Tumgik
#I will do it in another moment and I'll go to a different colour palette for now
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allmyocsarebritish · 2 months
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Dressed to kill
Pairing: Angel Dust X Reader
Warnings(?): Angel does reader's makeup, and unintentionally pokes them in the eye, I have no idea how to do makeup, this came to me when I found pink eyeshadow
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Also yes, that's my eye lololol
"Please, toots. I'm literally beggin ya!" Angel complained once more, dramatically draping himself over the bed beside where you sat.
"I promise ya'll love it if ya just-"
You cut him off with an exaggerated sigh and roll of your eyes, though the amused smile on your lips evidenced your joking tone.
"Alright fine, I suppose it won't hurt."
"Yes! Don't worry babe, I'll make ya look stunnin'!" He practically leaped off the bed at your response, though his movements were unreasonably agile and smooth as usual.
You exhaled a breathy laugh at Angel's excitement, drawing your knees up to your chest whilst watching him search his dresser. Rummaging through the drawers, he pulled out (ha) various small wash bags. Each was a slightly different shade of pink, and all embroidered with his name in extravagant lettering. Satisfied with his collection of supplies, he retreated back to the bed, dumping them all on top of the duvet.
"Ya ready?" Angel grinned, lower set of hands resting on his hips.
"Go ahead." You smiled,resting back against the plush headboard. Angel hovered over you, a knee on either side of your legs. Your face flushed at the sudden proximity, which he immediately picked up on.
"What's wrong baby? A bit too close?~" Angel's words were genuine, though he spoke with a massively flirty tone which drew even more heat to your cheeks.
"N-not at all." Despite the fact you *tried* to match his demeanor, you stuttered over your words and just appeared a flustered mess. Angel chuckled and leant back slightly, allowing you space to breathe as he dug through his eyeshadows.
"I'd start by givin' ya some blush but I really don't think ya need it!" He teased before retrieving a small, silver palette.
"Wait, Ange, hold on, aren't you supposed to start with concealer?" You wondered aloud, mildly confused.
"I suppose ya could, but ya really don't need it, babe" he responded, frowning ever so slightly. "Perfect just the way ya are."
You smiled and thanked him for his sweet compliment, to which he leant down and pecked your nose. Still cupping your cheeks with one set of hands, he opened the palette with another, dusting the pigment onto a brush.
"Close ya eyes for me?" He requested, to which you obliged. The brush was soft against your skin, and Angel's strokes were gentle yet deliberate. You could feel his warm breath fan across your cheeks as he exhaled, deep in concentration. You smiled at the thought of his focused face, wishing that you could open your eyes and see him. It was at that moment that you realised you had no idea what you were going to look like. Of course you trusted Angel almost entirely, but even still you wouldn't put it past him to make you look ridiculous.
"What colour are you doing?" You asked to which he laughed mischievously.
"Wait and see." His response raised your suspicions even further, though you couldn't help but smile at Angel's antics. Your wait wasn't long, however, as a few moments later he leant back, making you immediately miss the contact and warmth brought by your proximity to the spider.
"Open!" Angel's excitement was barely concealed in his tone, and a mirror was thrust into your hand as soon as your eyes adjusted to the bright light of the room after being closed for so long. Your concerns were proven unnecessary by the clean and glittery pink and black eyeshadow adorning your eyelid, perfectly complimenting the colour of your iris.
"Okay, you were right, I do love it." You admitted defeat, wondering why you were skeptical.
"Ya seem surprised. Ain't got no faith in me?" Angel dramatically rested a hand on his chest in mock offence, to which you playfully rolled your eyes.
"No, never." You deadpanned. He scoffed before reaching for an eyeliner pencil.
"Look up." Angel advised, gently pressing down on your cheek to expose your waterline.
Unfortunately the pencil slipped.
"Ow!" You winced, jerking away and squinting your eye closed.
"Fuck, sorry." Angel grimaced as you rubbed it to relieve the stinging from being poked. "Would ya like ta do the other one yourself?" He offered, to which you nodded, trying to surpress a laugh. Balancing the mirror on your knee, you put on the eyeliner yourself, making a point of the lack of casualty.
"I said I'm sorry, what more do ya want from me?"
You shook your head and put down the eyeliner and Angel took his place back on top of you. You rested your hands on his hips for balance.
"So, what's next, love?" You asked, watching as he considered.
"False eyelashes or mascara?"
"Which is less likely to make me lose my eyes?" You teased, yet more reference to the fact he poked you. Angel scoffed and rolled his eyes, reaching for an eyelash curler.
"Uh, no, no, no. There is no way in hell I'm letting you near my eyes with that!"
"Fine, fine!!" He held up all four hands in surrender and dropping it on a cushion.
The next challenge presented itself in the form of Angel trying to put the mascara on you.
"Hold still!"
"No!"
"Toots I swear I won't poke ya in the eye again." He promised, and, though you had your doubts, you sat obediently, allowing him to coat your lashes.
"See! What'd I tell ya?!" He leant back again, proud smile on his lips as he admired his work.
"Ya look stunning, babe." He told you, closing the distance between the two of you. "Just one final touch and then we're done!"
Unscrewing the lid of a lip gloss tube, he made as though he were going to put it on you, before turning at the last second and putting it on himself, looking away. You raised an eyebrow and shook your head, smirk brightening your features.
"Oh ya wanted some?" Angel feigned innocence, dramatically looking into the plastic tube. "That's a shame, there's none left! Guess ya'd better come here then!"
You rolled your eyes and grabbed Angel's small lapels, pulling him into you and kissing him, feeling the product transfer.
"Gee, thanks babe!" You replied, continuing to act like there wasn't multiple full tubes on the bed surrounding you both.
"Ya look amazing, Y/N."
"Thanks Angie, you're so good at makeup. Well, apart from eyeliner." He rolled his eyes at you before leaning in again.
"I told ya! I'm sorry"
"I might have to ask Charlie to schedule a lesson on how not to betray someone's trust like that." You teased, dragging out the joke.
"Of course ya will." He rolled his eyes again.
"I do forgive you though. And thank you, for doing it for me" You wrapped your arms around him and drew him in for a tight hug.
"Any time."
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shelandsorcery · 3 months
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I'm going to start teaching my nephews some basic colour theory; they're 9 and 10 and really passionate artists, and I think a little knowledge now will help them push themselves a lot further.
I'm going to start with colour mixing. I really think that color mixing using paint is a valuable metaphor even if you are working digitally 99% of the time. who knows what my nephews will end up focusing on as they get older, but having the metaphor of mixing paint to achieve different colors and understand how colors relate to each other visually should be a really useful ground level structure in any ongoing learning they do with color theory.
so I've put together a watercolor palette using student grade non-toxic paints. we've got two reds, two yellows, two blues, and burnt sienna.
