#I might actually play some Pokemon today | Explore Tumblr Posts and Blogs

wiptw · 2 months

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Pokémon Stadium Series

Nintendo 64 - Nintendo - 2000 to 2001

You as a Pokémon fan are absolutely fucking spoiled these days. Aside from the mainline games you have spinoffs and fangames offering different experiences, you have entire websites dedicated to documenting everything down to the internal maths of the series, there's no end to the free content you can access with an internet connection between emulators and battle sites like 'Showdown!', and it's now socially acceptable in most circles to be older than 13 and have something with Pikachu's face plastered on it (especially if you're female presenting, especially if your friend group is also infected with the Pokémon hype). Back in my day™ you had almost none of this. You had the anime on Saturday mornings, you had the early run Pokémon licensed merch which WOULD get you called a baby if you continued buying past 10-12, and you had the games. Those sweet, sweet games that indoctrinated a generation of young people into being gamers and awoke a horde of JRPG addicts.

Literally Me

So remember this when I tell you that Pokémon Stadium, both one and two, aren't great games because they do something back then that you can't get today; they're great for what they did back then. So Pokemon Stadium 1&2 were a duology of games from 2000 and 2001 respectively that allowed players to battle Pokemon in 3D, with the addition of some side content such as minigames included to prevent the game from being 100% Pokemon battles. Because otherwise, the game is in fact navigating a series of menus and completing Pokémon battles with 3D models.

Whether it's taking on the gym gauntlets, the marathon of battles in the Pokémon cups, or just free battles with friends and loved ones, 98% of the experience is either selecting Pokémon from a roster of pre-built 'rentals' or transferring them from a saved game using the Transfer Pak, then fighting them in a series of 3D environments. An experience which you can definitely do today using web apps but as I said earlier, we didn't have that.

The peak of Pokémon battles in 2000

So if you're buying Pokémon Stadium (either version really) you're already probably a Pokémon fan right? So that means you have Red/Blue/Yellow/Gold/Silver/Crystal, so why not just play that game and get the full experience? The fun of exploring, talking to NPCs, discovering new and exotic locations? Simple, because in those games battles looked like this

While in Stadium, battles looked like this

If you grew up watching the anime while playing the Gameboy games, there was this special kind of dissonance where you might find yourself saying "Yeah, (for the time) these graphics are RADICAL but I wish I had something closer to these cool Pokémon Battles they had in the anime." As you hide under the covers with your Gameboy Color worm light, nestled in your Ash Ketchum pajamas while you attempt for the 100th time to capture a ditto. Pokémon Stadium was the answer to this dissonance, providing you with vibrant 3D graphics unlike anything you'd ever seen before; bringing Pokémon to life in a way that would be unmatched until Colosseum came out during the Gamecube era.

So, to actual mechanics, you play both games pretty similarly; by building a team of Pokémon (either on your handheld or by using the rental mons the game provides) and take part in a series of battles to become the ultimate battle master. To use your own Pokémon, you'd need to use the aforementioned 'Transfer Pak' to plug in a copy of Red/Blue/Yellow (for 1) or Gold/Silver/Crystal (for 2) with a game saved to the cartridge; otherwise the rental Pokémon covered all released Pokémon (except for some hidden ones) allowing you to build your dream team, sans a few caveats here and there.

Evolved Pokémon have better stats but worse moves, while weaker Pokémon tend to have better moves to compensate

In terms of WHERE you can battle, there's two choices: Either in the Gym Leader Castle, or the Tournaments held in the center of the map on either game. Either way, the game will then have you battle through a series of 3v3 matches versus a set number of trainers who will also select 3 random mons from their full team of six.

A bit bare bones, but there's some spice to how things are run. For one, the rental system was a huge thing for us younger players back in the day. Even if you had the games some Pokémon were hard to catch, had evolution requirements some players couldn't complete (like the trade-mons), or were locked to a version you didn't have. The rental mons give you a list of every Pokémon (some exceptions, but not many) and then lets you build your dream team. Sure, you can't set their moves, EVs, IVs, and it's the era before abilities and natures but I CAN HAVE A MEOWTH/PERSIAN ON MY TEAM. Do you know what I had to do as a child to have this Pokémon outside of Stadium? I had to find someone in the American South who also enjoyed Pokémon, hoped they had Blue instead of Red, hoped they had a link cable, then get them to agree to a trade despite both of us being children (and therefore, objectively terrible) which likely meant giving away a rare Pokémon in exchange for what amounted to common garbage in their game because it was Version fucking Exclusivity™ and everyone seemed to know that meant you'd do anything to get that one fucking Pokémon you wanted.

In the handheld games, if you wanted to build your dream team then likely you'd have to put in some more effort than other games of the time would've required of you. With Stadium, your dreams come true, and if you already have that dream team you can just import them to fight in glorious 3D. Circumventing the fact that rental Pokémon are kinda terrible overall.

Don't feel like building? The challenge cup mode that gives you randomized team comps that has it's own charm (for masochists)

Not to say all of them were bad but construct a normal distribution of 'Good' to 'Bad' picks then that graph is gonna skew left so hard you'd be forgiven for thinking it was just a straight line. To keep every choice 'viable' Pokémon rentals were balanced around stats and moves. More powerful evolved Pokémon and Pokémon with high Base Stat Totals (BST) were given weaker moves and first form and low BST Pokémon were given generally better moves. Charizard might have better stats than Charmeleon and Charmander but his only fire type move is going to be something like Fire Spin. Conversely, Charmander might have Fire Blast but his stats are gonna make him an easy target for the computer's pokemon, which are not bound to the same builds as the rental mons you're using.

Once your team is assembled, then you're off to battle trainer after trainer after trainer with beautifully scored (for the Nintendo 64) soundtracks giving you an unearned sense of importance every step of the way. Battles themselves are conducted with a weird, but functional control layout where A and B access sub menus you then check with the R button before finalizing with the c-buttons, which on original hardware or a USB N64 controller is fine but on emulation with a more modern controller like Logitech, can be a little nerve wracking as you worry about whether your 'up' input on the control stick was up enough for the game or if you accidentally drifted right or left using an unintended move.

fun fact: the name of imported Pokémon affects their coloration in Stadium

Battles are also largely regulated by (at the time) tournament standard rules. Little and Pokecup have level restrictions, and all three non-random cups include clauses for sleep, held items, and repeat Pokémon. Additionally, in any cup if you win the round with all 3 Pokémon still in tact, you're granted a continue; meaning you can retry the battle if you lose. Additionally, there is no 'draw' outcome in these games. Use a move like Explosion or Selfdestruct and the game will register it as your loss on your final Pokémon, regardless of whether you took down the opposing fighter with you or not.

You'll be doing a LOT of back-to-back fights here against trainers with varied team comps, but even with over 246 Pokémon in the available potential lineup you'll get tired fast of fighting. This is, however, slightly mitigated by the 3v3 nature of the matches but even so be ready to here the same Pokémon noises, watch the same effects play out, and wait for the same health bars to tick down over and over as you claw your way to the spot of Pokémon Master.

The art style of non-battle scenes like the main map and minigame plaza have that nice, 90's charm to them as well.

If you do get tired of battling it out, then Stadium 1 and 2 both offer minigames for players to partake in. Either in a tournament format or by using the free-play browser, players are able to take part in a multitude of different Mario Party-esque (without the hand burning) minigames featuring the Pokémon as stars. Minigames consist of stick twirling, button mashing, and point collecting all while controlling fan favorite Pokémon such as Togepi, Eevee, Scyther, and Pichu with no real rhyme or reason behind why these game exist aside from a amusement park theming the minigame zones have for their icons and menus.

You won't get a real explanation as to why you're racing Donphans, cutting logs as Scythers and Pinsirs, or playing Simon Says with a bunch of Clefairy, but you don't really need that either. The games are fun, the models are charming, and watching Clefairy get smacked in the head for each wrong input brings me a level of joy I should probably talk about with my therapist. You won't likely spend hours in this mode, but it's a nice breather from the onslaught of battles otherwise.

fun fact: I still won't talk to some people because of the outcomes to Rampage Rollout over two decades ago. You know who you are.

Additionally there's a quiz minigame separate from the main selection of minigames with easy/normal/hard difficulty selections. Players compete to see who can be the first to get a number of questions correct before anyone else based on facts about the Pokémon (typing, size, silhouette, etc) or facts about the game (where you can find things in the game, names of routes and towns, names of figures in the game).

It's not the most challenging on easy or normal, but playing on hard the game will try to screw you with trick questions so playing with others becomes a balance of "do I let the question play out, or attempt to steal it before someone else can answer correctly?"

Sometimes even playing the game won't prepare you for how out of pocket the questions can get

The real advantage of 2 over 1 is that, in addition to minigames, the game has the trainer academy; a kind of in-depth battle tutorial to teach players not only the basics of Pokémon fighting, but also some secrets as well

You can learn about held items, a feature new to the second generation, as well as participate in mock battles to demonstrate the materials you've been reading and quizzed on. Some of this information for the time too was obscure or hidden knowledge, like the fact that using Defense Curl before using Rollout would boost the damage significantly or that using Stomp on an opponent who used minimize would double the damage.

Some type matchups just make sense, like Ground v Electric.

Overall though what really makes this game is the presentation. The soundtrack does a great job selling the feeling Nintendo wants you to experience, climbing the ladder in a tournament or the Gym Leaders Castle makes you feel powerful, and the little details on top of it all just tie it together in a nice package.

The fights, for example, are also narrated by "The Announcer". A bombastic voice shouting over every detail of a fight. When you score a crit, when you apply a status effect, even using certain moves will get the announcer loudly narrating each detail like a Pokémon prize fight. Seeing the ground rip apart when you use Earthquake is only half the charm, the other half comes from that man yelling in your ears "A DEVESTATING EARTHQUAKE ATTACK!". Clearing gyms or clearing opponents in one of the cups grants you gym badges, a dream for any child growing up on the handheld classics or watching the anime who wished they too could earn shiny bits of metal that gave them an inflated sense of importance.

