#I know I gripe about it too much but seriously the fact that I'm working 20 hours a week (it's supposed to be 10 but I've been peer

[oceandiagonale]

Do you plan on getting Pokemon Scarlet/Violet?

yeah, I REALLY want to get Violet!

buuuuut tbh I won't have time to play it until mid-december -- I have a paper to write, a mini-version-of-a-thesis to write, and then a week of [completely unpaid because of course it is 😭] severe overtime -- we're talking I leave the house at 11:30am and get home at 9-10pm, and then one more week of 20 hours of [unpaid] work before I'm finally free on the 17th or so

also I need to get gene home before I can switch to a new game mentally and think about doing a (probably a much simpler) run closer to what I did for swsh, which means getting the whole postgame drawn before then and overall I'm very

[theflyindutchwoman]

I don't need you protecting me. I know. So clearly what you're saying is you need me protecting you. Clearly. You know me so well. I'm happy it's you at my six. Back at you. […] Go. Up, up, up! I'll hold 'em off. What? No. We have the higher ground. We stand a chance, but only together. Okay. We hurt as many as we can, retreat up the stairs. Okay, but they're gonna expect us to push. Let's go the other way. Pull not push--copy that.

| ANATOMY OF A SCENE - CHENFORD EDITION 5.22 - Under Siege

Battle Couple… This is one of my favourite trope ever… And these two embody that so well. The way this scene starts softly, with their banter, is very interesting… It could have come off as a tad tone deaf, with Aaron still in a coma. But they make it work. They're not downplaying anything, they're simply trying to get a moment of respite… and being together make that easier. It's the fact that they are bickering on who needs protecting… It's so them. And that 'you know me so well' parallel, with Tim being the one to say these words this time…. And this scene does have some eerie Day of Death vibe, so combined with all the reminders of Jackson's death, it's no wonder he doesn't want her out of his sight. Lucy's little confession that she's happy he's the one having her back also serves to underline that, for all the banter, she does appreciate that he is there with her. His 'back at you', while watching her six, literally… Sir, you are working! Remember when the first punishment for failing one of his Tim Test was to make Lucy fight so he could see her in action? Fast forward to now and not only is he happy she is the one having his back, he also wouldn't have it any other way. His pride in her is still the same : it's just that now, he can overtly check her out and flirt with her on top of it. And let's not forget how Grey didn't object when Tim volunteered to go check this place with Lucy. The amount of faith he has in both of them, that their relationship is not going to interfere with their work, is amazing. In a way, it makes sense : he had front row seats to the development of their relationship, so he knows. And I love how they find ways to be paired up together because they work so well together.

Something that is particularly highlighted during that fight sequence. And let's start with the fact that Tim's first instinct is to tell Lucy to go to safety while he holds the assailants off, knowing full well that his odds of escaping unscathed in that scenario are slim to none… He is seriously ready to sacrifice himself just so she can have a better chance to get out - which isn't even a guarantee… His love for her… And her immediate rebuttal… of course, she isn't about to leave him behind. That's not who she is. And I really appreciate how he doesn't waste time protesting when she refuses. That's the thing I love the most about his protectiveness. It's fierce, but it's never used as a way to undermine Lucy's abilities. It's all about him loving her and wanting her safe. It's all about how much she means to him. But he never tries to stop her either when she disagrees : he respects her way too much for that. He gives her an out and if she doesn't want to take it, then he'll simply be at her side, backing her up. Like on the plane during their undercover mission, when she refused to back down. And that protectiveness goes both ways. Lucy is just as fierce. She was protecting him in so many different ways, right from the start : from himself, covering for him several times, standing up to superior officer's to defend him… And here as well, during the fight : there are several moments when she helps him get the upper hand on his assailants. They both do : when one of them is in trouble, the other is not far behind. They both protect each other and that's the real beauty of their relationship.

And that fight sequence… My only gripe is how they kept shooting in the riot shields, knowing how ineffective it would be. Otherwise, it was everything I didn't know I wanted and then some. It's the way Lucy is the one coming up with the strategies and Tim follows her… It's all these little callbacks to their old battles that make this one even better, like that time she was fighting with the sticks in A.C.H. or when he was using his pepper spray like she did in Standoff… It's how several times Tim leads her by the arm or the vest to get on higher grounds… How he grabs her after she was being strangled… There's something in the way he is holding her, as if he's trying to support her and shield her with his body, while guiding them to safety that is doing things to me… That and the parallel with the Pilot, when Lucy was the one having to guide him to safety after he got shot… And how he was caught completely off-guard by Nolan. There's this split second where they don't know whether it's another wave of masked guys or not. But in that moment, Tim is unprepared. Remember when he blew a gasket when Lucy was holding something in her gun hand in The Q Word? Well, this time, he's the one who makes that mistake : getting her to safety is so much more important that it overrides his training. And the way she instantly raises her weapon, ready to protect them both, while still trying to catch her breath after being strangled… And even once they make it to safety, Tim keeps his hand on her thigh because he needs the reassurance as much as he needs to reassure her… And Lucy who looks like she's about to grab his hand before remembering where they are, looking around everywhere to make sure that they are truly safe… Still in a fight or flight mode, ready to protect them again… God, these two…. Couples that fight together stay together.

[torpedopickle]

I finally watched Transformers Earthspark Season 2 today. I have a lot of thoughts and I wrote some paragraphs for every episode. As you can see I wrote a LOT, enjoy my way too long cartoon analysis:

Episode 1: the cracks are showing but it hasn't crumbled yet

The animation feels less alive than in season 1 even if strong storyboarding still carries some scenes, as I know several of the season 1 storyboarders did work on this episode. It has a couple good sequences, a couple incredibly stilted ones. The overreliance on slowmo feels weird, and the animation struggles to properly convey things, like how we're supposed to take Hashtag's injury very seriously, but it just looked like she got bumped lightly.

the Decepticons are butchered and watered down into "evil because they're Decepticons". Chaos Terrans is an interesting concept and the way they're executing Aftermath would provide a foundation for exploring topics such as delinquent youth, but knowing how the series will go on to treat them in later episodes, I'm not hopeful.

the Maltos feel like they're sleepwalking. They have a lot of screentime but for some reason they don't feel present at all, it's like I'm watching their shadows move around on screen without the things that made them feel alive shining through.

If I didn't know beforehand what this season would eventually stagnate into, I could see myself being fooled into thinking the gripes I have with this episode are just growing pains, however i'm not so hopeful.

Episode 2: Improved in some ways but not in others. The episode premise is decent, and the narrower focus compared to episode 1 does help make the focus characters feel a bit more like themselves again. Unfortunately i just don't think the premise was utilized well at all. Introducing quintessons to the conflict is kind of a big development, but it doesn't flesh them out well IMO. They treat them like wild animals with no characterization for a majority of it, and then hint at some deeper conflicts at the very 3nd before promptly disposingof them. So ultimately it feels unsatisfying (although we do get some expositon in episode 9, but it doesn't add up to much).

And once again i must comment on the character acting on the humans especially being severely lacking.

Robbie and Mo having helmets for like half their screentime definitely feels like a cut corner not to animate their faces

Episode 3 review: some well animated sequences this time around, i'd seen the storyboards for them on twitter and they're really well done, but then there's some others that really werent as decent, so big ups and down in animation quality. Most of the episode did feel like a slight return to formula for Earthspark tho, with how it felt like it was actually making a point about something for once, which so far has been rare in season 2, although the conclusion wasn't the most satisfying with the whole "you can't have everything" message but then hashtag kinda gets most of what she wanted anyway.

Episode 4 is like.... baffling.

Like the fact that they swapped to a wholly different and much cheaper animation studio was so far just somewhat shining through, but now it's impossible to unsee. The animation here feels BEYOND stilted, in every way. Like not even the 2D FX animation looked convincing this time. That clip of Robbie dropping a cake is the weirdest animated thing i've ever seen. It's like it gets sucked out of his hands by a magnet.

The Faire Maestro is a type of character I feel like would have been handled really well in Transformers Animated but was just kinda nothing here, super ugly design too and very odd voice direction. Lots of just bizarre and mindboggling things in this episode, like them seeing faire maestro having an emberstone shard, and then deciding to steal it right in front of his face for absolutely no reason even though they think he's a normal guy and not a villain. And tiny inconsistencies like Mo knowing his name even though he never said it. Bizarre episode all around, Weird Al cameo is cute but then he's gone.

Episode 5 review: Finally Jawbreaker gets to be in it. Except now he feels like a baby. Just a big stomping juvenile baby.

And speaking of big stomping babies, Aftermath is one too. He feels like he's supposed to be a representation of troubled/delinquent youth who don't get along with their peers and who don't have positive role models or a support network, but he really comes off as being just... chaotic, no real sense of interiority to him other than "I'm mean and I enjoy being mean and I can't help it". He's entertaining on a surface level vibes basis, but it doesn't feel like any attempts are being made at making a point. He's barely been in the show so pretty much anything that could make his character interesting is completely missing. Like there's no development of how the decepticons are raising him other than the basic assumption of "bad role models", and the decepticons barely get to be characters this season either. Aftermath feels like an Afterthought, as Chaos Terrans have basically been less than a footnote, and the series has attempted to do no form of storytelling with them beyond surface level observations that honestly feel insulting to the other characters like how the decepticons are just evil now, and the autobots/terrans have lost all nuanced expressions of empathy and solidarity in favor of just "they're generally friendly"

oh and also the evil mushrooms are boring.

Episode 6 review: Man this episode just *feels* wrong, like viscerally.

The show's handling of the chaos terrans just keeps getting worse. There's absolutely NOTHING about spitfire that compels any form of empathy. Like there's not even a mote of her being a troubled and misguided youth, she's just straight up ontologically cruel, like nothing about the conflict in this episode regards a failure to understand, communicate, or empathise with each other, it's just a straight up rejection of those things on both sides. For this chaos terran delinquent analogy thing to work you NEED there to be a sense of humanity or waywardness to them. You NEED to be able to conceive of them as being capable of more than just anger. This just feels meanspirited, especially the way the Maltos have no desire for Spitfire to be better. They just wholeheartedly accept that she's ontologically evil, and honestly, the way she's presented in this episode you'd think they were right, but they're not SUPPOSED to be right.

