#I love meta eps though

[identitty-dickruption]

SCREAMING every time I watch the gang tries desperately to win an award I understand a new layer of subtext. “I don’t need a bell to tell me when to drink” is a diss about laugh tracks….. how did I not notice this before!!

[starryalpacasstuff]

Last Twilight; Mee's legacy continues

I know that we're all mad at how episode 11 went. Believe me, I am too. I'm not going to be talking about the issues in the episode, several others have already done so, and far more eloquently than I could. Because despite the episode's failings, there are still some things about this episode that I think deserve to be talked about.

I've loved keeping up with Mee's story as the show has progressed (written about it here and here). I thought that Mee's story ended in episode 9, but it continues to be present in the narrative. The most obvious clue to this is, obviously, Porjai's daughter, whom they named Mee. In addition to that, episode 11 focuses on highlighting the fact that Day 's blindness is not something that can be cured, just as Mee could never return to her life before she was cursed. Just as Mee had hoped that the last twilight would allow her to return to her normal life, Day hoped, even fully believed that the surgery would allow him to become "normal" again (the medical inaccuracies of the process aside). In the end, neither can return to a sense of "normalcy", as Mee turns to stone and Day's surgery fails. Both stories are haunted by a sense of grief, helplessness, and hope that is given and taken away. But the end of Mee's story isn't written as tragic, it's written as joyful. The exact same ending could have been written as tragic and solemn, but it wasn't. In the end, Mee was able to revel in the fact that she would never turn invisible again, despite turning to stone. And that's what I'm hoping that Day's final arc will resemble. Because we know that Day is still insecure about his blindness, and about people's pity for him. His buying that cane was a massive step in the right direction, because it showed that he was willing to "announce to everyone that he's blind", to be less afraid. But, as the breakup showed us, he's still insecure about his blindness. If the theory is right, episode 12 should show us Day accepting his blindness, and maybe even celebrate it as a part of him, as Mee does.

Mee's story has run parallel to Day's since they began to read it. Mee's story is over now, but Day's isn't. We see that Mee continues to have a presence in Day's life, be it metaphorically, through her story predicting his, or literally, through Porjai's daughter. Besides fixing a lot of the damage that was done in episode 11, if there's one thing I'd like from episode 12, it's one final call back to Mee's story.

[revvethasmythh]

Share your reunion widobrave thoughts please?? Only if you want to but I would love to hear them!

Apologies for how long this took to reply to! Most of that time has been spent trying to figure out how to phrase this in a way that doesn't sound utterly deranged, though conceptually, I understand it kind of is. So, for formality's sake, I am now donning my shippers cap, and am not to be held liable for making more thoughtful/thought out meta on this topic atm. Currently, we are simply living in the Widobrave Enrichment Zone™️.

Okay, with that disclaimer out of the way, let's continue!

Essentially, my widobrave thoughts re: the reunion are pretty deeply tied to whoever said during m9 reunited two-shot that Caleb and Veth were behaving like a divorced couple sharing custody of Luc, because it was a very funny, on-point comparison considering Veth would literally take Luc all the way to Rexxentrum (with Yeza holding down the fort at home, presumably, while they were both gone) regularly enough that Veth was stated as probably keeping spare clothes at Caleb's place. Like Caleb gets every other weekend with Luc and Veth or something. And that vibe to the Luc-Caleb relationship has persisted even seven years down the line to excellent effect. Like, I have derived an incredible amount of joy from Caleb's extremely concerned, angry, and fairly paternal treatment of Luc during the one-shot that really delivered to me the essence of "Caleb is Luc's father with partial custody and suddenly has to take emergency custody of The Child when he wasn't expecting to."

Like I said, none of this is necessarily meant to be productive, thoughtful meta, but it has brought me a great deal of joy and enrichment in my environment nonetheless. And, really, what else can we ask of our joyful shipper's minds but that?

[bocje-ce-ustu]

give it up for wat who single-handedly saved everyone's ass and got his revenge by making his film everyone's problem (except namo, namo is delighted to be there (◕ᴗ◕✿))

[if-i-was-a-cucumber]

my love for mew | only friends

to be absolutely frank, i was super hesitant to make this post because i’m a bit shy to make only friends (2023) content.

this is mostly because of its explicit nature? everyone on the planet has known that this is the Sexy Show™ (at least everyone in the bl community) and i’m very squeamish with that sort of thing. i’ve only been tentatively watching the show because i know it’s definitely going to be a mark on the community, just because of how popular it already is, but as a somewhat sex-repulsed asexual i sort of only started watching it because i knew it was making some sort of history, even if as just a small blip.

but omg i was wrong. on so many levels. and maybe i’ll make a post about the other levels someday, but for this one i want to talk about how wrong i was about specifically MEW.

1. mew as a character - my first impressions

six main characters in only friends, right? top, mew, sand, ray, boston, nick. basically everyone in this show has a “thing” about their except for mew. top is a sort-of asshole who sleeps around; boston is an even bigger asshole (like HUGE) who sleeps around even more, except he’s less rich; nick is kinda cute in personality but is actually a bit deranged; ray is needy and spoiled but everyone lets him get away with it; sand is responsible and tired of everyone’s bullshit, even his love interest to an extent.

but mew? since the beginning, all we ever got was “virgin.” he’s innocent, sexually pure. that really didn’t do it for me — meaning it didn’t intrigue me. i was fully prepared to go in and come out of this show with mew as my least favorite character, not because he was bad or evil or anything, but because he was boring. the worst crime you can commit in media is to be boring.

even his relationship with top, as the episodes progressed, was very bland. yes top was a cheater, but that didn’t quite affect mew’s characterization, other than that it reiterated that he was a little naïve in this field. great, more virgin mew. i just really wasn’t into this little perfect smart boy who’s never had sex before and is so sweet and innocent and kind to everyone that even his friend ray is in love with him.

there was a small beam of hope, though, in the episode 2 date with top. i liked his agency, i liked how he wasn’t so drawn in by top. and i especially liked the following line:

as quick as that hope came, though, it faded. that’s not what this post is about though, and i’ll get to it in a sec. for now:

2. book kasidet as an actor - my previous biases

before anyone says anything, this is not meant to be slander against book. the whole next section is talking about book specifically in the context of the characters he’s acted as before, not about him as a person. he is a great actor who portrays all of his characters exactly as they are. this is not really about him — the only real reason i’m bringing him into this is because he’s mew’s actor.

book’s only other main roles in a series have been as théo in enchanté (2022) and cher/laem in a boss and a babe (2023). which is amazing, considering how recently he debuted, but i digress. the point is, at least in the thai bl industry where i can probably recognize 80% of the actors in any given bl, who the actor is and especially who they have played in the past is really important to me when i watch a series.

forcebook has never quite been my cup of tea, in the least offensive way possible. i dropped enchanté on its first episode (because the plot annoyed me) and a boss and a babe on its second (i couldn’t get over the workplace unprofessionalism). i’ve never been super involved in the forcebook fandom, either. not to mention a part of force’s appeal is his physical sexiness and as an ace person, that really doesn’t appeal to me. what i’m trying to say is that i had no initiative nor care for either force or book as actors and had no previous attachment to them that would draw me to love their characters.

an example of this actor-bias working positively are a couple who are in this series: first and khaotung. the eclipse (2022) was one of my first ever bls and i absolutely adored it from start to finish. i rewatched it twice and have since gone through reoccurring phases of firstkhaotung obsession. and in only friends, sand and ray (played by firstkhaotung) are my favorite couple.

i won’t say this is strictly because first and khaotung portray them, because that’s not at all fair to how sand and ray are as their own individual characters and how much i love them as well. but i can’t say it doesn’t contribute.

an example of this actor-bias working extremely negatively was pond naravit from fish upon the sky (2021). i don’t know if i’ve mentioned it on this blog before or not but i have a very hate-love relationship with that series. for one, the approval of disgusting fan behavior icks me to no end and i can’t help but scream at mork in every scene of the later episodes; for two, mork’s disavowal of every one of pi’s rejections sends me to non-con city, without my consent. (and yes the above picture was taken out of context but mork deserves it.)

but on the other hand, for some god damned reason, i’ve rewatched the entire series not twice, but three times. but i’m digressing again. the point is that for a very long time, i refused to watch never let me go (2022) just because pond naravit was in it, and at the time, i thought i despised him because of how mork acted in fish upon the sky. of course i gave it a try and watched a pondphuwin interview or two and now i love him just as much as the next fan, but the actor-bias theory is real.

so, back to the original topic, a part of my initial dislike for mew was not only that his character was boring, but that i didn’t care enough for book kasidet as an actor or forcebook as a couple to carry me through that dislike. i really wanted mew to have personality, to have something special that differentiated him from a slab of cardboard, even if it was a negative trait.

