#IP-Development

[morlock-holmes]

I continue to be incredibly fucking baffled by the number of youtubers and fan artists going, "The problem with AI is that it monetizes somebody else's IP without them getting any of the revenue stream! Anyway if you want to commission me to draw a Disney character the info is in my bio."

I seriously don't see how they cannot grasp the connection, it seems impossibly obvious to me.

It is weird to literally make your living (Or your side hustle) monetizing somebody else's artwork and then make PSAs about how bad it is to do that.

It's like if back in the day it had been a bunch of Napster users sharing the "You wouldn't download a car" ads.

[supersumc]

Looking back on this WIRED Magazine article from 2010 on the then-upcoming TRON: Legacy (owning a physical copy #likeaboss), it's absolutely wild how instantly on board Jeff Bridges was. They had barely gotten into their elevator pitch for the movie and he basically said, "Shut up. You had me at 'hello.'" And then he brought out a prop he had been holding onto for some 20-odd years from the original and had everyone wear it. The amount of enthusiasm he had was insane. You have to understand: The original was panned by critics at the time. It was a B movie. It was lucky to become a cult classic. And Jeff Bridges had become far more famous and had won multiple Oscars since then. It would be perfectly understandable if he had said no. The fact that he was instantly on board for a sequel defies comparison. I wish more actors and artists alike would be as enthusiastic about their early work.

[infamouslydorky]

I know people compare Emmrich Volkarin to Vincent Price, which is fair, but i still think about Peter Cushing, personally.

Doesn't help that Emmrich was written as an individual fascinated by flowers, and I can't help but think about how Cushing worked with botanists to develop a flower he named after his late wife Helen

[sha-brytols]

its really weird that i keep bringing steven universe up like at this rate i'm gonna make people believe i used to be a steven universe superfan but i swear i'm not i actually mostly only knew of it through osmosis its just. steven universe and dragon age exist on eerily similar planes both on a writer's and consumer's scale so it just tends to come up a lot when i think about the state of fandom and death of the author and whatever you get it .

anyways remember when the fanbase for steven universe (primarily on tumblr) became inundated with discourse and was littered with teenagers overreacting to character flaws and using them to apply malicious intent to the creators and branding it as a form of sociopolitical propaganda against themselves. and then the showrunners seeing this very small pocket of fans demanding complete ideological purity from a cartoon actually for some very odd reason took their demands seriously and tried to rewrite the show's core narrative and characters to fit this impossible standard until the later seasons became so messy and narratively incoherent that it became obvious even to that same small pocket of fans that they were being pandered to

so anyways dragon age veilguard right

[lizzybeeee]

Well, shit.

RIP Dragon Age.

[volitioncheck]

i think i wouldn’t hate disco elysium’s collage mode nearly as much if it weren’t for 1) the way that it was marketed in such a tasteless, soulless manner, let alone the fact that it was a last ditch distraction from a dead on its feet studio piloted by dumbass thieving execs and released on the day of the court declaration, and 2) those dumbass fucking stickers

like if it had been included with the base game from the start and had been titled something a bit more tasteful and in-line with how i would have liked the feature to be marketed as— something like “exploration mode”, something that perhaps could only be unlocked after completing the game for the first time, AND didn’t have those stupid as hell visually and tonally incongruent with the artstyle stickers, i would have applauded it as a nice little bonus for being able to study and appreciate the 3d models and environments for reference.

[mirandaputsherbestbuttforward]

ppl hating on Mass Effect on my rp dash like damn..

[theanarchistscookbook]

[chipped-chimera]

I enter the cyberpunk 2077 tag. I see a post about the game not being 'punk' because of all the triple A gaming company typical shit 'means it's not punk'. I roll my eyes so hard I exit the tag.

Points, context, rebuttal, whatever beloooow (I am not reblogging post because I don't want to attract hate to OP, but I am writing this cause I'm sick of seeing it).

Yeah triple A dev treatment fucking sucks. It sucks CDPR vowed to do different and didn't but that is missing a bunch of context. Here comes the context -

I've been following CDPR since about 2010-ish. They've always held onto older era gaming attitudes and respect their consumers. I guess in a way they were still made for an older era around the Cyberpunk release for the following reasons.

They shot themselves in the foot with their own marketing. Hiring a big name may have done that. If you look at the teaser trailer for Cyberpunk 2077 on announcement it basically says release date wise 'its done when it's done'. Being part of that older era they want to put out a COMPLETE game. Well tested. They came from a time where game updates were a LUXURY and that's why I trusted them to release a good product.

Marketing however got so big that it exited the realm of core fans and into the general public (derogatory). When they announced another delay, I was chill. I trusted them. Shit takes time man, whatever it takes to make it good AND treat your employees well bro. General public however was out for blood, sending death threats, pulling preorders.

