#I'm not gonna do 20 people either

[apocalypticdemon]

I would say I have no explanation for this, but uh. I really do. Behold: the first ideas for a Terror IndyCar AU that has possessed me for the last 36 straight hours. It would not leave me alone until I put some of it to paper.

Behold: Crozier as an established, relatively liked, if cynical, driver, upstart rookie James Fitzjames, and Hickey, who is, as always, totally normal and not causing problems.

The art is rushed, but I needed to purge the demons as fast as I could

[cemeterym]

i'm begging my uni to stop making every fucking student social activity something where you have to walk around a bunch if you are a slow walker who cannot help it they literally want you dead

[themonsterunderthebed]

guys it's time we all talked about your use of the words "young" and "old"

you seem to think. that this is a binary. a person is either young. or a person is old. i am here to give you the joyful news that there is a whole swath of time - the majority of your life, even - where you are no longer young but are also not yet old. something in the middle, so to speak. a..... middle age.........

but seriously the reaction to people calling a 38 year old (which is ridiculous) does not need to be insisting that 38 year old is young (ridiculous in the other direction). like. they're not. sorry. they are nowhere near old but they are no spring daisy anymore either

in summary life does not exist on a strict binary where you are Young until one day a switch flips and you are Old and perhaps it is a minor quibble but i think it would do people good to realize and recognize that

[welcometogrouchland]

Absolutely fascinating to be in the middle intersection of knowing that Thing is really popular, and that because Thing is popular there's a fair bit of vocal backlash to thing (because people are very mad Thing is popular when they don't like it) and you find yourself running through the unpleasant takes (not bad, just not what you're here for) from people who don't like Thing like snow white running through the scary fucked up forest until you finally find the fucking cottage where people who like Thing talk about Thing. Then you pass out in the cottage and when you wake up a bunch of small and opinionated creatures still carrying their burdens from the content mine arguing about Thing and also now your presence in relation to Thing bc you were clearly fleeing from the bad takes forest. This metaphor isn't what I wanted it to be but you get the idea

[galwaygremlin]

currently without a mode of transportation in a part of town that’s REALLY not walkable and i feel bad for taking rides from my coworkers but not bad enough to spend $60+ on Uber every day

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[the-acid-pear]

Yesterday I had 3 thoughts but I was like I'll remember tomorrow I won't wake up to type them now and I forgot two BUT I remembered one of them so that's huge

[einaudis]

.

[sturn-saturn]

hey baby girl

pairing: fem!pregnant!reader x husband!chris

warnings: just cutesy stuff <3

a/n: i thought of doing this while watching shameless 😁

week 20: "hey, baby girl!" chris says as he holds up a camcorder. "so today, mama and i went to the baby doctor and we found out you're a girl!" your husband turns the camera to you and your hand is placed on your baby bump rubbing it up and down while the other is holding up your ultrasound pictures.

"we're so excited to meet you baby girl!" you smile kissing the camera goodbye.

week 21: "hey, baby girl!" you say holding the camera. chris is upstairs in your shared bedroom still sleeping. "as you can see, mama just woke up, i'm very tired but dad i have some errands to run so we can prepare for you to join us in 19 weeks. so the plan for today is to visit your grandparents, dads parents, then we're going out to target to look at some onesies for you and little socks to keep your tiny toes warm, after is the grocery store. i'll be sure to get some yummy stuff so i can keep you and i fed! alright baby girl, catch you later!" you say kissing the camera once again.

week 22: you and chris were on the couch watching coraline since it was your favorite comfort movie.

"hey baby girl!" chris says holding the camera up to face you both has his other hand is rubbing your belly gently.

"so right now dad and i are watching my favorite comfort movie because i wasn't feeling well today."

"her tummy was cramping but don't worry, it wasn't your fault. you're our baby girl, you could do no wrong." your husband says with a big grin.

"i'm hoping when you're older you enjoy this movie as much as i do. your dad and i actually watched this on our 5th date i believe." you smile.

"alright sweetheart, mamas gotta get her rest, see you tomorrow!" your husband says kissing the camera.

week 23: "hey baby girl! alright so we are in the car right now and todays plan is going to the doctor to make sure you're healthy and see how much you've grown. after that we need to find a bassinet for you to get a good nights sleep!" chris smiles at how cute he finds you.

"there are so any people who can't wait to meet you sweetheart. 4 grandparents, a bunch of aunts and uncles, our friends too!" he adds.

"you're so loved already, honey. okay we're here! time to go!" you kiss the camera.

week 24: "hey baby girl so today, uncle nick and uncle matt dropped by and got you some presents. they got you the cutest onesies, some baby bottles, and toys! we know you wont be able to play with toys until you grow a bit and get used to the new world but you are going to love them! also dad has something to say." you hand the camera to chris and get up to get a snack.

you over hear your husband talking to the camera and your eyes soften looking over at him.

"mama and i are gonna do everything we can to protect you. we will support you in anything you want to do. the only things we want from you is to be a good person and spread love. also you have to play lacrosse or hockey like me and your uncles did!" he laughs.

"chris what if she doesn't wanna play either of those?" you ask.

"well what every she decides to play she's gonna be amazing. she's half of you anyway. bye darling!" he yells kissing the camera.

week 25: "hey baby girl! we're currently at grandma and grandpas house for a little cook out with the family." you say showing everyone around.

"are you guys making a little vlog for the baby?" jimmy asks.

"we are!"

"mind if i say a few words?"

"not at all!" you hand the camera to jimmy and you use this time to rest your arms a bit.

"alright sweetheart. as you know, i'm your grandfather, your dads dad. i just wanted to let you know that i can't wait to meet you. you're my first grandkid! as much as i love my boys, i've always wanted a girl in the family and you're finally making that dream happen. i will definitely be taking you on fishing trips so get ready!"

jimmy hands you the camera with a big smile on his face. "you're gonna be a great mother, honey."

tears start to well in your eyes from the love you've received from your husbands family throughout the years. you thank jimmy and you kiss the camera goodbye.

week 40: "hey baby girl!" chris whispers. "today is a big day. mama felt some extra kicks last night and it turns out you're coming today! she's currently resting right now so she can use all her energy and strength to bring you here. keep this between us, but your moms a superhero." he smiles.

"chris?" you mumble. "come here."

chris comes over with the camcorder in his hand with a look of concern on his face. "what's up mama?"

you reach your hand for the camera and he hands it to you.

"hey sweet girl. i'm sure dads told you we're at the hospital right now waiting for you to come. it's currently 10pm and we're all super tired but this is all worth it if it means we get to finally meet you." you smile lazily.

4 hours later...

the doctors all finally left the room. they said that was the easiest delivery they've had to work through. chris is currently standing with your baby girl in his arms facing the window to see the city lights.

"hey clara." chris whispers rocking his daughter back and forth gently. "mamas resting again. the doctors told her she did a great job! i told you your mom was a superhero. in just 3 days you'll get to come home with us. how exciting is that!? grandma and grandpa are coming tomorrow to see you as well as your uncles. i love you baby girl. goodnight." chris kisses his daughters head before setting her back in her bassinet.

he relishes in the feeling of being a new dad before he drifts off into a good nights sleep.

taglist:

@sturniolos4life16 @hoeforchrizz @luckyscharms @emely9274 @chrispotatos @weirdratperson @simpson12 @ilovemenwithlonghairr @angeldvstee @pussypie456 @valentinasturniolo @chrissturnioloenthusiastforlife @cravingchrissturniolo @wonnieeluvvr @flouvela

[pinkcarsupremacy]

Okay in all the drama of yesterday's race I feel like we overlooked the F1 movie teaser and we need to talk about what the hell was going on in that.

So we start with 60yo racer Brad Pitt telling the audience and uh someone else that their car is beat on the straights by "Red Bull, Ferrari, Mercedes, Aston and now Mclaren" (as an Alpine fan I understand the plight) and that their only chance of beating the other teams is to battle in the turns and I quote "we need to build our car for combat" (never underestimate Americans and their ability to turn something into a war analogy)

After that bizzare statement the following exchange occurs:

Yeah fuck safety!! The FIA is actually involved with the making of this film if you're wondering.

From here on there isn't actually anymore dialogue and it's just a bunch of racing and track team shots set to 'We will Rock You'. It was here that it dawned on me that this movie is gonna be super bizzare. Despite all the noise about them filming on track at live race weekends it never occured to me the other drivers and teams would actually feature in it. I'm not even sure what I thought they were going to do but I assumed it would involve a lot of CGI.

But nope turns out this is actually just a strange self-insert film where an 11th team featuring 60yo Brad Pitt and his younger teammate will compete against real F1 drivers? The $300 million budget is starting to make sense - maybe they had to pay the other drivers a salary. I think one glaring problem with this is that it means there won't be other characters in the movie (excluding team members of the fake team) because the other drivers and team members are uh real people? Now that would be fine if it was a biopic like Rush where everyone are actors but here we have 2 actors and 20 real drivers (who are quite literally at work btw) and any interaction between them and the actors is gonna break the immersion of the film so badly.

Sidenote here's one of the Apex cars abusing a Williams - not the kind of behaviour that endears me to either of the fake drivers ngl. Probably should have picked a more disliked team to clown on.

Now I actually went and read an interview with the 2 directors to try and work out what is going on. At one point in this interview, Jerry Bruckheimer says: "It’s the only sport where your teammate is also your competitor, and that’s great drama in itself. Just think about that; you’re fighting with your own teammate for a place on the podium. And everything we use in the movie actually happened in an F1 race. Nobody can say: ‘That would never happen.’ It happened."

So in other words the teammates will fight and it will be based on real life events? Yeah unfortunately I'm getting Perez and Ocon in Force India vibes from that (those 2 shots pretty similar huh).

There was also this in the interview which is... I mean I don't really know what to take from this but it's certainly interesting. As an Ocon fan this quite literally strikes fear into my heart (why was he of all drivers named...) but we'll have to wait and see I guess.

[teaspacebar]

spiced chai

pairing: carmen "carmy" berzatto x reader

summary: you've been living in chicago for about a year, and you're suddenly managing the coffee shop in the well beloved bookstore, nan's. you meet carmen berzatto on a not-so-good day. you're thrust into the everchanging societal landscape that is making friends in your 20s..

word count: ~9.7k

warnings: language, depictions of mental illness, barista!reader, afab!reader (but tried to be as neutral as possible), neurodivergent!reader, they don't kiss, could be read as platonic tbh but there's crumbs in there if you look, takes place over the course of a few months, probably doesn't follow canon fully (i'm not caught up yet forgive me)

a/n: *dumps this here and runs* but actually this piece of writing appeared in my brain and i've been picking away at it for a couple of months. i feel like i've put more of myself into this fic than with anything else i've written, so this is definitely more of a self insert (pls be kind or don't read if that's not your vibe). i'm queer, non-binary, and autistic and i just wanted to insert that into this space. i feel like there's more to explore here, so i might write more for this if i feel so inclined.

Meeting Carmen Berzatto was not on your to-do list for Tuesday morning.

