#I wish I didn't read this

[calypsolemon]

betrayal, and the ache afterwards

[daily-odile]

drew a scene from @dunkalfredo's modern/scifi au... it's so good

[brother-emperors]

DO NOT BE AFRAID

this is combining Ovid's Heroides and the Excidium Troie because I can't stop thinking of Hermes telling him not to be afraid. what the fuck!! Ares is wearing the crown that Paris gave him.

I have. thoughts. about Paris. he's almost got this Troilos parallel in my mind, that the event that defines him in detail exists in a lost narrative that we don't have (the Cypria), but everyone else knew. the event that defines Troilos is his death (murdered, butchered by Achilles, the violence of which haunts everything after. Achilles, child killer, you can't escape that!), and the event that defines Paris is the Judgement. what's a lost text but a kind of grave!!

idk I don't think that Paris before the Judgement would recognize himself after bc when you become god touched, it rearranges your guts. you become transformed in the worst way possible! how could you recognize yourself! but I also think that all the Parises after the Judgement would recognize each other because that event is so locked into the trauma of war and the scar it leaves on the land, it's like a scar on the narrative too. it exists like this forever, over and over again, so you exist like that forever too. Troy collects grief and despairs.

Troy as trauma: Reflections on intergenerational transmission and the locus of trauma, Andromache Karanika

and Paris is like. a miserable little god/corpse-puppet or something, like a match for the gods to throw onto gasoline.

The Excidium Troie + Ovid's Heroides:

Excidium Troie, trans. Muhammad Syarif Fadhlurrahman

Ovid, Heroides 16 (trans. Harold Isbell)

a collection of things regarding Paris that made me go 😬 but under a cut bc this is getting. very long.

The Divine Twins in Early Greek Poetry, Corolla Torontonensis

Iliad 24 and the Judgement of Paris, C.J. Mackie

Elegy and Epic and the Recognition of Paris: Ovid "Heroides" 16, Elizabeth Forbis Mazurek

Ennian Influence in "Heroides" 16 and 17, Howard Jacobson

Paris/Alexandros in the "Iliad", I. J. F. de Jong

[c-hrona]

Pietà

[dysfunctionalcreature]

obviously all the characters in Interview With The Vampire have such tragic pasts, and they each have so many good lines of dialogue that beautifully capture that trauma, but the one I just keep coming back to is Armand saying, voice shaking, "No one has painted me in over 400 years". It's the sadness and resentment in his voice, the implications of it, partly he just misses Marius I'm sure, but I really think that it's more than that, Armand is so deeply insecure, I can't help but think that maybe he doesn't consider himself worthy to be painted, he says "No one has painted me in over 400 years" and I can't help but hear "It has been 400 years since I was worth painting"

[p4nishers]

there's something i need to say and yall can boo me for it but deep in my heart i'll always know i'm correct: crowley already forgave aziraphale. like already would take him back at one flutter of his eyelashes. that's all.

[thekittyokat]

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

[swordoffrivolousthings]

Thoughts about Heroes of Olympus and how it could have been better.

Sometimes I think about what would have made HOO a better series. And I'm not talking about the obvious 'too much focus on romantic relationships' and the lack of usage of certain characters or the dumb ending.

I mean the little things that would change so much (mainly character dynamics but also worldbuilding i.e. Camp Jupiter and Gaia's reasoning)

Some of the points are inspired by @crisisreading and their posts. They are the first I saw raise some of my own points so! part 2

Make the ages vary more in the main cast, trust me

Let Percy, Annabeth and Grover get older by 4-5 years. Let them become adults and find themselves outside the godly war. Let them even finish college, I wouldn't get mad. Let them do anything beside being teenagers.

I promise this would make the dynamics more interesting. Percy and Annabeth will be more mentor figures, than fellow comrades. This would create some distance between some of the them, but ultimately create something fun. Piper would come to see some aspiring female figure in Annabeth (I think this would ether be positive or negative, depending how Annabeth changed as a character over the years, but I tend towards negative). Leo would potentially have someone older to exchange ideas with. Jason would possibly feel intimidated by Percy's vastly superior age, prowess and experience, instead of being able to clash heads with him.