I would literally kill everyone I came across if it'd get me a real life Zephyr Badge.

Stadium 1 and 2 aren't evergreen classics. They're stuck in Gens 1 and 2 respectively, the roster of Pokémon while impressive is largely useless and makes collecting trophies way harder than it has to be, and the games were made before things like abilities and double battles were introduced, leading to the Pokémon battling game missing out on the generation of Pokémon that made battling more fun (Revolution doesn't count, Revolution is dead to me and disappoints me more than I disappoint myself.)

But for the time especially, it gave fans an opportunity to experience a form of Pokémon more advanced than what the handhelds could output. It was a window into a world of potential that wouldn't be truly fulfilled until arguably the 3DS era of Pokémon released, and gave fans a fun little romp handcrafted for them at every twist and turn. Whether you were a gamer or you enjoyed the anime, there was something here for you.

Overall: 7/10 Sound: 8/10 (for the time) Graphics: 9/10 (for the time) Memorable Moments: Stadium 1: Hearing about Mewtwo, thinking he was an urban legend, then finding out he wasn't Stadium 2: Finally beating the elite 4 using only rental mons.

#wiptw #video games #gaming #pokemon #pokemon stadium #pokemon stadium 2 #pkmn #review #7/10 #Nintendo #nintendo 64 #n64 #retro #retro gaming

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wewerebornsextuplets · 4 months

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idk how but you draw in the Oso-san style so good i need to know your secret please

HAHA thank you very much!! im glad you think so :D unfortunately im not very good at explaining how i work, but ill try my best to show what i mean!!

once again this is long as hell. you know the drill at this point

to be honest, half the battle i fight with drawing in the osmt style is just. Looking at it. the ososan art style actually fluctuates pretty wildly depending on what you're looking for, whether that be the mobile games (for instance, tabimatsu and hesowars look nothing alike in terms of style despite both being the same source material), official art and merch, or even the seasons of the show itself!

using ichi as my example here since i draw him the most, but its pretty easy to play spot the difference with the varying styles. even within a specific season you can do this across episodes, especially with season 1!

when i draw, i tend to be a bit sacrilege and use references across different media; usually ill use the show [especially season 2, if only because its a bit more "uniform"] as reference for the actual features and colors/poses/etc, but i like to use hesowars to reference proportions, since they seem to be most consistent there.

SOMETHING IMPORTANT TO NOTE: theres a WEALTH of fanartists that have styles that are INCREDIBLY similar to the show, so be careful to check your sources! these artists deserve credit for their hard work, which they often don't get since their work is reposted under the guise of being official art.

once you've pinned down the exact style you'd like to emulate, and the character you're looking to draw, its really just a matter of finding references, which is pretty easy! you can scrub through different episodes for good angles/shots, or if you're going for one of the game styles the AU wiki has most of the games catalogued to my knowledge. if you're looking to draw an oc, use characters you think they would look similar to in the show. if you really wanna waste your time, though, you can always scrub through crowd scenes in the show to see if any background characters might look like what you're going for; the season 3 episode Mt. Takao comes to mind, there were a lot of cute mob characters there.

using keiko as my example here, you can see that i pulled her features from multiple different characters to get her to look right in the style. with ocs, its important to reference a number of different characters, since the likelihood of a background character being a 1:1 for your little guy is unfortunately pretty low. there WILL, however, be a lot of characters that look KIND of like them. the key is to figure out what parts go where!

to this point, most prominent ososan women have very similar stock anime girl faces with very minor differences, so if youre looking to make a cute girl oc, most of the womens' faces can be used somewhat interchangeably. if you want your cute girl oc to have a more unique face, though, the movie gave us some women with more unique faces in the form of the NEETs' old classmates! theres also no harm in referencing male characters faces in this regard. #butchswag #kiruminikuya

BUT. going back to the assumption that you're drawing a canon character, today I'll be drawing oso for my example

when you're first getting a feel for the style, tracing some of your references can actually be a really great way to acclimate yourself to the characters proportions and features. think of like when you were a kid, and would trace over pictures of pokemon or cartoon characters so you could draw them better. its basically the same principle! this was especially helpful for me when it came to eyes; they vary the most wildly of any other trait that characters have in ososan, so going over the different shapes to get a feel for each of them was very important.

when you trace, though, I recommend doing so a bit more loosely, sort of like if you're doing a photo study for anatomy; block out the basic shapes and do small markers for different features (i.e small lines to denote where the eyes start and and, distance from nose to mouth, things like that), and from there draw the rest on your own.

after long enough you'll get a feel for the basic placement of where everything should go! the eyes and nose are undoubtedly the hardest when it comes to the sextuplets, since they shift around a LOT between games/seasons/etc. so don't feel bad if you have a hard time with that, since there isnt really a "right" answer with how frequently it changes. i still fuck it up all the time myself!

as for some basic tips, heres some stuff i try to keep in mind when drawing them that just helps the finished product look a bit nicer!

when drawing the hair + fringe line, its important to swoop it downwards a little bit; the flat across look Can work, but if you're not careful you risk showing the tops of their eyes, which is um. ew! ick! nast!

when a matsu is facing forward, their hair will usually tend towards one direction to keep the silhouette. in most screenshots i saw, the bowl cut points left! that said, dont be afraid to point rightwards if its better for your specific drawing!

and lastly: USE THE LIQUIFY TOOL. LIBERALLY. i am not joking when i say this has saved my ass so many times, its hard to get the placement right on the facial features and even harder to get everything to LOOK good, so if its available to you i HIGHLY suggest just squishing everything around with a liquify tool until it looks right. you can always go back and correct the blurry lines. its really a life saver

BUT YEAH! i dont know if this was very helpful but i hope you're at least able to gain something from it :-))

#larry time #answers

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factual-fantasy · 6 months

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Heya Factual! Congrats on the 23,000! Yet another well deserved milestone earned by your hard work and dedication! Really sorry about the cold- we always seem to get sick at the worst of times! Definitely don't do anything crazy till you're 100%, but thanks for making that really cute celebration piece- you can really tell how much the factual Fam cares about you from their worried expressions...and then there's Gerald, who refuses to let his happy demeanor waver for a second! Though then again, he is still quite young- he might not even understand the concept of getting sick yet!

And on that note, at least till you're better, I definitely won't send any unnecessarily exhausting Asks like last time ( thanks for answering that so thoroughly though- that was really cool! ) and just keep it simple- and my ask today is regarding the simplest Mario enemy, the goomba!

You've mentioned them in the past as beings created by Kamek- How does he do it? How long has he been doing it? Are the goombas sentient, or just savage constructs? How many are there, in ratio to the Koopas? Did the bros have to fight through a bunch of them on their way to the castle? And do any of their variants exist, such as the micro goombas, para goombas, or giant goombas? We require the Goomba Lore!

Thank you! :DD I'm doing my best to take it easy.. I've spent most of my days recently either sleeping, sitting, or playing Pokemon Scarlet XDD that's relaxing right? Yes, I believe so-

As for Gerald, he isn't ignorant to my condition- he's actually meant to be surprisingly emotionally aware. :0 He's smiling though all this because he wants the others to be happy. And if he's calm and smiling, maybe we'll smile too.. 🥺

I was intending to draw a comic that goes into Gerald's character a bit more... But I just haven't been well enough recently to take on a project like that.. :((

And don't worry about "exhausting asks", I encourage them! :D I could really use some lengthy asks as a form of distraction to be honest.. 🥹💔

Speaking of asks, about your Goomba questions..

Well, starting with Kamek actually- I have intentions to make him a few hundred years old. Being the most powerful magikoopa there ever was supposedly.. and he's been associated with the royal Koopa family for generations.. though this idea is in canon limbo, because I'm having trouble figuring how exactly he's managed to live so long. Considering how magic works in my au.. his lengthy life span shouldn't be possible..

None the less, even though I haven't gotten that idea to fit yet- I love it so much that most of the au kinda branches off from it- <XDDD so with that established, Kamek brings Goombas to "life" using magic of course!

I was thinking that the ability animate dead/inanimate things is a very complex magic that took Kamek years to learn. And he was only finally able to master it in the last 100 years or so.

Now for the Goombas, they are not sentient for sure. They are just these little.. zombie like.. machines. They start as poisonous mushrooms and when they are "brought to life", they gain this desire and need move and attack anything that doesn't appear to be a Koopa.

As for the Koopa to Goomba ratio.. I'd say they make up 1.5/10 of the kingdoms population. They are very disposable and "easy" to make.. but they are relatively fragile creatures and take a while to grow.. plus the Goombas don't live very long. Since they uproot themselves upon being "Goomba-fied", they eventually wilt and die.. :/ so that number doesn't ever go over 1.5.

I'm sure Mario and Luigi had to squash some on the way to save Peach the first time. But it was only after her rescue that one landed a bite on Luigi..

As for their variants, the micro and Giant Goombas surly exist! Though king Goomba might not because the original brown mushrooms probably don't grow that big-

As for para-goombas.. hmm.. I know there won't be any Goombas with wings going around. But perhaps there could be a Goomba that can release airborne spores.. or at the very least can attack from afar.. that could get them the title of para-goomba! :0

I think I covered everything, I hope at least-

Thank you for the ask and interest in my au! :DDD it was a nice read and took my mind off of all my ailments for a short time 🥹💖

#my response #super mario bros #i really gotta work on kameks plot holes #i want him to be super oldddd #being loyal to the koopa family for generations..#hes personally met them #all the family stories and secrets and grief this man knows...#OH OH ALSO #it would be so cool if he was 100s of years old and when you look closer at him you realize not much of his original body remains-#he would be so creepy and haunting #you'd wonder how much of this man is “kamek” and how much is a brainwashed drone meant to serve the king..#ooooo hes so fun i love kamek #i wanna draw him so baaadddd 😭😭💔

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jjinx1998 · 5 months

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xxtc-96xx Callout post

To start I want you to know I didn't want things to have to come to this but after recent developments and discussions from others I cannot ignore what's been going on for years now. This is a problem revolving around the user @xxtc-96xx , the comic Endertale, and the Undertale fandom. I will try to explain what I know and offer proof when I can, but there might be some sloppiness as this is my first real post on Tumblr. If there is any technical issues about this post, please let me know so I can fix it.

