#I must get this out of my system

[gatanung]

They ended up on an adventure neither one of them expected huh?

[tahopo]

this guy brought a gun to a blight

[arty-cakes]

they were great wingmen

[iinryer]

“the devil gave me a crooked start when he gave me crooked feet”

lyrics from raise hell by brandi carlile

[hyunpic]

DAILY HYUNJIN GIFS UNTIL HIS BDAY: love you and all your little things - hyunpic & hyuncam

[ballpitwitch]

KEANU REEVES ✦ Ride with Norman Reedus

[darklilacs]

🤬SHUT😡 YOUR👿 FUCKING👹 FART-HOLE😤 SPANKOFFSKI😤 I WANNA😒 HEAR😐 THIS🤨..... as😘 you😍 were💓 saying💞 grace?🥰

[aliencatart]

having himerita thoughts and missing them everyday of my life

[idanit]

pipped!

[sharpasanaro]

You know that trending sound with the woman humming into the fan, something slow, maybe mournful? And you know how it’s been sending fanfic writers into a tizzy going, “actually that’s {Insert Character Here} when they were going through {Scenarios}.”

Don’t think about Obi-Wan Kenobi humming Jedi songs of mourning under his breath as he heads to Polis Massa to rendezvous with Yoda and Bail, mourning his brother in all but blood, mourning him in more ways than any one person could count. His brother his friend his son his whole world for an entire ten years his brother in arms his hope for himself and his people is shattered

Obi-Wan singing quietly in the delivery room after Padmé dies, begging the Force for answers, why did she have to go why was it her time why didn’t she tell me did her and Anakin not trust me was this always my fault???

Obi-Wan’s voice finally cracking as he holds the twins together in his arms, the final time he will see them together as children, whispering songs of hope and healing into their soft hair they could have grown up in the Temple they are as strong as their father they need more than I can give them that can’t be given anything more than this why is separation the best option they will never know peace as long as the empire reigns but oh Force what can two Jedi do to stop what an entire Temple could not?

Ben humming for the first time in a decade as he rescues Leia to soothe her to sleep on their way back to Alderaan, finally safe and sound is this to soothe him after having to fight the thing that wears Anakin’s face and speaks with his voice or to comfort a traumatized child welcome home welcome home

Ben singing to Maul after he dies a tragic and wandering soul, forever haunted by a path he never asked to take he joins the Force he is whole at last welcome home welcome home

Old Ben whispering pleasant nonsense while aboard the Millennium Falcon, Han thinks it’s because he’s a crazy desert hermit, but Luke is entranced and can’t explain why the language is Dai Bendu the language of the Jedi the language of the Light the language of the Force the language of his people welcome home welcome home welcome home

Old Ben hears the Force singing aboard the Death Star as he faces Vader one last time, he sees the twins reunited at last, he knows it is his Time

Jedi Master Obi-Wan Kenobi finally joins his Order, his people, in the Force, and it sings with Light and so does he

[luck-of-the-drawings]

[<==PREV PAGES] [NEXT PAGE==>(not out yet.wait a year.or maybe more.imagine.]

saw alot of comments on prev pages; saying 'i HATE that mean teacher! im gonna FIGHT HIM!!' & i LOVE the energy!! it WOULD be nice. to have that catharsis. but the story of young tidestrider is Not one of catharsis. it is a story of being so small and so special and sucking so bad.

[cilil]

Manwë x Fëanor is underrated and I'm going mildly insane with feelings.

Let me explain.

So a while ago I wrote a long post about the narrative parallels between Melkor and Fëanor (here) which I'll be referencing a little bit here, but for those who don't want to read the entire thread here's a tldr: Melkor and Fëanor share lots of similarities, including their fall from grace arcs and certain character traits and interests.

Now, my headcanon is that Manwë loved and still loves Melkor very much and he admired him too, seeing him as this powerful and intelligent older Vala that he was proud to call his brother. He tried his best to get closer to him, but found himself rejected (rather rudely and cruelly too) due to Melkor's anger issues and rampant jealousy.