Hazel would have not one, but two that people that would play parent to the others' reckless behavior. (go snort your harmful stereotypes up your ass, Riordan.) Frank, when telling Percy and Hazel about his stick, would possibly find in Percy a kind hand (not that he wasn't kind already, let me explain) and Percy would probably share with him this feeling of vulnerability - not dump it on Frank - about having your life tied to a specific thing. I mean his Achilles heel, with which he would have lived for far longer.

And a whole lot more.

2. Add Grover into the series as a perspective character

You have a new trio dynamic introduced in the first book of the series. Let the original trio interact as main characters and let us see how their relationship has changed.

Grover's opinion on the conflict between the gods and Gaia would be important. He is the Lord of the Wild, and Gaia is the literal personification of the Earth. Let us see his struggle between the loyalty he has to the gods and his friends and his powerful feelings towards protecting nature.

Also, he would act as a protector for the demigods. Because while I enjoy Hedge, he is not enough to keep them safe.

3. Throw the bullshit about Gaia getting revenge for Kronos' defeat out of the way

Gaia, as mentioned before, if the personification of the Earth. One of the first gods to emerge from Chaos.

Gaia can, of course, keep her resentment for the gods defeating the son that freed her from her pain (caused by Ouranos initially). But she is a mother goddess. She should want obliterate humanity because humans are slowly killing her. Painfully. She wants to survive and the only way she sees how if by killing all the humans. She wants to save her children, aka animals, insects, nature, and the only way she sees is bloodshed. Gods are not rational in their anger, no one is. So let her be angry and vengeful and out for human blood.

DO NOT MAKE HER A FUCKING VILLAIN, MAN! Make her an antagonist, but someone's whose ideals are worth taking in and adapting. Kinda like Luke about the demigod and minor god recognition. Where have the themes of the original series gone? Remember, an important theme in BOTL was protecting the environment. It was one of the most important moments when Pan faded. Do not let that go to fucking waste. Especially not now, in the world we live in.

4. Show the effects the war had on Camp Half-Blood. Hint it at Camp Jupiter, when Percy does not have the memories to corelate it with

We've had years since the end of the Second Titan War. How did the gods change the course of events ? (the victors write the histories) How much of Luke's reasoning for starting the war was erased. (hint, all of it.) Show us how much the perspectives were shifted and how much the people that fought in it were made into martyrs and villain, basically becoming caricatures.

Let us feel how much this hurts Percy, Grover and Annabeth. How it had impacted and impacts their trauma, grief and utter horror. The younger, newer campers see them as wonderful, all-just and loyal heroes of the gods. The way they hate it.

Good moment to implement the new cabins for the gods and let the new ones forget that it wasn't always this way. Let Percy's demand to the gods be forgotten, shoved under the rug. The tragedy unfolds, use it.

Since in Camp Jupiter none of the main characters have fought, let us see the subtility. Let the older legionnaires be ragged, scarred. Older and weary, with eyes glassy and suspicious. Have younger recruits have this heavy air around them. They know what happened, what killed most of the older people in the legion.

Have Jason, Hazel and Frank see these things in Annabeth, Grover and Percy too. They realise that oh. oh. these three have fought in the war, of course they would. Show them gain respect for the trio. The same kind of respect they have for the veterans back home.

5. Cut one of the Seven from the prophecy.

I know this seems radical, but it is a symbolism thing, which I think would be more interesting in a world based on Greek mythology.

It is established in PJO that three (3) is an important number: 3 Olympian sisters (Hera, Demeter, Hestia), 3 Olympian brothers (Hades, Poseidon, Zeus), 3 Fates, 3 quest members, 3 Furies, 3 godly realms (the Underworld, Olympus + the sky, the seas). Use this.

Give us six (6) prophesized heroes. It is, after all, the second most used number in the series and a multiple of 3.

I suggest Annabeth. Why? because she has her quest from Athena. Let that be her top priority, while hanging out on the Argo II to get to Rome. Let her bond with the younger demigods and have her possible death be always on her mind. Bring her hubris into play and she would think herself the chosen one, the one demigod child of Athena to survive. This would make her falling into Tartarus with Percy not letting her go more taxing on her psyche.

Show us how she hates herself because she took one of the principal quest members to certain death. She feels like she'd jeopardized the whole saving the world thing.

