#I used to think that I could turn this story into a book

[gabrielleragusi]

For Artists: My Experience with Commission Platforms and Illustration Agencies

Hi there! I’ve been wanting to compile a list of commission platforms that I’ve personally used for the longest time, and I finally did it! I’ve highlighted the still-active commission platforms in bold and struck those that don't exist anymore so you can jump to the sections that interest you without needing to read my entire story.

Let me start by briefly introducing myself.

I’m Gabrielle, a fantasy illustrator. Since 2014, I’ve been working on book covers and illustrations for publishers, authors, and book subscription boxes. Early on, work wasn’t as frequent as it is now. I had to search for opportunities myself, and even small private commissions were important for building my portfolio and earning some money, which I’d spend on materials, books, and online courses. Like many other artists, I started out by trying my luck with the biggest art community available at the time.

DeviantArt

2009-2018

Once upon a time, there was a virtual haven called DeviantArt. To my teenage self, it was a magical place. I signed up in 2009 and thought I’d never leave!

At first, I created an account just to share my work and learn. I didn’t even think about commissions for four or five years. But when that first inquiry finally landed in my inbox, things took off! My mum swears she remembers my excitement when I got my first commission, but for some reason, I’ve completely forgotten about it. I can't remember what it was or how much it paid. It might have been a portrait of a fantasy character.

Commissions on DeviantArt were fairly frequent, especially considering my cheap prices at the time. I used to offer discounts and post my rates in my DeviantArt journal, or in Commission groups that featured artists either monthly or weekly. After checking out my profile, a client could simply send me a private message and from there, we’d discuss payment, deadlines, and other details, and the platform didn’t take any fees, much like how ArtStation works today. Everything happened through private messages or email, with direct contact between artist and client.

The downside of this process was that there was no dispute resolution system on the platform. I had to handle all issues myself, and unfortunately, problems did arise sometimes: there were clients changing their minds about commissions, asking for refunds after work was delivered, refusing to pay, or just ghosting me. These issues didn’t happen because clients were evil, but rather because I was inexperienced and allowed some to take advantage of my naivety.

However, all that frustration helped me develop my commission process through trial and error (mostly error). And despite the challenges, I can say with satisfaction that most of the commissions I received through my DeviantArt profile were positive experiences.

DeviantArt eventually introduced a commission feature for Core (Premium) users, which came with a platform fee, but I didn’t use it much, and I’m not sure if it still exists.

The real beauty of dA, though, was the connections I made. I was able to meet people, both artists and clients, that I’m still in contact with today, and some of whom I still collaborate with.

I closed my account in 2018 or 2019, but by that time, I hadn’t really used it for a couple of years. The new user interface was a bit of a turn-off for me. I had always loved the geeky, and dare I say cozy, look of the old green and grey aesthetic, with its customisable panels that you could move around and personalise with HTML code... But I digress.

Artists and Clients

2013-2016

While taking small commissions on DeviantArt, I discovered Artists & Clients. It was a nice platform for clients to get things like their D&D characters or groups illustrated for relatively cheap. I think my highest price was $50 for a single character portrait, with the platform taking a 15% cut. I used it for about two or three years before the platform started to change.

As more artists with hentai art styles flooded in, the homepage shifted, and so did the clientele. There’s nothing wrong with drawing naked anime girls, of course, but you can understand that if a client is looking for a fantasy, semi-realistic painting of their female orc character, or a realistic portrait of their spouse, it's more than likely that they won't bother sifting through a sea of anime girls to find the style they want, imagining it isn't here. Let's just say that, at the time, the website took a definite direction that wasn't in line with my genre, but this direction didn't make the different, more realistic art styles stand out either.

Soon, commissions slowed down for me, so I closed my account, but by then I was already working elsewhere.

That said, this platform could still be a useful tool if you’re looking to take on smaller commissions.

DreamUp

2014-2015

DreamUp wasn’t an AI generator back then. It was actually a subsidiary of DeviantArt, where clients could post projects and artists could apply. It was a competitive platform that offered well-paid work–very well-paid. I remember seeing jobs posted that ranged from $300 to $1,200. DreamUp was a very professional platform for clients with a mid to high budget.

I believe I landed my very first book cover commission through this website when I was in my last year of high school. I remember getting the job and going to school the next morning, excited to share the news with my classmates. Everyone was super thrilled for me (we were a really close-knit class!), and I felt like I was walking on air.

Unfortunately, as far as I know, that book was never released, but it didn’t matter because I was moving forward, and fast.

I’m not sure when DreamUp was shut down, but I do know that DeviantArt held onto the copyrighted name, assigning it to something so anti-old DreamUp that it still boggles my mind.

ArtCorgi

Now Artistree

2014-2019

When I received an invitation to join ArtCorgi from its founder, I already had a somewhat consistent portfolio. I was painting portraits and fantasy illustrations, and the clients on this platform were looking for both–your typical wedding and pet portraits, as well as book covers, which were what really interested me. To get to the latter, I had to do the former. Over the years, I’ve painted so many realistic portraits that now I have a strict rule for my own sanity not to do them any more. I have great respect for portrait artists, but it’s just not me.

When I first submitted my prices to the person I was in contact with, she kindly suggested that I raise them... a lot. That was a major step forward in my professional career. I went from charging $50 to $100/$200 overnight. And to my surprise, people actually wanted to commission me at those prices!

From 2014 to 2019, I took nearly every commission that came my way. I never spoke directly with the clients; all instructions and feedback went through my point of contact, which helped maintain a level of professionalism, although now that I’m used to working directly with clients, I’m not sure I’d want to go back to having an intermediary.

Sadly, as with all good things, this chapter came to an end. My point of contact eventually left communication in the hands of someone else, and shortly after, the commission fee changed to, I believe, 30%.

Simply put, 30% is an unrealistic cut for a website like this. For an agent that gets you all kinds of big work in the publishing industry, sure, but since this was not the case I had to stop taking commissions. Despite that, my overall experience with ArtCorgi was very positive.

Today, ArtCorgi joined another platform, Artistree. As far as I can tell, Artistree doesn’t take any fees from artists, with clients covering a small cost instead.

Sketchmob (?)

2016-2020

This was probably the platform I used the most. I’ve lost count of how many commissions I received through Sketchmob. Many. Enough to generate a steady income at the time. With reasonable fees and a variety of art styles available, clients contacted me almost daily. Communication was direct between artists and clients, and payments could be split. The review system also worked very well… for a while.

Once I raised my prices, requests became fewer and farther apart. But by then, I was already working with my own clients.

Is this platform still active? Who knows. The website is still up and the chat feature works, but I’ve seen users complain that money available for withdrawal never arrived via PayPal (the only payment method the platform accepted, if I remember correctly). Personally, I wouldn’t risk completing a job through Sketchmob right now, at least not until they release an update.

If you’ve used the platform recently and successfully received payment within the last six months, please let me know, and I’d be happy to update this section!

Upwork

2017-2019

In 2017, I was determined to break into the book publishing industry. After trying out Fiverr and Freelancer.com with no success (the competition was too fierce for someone just starting out), I decided to give Upwork a shot. The platform looked very professional, and while the process sounded a bit complicated, I wanted to land the interesting projects I saw featured in my category. I really wanted to work with a big client… but big clients didn’t seem to want me, despite having the Rising Talent badge.

