#I never had this happen before to me

[cochineal-leviat]

Sweet Dreams, Stardust

Okay, so I have a lot of feelings about In Stars and Time. But let me say first, wow, this game irreversibly changed my brain network. For anyone who is considering buying this game, please do. I don't think I've had a story touch my heart and mind like this for a long time. And that goes without mentioning the stunning visuals and entertaining battle system. (Be careful, though, because this game handles heavy topics regarding mental health)

If you're still hung up on buying it but are curious, there is a free demo on Steam if you like to try.

Thank you, @insertdisc5, for this gem of a game. I will be turning it around in my head like a microwaveable gourmet meal for months to come.

Technically the illustration has no spoilers (unless you count Siffrin having a good nap as a spoiler). But I will be going into heavy spoiler territory under the keep reading since I need to get my thoughts on this game off my chest.

And a monochrome version because you know me, I can't help myself. Even in black and white art pieces, I will put in some colour.

And a very tiny Loop

Initially, I was going to do a piece with a theatre stage and the cast (Siffrin, Mirabelle, Isabeau, Odile, Bonnie and the head house maiden) taking a bow and finally leaving the spectacle to a life not controlled by a script and Wish Craft. But it was more fitting to put my feelings into creating a peaceful scene. Like, oof, I needed this very badly. I used sepia to make the painting warmer and added some more details like headcanons. The stars/colours might be remnants of Siffrin's transformation. Or maybe they were always there, but he never paid attention to it. Who knows.

I'm going to keep this brief. Otherwise, this post will take way too long.

I adore Siff's character. It's perfect for a game and narrative such as this. I saw a post not long ago on Tumblr going into depth about how their role as the rogue and not the hero works so well, so I won't linger on it for long. But how they would rather listen and fade into the background perfectly aligns with the player's experience of being the silent observer. (And the nodding off that changes into zoning out. It took me way too long to realise that small but essential narrative change) Oh, and the portrait change! It flew over my head until I was staring at the game menu. I was so confident Siffrin had a mischievous grin and not a frown. I always feel slightly surprised when the party asks for Siff's opinion or mentions that they have been too quiet. I felt Siffrin's excitement like my own when he got excited at finding clues to end the nightmare they were in. So I knew it would end up falling on their face because they were too excited. I just had this bad gut feeling the whole time during Act 4.

And oh boy, speaking off acts. I thought it would have been the standard 3. Boy, I was wrong. Whenever I felt I was nearing the end, I was thrown back at the start with more mysteries than answers. It made exploring the game intriguing since there is almost no information about it online (at the time of writing this post). There is the Discord, but I didn't know about it until I finished it.

This game has a lot of secrets, and I had a lot of fun uncovering them. The looping mechanic works so well in discovering little details and further leads. (even though my stubborn arse kept trying to do everything in the least amount of loops as possible. I thought the ending would be different if I exceeded a 100. My final number is 59. I am still not sure if I should be mad about it not being a rounded number like 60 or that I went over the 50 threshold)

However, it is a good thing that only some mysteries were solved. Like, what's up with colours in this world? Everyone sees in black and white, and the idea of shades and colours is only spoken of in scientific studies. They do exist and are not a part of the disaster that happened to Siffrin and their land. But there is definitely something mysterious about it. I adore how the dialogue reflects this, as the characters do not speak of shades or colours. Isabeau expresses surprise to see a streak of red colouring the sky in Act 6. It makes you think about how colour is perceived and how you describe it. (The lore inside this game is immaculate. I eat this shit up)

We never find out the name of the country north of Vanguard or what it was like. We can only infer that the beaches had black sand, with shells that shine like stars, high-reaching mountains, forests and plains. Which is vague and yet intriguing enough to make you wonder. It connected me to Siff and King because I also wanted to know. I was desperate to know. I needed to know. But in the end, we never will know because that is not the story's point. Siffrin even says in the game, that King should let go because he is hurting everyone and everything, including himself, in his desperation to preserve Vanguard. This is all the more ironic when Siff accidentally does the same with his family and the loops. I might gush more about what the country might be like and their technology in another post. This game makes me want to theorise. This is the first time I've wanted to write and post theories. ISAT fucked me up good.

Which, by the way, was genius. Siffrin and King are mirrors of each other. Siff does not have King's disastrous ambition, but their love/obsession will be the downfall of both of them. They have more than being each other's countrymen in common, and I imagine Siff despises that.

I love the fact King's question to Siffrin before the showdown was/could never be answered. Usually, in a game such as this, you must figure out how to solve everything, especially for the big bad. But that was never the goal. King is a delusional monster who will not stop before achieving his dream. He will raze everything to the ground and hurt many people because he must succeed. It is what he desires. Nay, the universe wills it. What a witless excuse that can easily be made into someone's truth. Especially to somebody who is driven mad with grief.