It sucks too cuz chaos terrans are a great idea

season 1's terrans were all representations of good natured minority kids, particularly third culture kids, who despite their best intentions and kindness end up having to fight for acceptance.

The chaos terrans are a natural progression of that, with depicting kids who end up on the fringe of society because they're inherently different from others and have a harder time being understood, and who don't have a support network to set them straight.

So it starts out in a place where they'd easily be able to build on it, but it's squandered imo. And for several reasons:

1. the Decepticons are 1 dimensional bad guys this season so they fail to capitalize on any potential storytelling they could have done with how their generational resentment might be passed down to the younger generation. They also fail to build any sort of relationship between the Chaos Terrans and the decepticons, so any obligation to stay or debt of gratitude that they might feel is just not there. You get no sense of why they'd want to be decepticons other than wanting to be enabled and encouraged for cruel behavior. They could have given breakdown an actual father son dynamic with aftermath but instead undercut it and play it for laughs.

2. Because the malto's solidarity have been completely watered down into just being "good guys", and never really get to articulate any sort of deeper point in their attempt to appeal to the chaos terrans, so you don't get a sense of how they might help them if they were allowed.

and 3. because the chaos terrans themselves don't really feel like they have much of an inner struggle, interiority, or conflict, it doesn't really feel like there's much of a foothold for

Anyone to latch onto to get through to them. Which makes them feel unredeemable.

so to reiterate and summarize these 3 points; 1. there's no sense of how the chaos terrans are being given negative reinforcement, 2. there's no sense of how the Maltos might help undo this, and 3. there's no sense of how the chaos terrans might want to be helped or not helped.

I understand that like part of the point is that they don't understand the chaos terrans, which supposedly makes them feel more alienated and further pushed towards anger, but there's no nuance or attempt at solidarity to the way these misunderstandings occur. Like there's no hint of Twitch and the Maltos trying their best to reach out to spitfire in meaningful ways. There's no sense of there being some fundamental difference in perspective or circumstance that make them able to understand eachother's point of view, it's just straight up "i tried to be nice but you were mean so now i won't be nice anymore" and it never goes beyond that. It's insulting how easily the Maltos give up on them.

Episode 7: serving as a direct followup to the last, it continues a lot of the same flaws. It squanders any chance of giving Spitfire some depth, like they could have spun her obsessive competitiveness into a deep-seated need for approval or validation or something, but no, she's as one dimensional as her behavior would suggest. Her behavior just becomes more and more destructive to a cartoonish degree where it no longer becomes possible to feel empathy for her.

the whole freaky friday misunderstanding thing too also feels super forced, which isn't helped by the animation failing to convey a lot of ideas.

Comparing this season to season 1 so far, man it just really sucks at juggling the characters. We've had practically 0 focus or development for any of the autobots and decepticons, and the maltos for that matter, despite their overwhelming screentime.

This is likely a casting budget thing. Which is why bumblebee has been demoted from main cast member to a guy who maybe says 2 lines every 3 episodes.

The quality of season 1's writing would go up and down quite drastically between episodes, but so far season 2 has consistently been on par with some of season 1's worse entries. It's juvenile and it has next to nothing to say about anything. Barely even any basic surface level messages, just mostly meaningless antics with next to no focus on exploring characters.

Episode 8 review: it's fine. No notes. It's a competent comedy episode. Fun premise with the whole "thing getting continuously stolen by different people" trope. Basing an episode around optimus's trailer is funny. Animation isn't stellar. Overall it's just an ok episode. I have nothing to say about it other than it's well executed even if it's not very ambitious.

Episode 9/10: okay! End of the season. The finale's mixed for me. In a different universe, this would have been an OK finale for the most part, but the fact that the season has tarnished every single character and plotline from season 1 and made no successful attempt at building anything new of value makes it lack any impact it could have had.

Interesting angle to flip the quintesson creator race narrative that transformers fans are used to. Although they too were an afterthought for this season. Aftermath and Spitfire getting killed really was the rotten cherry on top of their miserable cake. First they're treated like dirt by the story and handled as poorly as they could possibly be, squandering the excellent potential they had, but then they just kill them. Just so starscream's heelturn is even more evil. It honestly feels sad to me that they even bothered to acknowledge the fact that starscream was redeemble in season 1. Just makes it feel even more annoying that they conciously gave up trying to make him nuanced. Some of the animation was good. The shots of terratronus rising were very well composited and communicated the scale extremely well. As for the actual climax, it felt pretty lacking.

Overall a dissapointing season. A shadow of what earthspark was. Most of the characters are completely sidelined (likely for lack of a casting budget), and the few who aren't don't get a single story that feels reminiscent of that immensely strong sense of confident identity that season 1 had.

Hasbro cannot help themselves can they

[illegiblewords]

Serious talk about meta under the cut.

I don't know who might need to hear it, but fwiw mental flexibility is a huge part of analysis (and interacting with other humans lol). You need to be able to account for multiple possibilities when examining a work, or understanding a social exchange. You need to be able to separate what is objective fact from your own subjective interpretation and judgment. The most negative interpretation is not automatically the most worthwhile or true. Someone throwing accusations around in-line with their own worst interpretations does not guarantee those accusations are warranted. You are not a bad or stupid person for disagreeing. Shit needs to withstand scrutiny. I don't always strike the right balance myself. I do the best I can but I'm definitely not perfect. Tbh I'm not beyond pettiness either--although I try to keep that out of actual analysis lol. There have been times I've griped to friends privately or blogged about how I felt (sans tags, with spoiler blocks so people can opt out). I've griped recently. I'm bound to gripe again in the future. Some level of griping is inevitable imo and I figure no one is 100% immune.

All that said, even if someone’s take isn't canon AND even if it's something I really dislike--I'd personally rather people follow their passions anyway. Hands down. I could be in the middle of a rant and my answer would still be that the subject of my frustration gets to exist. I'm not the boss and odds are we're going with different versions in our own heads. Discouraging another fan from creating due to my preferences or narrative approach would horrify me. I've seen fandoms where gatekeeping like that killed the creative community and it was fucking awful.

Not everyone is confident in their own judgment. Not everyone faced with a pissed off person trying to use lore and accusations like clubs will feel okay continuing with their own vision. Elitism and manipulation (especially through rhetoric) can be present within analysis. People are not being taught how to recognize those things properly. Analysts aren't always aware or invested enough to even be careful. It’s legit easy to get caught up in ideas or feelings to the point of forgetting about other people’s, and adjusting to account for alternate approaches takes some work. For me at least, I think having a 'no insults' policy and being super careful when it comes to absolute claims (assertions not qualified by 'I think' or 'it could be argued') helps.

Anyway. Just because a person calls something ‘meaningless’ doesn't make it meaningless. Someone pooh-poohing an observation you made doesn't make your observation less true or important. Employing a literary term doesn't mean that individual actually understands the term, how it works, or how to apply it. Which is to say nothing of romantic chemistry or whatever. I encourage readers to extrapolate on this. ‘Shallow’ could apply as much as ‘meaningless’. Denying parallels exist by itself doesn’t actually negate those parallels. Your version of a character may not be the same as the fan next to you’s and that difference doesn't have to detract. There's more I could say on the subject (I've edited out a lot) but basically--just because another fan isn't into what you're doing doesn't automatically make what you're doing wrong, immoral, shoddy, or otherwise less.

Seriously, vet shit. Question the entire premise an analyst tries to establish then decide for yourself if it holds water. Turn over word choices and assertions in your head before deciding if they're appropriate. Do it to me too. I don't care if someone is the holy goddamn emperor of analysts. Just because a person says something is good or bad, true or false, whatever the hell doesn't make it so. Just because a person uses a technical term doesn't mean they're discussing it effectively. Quality of argument matters beyond the packaging it’s wrapped in. It's important to protect yourself from people whose priority is enforcing their own preferences, including dismissing things they aren't partial to.

I just don't want anyone shamed silent man. Not even people whose takes drive me up the fucking wall. Neither I nor any other analyst is an authority here. And there are people who are absolutely ready to take advantage of other people’s insecurities to assert themselves. Might not even be malicious, just indifferent.

For me, analysis feels kind of like uncovering a dinosaur skeleton. I want to share the cool and exciting things I find with other people. Sometimes I might be sorting out what my own thoughts and feelings are. It's also possible to examine why you're uncomfortable with something, or why you love something another person hates, while making very clear what is YOUR READING and not THE READING. Offering a variety of possibilities is very different from presenting yourself as the only correct one. One note at the end when everything else was insulting and intolerant is like a band-aid over a wound.

EDIT: As a last point, that I'm throwing in just-in-case. If anyone reading this thinks they may have overreached and done stuff I've mentioned + feels shitty about it… that's still not the end of the world. It’s okay. This is hard stuff to learn and I really don't think anyone's perfect at it. Worth the effort though. Just gotta take a deep breath, acknowledge you're a fallible human same as everyone else, and do the best you can going forward. Life goes on.

[arcanadreams]

alright! so! I just finished my first playthrough of episode eight!! going to put my immediate thoughts in some bullet points here (putting under a read more for spoilers, since it is the latest ep after all):

many people were skeptical about the Nerissa reveal, but honestly I feel like she's become a good narrative device. and yeah, I don't agree with her most of the time, but in this episode she was finally vulnerable and opened up to Traveler and admitted to being stubborn and being in the wrong about some things. which was great, and exactly what I needed from her! I wanted her to be vulnerable, and to show that, and I enjoyed her much more in this chapter.

loving how we can just say live on air that the monarchy should be abolished, that is honestly so slay

Zovack having a sister who died in the Orionite mines...now that was a reveal I was not expecting, and an intriguing one at that

I love KY-L3. Or however you spell it, lmao. he's so fun and he clearly is so fond of Traveler. his protective streak about Nerissa was very sweet.