Cut the Seven to Six and let Annabeth die in Tartarus. Show us why a single-man quest is a death sentence. Why three (3) is such a valuable number.

6. CONSEQUENCES!!!

Jumping straight off the last point.

Change why Annabeth would end up in Tartarus. Make her ignore the string around her ankle because she thing that nothing bad can happen to her now. After all, Arachne is gone, right.

Let this be her undoing. I do not care how she dies, but make her choices, her hubris, be her undoing. Do not let her death up to a chance, a mistake or miscalculation. Show how toxic Tartarus is, because we do not see it enough, but make it Annabeth's idea, the plan by which she dies.

Do not make it Percy's fault. Let him try to do everything to keep her alive, but still failing. Attack his sense of loyalty, his self-esteem. Show how the experiences and her death affect him.

Bring the trauma from the last war back in those chapters, in a place where demigods leave something behind.

To less drastic things - let the others get hurt. Permanently. Show how this life affects and damages people physically, too.

Have one lose an eye, another get horrific scars. Lose a limb, a part of themselves. Do not make it seem like any other could have gotten the same wound.

Tailor them to their character, their pride and their skill. Hit them where it hurts most and let us see how it changes them.

Also, about Leo. Kill him too. The fact that he ended up alive is a deux ex machina. He should have suffered the consequences.

Also also, bring back the fatal flaws. They are missing from the series. Play with them, show why they are important parts of their characters. Bring back ancient Greek fatal flaws, and new ones that make sense in a modern world.

Hurt them because what hurts them is part of who they are. Show us why the Greeks invented tragedy.

7. Age up the target age. Go more young/new adult

I understand that PJO was made for middle schoolers. But the target audience had grown up alongside the characters, and as such they have matured.

This is why I said to age Percy, Grover and Annabeth up further. Leave some distance for the old and new readers to get up and personal with the new main characters. Have them find common ground with the new demigods but have their anchor in the old ones.

Make the readers work to understand and refamiliarize themselves wit the older demigods. Because they've changed.

Targeting a more mature audience allows exploring n. 6. The realistic consequences of living with the fear that something will come and eat you. How just a little mishap could change you for life. (or what has been left of it)

Please do not go grim dark. Show that despite this all, their purpose has not stopped existing. A life exists outside of your appearance or disability still exist, and while it would be hard, do not lose hope.

8. Hope, or lack of its importance in the Heroes of Olympus series

Alongside other callbacks and reinforcements of PJO's lore, where is Elpis (hope)? Why doesn't she appear as a larger theme in the books? I don't know.

Elpis is still in the jar, having been used as a threat of defeat. But now Kronos is gone. Have Gaia use it as s symbol for her own cause.

Make hope Gaia's argument. The most important part of why her cause stands. Gaia is waking now because there is no hope for the betterment of the planet while in human - and therefore godly - grasp. She wants to save the planet, but they, the destroyers, are opposing her.

Hope is what she wants to bring back. The hope that death will not be the end of life, but further evolvement and betterment of all species.

This argument is what the counterargument should unravel. All species? Why are humans considered irredeemable, unworthy of becoming something greater?

Why can't they not coexist and why can't humans learn how to care about the world surrounding them.

Make hope for humanity and for the environment not a question of if they are capable to coexist, but how we can manage that. Humanity and nature are not mutually exclusive, but two halves of the same whole that need each other to sustain their longevity. Yes, nature can exist without humans, but humans can't.

This does not mean that the best way forward is to kill all humans.

There is no need for hope in HOO because there are no greater questions being asked about topics that require hope, because otherwise we would descend into nihilism and fatalism.

9. Give the gods reason to act the way they act, or a look at a greater narrative problem in the series

I may be generalizing, but the gods act erratically and make choices convenient for the plot, as it is, to happen.

Hera: how, specifically, does she know that Gaia is rising and what her plans are. Why is she against Gaia, when the older goddess has a track record of helping the Olympians on different occasions in the myths. Why does she decide to act when she does, how she knows that the king of the giants (whatever his name may be) is coming after her right then.

We don't know.