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I'm going to include white gouache as well, so we can talk about tinting colors, and how colors appear different when they are diluted versus tinted. also, honestly when I was their age I think watercolor was really punishing, and just bringing in some white gouache gives them a chance to rework areas if they want to. I'm hoping this makes stuff a little less frustrating and helps them feel more empowered to keep fixing and pushing their work instead of just giving up.
I don't currently have a plan to have black paint in there right now, because I want us to focus on color mixing, but I wouldn't on principal prevent them from having a pan of black paint in future for their own time with the paint. I just think it might be distracting or confusing when I'd rather we focus on mixing neutrals with these colorful pigments.
I've got five Windsor and Newton Cotman brand pans - phthalo blue, lemon yellow, cadmium yellow hue, cadmium red medium hue, and burnt sienna; and the other two pans i filled with van Gogh brand tube paint - ultramarine deep and madder lake deep.
This gets me a decent spread of secondaries without confusing anything by introducing the CMY approach.
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I think learning the CMY palette will be valuable too! but it made sense to me to start with palette that most resembled what they are likely to be learning in school in terms of subtractive color mixing. if they do learn about additive color mixing, they'll be working with the cmy palette with light, so I figure I'll let this be different at the moment.
I've included burnt sienna after weighing my options, because I think it's important for them to learn how to neutralize colors in a few different ways. burnt sienna and ultramarine blue are such a classic neutral formula, and such a great way to mix something that's nearly black, that it felt important to include. the fact that when you mix it with the phthalo blue you get a green instead of a neutral, I think that's a really great example of how color mixing can be surprising as well.
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I'm working on a couple little example paintings to help them see the range that is possible with this palette, so here's one with greens and purples; I'll do one in neutrals overall and another maybe in oranges and teals.
I think for exercises we might want to work up to the colour wheel - maybe starting first with the basics of mxing using different rations to get different colours, and go from there.
If anyone has any advice on teaching this to 9 and 10 year olds, I'd love to hear it! I think they'll be excited to try something new and open up more possibilities for themselves as artists right now; beyond that I won't be particularly intense about it.
Also, do you remember when you learned paint mixing and basic colour theory? What were some moments that stood out to you or stuck in your mind forever?
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saysike-skedoodles · 2 months
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RISK, RISK, RISK!
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MORE BEX ART BECAUSE WHY NOT??? This drawing was completely out of nowhere cuz I was meant to work on another drawing with Silly and Stacy. That was until Jhariah released their new album "TRUST CEREMONY" and. Holy void, it's BRILLIANT. EVERYTHING ABOUT IT. ABSOLUTELY BEAUTIFUL. AND JUST. BEST ALBUM OF 2024. GO LISTEN TO IT. I DON'T CARE IF YOU HAVE NEVER HEARD OF JHARIAH. LISTEN TO THE ALBUM- I'll shut up. ---
Soooooo, what does this all have to do with Bex? I basically associate Jhariah's music with her :] Especially the songs "FIRE4FUN" and the song that inspired this piece, "RISK, RISK, RISK!" Those are my top favourite songs at the moment and they're both such Bex vibes. I think it's the really chaotic and energetic vibes they have it's just Bex in music form almost. I'm REALLY really happy with this art, especially the posing! I also referenced the cover used for the single for the background. It got me using my least favourite colour to work with- yes- it's orange. I don't hate the colour itself (I have a good few OCs that have orange in their palette), I just find it to be a difficult colour to go with other colours in a nice way. OH YEAH- you may notice Bex's makeup was done a bit different, that's cuz I plan to make that a sort of "alternative look" for her! She would also be wearing sunglasses alongside it too! So get used to seeing this look, cuz I'm not joking, I have ANOTHER TMM trio drawing in mind that does featured Bex with this look :]
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Deviantart
Tumblr
Art Tumblr
Youtube
TMM Official Tumblr
Newgrounds
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[all content I post is automatically 13+ if not stated in the title or the content itself]
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quinnkdev · 10 months
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Favorite Palettes for pixel art? Or just what kind of colors do you prefer picking?
Oooh! Long answer incoming.
So, a thing about me is that I tend to use very desaturated colors. Colors with full #FF-values tend to give me a headache. Additionally, I never use "pure red", "pure green", or "pure blue"; something about them doesn't fit what I'm trying to go for with my art, so I tend to mix just a little bit of another colour into those.
I don't have any favourite palettes, because I create new ones for every single thing I make! Different stories require different colour choices, I feel. For An Outcry, I liked this blue-tinted implied "nighttime" palette that nonetheless showed the environments clearly; for There Swings A Skull, I picked a palette that looked slightly sepia, like a sun-bleached advertising.
Generally-speaking, I tend to do best with picking a palette as I'm working.
I try to work a lot with contrasting colours, too, especially when adding shade to a more frequently used colour.
Lastly, I have to express this: I... don't actually know much about colour theory? All of my palettes are "felt out", in a way. I tend to show my choices to other artist friends, and sometimes, there'll be moments where I'll have to change something after the fact. It happens! Gotta be collaborative and listen to feedback.
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kyunisixx · 3 years
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chiaroscuro
artist!Robert Plant AU one shot.
a/n: this really started out as a song I wanted to write. But I knew I had to turn it into a longer writing!!
themes: fluff, mild implications of nsfw and tw: childhood trauma.
summary: in which Y/N becomes a muse for Robert, a landscape artist in more ways than one. (Man, that summary is so shit but let's roll with it)
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pairing: artist!Robert Plant x fem!reader
chi·a·ro·scu·ro
the treatment of light and shade in drawing and painting.
an effect of contrasted light and shadow created by light falling unevenly or from a particular direction on something.
"Lean back for me a bit more, darling. That's right, relax."
As she moves, the old sofa creaks beneath her. Chilled air gusts through a partially opened window, making her shiver and sending miniscule bumps all over her bare skin. Her eyes drift over the fixtures inside the cozy cabin, illuminated by an outmoded oil lamp situated on the man's table. Several tiny moths were floating around it as the flame wavered ever so slightly from the breeze.
Scattered were all paintbrushes and smudges of paint were messily smeared all over the table. A round board was placed so close at the edge (one she heard him call before —a palette). In the middle is a rustic cup with half-empty, now cold tea. But a paint-smudged hand grasped on its handle and swiftly brought it over to a mouth. 
Then her eyes met his.
His frizzled, curly blond locks are pulled into a disheveled bun. One he pinned up so carelessly with a thin, unused paintbrush as to prevent it from obstructing his view but a few ringlets managed to escape and are now framing his face.
Ivory-colored shirt, a few buttons undone to reveal smooth skin of his collarbones which were also marked with a few shades of paint. Some scattered across his jawline to his cheek. 
Lips are pursed and eyes are pulled into deep concentration, they are set into a particular part of her. As if to capture the exact curvature of the crease on her waist.
