#I need more bnha meta

[mishy-mashy]

Kudo is actually such a kind, soft-hearted guy that had to toughen up because he cared too much

He looked at AFO's rule, and even though he was weak, he had that glint in his eye that has been referred to as the "will of a hero" to oppose him. A hopeful glint shared with Midoriya, Bakugo, and Hawks

He even parallels Hawks when they talk about that particular look in their eye

From a glimmer in the eye, to which eye is shown, how much of the face, a similar angle of the face, and placement of text questioning the existence of that light,

He stormed to kill Yoichi with Bruce, but couldn't, once he saw the state Yoichi was in. Even knowing he was the enemy, he still reached out his hand and never let go, even when they were running

When Yoichi died, even though they'd only been together for two months, Kudo still cried and froze up.

This is a reaction from a man who repeatedly used lives as a stepping stone for his own goal.

Kudo said himself, that victory was life, and defeat was death. He had killed and seen his friends killed over and over, but still cries when it happens again. And to someone he only knew for two months, at that.

Kudo gathered allies under his cause, and they were loyal enough to die for him. Bruce cries (still smiling tho) facing AFO, tried protecting Kudo when he froze up at Yoichi's death, and we see all Kudo's comrades dead in the end. Maybe Bruce was suicidal when he went to face AFO, knowing he'd die, but most of his comrades (and Kudo) were already gone. Their cause was snuffed out, but the will persisted.

Kudo is a bit like Aizawa.

A bit crass and blunt, doesn't like beating around the bush, but he can clearly see what kind of person you are. He's not openly kind, but you know he cares so much, but has also lost too much once. He's seen his friend(s) die, and shouldn't it have been him in that spot? Shouldn't he have died instead, but was forced to continue living for that dead person's sake?

His speech about why we call Abilities "Quirks", recognizing people's intent over raw power is the real power. (Ch 369)

He's blunt and goes straight to the results rather than beat around the bush, but it doesn't mean his heart is frozen and he doesn't care about you. (Ch 408)

He cares so much, and that's why he has to do so much. (His whole Resistance thing, figuring out how Yoichi's Factor works to make sure Yoichi and his will can live on in some way)

He recognizes that Midoriya isn't driven by duty, but that he genuinely adores Quirks too much. (Ch 414) He could look at Midoriya, read that immediately, and even though he looked through his memories, Midoriya's character was his takeaway. Not that Midoriya is an idiot for letting himself be stepped on, or that this kid was bullied, but that Midoriya could see the goodness in others.

Like how Aizawa saw that Midoriya was relying on the reason [It can't be helped] whenever OFA broke his bones and told him he can't always break himself just because he could be fixed (Midoriya's recklessness that showed itself on the first day of school). He called out something that was an underlying, innate belief to Midoriya, that was so normal to the teen, and no one else had brought up as wrong to him.

The first thing they perceive is a person's character.

When Aizawa tied up Midoriya on the first day of school, he wasn't telling him off over his Quirk destroying him being a PR thing or too gruesome for the public. It was out of the fact that his Quirk shouldn't destroy him, because it's dangerous for Midoriya.

Aizawa came off antagonistic, but he was looking out for Midoriya. He didn't want him to keep breaking his whole arm, he didn't want him to get stuck in the mindset that he had to get hurt to use his Quirk, he was looking out for his wellbeing from the start. A kid he didn't know personally until that day.

Kudo did a similar thing. He turned his back, and refused to help, because they were putting their hopes in a delusional boy who would go too far. When the vestiges realized their gathered Abilities and Quirks were letting Midoriya have the freedom to do as he wished, Kudo already knew, only saying "His path is the right one". He could relate to having to run full-sprint to see your goal realized, even if everything opposed him, but didn't want Midoriya to go through that same path alone.

If he were alone, he'd be like Nagant. He had to have comrades to be like Kudo, able to continue and stand for their beliefs, but having comrades to fall back on, or pull him back when it's too much. That's why he follows up in that moment with, "But, if there's something Midoriya does need..."

Kudo and Aizawa could see themselves or their comrades in others, and knew how to approach those character flaws that were normalized to others and said person.

Kudo could see others for who they were, and I think it's this, and his caring nature, that he gathered so many allies with him. He knew when to be blunt, when to show kindness, that the truth hurts but needs to be seen, was actually very logical and witty, and when to step aside and let people do their thing, even if it wasn't the best move (like saving All Might). Because that was what was best for that person.

It's not like people would join someone so wholeheartedly without conviction and being left unseen by that person. So many people were willing to die with and for Kudo, and Bruce believes in him so much.

When All Might's vestige was fading and becoming more solid, Kudo had to look away. They knew it meant All Might was dying in the real world.

Kudo was telling Midoriya not to intervene with Gearshift there. But once he saw All Might genuinely dying out, he couldn't look at him, and kept quiet. He stopped hanging onto battlefield logic of necessity, shut up, let Midoriya do his thing, and it saved All Might. It saved Midoriya from seeing his idol die in front of him, and Kudo didn't have to see another ally die beside him.

The chapter is literally called [We Love You All Might!!]. Even if it's just meant to focus in Bakugo and Midoriya, and only has 2 exclamation marks, it can't discount the world is watching. The vestiges care about All Might too.

When the vestiges come up with the plan to forcibly transfer themselves to deal damage, Kudo volunteers himself as the test dummy. Sure, he backs it with a lot of reason too, but he didn't want anyone else to go first as a test drive

He, with a Gearshift Ability that resembled a manual car, was the test drive. Ha ha pun- *gets shot*

En tried going first. Kudo rejected him, saying he would go first.

"Part ways with Gearshift [me], and you'll be free of the crippling recoil too."

Too. TOO.

KUDO JUST WANTED TO GO AND BE DESTROYED FIRST. HE PUT THE FREEDOM OF RECOIL DOWN AS AN EXTRA BONUS SO THEY'D AGREE WITH HIS CHOICE.

I'd cut the image so it looks better, and I can use Bruce's words elsewhere, but this is an image limit, so,

- Kudo refused to let anyone else go first. This was before giving reasons to convince them he should leave first

- En gives reason to why it can't be Kudo. Kudo just says, "Listen." and reminds them of now.

- Look at Kudo's face when he says that. The guy knows what he's doing when he cuts off En, and would probably be a horrible liar. He might as well be pulling this out of his ass.

He's said "The world will end" "You have to or else" "Five minutes" "You're going to die" a few times in this fight already. DUDE STOPPP

(Terrible liar and a guy who purposely eggs you to torment? What a great friend he would be [yknow, when u make ur friends freak out by being ominous or reminding them of stuff. Like Toast to Lilypichu in a game of Observation Duty])

- "Too."

- Bruce's trust in him, but knowing when to pull Kudo back from going too far

Also, when he's transferred, he smiles to Midoriya. He knows he's about to die again, but the last thing he does for Midoriya is

1) Take away the recoil of his existence as a Factor on the boy

2) Reassure him that it's okay, so it doesn't weigh on his conscience

Even if only in thought, STILL!

KUDO LOOKED SO PROUD OF MIDORIYA!

I bet Kudo is suuuch a sentimental fool

> [Be me and watch your new friend die]

> [I have Yoichi's Factor]

> [It's like I carry his will now]

> [Have a glint of opposition in my eye that drives the Demon Lord and my comrades (Bruce) crazy]

> [Hey Bruce, let's figure out how it transfers]

> [Bruce's common sense VS my rabid ideas]

> [I win]

> [Bruce was unwilling the whole time and still ends up with the Factor]

> [The Factor is named One For All, after something in Yoichi's favorite comic book series]

> [We pass it on to the future to carry forward]

> [Even as everyone else and me dies, I make sure Yoichi and his will are safe from his Demon Lord brother that locked him up]

> [Decades later, my sweet vaulted friend reminds me of when we met]

> [I turn around and give my whole-hearted support to believe in some 15-year old boy because Yoichi believes in him too]

SEN - TIM - ENT - AL!

When Shinomori was stolen by AFO, Shinomori pushed everyone away before they could really notice the invader. Kudo called out for him.

Everyone is in shock, but I don't think it's a mistake that the text bubble calling out for Shinomori is pointing from Kudo.

All For One made it through and is ready to steal them, but the first thing Kudo did was call out for the one at the very front.

[On the post I made that mentions Shinomori pushing everyone away] What if Kudo wasn't pushed away? What if this was him at the front, realizing the danger and turning around, but being unable to do anything for Shinomori when he saw?

Like Bruce, Kudo communicates. He doesn't expect you to just follow or understand him. He actually lays it out and makes sure you keep up.

He explains

- the transfer of vestiges, and why he should go first

- his Quirk

- why Quirks are Quirks

- reports to Midoriya what's happening and what's next

- to Yoichi why they couldn't trust in a delusional boy. In a way that wasn't Bruce's roundabout "we lived in a terrible era and a leader gathered us"

When En panics, he barks at En to keep up. By barking at him, rather than any other way he could've used his tone, it shuts up En in his frantic babbling. Kudo also lets Vestige Might put in his thoughts to understand better, and uses it.

Eye reflection. Kudo can really see people for who they are, and understands others, and himself.

I can't repeat the pics cuz image limit, but look at previous panels here. For example, Kudo saying Yoichi's will lives in him, and when AFO reflected in his eyes

It's something I learned from Re:Zero. When a person in reflected in one's eye, something something that person can see the true core of you, of what you really are underneath everything. The eyes are the window and mirror [glass] of the soul. I finally see the true you.

AFO never reflected anyone.

But Kudo reflected AFO when the man accidentally killed Yoichi. He saw that AFO wasn't seeing anything, so later, Kudo smiled and mocked AFO at his own death.

"Yoichi?"

"He's gone."

"You killed him, Demon Lord."

And AFO hated that reminder.

Kudo was reminding him of what the truth was. Kudo saw it himself, and AFO blocked it out from the get-go. Kudo already knew what AFO was, what he was seeing, what he was doing to himself by blaming Kudo instead of himself.

And then, Kudo's eyes reflected his own hand when he realized Yoichi's Factor was in him.

Kudo clearly saw himself, and in himself, Yoichi. Nothing distorted it. It really was a clear mirror.

He really perceived Yoichi's will was living on, and was right. Otherwise, his eyes wouldn't have shown it.