Athena: we understand why she wants the Athena Parthenos back. Why not force the Romans to give it back. After all, she is a goddess, even if the Romans don't respect her as the Greeks did, she has power and sway over them. Why send her children, a supposedly important part of what brings her glory, to a near-certain death. Is it misguided vengeance, an obsession to get the statue back at all cost, or simple cruelty. These reasons could apply very well to sending the Romans, yet she doesn't.

Zeus: why lock down Olympus? Paranoia, which fair, but you are a King, why wouldn't you look after your subjects? (bc Riordan chose to ignore part of his characterization in the myths and part of his godly domain) (I know kings aren't perfect, but after the last war, one would think he would do everything in his power to stop another one before it begins) Why not seek justice for Octavian's lies, that affect their ability to win the war, and kill/imprison him? Justice is part of his domain, as Zeus Nomius.

I know that we wouldn't necessarily need these answers, but without some of them, some choices left hanging seem to be there only to add to the drama and danger of it all.

All in all, I have many problems with the 'Heroes of Olympus' series. Some of them are nitpicks and personal preference as a high fantasy reader in my free time. Some of them would really add to the story and continue the themes of PJO.

Please ask me if something wasn't clear to you. I'll happily explain further.

If you find something you don't agree with, let's discuss. I'm open to changing my opinions.

[cerise-on-top]

Ooh, what if Price/Ghost/Gaz/Laswell came across their childhood best friend? Reuniting with reader who was there for them through thick and thin, until they joined the military and lost contact 🙏

I've been reading/re-reading some of your works!! They're so good! Also, I'm sorry those teenagers were pricks to you, hope you have some better days soon!

Hello! I have to say, I'm genuinely surprised anyone reads my rambles in the tags, I didn't think anyone would, but thank you! You don't know how much I appreciate it! Today was already a much better day, which is why I decided to write and post two requests today! This is a lovely request, very nice! Love me some platonic stuff as well! Sometimes all you need is a good friend by your side!

Price, Gaz, Ghost and Laswell Come Across their Childhood Best Friend

Price: He actually thinks about you from time to time, more often than he’d like to admit. You were a good person in his eyes, always there for him no matter what he went through, which is something he could appreciate. His childhood wasn’t particularly bad, but he had some days where he would have loved to simply throw in the towel, which is normal, though. Price was a rowdy guy when he was young, so you likely either went along with some of his ideas or were kind enough to talk him out of them. Either way, he appreciated having you around, so seeing you again would be quite the surprise, he didn’t think he ever would again. If he’s on a mission, then the talk will be kept short, but afterwards he’ll make sure to seek you out again, catch up a bit and ask you how you’ve been. Price didn’t expect to have missed you this much, but he only realized that once he saw you. You’ll either be going to one of the cafes you used to visit nearby, or maybe sit down on a park bench and maybe eat some sandwiches together, just like you used to during the good old times. Since you’d likely be around his age, so roughly 37-38, you’d have a lot to tell. Roughly 22 years you need to catch up on. He’s willing to talk to you, tell you about his career, how he's been doing, about the people he’s met and how he’s feeling. Considering this much time has passed, there’s a good chance you’ve both mellowed out quite a bit, but it isn’t unpleasant, you’re both mature people now. He likes hearing about everything you’ve accomplished, it’s like you became a new person during all those years. It’s so lovely to him, he sort of can’t believe it. Whether it’s a coincidence, or maybe you sought him out, it doesn’t matter, spending time with you again brings back all those memories he thought he had since forgotten about. He laughs, he smiles, he frowns. He’s a bit more expressive with you, but really wants to reminisce about the good old times. Even so, he hopes to be able to see you again more often, so you’ll likely exchange numbers. This time he tries to make sure to not lose contact with you and will text you every once in a while.