Let me start from the beginning. I have been a long time fan of xxtc-96xx since about 2016 (I will refer to them as TC to make it easier). I have enjoyed looking at the art they create for many years, mainly the ones revolving around Endertale.

Endertale is a fan comic that TC made of the game Undertale. It's a very decent story with a pleasant art style. I would recommend it but I cannot and I will get to why. You see TC has suffered from something that just about any creator can relate to, burnout. The most recent comic page being posted in 2021 though there was already a hiatus established before that.

While they made it long clear that they needed to go on break for personal reasons, people wanted to ask for when they will continue it. Some of them calm and reasonable and other's were very much not nice. TC answered them honestly at first.

Then it started to devolve into troll responses or just not answering.

Not just on Tumblr but people kept asking on Deviantart as well. In fact people are still asking today in 2024. It has gotten so frequent that TC felt it necessary to change their profile header to this:

And it has stayed that way for so long I lost track of when it started. To be fair, even I found the frequent questions to be overwhelming and they just like every artist who makes stuff for free is entitled to take a break from their work. However this post isn't a complaint about how long it takes to finish a comic, it's about something that started because of the wait.

See, their original reason to take a break was because they were too busy with personal matters for them to commit to an actual comic. But as their history up to today has shown that's no longer a valid excuse. As time went on they started to show an interest in the Pokemon fandom. specifically the pokemon known as Mewtwo. To make a long story short, what started as small doodles grew into a whole bunch of fancomics and animations. To compare, they have drawn nearly four times as many Pokemon drawings compared to Undertale. Now, it is perfectly fair and acceptable to find an interest in a different fandom. And while I personally prefer Undertale over Pokemon I completely supported their decision to focus on other fandoms and enjoyed what they made. I also understood their issues with the fandom at the time, some people were rather aggressive, rude, or demanding the comic to be completed, a comic that's completely free that they make no profit out of. I even recall one point they tried to unsuccessfully drag a different content creator into this issue as if it would somehow work.

However I started to notice they had a warped perception on the fandom. Rather than blame the few people that harassed them online with constant asks, they believed that the entire fandom as a whole is to blame as declared it all toxic. Something they insist on repeating to all their fans and making them believe their opinion as fact.

Now for the record I am very aware of how toxic this fandom was and can be at times. I was around since the beginning and have seen just about every drama that has come. From the fans harassing you for not doing the pacifist route in the first time playing, people arguing if either Frisk or Chara is a really bad person, arguing over Frisk's and Chara's gender, is genocide the right choice, is Toriel the bad guy or Asgore, and a controversy revolving around a certain creator of the au Glitchtale (the last one TC coincidentally emulates their "Delay work for one week for every ask" and finds it amusing). I know this fandom is not the best but I love it all the same, it's as much a part of my life as it is for TC. I know I am not perfect at showing my interest for Undertale, as this image of a private ask shows.

Or this time I made a obviously joke ask and apparently I didn't realize a lot of people don't understand sarcasm.

Or when I tried to ask this sincere and nonaggressive question, one of the few times TC isn't putting up some kind of attitude.

Or this other ask from me.

At the end of the day this is just a comic. No one has any right to demand them to continue it or make death threats, this is completely unacceptable. However, at the same time this doesn't mean the creator should dehumanize the entire fandom or punish the few that are being respectful. They wait and what do they get, people mocking them and bullying them. That's what I realized in the past week when I engaged in the comments of a few posts. TC allow their fans to bully the fandom.

I tried to be as calm and reasonable as I can and yet I get called out as a toxic fan. And in the end did TC scold everyone else, no, they basically told me to shut up. I overestimated the fans intelligence and if they could handle basic logic, read the comments for yourself to see my point. As someone with Asperger and anger issues, it's a god given miracle I am still trying to maintain my composure within this insanity that has been going on for years. I have spoken with several content creators who asked to remain anonymous about this entire fiasco and we have similar conclusions about TC.

TC has been through a lot of painful and hurtful comments over the years that they did not deserve in the slightest. They are entitled to do whatever they want with their comic and works. Saying a fandom is or isn't toxic is unhelpful as you fundamentally miss the mark on how fandom culture works. As a creator, it is not right to hang this hiatus over people's heads and string them along. TC does not respect their Undertale fans in the slightest and mocks those who is still waiting. They indirectly encourage their other fans to bully and dehumanize the rest.

I held back on making a comment about all this for two reasons. One, TC's fandom terrifies me. They are complete smug hypocrites who spend way too much time on the internet that they don't realize that if they use their words in real life they will get punched in the face for it. Two, despite everything I still believe that TC can change. I like to believe the best in everyone and that there is hope that maybe this time TC will realize they have become the very thing they hate. That hope has faded to cinders. I'm done with TC, my only concern is the people remaining to wait for the comic.

To everyone who is waiting for Endertale and/or following TC because you like their Undertale stuff, leave them and never come back. They do not respect you, they look down on you, they laugh watching you wait, you deserve better than them. Even if they do finish the comic eventually it will not be made out of love or passion.

DO NOT harass and bully them because of my words. I will not tolerate any attempt to do so.

My final words are for TC if they even decide to read this:

TC, I know we are not friends, you made that clear long ago but I was hoping we could've been. You were a huge inspiration for me in the past and was what pushed me to attempt learning about art. I looked up to you and tried to support you when you were feeling down. You are no longer that person.

You do not have the right to condemn an entire fandom as toxic and declare it as a fact of life. It's people like you that keep the fandoms so divided to this day. It's because of people like you I am scared for my life if I ever mention Undertale in public. Your fixation on the sins of the past prevents us from moving forward. I do not excuse what happened but the past is in the past, get over it and grow up, you are an adult so act like it.

You say you don't owe us any comic or works, well at the same time if you want to mistreat the fandom I care about then I or anybody don't owe you any respect yet I did for nearly five years.

Why? Because I cared about how this all made you feel. What do you see when you look at me, another obsessed toxic fan who should keep their mouth shut or a PERSON with their own thoughts feelings and beliefs?

One of your problems is that you think nothing ever seems to be your fault, just the fans who keep asking. Well maybe they wouldn't have asked if you didn't leave them hanging for almost five years. To me, it no longer matters if you finish Endertale or not.

Maybe you still think it isn't your fault, then that makes me the idiot for hoping you can be better. You hurt me, really hurt me. I don't think I can ever trust someone like you again.

Do you know what I really want?

Your apology. I want you to make a genuine apology to me and the fandom at your actions over the years. I won't block you because being the idiot I am I hope my words mean something to you and you'll want to chat.

But until you wise up ask yourself this familiar question,

Do you really think you are above consequences?

#Endertale #Undertale #call out post #toxicity #cw: vent #undertale comic #long post

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ramblings-of-a-mad-cat · 2 years

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Pokemon And Their Trainers

An in-depth analysis of the Pokemon world and its culture (hereafter referred to as the “Pokeverse.”) Where I’ll attempt to understand just what these beings actually are, and how they relate to the humans of their universe.

For this post, I will reference the video game lore, but I will, to a large extent, be pulling examples from the anime. While I can understand why this might invalidate my points to some of you, I truly think the anime should be considered fair game. It depicts what the Pokeverse is truly supposed to be like, as the writers intend it to be, unhampered by the restrictions of a video game.

So here’s the million dollar question. Are Pokemon slaves?

At this point, I know that the Pokemon fandom and the general public have a well-established and largely iron-cast interpretation of what it means to be a Pokemon Trainer, but today I’m going to attempt to challenge that interpretation. Because on the whole, it’s not especially flattering, and I think it’s false. You’ve seen the jokes, and the video essays, and the parody comics. You’ve seen it all. People have criticized Pokemon for the premise of the game effectively being a system of romanticized slavery. That the heartless humans kidnap these innocent animals and force them into sadistic dog-fights to further their own power, to the point where it is a global, televised sport. Ask anyone and they’ll tell you, Pokemon…are slaves. It's animal abuse. Those who argue it are in denial.

The funny thing is, most people don’t argue it. Which is because, to a large extent, most people don’t care. It’s just a video game, right? It’s not as though the Pokemon are outwardly suffering. Pokemon fans seem to just accept this premise and live with it, because the Pokemon world is bright and enjoyable and the formula of the games is simply addicting. To most people, the problematic premise of this universe isn’t a big deal. Nobody takes a passionate stance against it, apart from Gamefreak itself of course. They have little choice but to dismiss these claims, to argue against them…but nobody really listens. The franchise may do the best it can to play up the whole “friendship” angle, but the majority of fans, casual and otherwise, would say they’re not fooling anyone.

I disagree.

I’m not saying these points don’t have merit. To a degree, they do. But this conclusion about the Pokeverse is not the only one that can be drawn from analyzing this world. It's also based on several assumptions, headcanons, and interpretations of this world’s symbolism. I interpret these things differently myself, and I’ll try to explain how. But the bottom line is that humans and pokemon exist together in this world and have a unique relationship. Our world has humans, but not pokemon, so one can assume that the Pokemon are a deliberate symbol of…something. What that something is will probably vary based on who you ask, but just about everyone seems to interpret them as the “animals” of their universe. As in, living creatures who are not human. (Because Humans…are also Animals, and that’s kind of the whole point right there, but I’m getting ahead of myself.)