In two years of bidding for jobs and submitting proposals, I only landed two projects: a small commission from a private client who actually reached out to me, and another project that I bid on.

Don’t get me wrong, I was ecstatic at the time and truly appreciated every opportunity that came my way. But looking back, I can see why Upwork didn’t work out for me. The platform just wasn’t the right fit for my style and niche, which is fantasy illustration. Graphic design, however, was (and still is) in much higher demand.

The commission process on Upwork wasn’t as simple as on other platforms. For instance, at the time, costs were calculated hourly, which was a challenge for someone like me who prefers working with flat fees (having already calculated my average hours spent on an illustration). From what I’ve seen, this has since changed.

One positive aspect of Upwork is its current 10% cut on what artists earn. I don’t recall if this has changed over the years, but 10% is quite reasonable in my experience. Of course, 0% would be even better, but for a platform as large as Upwork, 10% is fair.

Illustration Agency

2019-2021

By 2019, I had built a solid, consistent portfolio thanks to my personal work and commissions. I had a simple website in place, my Instagram following was growing… I was steadily working toward my goal of illustrating covers for big publishers (which didn't happen until two years ago).

So, when an illustration agency reached out to me one day, I was over the moon. I had always heard that artists were the ones who had to approach agencies, not the other way around.

Well, that should have been my first red flag.

I won’t name this agency because, unfortunately, I have nothing positive to say about it. In fact, the word “nothing” perfectly describes my involvement with them. Nothing came of this barely there experience.

The agency invited me to sign up, not on an exclusive basis, but they assured me they’d get me work. That work never came. Once in a while, I’d receive messages saying they were trying to pitch my portfolio to a French publisher or another client, but... nothing.

Please understand that meanwhile I was already working directly with shops and authors, so I don’t believe my portfolio was the problem. The real issue was something I didn’t realise at the time: some agencies do this. They feature talented artists in their catalogue without having actual clients lined up, just to appear more professional and credible to potential clients. Did this strategy work for them? Maybe. I’ll never know.

In 2021, I politely asked them to remove my portfolio from their website, and that was the end of it.

After that, I never actively sought out an agent again. By the time my portfolio was strong enough to approach a serious agency, I just didn’t need representation anymore.

Hireillo

2019-2022

My experience with Hire an Illustrator, or Hireillo, is mixed. At the time, Hireillo was a platform that hosted artists' portfolios, featured artist-submitted news, provided useful articles, resources, and directories of artists and agents. I joined the site hoping to catch the eye of publishers, but I was mostly contacted by authors and one fellow artist for a graphic novel.

Unfortunately, most inquiries didn’t go beyond the first couple of messages due to budget constraints. I did, however, have fun sharing news about my painting process and projects I landed on my own, which were often featured by the website. Additionally, if I had questions about 'complicated' things like copyright, or just needed advice, I could ask the website’s owner and that was incredibly helpful.

Despite these benefits, I didn’t see any real results, which was a little disappointing. The subscription fee was also... odd, for lack of a better word. $5 per week. In the end I just couldn’t justify the cost, so I stopped using the website altogether.

Reedsy

2019-2022

Finally, we come to the turning point.

I remember stumbling upon Reedsy randomly. It wasn’t very well known at the time, and I think it still isn’t. I was nervous when I submitted my portfolio because their catalogue features the best of the best: designers who’ve created covers for bestsellers, THE bestsellers, people who’ve worked on Stephen King covers, or George R.R. Martin's. Designers, editors, and marketers who are veterans. I didn’t have high hopes for my application. So, I was in shock when it got accepted.

I had an introductory Skype call with a representative from Reedsy, who explained how everything worked. Before the call ended, I remember asking if there was a good chance I’d get work through the platform. The rep laughed and said, “Yes.”

A few weeks in, I understood that laugh.

Reedsy has an overwhelming demand for book covers and commercial projects. For every designer there are many more clients. In peak seasons, I was getting requests almost every day. I’m not exaggerating.

Reedsy transformed my portfolio and my pricing structure. Thanks to the income I earned through the platform, I was finally able not to take everything that came my way but be selective and choose only the projects that really interested me.

The commission process is simple: artists pretty much decide how to split payments, what to include in agreements, and the best part, the most beautiful and helpful feature of all, they can request and adjust deadlines. For someone like me who's terrible with deadlines, this feature was a lifesaver. The admins are also very kind and responsive, available via email or chat.

Unfortunately (this is my last 'unfortunately', I promise), my time on Reedsy came to an end for personal reasons. I’ll explain since it’s no secret.

All my images on Reedsy were watermarked with my signature (my full name), which apparently violated the platform’s rules. Why? Because if a client saw my last name, they could contact me directly and bypass Reedsy, which meant the platform lost potential fees. I’ll admit this did happen a few times, but I had the good sense to redirect the client back to Reedsy.

After three years, an admin finally noticed and asked me to remove my full name from the watermark and any text on my profile. It was a simple and reasonable request, but here’s where the problem started. Profiles on Reedsy are public, and images appear in search engines like Google Images, meaning anyone could download my work and use it without permission. Sure, watermarks can be removed, but uploading my work without one in the first place felt like a bad idea. Btw, not only do I use watermarks, but I also use Glaze to protect my illustrations before sharing them online.

Anyway, for this reason, and also because I couldn’t get over the fact that full names were public at the time, something I won’t get into because, believe me, I tried over email, and my reasons went into the void (now, last names are just initialised, like Gabrielle R. Okay. Sure.), I had to close my account–they would have done it anyway because it was already 'flagged'.

Overall, if you’re willing to overlook the last name conundrum, I can’t recommend Reedsy enough. If you have a killer, solid portfolio and a love for books and editorial projects, go for it!

--------------------------------------------

I hope you'll find this useful! If you have any questions, please don't hesitate to ask (: Oh, and here's an old article I wrote in 2020, titled:

Tips to freelance illustrators to avoid being screwed over

Who knows, maybe I'll write another 'article' post in four years!

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[eri-pl]

Silm reread 16: Beren, Luthien, and the fourth wall,

through which Pengolodh needs to be punched a little. Or at least frightened.

So… This chapter is a lot.

First we get a remainder that we are in a narrative frame: there are many stories but this one is the best. So I, Pengolodh, will make sure it sounds proper.

Also, why is the Lay of Leithian… I thought "Leithian" was some variant of Luthien, but it's "Release from Bondage". What. Why. I guess it's that one scene where she takes Sauron's island?

Before I proceed: I wanted to say that writing a love story dedicated to your wife and overloading it with meanings is an absolutely valid thing to do. And beautiful.

Yes, this is an opinion I will stick with. No, it doesn't mean that I think everything in B&L is coherent or well-written. Most is, but there are places that stick out.

So we start with Beren. He lives with his fatherr and a band of outlaws and… they worship a (lake? river? translation unclear.) because Melian had hallowed it.

They are so competent that Morgoth tells Sauron (his 2nd in command) to kill them all.

Again we have a character with unprocessed grief (nor surprising, as he doesn't know whether his wife is alive or dead) and it is the entry point for the forces of evil. So, Gorlim. Sauron pulls the Dune-like thing on him. I wonder which was first. Jirt didn't like Dune, but had read it.

