opportunities. I’d still love to get more videos of this event if anyone has them.

If you made it this far, I am in awe. Sorry for putting this wall of text on your screen! 😅

[firstkanaphans]

Hello Sarah sorry to bother you. I'm a new fan kinda but I'm done with watching all the firstkhao dramas (together and individual) but tbh I'm kinda lost on how I will get to know them better. I have no idea about their irl personalities that much. Maybe you can give a little introduction for me if it's not too much of a bother? Also like how they met and why are they doing so many projects together? And are they good friends irl too (my friend told me a lot of time pair actors don't really get along with each other which is why I got curious about their dynamic) Sorry if these questions are a bit dumb I'm altogether very new in bl fandoms so don't have a lot of ideas.

Oh, Anon. I don’t think you know what you’ve signed up for here. If you want a FK primer, I can give you a FK primer!

Both First and Khaotung started working for GMMTV back in 2018. I’m pretty sure talent agents simply slid into their DMs, so there was no formal audition process, but I could be wrong about that. They were both in university at the time. I’m not quite sure what they were doing that attracted the attention of the talent agents. I know First had been in at least one commercial prior, but I don’t believe Khaotung had done any acting. He had, however, had a picture go viral because he’s just so stinkin’ adorable. I think maybe this one? 

Or it could have been one of these…

Either way, they ended up in an acting workshop together right after they joined. Khaotung talks about how he didn’t like First at first because he was too friendly and talkative, but I think that must have only lasted for like a day because it was during this same workshop where he discovered that his heart beats to the sound of First’s name—“FirFirFir”—and yes, that is a real thing that he has admitted out loud on multiple occasions. They have been best friends ever since.

From there, the two of them began to act in individual projects—mostly BLs—and although I have no proof of this, I am entirely convinced that they were playing a long con to get themselves partnered together. They did way more fanservice before they were partnered than they do now. Feel free to watch this live from 2020 where they alternate between staring lovingly in each other's eyes and just outright flirting for an hour straight.

Look, they’re smart boys. They knew that their best path to success in this industry was to be in a fixed pair and they wanted that pair to be each other. How do I know? Because these two adorable idiots were showing up to events in matching outfits.

This picture was taken in January 2021 when Tonhon Chonlatee was actively airing! There's a picture from this same event of them with Podd, who Khao was paired with, and Podd looks like the odd man out.

They were finally paired together for The Eclipse in 2022 and spent the entire press tour either talking about how excited they were to finally work together or crying about the possibility that they might never be able to work together again. I would highly recommend you watch The Eclipse special episode if you haven’t already. In it, First talks about how there was one scene where Khao wasn’t supposed to cry but he kept crying anyway because First was crying and he cared about First so much. 

And speaking of crying, if you want to watch a compilation of FK crying about how much they love each other (and other things!), you can find that here.

One thing I would recommend if you want to get to know FK better is to watch a bit of Safehouse Season 4. It’s unscripted, so you’ll get a sense of their personalities, but First was also in an arm cast at the time, so you’ll get to watch Khao dote on him for seven days straight.

Oh and you have to watch this! If you ever see people talking about the voices in First’s head, that's why.

Obviously, we can never truly know what goes on behind closed doors for any of these BL couples, but I feel pretty confident in saying that FirstKhao are genuine besties. They literally do everything together. You can find a collection of some of their lovestagram pics here although there are so many more now. It never stops.

Actual things they have said to each other un-prompted:

First to Khao: I want to build a house with the same fences as you.

Khao to First: As you grow up, you will meet many new friends. Leave them and stay with me.

I’m wracking my brain for anything else that feels important for a new fan to know and am coming up blank, but I’m sure I’ll probably think of something right after I post this. They’re both just super sweet individuals who have never been involved in any controversy and I think what people love most about them is just how much they care about each other. They’ve got that whole platonic soulmate thing going on and we're all super jealous.

[sister-lucifer]

The Demon Brothers + Punishment (Part 1)

PART TWO HERE

Lucifer, Mammon, Leviathan x Gender Neutral Reader (separately)

Genre: NSFW Headcanons

Summary: How and why the older brothers would go about punishing you 

Content/Warnings: dom/sub dynamic with sub reader, spanking, toys, degradation, fingering, overstim, y’know the usual punishment stuff 

Like my writing? I take requests! NSFW or SFW for any fandoms in my bio! 

Also, please reblog! it’s free, takes two seconds, and really helps me out 

Feedback is encouraged and appreciated:)

Not fully proofread! Let me know if you see any errors

Lucifer 

He low key takes it too seriously 

Very stern but gentle 

(Unless he’s particularly angry of course) 

“You know why I’m punishing you, yes? I need you to learn from your mistakes, my love, that’s what good little pets do.” 

The severity of the punishment depends on the offense you committed 

Something small will likely result in him making you cum on his fingers after you’ve apologized profusely 

Then he’ll treat you to his cock 

But when you mess up big time 

Ooooh boooy 

That sadism really comes out 

Collars, leashes, handcuffs, you name it he’ll use it 

He needs to be in a particular mood for his sadism to come out, but when it does it’s all or nothing 

He’ll either be kissing your forehead gently or pushing you down with a foot on your chest while he toys with the remote of a vibrator 

No in between 

He’s actually not super into spanking. Although he’s not opposed to it, it’s not his go-to 

He finds there are plenty of other, more humiliating ways to teach you a lesson 

And he intends to show you all of them 

“Now, now, no whining. You did this to yourself, my dear. Take your punishment now, or else you’ll only make your situation even more dire.”

Mammon 

As much as Mammon likes to play rough with you, rarely ever will he actually punish you 

He prefers to be playful, if a bit mean spirited at times 

You’ll often have a couple of bruises or bites, but that’s to be expected; usually nothing more 

So, what exactly merits a punishment from Mammon? 

Well, the first option is to ask for it

He’ll happily oblige, but he’ll start slow in the beginning and ask you if you’re okay at least four times before he actually gets going 

The other option is to make him jealous 

If he sees you getting a little too friendly with another demon he’s sure to lose it 

Drag it out for as long as you can 

That’ll make him even angrier 

Double points if you act oblivious about it later 

The second you’re home alone he’s bending you over his lap and spanking you until itll hurt to sit down for the next two days 

And he’ll make you apologize after each one 

When he decides he’s had enough with that he’ll move on to roughly shoving his fingers in you 

He’s going much too fast, but he doesn’t care 

You deserve it for pissing him off like that 

And he’ll talk down to you the entire time, making sure you’ve been thoroughly humiliated 

“This is what little sluts like you get for acting out! Maybe next time you think of pulling a stunt like that you’ll remember how this feels.”

Leviathan 

Oh this sweet baby loves you far too much to hurt you! 

Punishments are so incredibly rare with Levi 

You could ask, yes, but he’ll be so nervous there’s only a half chance he’ll actually go through with it 

“O-Oh my stars, are you ok?! I-I know, I know I haven’t actually done anything yet, but…gah! I’m just so worried about you!” 

Sweet boy 

That means your only option is to earn your punishment 

The best way to do that is to get him on a day when he’s already mad about something 

Maybe Mammon stole one of his figurines to sell, or maybe he’s frustrated about a certain level of a game 

That’s the best time to misbehave 

Leviathan is rather possessive, even more so that Mammon, so the same tactics would work on him tenfold 

Leviathan usually isn’t very active in his punishments 

Instead he’ll tie you up on his bed and leave you squirming with at least three vibrators assaulting your sex 

He’ll have the remotes with him at all times, but after a while of playing with them he’ll just leave them on the maximum speed while he ignores you to game 

And he can get very, very invested in his games 

You might be there for thirty minutes, maybe three hours 

Depends on how he feels and how invested he gets 

One things for sure, he’s not done with you until you’re practically thrashing against your restraints as you desperately try to quell the overstimulation 

“You sound pathetic, whining like that…this is what happens when you underestimate me, human! This is all your fault…”

[ghost-proofbaby]

hey y’all!

so i’ve been considering this a lot in the past few weeks, and figured i’d make an official post so you all know i’m alive and what not since i have been very much inactive as of recently.

i’m taking a break.

not forever! not because of anything in the fandom! this break is solely due to personal life reasons and the fact i just can’t be as active on here right now between my jobs and personal affairs. and it also won’t be long — i’m going to be off here probably through the end of november. if i have the time/mental capacity to come back before then, i absolutely will 🖤 but right now, tumblr isn’t something that fits easily within my days and also, writing for my fics hasn’t been something i can easily do not due to lack of inspiration but lack of time.

again, this is just due to my own personal life currently. nothing happened in the fandom that motivated this decision (i honestly don’t even know what’s happening on here currently solely because i haven’t had the time to scroll lol) and it’s very much not permanent, and will HOPEFULLY be very short. like i said, until the end of november. i’ll still be writing in my free time, and my hope is to be able to update fics once i’m back and worse better than ever! 🖤

see y’all in december <3

[red-might-be-dead]

hello hi here to force strange thoughts into your brain once again, this time about jrwi (wow who could’ve guessed)

been thinking about this for a little but it’s basically what i think some campaigns would be if not podcasts, i haven’t listened to some of the older ones so i’m sorry they’re not on here :(( if you have any ideas feel free to add them btw :DD

RIPTIDE!!!!! - really long animated series

not an anime though, no matter how much grizzly wants it, it would be an animation style where the characters could have very clearly different nose, face and body shapes, really pushing my riptide nose agenda here sorry, each episode would be like 20-40 minutes long and instead of coming out in seasons there would be massive gaps in between episodes, from 2-6 months long, to leave time for writers and animators to get stuff done (massive team of animators btw, i feel like it would be pretty successful)

PRIME DEFENDERS!! - comics

literally nothing else they could be, just really well made, well performing comics (i’ve already talked about this before you can stalk my talk tag if you really want to find it lmao), the comic company making them would be keeping well away from movies n shit btw

APOTHEOSIS!!! - i wasn’t really sure about this one to be honest

i had to ask my friend and she said anime which i don’t agree with but i can see it, i think maybe a short book series where each book is 150 - 300 pages and is about a different god they have to kill/a different episode, i think that works but if anyone has any better ideas please tell me :D!!