ZANE INVITING TRAVELER INTO HIS AND ALISA'S BED...BRO. Bro. I almost stuck with the "Don't tempt me" option but telling Zane that I didn't mind if he flirted with me felt icky when I'm on someone's route lol

The "flirty reply" option when your love interest texts you...bro kill me that was so cringe. It's straight up cringe sexting I can't take that shit seriously oh my god...nope never picking that again (jk I need to see how bad it is on the other routes too LMAO)

soft kiss!! at least on Cal's route!! I've said before that one of my main gripes with a6 is that kisses feel like they're softblocked behind the horny options, and that can make it seem like the people who aren't into horniness are being shafted sometimes. for example, you don't get a morning after scene with your love interest unless you have sex. and yeah, I get that it isn't really a morning after scene without the after sex part but like they couldn't just snuggle up in bed with you and stay the night and still be cute in the morning? the texts you get instead on Cal's route are sweet but like if you don't fuck you miss out on an entire scene, which makes it feel a bit like you're punished for not being horny lol. but oh well, that's what fanfic/headcanon is for

WE DID GET A NON HORNY KISS THOUGH FINALLY. after you get the Cal betrayal lore (which I will get into in a moment), on his route he gives you a soft kiss and I LOVED IT.

CAL LORE. WE GOT THE EX'S NAME Y'ALL. It's Selah! She was a singer on Goldis, working for Zovack the whole time. Cal fell for her, but she still couldn't get what she wanted out of him, so she moved on to his childhood best friend, Jasper. They framed Cal for the murder together. Jasper's betrayal hurt Calderon far more than Selah's did. Also, in this scene, we learn that Cal's moms know how to party kjhdslfj

okay so overall, my first impressions are mainly good!! the only things I straight up was like "um" about were the "flirty option" texts...like that was so embarrassing, i'm SORRY i think it's just my asexuality shining through but ough dhsflkj, and the fact that the cute scene at the beginning of the episode is softlocked behind the horny. other than that, I had a blast!!

[sevlawless]

okay so the n route has been bothering me ever since i played it and i needed to air my frustrations out as a way to cope i suppose

for reference my main detective who i use for n is felicity, but sometimes i also use arabella to test out some options i wouldn't normally pick and just to see how the romance works with a detective that isn't exactly that compatible with n. so when i first played, i used felicity and then later on when i was doing a deep dive into the romance and the plot, i was using arabella just to see if certain things held up yk! and lord how i wish it did LMFAO

just a little disclaimer that this is all just my opinion and i'm willing to listen to other points of view about this! and i do not mean any of what i say as a dig or to be hateful toward n, they are my favorite li in twc and the fact that i love their romance and their character so much is probably most if not all of the reason why their route in book 3 was so weird to me, and why i make the critiques that i do.

under the cut because this is a doozy and also book 3 spoilers

first of all the main thing in the demo chapters is that n gets mad if you try and fight the trappers bc they are so scared of losing you and like i GUESS i get it but this is literally our life now you're just gonna have to get used to it. and this wouldn't have even been an big issue for me if it was properly addressed! when i played using arabella i tried being mad, i tried staying mad, and it kept getting swept under the rug by the plot. like are we seriously not going to talk about this??? at all?????? and it seems very ooc for n NOT to say anything about it when you get a moment alone because why would they not address it, ESPECIALLY if your mc was still upset over it. AND ESPECIALLY IF YOU’RE IN A RELATIONSHIP LIKE- these things need to be discussed in order to grow as a couple and there needs to be healthy communication or else this is not going to work. like you're telling me we were living with unit bravo for WEEKS and this shit just never got brought up again?

this also ties into my next gripe- n's backstory. so, if you snooped in the demo they won't tell you anything, which okay. mc shouldn't have done that, sure, but n doesn't even give a reason as to why they're upset by that. obviously you can be like "well i think anyone would be upset if you delved into their past without their knowledge or permission" but YOU ARE IN A RELATIONSHIP WITH THIS PERSON WHY IS THERE NO COMMUNICATION OF FEELINGS. i would have appreciated that scene a hell of a lot more if n sat you down and was like "i'm upset that you did this, here's why," but all they do is get sad and then that's it. when i played as arabella i had her snoop AND get upset over the argument during the trapper fight, and n said something along the lines of "i know sometimes we regret doing things" as a reference to snooping AND the argument which??? just does NOT hold up at all and had me irritated as hell.

if you didn't snoop in the demo, n takes you to their room and shows you a picture of their family and talks about them and how his brother joined the navy and didn't come back (their brother was killed by vampires) and that's why they decided to join the navy, as a way to try and figure out what actually happened. this scene started off great, but it's cut short way too quickly because n drops the photo and the frame breaks. and then they basically just shoo you out. there's really not any option to comfort them, and the option that is there is not good enough. and it's not that n had to tell us EVERYTHING in that one scene, but it's more so the fact that it NEVER gets brought up again. your mc can't take a moment to bring it up and n sure as hell doesn't say anything else about it. which is so ?????? im sorry you supposedly love this person (im saying this for both mc and n) and yet neither of you address it again??? it makes no sense at all.

onto the research/combat scene… i've done the combat scene once so i can't really speak on that as much as the research one so. most of the research scene is fine aside from the fact if you're not in a relationship (which i did for one playthrough with felicity) n brings up bobby if you dated them which felt so bizarre but anyways. the option to realize you love n… i would love this IF the option where you tell n you love them actually mattered. LMFAO if you tell n you love them they literally just stare at you and then the sex scene pops up. like are you kidding me??? n would not just leave you hanging like that even if it was just to say that they don't feel that way yet. and the sex scene itself is… fine i suppose but it doesn't feel as intimate as it should be. there's little to no dialogue and it just feels so weird to read. like why would neither of you be saying anything?? not to mention the fact that you're literally OUTSIDE of the warehouse where any of ub could see you at any point it just feels wrong to have sex at that point at least in my opinion. and the talk after feels so short and weird i feel like both the detective and n would have more to say. and that moment is quickly brushed away by the plot.

i guess the next plot line is whether u told tina or verda or nobody about the supernatural. going into book 3 this was probably what i looked forward to the most and ofc it barely delivered. i liked seeing tina and n interact but that quickly turned sour for me, not because tina started rightfully bringing up how much mc has been through, but because n really does not do anything with that pov being voiced to them, which is so fucking ooc it pains me. when they go to talk to mc after their conversation there's no discussion just "i wanted to see you" okay but WHY did you? i would have taken a li pov of what tina relayed to them literally anything! and it's just another thing that gets swept under the rug because of the stupid ass plot.

another thing about the dinner that gets lost in the plot of book 3: tina/verda bringing up your li possibly drinking your blood and mc can react a number of different ways and i wish it had been talked about more than just in that moment 😭

the only scene that i genuinely enjoyed in all of n's route was after that building caves in on mc and you're back at the warehouse traumatized and bruised and defeated. n runs you a bath and if you pick that option helps you out of your clothes and then helps you settle into bed. i wish there had been more discussion of anything in that scene but mc was so out of it i was okay with no talking. and then redacted petname <3 the other thing i was most looking forward to! one thing i did dislike about this scene though was that we didn't really get a glimpse on how n was feeling yk usually mishka offers the li's pov on a scene and not having that made that moment not feel as rounded out.

the pool scene… first of all why did n get this one. like it would have made sense for m, hell even a! and again the scene felt so shallow and then the option to have sex. you're telling me your first time with n can be on a fucking pool table???? that is so not their vibe AT ALL and it feels so weird to even have that there. it was unnecessary as well as the other opportunity to have sex and i feel like mishka just put them in there as like fan service when who (in my opinion) genuinely wants this if they romance n and have them as their main route. i had hoped the first time n and mc have the opportunity to have sex it would be a more intimate setting because that's more fitting for them and my nate mc, felicity. but nope! and then the scene gets cut short because n has to go on patrol??? and again the sex scene itself … neither of them feel personable it's like a "one size fits all" type of approach and that just does not work if this is supposed to be interactive fiction where we create a personality for our mc's that cannot fit this specific mold mishka wants to put everyone in.

being invited to what might as well just be a fucking slave trade (i have many thoughts about this auction plotline as well but for now im discussing n's route) had me so confused because why would mishka even do that and then n's comment about the stationary? i need you to be fucking for real. the scene before you leave for the mission with n just felt so weird like we get it n is protective of mc but at this point it just felt like a hinderance which sucks because one of the things i love most about n is their deep care for mc and they just sounded like a broken record and it annoyed me so bad.

after all that, the scene when you come back and n is in tears confessing their love for mc i wanted to enjoy it i really did and i just could not upon replaying because it feels so unbelievably hollow. we have not discussed anything pertaining our relationship and when there are things that need to be discussed they are so underwhelming it's hard to even care. there are a handful of things n and mc both need to work on in order for this relationship to work and the fact that they're not being addressed makes it difficult for me to enjoy anything about this route. you can't even tell n you love them back for fuck's sake like hello.

a theme that i did not think was going to be as prominent as it was in this book but n contemplating mc turning into a vampire and AGAIN there wasn't ever really a discussion about this between mc and n and i feel like this will come to a head as the books progress but i don't think it fit into book 3 considering so many other things were being thrown at us.

all in all i truly desperately wanted to enjoy book 3 and enjoy being with n but i cannot when there are so many things ignored, sidelined, or just completely forgotten in order to push the plot forward.

[hopefull-mindset]

Hi I'm the anon who sent the "rambling" ask about Nagito from like 2 weeks ago. I forgot to check for a response lol.

I wanted to elaborate on what I said about Nagito's backstory bc it was vague and I have Thoughts.

I actually don't think his casual attitude towards his past makes it harder to take seriously (if anything I think that adds to the tragedy of it). I was mostly just referring to the specific things that happen. One of my gripes about DR is that I feel like some characters have unnecessarily dark/tragic backstorys. Either bc I feel like they don't really need a dark past at all (eg Akane), or it's excessive to the point of being ridiculous.

I know Nagito's backstory is supposed to unbelievable to show how extreme his luck is, and that DR as a whole isn't exactly grounded in reality, but I feel like it would hit harder if it was just a little more believable.