Beren sees Gorlim's ghost, in the (hallowed?) water, which is an interesting place for a ghost to appear. good for him I guess?

What is the thing with hands? Beren attacks the orcs and grabs his dead father's hand with the ring of Barahir. Unclear which hand was that. Also, he becomes vegan.

Beren is so competent that he gets a "wanted" poster Morgoth offers a prize for his head. As high as for Fingon. OK, so Morgoth gives money for killing important people? Or at least offers money? We aren't told if he ever actually paid anyone. But the orcs still prefer to run away, so he sends Sauron + a whole army and his werewolves.

How competent can one guy be?

Also, we get an explanation of what werewolves are. Terrible ghosts imprisoned in wolves' bodies and posessing them. This chapter has more on werewolves then the whole rest of the book.

So, Beren has to evacuate through Spider-land. Which he manages to do. (Seriously, how many Fate Points does this guy have?)

Luthien is so beautiful that he falls in love instantly. I would be more comfortable if Tolkien didn't show falling in love as simultanously a) totally uncontroleable result of beauty, and b) impossible to not turn into action. But Beren is a good guy so he is polite, he just admires her and stuff.

Also, she's got the exact same poetic colors of hair and eyes as Elrond, which makes sense. Or, more precisely, Elrond as her.

Fate this, fate that, I get the point but don't like the language.

Beren gets kind of sick, because he has to gain more Fate Points pays for the great destiny he is going to get.

I am not going to repeat that part I complained about already. Let's just say there's a lot of "she/they were the most X of everyone in all times" and this sounds, well, poetic but not factual. (Also, they are "the most happy anyone has ever been". )

Daeron snitches on Luthien (part 1). Thingol is sad and confused and asks questions. Beren says "I found what I didn't seek, but as I found it I will never give it up" and that is a really good line.

Thingol, of all people, complains of having made a hasty oath. :D

Beren would take death before dishonor. Also shows Finrod's ring and Thingol isn't very impressed. (I think this may be used as a counterargument to "Finrod should have written to Thingol" — Beren has already shown the credentials he could get from Finrod. What additional things could Finrod tell Thingol?)

We get a description of the ring of Barahir.

Melian tries to calm het husband down, but he is upset and resentful at Beren. And he says that he desires the Silmaril (does he? Did he desire it before he said that? Unclear)

At least Thingol says that with the Silmaril he will give Luthien to Beren if she will want to, which is very proper of him. Also he mentions the "fate of Ards is tied to the Silmarils" thing. Everyone realizes that he just wants Beren dead (so I guess it is a fact?)

Beren is very chill. He says "bye" to Luthien, bows. And then he moves the guards and just walks away ignoring them which is an awesome way of leaving.

Melian is worried, Thingol says that Beren will not return, and if he (thingol) believed that there is any chance of success for him, he would kill Beren, promise or not.

We have a lot of "Lay of Laithian says" so I guess this is suposed to be a later edition... I should do a reread (well, first read tbh) on the Lay one day. But it's hard to read with focus.

Beren goes to Nargothrond, and (so that the guards don't shoot him) yells often that he is Barahir's son. Which must have looked quite funny.

Also, Turgon isn't the only one with "shoot the intruders" policy, but Finrod's one seems less strict.

Finrod talks with Beren behind closed doors (I think it's because C&C. Finrod isn't naive, he's just… idk. Anyway this is a smart move.) Also he is surprised and sad and heavy-hearted because he realizes he's going to have to die. At leats he doesn't try to weasel out of his fate.

Also, Finrod says a lot of interesting / strange things:

the Oath is on again. So, we are in the "oath is an active thing" situation. Probably.

there is a "curse of hatered" on the Silmarils. (Huh??? Who cursed them? I don't remember Fefe cursing the jewels, he cursed many other things…)

who speaks their name with greed, awakens poweerful forces (WHAT? So… Thingol is greedy about the jewel? And it triggers the Oath? Or what? that's… a whole new conceptual area to explore)

the Feanorians would rather destroy all lands then let anyone else have a Silmaril (I'm not sure how true this is but him saying this tells us something about C&C)

the Oath "rules over the princes of Noldor" (What. Finrod, my guy, you are a Noldorin prince too. Also, what. What about their free will?)

C&C are a problem but Finrod won't break his word to Barahir, so we all are deep in trouble

Finrod makes a speech, expects support from his people. It's not said what kind of support. He doesn't say he is going to attack Angband directly.

Celegorm takes out his sword and quotes the Oath. That's pretty metal, but also definitely not good. Curufin is apparently more polite now (iirc he was brash some chapters earlier, I guess he learned. Or it was Celegorm too?). Citizens of Nargothrond are scared of war, they get sneaky, start using poison and generally turn Nor Great from this time on. Huh.

The Doom of Mandos awakes in C&C's hearts and gives them evil thoughts. This is a very close paraphrase. Excuse me, what? Pengolodh, what have you been drinking? something made by Namo (or one of his Maiar, which I find more likely, but anyway) makes them think evil things? Go home and check your phrasing, seriously. This sounds so off. Unless it's the translation again?

Finrod appeals to pity and gets ten guys to follow him. I agree that this speech of him doesn't sound great and … I think he just feels sad and abandoned and does some emotional blackmailing here. and Finrod is awesome but not so awesome to never do anything wrong. It's not terrible, but, yes, I think he would be better without it.

[Which implies that if it was just him and Beren, Sauron would not try to kill Beren earlier. Which… makes some sense. When you have 12 prisoners, killing one as an example isn't a lot. when you have just two, you need to use subtler means of persuasion. (sorry for a bit of Sauron PoV ;) )]

Still, Edrahil is pretty cool here. I like him. Yes, those two opinions can coexist and it is an important point.

The song duel. Finrod picks "Of secrets kept," as his starting line, which makes sense in the context (keeping their disguise) but also, considering what kind of secret had Finrod been keeping (mostly from Thingol, who is btw associated with this quest) for many, many years, I would say it does have a weak point.

So it leads to "In Valinor, the red blood flowing" and we're out.

Luthien feels that things are bad and asks mom and mom tells her that Beren is captured by Sauron. Which she knows. Because she's a Maia, probably? But still, to see into Sauron's dungeons is quite an achievement. Maybe fate was a factor too.

Huan! The dog that is under the Doom of the Noldor! It seems as if this was the reason he later dies at all, that without the Doom thing Huan would be immortal. What even is he. [A lesser Maia. I don't care it's no longer canon, it makes the most sense.]

Also, he never sleeps, his sight and smell can't be deceived and he is invulnerable to magic.

C&C capture Luthien and we have their reasoning explained. So, C&C's logic as told by the narrative:

Finrod and Beren are as good as dead now

so let's let Finrod die

also let's force Thingol to let Tyelko marry Luthien

we will be the most powerful princes of the Noldor

the Silmarils, yea, so let's wait. first we will rule all the Elven kingdoms and then we can work on reclaiming the Silmarils.

No, it doesn't mean that someone else may take them!

Yes, it is explicitely about political power. (But also, Luthien pretty and Celegorm is into her.)

Also, Huan (like Celegorm) understands all creatures.