There's this fine line you have to tread in marketing. Too little hype, no one knows about your product. Too much hype, you skyrocket expectations. Hype at the wrong time - you end up peaking at the wrong moment and end up losing momentum for release. You can see the conundrum here. They were arguably in the skyrocketed expectations and the losing momentum risk region.

So they did crunch time for release. In a way they had to. I mean sure they could have been 'punk' like OP suggested and said fuck you to the non-core fanbase but unfortunately punk doesn't pay bills. It doesn't keep the lights on. It doesn't keep your employees employed. It doesn't stop them from getting sent death threats for a delay.

So they rushed it out, it bombed. That sucked BUT it brought them peace. Because while everyone was making fun of them and quickly forgetting about it to go laugh at the next bomb of the month - it meant they could actually get onto fixing/finishing their game because people like ME knew them. It wouldn't be left as is. Also let them work at a less insane pace.

I started playing it (I finally had a PC that could handle it) right before the Edgerunners release and the public reboot. It was a fucking. Solid. Game. I studied game design and if I didn't get sick and had to stop this game would have been my goddamn final paper. There are so many good choices narratively and mechanically to the point you can't separate the two. It was everything I expected.

They worked hard to get there. We currently live in an era where entertainment is treated like fast food and people can be fucking incoherent when they're told to have patience. Why do you think so many games release in a scuffed state? Why do you think this new 'redemption arc' story in the game industry has become increasingly common? Because Devs keep getting sent DEATH THREATS just for doing work. That's fucking insane. No wonder they're working overtime and sleeping at the office because the general public has turned gamedev into an industry that basically uses psychological torture as a whip to get your game out 'on time'.

Yes there are absolutely horrible triple A gamedev companies, usually under the stable of a larger company (EA, Activision etc. take your pick) but CDPR ain't that. In my eyes their hand was forced.

You know what is punk? Going with a little, 'unpopular' (basically not DnD) ttrpg written by a black man and building a new IP and experience from it - AND having him on board and getting his active input during development. Because dear lord current media in general seems to be allergic to taking risks and new IPs.

You know what else is punk? Releasing free DLC updates that would be a micro transaction otherwise (no I am not talking about Phantom Liberty and I argue that's an 'expansion' though I guess no one uses that word now) and putting the goddamn pdf of the ttrpg handbook they based it off with the game download. Putting stickers in physical releases (going by my witcher experience), giving you goddamn HIGH RESOLUTION IMAGES of in game posters to print for yourself FOR. FREE. No one DOES THAT anymore.

Also arguably putting out Cyberpunk is punk just in the narrative it tells in the goddamn first place - especially in the current climate, but I think I've made my point here.

Also my last point, in big letters because it's driving me fucking insane:

CYBERPUNK. IS. A. GENRE. A GENRE. THEY DID NOT INVENT CYBERPUNK. BLADE RUNNER. NEUROMANCER. ALTERED CARBON. IT'S A GENRE. THE PUNK ELEMENT IS IN THE NARRATIVE. IT'S NOT SOME KIND OF 'STATEMENT' ABOUT THEMSELVES, IT'S A GENRE AND ALSO THE LITERAL TITLE OF THE TTRPG THE THING WAS BASED OFF IN THE FIRST PLACE.

Anyway I'm sick of seeing CDPR being thrown under the bus and being treated in ways that will actively end up affecting future development. I really, really hope they haven't been too affected but if they end up feeling forced into modern day gamedev cycles and all the bullshit that goes with it ... well I know why.

And it starts with people who spout shit like this.

[c0smiccom3t]

So.... I heard a version of Crash 5 never saw the light of day and got canned.

And now people are thinking Crash 5 as a whole got canned....

I need a moment.

[nonstandardrepertoire]

regarding the big Finale end-of-life announcement:

an offer without any expectation: i've been using the (free, open source) program LilyPond for all my sheet music engraving for years. i think it is powerful, flexible, and beautiful, but i also know that it has a steep learning curve and runs differently from many other programs. if you're curious about it, i'm always happy to talk about how it works, show you my process, and field any questions that come up for you if you decide to try it out. this is a standing offer; feel free to drop me a line about this at any time if you decide it's something that might be right for you!

[rhynerd]

Ahoy! It is time for a somewhat more on-schedule episode of Vex's Mechs and Memes. I have taken all but one other of @vexwerewolf's very excellent memes about the mechs of Lancer and voiced them like I'm Dave's Spokesman from LoadingReadyRun.

For what I believe is #27 out of 28 (at time of writing), I am going to present the one that probably served as the prologue for a level in Viscera Cleanup Detail. The Caliban!

I hope you enjoy! Also, three things of note: 1. I might not be able to get an episode in next week 2. The next episode will not be the last 3. You have the power to determine what the next episode will be through this poll

[badolmen]

They need to make bad television again and I’m not joking.

[gender-euphowrya]

the state of the video games industry is so fucking bad man i wish atari ET had actually crashed this shit

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