So this leaves us with a Vala who, being made not to comprehend evil as the Silmarillion tells us, was created for harmony and to be loving, yet has been continuously denied love and affection from his beloved brother despite his best efforts... and then he meets Fëanor.

Fëanor who is so much like Melkor, but does something other than destruction with his potential. Fëanor who resembles Melkor in personality and, depending on your specific headcanons, also in appearance. Fëanor who is intelligent and curious and definitely wouldn't hesitate to ask Manwë about things he knows he could learn from him, such as poetry, Valarin or details from pre-Elves awakening history. Fëanor who is confident and insanely charismatic. Fëanor who can make music with his words too, just like Manwë loves. Fëanor who is all the things Melkor should have been.

You may already think that this doesn't sound like the healthiest dynamic and you'd be correct - but that's the point. This is the fun part. Isn't it beautifully fucked up? The King of the Valar developing feelings of love and obsession for an Elven prince and inventor because there's a void in his heart and soul that he desperately wants to fill? Said Elf taking on this situation without hesitation because he's confident, capable, ambitious and, let's be real, if anyone can and will adopt and wrangle their very own pet Vala it's Fëanor? And this entire thing being further complicated by both parties having brother and daddy/mommy issues? Delicious.

As a bonus, you even have a tragic ending if you go further down the canon timeline. Look how sad Manwë already was as is and then imagine how utterly devastated he'd be in a verse where he's both fallen in love with Fëanor and successfully projected every single Melkor-related issue onto him in the process. Imagine Fëanor feeling betrayed once Manwë (alongside the other Valar) decides to step in following the Fingolfin situation. Imagine the Noldor rebellion being even more dramatic. Imagine Manwë watching Fëanor die soon after and how this may have played into him sending the eagles when he did and why. Or maybe a canon-divergence where he sends the eagles at different times for different outcomes...

Ugh. I'm just... them. You see the vision. You feel the feelings. You get it.

[iknowwhereyousnoozeatnight]

for drawing suggestions, can you draw L with a pigeon or near doing a peace sign w/ Matt playing video games beside him?

i have no idea what a pigeon looks like

[lagosbratzdoll]

On Daenerys, Colonisation and Race Discourse within the ASOIAF Fandom

This has been on my mind for a good long while and honestly, as much as I would like to leave discourse in the pits, it has been bugging me intermittently over the past few weeks.

Far too many of you get on here and call people who like the fictional dragon-riding family, neo-Nazis and that sentiment is so prevalent, that white people feel comfortable telling me a black woman that I am a neo-Nazi for rooting for Daenerys Targaryen. I am upholding neo-Nazi power fantasies for wanting to see a little girl live at the end of a story. I am a neo-Nazi for wanting to see the rape survivor have the family she aches for and children with the man (or men) she loves.

Then, those same people go on spiels about how the systemic erasure of those who sing the song of the earth and other old races is not colonialism. That their removal from their home is not displacement but an agreement between two equal parties. The fact that the only place where those who sing the song of the earth exist in the present timeline is north of the wall, surrounded by the bones of their dead, is not a travesty. That the expulsion of the old races from their home isn't that bad and should not be condemned. 

Instead, people argue, completely seriously, that the harm that the First Men and Andals have caused is centuries in the past, so essentially the slate has been wiped clean. The logical leaps that are required to arrive at such a boneheaded conclusion are truly mind-boggling, and those who make such arguments are not good people. 

I am unsure how one could read those books and come away with the impression that the old races do not mourn the loss of their home. I am unsure how one could read The Last of the Giants[1] and Ygritte’s reaction to both the song and Jon’s dismissal of the ethnic cleansing of the giants then believe that the old races and the free folk have moved past their displacement. 

In Westeros, from the Wall to the broken arm of Dorne, they all speak one language despite the fact they are all different ethnicities and they all landed on the shores at different times. That is not the case in Essos, we have been introduced to at least six languages and in A Dance with Dragons, Tyrion notes that the Valyrian spoken in the Free Cities has evolved into nine distinct dialects, and they are well on their way to becoming different languages.

How would a continent as large and diverse as Westeros maintain its hegemony over the people if not for forced assimilation, discriminatory practices and violence? The brutal repression required to keep one house in power for thousands of years is nothing to sniff at. The suppression required to keep the vast majority of Westeros worshipping one (or seven) gods. The systems in place ensure that language does not grow or evolve amongst the highborns at least.

