#I love this album it means so much to me

[orikeel]

Listening to Mean (Taylor’s version) and realizing that it’s indeed been 13 years but really I’m now living in a big ol’ city and all they’ve ever been is mean

[kickedin17]

Regional at Best is so special because it feels so exactly like what it is, which is an album made by a young person, younger than I am now, who'd given up everything else to make this dream work and probably had no idea what the hell he was going to do if it didn't. Keep working a normal job? Go back to college? What do you do if the dream doesn't work, when you're an early-20-something who (like all early-20-somethings) has precisely nothing else figured out? What do you do if everyone's right and the art isn't worth it?

Then your bandmates leave. But actually, it turns out perfect anyway, because you end up with this other guy who also has precisely nothing else figured out and no plan B except to be in this very band with you. How rare and precious of a thing that is, to meet someone who believes in your art just as much as you do. At least if you fail you fail together, right?

I think RAB feels like the end of summer and growing pains because it exists in that same itchy, anxious space as your last summer before you graduate high school/college, when it begins hitting you that there will never be a summer like this again because next year you're supposed to be grown up. But the truth is you never figured out how to grow up and you never figured out how to stop dreaming. So many people have to learn that lesson for various reasons, but Tyler and Josh never did because they believed in it so much that I think it truly never could've failed. Even if they never got as big as they did w/ Blurryface, I think they never could've failed because they are for the dreamers.

Self-titled is complicated and beautiful and core to everything else they would do after, but RAB is the beating heart of what tøp was always meant to be imo. It's embracing the fear of getting older because you have no other choice, while acknowledging you're still a little afraid of the dark. It's a night light for the grown-ups who are still scared of long dark hallways they can't see the end of (and work email chains). You turn 23 and discover you probably don't actually want to die as much as you used to, and also that you still think pokémon cards are fucking rad, and both of those things are okay. And maybe you'll never get out of this goddamn town but it never hurts to dream

[rearviewghost]

one thing that really fascinates me about alex is his devotion to art – and more specifically, how he chooses to get some inspiration from scientific works of what he aims to implement in his art. every time one gets to examine some of his lyrics, or even how he explains these lyrics in an interview, they can be greeted by some bits of actual scientific information. an example is how he named his taquería on the moon with the term “information-action ratio”, coined by the critic neil postman, and referenced it in the song four out of five, something that might also indicate an interesting articulation with postman's concept. the line “cute new places keep on popping up”, for example, can express his well-known sardonic discontent regarding the flood of information being generated and transmitted over and over and, as much as it seems visually appealing and does give the idea of benefiting from advanced technologies, it doesn't really add anything substantial to the receiver's critical thinking – and worse, it distances the information receiver from the sender in a communication channel, according to postman.

what i'm saying with this interpretation is, it's known that alex is enamoured with the idea of gathering a bunch of references and condensing them into a mixture of metaphors in his writing, but it's so thrilling how, at times, we can find some bits of science inside of it – and it's even more exciting, just like playing a puzzle game, to find these references and analyse them by doing a similar research to what he did to create his works.

[userwoosan]

Im genuinely sick of the disrespect towards yeosang by both fans and fucking kq themselves. What is it. Why do they hate him so much or disregard him i DONT GET IT. Yeosang is literally the sweetest most caring person in ateez and y'all treat him like fucking trash all the time and im sick of it i am SO sick of it please let the man breath. The way his smile dropped and those photos of him tearing up a but because his name wasn't called like fuck off kq what is wrong with this fucking company

[mukuberry]

This voting period really just feels like im watching a bunch of people force a gay man back in the closet

I know thats not people's intentions but literally how else is he going to take this guilty vote. "I just don't want him to think his lying was okay" he doesn't! And he's not going to think that! He's actively trying to stop lying! All guiltying him will do is tell him he should have kept lying and continuing his relationship!!

"I just want him to have some kind of consequence for what he's done" Was Hinako literally dying not enough??? Sure, he didn't love her, but he still LIKED her. They were friends, they lived together, he married her because he WANTED to love her! He is literally drowning in guilt because of her death, I think he's had enough consequences by now. He might not be wearing his ring anymore, but he still carries it with him, he is very clearly still grieving her death.

