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thankskenpenders · 3 months

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The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

#tkp post #tlsc #tlsc beginnings

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buckymorelikefuckme · 6 months

Text

and baby makes three

(the reboot)

bucky barnes x fem reader

words: 11.3k

warnings: **18+ ONLY** friends to lovers, pining, smut, oral (f receiving), breeding kink, pregnancy kink, cockwarming (kind of??), trigger warning for having troubles with getting pregnant. it's still super fuckin soft despite all of that though, i swear.

a/n: okay so it's currently 6am as i'm typing this and i haven't been to sleep yet bc i decided to just heavily edit this instead of rewrite it bc i'm lazy i guess idk. this was posted originally back in 2021 i believe and it's still on ao3 it's just orphaned rip. i promise i'll be writing and posting new stuff soon ok pls have faith in me and cheer me on bc it's hard and scary and i don't wanna disappoint anybody :( ANYWAY, as usual, any and all mistakes are my own. if i've missed anything important pls let me know so i can correct it. feedback is encouraged (pls) and appreciated (i am begging...)

The idea of you having a child one day always seemed foreign and very unlikely. Sure, you liked kids well enough, but having one of your own…

It’s a thought that’s sat in a corner deep in your mind, buried beneath a million other impossible concepts; a thought that you’ve only ever glanced over and never gave your full attention, having ruled it out ages ago as something you just couldn’t—or wouldn’t—do.

And then, on a day like any other, it pushes its way to the forefront of your mind, making itself known and unwilling to leave.

You’re going into the clothing store to find a new cardigan after your most favorite one got eaten by the dryer. Usually you’re a single-minded shopper, walking into a store with tunnel vision and on a mission to get what you need and that’s it.

Today, however, you make the mistake of letting your eyes wander on your way to the sweater section. Your gaze just so happens to land on the baby clothes… and your steps falter. It’s there that you see it, a tiny, pink onesie with a sleeping teddy bear printed on the front, displayed on an even tinier hanger. There’s matching pants with teddy bears all over them and ruffles on the butt and all your brain can muster up is cutecutecutecutecute.

Your feet carry you closer and before you realize what you’re doing you pick up the outfit, letting out a coo when you realize the teddy bear is fuzzy, softly rubbing your thumb across it. Somehow, you walk out of the store, not with a new cardigan, but with the cute baby outfit and a bow you thought looked adorable with it.

It’s not until you get home that it hits you, that you bought baby clothes for a baby you don’t even have.

The feeling that rushes through you is hard to describe. Shame? Embarrassment?

...Yearning?

No. Definitely not. Nope.

There’s absolutely no yearning going on here, not for a baby. You’ve never even had that desire before and you certainly don’t see yourself having it now. You shake your head to clear it, telling yourself you’ll take it back tomorrow.

Except you don’t take it back. You conveniently “forget” and it stays shoved on the top shelf in your hall closet. You pretend you don’t pause in front of said closet throughout the following days—weeks—chewing on the inside of your cheek and staring at the door like you can see through the wood at the evidence of your impulsive purchase.

It gets harder to ignore, though, when you start getting ads for baby clothing brands. And baby toys, bottles, handy little gadgets for new parents, nursery decor… It’s endless.

Then, as if it wasn’t already bad enough, all of your childhood friends start popping out babies like it’s a brand new trend. You don't think you've seen your social media this flooded with pregnancy announcements and baby arrivals, ever. Your emotions are mixed; happy for them, and for their excitement, but there’s also a weird discomfort settled in your stomach.

You hesitate to be that person who thinks the universe is trying to tell you something, but you do wonder. Why else would you suddenly have these feelings? Why else would there be baby stuff everywhere you look now?

It brings on other thoughts, as well. In this day and age, it’s not too unusual for women to have babies without being married, or without a significant other at all. There is the pressure, still, to at least be in a relationship, but considering you’ve been practically in love with one of your closest friends for the last two years, it’s safe to say that you’re tragically single, so having a baby with someone is out of the question.

And god, do you even want a baby?

As soon as the thought crosses your mind, with a sudden clarity that hits you like a ton of bricks, you realize you do. It feels like a freight train has slammed into you. Your mind’s eye supplies you with images of a swollen belly and wide smile, a precious baby wrapped in a soft blanket, cradled in your arms, a gummy grin and happy giggle.

Emotion consumes you then, longing like you’ve never felt in your life, chest aching with how badly you want that.

It’s not as if you’re too young. You’re plenty old enough and you’ve got a secure job. You don’t subscribe to that whole biological clock nonsense, but you do feel that if you are going to potentially have a baby, it might be better to do it now while you’re still in relatively good health.

You groan, dropping your face into your open palms, the movie you'd been watching to try and distract yourself long forgotten as it continues to play on the television.

This is a lot to think about, you ponder to yourself. Taking a deep breath in and releasing it slowly, you decide the mature thing to do is give yourself more time to ruminate on it. Having a baby is no small decision. You need to be absolutely certain it’s what you want. It’s going to change your entire life, everything, and you’d be responsible for a new life. So, you’ll have to give yourself a few months to decide and then you can go from there.

***

You’re scrolling through yet another article on your laptop, engrossed in every detail of the process of artificial insemination and the symptoms and side effects that come with it. So engrossed, in fact, that you don’t hear the key turning in the lock, the door opening and closing, and the heavy footfalls that follow.

It’s only when Bucky asks, “Whatcha reading?” that you are even aware of his presence.

You startle so hard that your knee slams into the underside of your table. Ignoring the throbbing pain in your knee and your wildly beating heart, you close your laptop with a snap and turn to Bucky.

“You could knock,” you grouse.

“Why give me a key, then?” he retorts, unapologetic.

You roll your eyes and grumble under your breath, “Clearly, it was a mistake.”

“You didn’t answer me.”

Brows furrowed, you ask, “What?”

He gestures to your laptop. “What were you reading? Your nose was nearly smushed against the screen.”

You blink, trying to think of a reasonable excuse and coming up empty.

“Nothing,” is all your brilliant mind can supply.

Bucky’s eyes narrow for a few seconds, and you pray to every higher power and all that is holy and good that he won’t press further. You remain frozen under Bucky’s suspicious stare, hearing that Old West shootout music playing in your mind.

Thankfully, it seems the deities are feeling indulgent, as Bucky chooses let it go.

He holds up the bags he carried in. “I brought lunch.”

You perk up instantly. “Did you go to that one place—?”

“With the fried rice you like so much, yes,” he finishes for you, smiling.

“You’re the best,” you sigh, stomach rumbling eagerly.

“I know,” he replies, solemn and dramatic like the idiot he is.

He begins taking out the styrofoam boxes and chattering on about something dumb Steve did the other day, and you mean to listen, you really do. It’s just. That article is still lingering in your brain. There’s so many steps and hassles. Plus, it’s not cheap. It would be a hefty investment.

You’d only researched it because, after months of contemplating the pros and cons of having a baby, you determined the pros far outweigh the cons. But then the problem was: how to even make it happen.