Salient was the cleft on his chin and the sharp edge of his cheekbones by the incandescent light lent by the lamp, making him look like a contrast between sinister and elegance.
He dipped a brush and carefully made short strokes on the canvas, pausing every now and then to look at her.
The sun was setting and the sky was shaded a dull gray, providing so little of brightness which seemed to have darkened even more being situated in a lush forest.
Many months ago at this time of the day, she would have just been getting up from her sleep. Wake up and get ready for a long shift. It was a routine she had gotten so used to every day.
Take a bath. Eat. Pick out an outfit. Put on makeup. Be into the persona.
She would become a completely different person as soon as she stepped into the establishment she knew for as long as she moved into the town a few months ago.
From having to move into different cities and using different names to hide her identity. All of it to escape the filthy and haunted ghost of her past. 
Screaming. Glass breaking. Bruises. Slamming doors.  All of the things a child shouldn't have to go through. She took a risk and ran away from it.
And here is where she ended up thirteen years later.
Lacklustre eyes unmoving as they steadily stared back at her in a blurry mirror inside the changing room. All the girls' chattering seemed to have been muted and faded in the background as she gazed at her reflection. She picked up the small item in her hand, before taking the cap off and swiped the crimson lipstick across her chapped lips, creating a thick shade.
"Y/N, you ready to go?"
She turned her head back to Don, the club manager. She smiled and moved her head in a single nod.
“Sure, Don. Just give me a short moment”. She adjusted the strap of her black velvet dress and walked on the familiar, dimly lit hallway. Her stilettos clapped quietly on the floor as she padded and stopped in front of a red curtain covering the doorway from the side to the stage. 
"How's it going, folks? Alright, alright. I'd get right into it. This is the moment you've all been waiting for. The crowd favourite, slithers like a python, mistress of the night; Marilyn"
Then, she waited as the main lights switched off and took her cue to enter as smoke filled the platform. Coloured lights gleamed right through. She situated herself right in the middle then circled her hand on the pole as the first note of the song started to hum quietly. Like a distant patter of rain—calm before the storm. Her hips moved into the rhythm and fluidly sneaked around the pole as the cloud of smoke started to clear out. Gazing into the crowd of men, her blood-red lips quirk into a smirk.
It was the only time she knew she had complete power and control. And she relished it, savoring the potency. 
Her hands smoothed all over her now slightly perspired skin as men clamored and hooted for her. Bills were haphazardly thrown into the dancefloor. Something that she wasn't used to when she first started, it made her feel cheap. Dirty. But her routine carried on almost every night, she eventually got used to it and had even grown to like it.
Then she spotted him. 
Big ball of golden hair illuminated by stage lights. He was situated amongst the sea of predators, his eyes followed the fluidity of her movements. But what struck her the most was the way he was watching her. It wasn't shadowed by lust, but more of an intense wonder and curiosity. It was as if he was memorizing each part of her curves, but for another purpose.
Her gaze somewhat mirrored his. He definitely wasn't strange-looking. Hell, he might have been the most beautiful man she has ever seen. He didn't belong to a place where no good men wander around. Both his beguiling beauty and aura was completely out of place for such a place like this.
The song then came to a stop. Her number was over but her eyes remained locked with his. It was only then she came back to consciousness as Don's voice boomed into the large speakers, signalling the end of her performance. She collected the bills scattered on the floor and walked off the stage, throwing a last glance into the crowd as she took her exit.
He was gone.
He wouldn't show up for a couple of days. She was sure, of course. The moment she steps out, her eyes would already be skimming through the lounge, and would sigh in disappointment if she didn't spot any sign of him.
"Have you seen your mysterious man yet?"
One of the girls she was closest to, Hershey, asked as she counted the thick block of bills on her hand.
"He wasn't out there tonight"
"You could have been hallucinating. Anyway, you told me he was 'like an angel'"
Hershey laughed, mimicking the way she had said the last part with a breathy tone and added, "Or could have been disappointed in your dance number, ran away and swore to not step a foot into this place again"
She stopped momentarily, chuckled lightly and sighed, "You may not be far from the truth but we'll see."
Then he would be there the next night, positioned right at a table at the back. His curly locks gave his identity right away, with his elbows propped up and fingers poised against his chin, bearing the same gaze. 
Later that night, he'd be waiting right outside of the club.
"The show was spectacular."
She tilted her head to him, nodded and smiled.
"Thank you."
She wasn't sure how it ended up with her sitting on a stool inside a cozy 24-hour operating diner so late at night, chatting with her "mysterious man" late at night, who introduced himself as Robert. He was apparently a landscape artist and has traveled the world where he finds inspirations for his works.
"The best place I have ever been to? Hm. I'd say Machu Picchu, set in the high mountains of Andes in Peru, above a river called Urubamba. I had to hike all the way up, and you could see the breathtaking view when you reach the top."
"That does sound very lovely." She sighed wistfully.
"Have you ever traveled anywhere outside the country?"
"Oh no, I have not. I move to different places a lot but I've never gone out, never had the chance to."
"Ah, you should! It's wonderful."
She nodded, "Do you only do landscaping?"
"Well, no. I do a little bit of abstract art but I focus mainly on landscaping. I was thinking of expanding more, though. Maybe portrait, or nude art."
"That's a good idea. An artist has to come out of his comfort zone and be able to become great."
"Yeah…", he trailed off, as if lost in thought. "I hope this doesn't come off as strange or I as a creep. But may I ask you to be my muse? Don't worry! We'll only do portrait." He added the last sentence quickly.
She tilted her head to the side and looked at him, her brows furrowed deep in thought.
"You don't have to s—"
"I'll do it."
A few days later, she was again popped up on a stool inside his flat just a few blocks away from the club. His place was spacious, but had a very rustic feel to the interior design. A few souvenirs from different countries were neatly placed on a shelf and most of his paintings were hung stylistically on the walls (in which she stared at in complete awe for what she could tell an hour each painting until he had to drag her away to his studio)
Her fingers fiddled as she tried to stay still under his calculating gaze. She never had much problem with how she looked and never had insecurities. Perhaps she just didn't care enough to be insecure. But at that moment, she thought of how she must've appeared to him and if she was good-looking enough to be an inspiration for his art.
"Are you alright there?"
"Yes! Yes, I… Yeah I'm alright."
His hand stopped and placed the paintbrush on the table. "Are you sure? If you're not comfortable or if you need a break, we could stop for a bit."
She shook her head vigorously, "No, it's okay. Don't worry."
"If you say so."
She let her eyes travel from his bare foot, to his khaki trousers, to his satin shirt with top three buttons undone, to his face. Oh, his gorgeous face. It was pulled into a deep concentration as he stared at his work, giving her some time to study his majestic features.
His eyes flickered to hers as if sensing her stare and playfully frowned, a small smile curled on the side of his lips.
