my martha knight au in a nutshell:
Danny/Martha: see up here?
Danny/Martha: *taps skull*
Danny/Martha: intense psychological damage
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Danny/Martha: *upon finding out she's pregnant*
Danny/Martha: oh my god i cant be a mom, I'm fifteen and homeless--
Danny/Martha: im going to be a terrible mother--
Danny/Martha: i live in a cAR--
Danny/Martha: what if the baby inherits my powers? Oh no--
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Danny/Martha post giving birth: i've only had Bruce for a minute and a half but if anything were to happen to him i won't even need to fuse with Vlad, I'm razing this goddamn planet to the ground myself
Danny, to Baby Bruce: you are the last remaining thread of my sanity. I'm going to give you the world :)
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Danny/Martha prior to getting pregnant: Fuck it, if everything in my life has led to this moment, i'm allowed to make one stupid decision. I'm getting drunk and getting laid
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Danny/Martha while Bruce was a toddler: i swear to fucking god i am going to kill the next person who talks to me--
Bruce: hi mommy!! i brought you something!!!
Danny/Martha, immediately flipping on a dime: hi baby!! what do you have?
Bruce, a weird child like his mother: a spider :)
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Danny/Martha, talking to Falcone after he made an unsavory comment at her and Bruce: If you ever come near me or my son again, I will dig up your shithead father's corpse and make you eat his skin.
Danny/Martha: do you understand me
Falcone:... crystal, ma'am
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Danny/Martha new in Gotham: *getting mugged*
Danny/Martha: *grabs man's arm*
Danny/Martha: I AM GOING TO BREAK YOU IN HALF LIKE A TWIG, FUCK BOY, DO YOU HEAR THE WORDS COMING OUT OF MY MOUTH--
(she then proceeds to terrorize Gotham's night life for the next extended period of time, mostly unintentionally)
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Danny/Martha: Danny Fenton?? No. you must be mistaken, my name is Martha Knight.
Danny/Martha: this here is my littlest knight, Bruce.
Danny/Martha: I made him all by myself :]
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been thinking about the differences between SASASAP and ISAT lately. because looking just at ISAT and the two hats ending, you'd think loop went through the exact same house as our siffrin, but looking at SASASAP, it's different. it's mixed up. it's obviously a condensed prototype.
but. that doesn't have to mean it's a different universe entirely.
maybe that's just what happens after a thousand loops.
the house warped in act 5. siffrin lost their shit and the house got changed and corrupted, far past its baseline king uncanniness. so it wouldn't be too out-of-the-question for it to be able to warp in more subtle ways as well, due to a more subtle breakdown.
like a jpeg uploaded and downloaded a thousand times, siffrin changed, and the loops changed. over a thousand loops of efficiency, the house got more efficient. rooms combining. items moving. data compressing. and of course, run in a changed house, the script changed as well. it did so slowly, one bit at a time, over a thousand loops of zoned-out half-listening – and by the time siffrin would have noticed each difference, they were already used to it. (and in the moments that they did look at a room that was less familiar than it should be and realize that they had no idea where to find the key, well. that's just classic siffrin, isn't it.)
through sheer repetition, siffrin was corrupted, and the loops and the house along with them. all purpose lost, all signals distorted, until finally they couldn't recognize the meaning in any of it. it was all noise and despair.
so they made a wish. and the loop restarted. not just a reboot, but something more complete.
the data was backed up onto a star – a guide, a warning, a reference – and the loops were factory reset. and for the first time in a thousand loops, siffrin woke up to a clear mind and the crisp sound of birdsong.
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I'm just laughing... like in the scene after the big signal fire battle where everybody gets betrayed and dies, you're there with Alistair trying to figure out what to do, and there just happens to be an elven goddess right there, saying, "ah yeah, that sounds good" "no that sounds stupid" "that might work" "oh that sounds like a plan to me"
Flemythal I love you
this game series is about getting pep talks from ancient deities and rising to the occasion
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just accidentally stumbled on an egwene hate reddit thread and everyone was bitching about how she tries to act like rand's equal when she's only the second-most powerful authority figure on the continent, and one sane person was like "well, balance was a huge theme of the series, so it's pretty clear that RJ did consider the dragon and the amyrlin two halves of a whole and that rand is meant to be egwene's equal co-authority rather than her superior" and of course they were downvoted to hell. and this one little thread just really epitomizes how the readers who approach WOT as a male power fantasy just fundamentally will never understand the series and its themes and the story it was ACTUALLY telling.
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people who think clem surviving makes no sense are so funny. "they were literally foreshadowing her death the entire season" let me introduce you to the concept of a red herring. she tells lilly she isnt lee and shes right. the narrative was forcing her down that path, a path she saw as an inevitable fate waiting to take her too, but its a narrative broken by aj, who is also his own person and not S1 clem
"it happened to lee, and itll happen to you" lilly tells clem she'll die protecting aj from some mistake he makes, when in reality his defiance of her will is what saves her life after she had already accepted her fate. he breaks clem free from the lee cycle and they get their relatively happy ending. good for them
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VIGILANTE SHERIFF AU TOURNAMENT TIME!
GO VOTE HERE
I didnt want to run 2 sets of polls, so its only on twitter I'm afraid, but yall can rig it how you'd like!
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after watching 4 whole seasons in less than 2 weeks i think house md is maybe the perfect example of why we need to bring back 20+ episode seasons. like yeah sure there's a very clear formula but: there's time to add sub-arcs! motifs! weird experimental episodes! the season finales actually feel like season finales because there's enough episodes in the rest of the season for the characters to have chances to breathe without sacrificing the momentum or wasting time. it actually feels like there's a passage of time happening without the need for explicit mid-season time skips or exposition dumps because, guess what, the season is long enough that time actually IS passing. when characters change their hair or visibly start to age it feels normal because again: time is actually passing in-universe. i yearn for the days when television actually felt like its own distinct thing!!!!!!! i also yearn for lisa cuddy but that's not the point here.
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