BLOOD IN THE BAYOU!!! - i hate to say it, i really do…

bitb would be a really long really good 80s horror book with strong homoerotic undertones, a satisfied fanbase and lots of active members in the community making fan comics, films, writing, theories and art ect… until well after the book came out……….. and then it would be made into the most egregious and awful live action movie you have ever seen, the most awful casting (like chris pratt as officer dudes….. throws up) and even worse sfx, oh yeah and the characters would be ruined and the story would become so butchered it wouldn’t make sense, they would do some shit like cut out becky so kian just kisses some random lady (removing both a really good and well written character and a layer of kian’s character that i think is super important) and make rolan really be an evil bug spy the whole time so rand has to kill him to save the town also add in a whole new sub plot that never existed like the rand family is secretly a long line of bug alien hunters or something fucking stupid like that and the entire fanbase would murder whoever thought re-writing the story was a good idea (ahaha can you tell ive been through something like this before ahahaha, character morals and motives being removed and whatnot ahahahhahahaha.)

anyways………

THE SUCKENING!!! - live action series

it would be well made though, unlike the bitb movie it would be its own original thing, have great makeup and effects also be well casted and well shot, well written, ect ect, it would bloody and gory and not suitable for people who can’t handle showing bones and organs all over everywhere, lots of shitty rip off merch would be made though and the fandom would be 99% gay little freaks (normal suckening enjoyers) and 1% homophobic straight white men who get mad whenever they see soda and emizel having gay sex on screen or whatever fag shit that biting thing was

again feel free to add your thoughts and ideas and shit in the reblogs it would be nice to read them :DD!!

[swiftllama]

Anthony Complimenting Ian ☀️🔍

“I think that’s a big difference in us reuniting, is I am so willing to praise you and mention your strengths.”

Hey guys! Been working on this post for a while and so happy to finally share!

Before we knew of their reunion, there was this window of time where Anthony kept complimenting Ian on social media. That stood out to me then, especially after having very little interaction between them in so long. But now having the context that they were actually hanging out again behind the scenes, and that Anthony now makes a conscious effort to compliment/praise Ian makes it all the more sweeter. The said compliments I mentioned were posted at the time but the fandom wasn’t as active as it now is again so I wanted to compile a list of all the moments of Anthony complimenting Ian from their reunion to present for anyone who might’ve missed it. Enjoy!

Pre-Reunion

Okay so this first post is actually from before they reconnected. We know from the Smosh Reunion t-shirt that they reconnected in November 2022 and this post is from July 2022.

I like to think Anthony was in a better place with his emotions towards Smosh/Ian by this point, and that Ian had been on his mind and so a nice little compliment was to be had.

Post-Reunion

April 2023

5 months post-reunion and Anthony’s feeling more confident to joke around whilst still complimenting Ian. You love to see it! And Ian’s reply, him getting all embarrassed is cute 🤭

It also reminded me of these tweets from back in September 2017 :-

Confirmed: Anthony has a thing for calling Ian ‘daddy’. Noted. 👀

May 2023

Less than a month later and Anthony was back at it again with the compliments

Ian looks good and Anthony is determined to tell him at every opportunity!

And then…

June 2023

THE (PUBLIC) REUNION

And so ensued an abundance of compliments.

Anthony’s Interview

First lot of praise we saw from Anthony to Ian was in his interview with him. Tumblr sadly doesn’t allow you to add more than one video to a post so these are all quotes from said interview.

Like the tweet above of Ian getting his first chain necklace, they reference it once again. Ian is talking about how even though they’ve grown as people they haven’t changed that much, he references the fact Anthony has “more bling and tattoos” now, Anthony then interjects with :-

“Hey, you got a little bling too, let’s not discount it.”

Ian then shows the jewellery off and Anthony comes in saying “Baby’s first chain.” I like to think he was the first one to say that when Ian got the chain and where Ian got the inspo for his Twitter caption. Anthony then finishes this topic of conversation off by adding on that Ian also got “face bling too” in reference to his glasses. I know this isn’t really a full-out compliment and they’re just kinda messing about, but I think it still stands with Anthony saying that’s something that’s changed between them now is that he’s willing to compliment him, and I love how when Ian tries to downplay something about himself, Anthony jumps straight in there to lift him up too.

Another complimentary moment from the interview was when Anthony was talking about when he was 15 and came down with an autoimmune disease resulting in him missing half a year of school and Ian got a bunch of people to sign a ‘Get Well Soon’ card to give to Anthony to make him feel better.

“There is one moment, one thing that you did for me, when we were younger that really stood out to me that I never mentioned to you and I never thanked you for. I’ve been holding it in and I have never expressed it…. I don’t know how you got it to me, but somehow you got a ‘get well soon’ card that you gave to me - Okay, I don’t know if it was you who came up with the idea or your mom, or if like your mom told you, you had to do it. And a whole a bunch of people signed it and you wrote a message like ‘get well soon, we can’t wait to see you again’. And that, it really meant a lot to me, and yeah, it kinda kept me motivated and focused, and I don’t know why but for some reason it motived me to learn how to program a website, program a game, and I feel like because of that in some ways I was able to channel all my energy into creating the things that eventually culminated in what the foundation of Smosh was.”

I really love this moment, and I think it really shows Anthony’s growth. As was revealed in his letter to Ian, there was a period of time in which he felt he had more of a hand in creating Smosh in the early days, but the fact he can now acknowledge and recognise Ian’s input in it all, even before Smosh was a thing, and thank him for it really shows how far Anthony has come.

The last lot of praise from the interview is actually something Anthony has mentioned multiple times as you will see later on in this post and that is about their dynamic and how they work together.

“I think the fact we work in such different ways, like I’m able to really hyper-focus on something and put all my energy, just like back-to-back constantly in one chunk, I think that works really well when compared against the way that you work, where you are super creative and..”

Ian interjects by saying his head is “up in the clouds” when he works. Anthony continues by saying that Ian needs to be there to come up with the ideas that he does and then praises him once more :-

“I could never come up with most of the ideas that you come up with, but I feel I know how to formulate it and put it together.”

Next lot of praise for the month was this tweet :-

Anthony praising Ian, along with everyone else who had a hand in keeping Smosh going all these years. Similar to something he said at Vidcon when he interviewed Ian once again :-

“I just want to say huge, huge respect to you for staying with Smosh. For having that faith in it that it could continue to grow and be something bigger…” [audience cheers and Anthony points to Ian] “So huge, huge respect to Ian. That took a lot of tenacity - the tenacity you said I had, that’s where you really showed up. And Ian had to learn how to be a leader, Ian had to learn how to do all these things where he was just thrown into that because I made the decision to leave because Smosh, what it had become, was eating a hole in me and I felt I needed to walk away to figure myself out, to just grow on my own and I’m so thankful that you stuck around to keep it going so that we could do this [own Smosh again].”

And there was more where that came from and leads me onto the next lot of compliments :-

Vidcon 2023

“When Ian came over to my place to write… I remember I was sitting on the coffee table writing these jokes and you would say something and it would totally catch me off guard just like you used to do.”

Anthony said this so fondly to Ian, the “just like you used to do.” It goes back to what he said during his interview with Ian, which he got emotional about, that during the lunch where they reconnected properly for the first time, he saw his childhood friend in that moment. That despite how much they had both changed, the Ian he knew, the only one who can make him laugh like he does, was and is still there.

Anthony goes on to bring up their working dynamic again as he did in his interview :-

“While we were writing that sketch, while we were shooting it, there was this feeling - I didn’t realise it, but there was something missing from my creative process. Especially in creating comedy, that Ian just perfectly… I don’t know if I want to say yin and yang - I don’t know what I want to say about it. But it was just this perfect balance, that feels like in order for us to reach our fullest potential creatively, us working together is, in my heart, the only way for that to really reach its fullest capacity.”

Ian then responds in his usual way, trying to downplay his efforts by agreeing that their dynamic works well that way because he’s, in his own words, “kind of lazy.”

Anthony is quick to jump in though :-

“I think that’s a misconception, you’re not lazy.”

I love how he just outright refuses to let Ian talk down about himself nowadays. He will absolutely not have it!