Finrod dies. Pengolodh edits it heavily. Seriously, I hereby accept this fic as my canon for what finrod said, because the book is lying. Oh wait, no. It is the translation. In the Polish version Finrod literally says "it will be many ages before the Noldor see me" and he says it without "probably" or anything, he says it like a foresight. And we know it is not true, because he got reembodied very quickly.

The original is not that bad. Anyway, it is lacking. It reads like something Celegorm would say in the situation (no offense to Celegorm who had actually been in this situation in early drafts).

[HC time: I imagine Pengolodh as very much the kind of guy to get offended by and cut out anything that looks too strange and … I don't know how to call it. Difficult? He's not terrible, but very insecure after returning from the Exile. He really doesn't want to offend the Valar again and isn't taking the best approach to it.]

And, speaking of Pengolodh and his additions, "so died Finrod, the most beloved descendant of Finwe". Beloved by whom? Certainly not by Finwe. Maybe by the people, but it does depend on which people exactly. Most beloved on the average? Most beloved by Pengolodh?

Pengolodh, my guy, I actually agree with you that Finrod is the loveliest Finwean, but please, could you refrain from using "loved / beloved" and comparisions?

Anyway, song-rescue. This is something even Pengolodh can't mess up describing. Also, Valacirca (Sickle of the Valar, that is: the Big Dipper) mentioned, and … it's a sign of Morgoth's fall? I thought this one was a threat to him. (Yes, let me remind you: there is not one, but two different seven(ish)-star constellations that Varda put in the sky specifically as a threat to Melkor. Also, of all the weapons, a sickle.)

Sauron seems to have a thing with "standing on a high place and smiling/laughing just before he gets wrecked". (Later he does it as Numenor is falling). I hereby HC that just before he noticed the Ring being in the Crack of doom, he also stood high atop his tower and laughted (because Aragorn's army was losing).

I'm tired. I'll cut B&L reread into two parts.

[jesncin]

Are you at all excited for the upcoming Absolute Martian Manhunter book later this year? It'll be the most high-profile launch J'onn has been a part of for a long while, being DC's attempt at an "Ultimate Marvel" line. Given how the approach seems to be defined by removing elements of the characters' status quo - Superman has no Krypton tech, Batman is not a billionaire, Wonder Woman is the last of the Amazons etc. - I think there's a very real possibility that for J'onn they'd pivot in the opposite direction and give us a living Martian society. If only because J'onn has so little anyway, there's not as much to remove as with other members of the League, so the logical thing would be adding something back in to shake things up. I'm personally hoping for some combination of Weird and Noir.

I'm absolutely (heh) excited for it (because a new refreshing change even in an elseworld story is exactly what J'onn needs right now!) but also cautious and,,, concerned. DC's revealed the Absolute gimmicks for just about all the other solo supers but J'onn is essentially still a rumor? What's going on there? I was also concerned when Superman's Absolute gimmick was supposedly "he'll be more alien than human" "he doesn't have a fortress of solitude, no Kents, etc" which,,, sounds a lot like J'onn tbh but we'll have to wait and see. Sometimes writers do this thing where they try to do something new with Superman and it's just re-worked J'onn lore. And J'onn lore is fundamentally flawed so in turn that take on Superman doesn't work, but that's just me with early concerns.

Ooh! That's a good point actually! That feels like the most logical shakeup they could do, and YJa helped warm people up to the idea of a living Mars (which I also agree would spice things up and differentiate J'onn from Clark more). And I'd absolutely (heh) love more supernatural-weird-noir for J'onn! We finally had J'onn play into being a martian detective in the 2019 Identity run, but it was more cop drama than detective noir which I would love to see. My only addendum to the idea of a living Mars as an Absolute gimmick is, since YJa popularized this already, what else will this take do to innovate on that idea? My personal wish list is:

Revitalize J'onn's cast system (a mix of old and brand new characters. Don't just make him watch tv to care about humans. Give this martian relationships!!)

Figure out his themes outside of grief!! (I love sad Martian man but he needs to do more than that! It's been stagnating his character)

No Justice League stuff or other superhero cameos/team ups. (J'onn NEEDS to prove he can stand on his own as a solo character so he can stop being pigeonholed as the League's heart or therapist.)

Fresh new take on Martian world building (please get rid of Martian racism, it's dumb and never made sense. It's a shapeshifting society and the idea of characters like M'gann essentially "greenfacing" to "pass" is so weird)

Critical reimagining of J'onn's relationship to justice (we need to get rid of or critically examine his relationship to copaganda.)

Integrate Blackness more thoroughly into his character (CW Supergirl and that one Nubia Coronation special comic are still the only takes that have done this. Come on guys!!)

More thorough reflection of J'onn's multiple identities (undoubtedly what makes J'onn special. But the comics rarely dig into what it means for J'onn to be multiple people. I would love it if his identities [especially the racialized ones] weren't treated as so,,,disposable.)

Ma'alefa'ak please (I just want to see him again I don't even care if they do a bad job. However all I ask is he be a green martian and J'onn's twin again. And a slutty design.)

The last time we saw a big overhaul to J'onn's character was the New 52, and the major flaw of that run was that it had no clear thematic intention to how it interpreted his character. So we ended up with just a bunch of references and a convoluted edgy story that doesn't help J'onn become a self sustaining solo character. The Absolute line is the perfect platform to revitalize him as a character, but I hope the writers can think in the long term to combat his foundational issues.

[itsnotbird]

Orphic~ File 5

Taciturn (adj.); Silent; not talkative

Warnings: mentions of abuse, drugs, withdrawal, violence, language.

Bucky!Barnes x Fem!Reader

Previous part here

Masterlist

“James.”

“It’s alright, James.”

He stirs, letting out a soft breath as you come into his vision. He’s not afraid of the hands that run through his hair, how your fingers gently stroke his jaw, showing him the softest comfort he’s ever known. He finds himself reaching for you, his hand twisting in your hair as his forehead presses to yours.

“Shh, I’m here now.” You soothe. “It’s okay.”

He shakes his head, eyes squeezing shut before they open, seeing you smile gently, laid beside him on the floor.

“No.” He mumbles, a hint of a whine trailing after the word.

“You’re a good man.” You promise him, nuzzling your nose to his.

“My hands are red.” He tells you, heart beat in his ears as your soft hand slips down his check to rest of the side of his neck.

“And yet, I trust them completely.” You whisper into his ear. “I could be good to you if you let me. Won’t you let me?”

As you slot your lips to his, you gasp in his air.

Bucky wakes up with a start, chest heaving. His eyes look around the bare apartment. It’s empty as always.

Hands pressed to his eyes, he mutters to himself, his teeth grit.

“Get out of my head.”

“Get out of my head!”

- - - -

You suddenly understand why people can’t stop addiction.

This feeling is comparable to physical abuse, something you know much about.

By some miracle, you’ve managed to get out of bed and shower. You put on your own clothes, the things you yourself picked out. It’s a good feeling, but as you walk to the kitchen, you think your teeth might just crack.

Coffee might help.

“Hello, Blue.”

You jump, turning to see Vision behind you.

You give a simple smile, then wave your hand up for a coffee mug to come into your grasp from the cabinet.