Not that having to run down to the nearest corner store to grab milk - since the milk fridge was on the fritz…again - at 4am was in your plans either. It always seemed like one step forward, three giant leaps back with the little shop on the corner you basically called home. It was weird, to be thrust into leadership as your manager made an abrupt exit. 

The small bookstore, with an even tinier coffee shop, had been your place of work for the last year or so. You loved it. The people were great, and Nan, the shop owner, was absolutely lovely. She was getting up in her years, but the genuine care she had for the employees made all the difference. She put her trust in you to run the cafe, saying “You have the experience, and the care you have for people shows. I know this. Everyone knows this. Now you just have to see it - have confidence.”

“Confidence my ass,” you mutter, carrying five gallons of milk around the corner.

What happens next might have been considered the beginning of a rom-com, but you’re a realist, and the world is shitty.

There’s a crash, and the distinct sound of three of the five gallons of milk dropping onto the sidewalk. You stare, watching in slow motion as the milk forms into a river, dripping off the sidewalk into the gutter.

The person who ran into you curses, “Shit — fuck, sorry, I—I wasn’t looking where I was…dammit.”

You grip the other two jugs in your arms, blinking out of the haze to let out a hysterical laugh. “Great…cool cool.” Cold plastic bites into your fingers, and you take a deep breath. “Yeah, okay, what else was gonna happen?” You finally look up to see the one you collided with. The man looks extremely uncomfortable, foot tapping like he wants to bolt. Plastering on a smile you shake your head, “It’s fine. I’m the one who thought carrying five gallons of milk would be fine.” You ramble on, trying to ease his nerves, “I mean — why would I drive, like, thirty seconds. Park, get the milk, come all the way back. Seemed stupid…but now there’s milk in my socks.” You grimace, fighting the urge to chuck the remaining jugs of milk in the street so you could also hurl your milk-soaked shoes and socks after them. It makes the ache in your chest sharpen.

“Here, where are you —“

You cut him off, “No, no, it’s okay. I got it, thank you.” You gesture to the door that’s just a few feet away from you. “This is me, anyway.” You adjust your hold on the milk, brushing past the man to pull open the door. You catch it with your hip, not daring to look back as you head behind the counter. You release a sigh, setting the bane of your existence on the black speckled marble. 

“Fuck,” you whisper, pressing the backs of your hands to your eyes. You shake out your arms, biting your lip. “Okay, asshole, let’s get your shit together.” You quickly put the milk into the small fridge below the bar and walk to the back. The squish of your socks curdles your stomach, and you breathe through your mouth to avoid the smell. You take off your shoes, throwing them into a plastic bag to take home. Tossing your socks into the garbage, you grab your replacement sneakers and socks from your cubby. It wasn’t the first time you’ve dropped something on your shoes, it wouldn’t be the last.

You take your time in the back. You had gotten to the shop around 4am, unable to sleep. You were messing around with recipes, seeing if there was a possibility of baking some of the food in the cafe fresh, instead of outsourcing. It was something you put on your own plate, and you didn’t want to disappoint Nan. You had shown up early, looking to try out some muffins, and noticed the fridge had been hovering at sixty degrees all night. You’ll have to grab some more milk before the day starts, but that could be a problem for 8am you.

Walking through the swinging doors, you jump as you see someone at the bar counter. Pressing a hand to your fluttering heart, you finally take in the man that had run into you earlier. A mop of curly hair on his head, white tee, very blue eyes…and standing behind eight gallons of milk.

“Um…” you look between the milk and him a few times.

“The…uh – the door was unlocked. Figured I owed you one.” He rubs the back of his neck.

“How’d you even get it all here?” 

“Made two trips.” His gaze snaps back to you as you laugh, this time more genuine. “Fridge go out, or somethin’?” You’re still staring at him like he has two heads, and he rambles on, “Sorry for just…barging in. I used to go to this place…when I was kid. My sister and I would grab whatever pastries they had left for the day. And, yeah, we’d just sit, read random shit. I work at the restaurant just down the street…’s why I ran into you. Wasn’t paying attention – sorry, again.”

Suddenly, it all clicks. “You own The Bear.”

“Uh, yeah – yeah, I do.”

You feel nervous, out of the blue. Nan hadn’t stopped talking about the Berzatto’s, and Natalie had become a regular while the restaurant was being remodeled. You’re sure you’d seen other employees come in as well, for reading material. You vaguely remember talking to a very sweet man about baking, as he carried a ton of cookbooks in his arms.

You knew Carmen Berzatto, but only through the words of others – and the research you did late one night because you were nosey. To have him standing in the bookstore you worked at, for him to have gotten you milk, is sending you for a loop. Swallowing a lump in your throat, you begin to put the milk in their new home. You really need to call the refrigerator guy again. 

“That’s so cool,” the words fall from your mouth, others staying in your head. 

It's insane that someone like him is even speaking to you. He’s around the same age as you; He owns a restaurant and you’re barely able to run a tiny coffee bar in a bookstore. You’re an idiot who dropped milk onto the sidewalk. Why didn’t you just take the car? You should’ve just taken the car. Now Carmen fucking Berzatto has bought you milk at 5am because he feels bad for you. How pathetic. Call the fucking refrigerator guy.

“Thanks…for the milk.” You back away from the counter, gesturing behind you, “Lemme grab some money from the cash box real quick.”

“No, don’t worry about it.”

“It’s really fine, you didn’t have to go out of your way. I’ll be right back.” The itch creeps its way up your spine, and you push through the door as a shudder passes through you. You shake out the twitch, going and grabbing the cash box. You do mental math, trying to see how much you should give him. Did he even need the money? “Idiot,” you chide yourself. Today was not the day for your brain. 

Snagging a twenty and a ten, you rush back out to the bar, only to find the store empty. A groan escapes through your teeth, and you clench the cash in your hands, crumpling it. You walk to the front door, peering out to see if you can spot the chef. He must’ve made a quick getaway. As you turn to get prepped for the day, you spot a brochure on the counter, far away from its home of the stand at the front of the bookstore. Eat Your Way Through Chicago! 

Scribbled on the front is a phone number, and the words:

Fridge  Ask for Fak Say Carm sent you

“Fucking fuck.” You whisper, a smile creeping on your face against your will, “Asshole.”

It’s later in the week when you hear the bell attached to the front door – ding! You poke your head up from where you're arranging some alternative milks under the counter, seeing a familiar blonde.

“Hey, Natalie!” You pop up, an easy grin appearing on your face. “Half-caff?”

She nods, “Please.”

“How are you?” 

“Oh, you know.”

You ring her up quickly, then grab a pitcher to steam some milk for her latte. Natalie walks away from the counter to browse some books. The steam wand whirs, and you watch the vortex inside the pitcher. You touch the sides every so often, waiting for it to get to the right temperature. Making drinks is all muscle memory now, and you tamp the espresso grounds into the portafilter with precision. Wiping the excess from the lip, you lock it into the machine and press the shot button. As the shot pulls, you wipe down the steam wand with a wet cloth. 

“Is this any good?” Natalie has come back over, holding up a book with a half-naked man on the front.

You laugh, “It’s a Nan recommendation, so…” The shots are poured into the paper cup, and you swirl the milk into it, doing a quick tulip design. You sprinkle a little cinnamon over the top, before placing it in front of the woman.

“Smutty then, for sure.” Natalie laughs, then does a little excited gasp when she sees the latte art. “It looks so good every time!” 

“Thanks,” you reply, “Gets covered by the lid, but it’s fun to practice.”

“Too bad you don’t have for-here mugs,” she says thoughtfully.

“Ever the idea-haver! There'd be more spills to clean up – Nan would lose her mind if any books got ruined.” You point to the book still in her hand, “You want me to ring you up for that?” It was early enough in the afternoon that the only other person here was a part-timer, Jack, somewhere between the shelves stocking books. You had convinced Nan to upgrade to a different register system (which ended up saving money in the long run), so you’re able to ring up both books and café products at your register. 

She shakes her head, sighing. “I barely have any time to read, these days. I was thinking about trying out audiobooks? I used to listen to them at my old job, but it’s way too loud in the kitchen for that to work out.” The latte goes to her mouth, a pleasant hum leaving her as she takes a sip. “You’re the best.”

“Thanks, Natalie.”

She squints at you, “It’s Nat, c’mon.” A big conspiratorial grin makes its way onto her face, “So, I heard that you got some help with your fridge.”

A sharp pain twists in your chest. “Oh, um…yeah.” You let out a soft chuckle, “It’s working, which is great. Neil was a big help.”

“He said you made him the best hot chocolate he’s ever had,” Natalie taps the counter with her pointer finger twice. “Said he didn’t know how you got his number, though.” 

You shrug, wiping down the counter, “Nan had it. And the usual guy wasn’t calling me back.” Neil had told you the exact same thing, both about the drink and the number. Something had held you back from saying where you got the number from. Embarrassment, maybe? It felt weird, feeling like you owed anyone favors, or that things would be unbalanced. People usually never give without looking to receive.

“Frankie, right? He’s an asshole. Overcharges for everything.” Natalie doesn’t push you for answers, something you’re grateful for.

“Right! He disappeared one time and said he’d ‘be right back’ and then was gone for like, two hours! And he added that to his hourly!” The two of you giggle at the shittiness of people for a minute, when a ping causes Natalie to pull her phone from her pocket.

“I should run.” She reaches into her purse, and puts a five into your tip jar. “Thanks again!” 

As she turns to go, you call out her name. “Would you - maybe - I have some extra muffins. The place we get them from gave us some of the wrong ones…or they’re a tad over baked, or something. I can’t sell them. Would you wanna take them with you?”

“That’s so sweet of you! Yeah, I’m sure they’ll get eaten up.”

You grab the box of muffins, handing them over to her, “Thanks.”

“Thank you, babe.” She leaves with a smile, and you look down to brush the flour off your apron. 

“Hey, guys, I got some goodies!” Natalie sets the box of muffins on the table, where everyone is seated for family meal. 

Neil immediately grabs the box, pointing to the sticker on the top, “You went to Nan’s? Man, I could use a hot chocolate right now.” 

“I’m sure you can walk over there and order one, my love.” Natalie replies, waving for him to put the box back on the table.

Marcus snags two muffins, handing one to Sydney who is sitting on his right. Taking a bite, he stops chewing, eyebrows raised. “Dude,” he nudges the girl next to him.

“Dude,” Syd parrots, popping some muffin into her mouth. “Wait, woah.”

“That’s what I’m saying!” 

“Nat, where did you get these?” Sydney calls to the woman now sitting at the end of the table. The muffins are passed down the rest of the table.

Marcus has started dissecting the muffin, “Macadamia nuts, sick.”

“Oh they’re from Nan’s just down the corner!” She tells them how you offered them to her since they were the wrong ones from a vendor and possibly over-baked.

Syd snorts, “Over-baked? These are perfect!”

“What’s perfect?” Carmy walks out of the kitchen, wiping his hands on a towel.

“Bear, come eat!” Natalie waves him over, pulling him into the seat next to hers. “You’ve been at it all morning, take a minute, okay?” She gives him a look that tells him not to argue, and he huffs in response, but does as she says.