Ian continues on and compliments Anthony in return by saying he is very ‘tenacious’ and ‘focused’, and ‘particular about things.’ Whereas Ian’s way of working, as Anthony goes on to say, is “throwing stuff out” and Anthony likes to pick out the best of the best from those ideas. And this is when we got the first of the ☀️🔍 analogies :-

“It feels almost like Ian is the sun radiating all these ideas in every direction, and then I’m the magnifying glass that’s like ‘let’s focus on this one, let’s make this one fire. This one’s amazing.’ And something about just the way that we work together just meshes so perfectly, and I think that’s how we became best friends in sixth grade, that’s how we established our sense of humour and why the Smosh videos that we created resonated with so many people, is because there is that perfect dichotomy between us.”

Do you think Anthony thinks their dynamic is perfect? I don’t know 🤔 I don’t think he mentioned it enough.

Jokes aside, it is very sweet. And I love how much he loves their connection.

The next lot of compliments come straight after the quote of Anthony praising Ian for sticking with Smosh whilst he was gone :-

“I’m super thankful - you know for the past six years it just felt like there was a hole in there [in his heart]. You know I’ve been creating my own interview series and it’s felt like this is a great way for me to be able to express a part of me, but not all of me. And that other part of me that wasn’t being expressed is that part of me that I now get to experience with you, and working with you, my childhood best friend, in creating something and being able to capture that magic and express it, and be able to present it for all of you [the audience], it’s a really, really great feeling.”

Ian then responds with another little compliment of his own :-

“I think on my side, you know when you left I was still making sketch comedy, I was still writing, but I never found the same kind of writing partner that I did after you. It was never the same. The way that we work together, I never quite found that kind of person to easily bounce ideas off to, so I kind of stepped back a little bit from the writing.”

It also reminds me of something Ian said during Anthony’s interview, about how they have this level of ‘trust’ between them, that Ian never found again with anyone else after Anthony left. Makes me so soft, they feel so lucky to have each other again. No one quite gets them like the other does and they can never replace what they have. Their connection truly is special.

This is more of a silly one and just them joking around but I’m including it anyways! They had a Q&A session with the audience after the interview and the person asking the question starts off by introducing themselves and saying how they met Ian the other day and apologises for calling him “old.”

They both laugh and Ian pretends to begin to walk off stage. And then, you guessed it, Anthony swoops in with a retort :-

“Hey! He’s 35 years young.”

Moving on to later the same day, after playing a live version of TNTL with the cast, they all had a sit-down Q&A :-

Q: “What inspires you? What made you who you are?”

And of course, as if he hadn’t already killed us enough, Anthony has to go and say this :-

“I’m about to say something totally whack. I’d say, Ian and my friendship when we first started really connecting. I feel like Ian taught me to not take myself too seriously and his sense of humour is just all over the place and I eat that shit up, I think it’s so funny.”

Like wtf. WHAT THE FUCK.

Ian’s reaction to him saying that pretty much sums up my emotions.

And that was it for Vidcon!

Except if you count this little cherry on top and the perfect closing to June as the picture is from Vidcon :-

Anthony being obsessed with Ian on main! You love to see it!

July 2023

Started off July with a bang and the ☀️🔍 article :-

Never getting over this! Anthony just loves the sun and magnifying glass analogy and I couldn’t be more here for it. Ian is the sun in his life 💛🖤

Ian Reads Anthony’s Angry Letter

And then came the infamous letter video. Which even though there were a few hurtful things revealed, there still managed to be a few nods of acknowledgment towards Ian even in that hurt Anthony felt.

As mentioned earlier in this post, in part of the letter Anthony writes that in the early days of Smosh he wanted it to be something ‘he’ made with Ian’s help, and that he considered Ian to only be “tagging along”. He goes on to apologise [in the letter] for if he ever made Ian feel like he didn’t deserve as much credit as he did.

“You may not have done some of the heavy lifting I did in the early days, but definitely encouraged us to keep going and you kept things light and full of laughs as we did it. We accomplished so much and I am just now realising how important you were in making that happen.”

Anthony then brings up something that happened recently between them :-

“But that thing that you read there - you did, and this was actually really nice for me to hear from you. It was a few days after we had confirmation that we had bought Smosh, you came over to my place, we had a little celebratory hang; very luxurious. We chilled with cigars and some whiskey, and we just bro-ed it up, and you said that to me. That exact thing - you said, “hey, I don’t think I ever really acknowledged the heavy lifting that you did in the early days” and you said that you “felt really lucky to be there at that time and that I included you in that.” And that was really nice to hear, even though I know.”

So I know technically this compliment/praise/acknowledgment isn’t new as the letter was written in 2017, but it’s ‘new’ to us. But I’m glad to hear that Anthony does acknowledge Ian’s involvement in Smosh’s success, even in the early days when Anthony was doing more of the technical things. He acknowledges that Ian still had a role to play in it all being what it was.

Ian agrees with what Anthony is saying, and that he always felt ‘guilt’ over the fact Anthony had to do the things he didn’t have the skillset to do, but recognises that he didn’t acknowledge or thank Anthony enough for it because he was ‘afraid’ that he might have to do more when their whole thing was about doing “equal work” because they felt as a duo they had to, and that if the other felt they were doing more work then there was some resentment there. Ian tries to downplay himself by joking “In most cases you were doing more work than me…” but Anthony is quick to jump in again and not allow it.

“I was doing more hours, but I think you were doing more of the creative heavy-lifting which is more taxing in many ways. So I think that you needed your time to recoup your energy, cause you’re coming up with funny stuff, and at that time I was like ‘I’m doing so much work’.”

Also another mention of Ian’s creativity and humour when it comes to writing, that Anthony acknowledges he wouldn’t be able come up with. But you can see where the ‘resentment’ they talked of came from, and why Anthony felt he was doing more. When in reality it’s just that’s their strengths lie in different areas, but that doesn’t make the work they both do individually any less important. So I am happy they can see that now and praise each other for the unique ways in which they shine which compliments their own strengths in their own special ways.

WE WERE ROBBED! Watch Party

It happened again. Anthony calling Ian ‘daddy’. Can we just all agree that he has a thing for it? Okay. Good.

They’re discussing how everyone in chat is poking fun at Ian for saying “you guys are a fun bunch” to the rest of the group during the ‘Do Men Know Reproductive Anatomy?’ Smosh Pit video and how it was a ‘dad’ comment. Ian reads out a comment talking about how Arasha called him ‘dad’ and he says “[she] can because she’s my son”. And then Mr ‘Ian is Daddy’ Padilla jumps in with the correction once again :-

Anthony: “I think you’re becoming ‘daddy’.”

Ian: [asks if it’s when he puts his glasses on]

Anthony: “Especially.”

Ian: [puts glasses on]

Anthony: “Oh damn, daddy.”

Like why is this Anthony’s thing now? Whatever the reason - I’m here for it.

Also, Ian doesn’t like to be referred to as ‘pops’ but Anthony’s into it. So, Daddy and Pops. It’s settled. Love our parents 👨‍👨‍👧‍👦

Smosh Mouth

And just like we started July, we ended it the same - with a bang!

I urge you if you haven’t seen it yet (or even if you have), to go watch this video. It may as well have been named ‘Praise Ian Hour’. Not only have we got Anthony, but also Shayne and Amanda coming in to add to the many compliments.

I know all these compliments the others were giving Ian were probably making Anthony’s heart swell with pride. To know that not only himself, but everyone else also recognises Ian’s strengths. To know that these things he loves about Ian, others see in him too.

So a lot of the video was the others complimenting Ian rather than from Anthony himself, but he agreed with everything they were saying and added a few little tidbits. So this next lot of compliments will be what Shayne and Amanda said, along with Anthony’s comments :-

Amanda: [talking about when she first auditioned for Smosh] “And I’ll never forget after I did that [read the script], it was really fun - they asked me a question, and I was in a really interesting place in my life… And they were like “If you could have one superpower, what would it be?” and I just said “Vulnerability.”… And I’ll never forget, Ian stood up and went “Do you write comedy also?” and I said “Yeah!”, and he went [nods] and he shook my hand.”

Anthony: [grinning ear to ear] “He knew. He knew.”

Happy boy loving hearing people praise his bff 🥰

“I think honestly that statement alone is exactly why you’re doing a podcast. I think Ian was able, if he really did know in that moment, I think it probably was seeing that there was more to you than just the comedy, there’s more depth there, there’s multiple layers, and you can build on that a lot more than just somebody who can only do one type of thing.”

A very sweet comment. How Ian recognised the talent in Amanda from that one thing she said, and also cute how well Anthony knows Ian so can see exactly where he was coming from in seeing that talent in her and why she ended up at Smosh.

Shayne: “…I’m curious how you [Anthony] think things were going in the years you were gone? It’s been fun to see this arc of Ian. And being honest I’ve gotten to know Ian so well over the course of 6 years and that’s what’s so interesting about you coming back. You know Ian better than any of us-”

Anthony: “But I don’t know the Ian from the past 6 years as well as well as you guys do.”

