#I’m sorry that I draw them too much!

[turtleblogatlast]

Things I make for myself when insomnia kicks in

Just a chart about what I wanna change up and keep consistent in my art - I mainly wanna draw Raph with a tail because he deserves one, it fits too well. Donnie gets a long tail too because I didn’t realize how dino-like he looks until I gave him one, and now it’s a must for me haha.

[pepperpixel]

SAID HE LIKES CRAZY GIRLS,

BUT HE HATES WHEN I ACT CRAZY,

IT TAKES TWO TO TOXIC!

FINALLY!!! Finished these pics of jinx I’ve been working on!!!!! HOLY SHIT, these took so long…. But finally… they’re done… pls enjoy this art of my beautiful princess w a disorder. Featuring alternate colors for the big pic and also a closeup! Cuz I rlly like how both the lines and coloring on her face turned out… like the pink gradients w her eye… her deer in headlights expression,, like uve just startled a raccoon digging thru ur trashcan and r two seconds away from getting mauled.. m proud of it!

[captain-rickbond]

King Philip the Second of Spain

of Spain

[cerealmonster15]

walks into the function wearing a tshirt that says ASK ME ABOUT MY TOXIC THIRD YEARS POLYCULE HEADCANONS

this map has been stewing in my mind for years i think and i finally wrote it down in the illegible spaghetti way that i always do let's GO

lilia is not in the polycule he's just playing his own game of collecting sons. everyone is his son. he's also going to watch the drama because who doesn't love a soap opera playing out in real life he's got front row seats to the divorce vortex.

cater/trey/rook/vil are the ultimate four way polycule but also oh god theres so much going on there.

cater and trey are a ride or die duo but also trey knows cater sometimes isnt completely open with him but trey has a very passive nature to him as we've seen in book 1 and when he mentions cater's wish to himself in the starsending event... but theyre still close and care for each other a lot and i will die defending them if i have to fjdklsjfds

rook and vil oh my god rook and vil. they are so married. and so dramatic. and so. sdkfjsdkljf a little divorced because rook is also in love with the biggest rival of vils life but that is NOT enough to break their marriage. love finds a way. somehow. fdskjfjksdlg

^ i could go much more into both those duos but we simply. we dont have time we are moving along we are walking

rook and trey beloved science weirdos oh my god every time theyre on screen together theyre so funny. i love odd friendships. science marriage real.

cater canonically flirted with vil even tho it got somewhat censored in engtwst and was partially probably for clout reasons HOWEVER, to ME it's also for bisexual reasons. vil is canonically very pretty and caters like yeah 🧡🧡🧡 vil can see through when cater's being more superficial BUT ALSO they have genuine moments of getting along!!! like in events, beanfest 2 and the puppet one that's not out in eng yet. no spoilers here but there is a bit in puppet event that has me so vindicated on how they really do work well together and respect each other!!!!!!! into the polycule you go.

vil and trey,,, gestures to vil's lab coat story klsdjflksd they get along and it's cute. everybody loves trey.

even leona wants trey in the divorce polycule. no spoilers but please see playful land puppet event / leona's card vignette for that event. and also i think treys platinum birthday card story sljdflksdjf

the extreme difference between how malleus reacts to cater bothering him vs rook bothering him or even just Talking To Lilia is so funny. like he gets along with rook sometimes but in those two pe scenes hes SO aggro he wants that twink OBLITERATED he is going to KILL ROOK HUNT. but he will play tag with cater :^)

leona is the king of divorce. he is divorced to everyone he touches . he invented divorce. he's turbo divorced with vil and malleus because he and vil are just sooooooo. fsdkjfskdlg when therye on screen together it's like passive aggressive but mostly just aggressive bitching and bullying. theyre so funny. they have this energy of like "we have Tension but also i am going to kill you. i begrudgingly respect your abilities but i will only say so with layered insults." like the way vil says "so leona's got a pretty face but that's ALL he has going for him" like. multiple times. why does he keep doing that.

and then whatever he has going on with malleus is so funny. like malleus seems like hes a smug little bitch having fun with the banter [again he wants to Destroy Rook in those PE stories, but leona's blatant insults i feel like he's more teehee you stupid bitch >:)] and leona's just so pissed mad angry forever he's like no i need this dragon fucker DEAD for EXISTING !!! but i think malleus' having fun with the fellow teen experience of stupid razzing

leona and cater are giving me subtle divorced vibes in that one scene in book 2. listen. i have headcanons. ive talked about it. moving on 🚶

rook. leona. i feel i do not need to elaborate jfklsjfkljsekljfkl

idia is so funny. why are his opinions about everyone around him either "oh god hes ultra tier scary" or "he's so sparkly dazzling handsome beautiful". he does this often with no filter and it's so funny. i like that he and leona played chess for like hours or whatever in that one birthday vignette but i forget which one lol i think it was idia's union bday or something

do i have more to say. ive been thinking about them for hours and also years. i can and will talk about them forever i think they are So funny. this is just a messy summary of it all i'm barely scratching the surface i simply cannot go into full detail or this post will Never End GOODBYE!!!!