"What?"
"What?"
He laughed, "You were staring."
"I was. Is it a crime?"
"No, I wouldn't say it is." He said with a teasing edge to his voice. 
It was their arrangement which they stick to a few times a week. On her day off, after work if she wasn't feeling too exhausted. There was an obvious attraction lingering inside the room of his small studio but none of them acted upon it other than just casual flirtations thrown around. He was a perfect gentleman and had always been accommodating. A couple of times he would insist on paying her in which she would always refuse to accept. 
"The tea you make for me is enough for a payment." She had jokingly said. "Do not worry about it, Robert. Really, it's okay. I'm making enough from my job."
One night, after their sessions, they had too many drinks and bottles were littered over the table along with his paint brushes which had long dried of paint. 
"Tell me about you, Marilyn. Mistress of the night, who apparently, slithers like a python." He mused, mentioning her alias. His glossy eyes filled with mirth.
She snorted, took a long swig of beer and swiped the back of her hand across her mouth. 
"Marilyn is… Nobody. I'm nobody. I came from somewhere that in my mind, ceased to exist." She stared ahead. "I ran away from home. Who calls it a home anyway?" She laughed humorlessly.
"My parents fought a lot. They spent so much time fighting, they didn't even have time for me. Looking back at it now, I could have just preferred that. But then, they turned their anger towards me." She sniffed and quickly wiped the salty tears before they even slid down to her flushed cheeks.
"I went to my grandparents. They loved me so much and I loved them so dearly. But they were not my parents. Eventually, both of them passed away and I was left on my own. But I was eighteen. I didn't have to go back to my parents. So I went to different cities, finding places where I could feel like I could fit in. Looked for jobs, and then I ended up here. I made friends and I have my own place, but it still never felt like home."
He was quietly staring at her, and the silence was deafening. Then he lifted his free hand to her face and ran the back of his index finger to dry her cheeks. Her hand caught his and brought it to her lips and placed a soft kiss. 
"But with you, it feels… different. I like hanging out with you. I like being with you. You feel like home to me, Robert."
Her voice echoed softly as he took his time to reply. But he didn't, instead, he leaned down and sealed his lips against hers. 
He layed limply on top of her body as he shuddered from his release. Both tried to desperately catch for their breath as her hand smoothed down his back and the other combed through his damp locks. He slid out of her and dropped beside her, not too long before he enclosed his arms over her and pulled closer. He catches her lips on his in a lazy kiss and smiled.
"You feel like home to me too, Y/N."
Her heart soared and nuzzled her nose against his.
"I want to paint you like this. May I? You are so beautiful. In light and in shadow."
She blushed, "Yes, but right now? I'm tired."
"No, no. We'll do it tomorrow. I'll take you somewhere." His warm breath hit her skin as he whispered.
"Where?" She whispered back.
"Well, I'm not telling you that. But it was what I helped my Father build when I was younger. It's somewhat like a special place for me, and I want you to see it."
He gazed at her as he waited for her to respond.
"Okay."
Under the light of the lamp, she peers at him under her lashes.
"Don't look at me like that."
"Mm? I have no idea what you are talking about."
"You know what it is. Cut it out or I'll never get to finish this."
She huffs. "You're no fun"
"I can prove you otherwise in a few minutes."
He continued to do his finishing touches and leaned back to admire his work.
"That isn't too bad. But nothing compares to the real art."
"And what might that be?"
"You, my love." He stood up, walked over to where she was, placed his hand at the back of her neck and pulled her to him.
"I've been waiting for this for hours."
"I've been giving you hints and you insist on finishing your art."
He chuckled. "Of course I had to."
His fingers danced their way from her sides to her hips, rubbing along the marks littered across her skin.
"Are you ready to see it?" He murmured against her neck. She shudders as she nodded, giving their playful banter a break. 
He bit her earlobe softly, "Okay."
He walked over to his canvas and carefully turned it around to face her.
She gasps.
.
⭐ writings list ⭐
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taglist: @jonesyjonesyjonesy , @princesspagey , @ritacaroline , @jimmys-zeppelin , @rebel-without-a-zeppelin , @reincarnated70sbaby (if you wanted to be added in, let me know 🤘🏻🤗)
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raviliuz · 3 years
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"Here comes the sun" Blaise Zabini x Theodore Nott
Muggle, retro au
@lifesucksandiwanttobeamarauder I finally translate that fanfiction, I hope you like it 🥺
The dark-skinned boy has tried to sit still from three hours already. It is incredibly hard for him, because of his amazing hyperactivity. In all honesty, sitting here as a model doesn't count to his dreams or favourites activities but he couldn't deny to Theodore's asks.
Just because of that — his bloody weakness for the older boy — he must stick up there and pose to Theodore's new painting. Blaise perfectly knows that person on that work of art won't be even similar to him. But it will be beautiful, perfect as everything that has been made by gifted hands of Theodore Nott.
There's music, playing quietly at the background, played on a gramophone, restored by Blaise himself. He gifted it to his friend as a birthday present two years ago on an incredibly warm and short night, 22th of June.
He has so many memories with that slight, passionate boy.
"Theo," he says suddenly, breaking the silence. He sounds like a dissatisfied kitten and when he doesn't notice any reaction, he repeats meowing "Theo, I'm bored."
The other boy finally pays his attention to Blaise, not his reflection on painting, which is created on a canvas (too small in Theo's opinion).
"Blaise, you really can't stand it for a while more?" Theodore asks and there is a nuance of desperation and melancholy in his voice, "I want to end it."
And Blaise has already known, he loses again. He won't be able to deny his friend the pleasure that results from looking at the painting — finished, after hours of working.
"I'll stand it, Theo" he sighs and in his mind adds 'always for you'. At this moment all he can do is begging and praying that Theodore is not able to read minds, just like some characters in their favourites comics.
"Nah, Blaise" slight boy says suddenly and leaves his paint palette and set of brushes on the cupboard, promising himself that he will wash it carefully within a few minutes when paints won't be already dry "I know you don't want to."
"It's not like that" Zabini starts to explaining himself chaotically because he doesn't want hurt Theodore's feelings, "I love watching your painting and you while you're painting. And I love that you have a passion and you're so talented. I just... It's May Day and we are sitting in your room..."
"It's alright, Blaise" Theodore interrupts his with the most beautiful, in Zabini's opinion, smile — that carefree, happy and only a little faraway one.
"We should do something and bring Hope with us to take many photos and place them in our albums with dumb yet cute captions" Theo proposes with a light laugh.
The younger, but taller, better built and more mature, of boys, stands up and brushes off invisible pollen from clothes. He reaches his hand to Theodore to help him stand up.
"Wanna go?" he proposes and even if Theo doesn't know where he agrees without a single question.
It doesn't matter where they go, it will be awesome as always if Blaise is with him.