Shayne: “…But you haven’t seen president Ian.” [talks about how when Anthony was still there both him and Ian were so busy under Defy that they weren’t around much to act as leaders]

Anthony: “Yeah, there was no leadership really coming from Ian and I, except that I think we showed excitement and passion… We showed that, and I think that’s where we kinda led, but it wasn’t really ‘we’re the leaders’ and when I left, and especially when Defy collapsed and Ian was left there making a lot of those decisions, he had to be the leader that had to lead by example and get everyone onboard with his ideas, and that was a really unique role for him because he was kinda forced into that position, and he was forced to get really good at it. And I think, over the 6 year time period that I was gone, I’ve seen him, observing from the outside, I’ve seen him get better and better at that role. Even though I know he doesn’t ‘love’ it, he’s not like ‘I can’t wait to go and be a leader when I go to work’, and he’s told me that he feels like he thrives most when we have the dynamic between us where I can pick up when he’s not really-”

“observing from the outside” 🥺 the fact he was still checking up on Ian even when they weren’t close anymore, it shows that the care was still there despite the strain on the relationship. It also reminds me of what Ian said during Anthony’s interview, that he could tell Anthony was floundering when he first left :-

Ian: “I could see very clearly what you were doing and what was going on. It was very clear that you were trying to find your individual creative voice. And with the types of videos you were putting out it felt very much like you’d throw this out and see if that would stick, you’d throw that out and see if that would stick. You’d get excited about something - I could tell there was a time when I think you were watching Nathan For You, and you were getting excited about this one kind of style.”

Anthony: “Damn, you read me like a book.”

It’s just like Shayne said - they know each other better than anyone. And that extends to even when they weren’t speaking, they still knew the other inside and out.

Amanda: “He’s glowing right now.”

Shayne: “He’s been so happy.”

Anthony: “It’s really, really cool to see because you know watching from the outside, I was able to observe his mannerisms and kind of get a general idea of where his headspace was at, but even then I wasn’t able to fully understand him because I didn’t fully understand him for so many years leading up to it, so I was just an outside observer trying to just keep tabs. But I do notice a stark difference, ever since Ian and I had that discussion, and were like ‘you know what, let’s buy Smosh and anything we can do to make that happen, let’s do it’. And after that conversation I’ve been keeping up-to-date with the content a lot more and I’ve seen Ian shine in such an interesting way, where I don’t even know if you guys felt it - like before the announcement, you felt something good was coming?”

Is everyone sufficiently in tears? Good, because me too. This isn’t even the end of this convo, I just had the pause to go over all of what was just said. Both Amanda and Shayne saying how happy Ian is now, I don’t know how Anthony didn’t cry on the spot! I did and it’s not even about me! Like hearing that, knowing it’s because of him that Ian is so happy 😭 and I think the same can be said for Anthony. They’re both so happy to have each other again ❤️

Shayne: “I did start to notice a change these past few months. I started to notice - this dude, there’s something about him, like the ‘cool’ factor started to change. He started wearing a chain! He started tucking shirts in.”

Amanda: “Oh yeah! He tucked in every shirt. He wore a chain. He was glowing. And our conversations were about life and joy and not really what he was reading on the internet.”

Shayne: “His confidence level has changed this year. When you guys announced the whole thing [buying Smosh], you walked into the building and I was like ‘Okay this makes sense!’ He’s feeling a lot more confident because things are feeling more certain and this place is going to turn into more of what he wants.”

Anthony: [agrees, and talks about how he thinks the confidence comes from a place of Ian now knowing the future of Smosh is secure under them after not knowing for a long time] “And I think for some reason, just naturally his confidence started growing as - I don’t know if this is related, but he is so good at writing and coming up with jokes, and I think for a long time he got the impression in his head that he wasn’t good at that anymore. And I think the Smosh channel moving away from written stuff, which I feel like he just really shines at - these absurd ideas, and when they come to life on screen maybe I’m able to help keep them a little bit more focused. But I really love that, cause he has so many great ideas and I started noticing just how many good ideas - he would throw out like 30 ideas and 20 of them were brilliant. But I feel like he started to gain confidence too in our writing sessions where he realised, ‘oh this isn’t a fluke, I wasn’t just funny in the past’ - I don’t know if this was the worry that was going on in his head, but it certainly was in mine. I was like, ‘was I only good at this in the past? can I be good at this now?’ and we both discovered together that what we were good at in the past, was more of a representation of our innate abilities and personality on our own but also the dynamic between us, and it seems like his confidence was growing there, and on camera when I would watch him from the outside, even hosting ‘Let’s Do This’ - when I saw him hosting these things it seemed like he was much more confident and he was able to take initiative.”

I love how much Anthony talks about how good Ian is at writing and coming up with jokes, and how much he reiterates that nowadays. I love that he recognises that talent in him and acknowledges how his own abilities complement Ian’s so well and why their dynamic is so special and works so well.

Shayne: “Ian is so much funnier than he realises. And maybe he’s realising it now-“

Anthony: “Yeah, I hope so.”

Aw Anthony 🥺 well if he doesn’t, you’re there to remind him tenfold.

Shayne: “But over these past years, I think the thing that has always frustrated me is - as you said [Anthony], he’ll throw out ideas but he’ll be like ‘oh this one’s dumb’ and I’m like ‘no that’s really funny, man’…. But whenever he goes 100% and he commits fully it’s always great.”

Anthony: “Always great.”

Shayne: “And I think he really does that in your guy’s sketches, there’s no doubt - the Ian that people know and love is that guy. And I think when he’s able to write and know what it is, he goes full force. But I will say even with the improvised stuff he held himself back - he’s so good, but he just needs to allow himself go full force.”

Anthony: “I think he would second guess.”

Shayne: “He second guesses. And I feel bad talking about him without him here, but it’s all good things. Cause reality is he’s really, really talented.”

Anthony: “The truth is he was doubting himself, but the less he’s doubting himself [he’s able to go full force].”

Shayne: [talks about how Ian has said 2019 was one of the hardest years after Defy collapsed and he had to step up as a leader and figure things out on his own] “So suddenly one day Smosh is gone and all these people are just gone, they don’t care. And I remember talking to Ian and being like “hey, so what are we gonna do?” and I remember this look of just - it’s still Ian where everything’s very casual and just kinda shrugged off almost, but I remember him just being like “We’re gonna figure it out. I’m gonna get this together”, and I was just like “That’s the most confident you’ve ever sounded about anything.”

Amanda: “It’s cause he was a single dad, he had to figure it out.”

Shayne: “But Ian’s always like ‘yeah, I dunno’ but this was the first time he was like ‘we’re gonna - I’m gonna - we’re gonna have it.’

Anthony: “And I feel like we see that [confidence] a lot more from him now.”

Shayne: “Yeah, and that was the first time that I was like ‘Dude, this Ian’s crazy. This guy’s not fucking around.’ and he had to do so much behind the scenes that I didn’t see, but he was making business deals and he was working all day, every day to get that shit together. And you know people say Rhett and Link saved Smosh, it’s like Ian saved Smosh. Rhett and Link were there to make that deal happen, but Ian was the one who put that shit together.”

Anthony: “For sure.”

Loved this from Shayne! Because it’s so true, yes R&L were there when Smosh needed a home, but Ian was the one who put in the hard work to make that happen. None of it could have happened without him. And I’m glad Anthony agrees, and as his comments at Vidcon suggest, he’s very thankful that Ian was there to save Smosh so he could come back and they could rightfully own what is their’s, doing what they love, together again.

Shayne: [talking about how Ian and Anthony going their separate ways needed to happen] “You started this thing forever ago when you were kids and it’s completely overshadowed your own lives and your friendship. To be able to take a step away and figure out who you guys are on your own and then come back - you guys at a certain point were forced to be best friends on camera and that’s tough and it becomes a product more than an actual friendship, so to be able to walk away and leave that alone and then choose to be best friends again.”

Not so much a compliment, just loved this. It’s the choice to be best friends again that gets me. Something they’re actively choosing and put above everything else, they’re never going to let anything get in the way of their friendship again and that is so special.

The famous quote comes to mind :-

“If you love something, set it free. If it comes back, it’s yours.”

Shayne: “I said it to Ian when he was on the podcast - I really respect both of you for your both individual journeys in all this. Like your choice to leave the thing you made forever ago as a kid, that meant everything to you, that’s an insane choice. And you made it for your own good, and you recognised your own happiness and that was gigantic. And Ian, I think really was scared to be a leader here, he was scared to be on his own, like president, and he really did it and he’s stuck with it through crazy [times] - not only the shutdown where he stepped up, but the pandemic as well, where we were all filming stuff on our own by ourselves, and he stuck with it, man. That dude, he’s had some endurance with all of this and so to see you guys back together, I know for him there’s pressure taken off because he has you, and I can see there’s so many aspects of the job that he questions himself - I think he’s great at it, but he questions himself and I think you can fill in that part for him where he’s like ‘oh sweet, I know I can rely on you’.”

Anthony looks like he’s about ready to cry when Shayne said that and I don’t blame him because I could too.

Knowing just how important he is to Ian. That he is the only person Ian can rely on when it comes the leadership side of the business, an area where he’s been alone in for so long, doubting himself, I’m sure it makes Anthony want to hype him up and reassure him even more that he’s doing a good job.

Shayne: “And I said this to you, I think the day you first came back, but I’m like - you both together is one of the greatest YouTubers ever.”