“What’s perfect?” He asks again, taking the muffin box from Sweeps as it’s passed to him. As the cinnamon crumble topping hits his taste buds, he leans back in his chair. “Shit.”

“That’s what we’re saying!” 

Syd and Marcus begin talking over one another, the dull roar of family making its home in Carmy’s ears. He has another bite of muffin, thumb swiping over the sticker atop the box.

Nan’s Books & Brews

Simple lettering, surrounding a doodle of a coffee cup sitting on an open book.

“When did they,” he clears his throat as he leans closer to Nat, “when did they start doin’ stuff like this?”

Natalie purses her lips, “Not sure, honestly. They only had that small coffee machine and that plastic pastry case when we were growing up, remember? I think they added the actual coffee bar right before Covid?” Carmy nods, looking out the windows, a curdle in his stomach.

“A lot’s changed,” he murmurs.

“Yeah,” Nat sighs, a hand over her stomach, “a lot has.”

A few weeks go by, as uneventful as they can be. You try out more recipes, and the staff of Nan’s is always sent home with one treat or another. Muffins, cinnamon rolls, croissants (which were a bust), and the like. Natalie is still a regular, and Neil has shown up to save your ass more than once. The brochure with his number on it taunts you from where it’s stuck up on the corkboard in the back.

Which is what has led you to standing in front of The Bear, a joe-to-go in one hand, paper bag in the other. An envelope burns in the inner pocket of your flannel jacket. Steeling your nerves, you knock on the door. Some yells are heard from inside, nicknames getting passed around like it’s a holiday dinner. You see a man walk towards you, in a nice suit, and he opens the door.

“Can I help you?” It’s not said unkindly, but there’s a look in his eyes that’s making you nervous. 

“Coffee delivery?” You say sheepishly, holding up the coffee traveler by its cardboard handle.

“Richie, who’s at the - hey!” Natalie immediately smiles when she sees you, and you sigh a breath of relief. Things were easy with her; she had this amazing way of comforting you without even trying.

“Hi,” you wiggle your fingers, still keeping hold of the objects in your hands. “Wanted to say thanks for all the help Neil’s been giving me, and when Nan found out, she insisted I bring over some coffee for the team, so…”

“You workin’ at Nan’s?” The guy - Richie - asks.

“For the past year or so, yeah.” You reply, thanking Natalie as she grabs the paper bag from you.

“Let them in, Richie, c’mon.” She presses on his chest, causing him to back up with his hands in the air. “Come in! I’ve been meaning to ask if you wanted to come by for a tour.” You follow behind her, taking in the layout of the place. It’s absolutely gorgeous, and a sense of awe falls over you. She has you set the coffee traveler on the bar, letting you take the paper bag from her hands. You pull out a cup holder with two cups in it.

“One half-caff french vanilla latte for you and…a hot chocolate for Neil.” As if by magic, Neil pops through the door to the kitchen.

“For me?!”

You chuckle as he pulls you into a hug. When he pulls away, he grabs his cup with a happy sound, rushing back into the kitchen when “Fak!” is yelled.

“The fuck Fak get a coffee for?” Richie frowns, causing you to bristle. Natalie swats at him, beginning to explain as you continue to walk around the restaurant. As you pass by a wood table, your fingers tap on it, the sound echoing in your ears. It sends a shiver through you, and a small smile appears on your lips. 

Natalie calls out to you, tearing your gaze back to her. People have begun to swarm around the bar, placing food on it, and your coffee is suddenly surrounded by things that smell amazing. “Did you want to eat with us, babe?” Attention turns to you, and the itchiness in your limbs reappears with a vengeance.

 A tall man, wearing a beanie, grins, “Hey, those muffins were amazing, by the way.”

You sputter, “Oh. Um—“

“Tell the chef, or baker — whoever,” he laughs at himself. “They were fire.”

Warmth rises in you, “Yeah, I’ll pass it on.”

“Babe, lunch?” Natalie says again, louder this time. More of the staff have begun digging into their meals.

“No, it’s okay!” The corner of your mouth curves up in a small smile, this one less genuine than before. You begin to back up towards the door, a gnaw of guilt in your gut as Natalie frowns. 

“Cousin! Food!” Richie yells out, followed by laughter from everyone else.

“I’m coming!” A familiar figure bursts through the kitchen door, “You don’t gotta yell like an asshole.”

Carmen Berzatto stops in his tracks when he sees you; the envelope in your pocket burns hotter. You look down at your shoes, but they just remind you of the milk dripping down the sidewalk.

“Carm,” Natalie introduces you, “they work at—“

“Nan’s.” Everyone chimes in, and you have to stop yourself from flinching. You look over at Carmy, eyes meeting.

There’s a moment where you feel like you’re going to get swallowed whole. The pipes are going to burst and water will fill up the room and you’re going to drown.

You walked straight into a den of hungry beasts, and you’re just a measly rabbit.

“Are you sure you don’t want to stay?” Natalie’s words are muffled in your ears, but you manage to shake your head.

“I have someone from books covering me, and they barely know how to work the espresso machine.” You force a laugh. It grates against your vocal chords. “It was nice meeting you guys, though.” With a meek wave, you turn on your feet and speed out the door. Rounding the corner, you keep walking until you’re sure they can’t see you. Veering into the alleyway behind the restaurant, you let out a shaky breath, leaning against the brick. 

You press your thumb into the palm of your hand. Inhale, hold four seconds, exhale. Inhale, hold four seconds, exhale. It’s over before it starts, but your chest remains tight. A reminder, which will eventually dissipate once you're back in the shop.

The coffee bar, your shield; apron, your armor. 

A door opening causes you to jump, startled. Your eyes meet blue, widening like you’ve been caught. “Sorry! I was just–” You push off the brick.

Carmen seems just as surprised as you, “No, s’fine.” He clears his throat, as the two of you settle into silence.

A fwip of a lighter. Four seconds. An exhale of smoke.

You’re unsure if you should leave, but it’s like the bottoms of your shoes are stuck to the ground. “Did you-” He starts, lifting up his hand that holds a lit cigarette.

You shake your head, “No, but - um, thanks.” Your fingers twitch, and you reach to pull the envelope from inside your jacket. Something that appears so insignificant, held out in the space between you. When he just stares, you wave it a bit, until he takes the envelope with his free hand.

“What’s this?” 

“Cash, for the milk you bought.”

“You didn’t have to-“

“I did.” You bounce on your heels, “I should actually get going this time. Just wanted to give you that but…” He doesn’t respond, something you’re getting used to. You wonder where the man who rambled about reading with his sister at Nan’s went, but decide now is the best time to make your escape. As you start to walk toward the street, you turn, “The restaurant looks great, by the way. Good luck with the opening.”

“Good luck with the opening.”

Inhale. Four seconds. Exhale.

"Let it rip, Bear."

Inhale. Four seconds. Exhale.

“-a complete waste of fucking time.”

Inhale. Four seconds. Exhale.

“I’m really sorry you feel that way, Carm.”

Natalie invites you to Friends & Family.

You don’t go.

The next month flies by. Marcus, Richie, and Syd have joined your little group of regulars. Richie even brings his daughter, Eva, whenever he’s able. She’s a joy and absolutely hilarious to have around. Richie has grown on you, the rough edges of him softening after a few cortados.

One night, he had rushed into the shop, Eva in tow, all but begging you to watch her for a few hours. He was supposed to be off for the day, to spend time with his daughter, but they’re understaffed at The Bear. A few weeks in, which confused you, but questions weren’t asked. You said yes - obviously - and had Eva help you with little things around the shop, until you close. The two of you bonded over a shared love of Taylor Swift while making muffins. By the time Richie came to pick her up, Eva was tuckered out in a loveseat, patchwork blanket tucked up to her chin.

“I owe you one,” Richie had whispered, holding his daughter in his arms.

You shook your head, “You deserve to have time with her.”

He scoffed, rolling his eyes, “Yeah, bring it up with the Bear himself.”

You weren’t planning on it. The man is barely on your mind. Except for every time someone from The Bear walks in. They look drained, more and more each day. It’s a certain type of pain, to watch people – that once had so much life in them – lose the light that you felt so harshly the first time you walked into the restaurant. You hear inklings; mentions of a changing menu every night, nonnegotiables, and the like.

It worries you. It’s not your place - you’re more than aware of that. But you’ve come to care for these people. And by extension, some part of you wants to see how he’s doing. It’s an odd - biting -feeling. How strange it is, to know someone through everyone else’s eyes but your own. You have to fight back the urge to force yourself into the places you do not fit. You’re resigned to watching from afar, providing comfort behind your coffee bar. It’s what you’re good at. It might be all you're good at.

Some sick twist of fate decides to upturn it all one Friday night.

Carmy had stayed late, to nobody’s surprise. He’d been adjusting the menu, preparing it for tomorrow, when the flashes hit him. He decides to walk it off, popping another thing of nicotine gum into his mouth. He walks aimlessly, trying to push the overwhelming thoughts out of his head. The street is dark - most places being closed - but light pours onto the sidewalk, just a few feet ahead of him. Almost a reflex, he peers into the windows.

A laugh of disbelief - more a huff of air through his nose - leaves him.

You’re dancing, headphones over your ears, as you mix something in a large bowl. It’s unlike anything he’s seen - from you or otherwise. There’s a sense of freedom in your movements, so different from the few times he’d seen you before. The tightness in his chest lightens, some, at the sight of you so obviously in your element.

And you're looking right at him.

“Shit,” he mumbles. You tilt your head at him, doing a little wave. He lifts a hand in reply, and you point haphazardly at the door. Before he can respond, or walk away – anything, you’re heading around the counter. A click of the door unlocking, and you pull it open part way.

“Hey,” you say, a little loud. With a wince, you pull the headphones off to rest around your neck. Music can be heard – a muffled, upbeat song that he doesn’t recognize. “Hey,” you say again, quieter this time. Silence passes between you, and he watches your nose twitch. “…did you wanna?” You jut your thumb behind you. You’re almost unrecognizable from the first time you met, calmer, somehow.

“Yeah, sure.” The words come out, easier than he thinks, and slips through the door you hold open. You lock it behind him, turning back around to slide behind the counter.

You grab a muffin tin, beginning to fill each one with a scoop of the batter you had been mixing. You make quick work of it, pushing them into the small commercial oven, wiping your fingers on the towel that’s pulled through a loop in your jeans.

Leaning against the counter, you finally look at him, “Okay, Pick your poison.”

“What?”

“Coffee? Americano, latte, cappuccino?” It’s like you’re trying to read him, wanting to crack the spine of a book and see what’s inside.

“I don’t really do the…caffeine.”

You hum thoughtfully, tapping your fingers on the counter in some type of rhythm. “Can I make you something? Low-caffeinated, of course.” He nods. “Anything you hate?” A shake of his head.

You grab a cup and get to work. You’re singing under your breath - the song that’s playing from the headphones around your neck. With your eyes off of him, he takes a moment to actually observe the shop. Warm lighting, with dark wood bookshelves making it feel cozy without being too claustrophobic. There’s smaller tables, with different recommendations for certain genres. A sprinkling of string lights and hanging plants just adds to the homey feeling, one so different from the pristine, white kitchens he’s used to being in. So different from his own restaurant. The coffee shop portion is close to the front, dark marble countertops and a chalkboard menu - swirling letters describing monthly drink specials.