[mensmommymilkers]

Had to draw the trio from from my fave book by @sarahreesbrennan as I reread for the millionth time 😮‍💨 They’re so fun

[driftingballoons]

Day 6: Farewell

Imagining it takes Partner a while to feel comfortable letting Hero out of their sight

@heropartnerweek

[vellichorsdesire]

day 48367 of blue hydrangeas domestic life au being my most favorite au everrr… we’re going shopping!!! ^_^

==

taglist: (interact with this post/let me know wherever if you’d like to be added or removed!! first time doing this thank you guys eeee 💗💗💗)

@hauntedhallwayzzz @artistlara @melomacaron @milkmallow28 @champmorado @heartofbalemoon @astral-express-family @sunflawyer

[fishyfarms]

NO WAY!! Your art is so yummy and you offered an OC doodle? Insane!! Here, take Farmer Dee. My chronically late doing their best farmer!

Theres other portraits and some facts about them on my blog if you wish!

YOU ARS SO SWEET OMG TY FOR HANDING ME DEE I LOVE THEM DEARLY!!! I love that they’re smitten with both of the town gingers I too am enraptured by Leah’s beauty to the point that I cannot speak….ALSO their winter outfit is just so cute the earmuffs are so important to me so I hope you don’t mind me drawing them wearing them!!!! They’re so cute fr fr ty again for sending in a request!!! 🫶🫶🫶

[3584-tropical-fish]

Last day! Thank you for running this @podcastgirlsweek !! It was very fun :)

Free space!

Just a doodle page of some of my faves that I spent far too much time on for a doodle page, but I like it

[zipora666]

I got it couple days ago this week! I love it! 😭 💜 my childhood dream to buy APHMAU’S merch! Love her videos (some people think it’s childish I just love how she’s silly and her friends are so iconic and they just have fun playing minecraft lol 😆 plus the videos idea insaneee)

Small doodles/drawings

Have this silly bird

Silly koko

by the way....

Have sneak peek for my next big post!✨☀️🍸🧉🍦🍧⛱🏖

[seagull-scribbles]

what if they where T4T?! What then?

[olgunny]

I forgot lisas birthday.. 9year

[gremlins-hotel]

After driving about 8-9 hours yesterday, man I had some thoughts.

Do you ever look at the names on the billboards and highway signs you pass by? The people of the small blink-and-you-miss towns that in the mind of a driver only seem to serve the purpose of breaking up the monotony of the road. Names that if you were to search them would most likely bring up no results except for an obituary and a grave marker. Who were they to those towns, who were they to their families and the people around them that wrote about them, what made them so beloved so as to rename the streets or have a sign made in their honor?

And as your tires eat away at the miles and the minutes do you ever gaze out at the roadside and wonder how it came to look that way? I can sit and know and tell myself that yes, Texas was once part of the seabed of the Western Interior Seaway, which split North America in two, and that is why we have so much limestone and why our elevation is so low. Why we have the Edwards Aquifer as we were molded into a bed of karst at the tail end of the Great Plains. But what specific current made it so that we were perfectly hilly as you reach the Edwards Plateau? And how goofy must we look as you go from the tall, straight pines and forests of the Eastern Woodlands to the yawning deserts several hours west, having to cross through every biome in between. What winds and rivers and floods and storms shaped my seabed home into the geographical crossroads that it now occupies?

Do you ever think too much on how that influenced the way people lived when they came to live in those places? In all of Texas’ rivers it brings the alluvial floodplains that would later feed crops, then commercial farms as the course of history took. The draws formed by rains and that were used to hunt bison that would also one day break hooves and ankles in the age of the cattle trails. Who knew mesquite had so many uses? And though so many of them lay still and dormant half the time, the fact that we have enough wind for people to sport the great twisting turbines in an effort to try and be green.

I know I’ve never gotten to really travel outside the United States but honestly I wonder how I could answer these same questions if I did. What would I find if I looked long and far? And even driving through my home country, they still stand. What of the ontogeny of the Appalachians? The windward caress of the Rockies that made the Pacific Northwest? The evidential meteor that may have influenced the Chesapeake?