He catches Hope and puts it on his neck. Theo loves his polaroid camera with whole his heart, even if it isn't the newest and all the better photos were made by Blaise.
Blaise is still holding Theodore's hand in his (definitely larger and rougher), like he doesn't care about rubs of paints in many different colours on Theo's hand and now, also on Blaise's one.
He pulls his friends outside and enters the garage like he is in his own house. Theodore knows what he means without words and grabs his bicycle with a big smile on his slim face.
Meanwhile, Blaise grabs his skateboard, which, only in the form of rebellion against sentiment, he did not give a name. But he perfectly knows that by his skateboard, people could see a different side of his personality, which he doesn't show often — bloody sentimentalist who loves very clichéd books or movies and constantly remembering beautiful moments, and it doesn't matter if that happens a year ago or two hours ago.
The skateboard has its best years far behind its. The picture which was printed on the underside of 'his love' (although, of course, incomparable to that of the boy just standing next to him) has almost completely faded and crumbled, peeling paint seems not so good, to put it mildly, but in Blaise's opinion, it adds the special character and charm to his skateboard. Every scratch and every cooked screw tell a story and Blaise thinks it definitely better than new skateboard — probably glamorous but without its own character.
Blaise isn't similar to Theo, not it that topic. He has never had boxes filled with various craps, which refer to many different events and happenings. He doesn't have special notebooks with tickets, a diary or millions of notes with quick sketches, created under the influence of a sudden flow of wen. He doesn't keep every notes and message on scraps of papers, which have been hand down on lessons, in hope that the teacher wouldn't see that. In first, even having a photo album was strange for Blaise. It shows, that he likes looking back at past and that feeling, which sometimes accompanies you right before falling asleep, when you remind yourself one of those pleasant situations from childhood, isn't foreign for him. It was all he was trying to defend himself against, but only for a time.
For a time when on his way stood that quite frail and nerdy boy. Theodore showed him being sentiment isn't something bad just as singing songs out loud in public places. As compensation, Blaise showed him the magic of comics and all these beautiful, charming in their area, which he discovered while taking a walk daily. Blaise pulled Theodore out of his room and dragged him away from the easel to lead him everywhere he can.
"To our place?" Theodore asks and gets on his a little too small, colourful bike. The seat creaks quietly under his mass but none of the boys pays any attention to this.
"Exactly, now ride, my carriage" Blaise screams and catches up on Theo's seat so the movement of the bicycle can drag him.
"Pff, flax" Nott giggles and Blaise find it as the most sonorous, melodic sound in the whole world.
They ride slowly through all that musty hole, also known as Torquay, or — their home. The road even if it's really old and it remembers when they as children drew chalk on a street, is not in a bad condition. A worse fate befell the road signs — some of them are smeared with sprays, and some are knocked off the ground, due to a car accident or a group of probably drunk but still strong young people.
There are many houses near the road. They are quite poor and definitely not as modern as houses in the capital. At some time, before he started taking daily walks, Blaise dreamed about living in London. Or rather, to be able to tell others that he lives in London. It's another thing which distinguishes him from Theodore — the older boy sees beauty everywhere, in everything and in everybody. Blaise envied him with this skill, for him the world has been boring or just ugly and people have been cruel sometimes.
The sun is warming their backs when they slowly ride on a well-known path. They pass Mrs Shermik, so out of courtesy from four meters away from her, they shout to the old woman joyful 'Good morning'. As they turn into a lane, which is fortunately dry as it hasn't rained much lately, Theo starts humming under his breath.
"Hey Jude, don't make it bad" he looks at his friend (nearly losing control of his bike) and Blaise quickly understands what he means.
Blaise joins to his singing and adds next line:
"Take a sad song and make it better".
Someday Blaise would have worried. He was worried about what people would think, he was afraid someone would hear them. But not now. Now he doesn't care when the words flowing from the depths of memory, and when the song ends, he starts another, definitely his favourite — "Blackbird". Neither of the boys has a perfect voice, singing is definitely not their hidden talent, but that doesn't matter. And that is wonderful, isn't it?
Here Blaise can no longer skate further — the ground is too uneven, even ploughed by the tires of wheelbarrows and carts of people from the neighbouring village. The dark-skinned man rejects Theo's offer to simply get his bike's rack and chooses to run next to the boy. The basketball team and two trainings a week are finally coming in handy — thanks to this, his condition is really good and he doesn't gasp like an old man with asthma after twenty meters run. Theodore, noticing how well his best friend is doing, accelerates, forcing Zabini to run, which he accepts with a groan. Nevertheless, he catches up with the older boy and promises himself that as soon as they get there, he will get his revenge.
After five more minutes, they are a destination of their travel. The place they describe as "their", although they are well aware that they are not the only people who come here, is exactly as they remember it — beautiful.
It was Blaise who discovered them during one of his walks over three years ago. He perfectly remembered how it happened.
That day he was trying to find a rather fast but shallow brook, which he remembered from his childhood. Before Draco's move to London, they told Draco's parents that they were going to the field, but in fact, they went to the brook and walked back and forth on a tree that had fallen over the river. He remembered just as well how Draco's mother, on her way to the store, noticed they were not on the field, prompting a search. When their parents found them by the brook — wet but in unusually good moods, they were already too worried to be upset with them.
After searching for more than an hour (during which he definitely fulfilled the daily, maybe even a week, step norm, but he didn't care) he found a place from his memories, although it was difficult to recognize its. The brook had dried up completely, leaving only a faint riverbed and tree roots washed out of the ground, but the place has definitely retained its charm.
Theo drops the bicycle, leaning it hurriedly against one of the roots, and lays down on the grass, staring at the almost cloudless sky, hidden only by tree branches. Blaise, slightly out of breath, rests his hands on his knees and stays like this for a moment. When his breath normalized he comes closer to Theodore. There is a snap and a Polaroid camera gracefully named Hope spits out a photo in which the image hasn't shown up yet. Theo enthusiastically grabs a small piece of paper and starts waving it so fast that it is about to reach orbital velocity. After a while, the picture clears up the silhouette of a younger boy, who was about to lie down next to his friend. Blaise looks at the photo and asks smiling, even though he already knows the answer:
"For your or my album?"
"Of course mine," Theodore replies quickly, grinning happily, "Why do you need your own photos? They will be much more useful to me."
The dark-skinned boy can't help but messes Theodore's hair in one move of his hand. However, Theo is not annoyed by that, he reacts to it like a cat, moving closer and silently demanding further caresses, which the younger one does willingly.
They are sitting like that (or rather, Blaise is sitting and Theo's half lying on him) till the sunset. There is a flower crown on Blaise's head, made by Theo with field flowers collected by him. And of course, Theodore took a photo of Blaise in his work of art.