Your first thought was that you didn’t think you’d let just any man come inside you, for many obvious reasons. You’d shuddered to think of it. Then there was surrogacy, which is admirable and wonderful, but you’d quickly dismissed that idea as you realized you wanted to actually carry the baby yourself. So that led you to artificial insemination. You weren’t sure how you felt about it yet. There was something a little too clinical about choosing a random man’s sperm to have injected into your uterus.

Bucky’s still speaking as he grabs plates and forks, unaware of your inner monologue. “And then he got Sam involved,” he’s saying, scooping out food onto the plates, “which, as you know, I always think is a dumb thing to do.”

“I want to have a baby,” you blurt, eyes widening at your outburst.

Bucky fumbles with the spoon, sending fried rice flying, muttering curses as he tries to catch it with no luck as it lands with a dull clunk on the table. The silence that follows is loud. It feels like your heart is in your throat as you wait for him to just say something, anything.

“This is… quite a mess I’ve made,” Bucky finally observes. His voice is a bit higher than usual. “Where’s your vacuum? Actually, do you have one of those mini ones? Or would Clorox wipes be better? You know what, I’ll do both.”

He nods decisively then turns an expectant look towards you. His eyes look a bit wild, but you wisely keep that to yourself.

Wordlessly, you direct him to your hall closet. You realize your error a second too late when he opens the closet and reaches for the vacuum on the top shelf, where the purchase you’d made months ago also rests. His fingers get caught in the plastic bag when he grabs the handheld vacuum and its contents spill out. He goes to catch them right away, but once it registers what they are, he lets go of them like they’re on fire and nearly drops the vacuum on his foot.

Heat has been steadily creeping up your neck, but now your whole body feels aflame with embarrassment. The two of you stare at the baby clothes lying unassumingly on the floor for a long moment, until Bucky quietly walks back to the table with the vacuum clutched tightly in his fist. He flicks the switch on and it whirs to life, sucking up the bits of rice scattered around the table.

There’s another lengthy silence after he turns the vacuum off and you're unable to find the right thing to say to break it. Bucky does it for you.

“So… You’re serious.”

You meet his eyes and sigh heavily. “Yeah.”

He blinks a few times before clearing his throat, schooling his expression carefully. “I didn’t realize you were seeing someone.”

You cough lightly and start picking the peas out of your fried rice. “Well, that would be because I’m not.”

“I don’t think I follow,” he admits slowly.

You sigh again, lowering your gaze to your lap. “Look, I’ve thought about this a lot, okay? I’ve given myself months to really make sure it’s what I want. I’m in a good place in my life to have one, Bucky, and I don’t want to feel pressured to wait until I might get married.” You lift your gaze to his. “I want to have a baby,” you repeat firmly. “And I don’t need a partner to have one.”

You’re not sure why you feel the need to defend yourself. It’s not up to Bucky what you decide to do. You don’t need his approval, or anyone else’s. Maybe it’s because, even though you know it's not true, it feels like you're making too hasty of a decision.

After a beat, Bucky amends, “Well, I mean… You do…”

“Oh my god, shut up, you know what I mean,” you groan as you smack his arm, glad that he's not calling you crazy or trying to talk you out of it.

He doesn’t even flinch, the jerk.

“Wait, so what were you reading when I got here?” he suddenly questions, brows furrowed.

“Nothing,” you say too quickly, guiltily.

“Let me see your laptop then,” he counters as he crosses his arms over his chest.

You flounder for a second, scoffing. “What? No!”

“It can’t be that embarrassing, just show me,” he wheedles.

“Absolutely not.”

“Let me see!”

“It’s private!”

“Don’t be a chicken.”

Your eye twitches. “I’m not a chicken.” Bucky smirks and before he can even open his mouth you interject with a finger pointed accusingly at his face, “Do not start clucking at me, Bucky. I’ll kick your ass,” you threaten, though it's weak and you're not the only one who knows it.

You glare when his smirk only widens. Slowly, he moves his arms like he’s gonna flap them like chicken wings.

“Ugh! God, fine! You wanna know what I was reading?” You open your laptop and slide it over to him, turning it to where he can read it. “There.”

Bucky scans the page, then scans it again, eyes flicking all over like it’s in a different language. His cheeks grow redder and redder as he reads and you get a small sense of satisfaction at the sight.

“Wow,” he mutters finally. “You’re turkey baster serious.”

“James Buchanan Barnes,” you say, pinching the bridge of your nose.

“What?” he asks innocently.

When you make eye contact with him, you purse your lips to keep the laughter threatening to bubble out at bay, but the ever growing smile on Bucky’s face is hard to resist and you find yourself snorting a laugh that leads to uncontrollable giggles. Bucky’s laughing with you, his eyes crinkling on the sides. The tension you hadn’t realized you held in your shoulders loosens and you nudge his knee with yours in silent thanks.

“So,” he says after you've both calmed down.

“So,” you repeat, dragging it out, drumming your fingers on the tabletop. “I’ve been doing research, checking out all of my options, and while artificial insemination seems like the best choice… I don’t know, there’s just something too clinical about it,” you reply, voicing your concerns, “It doesn’t feel right. I know I said I don’t need a partner, and I don’t, but… Having absolutely no connection is weird.”

You shrug, waving a hand as if to say oh well, putting an end to the conversation, and pick up your plate to carry it over to the microwave. You reheat Bucky’s food while you’re up, and then you both start eating in comfortable silence. He gets halfway through his meal before speaking up.

“Have you… I mean, did you think about… I’ve heard that, uh. Some people ask another person…”

He trails off, clearly frustrated that he can’t just spit out what he’s trying to say. You think you understand what he means, though.

“I read up on surrogacy,” you say, biting your lip. “But I don’t think I’d want someone else to carry my baby.”

“Oh, no, I didn’t mean—I wasn’t suggesting, uh, that. Not that there’s anything wrong with it!” he rushes to say.

You tilt your head. “What did you mean then?”

“Well,” Bucky starts, stilted, licking his lips. “For the artificial insemination, have you considered… you know. Asking someone you’re close with?”

You frown, not following.

“For—for the sperm,” he clarifies, shifting in his seat.

“Oh,” you breathe, blinking rapidly, surprised as you think of how to reply. “Um. No? I wouldn’t even know who I could ask, to be honest. That’s quite the request, you know? Who would—“

“Me,” he interrupts, determined and cheeks flushed, “I would.”

Your own face heats. “Oh,” you say again, quieter.

You can say, with full confidence, that not once did it cross your mind to ask anyone to help you, but you especially would have never given thought to asking Bucky.

For a list of reasons, really, with “it’s Bucky” being right at the very top. Like—sure, yes, you’re in love with him, but after two years of no signs of reciprocation you’ve learned to stop dreaming, to stop hoping. If the attraction was mutual he would have shown it by now, right? And on top of that, his friendship means the world to you and you wouldn’t do anything to jeopardize it. You'd never forgive yourself if you ever managed to fuck up the one good, constant thing going for you.