“Alright, order up,” you call out softly.

Carmy walks back up to the bar, eyeing the cup. Warmth presses into his skin as his fingers curl around it. You mention that it’s hot, to let it cool for a bit. Silence falls between the two of you - in a way he finds comforting. Your eyes flick between him and the counter you’re wiping down.

“Do you normally do this?” He asks.

“The making drinks thing, or the staying at the shop way too late thing?” You give a wry smile. “Could ask you the same.”

He scratches at his nose, “Noted.”

The minutes pass; you go about cleaning the shop, rinsing dishes and setting things up for the next day. It’s an art he’s well versed in. The muscle memory takes over for you, and Carmen becomes invisible. It feels nice, to just be in a place where nobody has anything to ask of him. He finally tries the drink. It’s good, milky, if a little sweet, but it eases the last of the sourness in his stomach away. A timer on your phone goes off, and you tug on a flowery oven mitt to pull the muffins out of the oven. Chocolate and spice invades his nostrils, soothing him even more. You grab one, hissing a bit since it’s hot, and put it on a plate, bringing it back over to him. Leaning over the bar, you reach for forks that are in a metal cup, right near Carmy. You’re close, with no care about being in his personal space. It’s only for a second, and then you’re back in your previous position.

“You can have some, as long as you promise not to be an ass about it.” You hold out a fork for him. The words cause him to cringe, but he takes the utensil from you.

He stares at the muffin, running his thumb on the underside of the fork. “How much trouble am I in?”

You shrink back a little, “W-what?”

He’s met you what - twice? Both times felt clunky, an awkwardness to the both of you. Here, it’s simpler. Under the cover of night, huh? A voice that sounds awfully like Mikey’s says in the back of his mind. His family won’t stop talking about you. Or drinking your coffee.

“The Bear,” he mutters. “They talk to you, right?”

You laugh, surprised. “Do you actually want to know?” You hold up a hand before he can reply, “Actually, no. They don’t talk to me. I see things, sure. But I’m not getting anyone in trouble with the boss.” You’re on the defensive, not even for yourself, but for his kitchen.

“They-They’re not in trouble.” One look from you and he deflates, sighing. “Okay, yeah. Just…just say something.”

“I haven’t even been to eat there.”

“You should come,” he says.

Another laugh - a scoff, more-like, “You think I could afford your place?” You bite your lip, pinching the bridge of your nose. After a moment, you continue, gently, “Do you have any fun?”

“Fun.” The word is like poison in his mouth.

“Yes, fun. I know that food service isn't the best, but it’s good to have fun, or to at least enjoy it.” You wave your hands around, “That family meal stuff you guys do? That’s so sweet, and you have a whole family unit going on in that kitchen, or whatever. If this restaurant is supposed to be the rest of your life, you should like it, at least a little bit, right?” Your torso melts into the counter, and you rest your head on your arm. “And like, maybe? Don’t change the menu every night, or something. It’s new, right? You gotta work out the kinks first before jumping in all-” you blow air out through your cheeks.

A beat of quiet, then, “The menu, huh?”

“Eleven thousand for butter?” You parrot back. At his frown, you hold up your hands, “I’m just a barista, what would I know?” You say it without heat, and yet he feels guilt crawl up his throat.

“That’s not-”

“I know, Carmen.” A sigh leaves your lips, “You asked, so I talked. Again, take everything with a grain of salt.” The words get softer, as if you’re talking more to yourself than to him, “Just remember who’s going down with you if it ends up crashing and burning.”

You stab your fork into the muffin, tearing it in half. He follows suit, lifting a bite of it to his lips. Spice floods his taste buds, and he grunts. You blink up at him, fork hanging from your mouth. He’s suddenly starving, and he eagerly gets himself another forkful. “S’good.” He mumbles through the food. Carmen watches as you process his words, pressing your lips together to hide a smile. You two finish the muffin, and there’s an ominous sense of peace that covers him like a blanket. “Thanks.”

“For yelling at you?”

Carmy lets the chuckle spill out, “If that’s what you call yelling…” He trails off, sobering, “Do you have fun?”

You hum, contemplating. “Yeah. I mean, it’s coffee, at the end of the day. It’s just nice to see people, to make their day a little better than it was. I like to try out new things, to create, to get recommendations.” You stop, seeing him staring at you, “What?”

“You’re different…from the other day, s’all.”

You’re perplexed, scrunching your nose, “Well I had a bad day, the first time. And I don’t do…well, with new people.”

“Unless you’re behind the counter.”

Your eyes widen, something flickering behind them, like he’s seen something you didn’t want him to. “Touche.” Checking your phone, you clear your throat, “Alright, we should probably get out of here if we want any semblance of sleep.” He follows your lead, as you flick off the lights, throwing you backpack over your shoulder. He waits while you lock the front door, small key dangling on a keychain. You turn, looking at him, before holding out a paper bag, “Muffin for the road?”

He grabs it, an odd feeling bubbling in his chest, “Oh - uh, thanks.”

You suddenly look sheepish, fiddling with the strap of your bag, “And if you’re out late again, feel free to stop by. If you need a break, or something.” A beat. “Oh, again, take what I said with a grain of salt, yeah? Just - maybe - try to take care of yourself a little.” You laugh nervously, and Carmy sees the truth of his earlier observation. You’re still more relaxed, but the nerves have crept in as you step outside your comfort zone. Something he knows all too well. “Anyways, have a good night - morning.” You shake your head, blowing a raspberry through your lips.

“Night. Get home safe.” He murmurs. You turn on your heel, walking down the street. He tightens his grip on the paper bag.

Take care of yourself.

At least enjoy it.

You should like it, at least a little bit, right?

Carmy doesn’t know if he truly remembers what liking cooking is like. He’s found little bits of it, in moving back home. In Marcus’ eyes as he creates something new. In Syd’s determination to make amazing food. There’s a passion there that he’s lost somewhere along the way.

He sees it in you, and it calls out to him - the tide being pushed and pulled by the moon. A curious feeling, gnawing at his stomach. A hunger for something he can’t make sense of, but he pulls the muffin out of the bag to eat on his walk home.

Carmy keeps showing up at Nan’s, usually late at night. You didn’t expect him to take you up on your offer, yet a smile graces your lips every time he does.

He was right, when he said you feel most comfortable behind the counter. You knew it, but having someone else acknowledge it felt…weird. Like you weren’t playing your part right. Yet it also felt good, to be seen.

Conversation between the two of you still feels stilted, occasionally, but you find comfort in the quiet moments. And the not-so quiet ones; with music playing at just above a reasonable level, you mouthing the words as you dance around behind the bar. The mask slowly slides off when he comes around, and it’s easier to be goofy.

You think it surprises him. He’s not quite sure what to do, when you’re cruising on the linoleum tile you call a dance floor. But he never tells you that you’re weird, or too much. You’ve maybe even seen him bite back a smile. You swear there’s dimples hiding somewhere — a fleeting thought that you let fly away before you linger on it too long.

“What do you think?” You’ve turned the music down, notepad on the counter, your favorite pen in hand. You click it a few times, sound satisfying the little itch in the back of your brain.

“Not sure if I’m a matcha fan,” Carmy murmurs. You nod, writing down his response onto the paper. It’s almost filled — you’ll have to turn to the next page soon — with different drinks you’ve had Carmy try, determined to find the right one. He’s harder to pin than others, something you’re not necessarily surprised by.

That's partially on you. You're unsure of how much to ask. How much could you poke the both metaphorical and literal Bear until it breaks? You've been enjoying your time, but you've yet to ask him how work is going. He doesn't ask you about your personal life, so why would you ask about his?

There's a curiosity there, though. To see what makes Carmen Berzatto tick. You fear the two of you might be a little too similar.

You turn to go back to cleaning your mess — the reason being a fresh tray of cookies cooling on the counter, when he says your name. “Did you get a new tattoo?”

Gaze flashing to the wrap you have on your arm, peeking out from the sleeve of your shirt, you turn bashful. “Oh,” you hum, “I did. It’s been on my list for awhile. I’m keeping it wrapped at work while it heals - god knows I spill everything all over myself.”

“Can I — What did you get?” He’s just as sheepish as you, a boyish glow about him. You’d never talked about tattoos before. His evidence is on his arms; yours are mostly concealed — easy to hide with the oversized button downs and jeans you wear.

You pull your phone from your back pocket, “Here, I’ll pull up a photo of it.” Placing your phone on the counter, Carmy grabs it, zooming in on the two-headed calf that’s found its home on your bicep. The tattoo is fresher in the photo, line work popping out against your skin. “The longest living two-headed calf lived 17 months. Her name was Gemini — a little on the nose, I think. There’s also this poem by Laura Gilpin, that just kinda struck me.” Your ramble tumbles off, a half smile pulling at your lips. “It’s sad, but the kind that makes you hurt in a nice way? If that even makes sense.” You wave a hand around, then reach to take a sip from his cup.

The matcha settles the nerves hiding under your skin, the earthy flavor dancing on your tongue. As you set the cup back on the counter, you point at his hand, “What’s that stand for?” Your own fingers twitch, fighting the urge to brush them across his own. “S.O.U?”

“Ah, sense of urgency.” He says, fiddling with your phone.

You laugh, quickly covering it with a hand, “Sorry, I — sorry, that just makes so much sense.” Before he can speak, you shake your head, “Not in a bad way, necessarily. It’s just so obvious how little work-life balance you have.”

“We’re literally at your shop in the middle of the night.” Carmen huffs exasperatedly, corner of his mouth curling up.

You hold your hands up, conceding, “Okay, I get it. Misery loves company - or whatever. God, we’re both crazy, aren’t we? We should get out more.”

He hums in response, tapping his phone twice to check the time. Anxiety swells up in your throat, and there’s something biting at your heels. The silence doesn’t feel comfortable anymore.

You said something wrong, the little voice in your head whispers. You lost the script and got too close and now he’s pulling back. How can you fix it? You have to fix it.

“What’s your favorite one?” His blue eyes glance up at you. Invisible hand squeezing your lungs, you stammer, “Tattoo. What’s the one you like most?”

His words come out softly, “A house boat. I, uh, got it before leaving Copenhagen. I stayed in one while I was over there, and put out water for an invisible cat.” Relief floods you as he talks. It’s the most he’s spoken about anything, and you see a glimmer behind his eyes.

It feels a little too close to home.

“You really loved it over there, huh?”

As if caught, he clears his throat, “It was cool…different.”

Different from Chicago, you don’t say. “I get that,” you murmur instead.

You knew what it was like, to run away. The need for escape pushing you into flight as the metaphorical dog chases the rabbit.

You wonder what Carmen’s dog was. Or is. If it’s even a dog at all.

“What about you? What’s your favorite?”

You’re pulled from your thoughts. “Oh! Um, it’s silly.” You worry at your bottom lip.