“Your abilities are very fascinating.” He states. “Have you tried to use them on yourself? To get rid of that feeling you have?”

You toss him a look over your shoulder.

Of course you tried. Unfortunately, the people who cursed you with these powers made sure you couldn’t inflict them on yourself, almost like a safety precaution so you wouldn’t end yourself when they weren’t looking.

You lean on the kitchen island and sip the coffee, cringing at the bitterness. The sugar jar drifts over, you scoop two spoonfuls in. You drink the coffee quickly, hoping it’ll settle you.

“I understand your urge to remain silent.” Vision says. “The others might find it odd but rest assured, I do not criticize you.”

You muster up the best smile you can, then pat his hand. In your opinion, if anyone was odd, it would be the one that is a large computer chip who looks like a dignified gentleman with blonde hair.

You respect his kindness.

Taking bland tasting wafers with you, you wander the halls, take the elevator to different parts of the compound. To your surprise, you don’t run into many people, the agents and workers that you do come across, they don’t speak to you.

After about twenty minutes of taking in your surroundings, you come across a file room on the third floor, meaning it was restricted access.

You jab your finger against the key pad, it blinks at you angrily.

With one simple flick of your hand, the door creaks open.

You laugh.

Wasn’t this supposed to be a high security facility?

You shut the door behind you and curiously look over the filing cabinets. They’re labeled all differently, separated into mission reports and previous alliances or enemies. You open the one that’s labeled ‘Tony’s Cult’, assuming that meant the information on the Avengers.

You bring a stack out and sit comfortably on the floor. Like a good book, you dive in, getting lost in abilities, missions, back stories.

It might be an invasion of privacy, but they all read your file so you assume you can read theirs. You learn birthday’s, quirks that are noted in, who has confirmed kills and who doesn’t. You laugh at the file of Peter Parker, because there’s not much there besides everything that screams ‘child with odd ability’.

You enjoy Steve’s, because it reminds you of the children’s books you read hundreds of times while in The Ring. He’s the hero, the one that saves the day. He is everything you were told you were going to be if you killed a man you didn’t know. He was given a gun for the good of America, you were given powers for the good of a rich family.

James Buchanan Barnes

‘The Winter Soldier’

Your fingers pause before they open the dusty folder.

This felt more like the stories they told you to scare you into behaving. This was your story.

Confirmed kills…

Hydra…

…war…

…Bucky and Steve…

…prisoner…

…brain washed…

…Deadly, be advised…

…assassin…

Your brows furrow, all these words spin in your mind. Holding up his military id photo, you smile at his charming face in a sergeant uniform. You compare it to the stone cold expression of The Winter Soldier, and determine it’s two different people you’re looking at.

There’s a rather awful photo of his left shoulder, how the skin is scarred and mangled as it meets silver metal.

You reach to feel the brand on the back of your neck, your nails scrape it.

- - - -

Natasha knocked on your bedroom door, only to be met with silence. Figuring you’re eating breakfast, she searches for you in the kitchen, only to find Steve and Sam play fighting with wooden spoons.

“Where’s Blue?” She asks the two boys who quickly drop their pretend weapons.

Steve clears his throat. “Asleep still, maybe.”

Nat shakes her head. “I was just at her room.”

“You try the MedBay? Doesn’t she get poked around this time?” Sam asks.

“Her infusions are done, that’s why I’m concerned. Last thing we need is an important asset to be passed out somewhere.” She stresses just as Wanda joins them.

“What’s wrong?” She asks.

“Have you seen Blue?” Steve asks.

Wanda shakes her head.

They split up, searching every room.

You put the files back the best you could after the shaky feeling became too much. You wrap your arms around your cramping sides, somehow making it back to the living space where you collapse on the couch.

“Jesus, where have you been?” Nat asks as she comes in to find you, but her concern grows as she takes in your pale expression.

“What’s wrong?” She comes to your side, soon joined by Steve and Wanda. “How do you feel?”

I’ve never been better.

You refrain from rolling your eyes, you continue to shiver.

“Bruce said she has to let the shakes run its course, they can’t keep giving her that stuff.” Nat states to the two that join as you roll onto your side.

“Here, let me.” Wanda comes forward, you see the red glow at her fingers and shuffle away in uncertainty.

“Blue, this won’t hurt.” She promises, placing here fingers an inch from your forehead as she tries to figure out what you need.

“She’s cold.”

Steve is quick to sit beside you, pulling you to lay on his lap.

Wanda’s face twists in the agony you feel. “There’s nothing we can give her?”

“Uh…baby aspirin?” Steve offers.

You try to think of something that has felt worse, maybe the first injection of the serum, how it burned in your veins. That felt pretty bad. But though you’ve experienced multiple parts of hell, this was certainly new.

“They’ve lowered the dosage for a month, should it be effecting her this bad?” Steve asks, his hand on your shaky shoulder.

Nat comes back with a wet rag, wiping your clammy forehead. “This isn’t a drug you buy from a dealer in his mom’s basement, Steve, this stuff could kill somebody with a normal system. They’ve been giving it to her like candy for fifteen years, she’s become dependent on it and now her body is trying to figure out how to function.”

Steve takes the rag and keeps it to your skin as he grumbles. “You could’ve just said yes.”

Your head lolls, a sort of hallucination wiping over your vision. You groan with discomfort.

“I can put her to sleep, maybe she’ll sleep it off?” Wanda offers.

Sure, sleep off the deadliest withdrawal known to man.

Despite your doubt, you feel a relief wash over you as Wanda shuts your eyes.

Oh…this is nice.

- - - -

At some point, Steve left you when he was sure you wouldn’t wake. Covered in a blanket, you lay peacefully on the sofa.

That’s how Bucky finds you.

He wasn’t expecting to come across you, but his feet are now planted as he stares down at you. It’s a bitter feeling in him, you sleeping soundly, having no idea of the anguish you’ve caused him. He could hate you for it, he probably should.

…but…

He just wants to see, just wants to answer one of the many questions he has. Carefully, he reaches for the hand that rest on your chest.

It doesn’t shock him like before.

It just makes him angry, actually. It felt the same as in that terror from the night, that oddly soothing touch that will never be meant for him.

He drops your hand, huffing to himself.

Somehow, he feels worse now.

“Dude.”

He snaps his head up at the voice, seeing Sam stand there with raised brows.

Fuck.

“How long have you been there?” Bucky asks, swallowing nervously.

“Uh, long enough to see you go all creepy stalker mode.” Sam responds, coming closer. “What the hell are you doing?”

“Nothing.” Bucky answers quickly and defensively.

“Didn’t look like nothing.”

He glares, then moves away from you and closer to Sam. “Drop it, you don’t know what you’re talking about.” He bites.

Sam’s eyes widen. “Do you even know what you’re talking about?”

“…No. I don’t know.”

As Bucky storms off, Sam is hot on his heels.

“You want to talk about it?”

“No.”

“I feel like you want to talk about it.”

Bucky turns around swiftly. “You’re gonna be feeling something else if you don’t lay off.”

Sam raises his hands in defense. “Fine, suffer in silence, you damn cyborg.”

Bucky desperately tries to remember the rules his therapist gave him, more specifically rule number two.

Nobody gets hurt.

He has the urge to break that one.