“Bucky,” you start, slow and careful, “this… This isn't something you can just jump into. It’s something you should think about for a while.”

He contemplates that for a second. “You’re right,” he concedes with a nod. “But…” He purses his lips, glancing away for a minute before turning back to you, leaning forward. “Okay listen, this is important for you. It’s going to change your whole life. You said it yourself, not having a connection to the sperm donor feels wrong. You’re my best friend, alright? I—care about you. You should pick someone you can trust.”

He clenches his jaw after he finishes speaking. You sort of hate the way your heart both flutters and plummets at his words. It’s nice to know you matter to him, just not in the way you’ve wanted for too long.

And if you’re really honest with yourself, Bucky would be a great choice as a donor. He’s in great health, has strong features that would look wonderful on any gender. But would you be able to handle the repercussions of having his child? Would you be able to look at your baby and see those features without it sending a pang through your chest every single time? You can’t say for certain.

Yet, the chance to have that type of connection with him, selfishly, sounds too good to pass up.

“At least think about it for a few days,” you murmur reluctantly.

It’s the most acceptance he’ll get and he knows it. A smile blooms across his face and you have to swallow down the warring emotions rising within you.

***

With the amount of research you do on the subject now, it doesn’t take long for you to find out that there are at-home kits for artificial insemination that are much easier (and cheaper). It’s easy to settle on that, clicking on the info to order your kit with butterflies fluttering in your stomach.

You read through the instructions online and it all sounds simple enough, until you get to the part where it says that having an orgasm after injection helps increase your chances of conception.

Blinking, heat crawling up your neck, you read that step several times, hoping you read it wrong, but it doesn’t change.

You… You can’t masturbate with Bucky’s sperm inside you. That’s a line you refuse to cross.

And besides, he’s a healthy man in his thirties who exercises regularly and eats fairly healthy food! You probably—definitely—won’t need to take that step. It’ll be fine. Probably.

Once the kit arrives, you call Bucky and ask him to come over so you can explain the process to him. Since he’s only across the hall of your apartment building, he’s there a moment later, letting himself in with his key.

“Let’s make a baby,” is how he greets you.

“Hold your horses,” you reply, fighting back a laugh. “I gotta walk you through everything first.”

He plops himself down next to you on your couch. “Fine, fine. Go ahead.”

Squaring your shoulders, you begin telling him how it all works, and what parts he is key for. You speak through your awkwardness, avoiding eye contact, when you explain that he’ll need to masturbate into a clean, sterile cup. You leave out how it’s suggested for you to also masturbate, deciding it’s not pertinent information for him to know.

“When do we start?” he asks once you’re done.

“I have to take an ovulation test first to find out the best days for me to conceive, but once I do that we’ll be able to, um.” You gesture vaguely. “I’ll be able to do the injections.”

He nods. “Alright.” He looks at you then, taking your hand in his and giving it a squeeze. “I’ll be here every step of the way, okay?”

“I know,” you say, smiling. “Thank you, Bucky.”

“You’re welcome,” he returns softly.

“No, really, thank you,” you assert. “This is a lot to take on and I can never fully repay you.”

Bucky shakes his head. “I want you to be happy, and I can see that having this baby is going to do that. I’ll do whatever I need to do to ensure it happens.”

You pull him into a hug, willing yourself to not cry. You’re not sure he’ll ever understand what this means for you, personally, or that you’d ever find a way to express it. He’s giving you so much more than just a baby.

***

The first injection time comes and you find yourself fidgeting where you sit as you wait for Bucky to bring over the, uh… sample. You do your best to not think about what he’s doing in his apartment, to not think about exactly how he’s collecting his sperm.

Now is not the time, you mentally scold yourself. Get it together.

A timid knock at your door alerts you to his presence. The fact he’s knocking says a lot about his own level of embarrassment about the situation.

His cheeks are pink when you open the door. “Uh, hi.”

“Hi,” you return.

He clears his throat and lifts the small cup in his hand. “Here’s… well, you know.”

You gingerly take it from him, not knowing what else to say, but when he smiles somewhat crookedly and turns to leave, you find yourself asking, “Will you stay?”

Bucky’s steps pause. “Huh?”

“Will you—I mean… Would you mind staying?” You shift on your feet. “This is a big moment for me. I-I don’t want to do it alone.”

“Are you asking me to…?” He trails off awkwardly.

“Oh! God, no, I wouldn’t—no,” you assure, huffing a laugh, “I’m doing the injection, I just need a little moral support. That’s all.”

Bucky smiles. “Sure, I’ll stay.”

Relief floods through you. You step aside to let him in, closing the door behind him. He follows you to your bedroom and just before entering you stop in your tracks, nearly causing Bucky to bump into you.

“Um,” you mutter, turning to him. “You’ll have to, ah, sit out here,” you explain. “I have to be lying down…”

Understanding dawns on him. “Oh! Right, right, of course. Sorry.”

“I’ll let you know when I’m done,” you promise.

He nods and watches you close the door. You walk over to your bed and sit down, glancing at the syringe you’ll be using and biting the inside of your cheek.

This is it. There’s really no going back after this. Sure, you may not get pregnant the first time, but Bucky’s already said he’d help you for as long as it takes. It’s just… very real now. You don’t feel any doubts, though. You want this.

Inhaling a large breath and slowly letting it out, hands shaking, you take the lid off the cup and pick up the syringe. You remember the instructions, making sure there’s as little air sucked in as possible when you draw out the semen, and getting rid of the few air bubbles that you see. You grab your pillows and lie down, propping them beneath you to lift your hips.

“Here I go,” you mumble to yourself, taking another deep breath and releasing it.

A couple minutes later, the syringe is empty and you’ve got your legs pulled up to your chest. You cover yourself with your blanket and call out Bucky’s name.

“You okay?” you hear through the door.

“Will you come here, please?” you ask.

He walks in cautiously, making sure you’re decently covered before entering fully, wisely not commenting on your position. “Well?”

“I did it,” you whisper.

He stays quiet, letting you parse through your thoughts. You blink when you feel tears threatening to gather in your eyes. He’s beside you in an instant, crawling in the bed and lying down, taking your hand in his.

“Congratulations,” he says softly.

“Don’t congratulate me yet,” you reply, sniffing and wiping at your eyes.

“Still,” he presses. “You’re one step closer now.”

He pulls your hand up and kisses the back of it. You give him a watery smile. The two of you lay there in silence for a moment before Bucky breaks it.

“This isn’t how I pictured myself making a baby.”

It startles a laugh out of you and Bucky grins, pleased to have helped ease the tense atmosphere. He distracts you with idle conversation after that, talking about his plans for the upcoming weekend, asking about yours, tells you about the newest stupid thing Sam did; he talks and talks and talks, until your anxiety is gone, and then he stays to cook dinner for you.

Your hug when he gets ready to head back to his apartment lasts a couple minutes longer than usual. Bucky quietly allows it, dropping a kiss on your forehead when you pull away.