"Innocent votes have no effect on him" Yes they will!! It didn't do anything last time because we forgave him for the wrong reasons and because he absolutely hates himself. Assuming we're right about him being gay, which I'm pretty confident we are, having his 'true' self validated rather than his fake one will 100% have a bigger effect on him this time. Guiltying him will only make his self-hate worse and show him that only his false self is forgivable, so he should keep lying to be accepted.

I know most people's intentions are not to make him keep lying, but regardless of whatever intention you have, it doesn't matter how you want him to take it, you can not ignore how he will actually take it.

[kindahoping4forever]

AshtonIrwin: Have you ever seen a professional musician in the studio? 😂 “THANK YOU CLEVELAND!!!”

[royaltimelord]

the twenty one pilots clancy concert hit different after a psych appointment

@that-weird-kid-angel

[daddy-long-legssss]

I learned that you can make it to that kind of level and remain in tact as a human being. And I learned that Sheffield’s people are very similar to Irish people. We bumped into them at the same pub a fair few times. But I believe it goes beyond that.

— Grian Chatten from Fontaines D.C. on what they learned after touring with Arctic Monkeys [x]

[skeletalheartattack]

...am I just losing my mind or did yer icon become evil? I don't remember that BeAst behind Boe

yuuuump always been behind me

[jadelemonadee]

ok laplaces angel with seabury let me cook let me cook okay the king is the little “it’s the norm for animals” voice since he’s the main root of most if not all of seabury’s political beliefs or something idk and maybe the main thing is him having this whole realization that perhaps his beliefs don’t exactly perfectly align with his morals and that he was never in the right to begin with??? (with the loyalism thing and him being a pacifist) because yk the whole “oooooh could you take a look at me am i bad am i bad am i bad am i really that bad” right guys right haha right????/)/) please ive been having these thoughts conjuring up in my head for several months but idk how to put it into words and still be coherent 😭😭😭 this is so cringe ok bye don’t even read this (or do……😳😳😳😳)

listen to it pleaaaaase 🥺

[milkhorns]

𝘐 𝘭𝘪𝘷𝘦 𝘪𝘯 𝘢 𝘩𝘰𝘭𝘰𝘨𝘳𝘢𝘮 𝘸𝘪𝘵𝘩 𝘺𝘰𝘶 🌃

((💖A lorde related doodle for the tenth anniversary of pure heroine!💖))

[h0neytune-cherub]

Miharu Koshi, Parallelisme +

[granitxhka]

getting on my plane soon, i’m officially a moved girlie!

[questwithambition]

“[lt's about] the significance of something so mundane but so remarkable - to experience a bed that has been warmed by somebody else in a space that you now share now with somebody new. It's a love song."

~ Hozier, on "To Someone From a Warm Climate (Uiscefhuaraithe)"

[chelseahotel2004]

i've been getting a lot of new followers these past few weeks so this is my semi-annual music plug... my roommate and best friend in the whole world released an AWESOME album last year and you should totally go listen to it. one day he's going to be soooo famous and then you guys can brag that you listened to him before it was cool

[thenwethrowitonthefire]

it doesn't have to be that way.

okay

I need you to know that I've been thinking about this ask non-stop for the last 3 days. This song came for us all and took us under its wing. I live here. It's a gem of a song. (This reply will get very long.)

My first time hearing it was live, as it was for a bunch of us as the album release was at the beginning of the tour. To set the scene, I was obviously really excited for any new songs I'd be hearing that night, and then Russell introduced the song like this:

"This is another brand new song for any of you who feel like maybe you're not on the right course. [He pauses briefly.] It's a song that's called 'It Doesn't Have To Be That Way'."

I was already nearly in tears, and then it started:

They always said that you cannot change your mind, Do it once and you're defined, do it twice and you're divine

...

It doesn't have to be that way, okay?

Every line of the entire song hit me like a brick while also being the most comforting thing I've ever heard. It was beautiful. And coming from the guys who for over a decade have been my personal champions of "things not having to be that way", the guys who are my people, who have by their very existence been telling us all this exact message for all these years. And here it was, in words, aimed at all of us.