Despite his pace, Sam keeps up with him.

“You know what, I get it. I get it. She’s mysterious, a little weird, like you, and she’s gorgeous. Of course you’d be obsessed with her.”

Bucky’s metal hand clenches in irritation. “I am not obsessed with her.”

Sam laughs over dramatically, clapping a hand onto Bucky’s shoulder. “That’s funny, that’s really good, you should be a comedian.”

Bucky zeros in on the contact he makes. “Remove your hand before I do it for you.”

Sam snatches it away. “You’re a little aggressive, you need to have an emergency session with your Doc?”

He manages to make it to his room without putting Sam through a wall. He thinks that’s improvement.

Leaning against the window, he rubs his head and tries to get those words out of his mind.

He wasn’t obsessed with you, just mildly interested in how you’re stitching yourself into his already fried brain. Of course you weren’t doing it on purpose, but you were doing it and it made him feel like he was slowly going crazy.

He does those stupid breathing exercises Raynor told him to do, cracks his neck, then leaves for the training room where Steve was expecting him.

Next part

[artificialfanfiction]

Blind Date – One Shot

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Disclaimer: The content on this blog is entirely fictional and created for entertainment purposes. None of the scenarios depicted here are based on real-life occurrences. Enjoy the stories and let your imagination run wild!

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

pairing Nicholas Ruffilo x reader

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Nick was lounging in the cramped tour bus, his long hair cascading over the pages of a well worn book. His bandmates, who had grown accustomed to his quiet, contemplative nature, were busy in their own worlds, preparing for their next gig. That's when Noah bounded over, a mischievous twinkle in his eye.

"Nick, my man," Noah began, his voice carrying the enthusiasm of someone about to unveil a grand surprise. "Guess what I've got for you?"

Nicholas peered over his reading glasses, raising an eyebrow. "I don't know, Noah. What's the latest prank?"

"Not a prank," Noah said with a smirk. "A blind date."

Nicholas snorted and returned to his book. "Yeah, right. I'm not falling for that."

"No, seriously," Noah insisted, plucking the book from his hands. "It's all set up. She's a fan, super into music, and she's got more ink than the two of us combined."

The mention of tattoos perked up Nicholas' interest. He had a soft spot for those who shared his artistic passion. "Alright, spill it," he said, folding his arms across his chest.

Noah beamed. "Her name is Y/N. She's got this amazing taste in music, and she's a bass player herself. Plus, she's got this killer sense of humor. I think you guys are going to hit it off."

The skepticism didn't leave Nicholas' face entirely, but curiosity had certainly set in. "Fine," he conceded. "Set it up."

The night of the blind date, Nicholas found himself outside a quaint little music venue, nerves jittering like a guitar string about to snap. He adjusted his leather jacket, hoping he'd dressed to impress. As he scanned the dimly lit room, he spotted a girl sitting at the bar, her hair a vibrant shade of blue that matched the neon lights above her. She had her nose buried in a book, and the sight of her, in a sea of metal fans and rock enthusiasts, made him smile.

Approaching with a smoothness he didn't know he had, he tapped her on the shoulder. "Y/N?"

She looked up, her eyes wide and hazel, framed by dark lashes. She wore a simple black T shirt that showcased her intricate tattoo sleeves. "You must be Nick," she said, her voice a melodious blend of sweetness and sass.

The conversation flowed as easily as the whiskey in their glasses. They talked about their favorite bands, the pain and joy of playing bass, and the stories behind their ink. They bonded over obscure music facts and shared experiences of late night jam sessions that turned into early morning philosophical debates.

As the evening progressed, they found themselves in the back alley, sharing a cigarette and laughing over the most ridiculous band names they'd ever heard. The cool air was filled with the faint hum of the city's pulse, mingling with the distant echoes of music from the venue.

Y/N leaned against the brick wall, her laughter subsiding into a contented smile. She studied the tattoo on the inside of his wrist, a complex maze of musical notes and skulls. "This is beautiful," she murmured, tracing the lines with her finger.

Nicholas felt his heart stutter in his chest. "Thank you," he managed, his voice thick.

Her hand lingered on his skin, and their eyes locked. Without a word, he leaned in, capturing her lips in a kiss that was as unexpected as it was electrifying. It was a moment of pure, unbridled connection, a harmony of two souls finding a rhythm in each other.

The kiss was tender, yet fierce, filled with the kind of passion that could only be born from a shared love of music and a sudden, overwhelming attraction. When they finally pulled apart, breathless and grinning like teenagers, they both knew that this was no ordinary blind date.

"Well, I guess we can thank your bandmates for this," Y/N said, her cheeks flushed.

Nicholas chuckled, running a hand through his hair. "Yeah, I guess so."

They decided to extend their night with an impromptu jam session in her garage, their instruments speaking a language that didn't require words. The music they created together was a symphony of unspoken truths and undeniable chemistry.

Later, as they sat on the hood of her car, the cool metal a stark contrast to their heated bodies, they talked about their hopes and fears, their dreams and their scars. They found solace in the rhythm of their hearts, beating in time with the echoes of their music.

The night grew late, and the stars above them were the only witnesses to the promises they whispered to each other. It was a perfect blend of serendipity and fate, a melody that neither of them could have predicted.

As the first light of dawn kissed the horizon, they parted ways, but not before exchanging numbers and making plans for another date. Noah's setup had gone better than anyone could have imagined. Little did they know, the universe had been playing its own tune, bringing together two lost souls with a love for the same beat.

And in that moment, as the sun began to rise, the world felt a little less chaotic, and a little more in sync, thanks to the magic of music and a blind date gone right.

[a-blog-for-venting-i-guess]

Transformers One Bucks fanfic tropes and I love it

Spoilers below

I’m just gonna call them Megatron and Optimus for this even when I’m referring to pre transformation times.

So as a fan of the Megatron and Optimus Prime ship, I have read many many pre breakup/no breakup stories. A consistent aspect of them is Megatron being the revolutionary while Optimus is a champion of working within the system. And while those stories are fine, even great, a lot of the time it feels like Meg’s legit issues with the government were getting ignored by focusing on the “you protested in the wrong way,” sort of stuff that then radicalized him. Or megs would just use those grievances to get power and then not actually want to fix the system, he just wanted to be in charge.

I also thought this sometimes did a disservice to Optimus. Portraying him as so by the book he’s naive to the problems within cyberton so Megs has to show him the light and such. And then when Optimus does turn around he’s gotta calm Meg’s violent tendencies. Be the calm voice of reason.

So in comes Transformers One. And it’s OPTIMUS who is questioning how things work. Maybe not directly, but he’s constantly either breaking actual rules or just social norms to get what he wants. A better cybertron for all. When the truth is revealed he’s the one being like “I knew something was off.” Even when the truth is revealed Optimus is focused on fixing things because that was always what he wanted in his heart. That desire drives him to be reckless.

Meanwhile Megatron is the by the books guy. Seeing the system and its rules as a sort of lifeline he clings to whenever Optimus drags him on another stupid adventure that gets them in trouble. I think deep down he wanted the same things as Optimus but thought he could get them by following the rules. It was also a narrower scope. He wanted things better for them. Wanted a better life for himself.