[sweetandglovelyart]

I decided to try designing a Metadede child and a Taransusie child, this is Meta Knight and Dedede’s daughter Cintia and Taranza and Susie’s daughter Clover. Before anyone asks how they exist, my lore for them is that both of them are clones, but instead of being cloned from one person they’re cloned from a combination of two people. I have more backstory about them and explanations for their names under the cut.

I wanted to give Cintia a moon-themed name (because of the moon theme in the final battle against Meta Knight and Dedede in Kirby Fighters 2), and I also wanted her to have a Spanish name because of Meta Knight’s accent in the anime. However, I didn’t want to call her Luna since she’s a princess and I didn’t want anyone to confuse her with the My Little Pony character Princess Luna. Cintia is the Spanish version of Cynthia, which means moon/is related to the moon goddess Artemis, so I called her that instead of Luna. The little gold and black design on her crown is supposed to be a crescent moon to further convey the moon theme. I feel like Meta Knight would call her by her full name most of the time but he might call her “mija” (“my daughter” in Spanish) or “pingüinita” (“little penguin” in Spanish) as a little affectionate nickname lmao, Dedede and most of the other characters would just call her Cindee.

For Clover, I wanted to give her a floral/plant themed name since she’s the princess of Floralia (in my AU of things Taranza becomes the king of Floralia after the events of Triple Deluxe, so that makes Clover a princess). Four leaf clovers are also symbols of good luck, and each leaf of a four leaf clover represents luck, faith, hope, and love, so I thought that it would be a nice meaningful name for her. Her full name is Clover Maxine Haltmann, she has Susie’s last name since Taranza doesn’t have one and her middle name is Maxine in honor of her grandfather Max.

Clover is the first one to be cloned, when Taranza and Susie are engaged and are preparing for their wedding. They go visit another planet to establish diplomatic relations between Floralia and the aliens on that planet, and after they mention that they’re getting married soon the aliens ask them if they’re planning to have kids. Taranza and Susie explain that they can’t have kids the usual way since they’re different species and that wouldn’t work, but the aliens are experts at cloning and have technology that allows them to clone children for couples who are different species. The aliens clone Clover as a wedding gift for Taranza and Susie, not realizing that the two of them saying that they couldn’t have kids didn’t necessarily mean that they wanted to have kids lmao… it all works out though, Taranza and Susie didn’t expect to get Clover but they’re still happy to have her and they return to Popstar with her. After seeing Clover, Dedede and Meta Knight decide that they want to have a kid, so they go visit the aliens and ask them to clone one for them, and that’s where Cindee comes from. I drew Cindee and Clover as little kids here so I could give them some outfits and convey their personalities a bit, but I’ll have to draw them again as babies.

[ehhgg-art]

ok i drew tucker. time to draw him making out sloppy style with agent washington

[luminitewrites]

I’m back to thinking about SJ avatar style, so get ready for some rambling.

CW: mentions of trauma and abuse via administered electric shocks

One thing’s stuck in my head about this particular AU of an AU. Leading up to the revolution where animatronics are granted rights, I would think one of the main driving forces behind that is animatronics discovering the ability to bend as well. Up until then, they’ve been treated as machines beneath humans. Not all humans can bend, but they are the sole beings who can. That is, until animatronics discover on their own that they have the ability to bend water, air, earth, and fire—lightning, metal, lava, and ice, every and any iteration of the four elements—just like humans can.

I don’t think it would take them long to discover that they are equivalent to humans in this manner. So in an effort to control the animatronics and hide their bending prowess to further the mindset that humans are above machines, chi blockers would be introduced. Maybe in this specific world, it’s a chip inserted into the animatronics that keeps them from connecting to the elements or figuring out if they even can bend. But nothing can ever be kept silent forever, and when word gets out about this process, advocation for animatronic rights begins to ramp up full throttle. You can only bury the truth for so long before someone else comes around and digs it up.

That’s all to say that I believe the extraction of these chi blocking chips, while severely dangerous but doable with the correct knowledge and force, is exactly what the daycare attendants learn. It starts with Eclipse enduring a terrible cruel shock from the owners for not responding to their call quick enough. What they don’t account for is how this continued abuse is just what he needs in order to dismantle the chip that’s kept him from an intrinsic part of himself since his creation.

In the shadows of the daycare one night, he unscrews the panel in the back of his head, finds the partially working chip, and rips it out.