We seem to draw an inherent comparison between Pokemon and #RealWorld Animals, which is where all of this stems from. I believe this is a mistake. Or if nothing else, it’s not the definitive interpretation of what they are. If anything, the closest comparison I can think of is…maybe Angels? But even that doesn’t truly describe their role. The more the Pokeverse gets fleshed out, the clearer it becomes to me that catching and training Pokemon are completely misunderstood concepts. They’re not really comparable to anything in real life, certainly not the training of animals or the keeping of pets. I genuinely don’t think that the relationship between Trainer and Pokemon has an equivalent in our world.

I do understand where the impulse to make this comparison comes from. Of course people look at Pokemon and see animals. After all, they're living, breathing creatures, magical creatures that coexist with humanity. A not insignificant number of them do resemble real-life animals or are otherwise based on them. The most crucial bit of evidence for this idea is that the Pokeverse, by all appearances, lacks “real world” animals of its own. There are no recognizable creatures from our world to speak of, apart from humanity. So I can see how people reached this conclusion and I get why they draw the parallel.

However, it’s just not a fair comparison to make. Not at all.

Some animals do have the means to defend themselves, of course. But Pokemon have abilities on another level entirely. They’re basically magic. They have superpowers unique to themselves. Can a human spit fire? Tunnel a hole in seconds? Can they summon storms in the blink of an eye? Can a human block all damage with Wonder Guard? The answer is no. They cannot do this. Humans are one race, and a relatively mundane race at that. While they are distinctly separate from Pokemon…that doesn’t make them superior. It doesn’t make them more powerful. The sheer variety in Pokemon species, not to mention the variety of their powers, means that if war was to break out between the two communities…the humans would not win. It wouldn’t even be close.

Pokemon are baked deep into this culture. If you had to guess which of these two societies was here first, would you really guess humanity? I wouldn’t. Just look at the spiritual side of this world. It has deities who are confirmed to exist, who created this world as we know it..and they’re all Pokemon. Who knows where the humans even came from, but the Legendary Pokemon are the ones who fashioned the universe.

It is vanity to assume that Humanity is the dominant species of the Pokeverse.

They are not in charge of this world - they could never be. Pokemon explicitly range from human to above-human level intelligence. The humans attempt to understand them, but the Anime clarifies that they’ve chosen to name the Pokemon based on their speech patterns. Pokemon don’t “say their name” and nothing else. It’s the reverse. They speak unique languages that the humans elected to name them for. By contrast, Pokemon can clearly understand human language. There’s no way around it, they are smarter than us. So it’s no surprise that they have their own communities and systems, totally independent from humanity. However, there are also countless Pokemon who choose (read: CHOOSE) to work with humans, on individual and group-wide scales.

In fact, Pokemon and Humans may not be so different at all.

They may descend from a common ancestor. There is consistent flavor text that verifies this, stating that on a fundamental level, Pokemon and Humans are all but the same. Perhaps humankind and Pokemon weren’t always separate beings? Perhaps they were once one and the same? It’s pure conjecture, but according to the Library in Canalave City, there was a time in the ancient past when Pokemon ate at the same table as Humans and would even marry them sometimes. That last bit of trivia is cut from the English version, undoubtedly because of the popular interpretation I discussed earlier. Fans see Pokemon as animals, and the dubbing team probably wanted to avert any weird implications.

What’s odd is that in Legends: Arceus, which takes place in the ancient past…humans and pokemon have clearly already been separated, and have no relationship beyond hostility and fear towards each other. There are exceptions, of course, but by and large, the idea of a “Pokemon Trainer” is a new concept to the humans in Hisui. I’m getting very off topic now, but it does make a fan wonder. Just what happened to separate pokemon and humankind? They were as close as kin at one point, before some kind of split occurred, and it’s taken countless generations for them to redevelop a closeness...there’s a greater mystery here that isn’t relevant to the topic at hand, but these questions are worth asking. Either way, the point is that the two communities are almost fated to come together.

The Pokemon are drawn to humanity, and whether they invest in an official “trainer” or not, they seek out humans just as often as the humans go looking for them.

The pokemon will form these partnerships out of their own desire. A desire for what, you may be asking? I think it varies, but when it comes to the Trainer/Pokemon relationship, we can assume the typical goal is shared strength. The human and the pokemon form a symbiotic relationship in the Training system. This is stated numerous times, especially in the Anime - A wild pokemon will never reach their full potential. Not without a Trainer. You see? It isn’t only the humans who benefit from this relationship, and the Pokemon understand this. The vast majority of them want to be caught, they seek a trainer who can help them harness their powers.

Mewtwo decries Pokemon Training as Slavery during Mewtwo Strikes Back. Pikachu contradicts him, and Ash literally puts his life on the line in the effort to prove him wrong. Much later, in Lucario and the Mystery of Mew, the same question comes up. Lucario asks if Ash is Pikachu’s “master” and Ash rejects that terminology. Because Pikachu is his best friend, nothing less. There is a reason why the word is “Trainer” and not “Master” or “Owner.” Because Pokemon Trainers do not own their Pokemon. Full stop. The Poke Ball isn't a prison. It, and the PC Boxes from the games, are implied to be a kind of virtual reality. The Poke Ball is a symbol, a convenience more than anything else, but not a requirement. Ash is living proof. The Poke-Ball may be the norm, but if you're claustrophobic like Pikachu, or you're just not feeling it, you can abstain. Ash has never treated Pikachu as a captive. (Except for that one time…)

Okay, I’ll address this real quick. Yes, Ash did drag Pikachu along with a rope in the first episode, and used rubber gloves so that Pikachu could not retaliate. I’m just gonna have to call that #EarlyInstallmentWeirdness. This was Generation 1, this was back when Ghost Types were literally dead Pokemon. Besides, Pikachu had already shocked Ash unprovoked, so the rubber gloves were arguably self-defense. I guess you could make the case that Ash didn’t “truly” become Pikachu’s Trainer until the end of the episode. But in general, the writers have shaped this world beyond what was established in the very beginning, and perhaps they’re deliberately trying to counter the claims of slavery and animal abuse, but even if that’s true…it doesn’t mean make the contributions less canon.

How it started.

How it's going.

Never mind. What about catching pokemon? That’s still messed up, right?

There is an obvious counterargument to be made to my stance, a Donphan in the room, and I won’t ignore it. The counterpoint here is that capturing Pokemon is almost always done against their will. Or at least, that’s how it’s traditionally done, and the norm in the games remains consistent. Still. Ash winds up befriending the majority of his Pokemon instead, and he’s far from the only trainer we see doing so. James is another human who recruits his teammates primarily through his own likable qualities. You might argue that while obtaining a Pokemon can happen without fighting, that style is unusual. But again, based on the anime, it doesn’t seem to be that uncommon. I think what’s considered rare is that Ash seems to specialize in doing this despite his intended goal of training Pokemon for battle.

But, whatever. Capturing Pokemon through battle still happens, right? It happens quite a lot. The examples that differ from this norm don’t erase that, nor do they erase how repugnant it is. After all, the Trainer is cornering a creature who more often than not, was just minding their own business. (A wild pokemon is very often the one to initiate battle, but never mind.) The trainer then forcibly kidnaps them after violently assaulting them. Even the term “capturing” pokemon has problematic connotations. No way around it - on paper, this sounds bad. It sounds horrific. But if I may, I’d like to offer a different perspective based on what I’ve been able to observe of the Pokeverse’s culture. First of all, I’d like to offer a scalding hot take about the violence of Pokemon battles. This may be where I lose a lot of people, but hear me out.

I challenge the idea that a Pokemon battle is “violent.”

Or at least, I don’t believe the characters consider it to be violent, not in the same way we understand it. A pokemon battle isn’t assault, because they’re not human. But it’s also not animal abuse, because the Pokeverse doesn’t have animals. Again, it’s worth remembering that Pokemon are supernatural creatures with magical powers, and I’d say their powers, the “moves” they learn, play by different rules than conventional fighting. There’s actually quite a bit of evidence to suggest that this is true.

In Mewtwo Strikes Back, the Pokemon very specifically fight their clones without access to any of their actual moves, after Mewtwo psychically blocks their powers. Everything about this scene is meant to convey tragedy. All of a sudden, a series that’s been all about battle is preaching against violence. Sure, we can call it bad writing, executive meddling, or anything we want. But ignore the Fourth Wall and ask yourself, why would the characters react this way in-universe? Why is it that Pokemon battling has always been okay, but in this one instance, it’s not? The movie goes to great lengths to show us that the Pokemon are hurting each other. Which we don’t normally see.

The only difference? The Pokemon aren’t using their normal moves.

From this, we can conclude that the typical, conventional Pokemon battle, where the two pokemon fight using their special abilities...it doesn’t hurt them. It may tire them out, but a Pokemon Center can heal basically any injuries in record time. Nurse Joy is some kind of miracle worker…or maybe she isn’t. Maybe The Pokemon are being tired out from their battles, but not actually harmed in the long term. This would explain why Pokemon attacks don’t cause lasting damage to humans, either. Get hit with a Flamethrower? Don’t worry, you’ll just be temporarily stunned and have soot all over your face. The doylist explanation is, once again, that it’s a children’s cartoon, but that doesn’t explain what’s happening in-universe. Team Rocket has been electrocuted by Pikachu a near-infinite number of times. So how are they even alive?

Simple. Pikachu isn’t actually trying to kill them. Because of course he isn’t. It’s quite possible that Pokemon moves simply are not capable of inflicting serious damage, or perhaps Pokemon have an inherent resistance to them. But I suspect it’s not a lack of ability that stops Pokemon moves from being violent…but an almost universal choice. That when Pokemon go on the offensive with their powers, or at least, when they direct said powers at humans…they are always pulling their punches. That’s why the fight on New Island was so grotesque - the Pokemon were not remotely familiar with battling that way, engaging in true violence, and there’s little doubt that they were figuratively and literally scarred by that night.