Kudo was right about AFO. It's even implied back when he and Bruce had their backs turned; Kudo knew what AFO's real goal was. That was back when AFO preached unity and division under him.

Kudo could always see right through AFO. He really understood people from the start. And he never tried making up truths to justify what he was seeing, facing it head-on.

Kudo's lying about the world being black and white.

Kudo and Bruce saw the world as black and white. This was mentioned in the void.

Kudo also says, "Victory meant life. Defeat meant death."

But it's the Resistance. It's when Japan and the world was at their lowest. The world wasn't black and white; there's lots of gray.

Kudo and Bruce would've seen this. Kudo even admits that there's gray, just not directly.

Kudo says Yoichi knows, how he killed and trampled so many lives, to get back at AFO. He knows it wasn't right, or an amazing choice. Later, he says that when your back is against the wall, you have to make callous judgements. These hint at gray moments.

Kudo and Bruce have faced and been in the gray. But it's too hard to make the right choices, and there are times there is no right answer.

Historically, soldiers would convince themselves the enemy were monsters. They wouldn't be able to fight and kill them otherwise. They wouldn't be able to live with themselves without believing in this so badly.

Kudo and Bruce had to have been the same way. They were Meta Humans [Monsters] in a time they were viewed as diseased humans. The monsters were real. And they had a Demon Lord. Kudo and Bruce literally dressed up as soldiers.

Even if they were monsters to society, being Meta, Kudo and Bruce were still human. They knew this. The ones who tried believing in only black and white were inhabitants of the gray itself.

But they have to protect themselves. Kudo is so adamant that the world is only black and white, because he can't stand the gray. What it makes him do, what it means, that he's too weak to do anything.

Yoichi is an example of that gray area. The mortal enemy's younger brother, was actually locked up and sickly. He's just a comic book nerd. And it humanized the other side Kudo opposed so vehemently.

Kudo says victory is life and defeat is death. And Yoichi asked why he reached out to him then. He reminded Kudo of that gray area, and Kudo opened up.

Kudo might avoid the gray area because it's a matter of the heart and a moral dilemma, but it's what makes him human. When there's no right answer in the battlefield, he decides on his feelings instead.

He wishes the world was black and white, because it'd be so easy. But it's not.

Yoichi reminded him of how entering that gray area led to OFA ("when you reached out your hand to me"), and it had been the best choice in the end. The gray area is real, and Kudo's left a bare man with only his emotions when he's there.

Kudo is actually really kind and understanding. He's too soft for his own good. Thanks if you made it this far, I hope it makes sense (tag and image limit)

[c00kietin]

Trumpet 💗💗

reference

[allebooklover]

Seeing people hate on bnha’s ending for not being a utopia and claiming that nothing about their society has changed, and I just don’t agree with that.

Even if it’s not perfect, their society did change for the better. Crime still exists, but has gone down to the point that less heroes are needed. There’s less idolization on the pro-heroes career - in Deku’s teenage years the ideal job was pro-hero and only pro-hero, but in the epilogue other career tracks such as healthcare and technology are given equal recognition and value to the pro-hero career track. Therapy used to be viewed as a threat and something to be kept hidden because it is shameful to admit that you needed it, and in Toga’s case used outdated practices that did more harm than help - in the epilogue it’s instead seen as something regular and helpful, and that needing help is nothing to be ashamed about, and more up to date and effective at actually helping others, as seen by the therapy programs Uraraka and co created being talked about on tv. Society is shown (I’m mainly thinking about the old granny and the kid) to be less apathetic to those in need. Things have changed for the better.

It’s not a utopia. Crime still exists. Heroes are still needed. But they’re no longer the sole bandage for the gaping wound that used to be their society. Other people from other careers help serves as bandages too, and all of that ultimately helps society function in a way that benefits everyone better. If utopia is the top of the stairs and the society shown in the story’s beginning is at the bottom of the stairs, the society shown in the epilogue is on the step that is halfway up to the top. Not perfect, but improving, and one that is working on continuing their improvement so that they don’t fall stagnant and backslide back to the bottom of the stairs where they used to be.

(Ngl if I want to be more specific it’s that the beginning of the manga has them in the lower parts of the steps solely because All Might and his Symbol of Peace carried them there, but it’ll muddy the metaphor too much lol)

But anyways. BNHA’s ending does something I find much more interesting than ‘they’ve created a crime-free utopia where everyone is happy’. The ending goes ‘things aren’t perfect but they’re improving, and will continue to improve so long as everyone puts in the effort’. It acknowledges imperfections, and the beauty and importance of small steps that lead up to big changes. It promotes gradual growth as important and crucial, and that’s a message I find much more relatable than a crime-free utopia.

[haleigh-sloth]

I know the hero society sucking ass plot point is important and deserves proper follow up, but man it has really overtaken all the other parts of the villains' issues to talk about on a meta level.

Not enough people on this site talk about how the remaining 4 League members all hate themselves to the core and through their self destructive methods are desperately seeking, waiting, and hoping for someone to give them a reason to stop hating themselves so much.

I know it's not the most desirable way to use the societal failures in this particular manga, but the way I see the macro-scale issues being utilized in the story to support the villain side of the narrative is for all of the League using it to explain how and why they ended up where they currently are. But that's the extent to what I see the villains' characters using it for.

Are they asking for it to be fixed? I'd argue that no, they're not. Not now at least. Because think about it--in their minds there is no hope for them. They have stopped caring about a "fix" and are just looking to get rid of it all. They don't care about fixing it because they don't see a place for themselves in it--no matter what--even if it WAS fixed.

Because they hate themselves and the people they were born as.

The way the story has set this up is this:

If the villains can't stop hating themselves--escape their self-destruction and self-loathing and hopeless mindsets--then offering a fix for society is ultimately pointless.

Because yeah, someone can promise change on a large scale to them--but at this point in time, right now, that doesn't matter. Because even if you do fix the issues, they still don't see themselves as people worthy of joining it with everyone else--fixed system or broken system.

They hate themselves and that is the very first issue that needs to be handled for their wellbeing and salvation. Nothing can even sort of be fixed until they are stopped. They will not stop until they are given hope.

I'll be one of the only ones in this little corner of the fandom to say that society can take the back burner on this one. It's necessary to be looked at and fixed and changed, but looking at things on an individual character basis--that's actually not what's necessary at this point in time.

Afterward, yes. Now? No.

[sleepingpopplio]

Deku’s hero costume and indicating tonal shifts within a story

This post builds on everything I mentioned in a previous one, and highlights the brilliance in Horikoshi’s character design. To be more specific, the brilliance in Deku’s design and his hero costume. I also want to start this post by saying that I am an artist myself, and while I’m always learning new things, I do have some knowledge and understanding of color theory and character design. Now, on the surface, Deku is purposely made to look as non-threatening as possible. He has very few sharp edges, his face is round, his eyes are round, and he has very curly hair. Furthermore, when you learn art and character design, one of the fundamentals is understanding how shapes affect the audience’s perception of the character. It’s a very complicated subject and shape language can be used in various ways, but to simplify: sharp edges and triangle shapes indicate harshness or intimidation, square shapes indicate stability and balance, and circles or round shapes indicate softness and gentleness. Izuku falls under the category of circle shapes and as previously stated without his hero costume, particularly in the beginning of the story before he loses more of his innocence, he looks relatively harmless. But let’s take a look at his first hero costume…

His first hero costume is very bright, with a mint green and white & red accents. Izuku has just begun his hero journey, and he has not had any pressure placed on his shoulders yet (except his need to not be useless and prove himself as having value due to his trauma from years of being looked down on for his quirklessness). He doesn’t know about the true history of one for all, or all for one. He hasn’t even encountered shigaraki yet. The use of highly saturated and bright colors are supposed to look odd on purpose, because this costume was designed by an bright eyed child who simply wants to be a hero, and not by a pro who’s been training for this moment for years. Furthermore, the light color scheme fits the idea of a positive protagonist who wants to goes into everything he does with an upbeat attitude. Think of Superman, who also have very saturated, bright colors in his design, and is another character is is known for his optimism. It should also be noted that the shaped in the hero costume are much sharper compared to deku himself. The stripe pattern, the utility belt, and elbow/knee guards are all very angular. This then can be taken in two different, yet connected directions. Deku, despite coming off as a harmless character, is able to function well as a hero right from the start because of his intelligence and ability to think on his feet. He’s an analyzer who takes his time to dissect his opponent’s weaknesses, and therefore one could say that he holds the capacity of being a very grounded character. Sound familiar? That is the square shape doing its job of conveying another aspect to Izuku that is best seen when he is in action as a hero. Thus, Izuku’s inner strength, reliability, and strong will are conveyed through square shapes in his costume. However, the angular nature of the same design patterns I’m mentioning, in addition to the pointy all might ears on his head, could also be hinting at Izuku’s ferocity in battle. I’ve already mentioned in a previous post I linked at the start of this but will link again just in case you don’t want to scroll up again lol, that Izuku has an intense, repressed inner rage that stems from his childhood trauma and self loathing. The sharp edges in his hero costume allude to this fact, but it can easily ignored since the color scheme is so bright and positive— his inner darkness can be overlooked by Izuku’s positive exterior. But let’s take a look at deku’s 2nd hero costume, and how it indicates a shift in Izuku’s character.

It should first be noted that Izuku only puts on this costume After the sports festival. The festival is where the process of an insurmountable amount of pressure being put on Izuku’s shoulders begins. He learns about the true legacy of One For All, he learns about his destiny to fight All For One, and he is told that he has to become the next symbol of peace and therefore has to have an “I am here” moment. All of these things are responsibilities that Izuku was never previously told about, and was never given any indication that he had to worry about. Thus, Izuku’s mental health begins taking a serious downward decline starting at this arc. This decline, or regression, follows him for the rest of the series all culminates in the vigilante arc. I won’t go into too much detail about that, because as previously stated I’ve already gone in depth about it, but I am mentioning this because this costume perfectly represents the beginning of Izuku’s regression. The color is much darker, and instead of white accents there are black ones. I cannot emphasize enough how big a deal it is for a superhero to change costumes to wear a much darker one. Spider-Man is the most well known case of this, as all of his darker toned or black suits often indicate a dark time in his life where he struggles with his inner rage and weight of responsibility. Does this sound familiar? Horikoshi loves heros such as Spider-Man, and that is why quirks such as blackwhip and danger sense are based off of Spider-Man’s abilities. It wouldn’t be much a stress to assume that is where Horikoshi also got the idea of making deku’s suit darker from. Therefore, Deku putting on his darker suit after he begins his slow downward spiral serves as foreshadowing to the audience that all is not well with our protagonist. While it may look better than his last, because he has become more mature and thoughtful about his choices, what it represents is not come-Worley positive. Furthermore, the hints of white, the remnants of his first costume, serve to show the remaining innocence he has left, or will have left by the time he stops wearing this version of the costume. It’s not much, buts it’s a beacon of hope that maybe it’s not too late.