3. the moment it all changed - only friends episode 6

the real meat of this post. the reason i’m posting any of this in the first place. it’s because i wanted to share the moment everything about my perceptions of mew as a character changed.

for a while i’d been thinking of mew as maybe a little more than the cardboard he appeared to be. he had some sense of agency, he wasn’t completely dependent on top, even if he did fall in love so soon. even if their romance had zero chemistry, at least mew was taking things on his own terms. i even supported him punching ray, at least in the context of creating character for mew, because that was something interesting that surprised me.

what really surprised me was THE SCENE. you all know what i’m talking about.

after mew’s birthday, after ray made a mess out of the whole thing and turned mew’s special day into a shitshow, after mew decided it’s okay and let’s spend sweet sexy time with my boyfriend, he pulls THIS:

AND WITH THAT SMIRK, HE PLAYS BOSTON AND TOP’S SEX TAPE RIGHT THEN AND THERE. I CAN’T TELL YOU HOW HARD I GASPED.

and then there was more.

their ENTIRE RELATIONSHIP DYNAMIC has changed. they’ve been building up the whole past 6 episodes of mew trying to be in charge but top always getting what he wants in the end, like with mew trying to take things slow but eventually he does sleep with top. mew having his own reservations about LASIK but top eventually convincing him to get it, making him physically vulnerable to top for an entire evening.

no matter how much agency mew is trying to garner himself, top always, ironically enough, ends up on top.

but here? right here? there’s no question about it. this whole evening, mew achieves the control he’s been trying to find throughout this entire relationship, and it comes in the form of his boyfriend fucking his best friend. you KNOW top has lost control because we’ve never seen him look so blank and powerless, have we?

but it gets better.

because mew wasn’t only in charge once he started playing the sex tape. he’s been affecting the mood of the scene since the beginning.

he hugs top when he enters the room and gives him a false sense of security. he even brings up ray. he lit that candle in the back just a moment ago. he’s literally and figuratively setting the tone for everything.

“when we fuck someone like boston, it’s hard to stop fucking them. don’t you think?”

top tries to isolate mew from ray again. he takes every chance he can get to insult him. and mew lets him believe that it’s working. (of course top’s insults also make sense in the context that ray was being an asshole that morning but we’re talking about mew’s characterization right now.)

and most linguistically of all to contribute to the change of atmosphere: mew is on top of top.

fangirls, fanboys, and fanneithers of the jury, i believe mew is moving up the ranks.

[marley-manson]

the worst part about being into an 11 season episodic show is that there are inevitably a few episodes here and there that don’t quite fit the rest characterization-wise, and then people base their characterizations on those episodes

[survivedsarchived]

i think william is a much better musician than painter

[jemmo]

Making sense of love for love's sake: the game

Despite all the things i absolutely adore about how the plot unravels and expands in love by love's sake, upon first watch, there's some things i couldn't piece together, which @lurkingshan echoes in their post:

'The way the author was messing with Myungha and forcing cruel choices on him really does not track with a desire to help him find happiness.'

And to preface, this is not something i fully get yet either. I think i'll need a good month and a sizeable reading list of relevant resources to understand just what/who this author/sunbae is and what his role is and how he is associated with myungha. But as always with the best shows for meta (aka bad buddy), as a plot unfolds, you can always find a better understanding by looking backwards and re-contextualising what you've already seen. so i watched ep 1, specifically the scene between myungha and his sunbae at the bar. And i will talk about how everything said in this scene has a whole new meaning now we know the full story, but for now i wanna focus on that question that they keep coming back to; "Then... will you change it for him?".

When you watch the show for the first time, your brain follows the simplest, most obvious version of the story you're being told, one where myungha has been pulled into the world of his sunbae's novel that's being turned into a game and given the opportunity to fix the thing he didn't like about it; making yeowoon happy, and thus you just think the rules of the game are imposed by the author, and so when these cruel choices first come up, you see them as the difficult roadblocks that are nevertheless necessary to any kind of game, forcing the player to make an impossible choice so that the game can continue in a certain direction and its only after that you learn whether it was the right choice or not, or there is no right choice, it simply changes the game you are playing.

And when its revealed what this game actually is, at first i tried to interpret these cruel choices, namely the choice between yeonwoon and myungha's grandma, and at best i could come up with the concept of this being a choice between staying stuck to the past aka choosing his grandma, even though he knows that choice doesn't mean she's safe bc he knows the future where he loses here, its an inevitability, but thats the small happiness he knew before it was taken away and thus that happiness is known and safe, theres no risk, versus choosing to pursue a new happiness, a love of yeowoon and thus himself, which he doesn't know, he hasn't experienced yet, and could be risky. Its a happiness that isn't guaranteed like his grandma, but its a happiness that looks to the future and has hope in it that he can find a new happiness to pursue despite what has happened in his past.

And that fits nice, okayish. But then i watched ep 1 and heard that question "Then... will you change it for him?" And watching through the rest of the eps, we come back to this scene at the bar and each time we get a new run up to the author asking this question, either new dialogue is added or we hear a different piece of the conversation entirely. It starts at the beginning of ep 1 as:

"Because Cha Yeowoon is the only one who's miserable." "It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile."

Then a bit later in ep 1 we go back and its expanded.

"It can't be helped that some people's lives are like that" "The fact that some people are destined to live that kind of life is what's vile." "Why? Do you think you'd write it differently?" "Yes, definately. Someone like Cha Yeowoon, or someone like me with an awful life, can also be happy."

And then all the way on in ep 6, we get this new dialogue.

"I don't like talking about destiny." "Why?" "Because it means everything is predestined." "Then do you not believe in fate?" "Fate and destiny are the same. My grandma likes to say that. She said life is like a written book, and how you'll live and die are written in it. (...)I don't like things like this. Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." "Really? Then Myungha..."

And while we don't hear the author ask the same question, I feel like him getting cut off like that insinuates that the conversation leads to that same ending point. All that is to say, every time we hear this question being asked, its like we learn more and more about what this whole thing is, what the game is, what myungha is saying he will do by agreeing to do what the author asks. And every time, we see myungha being more defiant against the idea of yeowoon being resigned to his miserable ending. He starts off thinking that kind of life is destined, and while it's miserable, its not something he can fight. Then he says he'd want to write the story differently, bc yeowoon, or even him, could be happy. He challenges the idea that yeowoon, and thus himself, is fated to be miserable, and opens up the possibility for happiness for them both, but doesn't yet have the means or resolve to do it, its like he knows its possible on a fundamental level, but doesn't see it as something he can actually achieve. But then we circle back to the idea of destiny and books, both of which came up in the previous quote, and seems incredibly pertinent seen as this whole thing is about a novel this author has written. Myungha talks about how he hates the idea that life is a book where everything written is predestined to happen, from the moment you live to the moment you die. He says "Even if fate is already destined, I think it can still be changed. Otherwise, there's no point in trying." That vile way of life he described before that he said was destined, he is now saying it can be changed, and that possibility is now something he's holding onto, its what he sees hope in so that he can keep trying, bc now he finally is trying, he has the resolve, he's trying to realise this thing, this impossibility of rewriting the life he thought was destined through the way he loves yeowoon.

And coming back to those cruel choices, given this fresh context, it made me think. bc this isn't actually a game that myungha has been put into where the rules are dictated by an author completely separate from him. He said himself, he'd rewrite it, he'd change things for yeowoon. And when you start to think of it less as him fighting against a rigid, removed system and more like him being a character in a story he is trying to rewrite himself, that has both the author and his own limitations, or just his own if you're in the school of thought that the author is some figment or part of myungha himself or his conciousness, then you can start to see where these cruel choices might come from. They could be myungha, the author making edits to this new story, imposing his own doubts and limitations on himself. When he says he has to pick between Yeowoon and his grandma, what if that's the new author myungha seeing this story unfold and thinking no this isn't right, he can't have it all, i'm not deserving of this much happiness.