Like, maybe his parents die in a car crash instead of a plane crash (or just make it a normal plane crash without the convoluted "the plane gets hijacked but then the hijackers get hit by a meteor but that also kills his parents"). The cancer is fine, but the dementia is overkill. Then there's the kidnapping thing which like. I find it hard to believe that the killer would just let him go after not getting what they wanted. It'd make more sense for him to have escaped on his own. Or we could just get rid of that entirely. If you want to drive home the fact that he has no family, just have him end up in some shitty orphanage or something.

Which brings me to my next point. It's implied that Nagito just lived alone after his parents died. But I find it hard to believe that an elementary school-aged kid could live by himself and have full control over his own finances. It'd make more sense if he ended up in some kind of foster care (or maybe just on the streets). I also think him being an orphan who doesn't get adopted/gets bounced around between foster homes would be fitting with his perceived worthlessness and desire to be loved, perhaps even more so than him being totally isolated.

Ok I think I covered everything (as far as canon events go at least). Sorry this turned into an essay lol.

Oh hello anon! Thank you for clarifying, I was a little perplexed as to how I should’ve responded to your ask. I don’t have much to really say about the events themselves, but I’ll try to add my two cents.

I do agree that it makes it sadder how casual he talks about it, I think I was more talking in behalf of the people that didn’t rethink his words when he claimed he was lying because of how unserious it felt with the music playing behind it. It’s so normal for him to experience these things that his layer back attitude is very unnerving for the normal person, which is utterly tragic.

I do see what you mean about not need every character to have some tragic messed up backstory, especially when it has no actual impact in the story itself. It’s good to expand a character through side content, but it gets too much. I think it works in favor for the sdr2 cast considering it shows that all of them have the potential to turn to despair due to their past experiences, and how Hope’s Peak doesn’t actually care for the students themselves and their own feelings towards their talents, but canon kicks itself in the crotch by never expanding more with these backstories in the actual storyline and how dr3 was handled ughh.

When it come to Komaeda’s backstory however, I do think it works for him when it comes to the absurdist writing because his entire existence is drenched in the absurdism danganronpa is known for. It would probably hit harder if Komaeda was more realistic and I understand that, but ultimately that’s not what Komaeda is. He is purposefully hard to relate to and hard to believe, only with real effort you can find yourself in him, and he even rejects that effort itself. Komaeda cannot survive in a series that isn’t Danganronpa because he is Danganronpa, a clunky mess that somehow works in its accidental genius.

I sound absurd myself, but when it comes to Komaeda you can only rely on your own suspense of disbelief to sympathize with him. Sorry for being a bummer to your roll because your criticisms are not at all wrong, I just personally don’t find it to be a problem myself.

About the killer and orphan thing, I think I could try to give some insight on them? Here’s one thing you forgot: he’s canonically implied to be a rich kid. Even if he isn’t thrown into situations like being on the streets or the foster care system, he still had other family members to be dropped onto, his status would still give him privileges like a nanny to watch over him, etc.

The killer, while I did find strange that he decided not to kill the rich kid after all, he definitely did target him because he was from a wealthy family. So what could that mean? Well obviously we could go for the heartbreaking answer of nobody in the extended family wanted to help him because of his problematic luck or annoyance of his existence, we could go for another that none of them were alive to actually get anything out of him since it took place in middle school, and he did say that his luck took direct action against him right before he was eventually taken into Hope’s Peak academy because of his lack of family left. It depends on when during middle school this happened.

So I guess there wasn’t any real consequence to leaving this lonely wealthy child on his own since there’s nothing nobody could actually do to lead back to them or would care enough to do anything. Upsetting I know, the unfortunate irony of being thrown away like trash for Komaeda is… well anyway I think the point of this event was to drive in Komaeda’s feeling of being unwanted, even by the worst of the worst of society, at least that’s what I think of it.

The only thing I question is how Komaeda himself personally describes his good fortune after what happened to his parents. What would a kid in elementary really need immense wealth and freedom for??? I find myself perplexed by his choice of words because it implies a lot. I know we could go the route of “his parents were terrible” when it comes to the freedom part, but I think there’s a better answer to this.

This is an example of Komaeda justifying what happened to fit a narrative he’s formed because of, most likely, what society/the people around him has fed him and what he’s chosen to believe. I’ve already mentioned this before, but his mentality reflects specific societal beliefs to an exaggerated point because his life is exaggerated. Where any of these came from to make Komaeda think this: who freaking knows.

Sorry if this isn’t exactly what you were expecting, and I wish I could add more. I hope this was satisfying enough.

[kingcedricthegay]

So I read the first chapter of your Cedric x Reader fanfic and came to share my thoughts.

I will say, I'm not too fond of x Reader, I'm more about reading about characters instead of being one. That being said, I liked that there was an effort to include other characters from stf, and I actually got invested from how the fic was formatted as a genuine stf episode.

I don't want to be too critical of the portrayal of some of the characters, but as a Roland enjoyer, I felt your portrayal of him was quite decent until it came to Cedric. I'm not sure at what point the story is supposed to take place in besides being between Great Auntventure and Day of the Sorcerers, but I feel that Roland being unhappy about Cedric coming along doesn't feel in character. At most points in the show, Roland is shown to not mind Cedric, let alone with Sofia. Cedric's Apprentice was an episode where Sofia literally became Cedric's apprentice so he could help her for a test, and Roland never once objects to her being with Cedric. I think Roland doesn't have as big of a gripe as people think because he's more disappointed at Cedric not being able to do magic than him as a person overall.

That being said, I love how you wrote him as someone who respected Sofia's wishes and let her bring Cedric along to the carnival. That is very much like Roland to see that Sofia likes something and sets aside his biases for his daughter. I can understand headcanoning Roland not liking Cedric as a person, and It's not something I'd agree with, but I absolutely agree with him respecting his children and their wishes.

As for the royal family as a whole, I didn't expect them to take as much of a focus as they did, and it was a pleasant surprise to have the children interact with Y/N. In fact, the format of the fic was so creative, with the royal family being so involved, I found myself being invested more in that than the x Reader parts. That's just me liking things not involving Cedric more because of how focused he is in the fandom. I wanted to talk more about the other aspects of the fic because I think people would find these elements such a treat.

While the royal family isn't THE main focus, I found Amber and Miranda to be a bit weird as characters. The fact I preferred the writing for James over them says something. With Miranda, I felt she wasn't a character like everyone else. The only role she seemed to have was as a mother and nothing else. The way she didn't have as much of a prominence as the others bummed me out. And it's not that she had to have a bigger role, but I felt myself questioning where she was.

My thoughts about Amber are based on my opinion, but the way she was written felt mixed to me. There were parts where she felt like Amber, like her excitement at getting her fortune told, but her being interested in whether she has a spouse?? I don't know, I personally don't think she would be too interested in that, or at least would be more interested in other aspects of her future. Plus the "I AM EASY" part caught me off guard. That part with the part before of Amber eating fast but elegantly did not pair well. It felt like Hildegard core.

These are just my thoughts though. I really enjoyed reading this fanfic despite some parts I didn't jive with. I would recommend it for anyone who likes a storyline with their smoochies with Cedric rjdbhdidjdjdjrj

Thanks for recommending me this fic /g /vpos

I ain’t reading all that I’m happy for you tho or sorry that happened /ref

No but seriously thank you so much for writing all this 😭😭

First of all I always try to make my one shots feel like they could more or less happen in the StF canon, so I’m glad it works!!

Regarding Roland, I know that you love him but I don’t necessarily like him that much. I think he’s okay most of the time, I just hate him for fun lmao (that’s probably why I wrote him as less likable than he actually is)

About the characters overall, this was my first piece of StF fan fiction and when I was writing this I hadn’t finished the show yet (I was maybe at the beginning of season 2) so the characters hadn’t gone through all the development they had to go through yet, and I guess I didn’t have that good of a grasp on their personalities. Now that you point it out, looking back Amber was never boy crazy so I agree that that bit doesn’t make any sense (😭), and yeah I guess Miranda ended up being just… mom.

All in all thanks for the feedback! ❤️❤️

[snorkling-in-sodasea]

My Gripes with the Midseason Special

Yep, another post that I put down my less-than-favorable feelings about Helluva Boss. This time, it'll be about the currently latest episode, the Midseason Special. As always, any fans who love it as is should stay away from this post

So I had my gripes for a while and I finally got around to writing it down. The bummer about this is, it's actually something I would have loved seeing but I got bogged down by the spectacularly bad writing that is Helluva Boss by then. A heavy focus on Asmodeus and Fizzarolli, especially together, and minimal showcasing of Blitzo. (I don't think I'm alone in thinking that he really should have just stayed in the flashback but at least he didn't get shoved in too much outside of it)

Although Blitzo's actual screentime outside the flashback did get to me. First off, him taking his sweet fucking time shooting the entitled, creepy asshole. Seriously, he was there for freaking security; yeah, Ozzie intended Blitzo to talk Fizz out of continuing to work for Mammon but he was supposed to be security, especially as far as Fizz knew.

Yet Blitzo never shot the bastard when he started trash talking Fizz. He never shot the bastard when Fizz was very clearly having a panic attack as the rant went on. Blitzo never even shot the bastard when he gave a damn warning that he would. No, he just flat out punches the creep instead. That feels so lame! And of course, Blitzo let that creep kick the door down to Fizz's dressing room with a knife in his hands. Why would Blitzo let it get that far?