He blacks out and comes to hours later, hooked up to a charging port and the owners screaming at him because they’ve had to close the daycare for the day due to his supposed incompetence. His fragile wires in the back of his faceplate are still exposed, but the humans make no mention of it, having no understanding of what’s happened or what he’s done.

And that sets into motion what few other animatronics have come to learn on their own: that the chip is removable, and something crucial has been kept from their reach for far too long.

I think there would be a more violent uprising. Those who regain their bending are still outnumbered, but their message reaches the ears of the people who do care, and it becomes a unity of animatronics and humans demanding equal rights be granted. Freedom is still an uphill battle, but it doesn’t escape their grasp.

Like the events of SJ, I imagine that Sun, Moon, and Eclipse still don’t break free until animatronic rights have been established, and the owners have to kick them out. But there’s a strong chance that prior to that, Eclipse removes the chi blocking chips in each of his brothers’ heads, a methodical surgery that comes with the unfortunate need to fry the things first before they can be removed. And wouldn’t you know it, he just so happens to be a firebender with the unshakable urge to use his ability to take back what they are all owed.

He’s not as precise with his fire, still new to it aside from the secret snatches of hours he’s practiced creating it with his hands. He nearly ends up scorching Sun’s delicate wires, something that has him even more afraid to try it again, especially on Moon, but they need this freedom. They need to know like he does what was stolen from them. They need to have it to be ready in case… just in case.

Moon takes to his waterbending like a duck to water. He does have a brief incident where he accidentally gets spooked and ices his hands and nearly panics, but Eclipse melts it right off with a heated flash of his palm. Sun’s practice is a little less than stellar in his eagerness, not for lack of want but because his bending doesn’t come right away. It doesn’t click like it does with the others, and it causes a deep frustration in him that he might not be a bender like them. His frustration and disappointment grow until one night during a practice session following a truly rough day, he claims that it’s just not going to work and in a rather rare show of deep upset, he kicks a stack of crates, wanting to just channel out some of that hurt in a harmless way.

The ball of fire that shoots from his foot lights the crates ablaze, and the three brothers have to quickly stamp out the fire before it can grow. As soon as it’s controlled and doused, Eclipse rounds on Sun with pure excitement that shows the flames of hellfire in his very eyes, and he clasps Sun’s shoulders and proudly tells him that that’s what he needs to channel his fire. He needs anger, he needs rage, just like Eclipse. That’s how he can bend. Eclipse will show him how.

Sun is… not enthused by this. He’s not angry; he was just frustrated. A small moment of anguish because of how he wants to have this connection with his brothers. Moon doesn’t need anger to waterbend. It just dances to his call like it’s meant to.

But with no one else to teach him and with Eclipse being so proud of Sunny for being just like him, proving that he’s right about this, Sun can’t say no. He begins to learn the way Eclipse wants him to, and he struggles to voice his discomfort at needing rage to kindle his fire. It’s why it doesnt come as a shock to him that his fire staggers and fails to remain bright and beautiful after the small incident.

Sun isn’t angry, not truly. He was made for love and compassion and justice, but not anger. His fire is never as brilliant as his older brother’s, and though Eclipse keeps pushing him and encouraging him in the only way he knows, his own frustration at Sun’s inability to progress is still just under the surface. He blames the owners, of course. They’re the ones holding Sun back. They must be, since they’re to blame for everything else.

When they are freed, it is no less rough. But Sun is exposed to a whole world of possibilities, and in the long spans of Eclipse’s absence as he fights to make them survive, Moon spars with and teaches Sun what he’s learned. To their surprise, Sun is able to apply it to his own bending, and together, they create a bond built on striving to use their bending to make the city a better place. They train endlessly so that one day, they can use it to show their strength in the police academy.

It’s the first of many walls that build between them and Eclipse. And it highlights the forces behind their bending that let them become in tune with their core elements. Slowly realizing that this will be the start of what separates them, and the first time Sun and Moon turn their bending on Eclipse without holding back is when they’re detectives and jumping out of range of his sizzling dark blue fire.

That’s when they’re certain there’s no turning back now. Eclipse has already burned the bridge between them and now uses the very tool that he taught them how to wield against his own family. He has become like those he hates, those he blames and faults for the city’s imperfection. He lusts for power and control, and when the old daycare is set ablaze in searing blue fire one pitch black night, it’s just another step in that direction. And wouldn’t it be ironic if he starts the blaze with an electrical fire, envisioning all those days spent under the fury of the owners’ controlled shocks and using those horrid memories to fuel his anger as lightning turns to flames.

The detectives are powerless to do anything but fight back, and it leaves horrible scars that are visible to no one but them.

No one, that is, until the vigilante comes around.