It’s no wonder they never use their powers to cause actual bodily harm to anyone - I wouldn’t be surprised if there’s some kind of sacred, unspoken taboo among Pokemon against doing so. A taboo that wouldn't be known to the newborn clone Pokemon on New Island. A taboo that may not have existed centuries ago, in say, the ancient times of the Hisui region. But present day, communities of Pokemon are more civilized, and they a working relationship with human society that ranges from neutral to friendly. We’re in head-canon territory now, but this kind of law among pokemon kind makes a lot of sense. There may be Pokemon out there who break this taboo, but they would be few and far between - probably outcasts among their own kind. It would add a new dimension to Pikachu's refusal to fight back against his clone counterpart.

Again, this scene makes a point of telling us over and over, that what we’re seeing is wrong. “Pokemon aren’t meant to fight. Not like this.” That line right there is precisely the point. Battling isn’t meant to be like that, and in practice, it almost never is. There’s a reason why Pokemon almost never actually die in battle, and only get “very weak,” a condition that is cured flawlessly with the medical science of a Pokemon Center. It’s almost like a Pokemon’s powers create a kind of invisible simulation system, allowing them to spar with their opponent safely. Because that’s what a Pokemon battle is, at heart. It’s a test of skill. It’s meant to just be friendly sparring. A kind of sport that the Pokemon and Trainers engage in together, and it’s stated many times that they need to be in sync to have any hope of a successful career in professional matches. Again, I refer you to Mewtwo Strikes Back. The Pokemon were able to use their powers collectively to restore Ash to life. There’s clearly a lot more to a Pokemon’s power than just combat. That part is nothing more than recreation for them.

I realize that I deviated tremendously from the original question about capturing Pokemon, but I feel that it’s important to address this point.

Pokemon Battling is not violence. It’s effectively a sport that all sides consent to playing, a sport that has safety measures practically built in, as well as further precautions offered like the Pokemon Center. In that sense, it's more or less just another interpretation of Pokemon Contests, and Showcases, and everything else. A human helping a Pokemon study their powers and use them to fullest potential. This is the reason why I don’t actually consider a Trainer fighting a wild Pokemon to be so obscene. However, that only addresses the question of violence. Trainers are still kidnapping Pokemon against their will, right? That’s why one has to “weaken” a Pokemon to catch them. Well, believe it or not, I’m going to debunk that too.

Barring exceptions, the wild Pokemon must be exhausted to the point that they can no longer resist a poke-ball, before you can obtain them. Their opinion about being caught is always a non-issue. By all accounts, it doesn't seem as though this is acceptable. But even this, I think, is part of the cultural dissonance. Among other things, we don’t know what the little “click” of the Poke-ball actually means. It signals that the capture was a success, but is that the Pokemon choosing to yield, or the Poke Ball’s technology locking them in? It’s a little ambiguous, I’ll freely admit as much…but I would argue that the former idea isn’t impossible. Again, wild Pokemon, generally speaking, actually want to find a Trainer. The first episode of the anime even hints that certain wild Pokemon are jealous of those with trainers. With that in mind, why is catching them even a fight to begin with?

I’ll tell you why. When a wild pokemon battles a trainer, they are essentially giving that trainer a test.

They’re gauging the trainer’s abilities to bring out the potential of their pokemon. If you’re a trainer, and your pokemon defeats another pokemon in the wild…you’ve just proven beyond a shadow of a doubt that your pokemon is stronger than the wild one. You have now proven that you have something to offer, you’ve passed the test. The wild Pokemon now realizes that it stands to learn something, to grow more powerful, by accepting your tutelage. That’s why it’s considered acceptable to the pokemon to follow a trainer after they are overpowered and captured. It’s like…right of conquest, but with fully informed consent.

Consent is key here, and I believe this cultural understanding to be the reason that most pokemon are immediately comfortable with following the trainer who caught them. While one might argue that they don't really have a choice anymore...that simply isn't true. The anime clarifies that Pokemon can release themselves from a Poke-Ball whenever they want. Misty’s Psyduck is the most iconic example of this, but there are countless others. In theory, a Pokemon could just leave a trainer who they find unsatisfactory. Actually, that’s not just a theory. That’s canon. Something that most people don’t seem to realize (or at least, they forget) is that it’s not just Trainers who ditch Pokemon they no longer want. It happens in reverse as well.

Pokemon can and do abandon their trainers, if they deem said trainers to be unworthy of their talents.

Remember when I said that I would be chiefly referencing the anime, because it’s the most reliable depiction of what the Pokeverse is supposed to be like? This is exactly what I was talking about. Because obviously, this never happens in the games. Your Pokemon don’t just disappear from your party or PC boxes, because that would be an incredibly stupid and unfair mechanic. But in the anime, where the relationships between pokemon and trainer are more fleshed out? In the first season, Bad To The Bone is about a Marowak who chose to ditch his trainer after said trainer had his badges stolen. While the Marowak eventually changed his mind, at no point did any character voice the idea of trying to return him by force. It was Marowak’s choice and no one else’s, which is why the trainer was heartbroken.

But that’s not a one-off, it’s not the only example. There are quite a few. Due to a misunderstanding, Gym Leader Pryce once believed his Piloswine had abandoned him. Then there’s Ash. Always the mother hen, he’s adopted many pokemon who were abandoned by previous trainers, but the opposite has also happened. His Snivy, and his Greninja, are both Pokemon who were explicitly stated to have had previous trainers whom they chose to leave, because they didn’t feel understood. Typically, it seems that Pokemon choose to leave because they feel as though the unspoken contract that is “pokemon training” has been violated somehow, or they’re otherwise not getting what they signed up for. This is why the traditional method of “catching” pokemon is so vital. Because it’s an honor system.

Any time a human does attempt to force a pokemon into submission or otherwise harm them through any method that is not the traditional system of capture, the story treats them as unquestionably villainous for doing so. The other humans react in horror, and attempt to stop them. This is because forgoing the “defeat them in battle” route and instead using some kind of technology or whatnot to claim the Pokemon is seen as dishonorable at the best of times, and evil at the worst of times. The Trainer is ignoring the agency of the Pokemon. Attempting capture in the conventional way is a mutually accepted system, the wild Pokemon know and understand that a trainer may attempt to take them, and if they really don’t want to be said Trainer’s pokemon, they can always choose to leave after they are captured. But the use of other means takes that choice away from them. These villains, usually the evil Teams, are using methods of capture that fail to demonstrate to the Pokemon why they are a worthy Trainer, and likewise rob them of the ability to judge them as unworthy.

So yes, there are exceptions, but for the reasons I have described, I fail to see how the idea of “slavery” is applicable to properly trained Pokemon.

They have the power to attack their trainers whenever they choose. Sometimes they do. They have magical abilities that enslaved humans in real life do not have. Legends: Arceus does a great job of highlighting just how dangerous Pokemon could be toward their human counterparts if they really wanted to be. They also have the power to leave. A Pokeball is not a chain. The only time a Pokemon struggles to escape a Ball is when it is first used on them, and the connection is initially forged. But, as I’ve talked about, I believe this to be a ceremonial process and little else. Trainers will immediately send out freshly caught Pokemon to heal or train, and the Pokemon don’t run. But once again, they could. What is stopping them? Ash’s Charizard never saw fit to abandon him, but if he had, what could Ash have actually done about it? Basically nothing. He’d get a flamethrower to the face and then Charizard would fly off. The same thing is true for any of Ash’s Pokemon, or the trained Pokemon of any Trainer ever.

There’s another Donphan in the room that I’d like to touch on real quick. I’ve talked a lot about how the anime clarifies the nature of Pokemon and their relationship to their Trainers…but I also mentioned that the developers have openly tried to beat back the claims of animal abuse, of slavery. The anime speaks for itself, but what about the time Black and White openly addressed these criticisms? You were probably waiting for me to bring it up, but the truth is, I don’t have much to say. The idea of Pokemon and Trainers having a symbiotic relationship, and needing each other…the idea that they shouldn’t be separated…all of that is touched on in the games, but the subject is mostly used as a scapegoat by a wannabe dictator.

I have yet to see any character in Pokemon honestly make the same comparison that critics make in real life, and I doubt we ever will see that happen. It’s just not an idea that can be properly explored in the Pokeverse, because our world is unknown to them. Our way of doing things isn’t something that any in-universe Trainer could hope to understand. It’s an entirely different culture. The way we personally view Pokemon as creatures is colored by our context, by the fact that we’re on the outside, peering into this world with the perspective of a society that doesn’t have Pokemon. To the humans, this is the way their world works. Team Plasma came the closest to approaching that idea, but even then, they were the villains. It was made abundantly clear that they were wrong.

In theory, Pokemon are servants at the whims of their Trainers. In practice, they’re actually the ones with real power and the relationship is balanced, nuanced, and heavily based on mutual trust.

In theory, Pokemon are the wild animals of their universe. In practice, they have no equivalent to our world. They are, as we're told many times, "wondrous creatures." They have no explanation.

In theory, Pokemon are forced to engage in senseless violence day in and day out. In practice, Pokemon battling is an art form that the Pokemon themselves choose to pursue, and it is not remotely dangerous.

Thanks for coming to my Ted Talk. If you need me, I'll be hunting for a shiny Wattrel.

#LONG Post #Pokemon #Pokemon Anime #Pokemon Games #Ash Ketchum #Pokemon Analysis #Just one Cat's Opinion #The Pokeverse #pokemon worldbuilding #Pokemon: Legends Arceus #Pokemon Theory #Pokemon Headcanons #Fandom Analysis #Mewtwo Strikes Back

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torchickentacos · 2 months

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You’re not being annoying about ships though, your contestshipping thoughts are consistently one of my Tumblr highlights. Thank you for still being in the Pokémon anime trenches in 2k24, your honor.