“Same time next week?” he jokes, making you crack a smile.

“Goodbye, Bucky,” you reply exasperatedly as you close your door.

“Bye, sweetheart,” he returns over his shoulder.

***

Weeks pass. More injections. Pregnancy tests taken.

But nothing happens.

All of your tests come back negative.

When reading up on artificial insemination, and pregnancy in general, you’d understood that there was a chance it wouldn’t happen right away. You thought you were fine with that, that you’d be alright with the waiting and all. Looking at your growing collection of negative tests, however, has a sense of dread building within you. You do your best to quell it, telling yourself there’s no need to stress over it. Yet.

Besides, your mind supplies in an overly cheerful manner, there’s still one more method to try!

***

The next time Bucky brings over his sample, he lets himself in, like always, and passes along the cup with an encouraging smile. You try to smile back, but it feels more like a grimace. He either doesn’t notice or he at least pretends not to, thankfully.

But when he goes to make himself comfortable to wait, you’re reminded that you haven’t told him about the, uh… change in procedure, so to speak.

You clear your throat delicately. “I don’t think you’ll need to stick around this time.”

Bucky frowns. “Why not?”

“Because…” You trail off, cheeks pinking, yet not finishing the sentence, because how do you explain this?

“I promised you I’d be here every step of the way,” he recalls. “I intend to keep that promise.”

You wince. “I really appreciate where your heart is, Bucky, I really do, but I literally cannot let you be here for this injection.”

“Why not?”

You look heavenward for mercy. “I have to…”

When you don’t finish your sentence again, Bucky raises a single brow, gesturing for you to go on. “You have to… what?”

You huff, throwing your arms out. “I have to orgasm, okay?”

His eyes go a little bit wide, but you can tell he tries to control his reaction. He swallows, shifting where he sits on the couch.

“Oh,” he mumbles. “Have… have you had to do that before?”

“No. Well, I mean, it was suggested, but I never…”

His eyebrows furrow. “Does it help or something?”

You absently scratch your neck. “They say it increases the chances of conception.”

“But you haven’t been doing… that.”

“I didn’t think I’d need to.”

Bucky inhales like he’s going to say something, but then doesn’t.

“Yeah, so, I don’t think you should be here,” you utter, quickly adding, “No offense.”

“No, yeah, that’s fair, um. I’ll just—I’ll head back to my apartment,” he states as he stands. “You can—I mean, if you still want me to—I can come back over? After you… uh…”

“I’ll let you know,” you reply, voice tight and high.

He nods, looking lost and like he wants to say more but thinks better of it. Finally, he mutters a soft bye and is out the door.

Alone now, your stomach feels like it’s tying itself in knots and your heart is doing its damnedest to beat out of your chest. You try to tell yourself that it’s just another injection, that this is the same as any other time you've done this, but you know it’s not. It's really, really not.

Laying down on your bed, syringe in hand, is much more nerve wracking than before. On your left lies a new addition to your routine. You don’t know why you’re acting like such a prude all the sudden. It’s not like you’ve never masturbated before. Though, you suppose the major difference is that you didn’t have Bucky’s sperm hangin’ out in your vagina all those other times while you did it.

“Quit being such a goober about this,” you tell yourself.

This has to be done for a reason. If you want to have a baby—and you do, very badly—then you’re gonna have to deal with the process.

Once you’ve injected the sperm, you reach for your bullet vibrator next to your left hand. The instructions say not to insert anything, only to stimulate your clit. You try to clear your head, think of it as a chore or something, yet it’s hard not to think of a certain someone.

The vibrator buzzes with the press of a button. You adjust your hips, making sure they’re tilted, then bring the vibrator to your clit. The first touch makes your stomach tense and thighs spasm.

You close your eyes, running the toy along your slit. You really don’t want to drag this out, would prefer to get it over with as quickly as possible, but your mind begins running away with images.

Bucky, settled between your spread thighs, one hand resting on one of them, the other controlling the vibrator. You imagine he’d tease you, slowly trail it along the crease of your thighs, over your hips; everywhere but where you wanted it.

Bucky would probably give in once you whine and beg enough, once your desperation bled into your voice, and hold the vibrator directly to your clit, drink in your cries of pleasure like they’re the finest whisky.

He’d mutter soft but firm encouragement, tell you how good you’re doing, how good you sound. He’d start circling the vibrator, going from quick to lazy swirls, then he’d change the setting to a higher one just to hear you whimper. His free hand would run up your torso to pinch at your nipples for added stimulation.

When you imagine him leaning down to add his tongue into the mix, your mind blanks as your climax hits you, a ragged moan forcing its way out of your throat. You’re quick to turn the vibrator off and toss it to the floor, deciding you’ll worry about cleaning it later, chest heaving as you pant for breath after an intense orgasm.

Shame and embarrassment consume you, mock you for using Bucky to rub one out. You’d given in to the fantasy so easily.

Truthfully, it’s not the first time you’ve thought of him while pleasuring yourself, but the context this time is completely different, and you feel immediately guilty. Admittedly, it’s probably irrational.

That doesn’t stop you from cringing at your actions.

***

You’re sure you’ve bought out the entire pregnancy test section from the convenience store down the block. Currently, there are six different brands in front of you, all promising the most accurate results.

Bucky is sitting in your bedroom, quietly waiting for you to pee on all of them so you can both find out what they say. You chug the last bit of your third bottle of water even though your bladder is fit to burst at any moment. Turning the faucet on for modesty, you make quick work of the tests, then wash your hands.

And wait.

You call Bucky into the bathroom with you. The two of you quietly sit on the edge of your bathtub, counting down the minutes. Part of you wishes Bucky would say something dumb to break the tension, like he usually does, but you're also kind of glad he's just here, next to you, a silent comfort.

It seems like hours have passed when you’re finally sure you can check them.

The first one is negative, and so is the second. The third, however, reads positive. Your heart begins racing, clutching at the counter, but before your hopes get too carried away you read the rest. To your dismay, they are all negative. You stare down at them all, eyes falling on the loan positive test multiple times, knowing that it’s likely a false positive, yet stupidly hoping otherwise.

Your chin wobbles. Bucky hugs you from behind, resting his cheek on your shoulder.

“What do I do, Bucky?”

At your broken whisper, he sighs. “I don’t know, sweetheart.”

Neither of you know what to say or do after that. Bucky continues offering quiet support, his solid presence at your back, and you’re grateful. Eventually, he leads you out of the bathroom and into the kitchen, sitting you down at the table as he starts preparing dinner.

When you’re both eating the spaghetti he made, he breaks the silence.

“Do you think…” he starts, pausing to think of how to phrase his question before carefully carrying on. “Are you going to stop?”

“I don’t want to,” you answer, the implied but hanging heavy in the air.

Bucky sits his fork down. “I know you want this, very much.” He pushes his hair out of his face as he leans forward, elbows settling on the table. “But I hate seeing how sad you get when the tests come out negative. I feel so… powerless. Like I could be doing more or something.”