How King's character's done is so excellent. Because, at first, I wasn't scared of him at all. He was just the big bad, and I felt nothing much but the glory of victory when Siffrin outsmarted him by looping and making sure Mirabelle learned the shield spell that would protect the party from freezing in time. But each time you fight him, you get more frustrated until Siff figures that talking to him might be fruitful. It does, but unfortunately, you and Siffrin leave yourself emotionally and mentally vulnerable. King stops being a one-dimensional villain and changes into an actual person. Someone you can sympathise with and possibly mend peace with without fighting. You and Siffrin opened his heart for a kindred spirit and got hurt.

King stopped being a monster and became human. And while monsters are wretched, humans have intent behind their cruelty. I felt so betrayed, so angry, but most of all - terrified. I felt it when Siffrin spiralled when fighting King again after their actions caused such a catastrophic turn of events for Bonnie. Every time after that, the fight with King felt tense and nerve-wracking in a dreadful way. Because even victory could not soothe the dread I felt. (The track 'It's finally over" will forever haunt me. I already feel anxious whenever it cycles to that when I listen to the playlist)

He was not, however, the final villain, even though everything that happened was King's fault. You were always your greatest enemy (or Siffrin in this case, since you are supposed to be Siffrin). I never could have guessed that the whole reason why Siffrin could not escape the loops was because Siff accidentally wished to never let go of their friends. This reminds me of Modaka Magica, where (spoilers for the OG anime) Homura goes back in time so much that the universe ties itself around Modoka, making her a waiting egg whose wish and magic will be massive when she becomes a magical girl. The one thing Homura was trying to prevent.

(Siffrin and Homura are identical in that sense. Shy characters who are loyal to a fault but are rendered into something cold, bitter and cutting by their traumatic experiences. Only Siff has people who care about them and would do anything to save him, too, whereas Homura never lets go, making the world a worse place to live in. Yes, I did go into doomed Yuri. That anime lived in my mind rent-free in my mind for years)

The Head House-maiden not being the villain was also a great touch. I am used to the apparent antagonist turning out not to be the big bad and the trusted, friendly character ending up being the evil one. Twist villains no longer work when everyone expects them to be villains.

That was my biggest theory as I played. The second biggest being that Loop is someone who enjoys Siffrin's suffering. I am so glad that was also not the case. They are apathetic but not cruel. Never intentionally, anyway. They were like the player, urging Siffrin to go deeper into the mystery to solve it. Ultimately, I chose and made cold and cruel decisions simply because I wanted to see what would happen. So yeah, I warmed up to this cosmic star thing as the game went on and even started trusting them. Act 5 really is a punch in the gut. I am so sorry, Loop. Thank you for coming through in the end.

Oh man, this is so long, and I haven't even gone into the main cast. I will leave that for another post. They are such great characters, as are the people of Dormant and the House. (Don't think I don't see the wordplay in this game. Very clever)

Going into this game completely blind was the best experience I could have had. I felt anxious, happy and scared so severely that my neurons were rearranged. I don't know if there are more endings (aside from the obvious action of attacking Odile in the True(?) ending of the game), but I am taking a break from it to make art and write for this game before I dive back into despair-o-land.

Anywho, thank you for coming this far and reading my ramblings. Have a fantastic day or evening further! o(*'▽`*)ブ

[skyshroom]

How am I just supposed to be okay about Lucy Frostblade

[deafening-radio-silence]

I think that Dr. Christina "I was an excellent soldier" Raynor needs to deal with some personal things before she's anyone's therapist, because she strong-armed more of Bucky's autonomy away from him than Zemo did within the series.

[mirrorhouse]

You did this? ...Yeah! Yeah, I did this.

[meownotgood]

haha hey so apparently someone stole my whole fic... copy and pasted except for tiny things changed... here is the link to their """fic""" (sorry random person I had to steal the reblog from). they've since deleted the fic off their blog + deleted their ao3 + gone on a hiatus so..... that's cool and whatever....... but they have written a lot of other shit so... don't be a dick but maybe check that for funny business too...

[trek-tracks]

Do you ever think about how Kirk had a "best friend" on the ship before Bones in Gary Mitchell, a man who:

a) deviously manipulates him into heartbreak for Mitchell's benefit,

b) shames him for not being "fun" enough when he's in a position of power,

c) openly insults intelligent and powerful women,

d) treats everyone cruelly as soon as he gets power and tries to seize everything for himself,

e) finds it fascinating that he can stop a person's heart for fun, and

f) tries to murder Kirk instead of admitting that he's a danger to the universe,

and then chooses to replace him with Bones, a man who:

a) tries to save Kirk from heartbreak at every opportunity,

b) gets him to smile and relax by being genuinely interested in how he's doing and telling him that he's great and respected just as he is,

c) openly toasts intelligent and powerful women,

d) treats everyone kindly as soon as he gets power and tries to use it to help as many people as he can,

e) cries about how people suffered when medical treatments were less advanced, and

f) says, "Jim, I can't destroy life, even if it's to save my own. I can't."

because I do

[chirpsythismorning]

Thinking about the what if El was never interested in Mike romantically, she just assumed she was discourse on the tag today and how it's very possible what could make El fully realize this, is when in s5 she see's Will's love for Mike in real time, for the first time, and she's just like damn! That is not me!