What makes all that even worse is that Blitzo was able to shot a dirty humper off Fizz while they were swooshing around in the air so you know for a fact that Blitzo was more than capable of shooting the creep before he even laid a hand or foot on the damn door. It was like the writers just wanted Blitzo to see Fizz and Ozzie be all lovey-freaking-dovey with each other and do the hypocrites joke on them

Honestly, the fact that Blitzo was so incompetent about shooting this one asshole made me feel pissed off to see Blitzo being caring for Fizz. Seriously, he had the freaking gall to ask if Fizz is okay when he let the creep trash-talk Fizz for as long as he did

That's my biggest gripe with Blitzo in the episode but I did get annoyed at him for that dirty joke at the end because why wouldn't a Helluva Boss episode end with some dirty joke if not melodramatic moment or someone being an unfunny jerkass for the sake of an ending joke? (Seriously, I started building up a decent opinion on Blitzo in Exes and Oohs, only for Blitzo to thoroughly tear it down to smithereens with that last line of his in Unhappy Campers. I seriously hate that I'm stuck with that asshole as the main character as I weather it out for my actual favorites)

My other biggest gripe is, unfortunately, Fizzarolli. Because the thing is, as much as I hated that Blitzo was forgiven by Fizz and that flashback so weakly establishing what beef they had for each other, I did enjoy Fizz's characterization in that episode. I loved that Fizz was a non-combative who needed to be protected from physical danger but he didn't let that stop him from being so damn mouthy and sassy. Seriously, Fizz was duct taped by the fucking Mafia and was threatened by Striker and Fizz still had the guts to call Striker 'fuck face' and heavily imply that his breath was bad. Even then, when he got on the field - so to speak - Fizz still did whatever he could to protect himself. He tried that horn thing he used on Ozzie in the morning, he tried using a banana peel, he ran with as much gusto as possible, and he readily provided a distraction for Blitzo to do his thing. Fizz was amazing! Even though he didn't know how to fight, even though he wasn't good at fighting, Fizz didn't let that stop him from fighting back however he could or from surviving and I loved that.

Then the Midseason Special happens and Fizz is so bizarrely sensitive all of a sudden. He was so non-combative and sensitive that it kept me thinking back to the last episode and wonder 'why is this different for Fizz? Why can he mouth off the fucking mafia but not a random asshole who clearly doesn't have a life?' My feisty jester who didn't let being physical weak stop him from fighting however he could is gone! Seriously, how am I supposed to enjoy a characterization that Stolas has already owned since the beginning of fucking season 2!?

I don't mean any disrespect for people who gone through what Fizz did in the Midseason Special, just so you know. What I have a problem with is that it's specifically Fizz who's the way that he is in this episode. I can get Fizz not being able to do a thing about Mammon, deadly sin and all, but why is he letting this random asshole get to him this much this easily? And Glitz and Glam, for that matter. Why is Fizz just letting him be bitches off stage? Season one Fizz or even just the Fizz from the very last episode wouldn't let it slide, regardless of preparations to beat them in the competition

The last gripe I could have is that Fizz and Ozzie are too soft for my taste now. It's like Millie and Moxxie if both sides were male and they actually get a conflict with some meat to it in an episode they star in, even if the conflict's definitely going to be resolved by the end. Anyways, I was okay with how their relationship was like in Oops but then the Midseason Special happens and now it's too sweet that it legit feels like cringe to me. It actually makes me miss the season 1 portrayals, where Fizz and Ozzie seemed like a villainous couple who not only enjoyed each other's company but also enjoyed being villainous together. They were an awful couple who was more awful to everyone around them but completely loving or at least caring towards each other. That was great! I would have wanted to see that! I'd still want to see the Fizzmodeus show over the Stolitz one but they're still way too sugary sweet

[ivomartins]

(HS anon, yes me, again. Thought you've seen the last of me)

Allow me to ramble about Plague for a bit. Because the author did her dirty from the beginning. I hated that she was not taken seriously. Oh, she's drunk and gushing over Malbonte. Because of course she is, Malbonte is just so. Cool 🙄.

Plague. Deserved. Better. 👏 She was that bitch who deserved to be a LI. In fact, she deserved it more than Astaroth or whatever his boring ass is called.

I was more than ready to welcome her with open arms and accept her as the fucked up queen she is. But let's be real, imagine if Plague was a LI and people had to accept her as she is. No redemption arc, just bad bitch doing bad shit, throwing sick parties and enjoying it. Bitches can't accept Amen is a sadistic fuck very sexy of him in this house we stan fucked up individuals no justification whatsoever. Imagine if they had to do the same with her when she's a woman. Hell, Austie gets destroyed by fans every time she apears and this sexy mama hasn't done anything besides breathing. Like what did she do, besides the fact that she stood 5 seconds next to Lucifer and Malbonte.

...

Oooooh.

This past update taught me that RC fans aren't ready for a sexy diabolical queen like Plague to be a LI. They don't deserve a bad mommy I do though. In fact, they don't deserve any bad motherfucker as a LI, when they still go pikachu mode when the evil LI does the evil thing. Shocking. I know.

my inbox is your abode anon feel free to talk my ear off always i'm living for your rants (and your taste) 💗

plague deserved so much better you're 👏🏼 goddamn 👏🏼 right 👏🏼 like she had the most potential for depth out of all the horsemen and it was completely wasted when the author chose to just depict her as an angry little girl making the entire world pay for her temper tantrum like. not even her connection with kira was explored or given any attention and in the end she died clearly because alice just didn't know what to do w her anymore smh

i never thought of the idea of her being a LI but you're so right that would have been really good i mean. vicky is out here running into the arms of lucifer/malbonte after they've spent the vast majority of the story emotionally abusing her so the same could have been done with plague ESPECIALLY because she and vicky have the mommy issues in common and they share the same temper and childish antics like pls... it would have worked and worked great especially because it would have balanced the fucked up ratio of LIs a bit by adding another woman besides mimi but this story is just too cookie cutter. i actually like to think that plenty of fans would have enjoyed romancing plague because we only get interesting femme LIs like every once in a blue moon 🙃 but i see your point for sure

don't get me started on the outrage against amen like HDKSHDKE it was so funny to me because ??? wow i guess evthys isn't the only one who needed to see it w her own eyes to know who she's dealing with HDKSJDK that was such a meta moment lol like evthys has spent an entire season and a half being terrified of this guy despite how much she's into him of fucking course there's a reason for that and he's actually as terrible as we all thought

i don't think it takes away at all from the kindness and consideration he's shown towards evthys and his genuine feelings for her because two things can be true at once and no character is ever just this or that. i still have gripes with the writing for him (a rant for another day) but i agree that the outrage was so unwarranted

[tuliptiger]

Ok ok ok last totk rant. Maybe a little nicer this time after playing it in a gentle way for a bit. I thiiiink my biggest gripe is that I don't really feel they asked and answered the question after BOTW was over, how do we continue this world and this story? What does it look like after Link and Zelda are reunited? How do we answer some of those loose end plots IF they need answering?

You know? I feel like there were a lot of questions to ask and it felt like they just wanted to start the story and plot over completely but with the same sand box elements, just keep the aesthetics but get rid of everything else because it's easier and quicker for production if we can pump out a game everyone has already liked.

I also feel like Totk got choked out by corporate decisions, trends and keeping everything dulled and dimmed down for a younger audience. Which is kind of fine because honestly I don't really know who the audience for totk was, if it was general or targeted at younger audiences. That is certainly what it feels like for a large majority of the game.

In which case, I need to come to terms with the fact it wasn't ever aimed at me regardless of the money I spend on it and I will always be disappointed because of that.

I did actually enjoy, kind of playing it for the first time in a couple months for a couple of hours. But I played it like I played botw, mid world with my horse and slowly kind of picked around the map in one central spot I liked for a little bit. Enjoyed the flora and fauna, didn't take battles too seriously or just ran away. Focused on an areas quests instead of shooting all over all 3 maps, without my horse or a mode of transportation.

I honestly hate the build system and I know I'm bitching about the things that didn't happen, and that I won't change anything by complaining but fr a mount system to me works so much better for open world games. I hate "paying" to make a vehicle or going through the motions of making a vehicle. It's cold and distant to me, I want my horse or a "living" mount companion to hang out with on my adventures. Bleh so much wasted potential and so many interesting questions that could've been asked but just weren't.

What's an interesting way to navigate the maps that gives players the freedom they want but isn't cumbersome? Somehow they made the horse controls worse which I honestly don't understand how that even happened, considering they did NOT improve or add anything to the horse system. Vehicles are a pain because yeah, the buying your vehicles aspect but also the menus, the menus and menus and menus and the scrolling through all your items. The fact that you not only have ultrahand but it was annoying ENOUGH that they added a specific tool to try and circumvent the annoyance of rebuilding vehicles.

And I can't even get started on the erasure of the sheika and sheika technology AND the fucking guardians and I cannot believe I'm saying it but I do actually miss the guardians. I think the battles with them were awesome and they were scary as hell and I liked not only running from them but knowing that they can cover a lot of distance quickly added to the thrill. It was so incredibly lazy to pave over them with "just another ancient civilization". Another question that could have or actually was asked this time and they just didn't want to answer it because it took effort to figure it out. "How do we continue with the sheika and guardians considering the calamity's impact on them? How do we not repeat botws ganon taking over the guardians when he awakens again?" I think pretty interesting questions! That will never be answered.

I miss having my horse teleport to me and not need to be within 500 ft of me. Quality of life and functionality just took a nose dive to me. Anyway! Totk is a different beast I suppose, the only way I'm going to enjoy it it seems is as slowly as I can and try and enjoy the things I liked about botw and the rare new things I find in totk.

I don't think I'll get over feeling disrespected by Nintendo and the developers though tbh, I am a chump for paying 70 dollars for a large dlc of a game I liked though and they knew it too. Fuck Nintendo, it's kind of always been that way but also like, fuck Nintendo.

[theangryjikooker]

Hello there 👋🏽 I literally just found out about you on twitter; someone said they read your blog with their morning coffee like a daily newspaper and of course I had to rush over 😆😆 Plus your name alone got me super curious. So I've been scrolling your feed for a long while now and I do see where you're coming from. 💯 Until they tell us themselves we don't really know dick. That part is true. And I know u understand where we who believe they're indeed together, why we feel that way. But after seeing where u stand I have a question. GCFs and RB aside what about the things we do see? Like when they secretly held hands behind Suga. Twice? (Summer package & dynamite behind the scenes thing) and what about both BV footsies where one wasn't innocent @ all? Don't moments like this make you go 🤨🧐 i ask because one can be in doubt and then Jikook go and pull some shit and you're just like-

I'm still going through your blog 2 understand u better but I was curious about what u thought about moments like these that if it was, say a male and female there would be no doubt that they're an item or boning @ the very least. Thanks 4 your time! 😜

I was wondering why I came back to a surge of followers. Who do I need to thank?