Anon, I love you. I would die for you. I would do anything for you. Just for you I'm going to pledge to talk about them more often!!! You have enabled me and I will expand on my thoughts on those tags here ❤️🌹 also god djfhdkjn I don't think I can get out of the trenches 😭 I'm just stuck here lmao. I couldn't leave if I tried. May and Drew are holding me hostage, actually. He's got a knife (because May can't be trusted with sharp objects).

Anyways. referenced post:

EXPANDING MY THOUGHTS:

So, disclaimer, these are all my opinions, and while they're rooted in canon, I'm also just doing whatever I want. As I do. Also, my opinions change all the time and I have infinite versions of how I think they'd play out in a canon context, but here's the one that I'm feeling today lol.

I think that 'falling first' versus 'falling harder' really isn't an indicator of any sort of emotional inequality. I can see where 'fell harder' might indicate to some people that there's a sense of one character being down worse than the other, but honestly I always took it as 'which character gets hit in the face by it at random (harder) and which character has been living with it for years (faster)'.

Like, okay. I think that in a few years past canon, 15-16 years old (which is the absolute earliest that I can see the two of them figuring it out honestly), here's the deal: For Drew, being in love is just a fact of daily life at that point. Even in canon it seems to have been that way. Just a quiet thing that followed him around, a constant little spark. I like to think that they travel together as friends for a while, and it's, like, 'he makes breakfast, he trains his pokemon, he plans their itinerary, he's madly in love, they buy supplies for the week-' etc. It's just... there. He's aware of it and probably largely ignores it after a point. Like, it's just become a fact. He has green hair, he has green eyes, he's in love, he has a Roserade, he wears weird pants. It's a part of him- not a defining feature, but a feature nonetheless. It's not who he is, but it's part of the mosaic. He fell first and he's been on the ground waiting ever since, and he's probably kind of emo and very... Drew about it sometimes (/lh), but largely, he just lives with it.

For May, it's probably more like... okay, hear me out on this. Once, I got a large 2-inch shard of glass in the side of my foot, and I didn't notice until I saw the blood that I'd trailed on the kitchen tile. It didn't hurt. I didn't feel it. I had no idea somehow, but it was still there. It only felt like it was there once I noticed it, there was this weird psychosomatic type of thing that happened. I think for May, it's like that. It didn't come on suddenly, it was always there, she just noticed it suddenly and that's what causes the feelings to hit. It's falling hard and all at once (but also it's been there for so long). It's vertigo and disorientation as your entire view of a person shifts into where it belongs. Nothing's changed, it's always been that way, but you see it for what it is now. Everything falls into place, but it's still a hard, sudden fall. I think she lands on her feet, though.

That is what I mean when I say that I think that Drew fell first but May fell harder. Drew fell first and he knew it the entire time. I think that he was able to call it what it was pretty quickly. He recognized it and acted on it in his weird little idiosyncratic ways and just lived with it. May, however, probably doesn't realize until some random moment, some everyday occurrence, and it hits her like a truck. Ford F150. Chevrolet Silverado. Dodge ram. What other trucks do I know from country music and car commercials??? Anyways, it's this sudden, jarring, off-kilter kind of realization, I'd imagine. Just a 'wait, holy shit' kind of moment where it all falls into place.

#taylor's tag #contestshipping #thank you for coming to my tay talk

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crusherthedoctor · 1 year

Text

Get a Load of Traits - PART 1: Sonic the Hedgehog

Way back during my Tumblr infancy, I made a series by the mouthful of What Makes For A Good Incarnation, in which I listed the main noteworthy traits that I consider integral for crafting, at the very worst, a still above-average portrayal of the character in question. By "series", I meant I did exactly three of them, then forgot all about it. In the words of Moneybags, I seemed to have temporarily forgotten.

In the years since however, I've went back and forth on going back and redoing them - as well as providing entries for those who didn't get one the first time around - because shall we say, a few recent portrayals have caused me to believe they're in need of some additional points or further elaboration. So now here I am to actually do it.

For the DX: Director's Cut, and for the sake of not dragging them out too much, I've decided to keep it all thematically consistent by sticking with 9 main points per character, in terms of what I personally consider the highest priorities for each of them. These will usually not be listed in any particular order of importance or relevance unless stated otherwise, and while there may be other major traits that might not get mentioned (in which case, feel free to bring them up yourself if you see fit), this keeps things simple and focuses on the points that have the most flexibility with how much of the character they encapsulate.

It should also be noted that these posts will be made with the game portrayals in mind, because the games mark the core of the franchise, and as such, they objectively contain the purest essence of the cast. Adaptations generally like to play by their own rules, some more gratuitously and inexcusably than others, and this will inevitably crop up with certain entries. All that being said however, I'll attempt to stay focused rather than devolve into another rant about this adaptation or that adaptation, only directly referring to them if I feel it's necessary for the point being made.

So without further ado, for today's installment, we're jumping right into the main Crush 40 enthusiast himself: Sonic.

Since Sonic was one of the characters covered in the past, much of this will be retreading old ground. If you know me well though, I'm sure you'll be able to tell which of it is new or expanded upon.

He's meant to be fun.

"Psst, the mandates don't exist."

We'll start with one so easy to get that you'd have to be purposefully contemptuous of the franchise and the character to suggest otherwise: Sonic is a fun character. He's all about having fun. He looks at virtually everything, no matter how precarious, as a thrill ride first and foremost. He is perpetually filled with a carefree love for all that life has to offer, has never been shy about it, and is known to enjoy fighting the baddies as well. Nothing keeps him down.

It's a large factor into why the franchise itself commonly boasts a sense of energy and wonder. If you don't acknowledge this aspect of Sonic's character... what are you even doing here? Why are you writing for him? What character are you seeing?

But he also knows when it's time to get serious.

Oh look, Super Sonic when it still had milk left in it.

Sonic's knack for making snarky quips of debatable quality can lead some into thinking he's incapable of taking anything seriously at all. This is how we get writers who seek to humble him for it... but unfortunately for them, they're not breaking any new ground: Sonic does get down to business when the situation calls for it, and even when he's joking around with whatever villain he's currently facing, he's always got his wits sharp, never going out of his way to be sloppy. And no, this isn't limited to the one-off villains and Godzilla-type Pokemon we know and begrudgingly tolerate: he more than acknowledges the very serious threat and crimes of the deceptively jovial Eggman's actions as well.

After all, do we not recall some of the near-death situations that Eggman has found himself in upon defeat, and how Sonic usually shows no concern over whether he survives or not? Do we not recall Sonic interrogating Zor over what happened to Tails? Do we not recall what he did to the Erazor Djinn when he refused to YouTube Apologise for abusing his former lover?

Sonic takes a lot of things quite seriously. More than he tends to let on. He just also likes to have fun at the same time.

He does not loathe technology.

"You're telling me this board was made with... SCIENCE...?"

Yes, Sonic is the nature foil to Eggman's scientific scheming. It's been a constant with the franchise since its inception, all the way to modern entries like Colours. But if Sonic hated technology itself, he wouldn't be best friends with a tinkerer. Nor would he own a plane.

The series as a whole has always been sensible about the matter compared to other green aesop-spewing media of the 90's. Rather than demonize technology outright, it understood the strengths it had, and how it could be used for nature's benefit rather than its detriment. Sonic CD visualized this wonderfully, as the Good Futures were fond of showing them side-by-side, in perfect harmony, with no cost to the land's health and beauty.

So with Sonic, he doesn't oppose technology. He opposes Eggman, whose methods involve technology. If you want Sonic to preach about the evils of tech as he drops a mahogany log in the woods and scrambles for a leaf to wipe his ass with, just go on DeviantART. Or watch SatAM.

He has selfish needs, but he's not a selfish person.

"Shit, I forgot the third paragraph of my principle monologue."

Sonic knows what he wants, and that something is his freedom. He's not going to be anchored down, he's not going to live a mundane life, and he's going to adventure and explore the world and beyond for as long as he can. This goes both ways: it's further reason why he confronts oppressive sorts like Eggman, but on the other hand, it can be hard to keep up with him at times, and since Amy has a clear vision on how she would want their future lives to be like as a couple, it's no wonder Sonic hasn't shown much serious interest in his friend in that particular way.

Don't get the wrong idea though; this doesn't mean Sonic is a selfish person full stop. In part thanks to several adaptations, a common misconception with the Blue Blur is mistaking him for a pure egotist through and through, who only cares about his adrenaline-fueled ecstasy and nothing else. Cause y'know, he's firm about his needs, and he has a cocky side, therefore he's full of himself, right?

Well no, not at all: his opposition to big bad villains would surely be enough on its own to confirm that he cares about everyone else's freedom too, so long as said people aren't doing anything malicious themselves. Yes, he fights villains because it's fun to him, but he also has a genuine hatred for injustice. He doesn't think like a typical superhero, where he fights evil and saves lives because he feels he has an obligation to do so, he does it simply because he wants to. How is that not selfless?

But it's even more than that: he's proven himself to be humble in spite of his cockiness, right down to dismissing any and all formal terms for himself when others use them. Half the time he tells the people he's saved to not sweat it, and the other half, he's already bolted before they can even thank him. Sonic largely doesn't care about the fame and attention that comes with being a repeated world saviour, and in more intimate situations, he's full of compassion there too. Hell, even in Black Knight, despite initially intending to slice Merlina in half in a furious response to her betrayal, he was later willing to show empathy to her defeated self, recognizing that she was an extremist, but not like the other villains he had faced.

Also, he doesn't have a history of treating his friends and accomplices like garbage. He might not see them all that often due to his globe trotting ways ("Long time no see!"), but he clearly values each of them. Even the ones he pokes light fun at on occasion, like Knuckles and Shadow.

He's impulsive, but intelligent.

Remember when Eggman had a conch? Starline didn't.