Centuries before Aegon's Landing the maesters were the definitive educational authority and even now centuries after, nothing has changed. The grey rats still decide who learns what and when they learn it. There's one in every highborn home, all correspondence passes through them, they are the healers and the councillors.

The circular logic gets even more blockheaded when you factor in the fact that Daenerys is far from the only white character in the books. She is not the only character who wishes for home. She is not the only character who draws strength from her ancestors, her bloodline and her magical creatures. 

Cersei draws strength from her family’s iconography, and the Stark children (Jon included) all draw strength from their direwolves, their home and their blood. Sansa, Arya and Bran wish to return home and their home was built on the indiscriminate murder and displacement of the indigenous peoples. Their home is built on centuries of rape, murder, exclusionary practices and sexual slavery. 

However, if we give the nonsensical argument that time erases crimes air; the Starks, Lannisters and Tullys are warring to settle personal grievances in the present timeline. As a consequence of that war, thousands (a modest guesstimate) of small folk, minor nobles and even some major ones have been raped, tortured, maimed and killed.

Despite all this, no one writes meta after meta about how Sansa and her siblings must surely die for justice to be had for those who sing the song of the earth, the free folk, the giants and all the old races that fled beyond the wall.  

People write meta about Cersei and how she must die, but those are typically more misogynistic nature. They typically argue that she must die not for the “crime” of being Lannister, but for the “crime” of being Cersei and “ruining” Jamie. 

I would not mind criticisms of Dany and her peace-focused approach to ending slavery because the approach is naïve and she gives the slavers far too much ground. However, she is learning, growing and self-critiquing. At the end of A Dance with Dragons, she has decided to embrace fire and blood, her knight is breaking the false peace which is a necessary step forward.

What I find offensive is people saying that she should have planned better before she abolished slavery. And that the death, violence, and sickness that arises from her quest to eradicate slavery is somehow worse than the death, violence, and sickness that already existed in Slaver’s Bay. 

This argument often downplays the horrific conditions and suffering that exist(ed) under the slave system in Slaver's Bay. Such arguments are often in poor taste and prioritise the lives and comforts of the slavers more than the people they have enslaved.

I would not mind criticisms of Dany if people applied that same critique even-handedly. The same people who believe that Jon and Bran have done much to rectify the evil that their ancestors perpetuated believe that Dany has not done anything to right the wrongs of her ethnic kin. They praise them for the non-existent steps that they have taken, but in the same breath, they condemn Dany for not being able to immediately end the plague that is slavery. 

It is perfectly alright to not like fictional characters, no law requires you to like certain fictional characters over others. However, what is not right is making broad accusations about those who do, it is beyond the pale. It is disgusting, and annoying, and trivialises real-world issues to score cheap points against fictional characters.

Equating the survival of a teenage survivor to the restoration of a fascist house or neo-Nazi power fantasy when such designations do not exist in the world of ice and fire is strange behaviour. Saying that the teenage survivor will eventually be manipulated and raped (again) before ending up dead on her manipulator's blade is also strange behaviour. 

Dismissing the horrors of colonialism, especially when the text shows you that the involved parties are still affected by it, is not normal and often veers into real-world imperialism apologia. While criticism and analysis of characters and their actions are valid and even encouraged, it is essential that we do not resort to sweeping generalisations about other people and that we keep criticisms of characters grounded in the text. 

[1]  

Ooooooh, I am the last of the giants, my people are gone from the earth.

The last of the great mountain giants, who ruled all the world at my birth

Oh, the smallfolk have stolen my forests, they’ve stolen my rivers and hills.

And they’ve built a great wall through my valleys, and fished all the fish from my rills

In stone halls they burn their great fires, in stone halls they forge their sharp spears.

Whilst I walk alone in the mountains, with no true companion but tears.

They hunt me with dogs in the daylight, they hunt me with torches by night.

For these men who are small can never stand tall, whilst giants still walk in the light.

Oooooooh, I am the LAST of the giants, so learn well the words of my song.