“You’re doing all you can, Bucky,” you assure.

“That’s the thing, though. I don’t think I am.”

You frown. “What do you mean?”

He licks his lips, locking his fingers together. “I think we should have sex.”

Your fork drops to your plate with a clang, eyes going wide.

“I apologize for how blunt that came out,” he states with a wince. “But, I mean, think about it. You’ve only been using my sperm from a syringe, and up until the last time, you hadn’t been, um, orgasming with it.” You look away, bashful. “I just wonder if maybe trying the old-fashioned way would give you better results.”

“Bucky,” you start, opening and closing your mouth a couple times before shaking your head. “It’s one thing for you to offer your sperm, which I’m thankful for, truly, but… Having sex?”

“I’ve already told you I’m willing to do whatever I need to do,” he retorts earnestly. “Your happiness means a lot to me, okay? I hate sitting around and watching your heart break every week. You’ve tried it your way, now I think we should try mine.”

“I-I don’t know,” you hesitate, chewing on the inside of your cheek, knee beginning to bounce under the table.

His hand slides onto your knee, stilling the movement as he ducks his head to meet your gaze. His eyes are impossibly sincere and your resolve crumbles in an instant.

“It won’t… It’s not going to change anything,” he assures. “I won’t allow it.”

You swallow roughly. He may not, but your heart is going to take its toughest beating yet. It’s going to be hopeless trying to overcome the inevitable emotions that come with sex.

Even so, somehow, your longing for a baby eclipses all of this. Now that you’ve imagined holding your child in your arms, raising them and loving them, you can’t go back. Not anymore.

“Okay,” you allow, softly.

Bucky’s shoulders relax, lips tipping up into a devastating smile.

You’re so fucked. (Pun intended.)

***

Two nights later, you’re pacing in your bedroom, impatiently waiting for Bucky to arrive. You’d been unsure whether or not you should dress up. You didn’t see the point, honestly. Still, a small part of you wondered what his reaction would be if he saw you all done up in lingerie. At the moment, you’re in an oversized t-shirt and pajama shorts.

It’s Bucky, you think, and this isn’t a normal situation, it doesn’t matter what I’m wearing.

You hear his key turning in the lock then and your heart begins hammering away. He calls your name as he enters.

“In here,” you reply, twisting your fingers nervously.

He walks into your room looking just as on edge as you are. He also seems to have had the same idea about his attire, comfortable in his white tee and sweatpants. His feet are bare and for whatever reason that feels way more intimate than it has any right to.

“Hey,” he greets.

“Hi.”

You bite your lip, eyes flitting around your room and coming back to settle on Bucky. He huffs.

“This is ridiculous,” he declares, “It’s just us.”

“Right,” you nod, biting the inside of your cheek.

“It’s not gonna be weird.”

“Nope.”

His jaw ticks. You stare back at him. It only takes a moment for you to realize that somebody has to make the first move, so you steel yourself and turn on your heel, walking towards your bed.

“I’m keeping my shirt on,” you announce as you unceremoniously drop onto the mattress, grabbing your pillows to stuff them under you.

Bucky follows at a sedate pace, fists clenching and unclenching at his sides. He pauses next to you, taking a second to roll his shoulders, then he climbs in and settles in front of your bent legs. He gingerly places his hands on your knees.

“May I?” he asks.

Mouth suddenly dry, you nod. He moves his hands to the waistband of your shorts and tugs. You lift your hips to help him slide them down and off, along with your underwear. Gently, he spreads your legs.

Your breathing has picked up considerably, eyes firmly trained on the ceiling. You know you’re already wet and are blessedly thankful he doesn’t mention it.

The first slide of his fingers has you inhaling sharply. He slowly gathers your slick and trails it up to your clit, lightly circling it. Your mind recalls your fantasy, but you quickly shove it back to the depths of your thoughts, lest you do something idiotic like tell him about it.

He spreads your legs more, adjusting his position between them. His fingers move down until he can sink one into you. You gasp, hands shooting out to grasp your sheets. He wastes no time and begins thrusting his finger inside you.

It becomes quickly apparent to you that it’s going to be very difficult to hold back any noise or reactions. Goddamnit, you will try, though!

When he decides it’s time to add another finger, you feel yourself clench around them, and his soft fuck does not go unnoticed, evident in the way your pussy traitorously clenches again.

“Can I…?” he asks, voice cracking, but doesn’t finish his thought, making you have to break your staring contest with the ceiling and look at him.

He’s not even looking back at you, he’s staring at his fingers, watching them pump in and out of you, half bent over with a slack jaw, like he wants to…

He meets your eyes then, licking his lips.

Oh.

Swallowing around the sudden lump in your throat, knowing you’re probably going to regret it, you nod.

He’s leaning over and sucking on your clit before you can even blink. You cry out, thighs trying to clamp around his head, but his free hand shoots out to hold you open. It makes you squirm, fisting the sheets even tighter. His fingers curl inside you as his tongue licks around them and you whine, high and needy, and then mouth is back on your clit, tongue swiping over it, sucking on it with loud, obscene noises.

His hand comes up to grab the hem of your shirt, shoves it upward until it’s bunched underneath your breasts. Those fingers ghost back down your torso, goosebumps erupting in their wake.

He speeds up his thrusts and your hand flies down to grip his hair. You don’t think you’re meant to hear the quiet grunt he lets out, but you do, and it has you panting even harder. Your orgasm is building, fast, and you pull on his hair in warning.

“Bucky,” you say on a gasp.

Using his arm to hold you down, his free hand joins, thumb swiping over your clit now as he dips his head to slide his tongue in alongside his fingers. It draws a yell out of you, the ever expanding pleasure within you bursting into the hardest orgasm you’ve experienced thus far in your adult life. You know you’re moaning, bucking into the sensations coursing through you, and you’d feel abashed if you didn’t feel so fucking good.

Before you can become too sensitive, Bucky withdraws his fingers and sits up. You can’t even really catch your breath, though, because in the next second he’s whipping his t-shirt off and shoving his sweatpants down far enough to free his cock.

Your thighs do clamp closed then, at the sight of how thick he is, and he tries and fails to keep his smirk hidden.

“Oh, shut up,” you wheeze.

“Didn’t say anything,” he counters.

He doesn’t let you argue, choosing that moment to shuffle closer and line up with your opening. Cautiously, he eases himself inside, inch by inch. Your mouth drops open, brows furrowing as he fills you, stretching you so perfectly. When he’s in as far as he can go, the breath wooshes out of him, his head falling back. You know he’s trying to be polite and let you adjust, but—

“Oh my god, move,” you demand, impatient.

He huffs a laugh, dropping his heavy lidded gaze to yours. “Bossy.”

“Did you really expect anything else—oh!”

The grin he aims your way after grinding into you is downright sinful. You mentally tell yourself to kick him for that later.