“You don’t—”

“No, hold on, it’s just,” you push yourself onto the counter with the palms of your hands. Carmen leans back as you swing your legs over the bar, letting your feet rest on the barstool next to him. You lean over, pulling up your pants leg to show the tattoo on the right side of your calf. He stares at it for a moment, confusion clear in his gaze. “See, I told you.”

“Is it a moth, or something?”

“Moth-man, Carmen. Mothman.”

“Am I supposed to know what that is?”

“He’s a cryptid. There’s literally stories of a Chicago Mothman.” He peers up at you in amusement, causing you to scrunch your face at him. “I swear on my life Carmen Berzatto, don’t be an asshole.”

“I’m not.” He laughs, and your chest loosens. You got Carmen Berzatto to laugh. “It looks good, the style is nice,” he gestures to your leg.

You smile, “Thanks.”

Nodding, he goes to sip from his cup. He makes a face, pulling it away from him, “Yeah, I don’t like this.”

He holds it out to you as you reach for it, laughter spilling from your lips, “More grass for me.” You drink, and let the cup rest on your thigh, fingers tapping on the plastic lid.

“I’m not…” Your head turns to look at him, watching as he runs a hand through his hair. “I’m not really good at this.”

“...at what?” You whisper, scared if you talk any louder you’ll scare him away.

“Talking? Not working? Who the fuck knows,” his hand leaves his hair and passes over his face.

“I’m not either, really.” You pick at your jeans, “But we’re trying, right? You come by more than I thought you would.”

“Really?”

You snort, “Dude, the first time I was surprised you even came in.” Gently, you add, “And you don’t have to be perfect at conversation to be friends with someone.” His eyes meet yours as you nudge his shoulder with your knee. “I’m weird, you’re weird, that’s okay.”

Carmen rolls his eyes good naturedly. His legs are bouncing, and you can almost see him chewing the word around before it finally leaves, “Friends?”

“Friends.” You affirm. Silence passes between you, until a growl comes from your stomach.

The man laughs, looking all the prettier for it, “You hungry?”

“Starving,” you groan.

He gets up from his seat, grabbing his denim jacket that’s hung over the chair on his left, “C’mon.”

It takes a moment, but it clicks. “Oh my god,” you gasp out, hopping off the counter. With a speed you only have during a lunch rush, you run to the back. You untie your apron, hang it up on a hook, and grab your tote bag. “Wallet, keys, phone…phone!”

“Out here!” Carmen yells. You grin, rushing back out to the front, bouncing on your heels. “You good?”

“As I’ll ever be.” You shake your keys with enthusiasm. He laughs as you both leave, and you turn to lock up. There’s excitement buzzing through you, like caffeine would if your brain weren’t wired a bit funky. A thought cuts through the haze, “Oh shit, I forgot to–”

“I got the trash.” The street lights reflect off his blue eyes.

Your heart twinges a little, “Thanks.”

“No problem.” He gestures with his head, “Now let’s go before your stomach eats itself.”

“Hey Carm?!”

The man pokes his head into the office, one hand wrapped around the door, “Yeah, what?”

Natalie raises an eyebrow, “You busy?”

Carmy scoffs, “Yeah, Sugar, I’m busy.”

It’s lunch time. Marcus has pastries, Tina’s running prep. Syd is around…avoiding him. He tries not to think about it for too long. Richie is who knows where.

Fuck, don’t be an asshole, asshole.

Deflating, he asks, “What’s up? Everything okay?”

“I’m spending my hour of alone time figuring shit out here, while Pete watches the baby.” His sister sighs, glancing down at the paperwork on the desk, “I’m managing. Anyways, that’s not what I wanted to talk about.”

He wants to ask about the baby. His niece. But Natalie barrels over the topic to say, “Were you here late the other night?” He must have made a face because Natalie sighs, exasperated. “I know you stay later than everyone else, doing god knows what, but I got a notification on my phone the other night-“

“What notification?”

She rolls her eyes, “The alarm system, dummy. I get alerts.”

“No, yeah, I get that. But I turned it off.”

It could only be from the other night, when he brought you back to the restaurant. He’s not sure why he did — he almost had a panic attack in front of you while debating what to make. It's strange, how much an environment can affect someone. Nan's feels so comfortable to him now, like nothing can happen to him when he's in those four walls. Where was the last place he felt like that?

You don’t need to impress anyone, Carmen. It’s just me, you had said.

Simple words that cut through him like a knife. You asked for comfort food, so he made you grilled cheese with tomato soup. The little dance you did every time you took a bite relit a fire inside of him that had been burnt out by years of working in kitchens.

“I know. I’m asking because the alarm was set, and then you turned it off again a few hours later.” Natalie unlocks her phone, showing him her screen that has some app pulled up with timestamps on it. “Are you sleeping? Look, I know things aren’t great right now—" Natalie cuts herself off with another sigh.

“It’s fine. Things are fine.” At her pointed look, he holds his hands up in surrender. “I’m working on it, okay? Just…are you good? Do you need anything?”

“About 48 hours of interrupted sleep would be great.” Her gripe falls off into a laugh, which he returns.

Stepping into the room further, he pulls the door closer, just a slim crack of clean white light coming through. “I’ve been a shitty brother lately.”

“No…” Natalie snorts, “Okay yeah, a bit. I love you, though.”

He mumbles the words back, tapping out a rhythm on his thigh, “Maybe I could come by, sometime. See the baby.” It’s a blessing and curse how his chest aches when he sees the way her eyes light up.

“I’d love that, Bear.”

“Yo, delivery!” Marcus yells out, pulling the attention of the Berzatto siblings.

“The fuck?” There isn't supposed to be a delivery today.

Natalie gets out of her seat, “Oh thank god.” She ushers Carmy out of the office, pushing past him into the dining room. He follows after her, confused, only to stop in his tracks.

You’re here.

You stand next to Richie, talking animatedly, albeit shy. You’re wearing clothes he doesn’t regularly see you in, the worn denim jacket catching his eye in particular. It’s clear that you aren't working, yet you hold two cups from Nan’s in your hands, a few drink carriers littering a table.

“You’re literally my savior, thank you.” Natalie pulls you into a hug, and you look at Richie with wide eyes. Carmy has to hold back a snort at your expression.

“You should expect this reaction by now, kid.” Richie takes a sip from his drink when you gape at him in exaggerated outrage.

“Shut up, Richie,” Natalie is barely paying attention, saying the words more out of habit. Grabbing a cup from a drink holder, she says, “You’re coming home with me.”

Giggles bubble from your lips, and you go to cover them with the back of your arm. There’s a pull Carmy feels, instinctual, to urge your arm away from your face and hear your genuine laughter fill the room.

Your eyes meet his, finally noticing that he’s there. The smile you give him is earnest, a gentle hello without words. He forces his feet to move, closing the distance. Carmy blatantly ignores the looks both Richie and Natalie are making. You hold out the cup in your hand - the one you weren’t drinking from - and he takes it from you.

Condensation clings to the sides, his name hastily written on the side.

⋆⁺Carmy!⁺˚⋆

There’s a heart in place of the dot at the bottom of the exclamation point, little stars doodled around his name. His stomach flips.

“Iced?” He swirls the drink in hand, mixing it up.

You shrug, “Thought I’d try something different. It’s hot outside.”

“You off?” Bringing the straw to his lips, he hums at the taste. You’re watching him eagerly, head tilted to the side as you wait for his review. “This is nice.”

Squinting at him, you huff, “Not perfect, though.” You type something into your phone — most likely to add to your notebook later. “Had to run some more syrup by the shop. Saw Natalie’s car on the street so I texted her to see if she wanted something to drink. I have errands to run after this.”

“You a regular too now, Cousin?” Richie barks, and Carmy watches as you remember where you are. Who you’re with.

A protectiveness rises up in Carmen, hating the way you recoil into yourself. “Fuck off, Richie.” He looks over at you, “Hungry?”

“Dude, we got shit to do.”

“Richie!” Natalie hisses at the older man, shoving him back toward the kitchen. She calls back to you, “Thanks for the coffee! I promise I’ll come by when I feel more like a human again.”

The customer service clicks into place behind your eyes, “Take care of yourself! Hope the baby is doing well!” Once it's just the two of you, you sigh, knocking the heels of your boots together. “I should get going.”

Carmen nods, “Can I grab you a sandwich, first?”

“Grilled cheese?” You tease, stifling a smile.

He huffs, shaking his head, “Nah, but Ebra’s got window right now. I could throw something together real quick.”

“You don’t have to do that.” He glances down; you’re pressing your thumb into the middle of your hand. It's uncanny, the semblance of himself that is mirrored in you.

“I know.” He wants to, though. “Give me five minutes?”

A moment of hesitation, then, “Okay.”

“Cool.” And he’s off.

Chaos erupts the minute he’s back in the kitchen.

“Since when did the two of you become buddy-buddy?”

“Can we please get back to work? Richie, respectfully, what are you doing back here?” Syd is working on pasta, flour covering her work service.

“I got shoved outta my space, so here I am,” Richie waves his hands around.

The overlapping voices turn into white noise, and Carmy inhales sharply, “Fak!”

“Yes, chef!” Neil appears out of nowhere. Sometimes Carmen thinks there’s a series of underground passages that makes it so easy to get ahold of him. It’s not that crazy of a notion.

“Go and say hello to them, okay? I’m gonna throw together something, give it to them, and then I’ll be right back.” The last part is meant for everyone to hear, but is pointed more toward Richie. “Seriously, just leave it, alright?”

“I’m leaving it,” Richie snarks, but nudges Fak with his elbow. “Think there’s a drink out there with your name on it anyway. Snag me another one of those apple-donut-things too, eh?”

“Fritters!” Marcus calls out from his station.

Carmy sighs deeply, pinching the bridge of his nose. He’s queasy; he’ll have to take some pepto later.

Inhale. Four seconds. Exhale.

Let it rip, Bear.

Neil barrels into you, wrapping you in a hug. He talks your ear off for the next couple minutes; you smile when you need to, laugh when you remember.

The yells from the kitchen are playing on repeat in your ears.

They’re talking about you.

The urge to flee tickles the back of your throat. You thought it would be nice to stop by and bring Natalie a coffee, but then you had felt bad about not bringing anything for everyone else, which turned into you jumping behind the bar to make ten drinks. It’s not like you were going to make Morgan, the barista on shift, make them all.

You always had a hard time not working on your days off.

“You should absolutely come!”

“Yeah, that’d be nice.” You reply, still not fully checked back into your conversation with Neil.

He smiles, “Great! I’ll send you the info!”

Before you can ask what you actually agreed to, Carmy pushes back into the room, to-go container in hand. “Hey, uh, Fak, can you go take a look at the toilet for me?” You barely notice Neil leave, focusing more on how your chest releases as Carmen walks closer to you.

He hands you the container, and you murmur a soft, “Thank you.”

“I’ll walk you out, yeah?”

The thought is nice. Glancing behind him, you see Natalie and Richie watching through the window. “It’s okay, you really don’t have to.” You take a step back just as Carmy reaches out to you. You can’t run, they’d see you. Ask questions. They probably see a caged animal.