[the-ships-to-rule-them-all]

the level at which people are misusing the term "Never Again" in the far left absolutely infuriates me.

"Never Again" doesn't refer to the idea of no more genocides -- unfortunately people are evil and corrupt and seek scapegoats and destruction, there were genocides in the years following the Holocaust, there were genocides 10 years ago, there are multiple genocides going on as we speak

"Never Again" means we as Jews will pay attention to the warning signs, will not mindlessly allow antisemitism to fester and take over our communities, we will fight back. it means we will be proud. it means we will not let you hate us without a word of refusal.

"Never Again" is a warning for us, it is a reminder that what happened then can happen now -- is happening now. The Far Left doesn't get to use it against us. You don't get to turn our tragedies into hate-speech and antisemitic rhetoric.

Am Yisrael Chai

[randomminty]

Yeahlow

[the-one-with-spider-brainrot]

Crime that I can't marry my followers to each other, these two have done nothing but act like the most smitten husbands ever and I can't wed them together?! Smh my fucking head

[uncanny-tranny]

Passing as a trans man is a nuanced and complex topic, but one thing I have been noticing as somebody who is a cis-passing (white) trans man is the way I'm treated when there is conflict.

I've noticed that in conflict, people are almost meek around me, willing for me to try working with them up until a woman is involved. When a woman (or, really, anybody who the other party assumes is one) is part of the conflict, they direct all their anger and rage to them. It's fucking insane the way a woman is treated when there is conflict, even if it isn't her fucking fault. These people are fundamental cowards for seeing my manhood as the only reason they can't be openly hostile to me, but it reveals a lot about how a misogynist thinks on an almost primal level.

I'm watching the women and people around me I care about being torn apart by people, and that's unacceptable. I can't sit around to watch it, and I don't want to do that. I need other people to perhaps read this and remember to not stand by if there is something that you can tangibly do to help, even if it's to lend a listening ear or let the person vent.

[floccinaucinihilipilificationa]

Are you still active on tumblr?

YES I am!! Sorry friends for dropping off the face of the earth, I got a job and I had to move and it was a lot. But I am less stressed now and I hope I can get back to posting more regularly!! I really missed it (ﾉ^ヮ^)ﾉ*:・ﾟ✧

I will never leave tumblr because there is no other place on the internet where I can tell people that 80% of the time when I try to introduce myself to someone in the office that I haven’t met yet I get so focused on smiling and holding eye contact that I forget the part where I actually have to introduce myself (°□°)

[lotus-pear]

layla >>> everyone else

[almightyshadowchan]

Naruto has nightmares, too.

Day 7: Hurt and Comfort

[ganondoodle]

not to dive back into my apparently controversial video game opinions but the "they probably left out nigh all references to botw to not confuse new players" argument for totk really confuses me in turn bc …

if an overgrown non functioning botw shrine confuses you so much you cant keep playing how are you ever getting through any video game?? if you are not familiar with botw its just part of the environment for you, a fallen apart titan or a half collapsed shrine of life with a cave now leading somewhere else shouldnt completely confuse you-

but mainly ... this is (supposedly................) a direct sequel to botw, a literal second part, if you dont play the first one and just get into the second one you cant blame it on anyone but yourself for not understanding some things? like if totk actually built on what botw set up and you get into totk without having played the first one you really have no right to be angry about being confused by some things its like if you start watching a series with the second season instead of the first one, your own darn fault if you dont get it (also theres plenty of people who summarize video games for you so you could also jsut watch one of those if you really really dont want to play the first one)

if this is really the reason nintendy forcibly bent everything in totk to not dare have a proper connection to botw then ... im sorry but why the heck did you call it a sequel then, if you want to have a standalone game then make a standalone game, and if you want to reuse the map and models so badly then just say its some paralel universe or something, you have literally done that before!!

[july-19th-club]

i know for a fact i have made this post before but for me it's very important that bbc merlin is a pointless tragedy. it wouldn't be good (it's frequently not good anyway but it would be a lot further away from good) if it wasn't a pointless tragedy! it's simply not arthuriana if it doesn't go past the high point of the heroic/legendary/high medieval romance stuff and end with detailed rundowns of exactly how everybody got betrayed and died like that is what makes it real arthuriana to me and not just a silly show about a wizard