And what makes me like this idea even more is that when we get that second choice between ending after 14 days or getting 100 days back at the cost of resetting Yeowoon's affection to 0, that whole conversation happens in what I think the bar actually is which is this frozen moment in time where myungha is in the water with this extension of a voice in his head that is talking through these things. That conversation in itself needs its own post, but when you look at it both as a decision to break up or not or a decision to hold onto life or not, you can see how the author is just this soundboard relaying the decisions myungha is going through in his head. The author's voice is his own, weighing up his decisions. And if he is the author here, it only reinforces that the person making the rules of this game is him. You can even extend it further to the idea of the debuffs, where he puts in place this thing that makes it so he causes harm to yeowoon when he's around, and its only by garnering affection that he can prevent it. He gives himself a reason from the get go to stay away from yeowoon and reason it as him doing it for yeowoon's safety, when in fact the only way to make yeowoon safe is to increase his affection, which he can only do by being near him. Its a system that at first gives myungha a reason to stay away aka not like himself, but ultimately says the only way you're going to make yeowoon like you, or the only way you can like yourself, is if you accept risk. And that in itself screams to me of a myungha writing in these game systems that are trying to encourage his own-self love while falling at the hurdle of his own lack of self-worth.

The idea is still messy in my head even for me, but i just really like the idea that myungha could be trying to fix this thing both as a character and game master, and that both these versions of him have these flaws that manifest in their different ways to cause the events we see. It kinda is the definition of being your own worst enemy, the idea that in order to work towards loving yourself, the biggest obstacle you have to encounter is yourself, bc we are the ones holding ourselves back, making all these rules that make it harder to like ourselves and pursue our own happiness. The voices in our head telling us that we aren't good enough and aren't deserving are our own, and while the things that happen to us can inform what they say, we're the one's reinforcing those words. And what this show teaches us is that, if we're the one holding that pen all along, we can choose to change what those words are. If we make the rules, you don't have to create a game with concrete ultimatums, you can create a game where rules don't control you. Instead, you make the decisions, and you can make the ones that make you happy.

[fellthemarvelous]

Staged and Good Omens: The discontinuity of a story within a story within a story.

I'm watching the third season of Staged again right now, and I think I've figured something out.

The discontinuity that people are talking about of Good Omens 2.

Staged 3 was a very modern version of A Christmas Carol. Ep 1. Is there a version? (David and Michael work with Simon again) Ep 2. Who's Playing Who? (Scrooge, episode was a farce) Ep 3. Past (Michael and David are co-dependent af) Ep 4. Present (Michael and David fail to write a script) Ep 5. Future (David tells everyone they are doing a live show) Ep 6. Knock, Knock (Simon gets even, ending is sad but not really because they are just taking a break and breaks don't last forever, and Simon gets a job offer based on his script for Knock, Knock, the one story he didn't write.)

The epic trainwreck that is David and Michael's live version of A Christmas Carol is actually a hit, but everyone else has to convince them to stop the show because it can't go on forever. So they end it with Michael and David agreeing to take a break from working together even though it makes both of them sad.

But the whole premise of Staged was that everything was filmed on iPads, computers and cell phones. And it was submitted to Simon so he could piece it together.

Simon Evans wrote Staged as a love story between David and Michael. Simon writes what he sees and finds ways to incorporate fiction into reality. He saw them on Good Omens together and he saw the chemistry between David and Michael, and he turned it into a comedy about these two eccentric actors who clearly love each other. And they agreed to star in it.

They improvised most of it, but Simon laid out the framework of the plot for them to follow, and then he let them be themselves.

The entire show has layers upon layers of meta weaved into it.

Anyway, my point is...

This post is one of several that covers the different ways discontinuity seems to occur during Good Omens 2. The evidence is very compelling.

I'm not here to point all that out because I don't have the strength of some of the meta writers in this fandom, and they're already on top of it, but if we look to Staged as an example, what is the plotline that Good Omens 2 is following?

Good Omens 2 is a modern version of.... Ep 1. The Arrival Ep 2. The Clue (A Companion to Owls) Ep 3. I Know Where I'm Going (The Resurrectionists) Ep 4. The Hitchhiker (Nazi Zombie Flesheaters) Ep 5. The Ball Ep 6. Every Day

What are the stories happening around Aziraphale and Crowley? They're the focal point of season two, but what else is happening?

Neil Gaiman has said that everything means something. They aren't just showing us these things by accident. There is a story happening outside of Crowley and Aziraphale's relationship. And we are all looking closely for that person doing a very odd thing just out of sight or objects being moved around without knowing how they got there in the first place.

There was literally an entire scene in Staged where they are trying to figure out who is playing Scrooge and Simon is so anxious that he keeps moving his plant between two different spots in the room. It also ends up with Georgia accidentally planning her own birthday party because David is in Tokyo. But then they cut at one point and you learn David was actually in his bedroom and not a hotel room in Japan and Georgia didn't really just plan her own birthday party. That chaos was scripted. David has to change clothes, they have to go several minutes back in the scene they just did, but as Anna points out, the sun is not in the same place it was when they started the scene. And then Michael loses his shit at Simon and storms off.

You think that's the reason Simon left, but then we get the episode where Georgia tells David Michael wants to write the script and then tells Michael that David wants to write the script. She does it so she can get them alone in a room together because people love watching them argue. They find out she set them up about six hours later. They are hungry and hot and annoyed and mad at her so she gets Simon to come back to work with David and Michael. Simon comes back from cosplaying as a dentist, brings the food Michael ordered hours ago, and sits down to write. Michael gets pissed off at Simon again because Simon forgot the prawn crackers, so he throws his food at Simon.

Some of these are of the past. Some are of the present. They were all filmed at the same time though so you don't know what happened when or why.

These scenes are all cobbled together. They tell a complete story though. The order just isn't exact.

The story we are seeing in season 2 isn't the real story. It was happening around Aziraphale and Crowley, but with them at the focal point, you get a romantic comedy and it distracts you from what's going on in the background.

There is more than one story in season 2. It's basically a jigsaw puzzle that we can try to piece together, but we won't know what's actually happening until we get the much needed context of season 3.

There are clues all over the place in Good Omens 2. The story is being told through so many other methods except for the one that makes the most sense to us because someone doesn't want us to see what's coming, so we get distracted by Nina and Maggie, Jim, Aziraphale and Crowley.

We know Muriel and Saraqael are up to something. We know Shax and Furfur are up to something. We know the Metatron is up to something. What we don't know is where God went. We hear God's voice in Companion to Owls and we hear God's voice speaking through and with Jim when Crowley orders him to tell them what is going on. It ties directly to the first time Crowley and Aziraphale ever worked together.

We know that Aziraphale is going to Edinburgh and he knows exactly where he's going because he and Crowley have been there before. It challenges the concept of good and evil because Crowley does the good thing and gets sucked into Hell. Right next to Gabriel's statue.

We know that Aziraphale picks up a hitchhiker even though he doesn't want to, and it turns out to be Shax. She reminds Aziraphale of the time that Furfur caught them working together. There were zombies and human magic tricks and Aziraphale uses sleight of hand to save Crowley from being dragged back down into Hell again.

The episode titles of Staged 3 all represent different chapters of A Christmas Carol. But it was more than that because Michael is upset with David for doing adverts without him after they were both asked to work together at first. They love each other and they love working together, but it's preventing them from doing other things they want to do. Hence the break from working together.

It's a story within another story within another story.

And I think that's what we are witnessing in Good Omens. Things aren't happening in the right order. Beyond the sadness of Aziraphale and Crowley splitting up, there is still the next apocalypse to deal with. The story we are getting in season two isn't happening sequentially. It's being manipulated to hide the signs that things are already underway by giving us a love story as a distraction.

And it works very damn well. Because the love story was beautiful.