He grabs your hips and the pillows and settles you closer to his lap, changing the angle, then pulls out and glides back in, creating a painstakingly slow rhythm.

You have to close your eyes. You can’t look at him anymore. You knew he was probably a god in bed, but to now have firsthand experience? There was no way you’d be able to fuck anyone else without comparing them.

His grip on your hips tightens, the only warning you get before his thrusts turn sharp.

“Fuck,” you cry out, your hands reaching up to grip the pillow beneath your head.

The sound of your skin meeting his is harsh in the otherwise quiet room. Well, okay, you’re not exactly being quiet, but you can’t be blamed for that.

Bucky, however, is nearly silent. The only thing you hear from him is heavy breathing. You wonder if he’s holding back, the thought crossing your mind for a split second, and then you’re clenching around his cock, trying to see if you can gain a reaction. And boy, do you get one.

He grunts and sucks in a breath, lips parting as his eyes squeeze shut. His hips pick up their pace and hair falls into his face. You find yourself wishing he was closer so you could brush it out of the way.

Stop it, you scold yourself.

He pauses to grind into you again, your walls fluttering around his throbbing cock, and you both sigh. Bucky leans forward, hooking your legs into the crooks of his elbows, and resumes his brutal pace.

“O-Oh,” you whimper.

The new angle is heavenly, his cock dragging along a spot inside you that you thought nobody else could find. Unable to help yourself, you clutch at his arms, nails digging in.

“Shit,” he groans, thrusts faltering.

He lets go of one of your legs to slip his hand between you, rubbing at your clit and sending you that much closer to your second orgasm. He can tell you’re close, but you’re gonna need something to push you over the edge. He leans down even closer, breath fanning out against your cheek.

“C’mon,” he pants. “Let go.”

You shiver when his tongue flicks your earlobe and sucks it into his mouth, keening as the pressure builds. He thrusts harder, faster, and when you grasp his hair and pull, he growls and latches on to your shoulder, biting down. You gasp from the added pain and then you’re coming, shuddering and whining through your release. Bucky isn’t far behind, raising up and fucking into you savagely before pausing abruptly, groaning as he finally comes. He lazily thrusts a few more times to draw it out, then stops, stilling with his cock inside you.

Your hair is sticking to your forehead, as well as your shirt to your clammy back, breathing in lungfuls of air. Bucky is softly caressing your thighs, letting out shaky breaths as your pussy continues to flutter around him.

It takes several moments for you to gather your wits, for the rest of the world to come filtering back in. You are truly and completely fucked now, in every sense of the word.

“Well…” You trail off, voice scratchy.

“That was…”

“Mhm,” you mumble.

Bucky sighs heavily. “Let’s hope it worked this time.”

You hum. “Thank you for your service,” you reply with a lazy salute.

You yelp when he pinches your hip, kicking at him in retaliation. The jostling reminds you, with a gasping groan, that he’s still buried balls deep inside you.

“Um.” You cough lightly. “You wanna, you know… pull out?”

He looks down where you’re connected like it hadn’t even dawned on him. “Oh, uh. Well, I thought maybe it could, like. Help.”

His gaze stays locked, fingers flexing on your hips, and you feel like squirming again.

“I think it’s good,” you say quietly.

Bucky finally glances back up at your shy tone, cheeks pinking. He clears his throat.

“Right.”

Carefully, he eases his softening cock out of you, biting the inside of his cheek to keep from making a noise.

You can’t hold back yours, though, gasping once he’s gone. You feel unbearably empty, but refrain from voicing that incessant thought.

Bucky’s intense eyes stare at your pussy until you reach for the throw blanket next to you. He watches you throw it over your lap, drawing your legs up to your chest, and takes that as his cue, jolting into action.

“Okay, so.” He starts, then stops, climbs off your bed and pulls his sweatpants back up. “This was—I mean, if it doesn’t take this time, we can… try again.”

“Yeah,” you mutter. “Sounds good.”

He nods, bending to pick up his discarded t-shirt. “Great. I’ll just, um, see myself out, I guess.”

You nod, sending a smile that doesn’t quite reach your eyes in his direction. He seems to contemplate something for a second, then leans down to kiss your forehead before saying a quick goodbye and leaving.

As soon as you hear your apartment door shut, you let your tears fall.

***

It’s not really like you mean to avoid him after that.

Honest.

You simply become busy, that’s all. You definitely don’t go out of your way by taking the stairs in your apartment building to avoid possibly bumping into him in the elevator. No, you take the stairs because you could use the cardio. It’s important you stay healthy right now. And when he texts you to ask if you want to have dinner, you can’t help that you’ve got boatloads of work to catch up on—all five times he asks.

Okay, so, that’s a lie. You’re totally avoiding him. But what on earth are you supposed to say to him now? You don’t think you’d even be able to look him in the eye anymore, not after the fuck of your goddamn life.

That night confirmed what you already knew for the last two years: Bucky absolutely ruined you for anyone else.

More than anything, though, you were angry with yourself. He’d only offered because you weren’t getting your desired results the other way. You should have been able to separate your feelings and emotions from all of it. After all, none of this was about whatever you feel towards Bucky. This was about trying to conceive a baby.

You try telling yourself to get over it. He’s your best friend, you can’t just cut him off because you’re a spineless pansy.

I just need some time, you reason. You can give yourself a few days to wallow over what could have been and then you can reach out to him and pretend like everything is fine. Because it is.

***

Flash forward two weeks to you attempting to sneak into your apartment, only to jump out of your skin when you turn around and find Bucky sitting on your couch, an unreadable expression on his face.

“Oh, good, you’re still alive,” he drawls.

His tone suggests annoyance. You suppose you deserve that.

“Hey,” you say after a pause.

He stares at you for a moment longer before speaking again. “I thought we agreed we wouldn’t let it get weird.”

You agreed, you almost say, thankfully biting it back. You drop your purse on the entryway table, sliding your shoes off and making your way over to sit next to him.

“I’m sorry,” you mumble. You tug your sweater sleeves down and tuck your feet beneath you. “I haven’t ever… I’ve never been intimate with a friend before. It was just… a lot.”

It’s a half truth, at least. You haven’t had sex with a friend before. Or, well, not one you had feelings for.

“You could’ve just told me,” he replies, reaching for your hand.

You nod. “I know, and I should have, I just. Things are all out of whack lately with the whole… trying to get pregnant thing.”

“If I overstepped in any way—” Bucky starts, but you’re quick to interrupt.

“You didn’t,” you promise. “You’ve been nothing but fantastic throughout this whole ordeal. Honestly, Bucky, you’ve done way more than anyone else would have in this situation. I just had a lot going on in my head and let it get the best of me. I’m fine, I swear.”

He searches your eyes and must find what he’s looking for.

“Don’t shut me out again,” he pleads.

Heart cracking in your chest, you can only nod, shuffling closer to pull him into a hug. He buries his face in your neck and holds on tight.

***

Another week passes.