Anthony: “I appreciate that.”

Shayne: “You individually - super successful. Like you went and you were successful on your own. Ian maintained Smosh on his own. That’s really cool to see that there was success from both of you individually, but together - I mean when we’re at Vidcon and we’re talking to other YouTubers, Smosh has, there’s something to it right? Like other YouTubers go ‘Oh! Smosh!’ that’s a big deal.”

It’s so emotional how this thing that Ian and Anthony created together as teenagers is what it is now 🥲 and it’s so true - together, they’re something special.

Anthony: [discussing how he discovered his interview format for his videos after trying lots of different kinds of content after leaving Smosh] “I thought that my lane was making sketch comedy so I was writing out some stuff. But I realised that on my own, without Ian, I am not a very strong writer. I do not have the funniest jokes.”

Again, Anthony recognising Ian’s talent when it comes to writing and the Yin and Yang of their dynamic, and how they need each other to really be at their best.

[Amanda says how Anthony seems like an extrovert in his interviews. He says it’s an illusion and that he’s really introverted - Shayne agrees that he is]

Shayne: “I mean I’m just now hanging out with you again recently, but I always got the sense, and I get the sense still, that Ian is the outgoing one.”

Anthony: “Yeah.”

Shayne: “Ian’s super outgoing, and people maybe don’t clock that… At parties, Ian will walk up to any group of people and he’ll just join the conversation.”

Anthony: “For sure.”

Amanda: “You’re right, he does.”

Shayne: “It is shocking to me. And he’s so chill about it.”

I know this was mainly just Anthony agreeing, but I found it interesting and it made me wonder if that is another reason their dynamic works so well and if it’s maybe also a comfort for Anthony? As a fellow introvert, I know how much easier it makes things when you have an extroverted person with you in social situations that you feel uncomfortable with. So I wonder if it’s the same for Anthony with Ian, that he has him there to lean on, knowing he’ll take the forefront in those types of situations if he needs it.

And that was it for the podcast and for the month of July.

And so draws to a close the first instalment of this compliments series. I plan to continue this month to month, or every few depending on how much content there is - you’ll be able to find all parts in the Compliments Masterlist.

Thank you for reading and catching up with the world of the Anthony Padilla Ian Hecox Fanclub with me. Hope you enjoyed and I shall see you next time!

[theweirdhybrid]

Thank you very much for sending this ask! It was lovely to see you in my inbox the other day, and I appreciate that you took the time to send me this despite the fact I haven’t been active in the TMNT fandom for quite a few months now.

So as a thank you and to celebrate the next round of the @tmntaucompetition , I decided to make this little comic featuring the cast of JTOEL and Artemisia! Since it’s been so long, I decided it’d be a nice treat to show everyone who didn’t get to make their appearance when I put the fic on hiatus :]

To everybody participating in the competition (and those who aren’t), I wish everybody good luck and I hope you all have a wonderful time!

[earthearthearththearth]

💞TF2 First Date Headcanons💞

This is my first time writing them! God this took so fucking long anyway

⚾Scout- To be honest, if he’s not that much into you (and even if he is), he probably wants to fuck on the first date. Or at least he thinks he wants to, but doesn’t make that much of a move. I think that the first date consists of intense planning that more than likely doesn’t work out. Maybe you guys just grab food or go to a game or something. He’s a baseball guy. He definitely seems like one too. A lot of the date is him talking to you, maybe you get a word in. Give the guy a break, he’s excited. His ideal date I think would be something active, or a place where you guys can talk and be loud. Think concerts. Although I don’t think he would go to those often. For some reason I can see him liking the zoo. At the end of the date, he might ask you to hang around. Just to have your company and have something like a little sleepover. 

🗡Spy- Oh it is fancy. It is fancy and it is elaborate. You are stunning, gorgeous, dashing, beautiful, a sight to behold, all of the above. He says this to you. He’s all about first impressions, and second ones. And third and fourths. Eventually you get through and he’s a little more normal, if that’s what you wanna say. But that’s a different post. I don’t know whether he would take you somewhere or think of something himself, but I think he would take you somewhere real fancy. The base is too hectic for a real date in his eyes. You probably don’t care. The date is small talk and classic. He pays, you feel a little bad. I imagine this isn’t something you’re used to. You’re definitely  going home with this guy, though. 

🦘Sniper-I imagine this guy is the type of person to teach his s/o, maybe everyone, to shoot a gun. So that’s what you do. It’s you two alone in the desert, shooting cans, shooting other shit, maybe you light a fire at some point when it gets dark. I like to think that despite him being very outdoorsy and Like That, he doesn’t mind staying in for his s/o. So maybe you guys cook something up in the camper. I don’t think you stick around in the camper in the middle of nowhere with a guy you just had a first date with. Or maybe you do! Cause like, how do you expect to get home?

🛠Engineer-You know that scene in the Barbie movie where Ken sings at Barbie and plays his guitar at the fire? You do now. That’s the date, but a lot less awkward. You and Engie’s date is a big ol’ bondfire and some guitar strumming. If you’re interested, he’ll show you the stuff he made. If you guys decide to cook over this fire, don’t be surprised if it gets interrupted with a few of the other guys. Or just Pyro. Definitely Pyro. He doesn’t mind too much, and hopefully neither do you. The date is sweet, and if you know how to play a guitar, then he’ll definitely let you take a crack at it. Good or bad, he’s kind of smitten. Most of the night consists of just sharing stories and enjoying each other’s presence, at some points you forget it’s a date. It just feels like a night out with a friend.

💣Demoman-Look me in the eyes and tell me what YOU think. Kidding. Kind of. Drinking will be involved at some point, but if you’re not up for a bar and getting shitfaced then WHAT THE FUCK ARE YOU DOING READING DEMOMAN’S SECTION? Kidding. His ideal first date is very mellow, surprisingly. Cooking together, showing you around. It’s been a white since I’ve been in the fandom, but he strikes me as kind of a book worm. Maybe it’s the hat. That motherfucker definitely read Moby Dick once or twice. Anyway, I think he likes to dance with his s/o! Very much just some slowdancing in the middle of a living room or kitchen or something. Maybe not the kitchen because people go in there. But if you don’t care then neither does he. To reference some book I read, he’s more than the [growing] alcoholic you took him for…he’s also a friend. I haven’t read the comics either in a while, but he’s a funny guy I know that. 

🔥Pyro-Yeah so there’s fire involved. What do I even tell you man. There’s fire and they tell you a lot of things, none of which you really understand, but it results in you guys drawing together too. Their drawings are pretty graphic, so you say fuck it. Now you both are sharing the red crayon. After this, you throw them into a large fire that you two lit. It used to be a tree. You have to admit it’s pretty beautiful. Especially when the sky turns dark, and not just from smoke. Maybe this guy does know what he’s doing. If it’s not a tree that’s caught on fire, then you too mosey on over to Engineer’s previously mentioned fire. Don’t think about it too hard. 

💉Medic-If it’s not canon, I imagine him as kind of a hermit. Maybe a major one. He’s definitely the type of guy to be working in the lab late one night. So, if you two are going to be a thing, you have to get used to said lab. Hopefully you’re not squeamish. The date is dissection. Whatever he is working on, you are too, but most things you’re not allowed to touch just yet, so you stick by the birds. He doesn’t mind for a while, but it is a date. Once this hits him, he lets you disembowel the corpse. Aw. Isn’t that sweet? You didn’t learn a thing, but the conversation and act itself was kind of fun!

🐻Heavy-A first date for him means getting to know each other. Very classic. I imagine, however, that his idea of getting to know each other means meeting the family. We all know he’s a family man, so you’re gonna meet them all. Haha funny reference. Anyway, you might fight a bear. Stories are shared, it’s a lot like Engineer’s date in that regard. You two have fun though. If you’re not up to meeting an entire family, though, that’s reasonable. He likes books. You probably do too. So you guys can read. Nothing like sharing other people’s stories

🦅Soldier- Oh you thought this was going to be nice. This was going to be nice and normal like the rest of them. Listen pal. Buddy. Chum. This is a first date. Nudity is involved, maybe not your own nudity, but someone’s definitely naked. I want to say you’re naked and covered in honey, but someone else did that two years ago. So like, maybe fight a bear man, snap a few necks. Make this man proud with the sweet sound of freedom (freedom to snap necks). 

👓Miss Pauling-Goodluck. She gets one day off a year, and she is not spending it on another first date. If you’re going on a date with her, you’re probably already together. It’s not your fault! Her schedule is shit. A date with her is most likely going to be staying in, ordering takeout, and watching some shows. She probably loves you if she’s spending her day off with you, but she’s not exactly the most energetic considering her job. 

[santacoppelia]

Of fandom, age, and David Tennant being our own personal Time Lord

I read the fantastic post that @davidtennantgenderenvy wrote about David Tennant and aging (if you haven’t yet read it, go for it!) and, as a fan who is closer to DT's age range than to what seems to be the rest of the fan base's age (yeah, being well over 40 is A THING), I had an interesting mix of ideas and emotions. I was going to just reblog her post with some of these musings, but when this started getting longer (and I started searching for bibliography, ha), I decided that I was not going to hijack her post, but rather cite it (and reblog it on its own right, really, read it). I should say that this is a long essay, and it comes peppered with references to one of my preferred fields of study (but I make it light and fun, promise).