Staged 3 ending

Good Omens 2 ending

[matan4il]

Buddie 616 meta

Maybe I’ll start with Eddie confirming something I’d already discussed in my meta posts more than once before, most recently in my 614 meta, which is that he married Shannon because she got pregnant. He heavily insinuated this to Bobby back in 217, but now he said it explicitly, to everyone, and without the same kind of weight which we saw from him in the past. I think this change is indicative of how he IS healing from the trauma of how badly his marriage failed and how guilty he’s felt over it, now that he’s capable of talking about it more lightly than he did before. I love that for our boy. ~~

Speaking of these men actually being boys, moron husbands, partners in dumbness, we got Buck and Eddie sharing one brain cell and NOT putting it to good use. Even though in the overall scheme of 911 things, that might not seem that significant, I have to say I just love seeing them like that. It’s FUN seeing them being morons who support each other in the way they try to deal with Chim thinking that just popping the question to Maddie is enough, or in Eddie supporting Buck’s dumbass suggestion of a flash mob, or just being pressed together in the fire truck ‘coz they never have any personal boundaries with each other and they don’t understand why those would even be needed (seriously, don’t think too long about how all of a sudden five people had to squeeze in the back instead of four, and OF COURSE it would be Buck and Eddie rubbing thighs together, because no other pair out of the whole team is as comfortable with each other’s bodies). This may not be the deepest part of their bond, but it IS a part of it, a consistent one, the daily partnership that’s the foundation for the big, important, profound parts. ~~

Once again, we get a demonstration of how the way Buck and Eddie are with each other is different to how they act with their other friends. Even when Eddie is exasperated with Buck, he never actually gets upset, he just tries to get Buck to focus, like we saw him in 516. But with Ravi, Eddie does kinda snap.

Buck as well, when he hears some unpleasant truths about Madney from Hen, there’s no fondness underlining their talk, as much as we know that they DO love each other and have a sibling-like relationship. But compare that to how insufferably affectionate the glances that Buddie exchanged in 504 were as Eddie did essentially the same thing for Buck. ~~

And then of course, we see how Hen has Chimney’s back in this ep, putting his well being first, but she does end up hurting him. They talk it over, and within the same ep she apologizes, he forgives her, everything is resolved, and they move. It’s lovely, but think about the difference in intensity between this and what Buddie went through back in s3. Buck files the lawsuit that would stop him from seeing Eddie in 304. Then the very reserved Eddie has a public meltdown, in the middle of a store, and right in front of his colleagues, because he can’t deal with Buck not being in his life. In fact, that’s the final straw that makes Eddie turn to street fighting. Not only that, because the intensity of his feelings overwhelms him, he doesn’t even directly express his hurt, he uses Chris to convey how much Eddie himself is missing Buck. When Buck realizes just how much pain he unintentionally caused, he wants to apologize, but Eddie is too hurt to be able to hear him out right away. It’s only in 306 that they finally talk, Eddie forgives Buck and then we get the beauty of their hug. But this is STILL not the final piece, no. The show will get back to this in the kitchen scene in 309, where Buck shows Eddie he’s worth apologizing to a second time (even though he’s not even asking Buck to), and the final shot of this is the domestic image of Buddifer on the couch, playing video games together. This is when we know that all is TRULY forgiven, when we get to see them once more as a family unit. Because that’s what they are on top of being best friends, like Hen and Chimney. ~~

I’ll point out that Madney and Buddie paralleling is not new. This has been an ongoing theme since Buck and Chim’s new love interests were both introduced in 201, and since Madney got their onset in 206. The very fact that Maddie thinking Chim’s cute is revealed through a dialogue between the Buckley siblings that also indicates Buck sees Eddie in the same light says it all. I have also gone on about how Buck and Maddie served as truth tellers, voicing their sibling’s crush back to them, I have talked about how Madney were friends first, incredibly domestic friends with their own intertwined routine, before they became explicitly romantic, I wrote a whole meta post about the parallels between Madney and Buddie in 512, and now I can add to this. Because Madney easily fell into the comfort of domestic life, Chim told us this week that got in the way of them stopping to make their commitment official. That’s in a sense Buddie’s story, too. They’ve been building their lives and family unit together without even clocking that they can and should stop to figure out what this thing between them is, and commit to it.

~~ (my weekly meta posts) (my Buddie gifs) (all of my content)

~~ ~~ My tag list will follow in the reblog, please let me know if you wanna be added/removed here.

~~ I’m so thankful to the amazing @whosoldherout​​ for the meta gifs she does each week! They’re always challenging, and you always manage to knock it out of the park!

~~ Thank you to anyone supporting these meta posts. I could never express enough how grateful I am and that they continue to exist thanks to you!

[trutrustories]

STUDY IN LOKI ROMANCE

Part 2: Breaking Brad

Since we're only a few days away from the last episode, I decided to COUNT DOWN everything we´ve got so far ( that can be interpreted very easily as romantic ) and discuss what the actual fuck is going on with second season. Because even though I shipped lokius practically from S1E2, I absolutely did NOT expect this kind of development. (Not that I´m complaining)

Warning: This is gonna be LONG post, lots of screenshots, lots of SPOILERS, lot of "oh-my-god-they-so-cute" language, and little bit of meta.

I originally thought that this post would be everything at once, but since I have just too many screenshots this time around, I´ll have to split it. so every post will be one episode. Color coding means:

IIIIIIIIII = anything, that coud potentialy be just acting choice.

IIIIIIIIII = everything else (tzn.: whatever was written, and/or carefully prepared by filmmakers. )

side note: I already wrote, about how amazing it is, that Mobius is unable to fight but fights anyway and how beautifuly, and ridiculously brave he is HERE. But this is about Loki/Mobius interactions, so I´ll try my best not to talk about THAT. (Even when I´m really happy, that s2 continues with this formula and Mobius is still his completely defenseless while aggressively brave self. I love him, btw.)

EPISODE 1 HERE

Okay, Check-list, ep 2:

11) matching suits part 1 THIS ⬇️ costume department did a great job and they look badass together also, they´re walking very close to each other.

12) Loki defending /saving Mobius from Brad (with magic!) also, Mobius, dear, (my beloved) you were really going for it! Always so ready to fight! I can´t xD

Loki "don´t u dare hurt him" Laufeyson, look at his face!

13) Mobius and Loki struggling to assemble IKEA furniture- sorry Tapmad together

14) " And he knows..." I mean yeah, sure. keep remind us, that Mobius knows everything about Loki, and saw him at his worst, so we can appreciate even more the fact, that Mobius likes him and cares for him so damn much 💚🤎

15) Loki finding Mobius´s joke amusing Mobius: cracking joke right after Loki´s threatening speech:

Loki:

16) Loki being very concerned for Mobius after his outburst, saying that It´s okay, and then suggests having pie because he knows Mobius so well and is avare of the fact, that his man is stress eater I´m gonna cry they´re too pure for MCU someone adopt them

17) Bickering like married couple (part 2) 18) The whole freaking pie scene!

Just them, sharing calm, intimate moment together

Mobius opening up to Loki, and admiting he "lost it"

Loki trying to make him feel better and absolutely KILLING IT! btw, I know, that some people think, this scene doesn´t make sense, because Loki didn´t "lost it" during avengers, but was controlled by mind stone, etc.... well I think that it actually doesn´t matter. Guess what else doesn´t make sense? For example the fact, that they already talked about Loki fighting Avengers ( during their first meeting.) Loki is aware, that Mobius saw New York invasion at least twice now, and he´s telling him anyway. I would say, that point here is Loki trying to lift Mobius´s spirit, entertain him, make him smile. Why else woud he start his monolog by "remember, when...?" And I think, that this is huge, actually: Loki, using his bad memory, defeat, his humulianting experience to make Mobius feel better. So not only, that we see, he no longer care about being rurel but we see him making lightly fun of it FOR MOBIUS´S SAKE! He has different priorities now... our immortal god is a grown man now... it´s just so fucking beautiful... 🥺

Also Mobius saying to Loki: "come on, you´re the God of Mischief" Like it´s a best thing in the world, and Loki gives him THIS LOOK! (I mean that head tilt would be considered "acting" category, but I´m already making concessions by including all these things under one number :D

19) Loki and Mobius: mischievous duo

Mobius trusts him so completly!

They both such a drama queens!

And they works so well together!

like... seriously, Brad didn´t see this coming, AT ALL! xD

also... Loki complimenting his plan?!

20) "They say opposites attract. NO." Mobius´s wishfull thinking xD (But hey, it IS true. Opposites attracts. And works greatly together. That´s the only reason, why, for example, trope like grumpy one/sunshine one is so popular!) I can´t! just look at his face 🤣 Oh honey! just calm down

He is sooooooo NOT chill here xD bless him

21) Loki, not following Sylvie, but actually staying with Mobius and comforting him. AGAIN. (which is an absolutely glaring contrast compared to episode 2 in first season!)