They always said that you need to have a plan, Doesn't matter, any plan, any plan they'll understand, It doesn't have to be that way, okay?

... They've not been known to go for songs that bring people to tears, and I'm not known to be the kind of person to listen to songs and cry. And yet here we were.

While I can write an essay on every verse, a part that's especially meaningful to me, as a queer person, as an aspec person, is this:

They always said that it must reflect your life, And incorporate your strife, maybe mentioning your wife, It doesn't have to be that way, okay?

These *are* lines that seem to reflect their life (the entire song seems to, just as it does ours), and they're all things I've always loved so much about them, things that have paved the way for all of us. But I'm going to especially highlight the "maybe mentioning your wife" line. Here we have two (likely) heterosexual men, but they don't bring their love lives to the public eye - very consciously, and by choice. What they do with their lives is all about their music. Their lives are highly meaningful, to them and to so many people, and you don't need amatonormativity or the nuclear family to have a beautifully meaningful life. They show that every day, in all they do. Their work has always attracted many queer people of all sorts for obvious reasons, and it's been so easy to find aspec people among the fans which is a real treat. While they likely both have partners, the beauty is that we don't really know. We don't know that part of their lives and we don't need to know to know them, if they're not telling us it doesn't concern us. There's a lot of people who don't understand this though, people who feel like they don't know who Sparks are as people because these people feel like in order to know who a person is, they need to know their relationship status and whether they have a family. (In reality these people are looking at the wrong things, they're trying to classify and understand life in the only way they know, and therefore they seem to be unable to see what's there.) The added beauty of all this is that it doesn't just gives Sparks some privacy, but also it creates a safe space for all of us who aren't looking to live that way, who aren't looking to build our lives around a romantic partner, for whom the ideal life isn't one where you build a family, or for whom that do wish to live that way but where it isn't the thing that defines you. You don't have to mention a partner or make your life about that. It doesn't have to be that way, okay?

And then there's those parts of the song that go,

I may be wrong, I'll pay for it, I'll pay for it,

No chart-bound song, I'll pay for it, I'll pay for it,

No sing along, I'll pay for it, I'll pay for it

I'll pay for it

Which can be read and felt in a number of ways which all mean so much to me ... There's their own lives in it, where they've always done things their way, where people may tell them to not do things that way, and where it might not work out - I'll pay for it, I'll pay for it. Theres our lives, where we equally all make our decisions, try to just live our own ways to the best of our abilities and where we make mistakes - I'll pay for it, I'll pay for it.

And then, thirdly, to me, there's the feeling to it where they've got our backs. No chart-bound song, no sing along, that can be about an album not becoming the success it was hoped to be, but if you just look at No sing along, I'll pay for it, I'll pay for it, to me there's also an aspect of not wishing it upon another - instead carrying it for you, don't sing along. (This feeling feels further supported by the ending of the song, how 'bout a drink, I'll pay for it, it's been too long, I'll pay for it, which to me reads as paying for that drink for your friend so no one has to go through it alone nor without support.)

I'll look uncool, I'll pay for it, I'll pay for it

I'll look the fool, I'll pay for it, I'll pay for it

I'll look too schooled, I'll pay for it, I'll pay for it

I'll pay for it

The price of authenticity, the price of following your heart and your beliefs. And we all felt that.

As you can tell, this is one really really special song. It had so many of us in tears. We all spoke about it for weeks, I'm still talking about it. It's kind of like Sparks' life concepts we all already understood, that drew us here in the first place, got beautifully distilled into a song. (So much of this recent album has that quality, and it was felt all throughout the entire tour too.)

Every night Russell gave the song a slightly different introduction that hit people right in their heart. There's a quality to it performed live that makes it hit even harder than on the album. I recorded it at every show I've seen. Here's two of them:

... it especially hits hard when you're near the front, looking at these guys with your big eyes, locking eyes for a second and you know they know. (I also did a quick shot of Ron's Jordans here, seeing him wear them was always a dream of mine and here I was, stood right in front of him seeing him wear Jordans.)