Becoming an “old geek”

The first time I came into the idea was when I found a thirst TikTok with that very nice audio that goes “I think I need someone older…” and clearly, the thirst was there, but also… David is 8 years older than me, and when you are 45, thirsting over someone who is 53 doesn’t feel as “edgy” (and thinking about “needing someone older” starts verging on thirsting over people well over 65, which is absolutely fine, but a very different category over all for the rest of TikTok). So yeah, it was weird. You see someone who you feel is "in your range" and everyone is calling them "old"… And you start thinking about aging, inevitably.

Of course, I "don't feel old", but most of my friends are younger than me, and I'm the oldest person in many of my "fun activities". Take, for example, my lightsaber combat team, where every sponsorship is pitched to people under 30, and you should be training at least twice a week and following a strict diet to reach the expected “competitive or exhibition” level (enter the “old lady” who is taking this training just for fun, who needs to take care of her joints and who is not going to be invested in becoming Jedi Master General or anything of the sorts in the near future). Or we can talk about the expectation about fandom in general being a “teenage phase”, and thinking about everyone who still is into it actively after certain age as “immature” or “quirky” at best (hi, mom! Hi, work colleagues! Hi, students!).

Society, aging and social constructs

Of course, this has a lot to do with societal expectations. For almost 80 years, popular culture has been built around "youth" and "young people": before rock & roll, most things (music, clothes, movies, art in general) were targeted to “adults”, and you were expected to be “a functional adult” since a younger age. There was a seismic shift in the way popular culture was built when consumer culture decided to see and cater young people: trends became shorter, being “hip” was desirable, staying younger for a longer period was a nice aspiration (a good, light reading to get a deeper view around this is “Hit Makers” by Derek Thompson. It is written for marketers, but that makes it an easy historic overview and I like that). This has a lot to do with the change of our view about old people, too: while being old 100 years ago (yup, 1924 still fits the bill) made you “a respected elder” and you were expected to be wise, to know best, to be the voice of reason and an expert, nowadays not even us older people like being seen as “old” or “older”.

Frequently, culture becomes entrenched in binary oppositions. The binary opposition between “young” and “old” is… well, old! And while the opposition is sustained, the meanings around it change over time (that’s what the past paragraph was about, really). If in the 1940’s being old meant “mature, respectable, wise, responsible” and being young meant “inexperienced, immature, foolish”, after the 1950’s those meanings shifted a lot: being young became “fun, interesting, in the now and in the know, attractive”, while being old was about being “boring, dusty, passé, uninteresting, dull”.

In reality, being young can be a mix of all of these things (inexperienced and fun and foolish and attractive), and being old can be, at the same time, being responsible and wise and a little dusty and dull, because that’s life *shrugs*, and the wonder of lived experience is that, even if we simplify it, it is complex and rich and sometimes contradictory in itself: we can be old and foolish and interesting and boring, or young and dull and inexperienced and attractive. But, as we need to make “social sense” of things, simplifying them is… easier. That’s why we build stereotypes, and why we use them! We need to have a “base” of signifiers to build upon, so we usually take what we have on our environment and run with it. If you find this idea interesting, welcome to the world of cultural semiotics! *takes her Iuri Lotman picture out of her pocket and puts it on the desk*

(Iuri Lotman, people. He is my "patron saint").

Pop culture versus “real culture”

Another cultural opposition that piques my interest in this area is the notion of “pop culture”, of course. It is opposed to “real, serious culture”, the sort of thing that everyone expects "older, mature people" to enjoy. In the sixties and seventies, there were a lot of studies and writing about "high brow" and "low brow" culture, trying to keep this distinction between "things that make you familiar with the now, but have no intrinsic value" and "eternal things that cultivate your mind, soul and spirit".

Evidently, if you ask me, this is a whole load of horse manure: probably useful to fertilize other things, but with little intrinsic value on its own. My main point is not dolphins, but the idea of culture: historically, it has used to mean a lot of things; from the notion of (exactly) fertilizing something and making it grow to make it come to fruition, to the hodgepodge of practices that a social group creates when they are together and are trying to make common sense of things.

I like the latter better (that is the one I’d ascribe to if this was The Academia TM, but this is tumblr!), but another popular definition, which comes from the Illustration and has been quite prevalent, is the notion of culture as the set of cultural practices that make you a better, more intelligent, far more educated person. For example: if you want to have real culture, you have to read Shakespeare and know what a iambic pentameter is, rather than watching “10 Things I Hate About You”. You must read real books, not listen to audiobooks, and “real books” should be written by “serious authors” like (insert old white Western European or American cis men, preferably born before 1960).

Here comes the notion of “cultural canon”, grinning widely. Yup, that set of practices becomes an expectation of what and how you should experience any area of the human experience, and they become a sort of “nucleus” of the whole experience, with people playing “defense” around them and culture shifting all around and sometimes across them. This is not exclusive to “high culture”: Have you ever heard about “gatekeeping”? Yeah, same fenomenomenon (Shadwell, of course). Whenever something gets this “shape”, it becomes a “norm”, the “common” thing, the “rule” if you participate in that set of cultural practices.

As every cultural set of practices tends to generate its own “canon”, they also have a lot of practices surrounding it, which are ever changing, shifting, learning from new and old practices, and redefining what everything means in their common/shared space. For example: Neil Gaiman, my beloved, was part of the “comics” frontier when Sandman first appeared, but as he and Alan Moore (yeah, I know he did it first, but Gaiman is my study focus right now, so let me be) and other very talented and interesting people started creating fascinating stuff that hadn’t been done, and they found people who loved it, they not only redefined the world of comics, but became part of the new canon themselves. And then, Neil’s presence in the world of literature and fantasy became widespread and recognized and then revered… And then he is doing it again by adapting his own work to a streaming platform in a serialized way… I hope this explains why I’m growing an obsession with studying Neil Gaiman as an author who crosses through different media: a transmedial auteur, an anomaly in his own right. But that is not an essay for tumblr, but a thesis, one that I don’t know if I’d ever have the time or mental resources to write (being a runaway ex academic with ADHD who works on their own is hard, people). Besides, this was about aging and David Tennant, so let’s cut this tangent short and start talking about our Time Lord and Savior: David Tennant, the king of frontiers.

David Tennant as a Frontier Lord

David Tennant is another fascinating case in this sense, mostly because he is an actor who has been able to build a whole very impressive career through crossing symbolic frontiers. Through his massive filmography (161 roles just for screens, as registered in IMDb) and his stage career (I love this gifset for this exact reason), he has acted his way through almost everything, from classical Shakespeare to improvisational comedy, from procedural police drama to wacky fantasy sci-fi. This has a lot to do with his personality (he loves acting, he decided to pursue acting as a career thanks to his love for Doctor Who, but he is also smart and inquisitive) but, as it happens with a lot of “frontier figures”, it also has a lot to do with “unpredictable” circumstances: less of a strategy, more of an instinct.

David has talked many times about how his impostor syndrome made him feel, for the longest time, that he had to keep accepting roles, because you never know if there is going to be another one after. He is talented and open and curious (this is quite a good interview about his perspective), but this… anxiety? meant that he had also lower quandaries about saying “yes” to roles and projects that were “less consistent” with a typecast (which has been, for the longest time, one of the main strategies to build an acting career). Yeah, he has some defining characteristics that make a role “tennantish” (I’m not starting that tirade here, but yeah, you know that almost fixed set of quirks and bits), but he has also worked his way through many different genres, budgets, styles and complexities. And he has usually been as committed and as professional in a big budget-high stakes-great script sort of situation, as he has been in a highly chaotic-let’s see what sticks-small scale project.

That can be correlated by the way he talks about “acting advice”. “Be on time, learn your lines, treat everyone the same, never skip the lunch queue”… Acting is a job, and he treats it as such. Yeah, he looks for interesting projects anytime he can, but the “down to earth” attitude about it is, once again, not-usual, not-common: pure frontier. Then, when David talks about his own self (specially at a young age), he is pretty clear about his “outsider” or “uncool” status (this interview is fantastic), and how strangely disruptive it was to become not only recognizable, but cool and sexy and… everything else, thanks to Doctor Who. He went from living in the frontier to being put in the canon, but he is still, at heart, a person who is more comfortable not defining himself by that “expected” set of rules.

Him being a very private person, who insists on having a family life that seems, form this distance, stable, loving and absolutely un-showbiz just makes the deal (and the parasocial love and respect) easier to sustain; as does his openness to talk about social and political issues that interest him (passionately, again; against the norm for “well liked celebrity”, again). His colleagues also talk wonders about him, mostly because he is this sort of down-to-earth but also passionate about his craft and easy to work with. Again: not the “norm”, not the “rule” of being such a celebrity.

Many of his fans (should I say that I’m one? Or is it obvious at this point?) find this not only endearing, but comforting: he is a massive star, who has acted in a lot of terrific roles in huge productions… But he feels, at heart, as “one of us”. But he is, also, a well-respected thespian, a Shakespearian powerhouse, an international talent. He lives in a very authentic, but very unstereotipical frontier. And he seems happy about that and has made a career from it. Extensive kudos and all the parasocial love and the amateur-actress mad respect for that.