[lutawolf]

My Personal Weatherman and the D/s element Ep 6

If you haven't read my other meta on the show, I suggest you do! You can find them here.

I adore that Segasaki put a tracker on Yoh.

However, it looks as though it was pointless because it's as if Yoh wants to get caught. Slow doesn't even begin to describe this boy.

Now it's finally useful. He has found his man and told him in no uncertain terms to make up an excuse and come back home. Now, if he were an actual slave, he would be unable to say no. If he were deep subservient... He would be unable to say no. I know you normies are thinking, damn. Don't they have rights Luta!? They Don't Want Them! They are not you. For some people, they just don't want to make decisions. Now is Yoh that type of submissive is the question though. Let's see what Yoh does.

I love that Yoh at least has someone on the outside of things he can talk to. She clearly understands Segasaki. I really like the husband. Mickey and Minnie are well suited to each other.

Flashback time!!!

So it all starts in the school cafeteria. OMG, I love how Yoh pauses as soon as he sees Segasaki. Then he has to sit back down because he doesn't know what else to do. His original thought is no longer there. All that encompasses his gray matter is Segasaki. "The first time I saw that person. I thought they might not be from this planet. At least out of all the sculptures that I've ever seen, he's the most beautiful." Then he gives that soft smile. So freaking cute! "The shape of his ears, the line of his nose, the angle of the jawline, the fullness of their lips. Even the shape of their unseen eyeballs must be beautiful."

He then rushes to the store to buy what it will take to draw this beautiful boy. Yoh had it bad right off, but he doesn't understand it himself. Did they really call him loner guy? "If I were a girl, I would have thought it was love at first sight. But it was just a beautiful man." Yoh, you is an idiot. I love you, but you is an idiot. Okay, so he even knows that he is lying to himself. That's fair, we all do it.

I really am not a fan of these people. Loner guy? Really. These people look down on Yoh. Yup, nope, that solidified it. I don't like them.

Bless baby's heart. He is so anxious. I'm in love with Segasaki straight away because I think he fell in love with Yoh pretty fast too. Right off, we see Segasaki easily takes control. The way he tells Yoh, "Let's go." and grabs his arm then backpack to control Yoh's direction and to push him where he wants. He then keeps his hand there.

Right off, they easily drop into a D/s relationship. This is how you would see a D/s relationship develop naturally. Guidelines are always a good but for the fiftieth million time, lifestyle people are different from scene. We are naturally always Dom or always submissive, so we don't turn that off. It's going to naturally be seen even in friendship, but that doesn't mean that a Dom should expect a submissive friend to just listen. A submissive can always put guidelines and boundaries up, but to think that these relationships don't organically happen is ignorant. Yoh is submissive right off the back, just look at how he asks Segasaki if this is okay. Segasaki is Dom right off the bat.

I adore how close they are to each other. Segasaki has no concept of space when it comes to Yoh. Oh, these two. In the way, Segasaki asks Yoh what he is doing. Sees Yoh's indecisiveness, finds a book, and then gives him a command. Fulling expecting Yoh to absolutely tell him what he thinks of the book. "If he were to suddenly despise me, it might be the end of me." Those some deep feelings there.

I can't wait to see Segasaki's side of things!!! We know that Yoh's perception of things are easily distorted by his emotions. He is inclined to having a glass half empty mindset.

Please note, that Yoh as of yet hasn't acknowledged Segasaki's message. The submissive is not listening. We are not looking at a slave or a deep submissive.

Hahaha. Being drunk and clingy are absolutely who he is Mickey my dear.

OMG, This is the best! I'm Dying. I love Segasaki and I love Segasaki's personality and his jealousy. I'm in love with these mother fucking characters oh so much.

The way he stomps over and pulls back the curtains. "You can finish remotely right." I assure you, Segasaki wasn't actually asking a question. Still, Yoh faced with an angry Dom says yes. Said angry, Dom grabs him and begins to pull him away.

Leaving Minnie and Mickey both stunned and impressed. I think Mickey just developed his first guy crush.

Bombastic side eye. Oh damn... Here comes the miscommunication. Yoh is talking about Segasaki and Segasaki is talking about Mickey. Poor baby.

Yoh finds the tracker. Boy knows what that is and tells Segasaki, I put it back where I found it. But Segasaki is pissed. He thinks Yoh likes Mickey. Lawd these two. If they ever learn to communicate.

I can't wait for the next episode!!! I'm so in love with these two!!!

[bunnakit]

last twilight ep 7 thoughts, feelings, etc

ALRIGHT i ran my errands, caught up on pit babe and playboyy to relax, and now i'm doing my speedwatch. i took some notes while watching the first time and they're a fucking MESS but hopefully they help me remember everything i want to comment on because without fail i always forget something.

you'll all be glad to know this week's meta bullshit from me is far, far less romantic and wistful than last weeks. you've all been spared by my adhd brain not being able to piece together a single poetic thought.

i kind of knew from this moment the trajectory the episode would take. Day is clearly nervous but not defensive - this isn't out of the realm of something Mhok would do for him but with recent context it probably feels fairly intimate. i think this was a really good indicator of what we're in for.

there's a collection of sunflowers in Day's room, tucked away in the corner, not unlike Mhok tucking away his feelings for Day's comfort. the poor things are shrouded in shadow, away from the light. the pain is unending and forever.

Day's flashback to the kiss has me curious. his eyes are closed so he's not even thinking back to seeing what he can of Mhok up close. as he reminisces about this kiss is he simply remembering the sensation of Mhok's lips on his own? how his hands curled into Mhok's jacket? and i'm sure we've all seen the post but - was he thinking of the way Mhok tasted like cigarettes? this isn't to romanticize his disability, i'm just genuinely wondering what exactly he's drawing on here in this moment, because it's clearly something significant to him.

Porjai just keeps getting prettier every episode and it's making me insane. i just think i should be allowed to take care of her.

"I'm jealous of Day's ability to make you smile."

this makes me think Mhok's smiles have been few and far between, and maybe Porjai has been looking to bring out that smile for a long time. does she ever worry that maybe someday Mhok could end up like Rung? does she worry about finding him too?

oh i so very badly want the context for this, i want to know everything. but also, it's really not that surprising. not when we've seen the things Mhok has done for Day. Mhok lives his life in extremes; anger, kindness, protectiveness, his work, etc. everything Mhok does he puts his whole self into it and it's nice to see his love is no different, because why would it be?

i'm once again in awe of what P'Aof has done with Mhok and Porjai, though. they live together so easily and naturally. there's nothing strange or awkward about it, just two people surviving life together. it's such a breath of fresh air.

Day just cannot catch a break when it comes to August. this has to hurt so fucking badly, the pity has to feel amplified by 1000. not only was August trying to force himself to like Day back because he's blind, but also because he was thinking of leaving. Day is a stronger man than me because i would be frothing at the mouth pissed.

but once again, Mhok doesn't let Day stew in his fish tank. he encourages him to go out and resolve his feelings, even if that means screaming at August and letting out all his hurt and frustration. he's seen what happens when Day lets his hurt fester and he won't let it happen again, not while he's around.

"He's a lot stronger than I thought. It's me who's so weak that I let him down."

as much as August pisses me off, i do think this is him realizing his pity was misplaced, and he failed Day in that way, so he gets some redemption points here. (still think he's a stinky bastard man tho)

the immediate distance Mhok puts between himself and the group never fails to hurt my heart. i get it, he's there for a job, but their relationship has progressed past that - now even moreso, and i cant help but wonder if this is his attempt at keeping a distance, curbing his expectations, reminding himself that while his role is to be by Day's side it's only in a professional capacity.

i love that Gee acknowledges him with a little head nod, occasionally looks in Mhok's direction as if to include him, she's just - ugh - i love all the women in this show so fucking much. i just wish someone would invite Mhok over sometime, encourage him to join the conversation (like they did back at the party.)

sometimes Mhok really is the embodiment of a shadow - both of Day and of his former self (for good or bad.)

(he looks so fucking sexy leaning like that with his shirt tucked into his pants tho, whew.)