I think what's funny is that I'm not a stranger to this. I know people have talked about me on Twitter and Discord, and most of those people are just talking shit, so it's a bit unsettling when someone random is building me up. I'm thankful, but it's honestly a bit more nerve-wracking than if people didn't take me seriously (as it should be, let's be real).

But to answer your question, those moments in particular are ones that I don't think about that often–or at all, really, unless they're brought up. Sure, they're interesting because those scenarios invite detective work, even though no one can really confirm anything is happening.

The alleged hand-holding on the couch is one I'll entertain, but only because I like the idea of it. Do I think it's actually happening? Yes and no, I can see both sides.

BTS members are hilariously synchronized in their movements, but admittedly something shifty was happening in that moment. I still wouldn't say I'm confident enough to confirm either scenario, so it's much easier to let it play out and move on to a Jikook moment that I'd consider more noteworthy.

In general, one of the things all shippers appear to have in common is interpreting things in a 2D space instead of a 3D one. There have been numerous times where shippers assume one person of their ship is looking at the other, but if you were to actually watch a wider or different angle, they're looking at something beyond our line of sight. When things look unclear or are obscured too much to conclude anything special, I lose interest in it quickly. Shipping is really an imperfect practice, so by and large, I tend to be selective about the Jikook moments I focus on.

I should also add that being male or female has very little to do with how I interpret things. A lot of shippers like to use that as an argument: "If it was a boy and girl, you'd think something was going on!" No. In fact, that argument plays into social ignorance as much as those who refuse to acknowledge that attraction looks the same between cishet and queer couples. Just because two people are friends or are close doesn't automatically mean anything intimate is going on between them. It's a common gripe that people have and lends into this stupid notion that boys and girls can't be friends, which is false. I would never assume two people off the street, regardless of gender, are anything unless they're giving each the other a tongue kissing of their life–and even then who's to say they're dating? The same can be said about Jikook or any of the other ships. I'm invested enough to want to play with their narrative, but none of this is supposed to be taken seriously (unless there comes a day where there is something between them to be serious about).

[icharchivist]

Hi same nonny as usual haha! You asked for my thoughts on the spring troupe so now that I've finished the summer troupe debut I'm going to knock out two birds with one stone! I liked summer troupe a lot more then spring troupe. Not that I didn't like spring troupe! I just think that they didn't really communicate with each other?

The only reason why sakuyas issue with swordfighting was resolved was because masumi happened to be eavesdropping on a convo with the director, and why someone knew about itarus injury was because of citron noticing. I'm not saying there was no communication at all these two issues just. Bothered me so much the swordfighting one a lot more then the injury. The thing that bothers me about the injury is that itaru wasn't like. Told off for not telling anyone about his injury. Cause he could have seriously damaged his foot or something. I get that in the future there's probably going to be character development for itaru that lets him open up more to his troupemates. The swordfighting one just felt like a cop out to have a "moment" between sakuya and the director instead of having sakuya discuss that stuff with his troupe (which, bleh do not care for the characters flirting with the director at all. wish it wasn't there but I get why they do it.)

Despite my griping I did really enjoy spring troupe! They were fun! They just felt less trusting of each other then summer troupe at the end of day. And I get that char Dev will prob happen bout that but still haha. That's my thoughts on spring troupe! I could just be horribly misremembering the entire episode but oh well!

I know I said I'd also do summer troupe in this ask but it's already horribly long and I'm writing this on my phone. I'll get to that later. Thanks for reading my rambling that has not been proofread at all or edited. Hopefully it makes some sense hahaha. Thanks for introducing me to a3 it's tons of fun.

aaahh thanks for sharing!!!

honestly i kinda get where you’re coming from. I really love Spring, but it’s especially now in insight of their development. On first read, i think the thing especially was that the chapter was more about setting up some of the most major issues of the universe (the debts, the way  to arrange themselves in that new environment ect..) that therefore the characters issues may be not as focused as the others chapters?

(also for character flirting with MC there will be only 2 in main stories that do that a lot, one of which is Masumi, and the other isn’t much flirting as just hopelessly in love. Not much we can do about it but honestly once you move on from spring if this really holds you down, it will ease off at least, even if there’s a few thingss here and there stil)

Summer was the moment i really fell in love with the game, i really, really adore Summer’s dynamic and it was just. so good to go through.

As for the things you bring up about Spring, on one hand on first read i think i get you, but yeaaaah in insight of all we learn about the characters, it’s really not that far fetched ahah.

For Sakuya imo it’s really just that he freaked out because of his abandon issues and i don’t really see him discussing it with Spring yet at this point? Like. Sakuya is terrified of not being good enough and being abandoned as a result, like all of his relatives ever did. So he tries to compensate. When Masumi just brought up that they’ll just replace him, i don’t find it far fetched that Sakuya freaked out about it and failed to explain it to Masumi at the time. 

Those very same issues also lead Sakuya to hold on everything bad ever to himself. The reason he opens up to Izumi, more than her just coming to him there, is that she already proved before that she wasn’t willing to abandon him, if only by how she took up the theater because of his passion to start with. And, just, timingwise. 

And i think Sakuya wouldn’t have taken reassurances from his others troupesmates who have already made clear they believed in him, because i think Sakuya would be more crushed with the idea that they’re just being polite and kind with him. Because he knows he’s failing and the others’s way to reassure him would probably have made it worse. He needed reassurance 1) from the director who at this point has already started to be giving more constructive critisms, 2) Masumi, who’s the one who caused those insecurities by the fact he doesn’t hold back. But i don’t see him reach of to Masumi with how hostile Masumi has been to everyone up until that point. (i have more thoughts but that’d be me overreading it too but dKJFDLKF a3 makes my brain go brr)

As for Masumi, this kid has serious communication issues (only child with no friends and no parents around? oof) and i don’t think he would have reached out to Sakuya or even figured something was wrong otherwise.

Are those just easy way out for the writers? maybe, but that’s just how writing is isn’t it? if you want to make even some “artificial” conflict, you need to make it believable why this conflict exist even in the first place. 

Honestly the swordfighting issue doesn’t strike like that to me, and those are all about things that are shown in the Spring chapter itself, but i suppose since i also know those things are expended on, it does add a layer of “this was made with depth for their characters in mind” imo.

Also i think if Masumi hadn’t eardropped, Izumi would have talked to him about it, being the mediator and all of that, and i think Masumi would have understood then. I don’t think Masumi was unwilling to understand, but that he lacked the groundwork to understand it. and we mostly were spared from having to repeat the scene with Izumi telling him about it.

Idk if i see Sakuya managing to tell it to Masumi even after this talk? I think Sakuya is the kind to take all of his pain in silence and assume responsibilities for everything that goes wrong, and i don’t think he would have felt comfortable opening up with that, especially since, as he tells Izumi, he genuinely feels like *he’s* the failure about it (and as Izumi tells him, it’s not his fault if others people don’t try either. Sakuya was made to believe that he had to take full responsibility when a relationship doesn’t work because of his relatives, and i think he was set on doing the same with this Massu’s situation, and the reason he could share it with Izumi is because she’s not the person he’s taking responsibility for). On top of that, Sakuya remains Masumi’s elder, and Sakuya does want to be someone people rely on - he wants to be a big brother figure, and i think he wouldn’t have wanted or known how much of this responsibility he could share with Masumi knowing that. And i don’t think it’s healthy! but it’s perfectly understandable from Sakuya’s perspective and the specific way he shoulders responsibilities because i will fistfight his family his family sucked.

As for Itaru, on this one we only got the reveals about how deep this lack of trust Itaru had for people ran only recently, so imo early on you just need to take it at face value and hope when you get to know more, it’ll click. Realizing he doesn’t want to be alone anymore and wants to be more with Spring is a turning point from this set up about him, so he can only develop from here.

For why no one really told him off about it, i guess i can understand the grip ahah. imo i think everyone worried already enough that he was talking about leaving the company this was the priority to discuss and i do think talking about his ankle at that point may have not worked with the pacing of the emotional moment. I wouldn’t have minded seeing some of them being more worried about it in general though.

In the end the thing with Spring is that aside from Tsuzuru, they are all people who come from background where communication isn’t their forte. Sakuya fears he’s never good enough, Masumi never even had to face how lonely his life had made him until now (and i think he specifically lashes on the director because it’s the first time he feels like he wants a connection with anyone in his life and he doesn’t know what to do with it. I find his obsession creepy imo but i also see where it’s coming from), Itaru has severe trust issues and rather be solo in general, and Citron hides a lot about himself.

and i think, we have Tsuzuru has never been really alone ever, and he takes a lot of responsibility, (though there’s a few things about his background we learn later that shows he still has similar struggles than the rest of his troupe regarding some.. broken connection, which he vagues at in the Spring chapter (... which is something i only noticed on my reread knowing that so i wouldn’t blame you for not catching it))  but he’s also trying to do things for himself for once in his life. Ultimately he knows how to communicate more in general but he has that going on for him, and especially, i think his way to communicate or connect may be too foreign for the rest of the troupe for a smooth connection off the bat.

All of them are trying to connect in their own ways coming from those complicated feelings they have about connection imo... and i do find it fascinating. 

I see Spring a lot like, the kids who had to grow up too fast and the adults who are unhappy with where their adult lives have taken them and the expectations pushed upon them who yet are trying to cope on their own mostly because they have reasons to feel unsafe otherwise. (Tsuzuru is a bit in between imo bc he’s not “unsafe” yet and he’s already taking himself back in hands with the expectations things, but anyway, i am. trying to keep it short, believe it or not) And they’re still navigating where that leaves them as people, and where that leaves them in their connection with others, and especially with each other because in the end they’re all yearning to connect especially with one another, and just don’t know how to reconcile this desire with who they have been all this time to cope through all of this.