For when I am gone the singing will fade, and the silence shall last long and long.

[moongothic]

Look I just had to get this out of my system man

I keep on thinking about what kind of theoretical hoops Crocodad would have to jump through to happen in canon and I figured being able to actually visualize the known timeline would help

And that's what this post is about. We have a visual of the timeline. Now let us think about it a whole lot.

Minor notes about the timeline graph; Luffy's birthday is on May 5th and Croc's is on September 5th, so both would get a +1 to their ages by the end of this year in the timeline. On this note, if I am not mistaken, the year Luffy was born Crocodile would've been 27 at the time of his birth and would then turn 28 a few months later. But this is assuming Crocodile is already, at this moment, 46 years old (as opposed to if he was only turning 46 this year in which case he would actually be 45 at this moment, which would further mean he would've been 26 at the time of Luffy's birth and would've turned 27. It's slightly hard to tell what the case is exactly since we don't really get those exact timestamps during the actual story, but I think he's supposed to be 46 turning 47, and that's the assumption this post is written with). (Further sidenote, according the Vivre Card Databooks (appearently), the Strawhats got to Whiskey Peak in February and by late March had obtained Thousand Sunny. Thing is that Luffy was implied to have left on his adventure around his 17th birthday, which would mean that 8-9 months would've passed between Luffy setting out and arriving at Whiskey Peak, and he would've been a few months away from turning 18 already. Which, like, is plausible, but I'm personally willing to ignore this trivia information, not gonna fucking lie)

Anyways, to recap the timeline

We don't know

When Crocodile set out to become a pirate; since he was present at Roger's execution I think the implication would be that he would've set out soon after that, at age 22, but it's entirely possible he might've already been a no-name pirate before that or he could've set out a few years after the execution

When he met Ivankov and if their meeting was like a one-and-done thing and that they never saw each other again until Impel Down, or if that's just when they first got to know each other. (In Iva's own words (in Japanese), they knew Crocodile "during the era when he was still considdered a rookie")

When he got humbled by Whitebeard; it was "soon after" he became a Shichibukai (in Oda's words), but we can't tell if that was like 2 days or 10 months after becoming a Shichibukai

What we do know is that

Crocodile made a name for himself fast "much like Luffy" (in Oda's words); you could interpret that as him causing just a ton of chaos within like a year of entering the Grand Line

He rose to fame and became a Shichibukai in the first half of his 20's (in Oda's words), so before he turned 25?

He supposedly "calmed down" / "went quiet" (again, in Oda's words) for an unknown period of time

By the time he was 30 he was appearing on the news for his heroics; we don't know when he started appearing on the news, just that by this point he was appearing on the news

So I believe the implication is that Crocodile set out on his adventure between the ages of 21-24. If you wanted to push the Crocodad angle, you might want to push it to that 24 (since his Rookie Adventure happened so fast), which would also be around the time of the Revolutionary Army's founding. And while it is entirely plausible Crocodile could've had his ass kicked by Whitebeard VERY soon after his promotion, or it could've been around the time he was like 25-26, if you really wanted to push it for the Crocodad angle. And indeed, we don't know how Crocodile and Iva-chan knew each other. The implication I think is that he transitioned before he rose to fame as a rookie, but he could've just befriended Iva-chan at the time and gotten more well acquainted with the Revolutionaries after his ass kicking and transitioned later. It would just push the "knew him in the era he was considdered a rookie" to an absolute limit, but it would be technically true, just. Kinda pushing it.

And indeed, the Problem Point; Crocodile would've transitioned at age 27 after having Luffy, already a Shichibukai, a public-ish figure.

So if you wanted Crocodad to be canon, either

A) Crocodile being trans isn't a secret, it's something else that Iva-chan tried to blackmail him with B) Crocodile being trans is a secret, so how the fuck did he keep it if he transitioned at 27

If A); Indeed, if there was a scandal about a Shichibukai suddenly transitioning, it would've been like 17-19 years ago. Arguably that would not be something worth bringing up by anyone anymore considdering he had spent at least the past 14 years (pre-timeskip) being a hero to the masses, followed by his warcrimes. Like, it'd be old news. Which would just leave us wondering what the hell the "weakness" Iva-chan mentions really was about (a child, maybe? Or a threat of detransitioning him? Something else?)