Gee also becomes one of my favorite people for asking Day to take the photo of all of them. she just gets it, she includes him, she doesn't act like he can't do things, she even insists he can, she's just !!! the women of all time in this show i swear!!! I LOVE WOMEN!!!!

also the "you don't drink coffee, girl spill the tea" from Gee is just so good. she knows a diversion tactic when she sees one.

i want this expression framed, she's so cute, HELP.

i wish i had the time and energy today to make gifs for this week but ugh. the journey Mhok's face went on here to end up at quiet resignation. because he did figure. someone like Day? with someone like him? because we know Mhok's opinion of himself isn't great, largely influenced by his incarceration and reintegration into society, i'm sure, along with his guilt. but there had been that little bud of hope, a little sunflower seed that had bloomed just a little too far, reached for the sun a little too much. it must feel like a weed in his chest.

the way Day says 'here' so softly, with so much vulnerability made me feel like screaming. he doesn't know what his feelings are for Mhok yet (you can't tell me he doesn't feel anything) but he knows he doesn't want to lose Mhok and the sudden idea of it is terrifying. Mhok is the only person that really understands him, one of the only people he's comfortable around anymore, and he can't lose that. he doesn't want to go back to the dirty fish tank.

i also think this was an indicator to Mhok that maybe Day doesn't know how he feels, and maybe he can get away with flirting in tiny, subtle ways because from here on his secret flirting game is in full effect and it's so fucking cute. he's careful not to completely push past Day boundaries, but to test them in gentle ways.

THE SHOES MY BELOVEDS. we all know what i feel about these shoes after last week and i'm so glad to see all of my stupid babbling confirmed here. i love that Mhok constantly mends things instead of throwing them away. the sentimentality of items means something to Mhok and we love him for that.

we also got a proper 'sweet dreams' this episode, finally!! thank you subbers!

so many shots of feet this ep tho and lemme tell you as someone that HATES feet, this was rough.

oh you are so smitten. Day realizing Mhok is warm, warm in his own way, warm in such a gentle and understated way. UGH. you would've thought he knew after everything they've been through but sometimes people need a reminder and maybe something to drive them to pay closer attention. our boy is BESOTTED. kicking his feet and giggling. i think this is the happiest we've ever seen him.

so here's where i'm probably going to wax poetic the most. Mhok is finally opening up to Day in such an incredible way. he brings Day to his home with no fear of pity or judgement. he brings him into this sanctuary created by him, his sister, and Porjai and he cooks for him and cares for him and in letting him in Day sees even more how impossibly warm Mhok is.

what's even greater is there isn't a single moment where Day is jealous or questions Porjai being there. Mhok has told him she's expecting and he's never weird about it, just kind and understanding and it's all so normalized, it's fucking beautiful. Day even takes the time to encourage Porjai, to share about his mom, and about the strength it takes to be a single mom. P'Aof i adore you.

Mhok has planted jasmine simply because he knows Day likes it, and maybe now he likes it too. and he brings Last Twilight home to practice reading (i'd always wondered how he managed to read without stumbling over himself lmao) and he's done it so much that now Porjai wants to name their child Mee, wants to create this connection to Day forever.

and once prompted, once Day knows enough to ask, Mhok opens up about Rung, talks about her more. Day comments on the warmth of the house, something started by Rung and cultivated by Mhok. it would be so easy for the house to feel cold and clinical, especially knowing what happened here, but Mhok has kept it a home - warm, inviting, comforting - all the things Mhok has been to Day.

the noises took me by fuckin' surprise tho, i genuinely looked around my house like who the fuck is making all that noise and then i was like OH THOSE ARE-- OKAY--

and I know people are like haha P'Aof has a scent kink but like. idk. maybe it's just me but scents are something i'm drawn to. i remember the way someone smelled more than i remember their face. i recently took a shirt out of my closet and immediately started crying. it smelled like face powder and perfume. it smelled like my grandma. the leather jacket pushed to the side smells like cigarettes and horses, like my dad always did.

scent is such an ingrained memory, something that is so hard for our brains to let go of. every time i get a familiar smell it knocks me on my ass, and i'm so glad to see some of this represented in these shows.

this absolutely warmed my heart. whatever is going on with Night and Day is clearly more on Day's side than anything else. Night clearly loves his brother and i'm just fucking DYING to know what is going on that is causing Day to drive a wedge between them. sure, Night hasn't been perfect, but there's love there and that counts for so much.

and what exactly are you doing here??? this is a charity run for blindness - does he know someone that is blind other than Day? did meeting Day inspire him to participate? has he spent time talking to Mhok about Day and maybe the difficulties of his blindness? i am filled with questions but i love this character so much, he's just so kind.

Day's hesitation to cross the finish line was also something i found so interesting. it felt long, possibly too drawn out, but Day needed to think, needed time to understand that if he crosses that finish line, if he accepts Mhok's request to be his boyfriend, their lives will never go back to how they were. things between them will change forever, whether the relationship is a success or otherwise. it's an incredibly mature thing of Day to do, even if it felt a little lengthy for us, the audience.

i strongly believe that in addition to Mhok Porjai is going to be a big driving force in Night and Day's reconciliation. i would love to see Porjai gain Night's side of the story, Mhok gain Day's side of the story, and the two of them working together to see how they can reunite these brothers.

also if i had a nickle for every time P'Aof paired Mark with a pregnant woman in his shows i'd have two nickles, which isn't a lot but it's interesting it has happened twice.

while i, like everyone else, hope the mock proposal is a parallel we get to see later i want to focus more on this moment.

i forget who said it, it's long gone to the depths of my dash by now, but someone commented that disabilities do not stop for love, and fuck is that so true. i love Mhok's concern, his immediate reaction to soothe, and the way he seems to feel Day's fear as his own. and poor Day, he can't even enjoy this moment of bliss with Mhok because of course, of course something like this had to happen. it's so fucking real in the way Last Twilight has been this entire time.

the constant excellent representation of disabled living has been incredible to see, i've seen so much of myself in this show (even though my disability is so very different) and it's been like a warm blanket put over very single comment: you're too young to be disabled, you aren't THAT disabled, you're being dramatic, etc.

from the bottom of my heart, thank you P'Aof and team.

tag loves: @benkaaoi @callipigio @infinitelyprecious (as always tell me if you want to be added {for LT only or all meta} or removed!)

[its-chelisey-stuff]

I love your meta about lovely runner, can you talk about Sol and the depth of her love for Seon Jae I feel like everyone is so busy fangirling about him that we don't really talk much about Sol in that regard and just how much she loves him too at first as her idol and then as a person? I feel like she loves him just as much as he loves her and we'll see it in the upcoming episode even more but maybe I'm wrong

oh, anon, thank you! And omg yes, I would love to talk more about this!!! So prepare yourself hahaha

You're right though. I feel like people are way more invested in SunJae's feelings for Sol because his side of the story has always been sad lol especially on the OG timeline. And boy, does tumblr love their tragically in love sad boys. I feel for him because he was just a giant 18 year-old with a HUGE crush on the tiny girl next door, who was too shy to say hi to her and well, it ended very bad because of it.

Meanwhile, Sol was just a teen with her soul and hopes crushed, depressed, ready to give it all up, when this guy on the radio told her the words that saved her life. And then she devoted herself to him because he gave her strength and happiness. And I love that. I know people cry about it (because of Sunjae's POV) but I loved that moment in ep one, when they encounter each other on the bridge, and she just had a super shitty day but all of it was worth it once she saw her idol. She was sooooo happy.

And yessss, I love that the Sol from the very first eps, wasn't in love with him (number one reason why I adore fangirl Sol: she's not delulu), but did love him in a way. And she knew what it was to be so broken and hopeless, so she was heartbroken to think that Sunjae had felt that way and taken his own life. Boy, little did she know...

In the first 2 trips to the past, Sol wasn't really trying to save his life, but his spirit. And in the process got to know the person behind the idol she dearly loved for more than a decade, just to see that the guy was genuinely a nice person, a good son, a good friend and a dork lol

I truly hope SunJae gets to find out about everything she's done, because while he loves her and saves in every timeline, Sol has crossed time and space to save him and make sure he's happy, even if she's not by his side in the future. And what better definition of true love is there? Also, I bet Sunjae would combust of happiness, knowing the girl he can't ever forget, not even for 15 years, has risked it all, for him.