By the time Izuku unlocks his shoot style, even more black is added to his costume in the form of his leg armor and his iron soles. He shifts to the shoot style after the summer camp and Bakugo retrieval arcs, which were very intense and traumatic events for him. He’s developing his own identity outside of allmight, which is positive, but the increasing amount of dark colors in his suit is concerning. His mental state is getting worse, he is continuing to enter a darker phase in his life, and it is happening at a slow enough pace that most other characters do not notice what is happening. Surprisingly, his costume does not change much for most of the future arcs. From a strictly character design perspective, this makes sense, as constantly changing a characters costume can make them less recognizable and thus alienate them from the audience. Plus, it’s simply easier to draw because the author will always know how the character is supposed to look. But, this could also be a sign of how Izuku tries even harder to put forth a positive persona while at the same time hiding what he is going through. We all know that things get worse before they get better, so let’s look at another costume change…

We don’t have many colored versions of Dark Deku yet, but from what we do have we can see how much work horikoshi put in his design to make it as menacing as possible. From the tattered costume, to the muddied colors, to Deku’s facing being hidden by a mask and cowl full of sharp edges, with only his pupils being visible. One thing about character design that I haven’t mentioned yet is the effect of showing/not showing a characters face. With characters, seeing their faces tends to make the viewers relate to them more, as we can more clearly see their facial expressions and make eye contact with them. Covering a character’s face purposefully creates a disconnect between them and the viewer. Think of characters who have something to hide, or struggle to be emotionally vulnerable. The personas of Batman vs Bruce Wayne, Spider-Man vs Peter Parker are comic book examples of characters who present themselves very differently as super heroes compared to their civilian forms, and wear masks that cover most of if not all of their faces. Furthermore, that is why in many Spider-Man movies the character will take off his mask a lot, even if it is mid-fight, because the audience needs to see his face in order to connect with him during those important moments.

Now with Izuku, as previously stated, we don’t see any of his face except his pupils while he is in his Dark Deku form. We are instantly disconnected from him. That is also why we’ve rarely seen deku wear his mask up until this point— even though we knew that it was always there as a part of his costume. The only other time that deku wears his mask for a significant amount of time is with his first costume, and when we is trying to simply imitate all might instead of trying to be his own hero (just as a lot of bright-eyed children would do when it comes to their innocent wish of wanting to be like their hero). He is trying to run from his emotions and who he is as Izuku Midoriya by hiding behind the persona of the Hero Deku, the 9th holder of One For All whose only purpose and source of value is to defeat All For One. Only when he takes the mask off at the end of the arc do we finally get to see genuine emotion from him. In addition, during this arc Deku is incredibly aggressive and vengeful. He has very little patience for his opponents. This is emphasized by the fact that there are almost no soft edges in his costume at this point. With it being torn to shred, there are shard and jagged edges everywhere you look. It may be a pain to draw, but it’s worth it for the effect it achieves. Any source of light colors are also gone. The white accents, which once represented the little innocence that Izuku had left as he continued to be plunged into the darkness of the hero system, are completely gone. His white gloved are now a dark brownish color, and even the dark green of his costume has become even darker. He’s so dirty that in many drawing of this form he is even drawn in all black, furthering the parallels between him and other comic book heroes with dark forms. He is the embodiment of despair and rage, thus cementing this costume as one that, in the words of civilians within the manga, “would never guess is a hero”.

Now this leads us to Izuku’s final costume change. Once again, we don’t have many colored pieces of this one and the ones we do have don’t show his entire body. However, we can notice some things about the color. Gran Torino’s cape is not longer just a thrown on addition, and instead Deku’s entire costume feels more cohesive and inclusive of the cape. Not only that, but the specific shade feels more like the color gold than a plain yellow. Gold is a color that often signifies success, and is commonly seen as the color of champions. Izuku is ready to finish this story, the legacy of one forand for all (lol, get it). But this time, he’s ready to do it with the help of his friends. That is what makes him a champion, instead of the villainous persona he had when he tried to complete OFA’s legacy on his own. Furthermore, the main color of his costume is much darker, and almost looks black. Izuku has been through a lot dating back to when he was a little kid, and he has a lot of trauma. He’s tried to run from that trauma all his life, but by the end of the vigilante/villain hunt arc, he finally is able to confront it in a healthy way with the help of his friends. He’s finally healing, and while he will never be able to get the childhood and innocence that he lost back, he can still find comfort and human connection as he moves toward a better future. Similarly, much of the lighter, more highly saturated colors on Deku’s costume will never come back. Gold is not a color often seen on children, and thus his costume is much more mature than his previous ones. While it may be bittersweet seeing our protagonist all grown up, the use of color and return to similar shape language signify that change is a part of life, and that at the end of the day a person will still be the same at their core. What matters is finding hope and success in the darkness.

So what does this all mean in the context of the story at large? Well, since Izuku is our protagonist and we go through the story via his perspective, as he regresses, and his costume changes, the story changes. We enter BNHA with a comedic and lighthearted story. There’s plenty of gags, pretty black and white interpretations of good and evil, and a decent amount of relatively laid back chapters/episodes. But during the arc that stain is introduced, Deku’s costume changes because of his own issues, and the story gets darker. His story gains more black accents, and the story becomes even darker. Deku has is dark deku form, and the story is the darkest it’s ever been. But once deku changes into his final costume, the story is still dark, but there’s a sense of hope that things will get better. Deku has hope that he can save Shigaraki. Thus, Horikoshi masterfully uses color theory and shape language to shape Izuku Midoriya as a character, his regression, and the increasingly dark tone of the story through the eyes of our protagonist.

[nighttimeebony]

The Scars of MHA

This might be a really weird thing to notice or care about, but I absolutely love the way MHA does scars. The scars in MHA are rough, jagged, off-color, asymmetrical. How often have you seen an animated property where scars are thin lines that are almost more like beauty marks than injuries? But not in MHA, where not only are the scars imperfect, but their appearance also reflects the nature of the injury.

Kirishima got the little scar above his right eye when his quirk first activated and he cut himself by accident. Since it was a relatively minor injury that happened so long ago, the scar is more silver/white in color but unmistakably there.

Izuku's scars are comparatively new, hence the red coloring to his scars, but they're also jagged and rough and give off the impression of major injury. Even his crooked right hand, which does have more faded-looking scars, but it was due to a healing Quirk, and even if the scars don't look quite as bad as the red one on his arm, it still gives off the impression of internal damage that, while healed on the outside, he will have to deal with for the rest of his life if he isn't careful. And speaking of the big scar on Izuku's arm, he's shown wearing a compression sleeve over it, implying that he has issues with chronic pain because of all the damage that's been done to his hands and arms.

Similar principle applies for Aizawa's scar that he got from the USJ. Because it's a new injury, it's still sort of pink in color, but it's also jagged and rough-looking because of course it would be after getting his face slammed into concrete. Even the placement of it is kind of significant. Because it's so close to his eye, you really feel just how close it was to completely fucking everything up, because Aizawa needs his eyes to use his Quirk, and if his eyes are put out of commission or damaged, then so is Aizawa's effectiveness in a fight. Aizawa is instrumental in almost all the fight scenes in this series, and we KNOW that if he were to get taken out, it would be bad for everyone involved.

Shouto's scar was a major, severe injury and was caused by a burn, so it's red, splotchy, and takes up most of the left side of his face. It's also surprisingly smooth when compared to other characters scars like Izuku's or even Endeavor's, and it's because burn scars are bright red and kind of smooth-feeling in comparison to the normal texture of human skin. This makes even more sense when you consider that Shouto's scar is technically a freezer burn, and when you compare the look and texture of irl freezer burn scars to Shouto's, the similarity is even more obvious. (No, I will not be putting images here, cuz it can be kind of gross if you're squeamish about stuff like that, but feel free to look it up yourself if you're curious).

Eri's scars are clean but numerous and entirely cover her arms and legs. This is due to Overhaul's continuous experimental dissections that were clinical and precise but relentless. And I think it's also notable that (with the exception of hospital robes) Eri always wears long sleeves and tights to cover them, which implies that she's self-conscious about them, which is a really good little character detail.

I just really like that the characters of MHA are allowed to be scarred and have physical imperfections that aren't glossed over or hand-waved, and they aren't treated like something that needs to be "fixed"; they just become a part of them and become natural integrations into their design. I just, I fucking love it.