Like any character, Sonic does indeed have faults. Sonic is a guy who, when he sets out to do something, he'll do it, no questions asked. If Sonic thinks he knows the solution to sorting everything out, then that's all there is to it. This has worked in his favor more often than not, but it can also just as easily lead to mishaps, like the moment pictured above from Lost World. His cockiness has also been taken advantage of on several occasions, like in SA2 and Unleashed. Both of those were by Eggman, by the way. Just wanted to throw that out there.

However, Sonic is not an idiot. Just because he's a speedster doesn't mean he can't think straight, and his moments of recklessness are often born out of not knowing the full story rather than blindly charging in after already knowing better. If he makes a mistake, he'll acknowledge it and attempt to rectify it as soon as possible, and if he thinks someone else has good advice, then he'll be willing to hear them out, especially if it's coming from his life-long buddy, Tails.

To put it generously, Sonic's intelligence is prone to be heavily downplayed in certain adaptations, most notably in SatAM and Prime. This is usually done for the sake of forcing him to learn a lesson that a character like him doesn't really need to learn, or to prop up another character as the brains behind his operation. Or because Hurr Hurr Vroom Vroom Character Dumb. In reality though, Sonic is actually very intelligent: certainly not a super-genius like Tails or Eggman, but he's quick to pick up on details, and experience has taught him how to optimize his speed and acrobatics effectively and gracefully, while making it look completely effortless. He's also emotionally intelligent, being able to read a room with little issue, and when placed in a new situation, it doesn't take long for him to adapt.

So Sonic is a very bright person who just so happens to occasionally make impulsive decisions, for better or for worse. This does not translate to him being a Funny Penis Man. That's a vast simplification that tends to come from people who take the archetype that describes him at face value.

He only cares about how others perceive him when it's based on deception.

"Surrounded by evil knights and a girl I've never met before... better inhale the worst cuisine they've ever seen with my goatse mouth."

To paraphrase the hedgehog himself, he doesn't mind having to play the bad guy if it's necessary to do what he thinks is right. This doesn't apply in a meta sense - WE know he's doing the right thing - but what it means is that in-universe, he understands that some people might think he's the villain due to their perspective on the situation. And he accepts that, because he doesn't care about how his true blue self is perceived by strangers one way or the other. He doesn't expect or demand the rest of the world to live by his own personal beliefs unlike some iterations, but since they're his own, he holds no shame in sticking with them personally. He can only be who he truly is, and if some people have a problem with that, then he'll just have to take it smoothly with a Winston break.

But, as proven with Shadow inadvertently framing him in SA2, he does care when it involves Shit That Isn't True. Because if you're going to judge him, it better be for stuff he's actually done, and for who he actually is. Sonic doesn't care about attention, but he does evidently care about his identity.

The real super power of teamwork.

"Because... we're Sonic Boom: Rise of Lyric!"

Sonic Heroes is a game that frequently gets referenced in side-material, which is an impressive feat considering it condemned itself by dressing Metal Sonic like a wanker. Yet for some curious reason, despite all the Heroes referencing, writers have trouble remembering the entire theme of the game, because their idea of Sonic needing to learn the benefits of teamwork and friendship is... lol...? Lmao...? Dare I even say... rofl...?

Sonic is the last person on the goddamn planet who needs to learn this, and you'd know that even if you weren't familiar with Heroes. Other games have shown time and time again that he appreciates the contributions of his allies, and gives them the appropriate kudos with no shred of reluctance, all without placing himself above them in the process. And while he may not be quick to ask for help, he's usually willing to accept it when it's offered to him. Like in '06, in which he casually allowed Trunks the Hedgehog to help out despite his attempting to kill him when they last met.

Sonic knows the super power of teamwork just fine. It's in his business card. Him of all people needing to learn this aesop is a non-development, a cheap way to make it seem like the writers are doing something ~deep~ with him. Giving back something he should have had to begin with is not character development.

His thing about emotions.

"A tall girl. My weakness."

Despite his outward demeanour, Sonic has a lot of introversion deep down, what with showing himself a contemplative side on a regular basis, and most of his dialogue being fairly straight and to-the-point. As it happens, this extends to how he manages his emotions, aside from his alleged temper. Sonic is obviously not stoic, but you're not likely to see him break down in hysterics, or publicly show tears at all unless it's in private.

Some writers and artists - or should I say, certain writers and artists - consider this an abominable sin that must be rectified. They'll get it into their heads that Sonic shows no emotion at all, but never fear boys and girls, they'll fix that pronto. They'll give him the emotions that SEGA couldn't. And what do you know, the end results end up looking absolutely ridiculous, and simply not in-line with who and what our hero is. Fact of the matter is, not everyone wears their emotions on their sleeve, and not breaking out the waterworks is not the same as being an unfeeling machine altogether. As it applies to real life, it applies as well to fictional characters. Because they're not all going to be the same.

His introversion doesn't just relate to himself though. It also seeps into his visible discomfort in dealing with the complex emotions of others, especially those who can't shake themselves off as easily as he can. Notice how, during moments where someone else is upset by something he can't easily fix - such as Tails lamenting Emerl's demise, or Shahra grieving over Majin Ganondorf despite him being a terminal shithead - he often finds himself at a loss, needing a moment or two to think of what he should say or do to console them.

It's possible that, with his canonical tendency to not be all that open about whatever might be troubling him, under the belief of not wanting to make his problem their problem by extension, he might not consider himself the most well-equipped for someone else's anguish. Or maybe that's just a Game Theory. Either way, whatever awkwardness there may be on his part, he always does his best regardless, as he would for any other situation.

...unless it involves one-sided sadness. Then he's not as sympathetic.

He's an ideal.

"Fuck sake, another argument over voice actors."

Sonic is a static character. Deliberately so. He is also not meant to be a relatable character, at least not in the sense of what Twitter members who have never played a Sonic game in their life consider relatable, which is basically making the character exactly the same as them, beat for beat, including the mismatched haircut, announcing their pronouns every three sentences, and the compulsive thirst to speak to the manager.

Needless to say, this doesn't work with the fastest thing alive. Everything about Sonic - his refusal to give up, his refusal to let distress overwhelm him, his freedom to go where the wind takes him - all of it, and more, serves to make him an inspiration. And guess what? Characters are allowed to be that. Inspirational characters are just as important as relatable ones, because by seeing what they can accomplish, we can strive to become our best selves. Why would you want to take that away?

Every character, the good ones anyway, have a defined purpose. Sonic has his. Other characters in the series might be considered relatable, but that's not where Sonic himself lies. It's better to leave that occupation for others, such as those who were inspired in-universe by Sonic himself, like Tails and Amy.

------

If you understand all of these points, and if you can take to them, then I believe you should have what it takes to write a good, or even great, portrayal of Say Yes to the Dress the Hedgehog. No portrayal is going to be one-and-one with that of another, there'll always be subtle distinctions depending on the writer, but you'll be fine as long as he's not a holier-than-thou dipshit who speaks more words than The Great Gatsby.

#Get a Load of Traits #Opinion #Sonic the Hedgehog

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zozo720 · 10 months

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Today on "lukewarm takes nobody cares about" All my problems with Legends Arceus, specifcally the story-related ones, come down to how unbelievably rushed the "true" ending feels The main ending with Origin Form Dialga/Palkia? It's good, it's fine, it's a climax that the game does a good job building up to. Kamado is an ass but that's clearly intentional, and at least he has a clear motive and all that.

The postgame ending feels like they came up with the Volo fight first, and then had to scramble to create literally any justification for it to happen. They basically just gave him Cyrus's motivation, made him look vaguely "crazy and evul XD" and hand-waved it as "Oh, the Celestica tribe is involved".

And I must ask... who even ARE the Celestica people at this point? They're VERY vaguely talked about in the Old Verses, it's implied Cogita wrote them, which implies that she's the last Celestican, which implies that Volo MIIIIGHT be a descendant of them, which is why he says "the blood of the ancient Sinnoh people flows through my veins". Please note how much I said "Implies". There's having hidden lore and leaving it up for interpretation, and then there's vaguely shrugging and dumping incoherent, very-easy-to-miss text. All this is to say, Volo's motives are indecipherable, not because he's a multi-dimensional character, but because they don't bother elaborating on them, he's just a helpful friendly guy the whole game and then BAM, he was actually evil and crazy all along! It's no wonder fan interpretations of him range from "tragic sexy sad-boy who's upset because his indigenous people were wiped out for unknown reasons" and "insane murder-man who's immortal and for some reason, really likes screwing with NYC subway conductors from the future. Also he's sexy." And then there's the Arceus ending. Simply put, WHY is there nothing to say that the player character would be able to go home? I've seen several responses genuinely upset at the prospect of the MC being stuck in Hisui forever, possibly ripped away from their life and family. And even if you assume the MC has no problem staying in Hisui forever, that doesn't address the Copperajah in the room that is Ingo.

Now, Ingo being in PLA was cool back when the game first came out, but over time, it's become apparent that this was a pretty lame move. Most PLA discussion and fics are centered solely around either him or Volo (usually with ableist stereotypes in abundance) all at the expense of the other genuinely interesting cast of PLA.

And of course, of COURSE, they don't bother resolving his arc at all. The most he gets is an implication that his memories might return, but then what? He'll still be stuck in Hisui, except now he can remember what he's lost? Is this Arceus's "grand plan" or something? Now sure, for gameplay reasons, the player would wanna stay so they can keep playing the game, but there are so many ways to write around that, as demonstrated by the Pokemon Mystery Dungeon series. That series always ends with the MC having to return home or disappear, but they always come back somehow. There's always some justification for it. In Legends Arceus, nothing gets truly resolved aside from the conflict with Kamado and Dialga/Palkia. Volo? His goals with Giratina are stopped and he just gets to walk away scot-free. No punishment, and no elaboration on his motives. Cogita and the Celestica tribe? All we get are allusions and vagueries in the Incarnate Forces sidequest. Arceus's mission to "seek out all Pokemon"? Your reward is that he invites you to his space apartment and beats the stuffing out of you. The Player/Ingo? Stranded in Hisui with, as of now, no canon return home.