Sol is THE definition of a romantic heroine. No question about it.

[morethansky]

***TBB FINALE SPOILERS***

"The Cavalry Has Arrived" aka MY OTP IS CANON NOW

A truly absurd amount of meta and thoughts and screaming under the cut:

Overall

• I...loved it????? This is the biggest plot twist of all for me. Like I've said incessantly, I've had so many issues with the writing choices for this show, and I'm so grateful the brainrot set in so I could start watching it through a fandom lens and have way more fun with it than through a media critic lens and being a hater. But like...that was actually really satisfying to me within the parameters of where the show had led to in the last four episodes??

• As everyone on the planet probably knows by now, I would've been much happier if this show had led to the Batch choosing to do the right thing and joining the clone resistance, and if we never get another clone series, I will continue to be unbearable and salty about the lost potential of telling that story. But after Echo left and we stopped following his story, I gave that hope up. And ofc nothing about my criticism of this season is invalidated. But given the pieces on the board, I'd pretty wholeheartedly give the finale my stamp of approval!

• I'm ultimately glad that this show ended on a "We don't leave our own behind" note, because that's the clone energy and general Star Wars energy I'm looking for, and they did a great job of applying that theme to every non-villain in this episode, minor and unnamed characters included—but it's still so darkly funny for them to have continued to push this idea even though the first season is literally about them leaving their own behind and moving on. And then Crosshair calls them out on it. And then he just...leaves himself behind. Even in their first appearance in TCW, the Batch's entire vibe is that they keep trying to convince Rex to leave his own behind lmao. I just feel like the show wanted this adage to tie everything together, but then forgot to keep applying it somewhere along the way. But hurrah for this abundant use of it!

• My overall biggest criticism was that even within this one episode we got back on the rescue/captured/rescue/captured treadmill. It's the biggest plot crutch of the show. It's so goofy that Omega and Echo rescued both the children and the imprisoned clones by themselves. The setup made it so that by going to rescue Omega, Hunter, Wrecker, and Crosshair actually put her in more danger. And because they were there, more clones died, wtf!! But I do like the narrative flip—Echo and Omega were both saved by the Batch in their introductions in this era, and here are they are being the ones to save them in return. Omega and Echo also are the characters in the main cast who deserve the rescuer plotline the most, since they have been consistently portrayed as helping those in need no matter what.

• Hilariously, one of the most pivotal roles that the Forest Trio plays in regards to the GFFA at large is that they were essentially Rampart's rideshare drivers, thus enabling him to be there and force Nala Se not to hesitate to destroy Project Necromancer.

Rampart and Nala Se

• Hemlock saying his work makes him indispensable is fantastic dialogue; it just seems like some dickish thing he would say to shit on Rampart, but it ends up giving Rampart the idea to try to leverage his work to become indispensable himself, and in saying that line, Hemlock ushers his own ruin!!! This is the kind of script work I've been begging for.

• Also I was so right about Rampart being like a Kallus foil! That infamous shot of him in his sad, sterile room after Bahryn is mirrored here with Rampart sitting in pretty much the same position, except his path is the opposite from Kallus's.

• They did an EXCELLENT job with Rampart's fate. I was worried they were neutering him these last couple eps, even if the comedy was gold, but this was very well done. Everything that happens leading up to his death makes complete sense for his character, and it accomplishes the very key plot point of destroying Tantiss. At the start of the season I couldn't figure out how and why the Batch was going to end up delaying Project Necromancer for like thirty years, so I feel validated that they pretty much don't. Very typical of this show to not have the protagonists do the heroic work, but fuck it, I like this instance.

• The humanizing of Nala Se in this show has always been a bit of an interesting choice given that this is feels like such a direct successor to TCW and she was so clearly a villain there. But although they don't quite redeem her, her motivations and her fate were also artfully executed here. Her conversation with Omega pretty much takes into account every Nala Se scene in this show, which is a great way to wrap her character up. And I really like the mirror of Nala Se giving Omega her datapad in the season premiere, and Omega giving Nala Se a datapad here. Both times, Nala Se is determined to set Omega free.

• And I'm so glad there was a follow-up to the destruction of Kamino as well! Nala Se getting a bit of revenge against one of the beings responsible for the genocide of her people and destruction of her homeworld is not something I expected at all, and I love it. And the setup of Nala Se picking up the detonator and Rampart picking up the blaster is just fantastic, because you know from just those two shots that Rampart is willing to kill to gain Palpatine's favor for himself, and Nala Se is willing to die to make sure the being she loves will be free.

Echo and Omega supremacy

• Give me an Echo-led rebel show where he convinces all sorts of people in the Empire and the underworld to defect/help them, please!!! He's so good at it, completing Emerie's turn so efficiently! We have to assume Rex is also good at it given his cell and that he has clone spies and even undercover agents, but every time he sees Hunter he has tried and failed to recruit him lmao. Also REX'S NAMEDROP but him not showing up surely means...we'll see a continuation of his story soon after this...right??? Also this means Howzer still lives, oh, thank god.

• "Because it's exactly what I would do." Strategist Echo comeback yessss!! A nice little callback to the Techno Union arc that kicked this story off as well. And HELL YEAH Omega's relationship with Echo is my favorite out of all of her connections, and I'm living for their spotlight together this ep. I'm extremely invested in found family stories not relying on nuclear family narratives, and I love that you see throughout the show that Echo doesn't "raise" Omega like a kid—he trains her like a cadet. Like someone who he intends to be his equal, which is a nice and very appreciated contrast to others treating her like a precious sheltered baby.

• Their goodbye scene in "Truth and Consequences" is one of my favorites in the show, and I just adore that when Omega is upset, Echo doesn't coddle her—he reminds her of her duty to watch over the others, giving her a purpose and a reason to stand tall. When he conveys that he was worried about her and thinking of her while she was captured, he gifts her a weapon he designed and made for her during that time, so that she won't have to be defenseless after being defenseless for so long in captivity. It's so clone trooper, and I love it and the glimpses these details give us about clone culture and how the older clones cared for the shinies and the cadets and showed their love for each other.

• I also liked that Omega couldn't have escaped without Tech's training, since slicing was so vital. And all her stealthy stabbing is of course reminiscent of Hunter. And finally some emotional payoff for the ongoing bit about Wrecker being afraid of heights! I'm weak for inspirational Star Wars quotes, and this show hasn't had many, but "Just stay focused on what's ahead, not what's below," is a lovely one.

Forest conversations, my beloved

• The Kiners scored the fuck out of this episode!!! So many clever, thoughtful reprises. This is the first reappearance of Crosshair's theme that's played on the synths since he began healing! And then it segues into a soft violin tremolo version that makes me cry, and then it intertwines with "The Sacrifice" from Tech's death, ouchhhh. I have a lot of meta I need to write out about the tracks "The Reunion" and "They Always Work It Out" and how they say so much about Hunter and Crosshair, but I can't believe how well my analysis paid off in the cues in this scene! More on that in another post.

• Gosh, Wrecker's injury scared the shit out of me. But I love him so much and I'm glad he got at least a little moment, even if he didn't really have a story arc here. Or you know, in the entire damn show. And I ultimately liked that the purpose of it wasn't just to freak us out but to give them a plausible disadvantage and to give Crosshair someone to fuss over the whole time and act more recklessly because of it, thus reiterating this key character trait of his.

• I love Crosshair being worried about Wrecker and Hunter and them being worried about Crosshair. That's the squad content I crave and have been missing!! Unfortunate that it specifically has been happening when Omega is out of the picture. Writers, I swear to you, you can do both.

• Can't believe it took another half season for someone to say something about Tech's death, and it was Crosshair, who wasn't even there?? Cool line and sentiment, but man, so frustrating. I like this callback to his conversation with Rampart, though. "Depends on who's giving them" and in this first act he keeps trying to give those orders himself. Thinking of Rex on Umbara: "We're not programmed. You have to learn to make your own decisions."

• God the forest conversations in this ep and the previous one fed me so much. Hunter saying, "And so do those clones" had me literally jumping out of my seat and cheering. Baby boy, it took you so goddamn long, but thank you for finally actually giving a shit before the conclusion of your story. And "It's what I deserve," hnghhh that's the good shit, and it hearkens back perfectly to "I belong in here." And Hunter immediately telling Crosshair hell no made me very happy. And then later Hunter saying "Crosshair—" when he's worried Crosshair is still going to sacrifice himself, but Crosshair reassures him that he'll be right behind them... My heart! What a Crosshunt feast we got in this ep!!!