[s0fter-sin]

general society is such an underthought aspect of mha. obviously there’s the big things like the obsession over heroic quirks and the demonisation of villainous quirks. quirkless people are dismissed entirely but i don’t think we talk about how society in general would have to handle a world with super powers.

we know after afo’s first uprising, the government overcorrected and outlawed public quirk usage. we know people have their quirks registered and go through quirk counselling as well as a type of gym class where they practice under teacher supervision.

how in the hell is that supposed to work?

the closest equivalent i can think of is mental health services. someone would have to study for a long time to be able to pursue quirk counselling as a career. it’s also a highly personalised system: everyone has a different quirk - even similar ones have different activations, triggers, exceptions and drawbacks - so no two sessions could ever be the same. if anyone’s been through mental health services, you know how rough it is; it’s an overworked, underpaid system and if you live somewhere that only offers a few free visits, it can also be expensive.

and that’s an elective service.

almost everyone on the planet would need quirk counselling.

there’s no way they could implement such a labour intensive and individual public system and we literally see that they can’t.

we see the gym class in amajiki’s flashback and he only has a few minutes with his teacher before he’s chided for not being more impressive and utilising his quirk to the fullest and they move on to the next student. say a standard class is twenty students like it is at ua. that leaves just over two minutes for each student to learn and practice their quirks. you can’t focus on just one kid per lesson bc what will the other nineteen do? do teachers also have to have a degree in quirk counselling? is that part of becoming a phys ed teacher or is it some random joe schmo trying to wrap his head around literal super powers?

given that inko goes to garaki - a doctor - to confirm izuku’s quirklessness, it can be assumed that quirk counselling is entwined with the medical system. i don’t know if you’ve ever had to apply for a specialist before but you can be on their waiting list for a while. a quirk counsellor is essentially a specialist. are there subcategories of counsellors? do you focus on either emitter, transformation or mutation the way doctors become cardiologists, paediatricians and neurologists? or is one person expected to be equally knowledgeable about all three?

we see through toga that her counsellor identified her need for blood but they didn’t find a way to curb those instincts or even find a supplement for her. she’s left to be abused by her family for something she can’t control bc it’s literally in her dna. compare that to iida who knows he needs orange juice to power his quirk. his entire family are pro heroes so it would be easy to assume they could employ a private quirk counsellor the same way richer people can employ private doctors.

how many people have specific requirements due to their quirks? changes in their physiology that have to be treated the same way nutritional deficiencies and allergies do? even people without mutations probably have those requirements: does kirishima’s shark teeth mean he’s an obligate carnivore? does mina’s acid change her ph levels and what vitamins and minerals she needs? how would they figure that out? quirk counselling.

what about kids like touya who would need extensive counselling so he could figure out how to live with his quirk without hurting himself? kaminari essentially has seizures and they’re so normal to him and everyone around him that they’re the butt of jokes. they wouldn’t be a one and done patient; there’s always going to be people that need continued support the exact same way there’s people that need developmental and disability support. there would be so many quirks that harm their user, are they just taught to bury their quirks? as if that wouldn’t cause any physical or mental consequences?

governments can’t create a system that applies to only some people, we’re expected to believe they’ve made one that applies to all of them?

[zykamiliah]

hey! i haven't seen mha in a looong time and i've never payed attention to bakudeku (mostly because i'm not the biggest fan of bully romance), but i'd love to see your take/interpretation/analysis on it? i've been a really big fan of your svsss metas and so i just thought, "hey, you know what, i'm curious to see zykamiliah's take on a ship i've never been interested in from an anime that i haven't seen in years! maybe i'll see something?"

not too sure if you already made a post explaining it (so sorry if you did!), but i've seen enough of the sudden rise of bakudeku reblogs on my feed from your account to ignite my curiosity lol

i just really enjoy hearing about ships because they're an amazing opportunity to explore dynamics and perspectives i've never given much thought/thought about before (coming from a rare pair lover... oh gyx/lbg, my sweet...) so i'd love to see bakudeku, a ship i don't quite understand (yet!) in a more understanding, different, and interesting light! and in complete honesty i trust your judgement with insightful character and ship analysis stuff, so... yeah!

heeey jade! sorry for the wait, i've been busy with work and irl stuff :DDD but i'm here now!

where to even begin lol... well, it's important to note that the relationship between midoriya izuku, the protagonist, and bakugo katsuki, the deuteragonist, is one of the main narrative lines of the manga, at the very core of the story. katsuki is izuku's narrative foil, their character developments are intrinsically connected (specially katsuki's!), and the same can be said about the themes of heroism, of what makes a hero, who can be a hero, what type of hero society needs, or if it needs them at all, etc., questions that also tie to the evolution of their relationship.

so from the start i was sold on this dynamic because i really like relationships that are at the center of a story!! i also like relationships with a complicated history with lots of drama and ups and downs, and i like that each character has their own things going on in their lives even if they are connected and one of the most important persons in each other's lives. big big bonus guaranteed to get my full attention if they are obsessed with each other lol

the thing is, deku and bakugo are in a bad place when the story kicks in. bakugo isn't an active bully, in the sense that he doesn't constantly seek deku out to hurt him, but he IS horribly mean and hostile, and that's because for years he's felt threatened by deku (and deku's heroic qualities), and wants to push him away, because he also feels that deku is looking down on him. the story doesn't shy away from showing and acknowledging that bakugo's behavior is atrocious and needs to change, and it works towards it consistently: he eventually atones, apologizes, and changes. on the other side of the coin, deku has always been paying attention to bakugo and, despite how the latter treated him, would chase him, observe him to the point he has bakugo's moves memorized, takes inspiration from his fighting style and even imitates him to give himself courage to do something specially daring and when he wants to "win" more than "save"; bakugo is his image of victory, ever since they were kids.

i scrolled through my bkdk meta tag, since it's been yeeeeears since i was involved in the fandom, lol, and found this post that tackles the bullying issue specifically and makes some very good points, if you wanted to read it! :D

the manga eventually addresses the problems in their relationship in "Deku vs Kacchan 2" (chapters 117-119), at the time bakugo is feeling turmoils for the part he played in All Might's end. to the question of "why does deku chase and care about bakugo if bakugo is so mean to him?" ch 119 has deku answer that himself:

this fight is the turning point for their relationship, and for the rest of the manga their individual and dual development is mostly upwards. reading bnha is worth it, if anything, just for the beauty of bakugo katsuki's development.

another big aspect that got me hooked in their relationship from the very first anime episode (and first opening) is that they are

✨Childhood Friends✨

(strap in this is gonna get loooooooooong)

Childhood friends (Osananajimi) is kind of a huge trope in manga/anime, often as a romantic interest. According to some sources i quickly consulted in the internet, and some of the manga/anime I've watched, in Japanese culture osananajimi is considered one of the purest bond formed between people, with a level of closeness equal to that between blood relatives; formed at such an early age, at a time when societal restrictions didn't apply yet, the relationship is genuine because they still didn’t need or know how to hide their true feelings from each other. As the childhood friends grew up together, this is considered a special connection, somewhat different to those formed after societal norms and perceptions take precedence. Or, as makeste put it:

here we have two very young children who are introduced to each other at an age when they’re still young enough to have absolutely no secrets. they’re young enough to have not yet learned to be shy or self-conscious, or to downplay their enthusiasm so as not to let others know they care. kids that young don’t hide anything. they don’t lie or deceive. they don’t have agendas, and they assume that others don’t either. it is, in short, a very pure type of relationship in the sense that it’s honest and uncomplicated, that it is exactly what it appears to be at face value. their personalities are fully out there with no attempt at reining anything in. Katsuki witnesses the full force of Izuku’s boundless hero-worshipping energy and enthusiasm. Izuku witnesses the full extent of Katsuki’s relentless confidence and Peter Pan cockiness. both boys see each other for who they are in their entirety, and accept each other. this is a fundamental bond. there is trust built between the two of them at a critical, formative age. it’s a relationship formed so early on that it’s likely that neither of them can actually recall a time before they met the other. they are and have always been a constant in each other’s lives. they’re a lot like siblings in terms of that kind of closeness and complete understanding of the other, both the good and the bad. in fact I’d say that Izuku’s use of “Kacchan” (and Katsuki’s automatic acceptance of it) isn’t that different from a younger brother’s use of “Niisan” for his older brother. it’s very revealing of the type of relationship they have. and that includes the typical sibling squabbles as well. it’s very much a relationship that’s taken for granted; there’s no filter, no effort to hold back, no attempt at trying to tone down their behavior around one another. there is whining and bragging and squabbling and name-calling and tears, just as much as there is cooperation and respect and trust. because at the end of the day, the assumption is that the relationship will endure no matter what, so they can go at each other as hard as they can and it doesn’t matter. the other one’s presence is just a given. that’s the kind of relationship that this term “childhood friends” really encapsulates, I think.

The sudden change of their statuses when the quirks start to manifest is a major factor that placed them on opposite sides of the social hierarchy, and conditioned the way society and their peers would treat them. But despite this and the misunderstandings that happen between them and the falling apart of their relationship, the subconscious understanding between them remains intact through the years. They always flashback to their earlier memories. They probably didn't interact much in elementary or middle school, and even if they did, they interactions were already tainted by their social status and Bakugo’s hostility. They don't share their innermost feelings with anyone but each other. Like when Deku gets angry or determined to win and to surpass him, or when Bakugo screams and cries out his emotional turmoil at Deku. According to Japanese social rules those are selfish things to do. This relates to the concepts of honne and tatemae.

Japanese society is more regimented than one might believe just from watching anime. By middle school age, and even to some degree in primary school, children are expected to interact with their peers in a relatively professional way. This is especially true of relationships between students of opposite sexes. Such requirements aren't held for family or close friends, but for everyone else one is expected to be polite and not share their true feelings or say things too directly. This concept of dividing people into an in-group and an out-group (内外, uchi-soto) is somewhat hard for non-Japanese people to understand, but is central to interactions between people in Japanese culture. In fact, you can find plenty of examples of this and of the related concepts of honne and tatemae in anime if you look, but if you aren't looking for them specifically it's easy to miss. (source)

So, for example, you shouldn't show your true feelings/thoughts to other people, even more if they aren’t socially acceptable, because that may disturb the peace in the community. But because Deku and Kacchan are osananajimi that have known each other their whole life, that doesn't apply to them. By stating from the very beginning that Kacchan was Deku's childhood friend, Hori put them in a close relationship with each other with a level of intimacy, trust and a subconscious understanding not like any other. Kacchan is, in fact, closer to him than All Might himself.

Like, Deku has been calling Bakugo by his childhood nickname, Kacchan ("Ka[tsu]" from Katsuki + "-chan", which is usually used to address children or females in an affectionate way), even past the age he was excepted it to drop it. When they were 4 years old, the other kids called him "Kacchan" too, but growing up it would be seen as childish or disrespectful so they start to call him "Katsuki" or "Bakugo". This puts a level of distance between him and his peers that, regardless of what happened between them, didn't extend to Deku and Katsuki. And it had to cross Deku's mind at some point ( "Should I start calling him Katsuki/Bakugo too?") but he didn't or simply couldn't. Despite everything, he wasn't willing to put even more distance between himself and Bakugo. He deliberately refused to put formal distance between them, and more importantly, Bakugo just LET THAT BE.