“Hey,” he whispers your name, “it’s just me.” He’s repeating the words you said to him the night you were here. You tear your eyes away from the kitchen, looking at him. “Lemme walk you out?”

With a nod, you let him guide you out the front door. The warm summer air washes over your skin, and you take in a deep breath. You count the lines in the sidewalk as you pass them, sipping at your iced latte. “It was cool of you to come by,” Carmy says. “And your jacket’s dope.”

He’s trying to make you feel better.

��Did you just say dope?” You peek over in his direction, catching his shrug. “You’re so old.”

“Fuck off,” he laughs, and your smile widens.

You make it to your car, a little thing that has a new problem every other week. It’s been with you for years, moved with you to five different states. More of a sentimental object, than a real mode of transportation. You mostly used CTA these days if you were able, but it was nice to have a car for when you’re running errands all around the city.

“Sorry if they bothered you,” he apologizes, shoving his hands in his pockets.

“No, no, no,” you push out the words, throat tightening, arms hugging your middle. “I thought I was going to try to be a human today. May have jumped the gun on that one.” Fiddling with your keys, you continue, “It was nice to see you. Thought you might be a vampire or something, since I only ever see you at night.”

The joke causes Carmy to roll his eyes, “Is that considered a cryptid?”

You perk up at the word, “Oh, don’t get me started.”

He smiles big enough for his dimple to appear, “Oh, yeah?”

“Unless you want me to talk for hours on end. I’ll make a power-point presentation and everything.” You might already have one in the works, but he didn’t need to know that.

“You could - I mean, it wouldn’t bother me. If you did, you know?”

You blink a few times, frozen in shock. He looks shy, almost. Like the first time you met him, but there’s something between you now. A plant that will keep growing - might even bloom - if the two of you keep watering it. He keeps pecking away at your carefully crafted walls that let people see exactly how much you want them to.

Carmen Berzatto keeps seeing you. Whoever that is.

He coughs, scratching the side of his head. “I’ll see you later?”

“You know where I’ll be.”

“Yeah.”

You walk around to the driver’s side of your car, opening the door. You slide in, turning the key to let your car sputter to life. You roll the windows down, and music starts to blare from your speakers. “Kick ass tonight!” You yell the words as you pull away from the curb. You spare a glance in your rearview, watching Carmy wave before he starts walking back to his restaurant.

When you're parked outside your apartment, it hits you. You dig into your tote bag, pushing aside old receipts, chapstick tubes, and fidget toys. You cheer to yourself as you pull your notebook out, favorite pen hooked over the cover. Flipping to the back, you stare at the list of drinks you've had Carmy try.

You think you want to keep seeing him, too. Whoever that is.

You scribble at the bottom of the page, circling it twice.

Spiced Chai ~ HOT, xtra cinn

[petew21-blog]

Revenge possession, part 2

"So what is this game called again?" I asked out loud with Devon's voice.

Devon in the back of our mind:"Dead by daylight. You play either as a survivor or the killer. Depending on the role you have to escape or kill all the survivors."

I chuckled a bit:"You don't see how that's ironic?"

Devon was silent. "I'm so sorry, man. Jesus, I didn't think this through. Haha. Well... you should be good in this game right?"

Me:"Not really. I kinda didn't even know I was being hunted. Your parents just picked me up and then tortured me in the woods. I didn't have much of a chance to even run."

Devon:"Oh... I'm so sorry for that, man. My parents are horrible people."

Me:"Yeah. And I know they killed much more people than just me. That's why it needs to stop"

Devon:"So are you sure that killing them would be the best revenge for all these years of their murder spree?"

Me:"What else can I do? It's not like I had much of a choice. Few days ago I didn't even have a body. Now I co-share yours. Yeah, stealing their sons body is good revenge too, but you're a good person. And I don't want to take over your life."

Devon:"Not what I was aiming for. I honestly love having you here with me. You're like a second voice/brother/best friend inside of me. Oh shit. I just figured. I keep calling you bro. What's your real name?"

Me:"Paul. Took you long to ask, man. Not cool"

Devon:"Sorry, haha. So... Paul. You're like 40 now, right?"

Me:"I would be if your parents didn't kill me. But I died when I was 21 like you are now. So my mind basically stayed 21 I suppose. Except for roaming the country I didn't have much fun through all these years. These past few days as you, just chilling here, playing video games, jerking off and talking to you is the most fun I had over these 20 years."

Devon took control over his body to let go of the controler and to flex his biceps. The sweat hitting his nose.

Me:"What are you doing? I thought we were gonna play?"

Devon:"Nah, just reminding you what body you're in"

Devon:"Look at me man. I have beautiful abs, massive arms. These thighs could crush a melon between them. I appreciate that you picked me and that you like my body, but you gotta do something about this. We gotta go have fun. With another living being."

Me:"Devon... I really am happy how you treat me in your body, but... I don't think we have the same type of dating pool"

Devon:"I don't care whoever you fuck. I'm straight, or atleast I think I am, but very accepting. And if my man inside of me wants to fuck some handsome man, I will be more than happy to help you out. Bros gotta help each other"

Me:"But it's gonna be your body, man."

Devon:"So? You could do much worse with my body and you didn't. Getting fucked or fucking someone in the ass is not so bad."

Me:"Ok? So what place do you suggest?"

Devon:"Gym. We can show everyone what this body can do. Lot of people observe me there, so you can pick whoever you desire"

We arrived to the gym. So many hot and sexy people in sight. Devon took control to do his normal routine. It sucks that I could also have a body like this, but back in the day I wanted to see the world. I wanted to be myself in a world that hates my kind. Twenty years later, the world is so much more accepting. It's not ideal, but wow. How things gave changed

I still can't believe that Devon let's me stay in his body. I mean, look at him. He could be anything, have anyone. And yet this hot piece of meat is depressed with his easy life, being alone most of the time. I guess that's what happens when your serial killer parents move your family every now and then. You don't have any friends and those that you did might already be dead by their hand. How horrible... I honestly can't wait to see them. To look them in their face. With their son's face and to kill them. I hope Devon will forgive me. I know he says he wants to stop them, but it's his parents. I just have to make sure that he will not stop me when the time comes

Devon was just finishing up, when a cute twink approached us.

The guy:"Hey, I hope you don't mind that I was watching you"

Devon:"Nah, it's ok man. You need a hand with lifting?"

The guy smiled. "Oh I do need a hand, I just don't know If I asked the right person"

Devon sat down, looking all confused:"That depends if..."

I stopped Devon mid sentence. "I think that's a cue for me to take over, ok?"

Devon now in the back of my mind:"Sorry man, I usually don't respond to guys hitting on me. Go on. Have fun"

I smiled at the guy and casually finished the sentence

We headed to the showers. The owners must be probably sick with all these guys hooking up here. But we didn't care. We made out passionately. The twins was all over my muscles, as I would be in his place too. He was a bit smaller. That gave me a sense of dominating him.

I stopped and smiled at the guy. "I... just gotta let you know that I am a virgin"

Devon:"What!!! Dude, you never had sex with anyone?"

The guy looked at me from top to bottom. "You? If good looking people like you are virgins, then I have no idea how world works."

I chuckled nervously. It was true. I was 21 when I died, but back then it was much harder to date a find gay guy. Now you can just download Grindr and in a few minutes you got yourself a guy in your bedroom

Twink:"Well in that case we can go to your place and have some fun there. This isn't a very nice place to have your first time, don't you think"

I just smiled and nodded in approval

We were now in Devon's messy room. The guy was really shocked to see such a straight man cave, but didn't say a word. We made out. He took off my shirt soaked in sweat from gym. His lips now kissed my neck and went to over my pecs, down the middle to my waist band. He took my hard dick into his hand, squeezed hard and looked me deep into my eyes. His look was so full of lust, yet I could tell it was superficial. This guy isn't looking for romance. He just wants to be fucked hard. So let's give it to him

I took a bit of control of the moment. I grabbed him by the neck. Turned him around and pressed him against the wall. He was now moaning in pleasure as I was rubbing my hard dick hidden beneath the layers of my clothes against his ass. I was still holding him, choking him.

I pulled of my shorts and his just low enough to get my dick in there. I wanted to push it right in there. As hard as I could

Devon suddenly screamed out from the back of his mind:"Condom dude!!!"

I left the guy, moanjng against the wall, reaching out to the condom on the shelf. I was struggling to find which side to pick to put it on my dick

Twink:"Wait. Let me" it was obvious he jas done it a few times. The condor was on in a matters of seconds. "Do you have any lube?"

Devon intervened again:"Top drawer. Give him more attention, man. You're making it all about yourself"

"Shut up" I said out loud as a response to Devon, but the guy looked confused. "Oh sorry, not you. I'm just nervous. I have lube right here."

The guy went on Devon's bed on his back. His clothes were now gone and his ass was welcoming my dick. His legs wide open.

I pressed lightly my dick with a ridiculous ammount of lube on top.

It went smoothly so I tried to went all the way. This seemed to hurt the twins. "Hold your horses. I'm good, but not that good. A bit slower, cowboy."

I went in slowly. The pleasure got to Devon too. The way this guys ass was tight around the head of our dick was sending our minds to heaven.

I picked up the pace. The twink was moaning in pleasure and in pain at the same time. I grabbed him by the next to choke him. My other arm pressing his thigh.

Twink:"Harder!" I thought I was going as hard as possible, but I didn't think he could take it much more

Twink:"Harder!!!"

Devon:"Oh, jesus. Let me do it" Devon took over. I was in the back of our mind again. Still feeling everything.

Devon was like a beast, but the twink was really enjoying it.

I could feel all the cum building up. Ooh there's gonna be tons of cum.

Devon was biting his lower líp and furiously pounding this guy's ass. Sure, "Straight" my ass.

Devon:"I'm cumming!!!"

Twink:"Fill me! I want it all"

Devon shot out the stream of cum into the condom. The wave of pleasure was so overwhelming. So much, that I lost control for a moment. I didn't know what was happening.

I opened my eyes. Still as Devon. Good. But I was back in control. But I was alone here. I couldn't feel Devon

"DEVON?!?"

Twink:"Right here. You pushed my soul out of my body, dude. If the guy here wasn't as welcoming you would have me erased or something"

Me:"I'm so sorry. I didn't think that would happen."

Devon:"It's fine. This guy's soul is asleep or maybe gone? I don't know. But I can't hear him now. Dude! I could feel my body's orgasm and his orgasm at the same time. I can assure you, that this is definitely the best I'll ever feel. So overwhelming."

Me:"Shit, dude. We gotta figure out how to get you put of there. Or you might be stuck"

Devon:"What if we wait for a bit? I kinda wanna try having sex with my body."

Me:"Kinky. You wanna get pounded too?"

Devon:"Guess I'm not so straight anymore, right?"

After our first fucking session, Devon passed out from all the sex. We still didn't know where this guy's soul was, but we would figure that out soon. I was just happy that I was finally alive. And I even have a boyfriend now? If that's what I can call Devon. Not to put labels on our relationship or anything

I grabbed the first pair of shorts from the floor I could find. Still sweaty from the sex, I headed to the kitchen to get myself a drink of water.