Gaz: When he was a child, Gaz was a lot calmer than he is today, a very quiet kid. He had always been a good boy, a gift in the eyes of many, but he wasn’t as active a child as one would imagine. Ergo he didn’t have very many friends until he became older either, but he was loyal to the few he did have. You were one of them. As you slowly started to grow apart, he started to miss you, but didn’t want to bother you either, as much as he would have loved to do so. So I’m sure you can imagine the surprise on his face when he found you at the mall the two of you would hang out in during rainy days. Gaz has become more confident, so he’d immediately walk up to you once he recognises you and start talking. Like Price, he’d be pleasantly surprised to just see you in such a mundane place, but won’t question it. Or complain about it either. In fact, if you’re not carrying anything heavy, he’d be the one to suggest going out to eat or drink something. Again, either a small and quiet cafe or a small restaurant. Maybe you’d go to a place you liked when you were kids, if it’s still open. Regardless, it’d be hard to get him to shut up with how excited he is to have you around. It’s a calm kind of excitement, but he’s happy, and that’s what’s important. It’s very likely that he’ll pay for your food, even if you insist he shouldn’t, but it’s not like he has any other use for his money. Chatting with him about the good old times is very sweet, he likes to bring up all the good things. But eventually, he’ll thank you for everything you’ve done for him and how happy he was to have you as a friend. Considering there were very few people who tried to get to know him, he was quite lonely, but you fixed that. You made everything better. From the pain on his knee when he fell as you gave him a band-aid, to the pain in his heart when the other children ridiculed him. Like Price, he’ll ask you if you want his number so you could continue to keep in contact with each other. He knows it’ll likely never be the same again, but he can pretend everything is as good as it used to be back when he was young. He’d love to spend time with you again.

Ghost: This man has had one of the worst childhoods imaginable. He was abused by his father, and the only friends he had aside from you were his mother and his brother. Barely anyone was kind towards him or accepted him considering he had always been the weird kid. No one but you wanted to spend time with him. Needless to say, Ghost had taken a liking to you when he was younger. You spent your time with him, you even defended him when some of the other kids ridiculed him. And now, 12 years later, he finds you running after a coin you accidentally dropped on the ground, bumping into him as you did so. He’d be wide eyed at first, a bit quiet as well. Once you left he never would have thought he’d ever find someone like you again, but here you were, just as quiet and surprised to see him. Ghost would pick up the coin for you and ask you how you’ve been. It had been a while. Although he’s not usually one to smile, especially not in public, you could see him faintly do so. He’s become a quiet man, so he won’t be talking too much about everything, especially not everything that happened after he joined the military, but he’s more than willing to talk to you about other matters. His life has become better over the past few years, but that doesn’t mean he isn't scarred still. He’ll offer you a walk to just about anywhere, really, even if the final destination will always end up being one of the places you used to hang out in as children. An abandoned house, a park, a mall. Manchester is a fairly large city, so there’s much to see. It would be a bit rough to catch up with him entirely, but he loves to hear about everything you’ve accomplished. You’ve become such a mature person, it warms his heart to see how far you’ve come in life. Back then, when everything was so bleak, when neither of you thought you’d see your 28th birthdays, everything was different. But now, you’re smiling at him as you’re drinking your milkshake. You seem to be better off, and so is he. It makes him nostalgic to see all of this, but he’s happy. Ghost will offer you to come to his home if you want. Even now, he still loves you dearly as a friend and couldn’t be happier about the fact he’s found you again by chance.

Laswell: When she was young she was a healthy mix of rowdy and good. While she never caused much trouble, she did stand up for herself when she needed to. However, this alone was enough to get the attention of some awful people. People either liked her or hated her, there usually was no inbetween for them. Some people did try to bully her, but it never ended well since she would fight for herself, plus she had some good friends who would do the same for her. However, none of them could compare to you, as you were her best friend. All her joys she would celebrate with you, and all of her sadness she would share with you. Back then, things were simpler, something small meant the end of the world, but you always had each other’s backs. Laswell tries to not think about you too much since you slowly drifting apart is quite painful to her. As she grew older, she learned to live with the pain and it didn’t bother her as much. Still, she was very happy when you were sending her a message after all this time. She may have been at work, but responded to you immediately, having missed you just as much as you missed her. Once you meet up it’s evident you’ve both grown a lot older. Laswell has been working for the CIA since her twenties, so it’s been almost thirty years. You have a lot to catch up on, but you take your time, eating at a fancy restaurant and spending hours there, laughing at everything that’s happened. Laswell would show you photos of all the places she’s visited during her downtime. She’s seen almost the entire world, some of it with her wife, some of it without her. Although she doesn’t usually tell people she’s married, to another woman too, she knows you’re a safe person, you’ve always accepted her as she was. Considering how happy you looked when you saw her wife, she continued to tell you about the world. But you get your chance to tell her about everything that’s happened to you as well. If the conversation goes especially well, Laswell might invite you to a few outings every once in a while, after you’ve met up a few more times. Plus you get to meet her wife eventually as well, which is a real privilege. Considering how much she loves her and wants to protect her, not many know about her. It’ll be fun either way since you get to make more memories together again.