I should mention, just in passing, that a “natural” archetype for this characters that traverse frontiers… are tricksters. Think again about the “tennantish” characteristics. Here goes another essay I’m not writing right now.

Aging: The Next Frontier

This takes me to the original post that inspired the essay: living in a culture where the “norm” is “being young and famous is a desirable aspiration”, we have a fantastic actor, at peak of his craft, who is in the heart of middle age (past 50, nearing 55). Not only that, but he is an actor with whom at least a couple of generations have grown older: from the ones who feel him as “our contemporary” to the ones who grew up looking at him (like Ncuti Gatwa!).

David, being the frontier person he is, has been navigating this transition in a very “unconventional” way: he came back to the role that made him iconic (The Doctor, now with more trauma!), is starring in another fantasy series about middle-aged looking ethereal beings that at times is an adventure thriller, at times is a comedy of errors and at times is a romcom (having another beautiful trickster of a man as his co-star… There goes another tangent that is an essay); he is playing one of the quintessential Shakespeare roles for middle-aged men (Macbeth), and is, seemingly, having a lot of fun doing a lot of voice acting for animation roles (if you haven’t watched Duck Tales, you’re missing a whole lot of fun, really).

Traditionally, middle aged actors navigate that period of their career trying to reinforce their “still young, thus a celebrity” status (for example, doing a lot of action-packed movies and keep doing their own stunts while seducing women 20-30 years younger than them), or strengthening their “prestige thespian, so now a real culture person” position (fighting for more serious roles, going from comedy to drama, or working their way into The Classics©). Sometimes, they face the internalized societal expectation by also becoming a shipwreck in their personal life (yeah… the stereotype of “getting divorced, having an affair with someone half their age, getting another red convertible, getting in trouble…”) because we don’t have a good “map for aging responsibly” yet as a society. We have been so focused on youth, that we have forgotten how to age.

Again, switching to the personal experience. I was raised as a female-shaped person (yeah, being queer is fun), so part of the experience of growing (and then growing old) has been closely related with that concept from the female point of view. I decided, pretty early on (but not so much, probably 25 years ago), that I wasn’t going to conform to the norm… And that included aging naturally. When I found my first white hair, it was a shock (I was 21 or 22), but I had already seen my father fighting his own hair being white since forever. I decided it was a loss of time, money and effort… And the judgement from people in my generation and in the one that preceded me (my mother, my aunts) was stern and strict: “it will age you, and it will date us. You shouldn’t do that”. Men could do it, given the right age (being over 50) but women must not. Same with wrinkles and sagging and gaining weight and getting “pudgy”. But when men grew older, they needed to make a “show off” of their ability to seduce, to “still be a man”. Aging, then, was undesirable by any standard.

As me and my peers have grown older, and my hair has gotten increasingly silver, there have been women that come to me saying that “I look great” and “they wish they were as brave as me”. I would like to state in front of this jury of my peers (hi, tumblr!) that the only bravery it took was deciding, somewhere between my twenties and my thirties, that I wanted to be as myself as I possibly could, so no bravery at all, just the same lack of understanding of social rules that took me to become interested in… you guessed it, cultural semiotics. We’ve come full circle with this. Now, let’s finish talking about what it means for an aging fan to have an aging star to look up to, shall we?

David Tennant as a cultural Time Lord

I am pretty sure that he wouldn’t have chosen this role for himself (as he wouldn’t have chosen being a massive star just by playing his favorite character and being so talented and charming), but he is, as Loki would say, burdened by glorious purpose. Being “the actor of his generation”, and him crossing so many frontiers with such ease and grace, without even thinking about it too hard, just because he is a hard worker and likes to try new things and is just so good at what he does put him in the exact cultural crossroad for it.

He is not in a sudden need to “resignify himself” as anything: he has already shown his very flexible acting muscles through his very long career. He is not bounded to “keep his public image relevant”: he likes to have his personal life clearly separated from the spotlight, and being married to the brilliant and funny Georgia, who herself grew up with a famous father, so she is no stranger to staying sane and in control in the eye of media, and who manages their social media presence with a good mix of humor and well-set boundaries.

Therefore, he is in a moment where he can (and probably will) chose to do whatever he likes. And he has the public support to do so: he is prestigious and respected, but likes to make fun of himself and is not self-important; he has a lot of awards, but he is also a very likable person with whom most people in the industry enjoy working. And he is up to do a lot of things: heroes, villains, morally grey characters; romance, drama, thriller, fantasy, sci-fi, procedurals, historical fiction, classic plays, silly parts, voice acting… We are going to see him aging on screen and stage, with no playbook: the playbooks were written for people that certainly are not him. And I have some evidence to prove it.

He is starring in a groundbreaking series (yeah, Good Omens) where the protagonists are two middle-aged looking entities, full of queer relationships, written by another trickster. This series, in an on itself, is a showcase for characters that are rule breaking in many ways: in the narrative, by being hereditary enemies who are inevitably linked to one another by a loving bond that may or may not be romantic, but that has been in the making for 6,000 years; in representation, by having the protagonists being represented by a couple of middle aged actors who are “not serious” and “not action” coded, in a role where they are delivering romance, banter, intrigue, joy and a whole other range of emotions that are “not your stereotypical” middle-aged male-lead coded.

He also delivered the baton on a relay race with Doctor Who: he came back after almost 20 years, to bring back the generation who grew up watching him in the role, and deliver us into the arms of Ncuti Gatwa’s 15th Doctor, with the promise of taking a rest and working on getting better from all the trauma The Doctor has endured in 20 years Earth-time (which, as any Doctor Who fan knows, account for centuries of trauma in Doctor’s time). Not your usual Doctor Who Anniversary cameo, but one built to deliver some zeitgeisty emotional health promises that made the specials feel… healing. At least, for some of us.

Even when it wasn’t the hit series it deserved to be, his Phileas Fogg in “Around the World in 80 Days” is also a great delivery of an unconventional middle-aged protagonist, who goes from meek and scared and too worried about societal norms, to a lovely, tender, slightly awkward and daring person, with friends half his age who look at him but are also his peers (another kind of relationship that is not very frequent in media).

And, with all fearlessness, he has played a lively old duck in Duck Tales! Scrooge McDuck has never been a middle-aged character: he is, quite openly, an old gentleman. An adventurer, quirky, with a lot of spunk… but also quite clearly an elder to Huey, Dewey and Louie, and obviously older than Donald Duck (who is also not a young adult himself!). When you watch that series, and if you have the opportunity to catch any glimpse of him behind the scenes while recording the part, you can feel the joy he got from playing the part (and he has said time and again that he IS Scrooge McDuck, so it will become his “recurring bit” for the future).

Hopefully, David (and some other actors and actresses, for sure) will dare to build that new “aging publicly without making an arse of myself” playbook, and I (and I can imagine, many other fans in our middle age, but also fans that are right now leaving behind the “young adult” stage and becoming “adults” fair and square, and others who will arrive to this place at a future time in their lives, so I hope) will be there to bear witness, support, cheer… and learn from the model. Because that’s what fandom is about, but also because that’s how culture itself gets shaped and changes, continuously. And that is exciting and a little scary, and that’s why it is better if we do this together.

And I'd love to imagine diverse (in the full sense of the word) role models for this process and this playbook, too!!!

If you read all the way through this, I'm very grateful, take a cookie, have a gold star and suggest names for our aging interestingly role models on the "non-white-male" side of things!

Class dismissed!!

[thirdnap]

Hello,

Here is the life update of my past 4 years.

I began this blog many years ago in 2012 when I was only 14 years old, and I then slowly gained the courage to start posting art at 17 when I joined the K fandom. It's wild to think that I am now 25!

I was never quite consistent in posting since I only shared my art here whenever I felt like it, but it slowed down ever so gradually to basically 1 post a year for Yata’s birthday. This blog helped me with my fear of showing my art to others as I was incredibly embarrassed of my work for a really long time.

I soon moved to the USA from my homeland and attended animation school for 1 year, and then studied illustration and visual development for 4 years and I managed to accomplish many things I never could have imagined. I graduated with honors this past May, was selected by the faculty and head of department as my major’s trustee scholar, completed my 84-page art book thesis, got a few pieces into the Society of Illustrators, and my school even shot a mini docu-film about me, my art and my life where I got to share my upbringing. Art school was very demanding and at times tough but I managed to get a lot out of it :)

In July of this year, I moved to California from Florida and I’m much happier than I’ve ever been. I come from a very small country so I never expected to get this far in the art world. I drew Yata for fun in my bedroom whenever I wanted to and now I’m in LA breaking into the animation industry (receiving my first credit too!)

the drawings I share here are a very very small part of the illustrations I make weekly. I wish I could share them with everyone as I’m very proud of them but I enjoy separating my fandom life from my real life a little too much! Surprisingly I am working as a background artist at the moment despite never drawing backgrounds in this blog lol. I think many of you would be surprised at how different my work is from irl!!

It hasn’t always been great, so I don't want to make it seem like it's been all perfect. I’ve had many hard times too and at the moment I am extremely homesick since I haven't returned home in a long time but I think these are needed sacrifices.