___

Like, this was a great set up from the beginning for me. I knew there was a story there from the first episodes, and then "Deku vs Kacchan 1" happened, showing their childhood flashbacks and the misunderstandings that would persist until DvK2, and i was really into that lol They relationship was one of the main reasons I followed the manga.

i mean LOOK at THIS!

how i could NOT ship it i mean come on

Even their color schemes complement each other, and their costumes have the same/similar colors. they are are complementary opposites that share the same core: to become a hero, their admiration of All Might. Each of them has a quality the other lacks and needs to work on to become the heroes: heroes that win and save, as All Might put it. Selflessness and Selfishness: to help and save others, in one side, and to care for one's personal victory, in the other. Bakugo was obsessed with victory and glory, and Deku was willing to do anything to save others, to the point of self-destruction. These isolated qualities didn't made them good heroes, but combined, as the two learn them from each other, by the end of the story they really become two of the greatest heroes.

This connects with their rivalry, which is richer than any other in the manga because of the many layers to their relationship: they are obsessed with each other, want to compete with each other (for the rest of their lives!!!) and don't want the other to fall behind, specially after their misunderstandings are resolved. They also don't want to be left behind by the other. Because they love each other too much! Whether people interpret it as platonic or romantic or whatever in between (secret third they are like like four different types of greek love categories combined), they are each other's More Important Person outside of family members. Hell, Kacchan getting hurt is basically Deku's berserk button: he punches All Might in the face to save Katsuki during the end of term exam; he goes crazy protective and possessive when Katsuki gets kidnapped by the League of villains(Mr. Compress even calls him out lmao)

he goes crazy when Katsuki is hurt in front of him

and when he thought katsuki had died...

i mean. look at this romantic shit.

_

lol and i feel like i'm leaving many other stuff behind, like Bakugo's apology, and all the little moments after DvK, and all the times in the last arc where Bakugo was thinking about Izuku constantly, and the finale where Katsuki cried because Deku had given up OFA and was going to be quirkless again, and the fact that he was at the heart of the mecha suit years-long project because he wanted Izuku's dream, their dreams, to come true. but tbh I only read them the one time and need to reread the whole manga again to refresh my knowledge. and i already shipped them before all this haha.

they are amazing characters in a really well done shonen manga they have a beautiful story 🧡💚

[makeste]

BnHA Chapter 407: Wait Why Are You Running Away

Previously on BnHA: Kacchan figured out how to control his quirk upgrade and was totally chill and normal about it. Definitely not terrifying at all. He actually spent the entire chapter smiling and laughing like the wholesome little boy he is. I don’t know why Kid For One is so freaked out about it. He even politely introduced himself using his childhood nickname. Clearly he just wants to be friends with you, KFO!

Today on BnHA: Horikoshi is all “sorry to keep you waiting, here’s the AFO and Yoichi flashback you ordered at long last” and proceeds to serve a nightmarish stew of HUMAN MISERY and RATS and STABBING and CARNAGE and SO MUCH MURDER and THE SINGLE MOST FUCKED-UP CASE OF CODEPENDENCY ANYONE HAS EVER WRITTEN. I was not even remotely prepared for any of this, and if anyone else claims that they were, I will call you a liar to your face. If this chapter had a mouth it would scream. Or just sob, ceaselessly and uncontrollably. I’m really glad Horikoshi is on break next week because that man needs to take a fucking nap. My god.

okay WOW

anyone else read the first two words and just immediately say to themselves, “oh okay, so it’s gonna be one of those chapters”? I mean, I guess we were due for a darker chapter after last week’s Kacchan Comedy Tour. but idk, I just wasn’t expecting “homeless sick prostitute with a drinking problem” levels of dark

AND SHE’S PREGNANT?!

what exactly is this manga rated again? doesn’t this backstory seem just a little bit raw for the impressionable kiddos??

has anyone actually checked in on Horikoshi recently? you know, just to make sure he is okay??

what a fun and wholesome manga this is

the lil baby arm covered in blood with the AFO hole on the palm. lying next to the dead mom hand. what an image to sear into our minds. I guess it’s been a while since he killed any dogs. gotta keep us on our toes somehow

also wasn’t expecting AFO and Yoichi to be twins! that puts an interesting spin on their relationship, because it’s usually a closer bond than even regular siblings. especially with all of that delightful shared trauma from a young age!!

yes, exactly

ohhhh this chapter is gonna hurt me, isn’t it. okay. ooooooookay. let’s do this

OH I’M SORRY, THERE’S MORE?!

Horikoshi my dude. you do realize that their mom dying in childbirth and the two of them just barely surviving and growing up as street orphans would have already been MORE than tragic enough, backstory-wise. you did not have to turn this into a freaking horror show with RATS TRYING TO EAT THEIR NEWBORN SELVES jesus christ

and THAT’S where you chose to put a one year timeskip?!

what the fuck am I reading here, you guys. no please tell me, I am actually desperate to understand

so the narrator is saying that some of the quirks manifested later in life, in “pubescent and pre-pubescent stages”, which is interesting because it’s the first time I can recall hearing about someone actually manifesting a quirk that late. maybe Deku’s old OFA cover story was more plausible than I realized

anyway so eventually it occurred to everyone that they should maybe freaking study this shit, idk. and eventually the researchers concluded that the superpowers came from a new gene that apparently isn’t human. and upon hearing that, society apparently lost its freaking mind. which is fascinating to me because it implies that the turning point wasn’t actually the superpowers themselves, but the realization of what it meant

like, so they were apparently fine with it when they thought it was a “mysterious disease”, but somehow it hit different when they learned it wasn’t actually a sickness at all, but instead the Next Step in Evolution. and it became an “us vs them” thing, as opposed to a “we have to cure these poor people” thing. damn

anyway so now Japan is a dystopia and we’re cutting to a big crowd of merc-looking dudes who are getting ready to attack some “meta freaks”, how lovely

but who is this figure in the shadows

I ask politely, as if it wasn’t already beyond obvious that this is AFO about to wreck some people’s shit

ohhhhh my god lmao

hopefully Katsuki and Deku can take the present day AFO out before he winds up looking like this. because this little fella is clearly demonic and idk if anyone can stop him

you all don’t understand. you need to run the fuck away right now

oh shit it’s already too late for them

it’s too late for any of us. it’s over. it’s all fucking over

((((；゜Д゜)))

AFO I am putting the manga down. I am backing away slowly with my hands in the air. I mean you no harm. please for the love of god have mercy

holy

“you see, we told you he wasn’t human” okay Scientific Research Group, you know what?? you win this round I guess

“HE WAS LITERALLY EVIL FROM BIRTH” HORIKOSHI SERIOUSLY ARE YOU OKAY??

HE WAS BORN AN ARROGANT BABY is literally the most terrifying sentence I have ever read

what the entire fuck

it’s a gorgeous sunny mid-November afternoon outside my window. but no matter how hard it tries, the light cannot reach this place

what kind of moron would throw a can of soda at him. officially the stupidest person we have ever seen in this manga

OH MY GOD OF COURSE IT’S HIM LMAO

(ETA: how come baby Yoichi has clothes that fit him perfectly but baby AFO is just stomping around wearing a tablecloth.)

BABY YOICHI. OH MY GOD. HOW THE HELL DID YOU GROW UP TO BE SANE AND KIND AND GOOD. THAT’S MY QUESTION THAT I NEED ANSWERED RIGHT NOW. YOU ARE LITERALLY A MIRACLE. YOU ARE AN IMPOSSIBILITY, DO YOU KNOW THAT

small and weak, but also so, so cute. all of the cuteness genes went straight to him. no wonder AFO was jealous

(ETA: just want to press pause for a second to speculate about what type of twins AFO and Yoichi are, since it has some relevance to the story, and especially to the OFA/AFO quirk lore. so! at first glance the two of them would appear to be fraternal twins, just based on the fact that they have very different appearances, and also the fact that Yoichi doesn’t have the AFO quirk – no holes in his hands, etc. identical twins are born from the same fertilized egg, so in theory they would both have the same sequence of DNA, which means Yoichi would have had the same quirk as AFO. but that doesn’t appear to be the case. so all of that points to them being fraternal, not identical.

on the other hand, there is one piece of evidence in this chapter that does support them being identical twins, and that’s the fact that per the narration, AFO absorbed most of the nutrients from their mother. a few minutes of google fu informed me that this condition is relatively rare, and only happens in cases where two twins share a placenta, which typically is only the case for identical twins. HOWEVER, for what it’s worth, there have also been rare instances where two fraternal twin placentas fuse together and become a single placenta. AND this apparently also increases the chances of one of the twins gaining more of the nutrients and causing the other twin to have a lower birth weight.

so based on the evidence here, my conclusion is that the two of them are most likely fraternal twins with a case of placental fusion. besides, you can’t tell me that stealing his baby brother’s placenta while the two of them are literally still in the womb doesn’t sound like exactly the type of BS that fetus!AFO would pull, lol.)

HEY!?!

okay?!?!?! well to be fair he did throw that soda at him

oh my god this is so fucked up. in like the best and worst way possible

I genuinely couldn’t ask for a better AFO backstory. it’s so incredibly twisted, and you actually do feel sorry for him. or at least I do. but it’s also beyond clear that this kid was FUCKED UP BEYOND ALL REASON right from the get go. zero goodness in him. literally doesn’t see other people as people. sees them as possessions only. things to rule over. not other thinking, feeling human beings. and that includes his own little brother

but. even if it’s not actually what I would call love, there’s still... attachment, there. it’s the closest he can get to actually caring about someone. guh. just, somehow they have both managed to humanize him, and at the same time made him less human than ever. this manga, man. this fucking manga, though

lmao and here we go. Captain Hero

you know, all those times that I made fun of AFO for not knowing how to read, I never suspected that the twist in his backstory would be that he LITERALLY DIDN’T KNOW HOW TO READ dfksjdlfkjslkdf

but seriously though. because Yoichi appears to be self-taught, and I can’t see AFO having the patience for that, and CLEARLY no one else was around to teach him, sooooo...

oh my goodness it’s actually getting wholesome up in here

what a good fucking boy. poor AFO. fuck me, I can’t help it. it’s not your fault you’re the world’s greatest monster you poor bastard

now we’re cutting to THREE YEARS LATER. okay

is he going to declare war on the glowing baby

typical teenager concerned about nothing but likes and view counts. AFO you would be so much happier if you stopped worrying about all of that and just focused on your own growth

oh, lol. well that was quick

(ETA: r.i.p. Damien.)