All of this is present in the Spring intro chapter but ^^” i could imagine that without having the full picture those aren’t things that may be easily picked up as important for their characterizations. But honestly there’s a throve of details in the writing to flesh them out when you know where to look and i find it fascinating. (but also i like. relived this chapter 5 times, 4 of which after i’ve seen most of their development, and my first read is so long ago i think i just overthink everything DLKJFDLKF and like, Spring was one of my least favorite at first read bc i struggled to connect with them, so it’s not like i don’t get you, it’s just. nowadays, spring is care spring is love and i cry over their intro chap a lot.)

Anyway i guess i get what you felt still, but, idk maybe i feel strongly about it ahah, i like the way the characters stand out from one another even in the moments that are probably just.. stupid, but in a “they wouldn’t know how to do better because of what’s holding them back” way.

i feel like “lack of communication” is a problem every troupe have to various degree and for different reasons, but the whole thing is about trying to figure out how to fix that and work it with them. Some are more forward than others (like, Summer, mostly because Tenma and Yuki are stubborn and loud and straightforward in their own way)(”than others” i have so much to say about this i’m holding back dLKFJD) but i think it depends also a lot on some thematic it wants to tackle and the spirit of the characters in each troupe. It changes as the story progresses but yeah after all, they are all strangers. And while the game mentions they have a few months to prepare for their play, it was reckoned that every play takes one month to prepare, so it doesn’t really give a lot of time on their first play to really figure out everything they need to work on.

Spring, in essence, as a season, is about blooming back after Winter, after sadness and hardship, and learning how to slowly open up again. So imo their intro chap have to reflect that slow progress for them. While Summer can afford to be more loud, straight to the point (and even there it’s not always easy), Summer is full of learning from their mistake, living in the Now, in the Moment. So their season thematic reflects a bit in their intro chap at least. (ofc they all grow from there though but that’s still interesting imo).

anyway i rambled LDFJDLKFJFDLK

I didn’t mean it in a way to say your reading is invalid though!! sorry if it feels that way, i’ve tried rewriting it a few times DLKFJDLFK i just have a lot of emotions about Spring and the points you mentioned made me think about some stuff about it. 

ANYWAY

if you want to share your thoughts about summer too and the rest you’re always welcomed o7 i’m glad you’re still enjoying your stay, and i hope you’ll keep enjoying the ride!

And Take care!

[redmeet]

i didn't know netflix You was based on a book! why don't you like it?

The entire thing is awful <3

No, seriously. The entire adaptation is terrible, to the point where I couldn't watch past the first season. I guess my major gripe with it is how much more of a sympathetic character Joe is? I know the first season has been out for a couple of years but I'll put some spoilers under the cut, just in case.

In the book, the whole 'kid in a neighbouring apartment getting abused by his mother's boyfriend' thing doesn't happen. That means that we, the audience, don't see Joe being Nice and Normal(TM) to this kid/helping the kid escape the abusive situation. WHICH MEANS! In the final scene, wherein Joe kills Beth, THE KID ISN'T THERE! In the show Beth's survival and ability to get away hinges on this kid helping her; it, in a way, reduces Joe's culpability in her death. In the book Joe is wholly and entirely responsible for for Beth dying, which also happens in a much creepier and disturbing way.

Also, Joe's coworker who encourages him to 'stalk' Beth? Yeah, that doesn't happen in the book - in the beginning Joe is the only person working at the book store, and he hires this guy later and he never says anything to Joe about going after Beth. So, while in the show Joe is encouraged to stalk Beth, in the book he does it entirely off his own back.

Not to mention that Joe does kill Candace in the books, as well as her brother. So that removes the whole bullshit plot about her coming back to ruin his life.

As I said, I haven't watched the second season, but I've seen enough to know that they butcher that, too: Love isn't psychotic or 'just as fucked up as Joe'. She's a normal person who loves him anyway, basically.

I.......... have middling-to-strong feelings about this, as you can probably tell. Mostly because they didn't NEED to go to these lengths to make Joe more sympathetic. He's a fucked up and creepy guy who oftentimes murders his way out of situations! AND I LIKE HIM THAT WAY! He's a much more interesting character when he's doing these things because he wants to, not because he just WHOOPS! finds himself in these situations, or is encouraged into them.

The decision to make him more 'likeable' and 'sympathetic' really stinks to me; I really don't understand why that's the choice that was made. Joe is a villain. He's not morally grey. And because he's so wholly himself in the books, he's still likeable! The fact that, after the show came out, people were managing to find Joe attractive goes to show just how much they (the writers, Netflix, whoever) fucked up by peppering in these little things that reduce his culpability re the things that happened.......

I don't know. I could probably go on but the above is just from what I can remember of the books + the first season of the show. I'm sure this is way more than you were after anyway!

[casually-inlove]

Hello. In one of your responses, you wrote: "I also have things that I don't necessarily agree with." Can you tell us about it? I am very interested in your representation of this manhua. What do you think is written well in the story, and what is not? What would you add or remove? What is missing and what is too much in history? I would very much like to know your TianShan headcanon. I have too many "wants". I'm sorry if I was rude.

Dear anon, this was not rude at all. Indeed, you have many questions, so much as I try to be concise in my posts, this one is going to be very lengthy. Let me start with a little disclaimer. Everything below is entirely subjective. It is in no way meant to undermine anyone's enjoyment of the series, nor is it supposed to be an attack against the author. I value the comic's episodic nature and light-heartedness myself, otherwise, I would not have stuck around. It is also true that for the past half a year my interest in it waxes and wanes. Besides, I am well aware that certain groups of fans grow dissatisfied with the manhua direction. That said, I must state once again, OX has every right to write the story as they please, while the fans, no matter how displeased they may be, do not have the room to make demands of the author. So then, without further ado, some of my quibblings follow below. Beware of the wall-of-text.

1) The plot and characters get stagnant at times — these two go hand in hand. I suppose it is a prevalent gripe with 19 Days, and I am sure everyone has experienced it at least once. Some of it stems from the very way the story is told: the manhua timeline moves slowly in comparison with the readers' timeline. It works for depicting slow-burn relationships and subtle changes in the characters' outlooks. The problem is, more often than not, the latest chapters are inconsequential to either plot or character growth. They do not have the substance or the conflict to them. When OX had introduced the characters, while undoubtedly charming and loveable, they were practically walking tropes. Jian Yi, the bubbly airhead. ZZX, the stoic childhood friend. HT, Mr Popular. As time passed, OX did the clever (and the right) thing — they have subverted these stereotypes, by showing us that the characters are not who they appear to be. Thus, we learned that Jian Yi is a lonesome, affection deprived kid who on occasion dreads going back home because it's empty; his bright grin is there to hide his sadness.  We also learned that HT had a dysfunctional family and had been exposed to violence since a tender age; we also learned that he used to lead an empty life devoid of close interpersonal connections and passions, etc. I am not going to write about Mo because it is obvious and self-explanatory.

That sudden change in the perspective is what made those characters fascinating. A few of these developments co-occur with the addition of the “darker” mafia/gangster subplot. Indeed, the introduction of the criminal legacy theme (which is true for Jian Yi, He Tian, and Mo to an extent) allowed to show the wounds and troubles these characters had to face. It also dangled the prospect of an intriguing plot direction — a mafia-related story that is disguised as a school-themed slice-of-life. It was the underlying gangster plot-line that hooked me up; I kept asking myself: Are they connected (the Jian family, the He family)? Were they responsible for what happened with the Mo family restaurant? Will their backgrounds converge at some point? How does Jia Yi's kidnapping fit into all this? That sort of stuff. Alas, right now that subplot seems to be put on a backburner, which is a shame because this is the plot-line that leads to future events, such as Jian Yi's disappearance. The kidnapping is still going to happen and the threat looming over Jian Yi is still real, yet OX does very little to explain anything about it. Naturally, revealing everything at once is out of the question, but if it were me, I would have opted for unveiling bits and pieces now and then. To start with, it would have propelled the plot forward. Apart from that, it would have given the readers some food for thought and kept the intrigue fresh — they would have been cracking their heads to piece the puzzle. Finally, the characters' darker backgrounds provide the opportunity to give them development. For instance, how would Mo's view of He Tian change, if he learned that the latter had to face his warped father to save Mo (ch. 245 and further on)? Or how would Mo react, if he learned that He Tian lost his mother (presumably) due to his family shady dealings? Would it make him understand the other boy, relate to him on some level? Etc. 

The comedy and fun, light moments are precious, but I miss those moments when the manhua challenged my impression of the characters. Right now, the plot stagnates in the sense that we know that someone is threatening Jian Yi, but we aren't being given any clues or updates on the matter, as if the whole thing wasn't important. So, in response to your question “what would I have removed”, I would say that I would probably drop quite a few school-centric chapters in favour of “criminal” subplot. Just a bit: maybe show Mr Jian's messages, or Jian Yi's mother discussing the situation with him, or He Cheng receiving some reports on the situation.  

The character recent portrayal also disappoints me on occasion. They started as stereotypical manga characters, then they were given some depth, and now they are close to becoming yet another set of stereotypes. Yeah, I get that Mo is a tsundere and enamoured He Tian is an idiot in love — OX has been depicting them as such for the past year. It would be cool to take a look at other facets of their personalities now and then too. While it’s understandable that only a few weeks have passed since the beginning of the story, OX should remember that years have passed for the readers; keeping the audience engaged should be among their priorities.

I suppose I do have a bias here because as an adult I have little interest in all things school-related, and in general, I am not too fond of slice-of-life (I typically avoid reading it).19 Days attracted me because it had some universal themes, like dealing with past and legacy, finding your path, healing from the old scars, learning to handle difficult relationships within a family, and of course its low-key “mafia” subplot. It could be that OX truly doesn't have a meticulously chapter-to-chapter thought-out plot, hence why the manhua meanders at times, or it could have something to do with Mosspaca's internal agenda. Perhaps, it is the latter and the company somehow insists its artists stick with simplistic plots for the sake of keeping their target audience. Even so, there's a catch here, which was brought to the attention by @agapaic: the original reader audience has aged up already so to keep them hooked it would be wise of OX to “mature up” the comic as well. Not in the sense of 18+ content, but in the sense of introducing more mature subjects alongside the comedy and slice of life. Perhaps, they are not looking to keep the fans but to attract the new, younger ones. Who knows.