[skitskatdacat63]

Fernando instinctively trying to protect his boyfriend Seb from the champagne spray

+

[drawthething]

"You uhhh... waiting for me to get back in the car so you can pull up a video on how to do this?"

"'S just, you know, the sun's… in my eyes."

Commissioned art for one of the beeeeeeest fics I've ever read in my entire life: Logan's Run (-ning away)

From the amazing @babsvibes like duuuuhhh who else would come up with punny ass messes of titles like this?

[allastoredeer]

I just had a hilarious thought I needed to share. After thinking about it, of all the Sins we've met so far, I'd be willing to bet that Alastor would hate Beelzebub the most! For multiple reasons!

First, she's a canid demon, already enough of a reason for Alastor to dislike her.

Second, Alastor has been described by Viv as a food snob, he doesn't like greasy processed food or sweets. And Bee is all about junk food! She sings a whole song about it! She and Alastor would surely bump heads in the kitchen.

Third, Alastor is all about hiding his emotions and being a mystery. A rather difficult task to accomplish when there's someone who can smell/taste emotions around! Alastor wouldn't be able to hide his true feelings about things from Bee! What's worse, Bee has little to no filter. So not only could she sniff out his true emotions, she could just as easily blab about what he's feeling to everyone! Which Alastor certainly wouldn't appreciate.

Forth, of all the Sins we've been introduced to so far, Bee seems the one least willing to take any shit. When Alastor and Lucifer started butting heads, the result was a musical dick measuring contest. When Millie bashed Fizz over the head with a guitar, all Ozzie did was kick her and Moxxie out of his club. When Blitzø roasted Mammon in front of a crowd of his fans, all Mam did was insult him and tell him to shut up.

When Loona started mouthing off to Beelzebub however, Bee went full beast-mode and was ready to throw down! Now, if Alastor (shit-talker extraordinaire with a nasty habit of biting off more than he can chew) were to try and pull the same shit with Bee that he pulled with Lucifer, she absolutely would not hesitate teaching him the definition of "fuck around and find out".

And finally, to add a dash of radioapple into the mix (bc ofc😏🤭) you just know that Beelzebub, aka Miss "Satan's like a brother to me, but I could totally still hit that", would be at least a little flirty towards all her fellow Sins. Including Lucifer. Imagine Bee's visiting Lucifer at the hotel, maybe for a Deadly Sin reunion or maybe she's just visiting by herself. And the whole time she's there, she's just being so affectionate towards Lucifer, picking him up and spinning him around, holding his face in her hands, nuzzling him cheek to cheek or nose to nose, giving him quick pecks on the cheek or forehead, running her hands through his hair, calling him cute nicknames and telling him how adorable he is. Just giving him so much verbal and physical affection that toes the line between flirty and platonic. And Lucifer, knowing that that's just how Bee is, thinks nothing of it. He just laughs it off, no big deal.

Meanwhile, Alastor is off to the side witnessing all this and is just seething.

Imagine she's doing it on purpose too! Like Alastor has already made an ass of himself and she's getting back at him by flirting with his "totally not" crush!

Without a doubt, Alastor would absolutely despise Bee!

Hm, I don't know if Bee's was necessarily about junk-food. Like, yes, she references a lot of junk-food, but I think it really was just a song about indulgence as a whole using sweets as a metaphor. I mean, food--especially junk food--is usually the first thing that comes to mind when someone thinks of gluttony. What I got from her song was just giving in to your desires, going all out, no inhibition.

Although, she does favor cotton-candy as the food she hands out, and Alastor definitely wouldn't eat that XD I love that he's a food snob and a rotten deer carcass counts as a high quality dish to him.

I would LOVE for Bee and Al to meet so she could pick up on his emotions, particularly his negative emotions regarding his deal. I want her to look at his smiling face, his care-free attitude, but sense massive amounts of stress from him. Just a big ball of negative emotions, especially surrounding the deal he's trapped in and how cornered and helpless he feels.