However, I'm excited for 2024. I'm looking forward to growing as an artist and my goal is to continue to have fun with art as much as I have right now. I think I’m lucky to have a great support system including my best friend @fuurais who has been by my side for 10+ years and I managed to convert into a K artist too <3

Thank you for the support, for the kind messages, and for the excitement every time I post. I am always happy when I think of this blog and the friends I made. I unironically think about Yata every day as he is past being my comfort character tbh. I am currently writing this with full-on orange hair that I've had for a few years now lol.

I don’t think I’ll be as active as I was at 17 but I will try to not ghost this blog completely. There are a lot of things I haven’t drawn yet that I really want to do and I'd love to share those drawings with everyone.

Lots of love -

Tael <3

[scoobydoodean]

the thing about emma vs amy is they’re literally not comparable at all really!! one HAS KILLED PEOPLE WITHOUT REMORSE (arguably, it’s been a while since i’ve seen the episode) and the other… HAS NOT! a comparison i have never seen people make that is actually so much better, so much more interesting? emma and that dude in metamorphosis, the rugaru. both are supposedly “monsters” who will inevitably kill somebody and thus deserve to be killed as a preemptive measure (even though they haven’t actually hurt anybody yet), as argued by sam about emma and dean/the other hunter about the rugaru. the difference? DEAN DECIDES TO TRUST SAM AND TRY TO HELP THE DUDE. sam on the other hand disregards dean’s wishes and any possibility of emma making the right choice.

i’m convinced that the only reason people compare emma and amy is because “dean admits he was wrong to kill her” (which isn’t actually what he says but people don’t really care about the exacts). if they were to look at any other episode where the definition of monster is argued, they’d see that sam is usually on the side of “give them a chance” (and ftr dean is too almost all of the time) UNLESS it’s a “monster” associated with dean… why are sam’s morals different for these people? for emma?

sorry i know that’s a long rant, but every time i see the emma vs amy debates it boggles me that metamorphosis dude is never brought up too! also i hope this all makes sense haha

Emma and Amy aren't even remotely comparable. In any way. Emma and Amy's son who Dean didn't kill? Yep. They are directly comparable. But Amy and Emma? Get outta here! Jack Montgomery (Metamorphosis) and Jack Kline (two Jack's!) can both be interesting Emma parallels. Especially when comparing how desperate fans are to coddle Jack Kline from so much as experiencing a negative emotion when he's brainwashing people from the womb, bursting out of his mom's body like something out of Alien, and actively strangling innocent black store clerks to death.

Contrary to the belief of people who don't watch the show but are always making wide-sweeping claims about what happens in it, Sam and Dean have a long history of trying to protect "good" monsters (including from other hunters!) from 2.03 "Bloodlust" and onwards (2.03, 2.17, 4.04, 5.06, 6.02, 8.04, 12.04, 12.16). There's a weird disk horse that's opened up in the last several years that Sam and Dean are always indiscriminately killing monsters who don't deserve it all of the time because "supernatural power bad" and that just isn't true. Like. Actually look at the cases they go on? Sam and Dean kill murderers whose crimes are committed supernaturally which is going to allow them to get away with it and/or continue doing it. They don't kill people just because they're "different"—in fact, the entirety of season 2 is about not killing people just because they're different, or because of some alleged inescapable dark destiny.

I've spoken before about how "Bloodlust" is treated by fandom as an episode where Sam stands on some sort of moral high ground from the beginning about the existence of good monsters, but that isn't what actually happens in the episode. Sam ends the episode with zero remorse about any previous hunts John ever took them on while Dean thinks back and wonders if they hurt people who didn't deserve it at some point (no questionable hunts in season 1 FYI—and the majority of them are ghost-related).

The way that Sam can compartmentalize/let go of his past actions and move on is useful in their field of work, but in contrast with Dean's tendency to feel eaten alive by guilt, it often results in fandom disk horse where fans follow Sam's lead by compartmentalizing and burying and excusing his actions as if they never happened, while putting everything Dean does under a microscope because his visible guilt implicates him in the eyes of fans. Because Dean spends several episodes feeling bad after 7.03, he must have done something super duper bad and horrible and is the worst person alive, and Amy didn't deserve to die. But because Sam doesn't ever show a single shred of remorse after 7.13 and Dean doesn't ever talk about it again, Sam must have been in the right. It's actually bizarre when you think about it—Sam's lack of guilt ought to be chilling to fans, but instead, it's often used to absolve him of wrongdoing... and for all their flaws that everyone is always harping on, I do think Bucklemming intended Sam's actions and his attitude after to be chilling. They don't intend him to be seen as "in the right".

Dean buries what happens with Emma down deep, and it's obvious why. He can't take another hit like this in season 7. Not after Cas and Bobby. He buries it deep down like he buried Lisa and Ben deep down. In addition... if Dean wanted to bring Emma up, who the actual fuck would or could he have talked to about her? Bobby's dead. Cas is dead. The only person left in Dean's life is the person who killed his daughter, and Sam made it very clear that he didn't give a shit how Dean felt about her being dead. In fact, he lectured Dean for hesitating to kill his own biological child, and said she "wasn't really his". Then when Dean disputed that claim, Sam immediately called him crazy and acted like Dean's actions (trying to push a monster kid who hasn't hurt anyone off a terrible path) are out of character when they ARE NOT (2.03, ALL OF SEASON 2, 4.04, 5.06). Even 7.03 itself supports Dean's actions with Emma as in character, because the ACTUAL Emma analogue, Amy's son, is not killed by Dean. So yeah. Who the FUCK was Dean going to talk with this about? Given Sam's long and storied history of behaving as the thought police, if Dean had so much as looked too sad in his presence, Sam would have lit into him all over again, and what fucking good was that going to do?

And yeah teehee Sam doesn't want Dean to have too many friends. More than one often-dead close friend is too many.

[anonymous-dentist]

Quite frankly some of y’all are getting too parasocial again, especially with the ‘LGBTQSMP’ stuff. By y’all, I mean the fandom at large, but don’t think I haven’t seen some weird stuff on here too.

Last night on Quackity’s stream, one of the first donos called him a “fruit loop”. And like okay, whatever, that’s bad, but then I managed to find the dono’s twitter literally by accident going through my twitter feed and here’s their reason why they did it:

And that’s really fucking weird! You all see why this is weird, right? And all of the replies to the clip of the dono I found (where I found this person) were all in agreement that this was a funny and totally normal thing to do. But, as I’m sure everyone is aware, this is not, in fact, normal. It’s parasocial as fuck, and it’s weird at best and harassment at worst.

Donation etiquette posts are something that go around the fandom every couple of days, and for good reason. Some people are too goddamn parasocial. You don’t know these people, and they don’t know you. It’s like if you walk up to the cashier at McDonalds and call them a “fruit loop” because you saw her talking to another girl earlier. That’s fucked up. At best, it’s fucking weird to do. At worst, it’s outing/harassment. (Not that I think Quackity is queer or anything, that’s none of my business, and it’s not anyone else’s.)

I’ve seen some weird stuff on Twitter recently. Truthing, really, and that’s something parts of this fandom have struggled with for a really long time. But take this tweet by the same person as above as an example:

There’s a difference between jokes about “haha the qsmp is just a gay dating show and jaiden”, but some people are taking that way too literally. I’ve seen truthing on both the English side and Spanish side of the community recently, and you know that I’m not searching it out for the sake of drama because I don’t speak Spanish. I’ve seen multiple Spanish accounts on Twitter telling people to stop being weird in chat because it’s gotten to the point there that the mods are getting involved (I was watching Roier’s stream last night, and I’m pretty sure I saw this myself in chat.)

Jokes are fine. Fandom jokes are fine. But that’s where the jokes should stay- in the fandom. Yes, Quackity made a joke on day one stumbling over his words and “accidentally” calling everyone his boyfriends. Yes, the Spanish creators are a lot more chill with shipping content than the English ones. That doesn’t mean anything irl. Calling it the first bisexual smp is fine as a fandom joke, but people seem to be considering it truth when, as far as I’m aware, there’s only one actual bisexual on the server, and there’s, I believe, only two LGBTQ+ members. While the default shouldn’t be straight, it isn’t cool to just assume people’s identities, and especially not from what they do in minecraft roleplay. That’s called acting, not real life.

Truthing is dangerous. Anyone older than 16 probably remembers the way Markiplier and Jacksepticeye stopped interacting online entirely, and it’s because truthing and shipping actively damaged their friendship. Dan and Phil struggled with this, too, with them actually being gay but being unable to come out until years after they were popular because of all the truthing going on with them.

It’s dangerous! It’s weird as hell! Not everyone is dnf. Even if their boundaries don’t mention it specifically, it should be common sense not to openly speculate on a cc’s sexuality. It should be even more common sense not to call them a literal slur in their text-to-speech donos because you think it’s “telling the truth”. For a straight person, it’s just uncomfortable. For a queer person not out, it could be dangerous.

As a whole, the fandom has been behaving. We’re just under a week in as of today when I’m writing this, so I guess we’ll have to see what happens next. But please remember to be normal. These people aren’t your friends. You don’t know them. You barely even know their characters right now. So calm down and touch some grass before someone actually gets hurt.