It's getting dark. Butterflies, which were flying around them flew away and gave way for beautiful moths and fireflies. Theodore stands up energetically and starts jumping on protruding trees' roots, chasing insects to take a photo of them.
"Theo, please be careful," Blaise says attentively but the only response is 'don't worry' screamed by Nott.
Blaise unwillingly starts remembering his childhood. Times, when he wasn't Theodore's friend and all that connected them, was the same neighbourhood, chalk and short-term relationship of their parents. Then they found that as a stupid and loathsome. Nowadays, at their seventeen's, just as weird. But they weren't friends. After all, Blaise was friends with Draco and the teacher in primary had repeated that it's better to have fewer friends but true friends. So Blaise fraternizes with Malfoy till he moved to London.
It's not that now Blaise finds it as a mistake or holds any grudge with Draco. But nowadays he thinks that it is not good to withdraw from others.
When Draco had left and moved to London, Blaise had thought they now he stayed alone but on that moment, Theodore slowly crept into his life. Nott sat next to Blaise on school basketball pitch and started reminding happy moments from times when Draco lived in Torquey.
And later he showed his painting to Blaise and dark-skinned boy couldn't believe someone his age could do something that beautiful. A week later Blaise sat down with him in the canteen and sometime later also on most of the lessons so he could distract him from learning to read their favourites comics.
Now, Blaise would imagine his life without his always laughing and only sometimes a little faraway friend.
His thoughts are interrupted by a quiet scream.
"Ouch!"
Blaise, worried, stands up imminently and run through Theo. He is curled up in a fetal position between roods of the biggest tree. Zabini hugs him tightly and Theodore accepts that willing, cuddling to his chest while holds back tears.
"Ah, Theo" Blaise whispers, still cuddling the boy in his arms, "I asked you to be careful."
"I'm sorry, Blaise" he answers, sniffing.
"Don't apologize to me, silly" Blaise couldn't stop himself from nuzzling his friend's cheek.
"But you are worrying now and you warned me that I might get hurt..."
"Shhhh" Zabini interrupts him and places his fingers on Theo's mouth to shushes him "I always worrying about you, no matter if you get hurt or not" he admits truthfully and after a few seconds of silence adds "Please, stop crying.
He stops hugging Theodore, although he wants to do it forever. Blaise squats in from of him and gently grabs his friend's head. He wipes away tears, flowing slowly on fairy (although all that time, spends under the sunlight) skin.
He wants to not cry because of sadness or pain, wants him not to have reasons for a cry.
He wants him to be always happy, even if that meant that Blaise wouldn't be on his side.
Wants, wants, wants.
But the world isn't always beautiful, even if Theodore thinks so. Sometimes the world is cruel, ugly or just totally boring. The same about people who live in it.
Do it's really important to find your refuge. A place, a person or a hobby, which will be like an escape from all evils in that world.
Blaise thought that his escape is comics. Reading them has dragged him into the world of superheroes where he could use his imagination and think about meaningless things for hours such as what superpower would he choose (flying, of course). Besides that, the world in comics is just easier. It isn't hard to differentiate who is good and who's bad. Good people fight with bad people, that's all. The Justice League cares about Gotham and saves innocent people from Joker, Deadshot or Darkseid. In the real world, it would be an unsolvable matter with billions different threads and complications so even the best detectives wouldn't be able to decide who is guilty.
Comics world is just easier.
Lately, Blaise has got to understand that the whole beauty in that world is locked in its confusions, problems and ambiguities. Because the world is beautiful, even if sometimes it's cruel or ugly.
And the one who made him understand that is his only real refuge — Theodore Nott.
He is the one who makes reading comics even better.
He is the one with who Blaise could do anything and it would be incredibly good.
He is the one with who Blaise wants to talk about 'good old times' and makes new memories to remember.
He is the one with who Blaise wants to stay forever.
Theodore Nott is the one who Blaise bestow that hot and unique feeling which, no matter what since says, comes from the heart.
And that feeling, now makes him do something, he has been dreaming about for that long. Blaise gently and unsurely grabs the head of the person, who since a year isn't only a friend for him. He delicately raises Theo's head a bit upper to look him straight into his eyes. Their lips touch slowly and gently. Both of them don't feel so confident with what's going on but they will worry about that later. Now, Blaise doesn't have the time and desire to thinks about the consequences. Not now, when he feels the structure of soft lips of his love.
When the dark-skinned boy doesn't notice any objections from the older boy, he let himself do a light, carefully move with his lips. He doesn't want to scared Theodore, knowing how delicate and artsy person he is. He would ever forgive himself hurting Theo.
If he only knew how long Theodore was waiting for it and how much he enjoys that kiss, even if Blaise's lips are rough and chapped.
Blaise gently moves away and hangs his head down, looking at too long grass. He's afraid of seeing Theodore's reaction for what he has done because he's afraid of rejection and ending that important relationship.
However, Theo, likes he doesn't see his friend insecure, giggles lightly and grabs the younger boy cheeks, turning his face to him.
"Oh, finally. How long might I wait?" Theo says with a delightful smile.
"Really. You... Me..." Blaise mutters like he doesn't know what he wants to say.
"Yeah, silly" Theo chucked and hits an end of Blaise's nose with his "You're definitely my favourite person in that universe. And every other, alternative universe too."
Blaise, still can't believe what's happening, hugs his boy and kisses him quickly. The kiss is one hundred per cent cute and totally not sultry. Because feelings as sultry and desire don't fit Theodore, even in an alternative universe where Bruce Wayne become the Devastator instead of Batman. It just does not fit.
"Yeah, and you're my fav person."
They sit in silence for a while, but it's nothing wrong. The silent can be calming and comfortable, it can say more than every word in the world.
The air is getting cooler and owls' chirps become more ominous, so finally, Blaise breaks the silence and says:
"Theo" mentioned boy turns to him and glance at Zabini, "Is your knee still hurting?"
"It's not that bad" Theo shrugs but Blaise quickly understands that it's not good either, "But can you ride the bicycle? I'll drive on its carrier."
"But what with my skateboard?" Blaise asks inconvenience.
"I'll carry it, please" Zabini's only answer is a sigh but not the irritated one. He doesn't know what would Theo had to do to irritate him.
"Alright, but please, be careful."
Blaise raises Theo's bicycle from the ground and helps the boy to climb up to the luggage carrier and then he carefully sits on its seat. Theodore holds Blaise's skateboard (which he has named against his will — Faith) with one hand and the other one is embraced around Blaise's stomach so Theo can stably stay on the carrier. Well, maybe not only because of that.
"To me?" Blaise proposes and slowly leaves their place.
Theodore automatically nods but then he understands that Blaise can't see him so he quickly says 'yes' some times.
Boys are leaving, slowly and without unnecessary haste, but that moment is different than every previous one, they have spent here. Now, they're leaving their place not as just friends.