Bucky is with you as you wait for the results of the latest pregnancy test. He’s reassured you that you’ll keep trying until it happens if it didn’t work this time.

When the timer on your phone goes off, you release the breath you’ve been holding. You take tentative steps over to the sink and gingerly pick up the test.

Positive.

Your stomach swoops. It’s positive. You check again, reading the digitized screen, but it stays the same. Positive. Holy shit.

“Okay, wait, no, I need to do more. I can’t get my hopes up again,” you mutter, rushing to open the cabinet under your sink to dig out several more varieties of tests.

You don’t even wait for Bucky to leave before you’re peeing on the other sticks. He’s seen it all at this point anyway, and he doesn’t seem to care, sitting on the edge of your tub with an anxious expression. The downside is that you have to wait another few minutes for these tests to finish and you can’t sit still, pacing back and forth in the small space of your bathroom.

The timer goes off again. You feel like you’re going to throw up when you finally work up the courage to look down.

Every single one of them… Positive.

A shocked, happy laugh escapes you. You cover your mouth, turning to Bucky with wide eyes.

He rises to his full height, coming closer and peering down at the tests, then back to your teary eyed expression.

“Did we…?”

Words failing you, you nod, giggling in astonishment. Bucky’s face breaks into the biggest, handsomest, most gut-wrenching smile. His happiness is palpable and you’re suddenly so overcome with emotion. Your hands are gripping his face and angling it to align your lips to his before you register what you’re doing. He freezes and you hurriedly pull away, taking a few steps back.

“I’m so sorry, I-I don’t know why—”

“Shut up,” he cuts you off, closing the gap between you in a single stride.

He kisses you like his life depends on it, pressing your bodies as close as possible, his hands cupping your cheeks. You clutch his shirt desperately, never wanting to let go. He steals the breath straight from your lungs when he swipes at the seam of your lips with his tongue, moaning happily when you allow him access. A feeble whine from you after he flicks his tongue against yours makes him break the kiss.

“I have a confession,” he breathes into the miniscule space between your mouths.

“What?” you question distractedly.

“I’m in love with you.”

Your gaze shoots up to his, astounded. He brushes stray hairs off your forehead, runs his thumbs softly under your eyes.

“I’ve been selfish this whole time,” he reveals. “I couldn’t let you choose some random stranger to be your sperm donor, to father your child, couldn’t bear the thought of you carrying their baby, because I’ve been in love with you since the moment I met you. I wanted to be the one. And I’m sorry for not telling you sooner, but I’m not sorry I did it.”

You’re hearing the words, yet your brain can’t seem to make sense of them. Surely you’re hearing him wrong. You can’t possibly have this too, right? You can't have Bucky and have his baby…

But he’s here, very real and solid beneath your hands, looking at you like you’re his entire world.

“Bucky…” You trail off, struggling to find the right words, at a complete loss. “I-I’ve loved you for so long now, I didn’t think you…” You shake your head, a giggle escaping you as you stare at him in wonder. “I couldn’t let myself hope.”

He grins, relieved, planting a few chaste kisses to your mouth. “I know this entire circumstance is totally backwards, but I want you, and I want this baby. I meant it when I said I’m not going anywhere.”

Fresh tears gather in the corners of your eyes. “Are you sure?” you still ask.

“I’ve never been more sure of anything.”

You have to kiss him then, uncaring of the tears that trickle down your face. The only thing you are focused on is the way his hands trail down your back, pausing to squeeze your ass, then grip underneath to lift you. Your legs wrap around his waist, arms locked around his neck, as he heads for your bed. He makes a point of throwing your extra pillows on the floor before settling between your thighs and kissing the hell out of you.

He pulls away only to undress you and himself, but he’s always back as quickly as possible, lips pressing kisses wherever he can reach. You impatiently tug at him until his lips are attached to yours again. The way he fucks his tongue into your mouth is nothing short of indecent and it sends a rush of pure want all the way to your core.

When you bury your fingers in his hair, gripping it tight, he grunts, biting your lip. You whimper and he grins as he pulls away.

“You make the most beautiful sounds,” he praises, his hands beginning to sweep down and up, tickling under your breasts.

His thumb and forefinger pinch one of your nipples and you gasp, back arching off your mattress. He repeats it on the other side, just to hear the same noise.

“Bucky, please,” you beg.

“Please what?” he prods. His hands drift further to the creases of your thighs, spreading them open. “What do you need?”

You whine, canting your hips up. “You, I need you, please.”

“You have me, sweetheart.” He tilts his head and you make a noise of frustration. “Use your words, darlin’.”

“Fuck me, please,” you burst out, feeling your pussy clench around nothing.

Bucky smiles, slow and torturous. “Yeah? Want me to fuck you? Fuck this perfect pussy until you’re so full of my come that it drips down your beautiful thighs?”

“Oh god,” you mumble.

“I’ll take that as a yes,” he teases.

His fingers slide down your slit, gathering your slick then thrusts two fingers in at once. You groan brokenly, shifting your hips to try and get more friction, but he holds them down with his metal arm. Agonizingly slow, he begins fucking you with his fingers. It’s good, it’s amazing, but it’s not enough. Not when you know what his cock feels like. He takes his precious time fingering you and you’re sure you’re going to lose your mind before the day is done.

“You have no idea how incredible you felt around my cock,” he tells you in a ridiculously conversational tone. “I was trying to think of any excuse I could come up with to have you at least one more time.”

He shifts until his mouth is directly above where you’re dripping for him, and he waits until you make eye contact with him.

“But now I’m gonna spend the rest of my life making you come apart on my cock any chance I get.”

You hardly have any functioning brain cells at the moment, but even if you could form a coherent sentence you wouldn’t have been able to say it aloud, because then he’s descending and all you can feel is the wet warmth of his mouth.

He definitely doesn’t hold back this time, that much is apparent in the way he devours you, lips and tongue drawing out noises you’ve never heard yourself make, pressing his face so far into your pussy that he has to come up for air. His mouth and chin shine when you chance a look down, and when you clench on his fingers his smile goes smug at the corners.

He plants kisses along your hips, the insides of your thighs, around where his fingers are buried within you. He curls them, in search of the spot he found last time. He knows he found it when you try to close your thighs around his head and cry out. Now that he's found it, he angles to brush it on every thrust of his fingers and attaches his mouth back on your clit.

You chant his name, nearly sobbing as you approach your climax, until finally you fly over the edge. Your vision blurs and you’re not sure if you’re making any noise now, unable to hear past the blood rushing in your ears. Bucky helps you ride it out until you’re shuddering from sensitivity.

He kisses your thighs again, trailing them up your stomach and between the valley of your breasts.

“So good, did so well,” he mutters.

Weakly, you lift your hands to trace them down his toned stomach and around his back, down further so you can cop a feel of your own, smiling at his grunt of surprise.

“That was great and all,” you say, arching your back so your chest presses against his, “but I do believe I asked you to fuck me.”