“this guy had more instagram followers than me. so I killed him” honey. sweetie pie. you need therapy

omfg

all this time I was wondering who AFO’s middle school lit teacher was who had failed so spectacularly at teaching him reading comprehension. and it was YOICHI ALL ALONG. omg

“and, presumably, that’s how it always was and always will be.” dude. can you imagine listening to AFO’s oral book report on A Tale of Two Cities. “ahem. it was the Best of Times. the end” buddy noooooooo

it was at that moment when Yoichi knew, etc. etc.

oh my GOD I scrolled down to the next panel right after this one and I just IMMEDIATELY DIED LAUGHING

“WAS IT SOMETHING I SAID” ffffffffffffffff I fucking can’t omfg

NOW THIS HUSSY IS STEALING HIS BROTHER AWAY FROM HIM NOOOOOOO

HE’S HIS!!! WHAT ARE YOU DOING!!! THAT’S NOT ALLOWED!!!

oh my god the hands. so wait, is this just the standard symbolic BnHA handholding, or are there More Levels To This. when exactly did Yoichi pass OFA on to Kudou. like is that why the sudden close-up and all that? omg

WHAT!!!!

OH THAT’S THE END, HUH? THAT’S THE END RIGHT THERE, AND THAT’S JUST HOW IT IS. I SEE. OKAY THEN. EXCUSE ME WHILE I PUT MY LAPTOP DOWN AND GO INTO THE NEXT ROOM AND SCREAM INTO A PILLOW

oh my god. and break next week too. this is what you guys have been dealing with this entire time huh. I understand your feelings now. godfuckingdammit lmao

[oshiawaseni]

Trails of Love Hori's been paving down in the build up for the series' ending

Part I: The Shape of an Eternal Bond

Romantic Love. Falling in love. When we break it down, what really is it, but a deep emotional connection formed with someone, an overpowering instinct that screams at you to protect that person, and the vulnerability you allow yourself to succumb to when your logical 'self-preserving' mind and it's hurt-proof walls is completely overrun by your heart's most based need to be close with them, the object of your affection.

And who shows these feelings for each other the most in BNHA? Bakudeku, right? Of course it's them.

It's something so obvious and yet this somehow feels overlooked by almost everyone in the fandom: I’ve never actually seen Izuku feeling happy or excited about his relationship with Ochaco, nor elated about getting to spend more time with her. But Izuku and Kacchan? The feelings they both have of longing to be closer to the other and every single action they took for that, chaotically and passionately smashes the "stable pleasantness" of IzuOcha right out of the park.

Izuku views getting to speak 'normally(?)' with Kacchan as a miracle on the exact same level of importance as being mentored by the greatest hero of their generation (and his U.A. room looks like what it looks like). This scene gave the cutest 'Work life: check. Love life: check' vibe.

Is it really all that surprising that BKDK have had plenty of development in this area while IzuOcha has had almost none? In fact, as BkDk became closer, the "expected end game" pair has gone in the opposite direction. And why does this not strike odd to "bkdk canon" doubters or the fans that ship IzuOcha? It really is no coincidence how many moments we’ve accrued about this mutual feeling and attraction that exists only between Izuku and Katsuki.

I want to be closer to you. I can't imagine life without you. vs Why are you so confused when I show you I care about you, too?

It's so simple - but maybe it being so simple is why this is not something we really stop and take a minute to think about specifically. About how this 'obvious' concept of two people desiring to become closer is one often shared between lovers and those who are falling in love.

And how that fits with bkdk because this longing for deeper connection has existed between them almost since the beginning... and we haven't been talking enough about it.

I want you to think about the true feelings and meaning lying behind these moments that have inspired the writings of many fic and meta:

Izuku's desperation and suffering at Kacchan being taken away...

the hurt and loneliness that pools within Katsuki's heart from his fear of being left behind (and alone) by Izuku...

the regret they both felt in not using their own hand to reach out and connect to each other (believing their hand 'wouldn't be enough') and putting those feelings aside to prioritise their boy's rescue and safety...

the distress Katsuki felt in facing his biggest fear of all - losing Izuku for good - forcing him to become a true hero, for his sake...

and the total overwhelming despair Izuku felt in realising he didn't make it in time and he had lost his hero.

This is it, this cover was Hori locking them in. Holding his Kacchan so precious, placing his hand gently over his heart, trying to somehow connect to it. The appearance of an enraged and protective alpha ready to strike down the monster who did this to his mate. This is the vision Hori wanted to draw for bkdk and it cemented the deep romantic love and bond that's been growing between them, rewarding those of us who have picked up on their trails of love and causing meltdowns baked in confusion for the rest.

They've had many scenes like these throughout MHA. Scratch a little at their surface and what lies underneath every single one of them is the pining desire Izuku and Katsuki both share of wanting to be together. The need for the other to be by their side and within reach.

And they don’t share this feeling with anybody else.

It’s always been this way exclusively for them and I think this aspect of their relationship was established by Hori to tell us they will stay feeling this way forever.

If Izuku is right and he takes back everything and the course of their future gets put on track again, then maybe the idea of them holding onto each other and never letting go isn’t all that far from reality.

After they graduate, I can't imagine these two not choosing each other every single time, until the very end of their days: becoming a hero wonder duo, moving in together, living their best domestic life complete with their adorable husbands banter (but repackaged into something so much more loving and soft which befits them), nurturing their relationship... letting themselves fall deeper in love...

It's so easy to imagine this all happening, simply because of their desperate need for closeness to one another in the manga.

They can’t imagine their life without the other.

Their love is a multi-threaded story that's been told to us over, and over, and over again. Through Izuku and Katsuki's every action and by the mouths of others (which I'll be covering in my next post).

I honestly believe that since the beginning, Hori has been carefully leaving trails of their passion for each other, simply to say this: While this series may be coming to a close, Izuku and Katsuki’s bond, that brings them only closer and binds them tightly together, will transcend the very last of their inked pages and never end. ❤️

Part Two -> Intro & Compress

[darkonekrisrewrite]

The Villains (specifically the Lov) Are Right

Especially about the civilians in Bnha

(2 Part Meta Civilians and Lov) (Warning spoilers and long Meta Post) (Permission given to re-blog)

The Lov, specifically the core League of Villains, don’t owe any consideration, atonement or apologies to the civilians in Bnha. Because since long before the Lov had even become villains, even when they were still children, the civilians decided that they don’t owe them anything at all.

Most people I’ve seen in the fandom say something like “I don’t justify or excuse the villain’s actions.”, when it comes to the destructive/murderous parts of the villain’s deeds, which is very nice and moral of them to say.

But as long as we’re talking about the average Bnha civilian, I definitely justify/excuse the Lov’s actions.

Because the “innocent” people in Bnha are awful.

Part 1 The Civilians

That’s not even an opinion really but rather a fact that’s been presented to us clearly, over and over again, in Bnha’s story.

That’s partially why I believe that, even at their worst, the Lov are still worth more than most of the civilians that we’ve been shown so far.

See Past the Labels

“Heroes”, “Villains”, “Innocent People”. All labels that are used frequently over the course of Bnha, but seeing past these, looking beyond what we’re told by the story and instead seeing what we are shown by the story, that’s where the truth is in what these characters are and the effects their actions have on each other.

In Hero stories, saving the innocent/civilians is pretty much a guarantee at any point in time, it’s a prerequisite.

Where in most of those fiction, the civilians (or any large social group of innocents) are shown to definitely be people that should be saved, that it would be a tragedy if even some of them died, no matter the numbers.

But that’s not the case here, because the civilians in bnha aren’t like what you’d normally find in a hero tale, so much so that they’re nearly incomparable to any other series’ “Innocents”.

Looking at them as a whole, they’re more like what you’d find in a horror story.

Starting with one of the largest by the numbers examples:

They’re personifications of the bystander effect/syndrome, taken to the highest degree.

A truth that’s sometimes overlooked is that, while All for One and the Shimura family played a part in making Tenko Shimura the Tomura Shigaraki that he is today, so did all the civilians above. If even a single one of them had tried to help the child that would become the most dangerous villain, no matter how that would have turned out, the person Shigaraki is now would be different, maybe entirely.

Even just one true attempt to aid the scary looking child, instead of leaving it to the heroes who weren’t there, would have made a lasting impact. Just like the civilians choosing not to lift a finger to help left a lasting impact on Shigaraki in the present.

They condemn people for things that aren’t their fault, even when the individual hasn’t done anything wrong:

These are pretty self-explanatory in the point, but these aren’t just examples of ‘bad luck’, they showcase a callous legal system and civilians willing to throw a 16 year old kid under the bus for something that was in no way his ‘stumble’ or fault.

(First Side Point: Twice didn’t turn to a life of villainy because it was his “choice”. There’s been zero evidence of any social help for victims of hero society’s circumstances, so there’s no reason to assume that Twice had any help in supporting himself after his parents died. Twice then getting fired from his low level Job and having a glaring blemish on his record (as shown above ^) was a death sentence for a normal life right then and there, especially considering the setting in hero society (Japanese culture taken to its most socially merciless), it doesn’t really need to be spelled out any more than that why he turned to a life of crime against a society that screwed him over at every level and left him to rot. Between becoming a tragic statistic that the hero state didn’t (and still doesn’t) care about or becoming a villain for the chance at having some kind of life, it’s not really a choice at all. The saying ‘Cool motive still Murder’ comes up sometimes when taking about specific villains in Bnha and my response to that would be: ‘Then Suffer and Die Nobly.’ There is no ‘being better’ because if they were better in their current circumstances, they’d just quickly become a statistic.)

They’d rather someone, even their own children; suffer in silence than be seen as anything but their “normal”:

Toga’s parents might seem like a more ‘personal’ point but they’re actually a prime example of the standard bnha civilian, caring nothing about their own suffering young and only about their own lives and normalcy. Even when Toga was obviously self-harming due to her quirk, something that couldn’t logically have been hidden from them, there was no real attempts to help her with this other than rejection (as evident by the parents stopping taking her height down on the wall when her quirk presumably manifested, clearly meant to be a hint that it was the point that they stopped caring about her) and sending her to “Quirk Counseling”, taking no responsibility in helping their child and taking none after Toga was broken under the weight of what was normal after struggling to hold back for so many years.