From Theodore Nott's album:
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"4th of May, 1984 —
My favourite day to remember"
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maraudererasmut · 4 years
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Black and White (Part XIX)
Part I | Part II | Part III | Part IV | Part V | Part VI | Part VII | Part VIII | Part IX | Part X | Part XI | Part XII | Part XIII | Part XIV | Part XV | Part XVI | Part XVII | Part XVIII | Part XIX | Part XX | Part XXI
((Author’s Note: I AM SO SORRY THAT THIS TOOK SO LONG!! I hope the chapter makes up for the fact that it took such a long time to write/post it! I hope you guys like it!!))
Remus walked into Black and White carrying two coffee cups from work, his knuckles turning white from the tightness of his grip. He was terrified, to say the least. This would be his first time seeing Sirius since their evening at the cafe, and Remus wasn't entirely sure if his presence was desired.
"Uh… Sirius? M— Mr. Black? Are… are you here?"
Of course he was there. Sirius ran the gallery himself. If he wasn't there, the door wouldn't be unlocked. Remus felt stupid asking his question aloud, but the response he got put him at ease.
"Yeah, I'm here, Remus. I'll be right out."
Remus.
So they were still on a first name basis. That was a good sign. 
It took a moment, but Sirius eventually emerged from his back office, looking rather worse for wear. His hair was left loose around his shoulders, dark inky tresses spilling over his unbuttoned collar. He looked tired; more tired than Remus felt. More tired than he had ever looked before.
"I… uh… I brought coffee…"
"What are you doing here, Remus?"
The tone of Sirius' voice didn't sound harsh or accusatory; it was filled with exhaustion and melancholy, but it wasn't rude, which was a surprise.
"Oh…" Remus glanced down at the paper cups in his hands, as if his reason for being at the gallery was obvious. "I… brought coffee," he repeated. "Cappuccino, skim milk, sprinkle of cinnamon?"
Remus watched as a slow smile bloomed across Sirius' face, lighting him up, finally revealing a hint of the gallery owner that Remus had come to know the past few weeks. Sirius walked towards Remus, straightening his posture and brushing hair out of his eyes.
"How'd you know?"
Remus shrugged, offering Sirius a friendly grin.
"A little birdy told me."
Sirius rolled his eyes and graciously accepted Remus' peace offering. The artist watched as Sirius' shoulders visibly relaxed with the first sip of coffee, a hint of colour returning to his sallow cheeks. Sirius turned his gaze towards a painting on the wall, both hands grasping the cup, as if to absorb its warmth and energy. 
"Well… remind me to thank her later."
"I'm fairly certain I brought the coffee here," Remus said, mostly joking. He took a sip from his own cup of tea, letting the spicy warmth from the chai trickle down and heat him up from the inside.
Sirius remained focused on the painting before him.
"Thank you, Remus. Not… not just for the coffee… but for coming. Here. I… appreciate it."
"Okay, who are you and what have you done with Sirius Black?" Remus teased, attempting to lighten the sudden weight of the situation, trying to deter the looming darkness that threatened its way into their thoughts. 
Sirius didn't answer for a moment. He stood and stared at the painting, one of Lily's pieces by the looks of it, before finally giving Remus a response.
"This… this is the real Sirius Black."
Remus tore his eyes away from mercurial pools of despair, so deep and turbulent, the artist could drown in them if he wasn't careful. He directed his attention to the same painting, the same blues and greys of Sirius' eyes popping out from the canvas. 
"Well…" Remus muttered to the painting, twisting his cup around between his fingers. "Hello Sirius Black. I'm— I'm Remus Lupin."
Remus heard a sharp exhale of breath beside him— almost a laugh, but not quite. At least he could help bring some levity into their conversation.
"So…" Sirius began, before taking another sip of coffee. "How much did she tell you?"
Remus pondered the question, trying to find an appropriate way of answering it.
"She… uh… mentioned your brother. And… and you and James. She explained why you left the cafe the other day, why you seemed so upset…"
Sirius closed his eyes and furrowed his brow. When he opened them, there was a hint of pain still etched into his features. 
"And where does that leave us?"
Remus turned to look at Sirius, unsure what exactly the man was asking him.
"Wh— what do you mean?"
"Are you… still interested in showing here? Did you still want to… to work with me?"
"Of course." Remus' response was immediate. There was no question in his mind: Black and White was the gallery that Remus wanted his first show to be in. He wanted Sirius to run it, curate it, put the event together. He wanted Lily and James to be there. This was the gallery for him. "Why wouldn't I?"
Sirius' eyes drifted down to his coffee cup, his shoulders folding in on themselves ever so slightly. 
"You're not worried that the erratic drunk is going to ruin things for you? Cause you too much trouble?"
"I— what?" Remus took a step towards Sirius; he considered reaching out, taking hold of the man, showing a sign of affection, but he thought better of it. Instead, he simply looked at Sirius, his voice measured, his posture firm. "None of those thoughts ever crossed my mind. I— I want to show here because you're passionate. You have drive. You're confident… you're— you're a good gallerist."
You're annoying as all hell, but you know what you want from life and you aren't afraid to go for it. Someone like me could learn a lot from someone like you. You're fascinating. An enigma. And I need to figure you out…
"And you push me to do better. I'm producing better art now than I ever have before. You have a keen eye and you give good direction."
Remus waited for Sirius to respond, but the man simply stared ahead at the painting before him. The silence loomed over them as Remus watched the ghost of the man he thought he knew slowly fading into nothingness. 
It was a few minutes before Sirius eventually spoke, his voice echoing eerily across the empty gallery.
"You don't have to lie to me to make me feel better."
His words were soaked in bitterness, his expression crestfallen. He never once tore his gaze away from the painting.
Remus took a gulp of tea, weighing his next words very carefully.
"I don't lie." He closed his eyes and took a deep breath before continuing. "You don't know me very well yet, but that's something you should remember for the future. I don't lie." Another pause, another sip of tea. "I had enough of that growing up, I don't need it in my life."
The slightest hint of a smile passed over Sirius' face.
"You also had a shitty family?
"I'm an artist," Remus mused with a dark chuckle, "Do you know any that don't?"
Sirius' smile grew as he rolled his eyes.
"Yeah, one or two. But you make a valid point."
Remus brought his cup to his lips and tilted it back, draining the remaining contents and deliberating his words. 
"So…" he began after a moment. "Where do we go from here?"
For the first time since the conversation started, Sirius shifted his focus, his eyes settling on Remus' frame silhouetted in the fading evening light. 
"Where do you want it to go?"
Remus closed his eyes and pretended to take a sip from his drink, despite the fact that it was now empty. He needed time to think. Was Sirius talking about the gallery? Was Sirius asking about Remus' desire to show his art and work together in a professional setting? Or did the question go deeper than that?
Where did Remus want things to go?