2) Drama and comedy imbalance. It is a pet peeve of mine which I consider to be one of the prominent manhua flaws: there is lots of slapstick comedy which ends up being out of place on occasion. I do realize the comic is humorous, however, there is no denying that OX introduced themes and topics that are no laughing matters. Jian Yi's and He Tian's loneliness, bullying and ostracizing, extortion racket, absentee parents, youth gangs and violence — just to name a few. There is a lot more, but you get the picture.

It is also obvious that three out of four main characters carry the remnants of childhood trauma with them, which directly affects their present selves. All the same, these topics practically fizzle out as soon as they get introduced, or get swept under the rug with comedy. Considering the humorous nature of the comic, it is given that dispersing some grimmer topics with playfulness will be used now and then. To my mind, however, OX relies on that abrupt drama-to-comedy switch too heavily, which makes the transition steep and often out of place. At times, it creates an impression that the author does not take these issues seriously. There have been numerous episodes when emotional moments were subverted and then dropped, without gaining climax and closure. For instance, the moment that sticks out to me the most is when He Tian attempted to tell Mo why he liked him. The visuals made it clear that it wasn't easy for He Tian to say out loud, yet OX never gave the intense moment the needed closure.

Mo brushed He Tian off and the latter just rolled with it, as if it never took him any courage to say those words, and then everything was swiftly engulfed by slapstick humour (the ball-slapping scene). A panel showing a glimpse of He Tian's face sinking to indicate he was somewhat let down by Mo's nonchalant response would have been appropriate — in fact, it would be natural for someone to get hurt when their confession is taken lightly. Likewise, I half-expected OX to show a bit more of He Tian's reaction towards Mo's story about his meeting with She Li. We got to see his expression darkening when he learned that She Li gave Mo the ear piercings, yet this time — mind you, when Mo suggested that She Li might have murdered someone — we never see He Tian react much. For the record, it was He Tian who asked She Li a rhetorical question about being able to take responsibility for taking a life.

Furthermore, I believe that someone romantically invested in another human being would have naturally shown more inquisitiveness upon hearing a story like that. Sure enough, some would say that Mo would not have liked talking about a traumatizing event, and that is fine as well — just show it. A single panel of He Tian being concerned and trying to inquire further and Mo refusing to talk would have been a very neat detail that could have potentially smoothed the transition into humour, while keeping our heroes in character.

3) Sometimes there is too much focus on the couples. The manhua has introduced several reoccurring supporting characters which are directly linked to our main quartet. For example, Mo had bonds before meeting our boys: his henchmen, the Buzzcut. Likewise, He Cheng was the one to raise He Tian; he shaped the boy's outlook on life.  These characters all played important roles in making our boys the people they are today, and yet we know so little of their bonds. Maybe the Buzzcut is unimportant in the larger scheme of things, He Cheng, however, is not only linked to He Tian, but he also plays a part in the underlying mafia/gangster subplot. It would have made sense if he was the one to shed some light on the situation with Jian Yi and He Tian's traumatic past. I would have loved to see our boys interact with other people as well — it would have served to show the variety of relationships out there: friendships, familial bonds, mutual respect between the leader and underlings, etc.

Anyway, I am going to stop now. I could name a few more, but this text is already more than 2000 words long. I have made some posts with my nitpicking before, so if you wish you can read them here.  

link & link 

Once again, this is all entirely subjective and it is not meant to be perceived as me saying that the manhua is poorly written and no one should enjoy it. Writing and creating compelling plots is a tough job, especially when it comes to long pieces. It also goes without saying that the author should keep their target audience and marketing goals in mind. 19 Days appeals to a great number of people of all ages and that means that OX succeeded in creating something compelling. Their writing is indeed flawed at times, but there is no way around it. It is impossible to excel both at being a great artist and a good writer. While there may be things that each of us would want to change (when comes to characters or the plot), it is still important to remember that it is not our creation. We can only decide whether to keep reading and enjoy what we get or move along. There is no point in attacking the author or generating constant pessimism.

[nautilusopus]

I wrote a whole fucking review for Pokemon Shield but google ate it so I'm putting it up here and making it longer.

Pokemon SwSh is bright and shiny, but has many small systemic problems that ultimately pile up into a larger Not Fun whole. I know the easy criticism is to bring up Dexit, which I'm not happy about for a variety of reasons, but I still think they could've made a fun game in spite of that. Instead I'm going to bring up other problems the game has in the hope of having some of the game's other issues actually recognised before fans and critics alike fall into the same trap that I did. Dexit is honestly just the tip of the iceberg.

First, the good:

Trainer customisation has improved, and I'm always a sucker for the little things. Clothes are affordable once more AND come in a variety of designs, something I felt was a problem with Gen 7, and the player character model actually has facial expressions. This makes the world just a bit more fun to interact with when you're no longer a blankly-staring robot child. I often find myself spinning/doing the Leon pose just for fun because it’s nice to watch your character do something quirky and expressive like that, in the same way people are endeared to Wind Waker or BOTW Link more than Twilight Princess or Majora’s Mask Link despite both of them ostensibly being blank slates.

The curry minigame is fun even if I don’t quite understand how fanning works yet (and also another opportunity to see said facial expressions). Just a tad heartbroken I can’t import my team from previous games to play with them in camp. 

Marnie's a neat concept for a rival, and one that I've personally wanted to see in the Pokemon series for a while. I'll avoid speaking about it too much for spoiler reasons, but I think most people will wind up liking her as well.

The game looks nice. Not like, astounding or anything, but the cities and towns have a lot of atmosphere baked into their design.

Lotta bangers in the soundtrack, and the presentation of gym battles as a World Cup-esque deal, complete with hyped up audience, brings a fresh, exciting take to the Pokemon League. I like the way the music changes as the battle progresses, and enjoy the little in-universe details, like the champion walking around with all his sponsors on his uniform. 

WOOLOO

MY BOY TOBY FOX OUT HERE DOING GOD’S WORK, THIS SHIT SLAPS BEST TRACK 10000/10

Now for the bad:

The game feels very small and unfinished. It constantly implies cool things are happening in the background, but you never get to participate yourself, or even see them. The closest you get is your rival showing up with a news article explaining that a fun thing happened and was resolved in the time it took you to walk 100 feet. It makes the main questline feel flat and tedious, and something tells me maybe we were supposed to get to participate in literally anything, but there just wasn't time and they had to get the game out for the holiday season.

This pairs very badly with the second thing, which is that there really isn't very much to do in Pokemon SwSh. Most of what you wind up doing is backtracking. The Wilds are a neat idea in theory, but in execution they're kind of the worst part of the game. They're also, unfortunately, the biggest. It feels like there's really only two areas in the entire game -- the empty cities/towns with nothing really in them, and the giant, open-world-esque Wilds. 

The Wilds themselves are nothing to write home about. Pokemon catching is gated off by level, but all areas of the wilds are available simultaneously. This means if you care about filling out the dex, you'll find yourself constantly walking back and forth between town and the same areas of the Wilds you've already been to, checking things off a list. There's less a sense of exploration, and more just a sense of wandering in circles occasionally checking the weather. And if you DON'T care about the dex, then there's literally no reason for you to constantly return to this gigantic, lovingly-modeled wasteland ever again, making the game feel even smaller as you hop from empty town to empty town, and there’s even less for you to do as a result.

The game is piss-easy, even for a Pokemon title. EXP share is always on because this game shares the same engine as Pokemon Let's Go, meaning you will be disgustingly overlevelled if you make the mistake of exploring the Wilds in between gyms the way I did, and remain that way for the entire game. I found myself throwing the fight against Opal a little bit just to hear all her dialogue. Otherwise you just oneshot everyone and everything, and all the fights start to feel samey very quickly. 

Also, barren postgame. Like 30 minutes tops.

Maybe I’m a fool for expecting writing from a Pokemon game, but after Lillie from Sumo/USUM I went and got my hopes up, and Hop absolutely does not deliver. I don’t hate him like some do (Hugh is still absolutely the most annoying rival and no one will ever unseat him), but he just feels like many many missed opportunities. He feels extra redundant given Marnie’s presence on top of that. 

Bad Pokemon designs. This one’s a personal gripe so it’s at the bottom of the list, but I feel like it’s still worth mentioning that I abandoned the shit out of my starter and am left with nothing to replace it with. Greedent is now my new least favourite Pokemon ever. Fuckin FNAF-ass lookin motherfucker.

As sort of a smoking gun exemplifying my point, I have 53 Revives just from wandering around in the Wilds forever. And I have 3 Hyper Potions in my entire bag and no other healing items, because the game has given me no reason to go back into town and buy anything because there’s nothing in the towns, and it’s never required me to heal because there’s really no significant battles to have either, in the story, or ones you would seek out for your own reasons. 

On a personal note, I’m 7 badges into this mess and I still haven’t finalised my team because I can’t even find 6 designs I like that also result in at least a somewhat decent type coverage (or at least flashy variety of colour). To those of you that know me and my True 100% Run, that’s fucking unheard of for me. 

Overall, disappointed. It's not terrible, but given how robust every other mainline title was, this is a big downgrade. Not worth $60. I've played more fleshed-out romhacks. This game reminds me more of Coliseum/XD than Gen 8's big debut. Mostly I just feel bad for the friend that bought me it. 

This would just be kind of a bummer on its own, but coupled with the fact that 1. half the damn Pokemon aren’t in it and Game Freak has openly stated they plan to keep doing this and 2. in spite of that the game still felt unfinished, making you wonder what the hell they spent all their time making (Gigantamax maybe? Why? You can’t even do it in-game for the most part. At least Mega Evolution was readily available. Not to mention it won’t even be available next game. Stop making up gimmicks just to discard them), it makes me seriously concerned for the future of the franchise.