I was interrupted by a dark figure in the corner of the room

"Hello, son"

I was full of rage. But I can't fuck it up now. If I kill him, I won't know where his mom is and that would take me another decade to find her.

"Hey, dad. How was your holiday"

"Oh wonderful. Rome is your mother's favourite place to visit"

I tried to act as much as possible. Devon was in his room in a wrong body, so that wouldn't help me.

"Did you go to Colosseum this time?"

"Oh, we sure did." The father responded. But in the matter of seconds his expression changed. He was now holding a gun pointed at me

"What are you doing, dad?!"

"Devon knows we went to Bahamas"

Fuck. So he knew all along that I'm not Devon. But how?

"Me and my wife found out that the folk like you, who want to have your revenge for what we did, come back as ghosts to make our lives a living hell."

"So I'm not the first one?"

"Hahaha. Of course you're not. The first one came when Devon was 2 years old. Of course he doesn't remember, but that was a nasty one. All the paranormal stuff. We didn't know what we were dealing with back then. But now, oh we are used to deal with you. But possessing Devon is a first. Some possessed us and tried to kill us, but obviously failed."

"How can you tell that I'm not him? Besides the question."

"Oh it's an aura thing. Once you have the experience and a good guidance, you can just tell when a soul isn't in their rightful place."

"Now, tell me. Did Devon put up a lot of fight? Your answer will change the course of your torture."

"Devon is ok. He's in the body of the guy downstairs. It was an accident"

"Sure it was. That would make sure that we couldn't kill you or him, right? We're not so stupid, mister. Although I will not enjoy killing my son, there is no other choice."

"If you kill me, I will go after you even more. I have for the past 20 years and I will even after you die. My soul will not rest until you burn in hell"

"Sure you can do that, but it will take you some time to get out of this thing."

He was holding a wooden object with symbols

"What is that thing?"

"That mister, is your prison. It will bind you inside, until it breaks, or someone opens it on purpose. Which happens rarely if you ask me."

"You're doing a big mistake. Devon is in his room in a different body. Let him atleast get his body back."

"I can't take that chance. Me and my wife have a life to live up to and we won't stop just because our son got himself in some trouble and can't handle it."

"It's your son! You would kill him just so you can continue your killing spree?"

"Oh, definitely. Having a child is a great thing, but taking a life. That's something you won't ever forget about. The control it gives you."

"You're sick. No parent would ever do this to their child"

From the hallway a second voice spoke:"Oh these two are a chatty couple, right honey? So chatty chatty. But we need to hurry up, so get on with this" the mother said towards her husband

I could feel a horrible pain in my chest. Feelings very similar to the ones I felt 20 years ago. This couple was killing me again

"Sorry Devon. We couldn't have done anything" father said

"Devon hates you too!" I screamed out

"You're talking too much" and then nothing.

I don't know for how long this continued. I don't even know what they did with Devon's beautiful body. How they got rid of it.

Soon I started to feel walls around me. Walls? As a ghost I wouldn't be able to. Except if this is their prison that they were talking about.

I opened my eyes. There was only darkness. Nothing else. I looked around and on the other side of my prison was someone sitting, crying.

I got up to approach this person. He looked up

It was Devon. He was crying

"Paul! They killed me. My own mother slit my throat. I told her it's me. But she just killed me and trapped me into thus thing."

"I'm so so sorry, Devon. I never wanted any of this. I wanted revenge for them. But they were ready. They knew. Your father didn't listen to me too. He didn't care. I told him about your soul. But they are more sadistic then I thought"

"Paul, I'm dead. My parents killed me. My OWN PARENTS!"

"Devon, they are horrible people. And we will get our lives back. Maybe not our old lives, but we will. But first we have to get out of here. We're gonna get through this together. Ok?"

Devon collapsed into my arms. I was just glad that I could hold someone even if I was a ghost now. We were gonna get out of here, but I had no idea how

Outside of the ghost trap, the world went by.

Devon's father held the trap tightly as he watched his old house burn. His wife held her head on his shoulder.

"Ahhh, I think I might miss Devon. He gave our life some order"

"He limited us. We couldn't ve ourselves all the time. Now we can. What do you say we go pick up some hitchhiker?"

"Ohhhh, that's a lovely idea. Get rid of that box, it gives me the creeps"

And as the two of them were laughing while leaving, the box was sinking deeply into the river below the bridge until some human would find it.

If Paul and Devon would know what was happening to then right now, they would be devastated.

[talkbycolor]

mushroom oasis headcanons . . . ↷

A/N; im very sensitive about mychael too, oops

Pairing; "Mychael" x GN!Reader

CW; idk alien sex (jk) / this is actually cute, dont worry

Mychael as your boyfriend.

I just know that he likes to listen to ABBA with you and dance in the mornings when making breakfast or at night before going to sleep.

He purrs at bedtime, especially if you pet his hair.

You can caress his horns, they are softer than they look but also sensitive, be delicate

After a while of relationship, he could no longer avoid the growing guilt he felt and told you about the mushrooms in the forest and the brainwashing he did to you at the beginning.

Definitely identifies with Roar's "Christmas Kids" song.

Be thankful he doesn't have an internet connection or he'd make Deez Nuts cringe jokes.

He is the perfect person for fairycore, you have already begged him to do makeup together, even though he didn't need any of that.

He likes to feel safe, silly and childish with you, having learned to take care of himself since… well, always, it was a drain on the soul. what a relief to his heart to be able to be childish with you, like a break.

He still has certain self-esteem problems, his eyes always dilate when you say nice things about him (or when he's about to jump and attack ((kiss you)))

It's not like Mychael is an uncivilized being, but you've taken the time to teach him several things on dates you've had, things that perhaps he didn't know due to his isolation from society.

You're actually a little scared of what could happen if they discover Mychael's existence, so if you live together it will be in the forest.

Sometimes he is selfish and brainwashes you when he wants more kisses or just feels too needy to let you go out with your friends.

For him there is no such thing as breaking up, he will beg you for answers and ask countless times what the problem is or what you want him to change, as a last resort he would brainwash you so that you stay by his side, even if it's like a shell.

"They were 20 and decided to end their life just like this. They went up to the 21st floor and left without saying "goodbye." I wonder if when they were flying through the air they remembered… ..I once told him if you kill yourself I'm gonna kill myself too!" Basically Mychael not being able to continue with his life alone once he meets MC, if you leave, so does he.

The first time you had sex, bro, Mychael almost had to be chained up, he acted like a spoiled kid when he tried his new favorite candy.

Mychael composes songs for MC, he will even try to get new instruments, new talents, anything to entertain his firefly and have them stay in the forest with him.

Is the kind of old-fashioned sculpted lover, don't doubt that you will look like a 60-year-old couple with 3 chickens and a dog, your wish is his command. If you can't go out to eat at an elegant restaurant, he will get a recipe book to prepare the best dishes and put candles on the table. If you don't have new clothes, he will knit what you like. If you don't like the color of the cabin, he will paint everything as many times as necessary.

Physically? Mychael will never hurt you, using guilt as manipulation is not to his liking either, he loves you too much so he will only wash your brain to have a perfect life by your side, don't worry, you are safe from the world and you will have healing caresses every night , even if it is not today, if it is not tomorrow, you will learn to need it on your own and stay at will.

Mychael is terrified of people, the opinion of the masses made him think of himself as a monster and he can't help but blurt out little comments mocking his own appearance. Being with you makes him forget what he is. Why was he surprised? Because you didn't look away.

His saliva is a little salty and something tells me that he produces goo when he is excited, trust me (delulu)

♡

[ineffectualdemon]

Shang Qinghua becomes the one person Binghe trusts with Shen Qingqiu when he has to be away from him because when asked (and he asks everyone) "what are your intentions with my Shizun" he caught Shang Qinghua sleep deprived and fed up and so he answered "Dunno. Probably to piss him off."

When asked the inevitable "are you in love with Shizun!" instead of the usual angry or hysterical denials that he never believes Shang Qinghua answered with a deadpan "ew. That's my bro. I'd rather vacation in the endless abyss."

And then Shang Qinghua wandered off muttering about how Mobei has much better tits anyway

He didn't bother to ask Mobei these questions because Mobei keeps making what he thinks are subtle digs about how HIS human is the superior one

Which would normally piss Binghe off for many reasons but it means that he knows for a fact his right hand man won't try to fuck his husband so he puts up with it

Sha Hualing he puts up with because he told her and Mobei about the other Luo Binghe and mentioned the harem they had this conversation:

Sha Hualing: If you're not gonna can I collect them?

Luo Binghe: you want a harem?

Sha Hualing: yeah but not that big. I only need like a hundred wives and husbands at most. Mostly I think it could be fun! Yingying and Yan-er tell me I need more girls who are friends and it sounds exciting!

Luo Binghe: as long as it doesn't distract you from your duties

Sha Hualing: *clapping her hands* Yay! I'm going to kidnap Yang Yixuan and tell him the good news! Oh! He can come with me! I'll take Yingying as well! She needs more practice fighting

Luo Binghe: how many people from Cang Qiong are you fucking?!

Sha Hualing: less than 20! But they all know and they all know my favourites! I made sure to cum-oo-n-e-cat after we sat through Peak Lord Mu's lesson on romancing humans

Mobei Jun: *who found that lesson both very helpful and very pointed* that's very conservative of you.

Sha Hualing: ikr? You and Junshang are rubbing off on me. Making me act all old fashioned and stuff though this human method of talking is really hard to get the hang of

Mobei Jun: mn. It is very necessary for their health but they also do not do the cum-oo-n-e-cat very well either. It's very strange.

Luo Binghe: it's communicate! And...I'm going to be with people who aren't you two for awhile

This got away from me

[themultifanshipper]

Weed and sex... in a car. With 3 time Formula 1 World Champion Max Verstappen. What could possibly go wrong?

Warnings: use of drugs, smut, PinV sex, fingering, squirting, Christian Horner

Part 2 here.

Perhaps getting high before an event wasn't the best idea after all. Max had decided to celebrate your birthday with a joint (or two or three) before going to dinner with Christian, Gerri and a boatload of sponsors and higher ups.

Anyone with half a brain could have told you this could only end in disaster but when you and Max were together you were a couple of menaces.

That's why Max's press officer hated that you were always around at the races and usually his plus one at events. She had a hell of a time covering up the "incidents" and "behaviours unbecoming of a formula one world champion"... ha! Yeah right.

Between public indecency and and drunken shenanigans usually leading to property damage, it was a miracle the two of you had never been arrested to be honest.

Well except that one time after his first Monaco win but that's a story for another time.

Whatever, what else are rich people in their twenties supposed to do with their best friends in their free time anyway?

So there you were, in the passenger seat of Max's loaned company car, both high on expensive weed (or so Max said, the bloody cheapskate). The drive was pretty long and you got a rather intense case of the munchies about 20 minutes in so Max decided to stop for gas while you went into the gas station and bought snacks for the road. When you turned your head away from the cashier and saw max, your mouth went dry (and this time not from the weed).