#lopunnyposting #pokemon #pokemon legends arceus #pokemon volo #pla #submas #subway boss ingo #ingo

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saph-y · 4 months

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Tagged by @dingoat♥ A while ago BUT today I have trouble getting to work grading some students so thank you for the procrastination instead xD

3 ships (did the first that came into my mind !)

Siv(my oc)/Archibald(selkys's oc) : Truly The Ship, at the core of the story I'm rp-ing with Selkys. They fought the plot AND tons of shit in-universe to be together. How to sumarize them... ha, picture an evil genius Sith Lord suddenly switching his whole reason of living from revenge to absolute devotion toward his fiery sunshine smol wife and you get and idea !

Hazel(OC)/Sycamore (Pokemon) : Basically started because I wanted to explore a ship with Sycamore and Hazel was my only Pokemon OC at the time - I didn't even knew much about him except I liked his design and vibes immensely. I actually managed to write a deliciously complicated story around them and I really hope to explore more♥

Willow(OC)/Grimsley(Pokemon) : Willow is my pokemas protag and in a game were you basically meet all pokemon trainers, I do have many ships with her and that is originally why she was created, just a character to be indulgent and explore different stuff. But Grimsley is my fav pairing for her because I imagined such a """fun""" (for me 8D) dynamic between them ! Two word : trust issues.

First Ship

I can't really remember my first FIRST ship, but growing up I wasn't too much into romance stories I think. But I do vividly remember my first "holy shit you can do THAT??" when playing Mass Effect 2 for the first time and discovering you could romance Garrus. Thus, my first "active" ship was born (meaning I was actively searching/producing works around it) Guess I was a monsterfucker all along Thank you Bioware for expanding my imagination 🫶

Last Song

At this very moment I'm listening to Wild Child by The Black Keys (love vibing to this band.)

Currently Reading

Just started Men at Arms by Terry Pratchett and I'm delighted to be finally reunited with the idiots of the city watch♥ I waited for MONTHS to get to a proper library that had it...

Last Film

...Not sure ? A silly spy film I forgot the title I think ? ...If I can offer a serie instead, I'm currently watching Lupin the Third part 4 and 5 ! It's funny how every Lupin thing I watch feels like meeting with long time dear friends even tho it's not a universe I've been aware of for that long... is that weird ? xD But given how fanartists for this fandom influenced my artstyle for years before I even saw a single film (yep, do you understand some stuff about it now ? :p) it might be the reason !

Currently Craving

Hum... idk ? ...Maybe another coffee xD But that would not be a good idea and thus I must resist u_u

#tag game #okay now i got to get back to work xD halp haha #did you know evaluating art assigments was FUCKING HARD #>_>#anyway that was fun and sorry for the long ramblings as usual :p

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skyward-floored · 3 months

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just getting into loz and linked universe, do you have any tips for writing for it? I usually write for pokemon or anime, so i'm not used to writing game characters.

love your works btw, very good, contributed to my hyperfixation!

Oh goodness I never feel like I’m very good at giving writing advice, but I’ll do my best? I’ll warn you I’m a little sick today too so it might not be very helpful XD

I don’t know if you’ve played any zelda games, but even if you haven’t, the linkeduniverse comic gives you plenty of a good starting point in regards to writing the Links. You just have to remember that it is technically an au, so not everything is gonna fit with in-game stuff. I mean Legend is actually two different guys smooshed together, so that’s going to change some things.

I guess my biggest tip would just be to try and understand where your characters are coming from? The loz games all have things in common, but each situation is unique— botw is more or less post-apocalyptic, Wind waker is a huge ocean, in a link between worlds it turns out there’s a whole other kingdom/dimension you can go to... so each of those Links is going to approach circumstances and situations differently.

I tend to focus a lot on characters and what drives them, which can be hard to parse out if you’re sticking with general loz. Lu is easier in that regard, since we have Jojo’s characterizations to take from, but Link can be hard to read in the games sometimes. Which can actually be helpful honestly XD

I guess just... approach it like you would when writing about something new? Do a little research, see what other people are doing, figure out how you want to write these characters.

If you have more specific questions I might be able to help you (I have wayyyy too much loz/lu lore memorized) but I think that’s all I got right now. Hopefully at least some of this was helpful 😅

#I just know this doesn’t make sense but whew my head’s been fuzzy today #so it’s good enough #hopefully #also thanks :) glad you enjoy my stuff!#answers from the floor #lovely beesbeesdragons

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weaselandfriends · 1 year

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So you are going to make a fanfic about Pokemon, huh.

Are you a pokemon fan? Or you known about the franchise enough? or is a case of you, waking up one day and thinking:" I'm going to make a Pokemon Fan-Fic!" And started to consume media from it in order to make a story?

I was a child in 1998.

During that initial invasion of Pokemon into the West, when Pokemon was far more than simply the "most profitable media property in the world" that it is today, when it was a tidal wave phenomenon that swept away an entire continent, I was something of a Pokemaniac. I had Blue Version, Red Version, Yellow Version, Pokemon Pinball, Pokemon Stadium, Pokemon Puzzle League, Hey You Pikachu. I had (and still have) every single card from the first three TGC sets, included the oh-so-vaunted holographic Charizard card. I had Pokemon figurines, I had toy Poke Balls, I had Pokemon stickers, I had Pokemon stamps, I had Pokemon clothes, I had Pokemon strategy guides, I had Pokemon choose your own adventure novels. I had the then-complete runs of both Pokemon Adventures and Electric Tale of Pikachu (I vastly preferred the latter). I would wake up early every day to watch the Pokemon anime on TV. I went to Pokemon The First Movie opening day and remember walking into a theater packed to the brim only to hear a man scream—to my delight and assuredly my mother's horror—"SEATS IN THE FRONT ROW!"

Of course, it's been 25 years since 1998. I've played most of the mainline games since then (GSC, RSE, DPP, SuMo, and recently SV). I've seen a few of the endless array of movies. For some reason I watched the entire SuMo anime. So yeah, I still like Pokemon.

Is it my favorite thing ever? No. The unfortunate reality is the games are pretty formulaic and often have questionable design choices. It's not like Mario or Zelda, other nostalgic Nintendo series, where the devs put their heart and soul into each new mainline installment.

But the fundamentally fascinating elements of its world continue to interest me. I've always seen the Pokemon world as a near-future nigh-utopia, clean and neat and orderly, with large swaths of the population free to pursue their hobbies rather than slave away at some useless job. I've always wanted to delve into such a world narratively, as opposed to the endless dystopias that seem to clog contemporary fiction.

Chicago was written as a kind of critical response to To the Stars, which is a utopian story that glosses over the steps taken to reach utopia. I wanted to peer more deeply at how a world akin to that in To the Stars might actually be created, the kind of political turmoil and upheaval required to eventually integrate the panacea to mankind's ill—magic—into functional society. A Pokemon story would instead be about the utopia itself. What does it mean for society that children are not simply allowed but encouraged to leave home at 10 to pursue a vague, unstructured path to become what is basically a competitive sports athlete? What has had to happen to society for such a thing to be not simply okay, but preferred? And what does it mean for that society's future development, especially considering a world where rapid evolution of generally symbiotic non-human creatures is possible? And why, in this peaceful and low-scarcity world, are there so many insane doomsday death cults essentially seeking to usher in the apocalypse?

There are two works of literature that particularly influenced the direction of my idea for a Pokemon fanfic. The first is Eyeless in Gaza (unfortunately topical title) by Aldous Huxley of Brave New World fame. Gaza is a mostly autobiographical story touching on a variety of topics, and one chapter near its end involves the main character traveling to Central America, where he meets a strange, idealistic man named Dr. Miller. Dr. Miller espouses many ideas about anthropology, especially ones critical of or antithetical to British imperialist pseudo-scientific anthropology: "An anthropologist is a person who studies men," he says, "but you prefer to deal with bugs. I'd call you an entomologist [...] the only remedy is for the bug-hunter to throw his bayonets away and treat the bugs as though they were human beings." But the most interesting thing he talks about, the thing that has stuck with me more than anything else in the otherwise mediocre novel, is soccer.

"But [football is] the greatest English contribution to civilization," said the doctor. "Much more important than parliamentary government, or steam engines, or Newton's Principia. More important even than English poetry. Poetry can never be a substitute for war and murder. Whereas games can be. A complete and genuine substitute."

Dr. Miller envisions a world where competitive sports replace the destructive and combative elements of humanity; he teaches soccer to small Mexican tribes as a way to settle their differences instead of war. What does a utopian society look like that has replaced conflict with competitive sport at a grand, worldwide scale? In our world, the Olympics are often spoken of in similar terms, but Pokemon appears to have actually accomplished this lofty goal, to the point that becoming a trainer at 10 is more important than standard education. By setting my fanfic at a prestigious, global tournament, I become perfectly posed to explore this question...

The other point of inspiration comes from Underground, Haruki Murakami's nonfiction account of the 1995 Tokyo sarin gas attacks committed by the cult Aum Shinrikyo. The book contains numerous interviews with both survivors of the attacks themselves and former members of the cult, and ends with Murakami's essay on how the Japanese social psyche allowed this event to occur. Describing the cult members he interviewed, he says:

To all of them I posed the same question, that is, whether they regretted having joined Aum. Almost everyone answered: "No, I have no regrets. I don't think those years were wasted." Why is that? The answer is simple—because in Aum they found a purity of purpose they could not find in ordinary society.

This idea of "purity of purpose unfound in ordinary society," what does that mean in a society like Pokemon's? In a utopian society, where nearly all needs are met? Where sports replaces conflict?

Anyway, I've started to veer off topic, so I'll cut it short there. I'm incredibly excited for this project, so I hope all of you decide to give it a read when I finish!

#writing #bavitz #pokemon #eyeless in gaza #underground

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