This mentality extends past Toga’s parents to most of bnha’s civilians.

When Dabi revealed himself as Toya and exposed the Todoroki family’s past the world, nobody cared. At least not in any way that could be considered ‘caring’.

Endeavor bought and bred his wife, and it’s very debatable whether or not the later ‘child making’ could be considered consensual.

Rei told endeavor that it was “too much” and “too cruel”, all but saying that she didn’t want to have any more children, and in the anime it’s played even more clearly:

This ^ does not seem like consent.

Also letting his first born son burn himself to his apparent death because he couldn’t be bothered to care enough to prevent it.

Endeavor knew Toya was burning himself and he never got him any psychiatric help, even though Toya was already having extreme signs of mental breaks alongside the burning, he never even thought about it.

Even if this failed in stopping Toya, Endeavor just could have pulled some strings as the number 2 hero and gotten Toya Hero tech/equipment/suits, anything that might have helped.

But all Endeavor did was tell Toya to stop and do “other things” and when that failed he simply ignored him, even though he knew his child was literally burning himself.

(Endeavor could be considered an unreliable narrator, I think other great Meta writers have already called him on that, with him telling Natsuo that he never meant to neglect any of his children, which is evident (by how he treated Toya) as complete Bullshit.)

Now do the civilians know all of this down to a T?

No, but even before the Dabi reveal there was more than enough sketchy events surrounding Endeavor to raise eyebrows on anyone paying attention.

A son burning to death alone on a mountain, another son getting a burn scar on his face and a wife in a Mental Hospital, more than a little suspicious. Nobody ever looked into it.

And after the Dabi reveal, after Endeavor confirmed what Dabi said to everyone, this is the only Civilian backlash he gets:

Nobody cared what happened to the Todoroki family; they only cared about how it affected them. The first half of that anger wasn’t even about the Todoroki drama.

And while the mention of Dabi’s victims and their families might seem like consideration, paired alongside everything else the bnha civilians are/do, I really doubt that the line comes from a genuine place of sympathy.

They have no loyalty to their best Heroes:

After everything Deku did for them, they wouldn’t risk a single thing for him. Most of them don’t even look anxious or afraid, just angry at their lives being disrupted.

Telling the kid who nearly worked himself to death, fighting so that they could have their lives back to piss off, while danger sense was being activated implying that they did mean him very real harm.

 Another big point against the Civilians that’s brought up a lot:

They’re violently racist. (Quirk-ist? Anti-Mutant? Basically against anyone very different in their appearance and/or their quirks.)

Mutants are an obvious Allegory for the racism/minority angle of the story, and it never casts the majority of the civilians in a positive light when it’s touched upon.

(Second Side point: Revisiting the end of ‘Side Point One’ because it pairs perfectly here, Shoji Mezo’s “Answer” to the horrible treatment the Heteromorph/mutants face is the opposite of that, and by that I mean Shoji’s answer is pretty much: Aspects of Uncle Tom’s Cabin Syndrome (an American theory/term but a Universal Theme) mixed with the acceptance of hero martyrdom.

His words to the Heteromorphs are this: “Let’s use that light to change the people who hurt us. So that they’ll feel ashamed to ever raise their fists against us again.”

Very inspiring…or at least it would be, were his words not disproven by his own backstory. 

Shoji got his Scars ^ after he saved the little girl, in fact him saving her life was literally the cause of it.

There is no greater way to Shine or be heroic than doing what Shoji did, saving the life of a small child from drowning to death, and for that act the “Innocent People” gave him the Joker facial treatment.

Seriously if there’s a group of people who “don’t deserve to be saved” in Bnha; it is civilians like this.

Yet Shoji’s answer is still to “Be better than mere Avengers” and if they don’t the Heteromorph’s “Children will become the next Target!” as if they weren’t already??

None of it makes sense when looking at the whole picture and it’s clearly not a great plan, to draw another American based parallel that fits too well not to be noticed despite it being American; Shoji Mezo is basically Sturdy Harris from the Boondocks TV Series (freedom ride or die episode).

Look up the character’s wiki info or watch the episode, the fact that Shoji is willing to use violence in some extreme instances might seem a difference between them but the fact that he urges the other Heteromorphs to “be better than avengers” and “use their light to change the people who hurt us until they feel ashamed”, giving no thought as to whether or not his fellow Heteromorphs could even survive living by that standard like he can, fits the comparison to a T.)

Back to the final few points about the Bnha Civilians:

Are the Civilians in Bnha conditioned to be this way, products of influence and circumstance much like the heroes and villains are?

Kind of but not really.

While it is true that there are mountains of propaganda in hero society, there’s nothing specific enough to point to and say that this is why the Bnha civilians are this level of callous. They’re conditioned to love heroes and fear the violent villains they’re fighting, not to ignore the suffering of children (even their own) completely, and they’re definitely not compelled through propaganda to reject them or scar them, nothing in the series is evident of that.

And even worse, all of these examples of the people’s flaws/incidents (excluding the Ordinary Woman Heteromorph) happened during Allmight’s “Era of Peace”, so there’s no shifting the blame onto the villain’s current actions and even less excuse for things like these to be happening.

Why should the Bnha civilians have peace or justice if they’re like this?

If they show no more empathy or loyalty than the worst, most unsympathetic villains in the series (Like AFO) then maybe their point of view shouldn’t be considered any more than his. (And even AFO had some truth in his points: Failed social framework and the Quirk Singularity.)

To draw one final example for the Civilians with another Manga series that has pretty awful ‘ordinary people’ in it: Naruto.

But even in Naruto, the Author still showed that there were good people among the Civs. Population that weren’t like that and that did deserve to be protected and live peaceful lives, people who were outside of the Ninja system and just genuinely humane.

Before Naruto became a hero who saved the village multiple times, before he was even a ninja, they treated him like the human child he was.

These characters deserve their own Meta, other Naruto fans have probably written them already.

But suffice to say that the people who treated right the abandoned and hated child, host to a demon Fox that could casually level mountains, Teuchi Ramen (Owner and Daughter), are an excellent example of giving narrative motivation to “protect the people”.

There’s not much of anything like that in Bnha’s story, not anyone to point at and say; “They are worth saving/protecting!” and having it actually be true instead of just ‘What the hero is supposed to say’.

 And if anyone disagrees with this, I’ll ask: Can one instance of goodwill be pointed to for the Bnha civilians? Any act of compassion, bravery or selflessness from someone in Bnha who wasn’t in anyway associated with heroes?

And no, the Civilians letting Deku stay at UA does not count.

It wasn’t even framed as selfless or compassionate anyway:

This ^ is a deal more than anything else.

Because the heroes (Deku) swore they’d fix things and the people practically made him swear it before they were let in.

Kota and the Ordinary Woman running to stand by Deku was a sweet and great moment but considering that he saved them first, it seemed more like a ‘returning the Favor’ sentiment. Same with the rogue Civillian group helping Shindo after he fought Muscular, more a give it back than a gift.

 Part 2 The Lov

Even at their worst, the Lov still display humanity and redeeming qualities more than most of the civilians.

And I believe that this is 100% truth because Actions/Dialogue without reason for deception and inner thoughts, imply genuine Truth.

Actions:

This ^ scene is referred back to a lot because it’s a good showing of Compassion/Bonds, one of the first really, in the League of Villains, in Toga saving Twice from ‘coming apart’.

Toga has no real reason to comfort Twice as much as she does in this series, in this first instance and in later ones, because aside from one time (no matter how cool and heartfelt it was) in MVA when Twice saves her and the rest of the League, Twice kind of messed things up more than a few times for the Lov.

Bringing Overhaul to meet the Lov without precaution resulting in the death of Magne (even though she herself rushed in recklessly), Twice’s personal hang-ups limiting his Quirk lessening his value to operations overall (from a purely strategic standpoint), and trusting Hawks (because he felt bad for him) so much he gave out Info that definitely shouldn’t have been given.

Yet despite having one singular success in MVA that Twice really pulled through among many other shortcomings, Toga still cared about him. Enough to try to help him hold himself together during the Overhaul business and then later go on a violent, rage filled assault toward the Heroes during the MLA raid after Twice was killed, giving little thought to her own safety.

Dialogue without reason for deception:

While Shigaraki is definitely an unreliable narrator, as evident by the monologue ^ in the bottom panel clearly contradicting what actually happened during the death of his family, the middle panel where he states that he only wants “Them” (definitely the Lov) to live as they see fit seems like the truth.

Because why would Shigaraki lie here? In this time or place to Redestro, someone he presently had no reason to manipulate, as they were in a life or death fight?

Shigaraki couldn’t have known Redestro would surrender, at this point he was talking to someone he fully intended to kill, further dissipating any suspect of manipulation.

Shigaraki does care about his comrades, their wishes and while he hasn’t really kept the promise he made as of current Bnha, I think that’s a result of All for One scrambling his Brain so much during the Mental Fusion stuff, the true Shigaraki barely seeming to know what’s going on half the time and only able to think about his past.

Twice and Spinner: Basically everything about them.

They might not think things through that much, but there’s no doubt that Twice and Spinner were and still are devoted to who they care about, true loyalty in all its successes and faults.

Inner Thoughts:

Dabi is…kind of a dick most of the time, even to the Lov, just to a much lesser extent than to everyone else.

It makes sense that he’d act that way though, given what he’s been through and the end goal of his plans, it’s understandable why he’d want to push everyone away in some form and not let them get too close.

But even underneath all of that, Dabi much like the rest of the core Lov never blamed Twice for his mistakes, and since this is an inner thought and thus having no reason for manipulation, it does imply that this is his honest truth.

Knowing that Twice would blame himself, although he never said it out loud, maybe he couldn’t with all of his own personal hang-ups, Dabi inside probably did want to reassure Twice that none of this was his fault.

The Core Lov do have empathy towards others abandoned and hurt by Hero Society like themselves, and they do care about each other, that is as much as they’re able to care about each other while being weighed on by their own individual issues.