When the truth is revealed he loses that safety net, He loses everything he’s ever believed in and he doesn’t know how to fix things. There’s no rule book for him to fall back on because the rules were BS and actively used to keep him down. He doesn’t trust that showing everyone the truth will cause them to turn on sentinel because all that happened to him when he learned the truth was becoming jaded+a desire for vengance. Which is why he thinks in order to move on Sentinel has to die. And this belief is solidified when he meets the elite guard with their ideology of the strongest one leads.

Optimus has to try to play the voice of reason for the first time in their friendship because of Meg’s reaction to the truth, and he sucks at it. Megs could never actually talk Optimus down from his schemes, and Optimus would always be the one making choices/leading the charge for what do to in their friendship. Now that Megatron is making up his own reckless (to put it mildly) decisions, Optimus has no idea how to actually successfully talk down Megs.

All of this leads to the tragic of tragic breakups.

Two people that cared about each other, wanted the same thing, but had drastically different ways of achieving that. And that difference tore them apart.

This is the basic story of Optimus and Megatron when they’re friends first. And for the first time it feels like the falling out happened without either of them being an idiot, or some misunderstanding. It was just how they naturally developed over the course of the story.

God I love this movie.

[stari-hun]

Reverse 1999 is an Existential Horror and they’re reminding us of the genre

This is a post about Vereinsamt, book 7, but I won’t be talking about any massive story spoilers here!

Chapter 7 - The Maze of the Minotaur is horrible cause it viscerally shows how different we are as humans from then to now.

I was just talking about how 1999 was when Blair Witch came out, so every character has massed out on the massive horror resurgence that came out after it. In Reverse 1999, 1999 was when they had it all. But to us, if you asked what the best era in the past was you’d get 100 different answers, and very few would be before the 2000s.

Blair Witch was the turn of horror films because it gave the foundation for a new genre that was accessible to amateur film makers: the Found Footage genre. It made way for an entirely new type of story where all people needed was a friend and any kind of camera in order to tell their story. This stemmed into a digital version of this genre: Alternate Reality Games or ARGs. As well as a subgenre of Found Footage called Analog Horror, in today’s age, even phones have better camera quality than most cameras' film quality back then. So the genre learned to turn the quality down on videos in order to get a vintage quality to them because the inability to see would give a fear of the unknown. We both have a fear of the unknown, but the characters in Reverse 1999 have no knowledge or baseline to be afraid of things that aren’t what they appear. Arcanum can be used to change one’s appearance and it’s uncommon knowledge, but to totally change a person's stature and look is a rare ability. A few arcanists have a certain transcendental ability to tell people apart by their aura, bones, or unique arcane signature. But they haven’t experienced this horror renaissance. Horror movies actually have a pretty important role in public perception of things. If a person was walking around with a knife or a bat and we didn't have horror movies or stories of that exact situation, then unless you heard about a dangerous person on the streets, your guard wouldn't be up. Hearing and seeing stories about the possibility of harm and what could happen in a certain situation is a very important role media has in our lives. With the Mandela Catalogue came a fascination with urban myths and similar cryptids. People from Appalachia and indigenous people around the time it came out would share stories of their encounters with creatures who would pretend to be human and lure us to them. Whether or not a person chooses to believe in nonhuman entities is up to them, but it's a fact as well that a lot of animals have adapted to humans and learned how to mimic us. Birds mimic us easily as animals who specialize in it, but cats and dogs do their best to mimic our speech patterns to. Humans are animals as well so we sound like other animals. Bunnies being hunted in the woods make screaming sounds that grab the attention of anything nearby but especially humans, they even sound similar to us in the way babies' cries can make other animals think we're a similar species to them. So whether it has a mystical explanation or one in nature, we know that something that sounds like what isn't on purpose is a sign of danger. We've seen horror movies and heard stories about turning around and seeing what we think is a friend only to be betrayed by a monster tricking us in many popular media. We've seen media portrayals of that person being something pretending to be human and pretending to be your friend, so we know that that means imminent danger. In Doctor Who you have Weeping Angels who use the voices of others to communicate until they're caught, Supernatural used the stories of mimics many times, even in DnD as a tabletop game has it as an enemy that isn't strong but always poses a threat because trusting that you're safe when something is tricking you into thinking that way is one of the scariest things to humans. It's why I think Arcanists, because of the nature of arcanum, struggle the most from memory gaps or mental illness. Arcanum relies on your mind and schema as power. As humans, we naturally feel uncomfortable with the unknown and take comfort in learning and overcoming fears. We like an environment we can feel control in and safety from as well as people we can feel safe with. So along with the unknown, another thing we fear is being innately unsafe around someone we've placed absolute trust in.

The characters in R1999 lack the public zeitgeist we have. 37’s instincts aren't to distrust the people around her in any situation. Even when 210 is purposefully trying to knock down her ego, she doesn't react to it with feeling hurt because she genuinely trusts the people of Apeiron and especially her close group. She doesn't consider they would do anything bad to her, and she doesn't have the knowledge to consider that something could use that trust by pretenidng to be them.

[aquaticlime]

MET GALA THEMES

I tried to come up with good names for these but some were just too hard. Go ahead and use any of these for your DR, I’d love to see what you do with these ideas as well. I’ll probably make another post detailing which of these I’ve scripted into my Dr to attend and what I wear so stay tuned.

The Lost City of Atlantis

I think this would be so cool! Some people would draw from the Disney movie I’m sure, but imagine everyone’s interpretation of the classic myth.

The Animal Kingdom

A Night of Beastly Beauty. For this I would like to see good use of ethically sourced furs and animal prints. Someone’s gotta be a dinosaur, like please pick unique animals. However if I see someone like Jared Leto dressed in a mascot or furry costume I’m done.

The Dark Side of the Grimm

A Night of Grim Fairy-Tale Villains in Couture. Time for the villains of fairytales to shine. I hope some people would dress as the hero’s if they were turned evil.

The Seven Deadly Sins

This one is the perfect amount of specificity while still being broad enough to let peoples creativity shine through. Inevitably some men are still going to come in a plain black suit but what can you do.

A Night at the Museum

A Timeless Journey Through Fashion and Art. How cool would it be if someone came inspired by Starry night or Monets garden. So many art pieces to choose. There are other types of museums and art to like sculptures or someone could dress like a wax figure. Personally I would like to see the Winged Victory or the Caryatid statues.

Jungle Fever

Another one that deals with animals a bit. Again people better get creative and pick some unique animals. I wanna see a someone (bonus points if it’s a woman) do a Tarzan inspired look though.

Desert Oasis

I don’t know with this one. I guess someone could do an Aladdin look, we already had Tyla do her sands of time dress so I don’t know what else you could do for this one.

Down the Rabbit Hole

A Wonderland Fantasy of Fashion. I just love Alice in wonderland. I would love to see everyone’s outfits. There is so much you could do with this! Zendaya and Lady Gaga would have to be in attendance at this one.

The Literary-Inspired Gala

From Pages to Runway. Another good broad one. It woukd be cool to see everyone’s favorite books, some fairytales some sci fi and maybe even Harry Potter. I could see someone doing a literal book outfit too.

The Neon Nights

Nobody uses bright fun colors anymore, imagine all the black lights and fun glow in the dark paint you could use. Maybe the carpet would be from a bowling alley or mini golf course.