"I…" Remus opened his eyes. He stared at Lily's painting, pretending not to see the way Sirius' gaze bore into him, pretending not to think about the swirling blues and greys, the perfection of colour, they way they shifted with each emotion. "I want to make sure that our show next month is your best one yet."
"Well then…" Sirius said softly, his voice relaxing, his tone sounding more and more familiar to Remus. "We'd better get to work. There's only a few weeks left…"
Remus turned to look at Sirius and felt his cheeks flush at the smile playing on the gallery owner's lips. The artist quickly looked down at the paper cup twisting between his fingers, trying not to read into the situation any more than necessary. 
"I'd better get home then…" Remus told his cup, trying to keep his voice steady and desperately willing his cheeks to stop feeling so warm. "I still have two more pieces to paint…"
"Yes, well…" Sirius muttered. From the corner of his eye, Remus could see the gallery owner shifting his weight from foot to foot. "I'll be in touch. I'd love to see your progress if— if that's okay…?"
Since when did Sirius ask for things instead of demanding them?
"Sure, yeah… that sounds… good. I'll… see you around, Sirius."
Remus glanced up and smiled, immediately regretting his decision. The look on Sirius' face was tender, affectionate. Somehow, he looked even more handsome like this. Remus hated it. 
The artist shoved his hand forward, offering it for a shake. Sirius hesitated before reaching out and grasping Remus' hand firmly. The two men had shaken hands a dozen times at this point; there was something frustratingly different about this one, and it lingered a beat too long.
Remus pulled his hand away and spun on his heels before Sirius could stop him. 
"I'll see you around, Sirius!" He called over his shoulder before making a beeline to the door. 
"Oh… okay… T— Thank you, Remus. For… for everything!"
Before he knew what was happening, Remus was outside in the crisp autumn air, trying not to think about the way Sirius' perfect lips wrapped so delicately around his name or how badly Remus wanted to find out what those lips tasted like. 
What was wrong with him?
((Bonus: Here’s a sketch that I did in a limited palette of this scene. Yes, I know there are inaccuracies, it was a quick sketch and I didn’t read the chapter before drawing it. Oops! Anyway, here it is!))
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**THIS DRAWING IS NOT CANON! IT IS DONE BY MARAUDERERASMUT, NOT REMUS!**
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Rant about Marvel New Warriors
(spoiler they are shit - Ps. I know I'm late to this)
This is about to be long-
Since evryone is roasting the shit out of Marvel's New Warriors. (I'm late I know shut up) why not hop on the train of anger and give out my opinion.
First on the list is Screentime.
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Now I dont really have a problem with the design. It think that the green goes well with his backstory being all sciency and shit (which is the problem but I'll get onto that later) If we ignore the fact that they ripped off the ben10 colour palette I kinda like how he looks.
But oh boy the backstory.
"A Meme-Obsessed super teen whose brain became connected to the internet after becoming exposed to his grandfather’s “experimental internet gas.” Now he can see augmented reality and real-time maps, and can instantly Google any fact. Does this make him effectively a genius? He sure acts like it does."
Okay first of all. "Internet gas"? Wtf is that supposed to be. Also meme-obsessed just makes me think he would be a redditor making him very fucking annoying.
Now his powers I think are shit. He's always connected to the internet? Couldn't the others just get out their phones and do exactly the same. (Maybe like 10 seconds slower since it takes time to open your phone)
I think it would be cool to see him do more than look up "how to beat up bad guys" on wikihow. Maybe make him control other computers or phones. And he could possibly teleport using electronics.
Alright that's screentime on to the next mistake.
Second is Trailblazer
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Her design is... Uhh. Acceptable. In my opinion the costumes are a bit too colourful. It reminds me of those girls who put on different socks and walk around saying how qUiRKy they are.
Now uh backstory/description (idk why i have been calling it backstory all this time tbh) it's definitely better than Screentime. But still. Bad.
"A regular kid scooped up into the world of teenage Super Heroing. Her “magic backpack” is actually a pocket dimension with seemingly infinite space, from which she can pull out useful or random objects—it’s not always under her control. She claims to get her power from god, but “not the god you’re thinking of.”"
So uh. Dora?
I like how they made it sound more interesting saying that she never knows what she'll get. But the thing I want to know is what if someone gets her backpack. It's not hard to take a backpack from someone tbh. Is it glued to her back? Or can she like leave it in school and forget about it? "A regular kid scooped up into the world of teenage Super Heroing." This makes me think that she didn't chose to have her powers. Which i can understand. But it's a fucking backpack.
If it's not connected to her and someone takes it SHE WILL BE FUCKING POWERLESS?!
Alright. That's that. On to the next one.
B-negative. Uh-
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Alright the name is clever I'll give them that.
But the design. Ughhh. Again. The oversaturated colours they used. I personally dont like the use of bright pink. They could have used dark red instead. Red symbolizes blood, death, anger and the pink doesn't make me think about that sort of stuff. It clashes with his dark edgy design and face. Other than the fact he looks straight out of a Twilight edgy fanfic.
"A teen “living vampire” exposed to Michael Morbius’s blood as a child in a rogue, but life-saving medical procedure. He still ages like a regular kid, but has all the abilities of Morbius. He’s also obsessed with all the music and attitude of a “classic” long-past decades like the '90s, and the '00s. “The world is a vampire…and so am I.”"
I don't really have anything to say to this. It's just once again marvel trying to relate to the youth. Tbh his description. As crazy as it sounds. Is the one I have the least problems with.
Alright now to the one people hated the most.
This thing-
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A lot. And i mean. A LOT of people have criticised and even took the time to redesign the characters. And yea. They are shit. I'm not going to take the time to redesign them myself because I don't have that kind of time at the moment. (Maybe I'll make another post where I remake them myself. But idk)
Now my biggest problem with the design is the fact they are twins. TWINS WHO ARE FROM THE OPPOSITE SEX SHOULDN'T BE IDENTICAL TWINS. That is literally impossible. Also they kinda remind me of the characters from that online game everyone was obsessed with called 'Fireboy and Watergirl'. Don't know if anyone remembers that.
Their costumes are hideous. Again the vibrant colours are giving me a goddamn seizure. The whole idea of those characters is for Snowflake to be the more self assured and most likely to beat you up for being a bit racist to Twitter. And for Safespace to be this big soft dude who looks though but is actually an angel when you get to know him.
But looking at them I do don't get those vibes. I think they should have made Snowflake look more sassy and wear like a coat to be more mysterious and shit. And for Safespace to have more fur and armour (he can create shields for other but not for himself so he should have atleast some other type of protection) I think having like fur on his jacket would give off a more 'soft uwu boi' vibe.
I'm not going to shit on their description because to be honest. Everyone already has. And this has become way too long for a normal post. I hope ya'll enjoyed it. If you took the time to read me ranting about some weird fictional characters I really appreciate that.
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