Look I am an utter bitch for the trope of characters almost meeting before the events of BG3. Like a wizard Tav being in the same library as Gale. A criminal Tav operating around the same sketchy warehouses and halfway houses Astarion frequented. Karlach guarding Gortash as they walk through a neighborhood an Urchin Tav lived in. Maybe they made eye contact, maybe they didn’t. Either way fate wasn’t ready for them to collide just yet.
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people like you SUCK you cant make a SINGLE decision you cant play for just ONE team you cant stand on ONE field. youre all oportunists. you dont wanna ever lose and thats gonna be your biggest downfall
is this about me being bisexual, poly or a multishipper?
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I know The Founders Cut, generally, is the edited scrubbed over version of genloss from Showfall in-universe (as well as a not-8-hour-long-three-stream-binge-night whenever we want to watch it again) but something that struck me as odd and I haven’t seen anyone mention yet, is this warning
It shows up right at the junction where the third act starts, where it appears the Hero is breaking free of Showfall thanks to Hetch. But here’s the thing, while a LOT less than the previous acts the audience still played a significant role in this act, even when really only given two audience interaction choices. Which makes me wonder, how real is this warning, and who is it for? Obviously the audience involved knows what happens past this point, but the audience is also implied to be an integral part of the Social Experiments, which is part of why things start to tweak out when the Founder removes them in the Founder Cut as the Generation Loss generation loses.
My first thought, was that obviously this is another bait and switch, a way to draw the audiences attention, seeing something that’s secret, something that’s not “meant for them”, which is a tactic I could see Showfall using in universe to keep people’s attention and add an air of mystery to their shows.
But
Showfall is doing all their experiments and these shows with a LOT of help from their censors to show it off, displaying a fun silly show that is definitely not uber fucked up and that is 100% just slime don’t worry about it, it’s kid friendly if it’s green! And I don’t think they’d want to bet all their cards on this one experiment doing well enough to their audience to not question the sudden shift in tone that follows this warning. Which makes me wonder.
They did their test, they did their experiment, and the evidence of this last act? I think it was a one time run, they don’t want anyone seeing this, it isn’t for the audience. Act three is specifically to both test and play with their Hero, Hetch’s new lines add a level to this, never once does he call the Hero by their name, just refers to Ranboo as their Role, and he’s not exactly. Nice? About literally any of Ranboos concerns, which wouldn’t really seem conductive to making an audience trust him, especially with his monologue at the end. Ranboo has escaped before, possibly right before act 1 started, they tightened the security on his mask to be unremovably part of them, Hetch doesn’t like the Hero but they’re a fan favorite so he can’t just get rid of them.
Act three is the cumulation of Ranboo being punished for things they don’t remember, for daring to break free from Showfalls control, this is Hetch taking the Hero and essentially majorly fucking and manipulating them to take his frustration out on a fan favorite they can’t otherwise get rid of or give a smaller role like Slimecicle. which is exemplified by the fact that we now know Charlie most likely was never able to actually able to fully snap out of the control, that even in act three in panic and confusion there was at least still a part of him being influenced by Showfall.
So the first two acts are the usual show, they have their posters, they have Squiggles to introduce them, they have goofs and silliness and only a couple slip ups that’re quickly dealt with, the usual rose tinted curtains. Act three?
Do not watch the following material
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okay i’ve got to vent about the nicki minaj situation bc yeah. i used to be a hardcore barb for almost 10 years (2010-2019). and when i say a HARDCORE stan i truly mean it, i had a twitter account dedicated to nicki, she was even following me and often interacted with my tweets when she was online. i was absolutely in love with her and her work. i met my best friend, who’s like family to me, because of her. the pinkprint helped me survive middle school bullying. i followed her through europe when she went on tours. i supported every project, stayed chronically online for her and engaged in petty arguments with people on stan twitter to defend her. i fell out around late 2019 because i felt like most of her lyrics had sounded the same for a while but mostly because she started seeing her current husband, a confirmed rapist. seeing nicki pick up a beef after beef with every young female rapper gives me a huge ick and internalized misogyny vibes. but the beef with megan? it’s been years since i last followed news on nicki, but now i find myself losing my mind every time i see something on here or tiktok. not to mention her twitter omg. it truly feels like i’m witnessing her downfall caused by no one but nicki herself. she’s literally destroying her legacy, a legacy tied to so many memories i made during those 10 years while being her fan, and it just sucksssss. it feels like she no longer has a pr team capable of damage control or persuading her to take a break from social media. she seems to be spiraling with everything she posts. not to mention that ben shapiro tweet, congratulating a white, homophobic supremacist. and the barbz who let her remain in her perfect little bubble, shielding her from any criticism, constructive or otherwise (perhaps out of intimidation – i know, i've been there) and doxing people in the name of what? a millionaire to whom you’re a literal stranger?
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spoilers for chapter 429
idk if you guys remember but ochako does have parallels with All Might, specifically as the side who saves. It’s not that he feels the same for them both or something like that, they serve to represent the type of heroism he naturally goes to; his friend is not his love interest, from his perspective she’s out there having a crisis over not being able to save her, and Izuku reminds her that she is a hero bc she is his hero -she saved him multiple times, and she should be able to feel like a proper hero.
This conversation is not about the nature of their relationship, is about heroism; Izuku relates to a conflict between being a hero who saves and failing to save someone, and doesn’t want to see Ochako ending spiraling because she couldn’t also fulfill that role as expected. She’s his hero not because he loves her romantically -he’s a nerd I’m sure he would be way more nervous and blushing if he was confessing anything he thought was romantic- but because she’s able to go and do what All Might does to Izuku, save him physically and emotionally.
He knows she hides her feelings in order to not be a burden, yet he doesn’t talk about his own feelings outside of his guilt in heroics -what does he feel about losing OFA? About his own failures? About the people he personally lost?
He can’t talk for others and claim Ochako is everyone’s hero, but he can speak for himself, and that’s his personal perspective -she is a hero to him, she’s his hero. And then the class appears to make sure she’s able to get support and understand she’s not alone, and she’s important to them too.
but Izuku doesn’t get support. Izuku cries a little and talks a little about himself, but he doesn’t get supported. If this was meant to be romantic, I don’t understand why he would hold back what’s inside of him.
the end of the chapter reveals that boy is going to be helped by that woman who regretfully ignored Tenko, and they both witness it and are happy about it while hearing izuku inspired that change, and iida wonders what’s up with them -this is the conclusion to their relationship.
In their hearts these two are saviors who struggle to be heroes who save others, and they are happy there are appearing more people who want to be heroes like them. Heroes who save. Save like All Might.
That grandma for example, interpreting the narrative as what I think is intended, would be that boy’s All Might; she’s his hero.
Izuku and Ochako are heroes who save, and Deku is here to remind her at least she did save him many times, that she is still a hero because she is his hero. I don’t believe is meant to be interpreted as romantic, not that Izuku sees that phrase as it neither -after all, he said he does want to be like All Might and feels good to imitate him, but he doesn’t love him.
Ochako’s All Might hair moment, the parallels with Toshinori telling him he can be a hero, the trying to save from black suffocating quirks, the we can do it and do your best…
Do I need to remind you heroes arent a romantic thing for Izuku Midoriya?
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