I don't think she would say something in front of everyone. (Making this radioapple ;] ) Like Bee did with Blitz, I think she would go to Lucifer about it, maybe because she knows him the most. She wouldn't go into too much detail, because that's Alastor's business, but she mention that she's sensing a lot of negative emotions from him and to check on him because he is definitely not doing well (I love how caring and sincere Bee is, shes one of my favorite Sins).

And I think if Alastor knows that Bee can sense emotions like that, he would try to avoid her at all costs.

But also, I know you said Bee doesn't put up with shit, but I think Bee would see Alastor's shit-talking as a challenge, also like she did with Blitz, and knowing Alastor, I know he would step up to that challenge (if its a drinking contest--not with Beezle-juice because that's WAY to potent for Sinners), he'll lose, but considering Alastor "drinks like a sailor" he lasts longer than she expects).

I don't know if Alastor would despise her, but I think he'd be intimidated by her ability to pick up on peoples real emotions, and considering how guarded he is about himself, I can see him doing everything in his power to avoid meeting her face to face.

[xiyade]

Every time I see a person bitch about my favorite slice of life slowburn show in its tag, my love for it multiples tenfold

[johnbly]

As field agents, to them, headquarters was like a refuge or even home—the sanctuary they returned to after the job. - on the way to a smile

[deoidesign]

Hello! I just discovered your blog and I immediately became captivated by your webcomic, but I'm unsure where to read all of it. I know it's on Webtoons, but I can see it hasn't been updated for a while, and you still post about it.

Are your physical novels just prints of the webcomic? Are they a continuation? Is the story complete? Thanks in advance!

Hi there!

Glad you found me and are enjoying my comic!

It's only on webtoons, and the story is not complete yet! We're 2/3 of the way through right now. It's currently on hiatus, and it's scheduled to come back in about 2 months!

I'll explain why it's been so long if you're curious, but also for my followers who might also be wondering about it under the cut. Sorry, it's pretty much just me complaining haha

I took a month off I took 2 months to get the books printed I took a month to prepare my next comic and I took 2 months to write the rest of the series (I knew the character arcs I wanted, but not the time periods or mysteries!!!) I've been working on actual episodes since then

I had to take some time off because of some pretty extreme burnout due to the sheer amount of work it was to draw over 800 pages and write 6 complete stories in a year and a half... I was getting sick almost weekly due to the overwork, it was really really bad honestly. I was having to work 60+ hours every week just to keep up...

The nature of the comic itself is also difficult... Each of the arcs is a complete, self contained story which can be read (ideally) without context, and my arcs need to be about 10-13 episodes each... And since I have an exact number of episodes to work with, it's even harder.

It takes a ton of planning and a ton of refinement, and working week to week with no breaks I was forced to put out second or even first drafts, so I just wasn't happy with the work I was doing... And to do that for the rest of the series? I wouldn't be proud of the work I did.

Plus... To be entirely honest, webtoon has treated me quite badly IN MY OPINION... They deprioritized me before I launched (I had to beg for more promotion, I'm not exaggerating), they outright denied me the opportunity to even ask for a raise, I don't make any money on fast pass and they pay me less than my partner makes working at trader joes. My first editor left me completely hanging, my second editor (who I loved) was fired... And they told me I wouldn't get a third season before my first season even finished. So it was just repeatedly completely demoralizing.

I'm sorry it has taken so long, it'll have been 10 months by the time I come back. But I realized... I won't get promotion either way. I won't get more episodes either way. I won't get more money either way. So to finish everything, to make it feel good, to make it something I'm proud of, I chose to take longer to make it better.

I am fully aware I will lose a significant amount of my readership for this and it might genuinely affect my career moving forward. But it's what I had to do! So I'm sticking to my guns on it, and I'm confident long term it'll be worth it. It never could have been this good if I didn't take this much time.

[korrasamibottles]

Yeah Venom of the Red Lotus showed us how crazy powerful Korra is but The Last Stand had Korra transform the destructive power of a massive bomb blast into something regenerative in the culmination of one of the best character arcs I've ever seen. In my OPINION!!