See, this was in the middle of a heatwave (thanks climate change!) and max was wearing a suit. He decided that the best way to cool down was to unbutton his shirt and let his chest get some air. Unfortunately this, plus his sweaty dishevelled hair and the joint he still had in his mouth while he pumped gas, conjured up quite a few lewd images in your mind. You had never seen him look quite this debauched (again, except in Monaco but again, that's for another time). The sight was positively sinful. Or at least it seemed hot as fuck to you but you were high so who knows, either way his appearance was getting you hot and bothered, so you decided to take a picture to remember the moment.

The cashier had to clear her throat loudly to get your attention, and by the time you had payed and left Max had already got back in the car. When you climbed in you checked your reflection in the mirrors. Dilated pupils, check. Redness around the eyes, check. There was no way Christian wouldn't notice, and he definitely would not be happy.

Max's hand suddenly on your thigh brought you out of your thoughts as you looked at him, he looked just as fucked up as you felt.

"There's no way we can go to dinner like this right?" He was panting slightly and looked like he was fighting to stay alive.

"I don't think so, you wanna call Christian and cancel?"

"Nooo he's gonna kill me" He pouted as he took his hand off you to roll down the window to let some air in.

Weirdly you found that you missed its comforting presence on your thigh. And the image of it going higher suddenly entered your mind. That thought made you panic a bit, seeing as you had never had those kind of thoughts about Max. (Well, does it bear repeating? Monaco. Yeah).

Still panting, with his head out of the window like a dog, he groaned. "I don't think I can drive like this. Are you having a weird reaction to the weed?"

"Um... a bit, I guess. I'm hot and uh..." you trailed off and max looked at you

"And what?"

"No it's embarrassing"

"No tell me! What is it"

You looked at him for a moment, the two of you breathing harder than normal, both fighting something.

"Well..." you gulped "I guess I'm like, horny? But, I always get horny when I smoke, this is like... more intense? Different sensations I guess."

Max exhaled and closed his eyes, leaning his head against the headrest.

"Me too" he whispered in an oddly strained way. Then his eyes suddenly snapped open "Wait a minute! Are you telling me you've been horny every time we've gotten high together?!"

Shit.

"Uhhh, yeah?"

You noticed Max was squirming in his seat a little bit.

"Fuck, that's- why didn't you tell me?"

You stared at him. Was this really how the conversation was going to go?

" I- don't know I guess... I thought you wouldn't be interested?"

"Are you serious? I wouldn't be interested?! Even after MONACO?!"

"We're best friends Max, I don't wanna lose that. And we've never actually talked about Monaco so I assumed you wanted to forget it!"

"Forg- Forget it?! It's been three years and I haven't stopped thinking about it!"

"Oh"

"Yeah, oh!"

"Fuck"

"Only if you want to"

"What?"

He looked at you, eyes scanning your face, gaze dropping to your lips.

"We're both high and horny in a car right now, do you want to fuck me?"

You were taken aback slighly, Max was nothing if not straightforward, it was one of the things you loved about him.

"Max, I've wanted to fuck you since we were-"

Thats all he needed to hear before grabbing your hair and yanking your upper body towards him. Given both of your states it was more licking at each others mouths than actual kissing but this had been a long time coming you supposed and you were both too high to care.

You broke away and climbed between the seats into the backseat, winking at him as he gawked at your ass, barely covered by your pathetic excuse for a dress. "You joining me then, or leaving me to take care of myself?"

"Fuck no" He growled and crawled in after you. In hindsight it would have been easier and quicker to use the car doors, but he finally made it and it took you a while to find a position that wasn't too uncomfortable in the small space.

You ended up on his lap, back to his chest while he pulled down the straps of your dress and kissed your neck sofly. He squeezed your tits gently while whispering in your ear. "You know, since Monaco I've been dreaming of the day I would see you like this again. I was starting to think It never even happend. Like it was some kind of religious experience or something"

You giggled. What a sap. "If I had known that's how you felt I would have let you do this years ago. But could you get a move on please? I feel like I'm going to go insane if y-"

He cut you off by shoving his fingers in your mouth and pressing down on your tongue. You moaned at the intrusion and sucked on his fingers to get them nice and wet.

"Good girl"

Your eyes rolled back as you leaned back against him and he chuckled.

"See, I did learn some things in Monaco"

He spread your legs which were hooked over his and trailed his now wet fingers down over your chest and stomach, as his other hand slid your panties to the side. The moment he made contact with your clit you jolted slightly in his grasp. Being horny for so long must have made you extra sensitive. And wet. It didn't take Max long to slide two fingers into you with ease as he crooked them immediately and you whimpered. Every movement, every press of his fingers felt like heaven and you could already feel that you weren't going to last long.

Before you could say anything though, Max's phone started ringing from the floor. He picked it up, fingers still making you writhe on his lap and answered the call, the absolute madman.

Then he pressed the phone to your ear and whispered in the other "Go on then schatje, talk to Christian, I'm a bit busy right now"

"What the FUCK Max where the hell are you?! You were supposed to be here an hour ago! I'm going to kill you when you get here!"

You had to swallow down your moans in order to answer "Um hi Christian it's- it's me!" You squeaked out "Um we won't be making it unfortunately- Max- Max has indegestion and he's very ill and- aaah- he's- um he's-"

You were so close to the edge and Max showed no signs of stopping, you were becoming unintelligible under his skilled fingers.

"This is unacceptable behaviour! What the fuck have you done to him now?! It's always you causing proble-"

The rest of his sentence was drowned out as you came hard around Max's fingers (when did he slip a 3rd one in?!) and you moaned loudly before Max could slap a hand over your mouth.

As you came down the silence on the line was deafening.

"Wh-"

Max interjected "We got high Christian I can't drive!" and hung up. "He won't be calling again I reckon"

You couldn't help but giggle. "Oh my GOD Max we're gonna be in so much trouble! Christian is gonna kill me because I made you miss an important dinner and- oh my god he just heard me have an orgasm that is your BOSS- fucking hell Max what were-"

You hadn't noticed that during your rambling he had unbuckled his pants and taken his dick out, but as soon as he started rubbing the tip against your folds you stopped dead.

He chuckled "Fuck Christian, I wouldn't miss this for the world"

And with that he slid in to the hilt, punching a gasped moan out of you, and started pounding into you deep and fast, somehow reaching all the right spots immediately. The build up to this one felt different. It was faster and more intense, and you were speechless. You realised too late what was about about to happen as you started dripping onto his thighs. Then the flow got heavier and Max swore as his hips stuttered, his own orgasm taking him by surprise. He stopped, still inside you and you felt drained, literally.

You stayed like that for a minute, both of you catching your breaths as you came to the realisation... "Max, fuck! the car!"

"Fuck the car. I'll send the fee to Christian"

You huffed in disbelief. He was out of his mind. But for now it was just the two of you, in this now ruined car, drugs just starting to wear off, and that was enough for tonight, you needed to go home and sleep it off. You could worry about the consequences later.

"So... exactly how expensive was that weed?"

DISCLAIMER DO NOT SMOKE WHILE PUTTING GAS IN A CAR I AM SERIOUS THAT IS SUPER DANGEROUS

ALSO DO NOT SMOKE AND DRIVE

ALSO DO NOT ORGASM WHILE ON THE PHONE TO YOUR FRIENDS BOSS KIDS

[tanadrin]

I liked this video from Jamelle Bouie a lot, and I liked it even more because he delivered it as a floating eyes and mouth over an apple.

I'm going to respond to this comment as an apple because I kind of like doing it. It's fun. And I'm gonna respond to this comment by way of a story.

So, all Americans know about the anti-slavery movement, the abolitionist movement. And the way we're taught about the abolitionist movement or the anti-slavery movement, whatever you want to call it, is kind of that this was inevitable--that obviously slavery is terrible and obviously there are people against it and it was gonna end. We teach it as a thing that was bound to happen. So the Civil War comes and slavery is ended, and it's sort of a very neat story.

But I'm gonna ask you to put yourself in the perspective of an abolitionist or an anti-slavery politician in, say, 1840 or 1848; and if you are one of these people, you have a deep-seated opposition to slavery. If you're an abolitionist, you may have spent the previous 10 or 20 years traveling the country, giving speeches, rallying people, doing everything you can to stir up moral outrage at slavery. If you're a politician, you have been working, doing a grind of politics--somewhat dangerous, because people may not like slavery, but they're not super thrilled about black people either--but you are in legislatures, you are filing petitions, you are building coalitions, you are trying to make whatever headway you can to, if not challenge slavery, then at least challenge some of the racist and anti-black laws that are on the books. Both--whether you're an anti-slavery politician or ablitionist--you do not think in 1848 that slavery is gonna be over in your lifetime. You hope that it might be; but you have no particular expectation that it will be. You are not optimistic about the end of slavery. You may not even be optimistic about the world as it exists, because you look around and you see human bondage and horrible brutality that's been there for hundreds of years, and for all you know will be there when you're long dead.

So the question to ask is, why do these things? Why did these people bother? Why did they continue struggling against slavery, despite not really having any optimism about the end of the institution? And the answer--beyond a deep-seated sense of moral commitment--is that these people didn't need to be optimistic in the ultimate outcome, they just needed to be optimistic in the ability of humans, of people to make change; they needed to be hopeful about human agency. That's what they needed, and that's what they had. And so they did not know how far they would be able to take the baton, but they worked and hoped that when the end of their lives came, they'd be able to hand it off to people who could take it even further than they could.

The abolitionists and the anti-slavery politicians were essentially living out what Antonio Gramsci called the pessimism of the intellect and the optimism of the will. I think the exact quote is, "I'm a pessimist because of my intelligence, but I am an optimist because of my will." What this is is recognizing the reality of the world around you, not looking at the world as if it's any better--or any worse--but any better than it is; but not pinning your hopes for a better world on some sort of linear change, linear move towards something better; but pinning your hopes on one of the true constants of human society, which is the ability of human beings to work their will on the world, and the ability of humans to push and persevere.

So, this is all to say that I am not asking anyone to be optimistic about the world. That's very silly; the world's a very terrible place right now--not the worst it could be, but pretty bad--and I do not contest that. But I do think that people should have a bit of this optimism of the will, and this optimism about human agency, and our ability to build a better world. And this is sort of where my very strong distaste for doomerism comes from, because the sense that it is the worst, and nothing can be better, is just fundamentally incompatible with any kind of optimism of the will, any kind of belief in human agency and belief in our ability to change the world around us. And it's also why you will find me on this account often pushing back against the most negative renderings of what is happening in our society, for example. Not because I think everything is great--I do not--but because I do think that the path towards change requires one to have clear eyes about the situation in which you find yourself; and clear eyes both means recognizing the bad, but it also means recognizing those areas where you can make gains, and where you can find success; and where you can win minor victories.

And you may say, well, what's the point of a minor victory? But I think what the anti-slavery struggle demonstrates, what the civil rights struggle demonstrates, what the labor struggle demonstrates in this country, is that minor victories become fuel for modest victories, become fuel for major victories, and major victories can be the things that fundamentally change the entire field of play. So. Pessimism of the intellect, my friend, optimism of the will.