 The hero kid’s parents

Lastly for this Meta, there are parts of Hero Society that shouldn’t ever be destroyed, but they fall into small groups and come with their own faults.

The Hero Kid’s parents shouldn’t be destroyed just by virtue of being so close to the better/more heroic characters, but even they aren’t that great with possibly one exception.

Inko Midoriya has technically tried to protect Izuku but she never really helped him. She basically apologies for his existence in the childhood flashback, and until Izuku got a Quirk and became a Hero, she was never really shown to encourage him in anything, even to find happiness in other things.

Despite having doubts herself about saying the wrong thing to her son, Inko later tries to keep him from going back to UA for very good reason from a parent’s point of view.

But then she’s pretty easily convinced by a promise from Allmight, that wasn’t in anyway kept. Cut to the Dark Deku stuff later, she never calls Allmight out on this.

It’s the same story with little difference for all the student’s parents, they’ve never been shown to try to protect their children, especially at the UA confrontation with the Civilian Mob.

Inko, Bakugo’s parents, Ochako’s parents, and I’m just assuming the rest of them to cause it makes sense for them to be at the UA shelter, none of them helped.

I know Inko was being held back by Mitsuki because it was dangerous, but couldn’t she have shaken her off?

Kota did and ran to Deku to try to help him, and he was a little kid being held back Pixiebob (a Hero).

That probably wasn’t what Hori was going for or implying but that’s what happened.

Is this an illogical thought process that would be dangerous or harmful for the parents? Definitely.

But that’s the point. The parental instinct that goes beyond self-preservation and logic to protect their children hasn’t been shown for any of them.

Except one.

*Current Spoiler Warning*

 Rei Todoroki in the recent chapter stands apart and above in this aspect, although this depends very much on how it’s framed going forward.

A mother fighting to stop her child from killing himself more than trying to stop a Villain from killing. Both true but one has to take front over the other for it to be meaningful, for Rei to show that she will stop Touya from burning himself this time, unlike how she wouldn’t before.

That’s character development, that’s parental instinct.

*Very current Spoilers*

 Rei is there for Touya  :)  trying to save her son…and also Endeavor maybe?

Close enough (Double Thumbs UP!)

 The children

Another group that definitely should never destroyed is the Young Children of Bnha, Kota, Eri, the work studies Kid group.

I put them into a separate category than the whole of the Civilians but it would take a lot to explain why that is and why they can be viewed as their own separate group, so I’ll put it in the next Meta and expand on how they relate to the existential parts of Bnha.

Also same for the villains/heroes and finally getting to the Quirk Singularity Theory.

To be Continued…

[villainsandvictimsalliance]

I need to reread bnha and make a compilation of all the moments where Dabi, Toga and Tomura exhibit Sibling Behaviors.

Example A: Tomura throwing a tantrum like some bratty little sibling VS Tomura getting mad at the Meta Liberation Army for playing with people's feelings, like when a little sibling hears about what they did to their older siblings.

Example B: Dabi introduction aka when he told Tomura that he was even more gross in person lol that's peak sibling bullying VS Dabi setting Toga's old house on fire, like a vindictive older sibling.

Example C: Toga sassy call out when she told Dabi he was only leaving because his fire didn't work on Machia VS Toga bandaging Twice's head with her handkerchief like an older sibling would.

[elefaint]

Bakumomo meta on their progression!

rarepair etc aside, I feel like bkmm has a subtle fun thread of interactions and progress?

Bakugou’s regret/embarrassment with himself when he agreed with momo’s analysis that his destructive indoor attacks were foolish and that his behavior stemmed from a grudge against izuku was so good you guys. 

Given momo’s position as the #1 recommended student and her conviction that working up from the bottom and cheering on your teammates will make you a top hero, that she is considered a standard of hero academic excellence. In recognizing that momo’s assessment was accurate in his stunned silence, we see just how self-reflective bakugou can be at his starting line.

We also then get a fun continuation of momo’s position as a standard of excellence when she offers to tutor her classmates after it’s revealed she placed first academically. Hilariously, we see bakugou is also a class topper and get’s teased by kirishima that he and momo differ in virtue before bakugou exclaims he can be just as virtuous and offers to tutor kirishima. What a competitive nerd lol

In “operation save izuku”, we see their first dialogue after combining their moves as a hero team to capture a villain and momo compliments bakugou on their success! he whips his head around and crankily corrects her on his hero name before she apologizes in her ever-so-polite but flustered professional manner. 

it's just a goofy little moment showing their contrasting personalities while they work in tandem. they’re not quite there yet, but at this point momo knows bakugou’s intention to let go of his grudge in spearheading the mission to save izuku. 

 Bakugou has worked hard up until this point and took it to heart that he’s held a grudge against izuku. Momo also worked hard to get through her insecurities and gain experience as a tactical leader. Bakugou has let go of his ego and apologized to izuku, and we see momo is the first to speak after his apology, remarking there’s still a long way to go. Obviously, she definitely also means logistically as well, but that’s where ururaka comes in to be the hero that saves izuku lol. but it’s neat that the first outsider that spoke about the not-so-secret elephant in the room witness bakugou’s apology to izuku and let go of his grudge, and note that there was still more progress to be made. 

I wanted to note that this part of bakugou’s apology where he says they need to earnestly work together sounds similar to momo’s convictions about becoming a top hero, but that’s a separate meta lol.

after izuku’s rescue, we get a moment where momo looks at bakugou fondly as jirou reassures the class that they’ll succeed.

It feels NOW that bakugou and momo have finally earned being on speaking terms now that he has officially let go of his grudge, and they show just how on the same page they’ve been, to the point they are able to calmly riff off each other’s analyses of a situation to the class. 

It’s also nice to note the momo feels comfortable enough to interject; they’re on equal footing!

Bakugou further demonstrates how he values teamwork and calls out momo along with kaminari, aizawa and monoma as he doesn’t want their work of keeping the fortress operational to go to waste. Momo was mentioned last (lol shipping goggles i admit) before he trailed off to reflect on his journey and how he fundamentally disagrees with shigaraki’s beliefs before firing off a highly powerful, but meticulous dealt blast. 

While working down below, momo recognizes bakugou’s explosion, and we get to see kaminari reassure his team that bakugou is meticulous, echoing momo’s initial assessment of bakugou.

i think it’s neat that they’ve each had their own hero’s journey and now they get to be on equal playing ground as teammates. honestly, payoff is kind of tricky given bnha’s huge cast and somewhat rushed plot, but i’m having fun in the sandbox lol. this rarepair is neat and has a lot of fun classical elements i enjoy.

i feel like momo got to be on her own hero’s journey and on the way she acknowledges bk and makes key decisions along the way. they are both acknowledged as strategists and the class looks up to them. omg also i’m just in love with bk being pared down by momo jirou and kaminari on the bus to usj, they’re just disgusted by him. just like oh wow this kid is cringey lol

i’m also just a fan of a guy acknowledging he needs to change and finally showing that he has, not just because she told him to

In any case, season 7 has some of the above bkmm moments, and it was nice seeing bakugou’s thoughts involving the UA fortress team!

[darkcircles4lyfe]

Regardless of the ending i think Hori seriously needs a giant time to rest, which is why i personally don't want a sequel. At least, not one so soon. I still remember all the times i read him non-chalantly comment on stuff happening to him that actually sounded incredibly concerning, couple that with how mha was a WEEKLY series with the amount of quality it had (and he still has to take breaks). I saw his own comment on the series ending, and i think it will take a lot of him after such a big, hard part of his routine that lasted for 10 years to be revisited like that, and he still has a lot of work to do. I hope he'll be okay.

I agree 100%. I cannot fathom the amount of work it takes to produce a weekly serial and the kind of toll it takes on a person regardless of their talent. Burnout seems inevitable. I sincerely hope Hori can rest properly, without guilt or restlessness or depression or too many nagging responsibilities. I hope he can find some genuine joy and peace in things he didn’t have time for before.

If he gets a new project, whatever the content, my dream would be to have monthly chapters instead, and online, like SJ+. I imagine it’s still a lot of work because chapters tend to be longer, but the pacing could be so much smoother, more polished. The amount of forethought and depth that went into bnha despite its weekly schedule is astounding anyway, so imagine what he could do if he wasn’t being rushed.

But until that probably far off time, I don’t feel right about demanding more out of this manga or judging it too harshly. It’s just not fair, knowing how much he cared about it even while it sucked the life out of him. I want to focus on being happy he made it.

I’m even having a hard time deciding where I want to go with my first big fanfic project. Do I want to build on what’s there, or do I want to take one of my old theories/metas that didn’t pan out and run with it? Idk I feel weird because I don’t have the usual attitude of wanting to throw canon to the wind out of spite, but at the same time I’m aware it’s possible Hori didn’t end the story quite the way he wanted, either. I’m thinking about it nonstop and my brain is like a game of pinball. AUs are another subject for another time. Right now there are two wolves inside me, “canon compliant”and “canon divergent.” In any case, “fix-it fic” is too strong a word for how I feel. I’m just sad. I want to feed this story a nice bowl of homemade soup, wrap it up in warm blankets, kiss its forehead, and say, “don’t worry, I’ll take care of you.”

[haleigh-sloth]

AGH in regards to my last post--

Fixing the hero worshipping society isn't going to make Tomura stop viewing himself as a destruction incarnate who purposefully murdered his family and can't do anything but bring mourning.

Fixing the quirk counseling system isn't going to make Toga stop hating herself for the way she was born and it's not going to make her stop wanting to become other people so she can experience the happiness they experience.

Getting rid of fake, hypocritical heroes isn't going to make Touya stop wanting his dad's attention or his family's love.

Do y'all see what I'm saying. The manga made it an issue that needs fixing at some point in time, but it didn't make it the solution to their immediate problems.

[edwardsissyhandsthtdanceslikeabb]

tell me why a bnha meta is how i find out (i think maybe i knew but didnt remember/it didnt click until now) izuku is a graverobber like why is this not more of a thing lol? he stole from a man he got to know personally because of another man he does know personally and sees everyday like that's twisted man, you cannot be bootlicking like that, who needs merch when u see the real thing everyday and have gotten to know him above an idealized product but as a real, imperfect human being, consumerism is wild man.

and deku ig, mans is such a little obsessive freak you have to respect the grind.