He arches an eyebrow. “Who said I was done with you?” It’s apparently a rhetorical question, as he continues before you get a chance to reply. “I’m gonna fuck you until you come, and then I’m gonna keep fucking you until you come again, and only then will I come so deep inside you there’ll be zero doubt I’ve put a baby there.”

Your legs are lifted and thrown over his shoulders in a blink, his cock pushing into your pussy, dragging out a high-pitched moan from you. There’s barely a pause and then he’s fucking you, just like you asked. The pace is brutal right from the start, a steady rhythm that has you mewling and writhing in pleasure. Bucky is watching his cock as he thrusts in and out of you, his mouth hanging open slightly as he pants. He hikes your hips up a little higher and you jolt through your startled moan. This angle is divine and the telltale signs of your second orgasm start tingling at the base of your spine.

“Can feel you,” Bucky says through panting breaths, “so close. C’mon, let me feel you.”

He pulls you down on his cock, grinding into you, his thumb reaching to rub tight circles over your clit. You sob through your release, shuddering against Bucky as you clench around him. He groans, still barely moving as you come down from your high.

“Fuck,” he grunts. “Come here.”

He helps you sit up, still seated on his cock, making you both hiss from your movement. Your arms automatically wrap around his shoulders and his around your waist. He kisses you so sweetly, a stark contradiction to the way he just fucked you. When you pull away, resting your foreheads together, he grins.

“Hi.”

You crack a smile. “Hi.”

“Ready for more?” he asks, wiggling his eyebrows.

“You think you got it in you?” you tease as you play with the hair at the nape of his neck.

The light smack to your ass startles you and you let out a soft sound of surprise, hands tugging his hair harshly. Bucky’s eyes light up.

“Interesting,” he muses.

Another slap, a little harder than the first, and you’re whimpering, your walls clenching around his still hard cock.

“I’ll play with that later,” he promises, voice breathy.

You bury your face in his neck and start shifting your hips. He takes the hint, gathering you as close as he can and thrusts up into you. He can’t pull out as far this way, but the snap of his hips more than makes up for it. You mouth at his collarbone messily, kissing and licking your way up to his jaw, biting marks wherever you see fit. You make it up to his mouth and he kisses you, wet and filthy. You suck on his tongue and a ragged moan claws its way out of his throat. The need for air eventually has you pulling away.

“It’s a good thing you love me back,” you whisper in his ear. “Nobody else could ever compare to you.”

He growls, fisting your hair and yanking your head back to look him in the eye.

“Nobody will ever compare,” he corrects.

You moan. “Yes,” you agree, whining, “No one else could’ve given me a baby.”

Bucky thrusts harder and faster at your words. You’re picking up on a few hints and you can’t say it’s not doing it for you either.

“Filled me up so good, fucked me so well. Gonna be round with your baby soon.”

“Fuck, fuck,” he keens, hurrying to lay you flat on your back so he can fuck into you easier.

The sound of skin meeting skin fills the room, your cries of pleasure mixing in with Bucky’s grunts and curses. His grip on you tightens almost painfully as he chases both your and his orgasm. You’re sure to have bruises tomorrow and you already know you'll be poking at them to remember this moment.

“C’mon, baby, wanna feel you too,” you beg.

His thumb finds your swollen clit once more. It’s beyond sensitive now, feels like a shockwave coursing through you, and without any warning, you come. You spasm around Bucky and he swears under his breath, thrusts going sloppy. With a final groan, he comes inside you, his hips moving seemingly on their own as he draws out both your pleasures. Slowly, he comes to a stop, but he leaves his cock buried in you like he did last time.

You know you’re gonna feel too empty when he does pull out, so you don’t mind sitting like this for a while. Bucky softly runs his hands across every inch of your skin he can touch and you bask in the affection. You card your fingers through his sweaty hair, smiling when he hums happily. It takes only a minute for you to notice the way his hands migrate to your stomach, and when you do you kiss his shoulder.

“Maybe we should go again later,” you suggest faintly.

Bucky grins. “We can do it a hundred more times if you want.”

“Guess I better enjoy it while I can.”

His smile goes soft at the edges.

It’s not lost on you how incredibly crazy all of this is. There will undoubtedly be a conversation, a much needed one that isn’t going to be simple or easy, but it’s necessary.

For now, though, you bask in Bucky’s warmth and loving embrace.

***

Keys jingle as they unlock the door and you perk up where you’re sprawled on the couch. Bucky enters, arms laden with bags from the convenience store.

“They didn’t have the banana ice cream you asked for,” he announces, continuing before your pout fully forms, “but they did have the double chocolate brownie kind you love so much, so I got that, as well as the sour gummy worms, beef jerky, and fried pickles from the deli on your list of demands.”

“What about—”

“And your strawberry Fanta,” he adds with a fond, slightly exasperated smile.

You’re unable to stop your expression from going soft and dreamy.

Ever since you and Bucky figured out where to go with your relationship, he’s been even more attentive and accommodating (and that’s saying something).

You expressed your worry about the possibility of something going wrong, that one or both of you would get bored and leave, or there’d be a big fight that neither of you could forgive. He was quick to reassure you of his commitment, told you there was no way he would ever get bored of you, and that as long as you both promise to talk things out in a calm, mature way, then you’d be alright.

It all sounded so easy when it was put like that. The more you thought about it, though, the more you realized he was right. It wasn’t fair to either of you to already give up before you’d even started. So you’d taken a deep breath and leaped.

Now, you’re five and a half months in, your belly steadily growing and making everyday life increasingly uncomfortable. The changes to your body were physically and emotionally draining, to say the least. Moreso the emotional side. You’d hoped you wouldn’t be one of those pregnant women with strange cravings, and for the most part they were pretty tame, but you do like to dip your sour gummy worms in banana ice cream. Bucky didn’t attempt to hide his disgust over that.

“What did I do to deserve you?” you ask on a pleased sigh.

He places your small cornucopia of goods on the coffee table. You sit up, huffing for breath during the struggle. You go to reach for the ice cream first, but Bucky catches your hand, lacing his fingers with yours and kissing your knuckles as he kneels in front of you.

“You were yourself. Smart, kind, selfless, unbelievably sexy.” You snort at that, but he’s undeterred. “And you’re giving me the best gift I could ever dream of. A family.”

Instantly, you’re crying. He’s grown accustomed to the mood swings by now, taking it in stride as he wipes away the tears with gentle hands.

“Stop being so disgusting,” you blubber through your hiccuping cries. “You’re such an asshole.”

Bucky laughs. “I love you too, sweetheart.”

You sniffle, kissing him. “Love you,” you grumble.

He leans down and plants the softest of kisses to your belly. “And I love you, little lady.”

The idea of you having a child one day always seemed foreign and unlikely, but life has a way of turning out exactly how it’s supposed to… And you wouldn’t change a thing.

#avengers fic #marvel fic #bucky barnes x reader #bucky barnes x you #bucky barnes fic #bucky barnes #bucky barnes imagine #bucky x reader #bucky x you #i can't remember how to tag bye

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