If B); Although he was clearly a menace as a rookie as he got himself a relatively massive bounty relatively fast and became a Shichibukai at a young-ish age, we don't know how many bounties he went through before he was offered the position and how he appeared on the news at the time. Like if he went through 2-6 bounty updates before becoming a Shichibukai and appeared in the news A TON it'd feel unlikely he'd be able to keep transitioning later a secret. But if he only had like 1-2 bounties in a short span of time without being photographed too much, it'd definitely feel more plausible. Especially if his OG bounty photos were either shitty sketches (like Sanji's OG poster) or like otherwise poor photos that didn't show his face/features too well. This could also be helped if pre-T (and pre-pregnancy hormones)!Crocodile was kind of androgynous (like Cavendish) and people confused him for a man to begin with On top of this, if Crocodile lost his left hand and got his scar from Whitebeard, if he just went "missing" and then came back transitioned 2-4 years later, he could maybe argue that he was like. A late bloomer. And had hit the gym after Whitebeard kicked his ass. Like yeah he had changed a lot but it's not like there's other Sand Sand Fruit users around claiming to be Crocodile. And it is worth reminding that Iva-chan ability to change people's bio-sex isn't super well known in-universe. So even if people saw him on the news and were like "wait wasn't Crocodile a chick", without knowledge of Iva's abilities people could've been like "no way, surely not, that's not possible". And although the Government maybe could've found it suspicious if they knew about Iva's abilities (which they might've, as Ivankov was a Revolutionary, and their Warlord interacting with a Revolutionary would be sus), as long as Crocodile played nice (which he did, during his Heroic Era) they might've just let it go? (Also if Crocodile was rich at the time he probably could've bribed Morgans to make sure whatever news they published about him didn't ever question his gender or anything)

So all of this to say,

The Most Likely and Most Viable Timeline for Crocodad to be canon would be, approximately;

24-25 Becomes a Shichibukai, gets his ass kicked

25-27 Enters his Quiet Era, Romances Dragon

27-28 Luffy is born, transitions, back to Shichibukai'ing

Of course, this is not an absolute timeline, it's just the one that seems the most viable to me. 'Cause even this timeline is really pushing what Oda and Iva have told us about Crocodile, both the "first half of his 20's" (as opposited to mid 20's), and the "when he was considdered a rookie".

It's pushing it. But it's kind of plausible. And I can't imagine how else it could work in canon.

I do find it interesting though how Crocodile's "quiet era" does overlap nicely with when Luffy was born. Like we don't know how long that era lasted, for all we know Crocodile could've started to get Alabasta like a year after getting his ass kicked by Whitebeard. But it's interesting! And interesting coincidence!

Another interesting note is that 17 is an... interesting number. Like Oda's first one-shot, WANTED! was published when Oda was 17 and that in some ways marks the begining to his adventure as a comic artist. Similarly, Luffy set out on his adventure at the age of 17. A lot of people have been speculating if the God Valley Incident is what caused Dragon to leave the Marines because he would've been 17 at the time. And... It's not quite the same, but if Crocodile transitioned at 27 (as in, started a 'new life', a 'new adventure' as a man at 27)... IDK it'd be an interesting coincidence

Sitenote Re:Missing Kuja Empress

19 years ago, the year Luffy was born, Hancock and her sisters were kidnapped off of the Kuja Pirate's ship when the previous Empress was still the head of the crew

15 years ago the Boa sisters escape slavery and return to Amazon Lily, the status of the former Empress is unknown

13 years ago Hancock becomes the new Empress, the former Empress is presumably dead by this point (as she is said to have died from Love Sickness)

Point being; I reaaally doubt Crocodile is the missing Empress. Like if the former Empress had also been a Shichibukai and had transitioned and was still around, there's no fucking way people wouldn't know about that, right. Like surely they wouldn't say she had died specifically of Love Sickness, right. Like it's not impossible but surely not

[blu3c4n4ry]

Tinky fell in the bong and we smoked him sorry