• Can't believe we also got so many Crosswrecker moments from the get-go and they kept coming! And my three precious little Techwrecker crumbs: the way Crosshair specifically chooses Wrecker to say the cutting remark about Tech to; the way Wrecker bows his head because that was right on target; and Wrecker being the one to watch Tech fall and to scream, "Don't do it, Tech!" in "Plan 99" yet the one to say with such conviction here, "We've always known the risks. And so did Tech." That's just so...finally accepting your beloved is gone ;_; Not really deserved by the text, which kept all but a total of like maybe one total minute of mourning off screen for some fucking reason, but.

Clone X, more like Clone Sexy

• There aren't nearly as many Clone X dudes as I expected?? I guess Crosshair's situation wasn't that rare after all? Or do they just run through them super quickly because Rex's team keeps taking them down?? Regardless, god, THEY ARE ALL SO SEXY. The way they animated their movements was so creepy and hot. And them not speaking was so eerie, I loved it. And then the moment that CX-2 did was so effective and terrifying!!! But remembering that those were clones in there is so, so heartbreaking.

• I really like that Echo really felt like both a clone trooper AND the resistance agent he is now this whole episode, and Hunter, Wrecker, and Crosshair actually briefly got to feel like commandos. The slick stealth and silent communication was also very sexy.

• MY GOD, I loved these action scenes. They were lit and choreographed so cool, they were super intense and had real consequences and close brushes with death, and the logic of the fight flow was really good, too. A character being incapacitated because they went to try to help an ally is always a wonderful driving force for action and gives it that crucial character-driven element that raises the stakes, and is great for making sure the main characters aren't too OP, and there was a ton of that here.

• Hunter and Wrecker getting shot by laser cannons and Hunter pushing Wrecker away from the blast made me shriek in terror AND THEN CROSSHAIR SHOOTING THE PILOT DEAD ON NO HESITATION NO ANXIETY NO TREMOR BECAUSE HOW DARE YOU HURT MY HUSBAND I'M FUCKING LIVINGGG. And then Wrecker stumbling over to Hunter and lifting the debris like he does in TCW. Boom, three pivotal character-driven action scenes in a row that divulge a key characteristic of each character! Excellently written and directed.

• Also I am SO SO SO HAPPY that we're getting to see this protective Crosshair come out in full force!!! This is the Crosshair who risked his life to try to save Mayday, who shouted hysterically when Hunter fell into the ice and was so desperate to get him out, who worried over Omega on Teth. I also really like this contrast with how he was about Echo—"Echo's on it." He knows Echo will get the job done and be safe and that's despite his former prejudice against regs. He's worried about Hunter and Wrecker and that's despite previously spending time trying to hunt them down. And when he suffers consequences, it's because of him worrying about them, and that's so delicious.

• Finally got to hear Crosshair screaming! And Hunter was already the screamer in this show, but goddamn does he get to scream in this episode. Thank you, directors, for this whump material! My man Steward Lee never lets me down.

• THE WAY THAT WHEN CROSSHAIR IS TRYING TO SAVE WRECKER HE REACHES FOR A DC-17 OMG!!!! I feel so validated! And just like with Mayday, he's incapacitated afterward...

• God the way CX-2 waits to be tossed the vibrosword and then leans down with it while Crosshair is already incapacitated is SO brutal, like this is not a battle injury. It's straight up what Anakin fucking Skywalker does to Count Dooku just before he becomes a Sith Lord, like holy shit, dude. This scene is so cool and I've watched it 10,000 times over the past 24 hours, but also why did he do that lol, is he just supposed to be particularly cruel?? Obsessed with tormenting Crosshair for some reason?? Also, these vibroswords are exactly how I've pictured Ahsoka's being in A Future for Us :D

• At this point I was like, uhhh, the messaging of Crosshair struggling with this psychomatic hand tremor since the first episode of the season and then the symptom literally being taken out of his........hands sure is a Choice, especially coupled with how they've treated Echo (or you know, not). When they showed him still with the symptoms later, I was very relieved, AND THEN HUNTER LITERALLY CURES CROSSHAIR THROUGH THE POWER OF THE LOVE AND FAITH AND TRUST HE HAS FOR HIM IS THERE ANYTHING MORE BEAUTIFUL IN THE WORLD???? But I'm getting ahead of myself.

Echo is the GOAT

• "You were helping us, Dr. Karr?" / "I am." I love this subtle line and how Emerie acknowledges that she wasn't sure of her loyalties before but is certain now. And I love that she says such a clone trooper thing, "You have my word," and then doing the clone shoulder pat, especially in direct contrast to the natborn kids hugging Omega just before.

• "Hey, kids. ...And other kids." is just so fucking 501st, I can't explain it. I'm just so ecstatic that they did Echo such justice in the end, giving a nod to everything about his character, even his dorkass cadet personality. And it wasn't just so he could die, thank god!!!

• Like Echo even got a DARTH VADER homage??? That's his mass-murdering general (affectionate). More on this here!

• Also is there anything more Big Dick Energy in the world than Echo eviscerating Rampart—who either the clones would recognize as a former vice admiral or at least see his captain rank plaque—with what may not be a theme this show really earned but is ABSOLUTELY a theme that Echo deserves and has shouldered for over two seasons...and then just straight up shoving him out of the way so that he can talk to his brothers???? And with his stormtrooper helmet—which is like Echo refusing to dirty his hands (including his new, long-awaited one) by touching Rampart oh my god??? Sexiest man alive.

• So the answer is no, there isn't. Fives is hollering from the afterlife. Half those clones immediately developed a crush on him in that moment. That one clone later placing a blaster in Echo's arms so gently confirmed this for me (remember the symbolism of Echo making the energy crossbow for Omega? He even gives her his borrowed blaster in this scene), but it's so sad that he died because of it, whyyy.

• Also I love the "Clones don't leave our brothers behind" riff on the "We don't leave our own behind" adage. It's very fitting that Hunter would put it that way because he only means his squad (+/-1), whereas Echo would see it as meaning his people.

• And I love how when Rampart first shoves Echo, the clone in front that Echo's been talking to prickles and makes brief eye contact with him, to be like, "Should we take him? I've got your back." I felt that girls (gender neutral) in the bathroom energy so hard.

• The clones helping each other out of their cells made me so emotional. And it's the same way that Hunter and Crosshair do later...

• Echo asking for volunteers, just like Rex did on Umbara..................

• I think this post is breaking and I'm still only two-thirds of the way through my rewatch, oops. And yesterday I stayed up until 8 a.m. after I put it on again after watching it for the first time... I'm so normal about this show. More tomorrow!

• Part 2!

[ecoterrorist-katara]

Twitter found your posts about Firelady Katara, and they are being really rude about it. It's super annoying, I'm sorry

Anon, I appreciate the heads up & the nice sentiment! In the future though, I’d prefer not to know about how people react to my posts unless they’re being very nice. I don’t want to engage with negativity & smoothbrain takes, but I am VERY easily tempted lmao. My background in competitive debate / academia / leftist politics means I’m extremely argumentative, but I know nothing good comes out of Internet arguments so I need help ignoring antis. 

Anyway it’s helpful for me to remember that I’m in the Zutara fandom because I love to see people inspiring each other to create things. I’ve read so many wonderful metas, feasted my eyes on incredible fan art and edits, laughed at funny posts, foamed at the mouth over epic fics, and generally have been in awe of what this fandom has produced over the years. I mean…we’ve had colouring books! An EP! Animatics where Dante Basco himself lent his voice! This fandom has been around since before I was allowed to use the family computer and it’s so cool to me that it’s still thriving. By contrast, reacting snarkily to content that other people create is like…the opposite of generative and does nothing to better a community — which is why I fundamentally don’t care for antis and don’t want them to be part of my fandom experience. Anyone can make their half-baked opinion known online, but it takes spirit and dedication to create things you like for your ship. Anyway here’s a reminder that ZK Big Bang signups are still open for one more week! I still haven’t decided which role I want to play in this event but I encourage everyone to sign up!