A Carnival of Curiosities

How cool would a carnival or circus Met Gala be!? This is another good one to bring out peoples creativity. Some fun clown inspired looks and the boring people can be a ring leader.

Space Travelers

Galactic Fashion! None of these looks are going to make sense. I have a feeling Doja Cat would be either pretty good for this or just paint herself snot green.

The Wild West

A Night of Cowgirl Chic and Frontier Flair. Pretty self explanatory and quite broad. Someone’s coming as a cactus for sure, and some couple is gonna do Bonnie and Clyde.

The Great Gatsby

Roaring Twenties themed or it could be based off the book as well. People would have to get pretty creative with this one in order to stand out. Give me a man in a flapper inspired outfit.

The Magic of Hollywood

A Tribute to Cinematic Glitz and Glam! Simple enough, you could take inspiration from directors or film companies. Imagine someone going a the Twentieth Century Fox logo or a red carpet.

Creature Feature

Classic Horror film themed! I’m talking Creature from the Black Lagoon, Frankenstein, Dracula, and Nosferatu. I would go as one of the monsters and have my date be the female protagonist of the story.

Terror Awakens

This one is horror themed as well but much broader than classic horror films. You could do books, any movies or simple scary concepts. Please don’t do anything about modern day murderers, I just don’t think that’s tasteful.

˗ˏˋReturn to masterlist ✦ main masterlist´ˎ˗

[unproduciblesmackdown]

set out to create a serious, canonesque drawing with which to say "feel free to go in my lackadaisy tag and help me mystery speculate" but only got going when i made it bowling and the rarepair agenda

[shigussy]

i keep getting tiktoks of these younger gen z kids referencing a time they did something relating to fandom in public and now they're embarrassed by it and everytime i see one i sit there thinking over all of middle and high school and having genuinely 0 moments that i feel embarrassed by, like i definitely did a lot of shit these kids would be embarrassed by but i think these are all just really fucking funny

also photographic evidence of the kinda kid i was. these are from 2014/15 when i was in 8th grade

-desolation row one shot(still on wattpad gerard way/reader smut)

-twerk it on (mcr crack fanfic no longer on wattpad but i have another fic in my library called twerking in taco bell which definitely ALSO used for my reading log)

-frank iero must die(a serial killer/assassin frerard fic, still on wattpad)

-hair (really vague maybe a phanfic? nowhere in my wattpad library rip)

my binder i used in 7th grade i had a blue one that looked pretty similar to this for 8th grade but idk where it went, also the parts i scribbled out are my full legal name i had written on it. i wrote it normally and then the big spot is where i wrote my name REALLY BIG in elysian code from the vladimir tod books. also the lines are from when i used an exacto knife to cut up some papers and forgot that my binder was underneath

in conclusion yall can now see why im so shameless about talking about shigaraki the way i do

[aroaceleovaldez]

I really dislike the inherent main plots of TSATS and Chalice of the Gods as they’re being explained to us currently, mostly just cause I feel like they take away from already established lore of the series and other plot points.

There is no way TSATS can go that doesn’t make either Tartarus feel cheap and/or the entire book just feel like Percabeth In Mark Of Athena: 2 Electric Boogaloo. Unless the twist is that they don’t go to Tartarus it is physically impossible. Because either they go to Tartarus and breeze through it, which makes Tartarus as a setting feel cheap and ruins all prior instances of it being used as a landscape of suffering, or they suffer Lots and Lots and it just feels like we’re rehashing the same exact plot over again purely for the sake of treating solangelo the same as percabeth, which doesn’t work because they’re vastly different character dynamics and putting them in the same situation has nowhere near the same emotional weights. Also it makes Nico’s original foray into Tartarus feel null because it makes it feel like his trauma doesn’t have any actual meaning, because why would he jump right back into it? Even with Nico’s character being extremely self-sacrificial, we’re at a point where we’re being told he’s improving on that and this is possibly the one circumstance he would think twice about. AND it makes Tartarus feel overused - Nico surviving Tartarus once? Okay, makes sense, he’s the son of Hades, and it’s cool that he’s the first mortal to ever survive it. Percabeth too? Getting iffy (especially since we see their trip in detail and that inherently means it’s lost a lot of potential oomph, because when you’re going for horrifying a lot of the time less is more) but okay, sure, Nico probably gave Percy some Tartarus Tips after being rescued and they had a literal dues ex machina or two helping them out, and they fell in accidentally so it’s not like how Nico waltzed in there. Third time? And it being Nico AGAIN and Will Solace (who as far as we know has little to no quest experience and most of his experience is being a battlefield medic) and then purposefully going there? Nope. It’s just a poor set-up. Plus “the major gay couple goes on vacation to superhell” is a... questionable plot set-up to begin with, especially when it’s been heavily implied it will be traumatizing for them, and we have already been told explicitly that references are being made to things like Call Me By Your Name so there is a self-awareness about the themes there (also that alone raises questions about how we’re going to be taking the tone of things - again, there’s two ways it can go and both would be extremely difficult to get right). If Mark Oshiro were not co-authoring this I’d be a little horrified. I’m very glad Mark Oshiro is co-authoring this. I don’t believe it can’t be done tastefully, and yeah it’s a situation ripe for symbolism, but it is definitely the kind of subject that would be difficult for a non-queer author to handle appropriately.

As for Chalice of the Gods, we know two things: A.) It takes place prior to TOA, and B.) The chalice Percy has to retrieve has the power to make anyone who drinks from it immortal. ..... so basically, without the book even being out, we are told “If Percy had waited like 20 minutes, all of TOA would be null.” Admittedly, this does give justification for Percy specifically to be doing this quest outside of “college” reasons, and in my opinion, “The gods asked Percy specifically because they have verified he adamantly does NOT want to be immortal” is hilarious. However, adding yet another universe mechanic to the repertoire that nullifies death is annoying as hell, because death as a consequence in the series has been completely ruined since HoO. The more avoiding death options there are, the more every death scene feels completely pointless and avoidable.

[themyscirah]

Suffering more than Jesus atm (being a fan of 80s/90s Suicide squad in 2024)

[rhymaes]

Mysterious Lotus Casebook // Anne Carson, Autobiography of Red

(continuation of x)

[shirogane-oushirou]

[cw vent: chronic illness, general world politics mention w no detail)

"man. i'm so tired. i feel like i can't do anything selfship related. is it because my energy's been sapped from family visiting and everyone wanting to do ~summer activities~ nonstop? am i so in my head about "getting ren's story right without stepping over any lines" that i've backed myself into a perfectionist corner? is the world just going to shit so hard that i can't have one (1) minute of escape on this blog before going back to working through the political hellscape we're in? god even trying to make this plushie pattern is killing me even though i want to hold my guy So Badly AUGH."

/finishes the plushie pattern after trying multiple body bases and literally buying a japanese ebook about plushie face and hair design/

"actually what if i lived forever and spent all of that time making an army of these fuckers to swim in? what then?"

[omarwolaeth]

thinking 'bout how the lads interact with what the bracelets represent, especially in their decks

[imidori-ya]

Fourth Wing by Rebecca Yarros is literal hot garbage and I will die on this hill.