what if.... the mimic could like,,. talk or something but not mimicking and being kinda original for once
(sorry for poorish image quality, needed to be quick!)
also a more finished version of the previous tired mimic doodle i did some night
*cartoon flop sound effect*
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To add on your dancing/performing analysis list, I was wondering if you had any thoughts on yeonjun from txt. You previously spoke about txt as a whole a couple of times, and it made me think more about him, bc he's usually hailed as the best 4th gen dancer (which, kind of rude since Hwanwoong is right here, but also understandable, since the more an idol gets popular, the more their fans will swear that this idol's the best at doing X, and people who don't know any better will accept it at face value.) I find him satisfying to watch because his moves seem clean, but at the same time I don't find him interesting/entertaining and I can't pinpoint why? Maybe he's just another case of idol dancers who are good at mimicking choreography rather than embodying it? I'd like to have your opinion if you're not tired of talking about txt despite not being interested in them 😭😂
yeonjun doesn't really have a personality, that's why. technically he's very good, but he's not bringing much to the table other than 'boy', if you know what i mean. personally i do also think he's not super great at embodying choreo, but tbh the lack of personality in performance is a much bigger issue, and it's not just him that has this problem. most of the popular fourth gen male dancers are guilty of this; yeonjun, lee know, hyunjin, juyeon, even wooyoung and yunho have it to some extent as well. and i should point out that it's not just exclusive to kpop dancers - although it is significantly more prominent of an issue because of the focus on the face - but it happens amongst regular dancers too. it's pretty common for dancers to have very good technical skills but struggle to express emotion or character with their performances, and the best dancers are the ones that can do both. there's circumstances in dance where it's less of an issue, but in a performance form like kpop where the focus is so forward on the face and character of the idol, it's impossible to hide that lack. it's the reason why san, seonghwa, and hongjoong can put out much more captivating performances despite having worse technique, because they're playing to their specific strengths and they know exactly what you need in order to make a good performance in this specific form.
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Not Brett talking about doing another spinoff... please just leave this poor universe that you so badly screwed up alone. It’s not even tvdu anymore, it just became Brett’s own weird fantasy, so what’s the point of another spinoff? Especially when the characters’ stories in legacies weren’t even finished or hardly even explored, how would it be fair to start anything else while their stories are left incomplete? And after Brett disrespected and screwed over Aria and mistreated Landon so badly, did nothing to tell his story, and really didn’t do any of the actors/characters justice, they just get left with what they got while Brett goes on to do more? He ruins all of that then gets to keep going? How is that right? Like... enough damage has been done, please just let it go.
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Fuck The Haunting of Bly Manor I have once again been tricked by talented actors and good cinematography into thinking I was watching a good story, let alone a good lesbian love story
Except this time instead of sinking 2 hours of my time into it like I would with a movie it was closer to 12 hours
Can't believe I watched this instead of just rewatching The Fear Street Trilogy, which IS a lesbian horror story that IS actually worth everyone's time
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why can I not get the page numbers in this fucking word document to do what they're supposed to??? I even looked it up because I thought I was doing something wrong, but no, I followed the damn instructions, which said what I had already tried, and no it just doesn't work 😡
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My beloved bf gifted me mario wonder for my bday and while this isn’t my first mario game bc I had the one on the ds-just sucked at it lol-im having a blast going through it since I always like playing other plaformers then my usual even if I’m always comfy with Mega Man. However, playing this along with other platformers made me realize mega man misses a common aspect in most platformers: collectibles tied to progression/general items to pick up in stages that aren’t upgrades.
Mega Man does have its fair share of items to pick up but almost always it’s a health or power upgrade. The general structure of Mega Man is less of jumping on enemies like others and more so being strong enough you can take down your enemies with your weapons, the usual challenge comes from fighting bosses without their weakness or tight platforming segments. Not to mention, the entire appeal of Mega Man’s structure is you can do bosses in any order, so having stuff like collecting a object for progression just to access the next stage or area would ruin that freedom. (Also in terms of if mega man would collect coins or rings or gems I’m not sure if that would fit either given he’s a robot… What would a robot collect unless it’s like stated it’s apart of his energy source or something? Or maybe screws? Even though that’s the currency in classic for just buying stuff)
This isn’t necessarily a bad thing since it gives mega man it’s own unique appeal and some people may not like other platformers compared to it-even if I say the challenge universally sticks so others are worth checking out, especially when in other games it’s waaaay easier to die despite how brutal mega man is with lives and Insta kill stuff-but it’s something I noticed when playing Mario and other platformers so I’m definitely gonna be rotating this for awhile.
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With seulgi solo out, (I really liked it! Tho the mv was meh I wish for the two seulgi scene they had one of them in the snow white outfit and the other in the grimhilde outfit then they cut to the one seulgi in a combined sort of outfit or any outfit really so it could show good and evil in one person but oh well lol) it made me go back to Irene and Seulgi subunit Monster and got me wondering how the heck it worked so so well.
Bc I see many covers of monster from idols as well like two of the izone girls, dreamcatcher girls, and not a monster cover but it gives off similar vibes-- ryujin and yeji break my heart. But they all don't quite hit as hard as the original which makes me wonder what Irene and Seulgi had if that makes sense?? Like their chemistry is very alluring and I feel like the two of them balanced each other out very well. What are your thoughts? If I made sense LMAO
yea i agree they should have at least had the opposing outfits for seulgi for that scene, it would have actually fit the theme lmao.
in terms of monster and why it worked, i think it worked because of all the combined factors (top tier skills, good choreo, it was designed for them in the first place etc etc), but one thing that i think stands out in comparison to people doing covers and itzy break my heart is that the chemistry between seulgi and irene is actively complex. one of the things that makes monster so interesting is that it's really hard to tell who either of them hate more: each other, or you, the viewer. and on top of that they also play a love for each other that surpasses anything they'd give you, so you'd better get out of there real quick if you don't want to end up on the wrong end of a stiletto (knife or shoe). but with break my heart especially, it's a very one note 'cheeky ironic bad girl' performance; you don't really get the sense that they'd actually do anything you to or themselves. it's toothless. with monster there feels like a real threat coming from seulrene that if you even looked at them the wrong way they'd have no hesitation killing you and then each other, just on principle.
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your son moves to Washington and starts working out and gets a job and learns to cook and goes on walks in the forest and makes friends and goes WEEKS at a time without seriously considering suicide and starts quietly humming to himself again. And you send him email after email and text after text imploring him to stop the treatment that makes all those things possible. And then he tells you to please stop emailing him. And you agree. And then you do it again anyway. And you tell him he’s in a cult. And you tell him he’s hurting you. And you tell him he’s not making himself a man. And you tell him you love him.
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