#RTL-Design
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My girl Roosey! The loser butch of all time 💖
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been playing a lot of fortnite recently
#artists on tumblr#artistic#digital art#fanart#queer#character design#fan art#raven team leader#raven fortnite#fortnite#fortnite fanart#fortnite fandom#tweening#rtl#fortnite art#alight motion#procreate art#procreate
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Oh that is a Raven Team Leader. Hello raven team leader how are you!

#I really wish I could draw rtl more consistently#it’s fine though I like this design for her#fortnite#fortnite fanart#raven team leader#fortnite raven team leader#rtl
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Who is your LEAST favorite Fortnite skin
there's a lot of skins I dont like purely bc of association to people from the fortnite community on. twitter. unfortunately I partake in a mild distaste for a lot of the f-rry skins bc a majority of their fans are pretty much porn addicts
#which i hate bc their designs r rlly cute :(#dont even get me started on rtl or meowsklls i cant fucking stand what people did to them#sorry i censored f-rry bc i dont want them up my ass about my opinion#and its MAJORITY not ALL of the people who like them#asks
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Mplify - Versatile Bootstrap 4 Admin Template by Thememakker
Mplify Admin makes the development process easy and fast for you and aims to help you implement your idea in real time.
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Whether you are building a CMS, CRM, or a personal blog, Mplify provides the tools and flexibility needed to create a professional and functional web application. Its ongoing updates and support ensure that your projects remain current and compatible with the latest web technologies.
#Mplify Admin#Bootstrap 4.3.1#jQuery 3.3.1#SCSS#Light & Dark Theme#RTL Support#W3C Validation#Responsive Design#Admin Template#Admin Dashboard#CMS#CRM#Blogging#Business Websites#Web Development#UI Components#Data Visualization#AI Integration#Machine Learning#Accessibility Features#Task Management#File Management#Rich Text Editor#Markdown Support#User Profiles#Performance Optimization#Web Technologies#Custom Development#Web Application Development#Front-end Framework
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AI Writer Services HTML Landing Page Template
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Looking for the perfect RTL WordPress theme for your website in 2023?
Look no further than our comprehensive guide to the Best RTL WordPress Themes for 2023!
Our selection includes themes that are not only RTL-ready but also visually stunning, customizable, and easy to use.
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Commander Mayday illustration by @nika6q
A Match for Mayday: Chapter 3
Editor's note: This fic is a collaboration between @nika6q (artwork) and @dystopicjumpsuit (story)
Pairing: Mayday x Flower Farmer Reader
Rating: M (18+ Minors DNI)
Wordcount: 2.4k
Warnings and tags: fluff; mild angst; sensuality; smut; fingering; it is not actually impossible for DJ to write a SFW story, but it does cause hives
A/N: dedicated to @nika6q ❤️🩹
Chapter 1 | Chapter 2 | Chapter 4
“Gorgeous,” Sunni declares with a flourish as she steers you toward her mirror.
“I’m not sure why you’re going to this much effort on me when you’re supposed to be the center of attention,” you point out as you turn obediently.
“Because you deserve a little pampering, and you never have an excuse to get dressed up on Nakadia,” Sunni replies. “What do you think?”
You examine your reflection, taking in the artfully arranged hair, the perfect makeup, and the dress that displays a tasteful amount of skin while concealing all the things you prefer to keep to yourself.
“You’re a magician,” you reply frankly. “I can’t remember the last time I took so long to get ready.”
One of the bridesmaids, Tarsi, flops down on the bed and takes a sip of sparkling wine as she declares, “Nothing wrong with a little self-indulgence every now and then. Everything in moderation, including moderation, am I right, ladies?”
The other two bridesmaids chorus their agreement from the adjoining room, and you smile. Unsurprisingly, Sunni has a delightful group of friends, and they’ve made the week leading up to the wedding far more fun and relaxed than you expected. Tarsi does have a bad habit of trying to talk you into signing up for RTL, though; she’s so proud of her success with Hexx and Sunni that she’s determined to find a match for every one of her friends.
“You’re beautiful, kind, successful, and you live on the most idyllic planet in the galaxy,” she declares. “Troopers will be lining up around the block to meet you. How do you feel about children?”
“I’ll pass,” you say firmly.
“On the children or the troopers?”
“Both,” you reply.
Tarsi pouts but lets it go. Meanwhile, the other two bridesmaids, Brax and Mione, burst into the room carrying a round of raava shots.
“Pregame!” Brax announces. “Everybody grab a shot.”
“Oh, no!” you laugh. “I’m the designated drunk-herder tonight. It is my responsibility to make sure you all make it onto the charter shuttle to Nakadia at the end of the night so this wedding can actually happen. I need to keep a clear head.”
“One shot isn’t going to do anything,” Sunni declares. “As bride, I hereby absolve you of all responsibility if I’m late to my own wedding. Now take the shot.”
You roll your eyes in good-humored exasperation, and you all toss back the raava, reactions ranging from Tarsi’s delicate cringe to Brax’s exaggerated sputter.
“Well, that was awful,” Sunni coughs. “Shall we get this party started?”
The group makes its way through several bars and dance clubs in Coruscant’s mid-levels, each successively louder and more crowded, before heading to a place that is apparently well-known to Sunni and her friends. As the five of you pile out of the air-taxi onto the landing platform, a gigantic sign reading 79’s bathes you all in a neon haze. There are an unusually high number of clones milling about outside the club, but Sunni and the others head straight for the entrance, throwing open the doors dramatically.
“Gentlemen, I have arrived!” Sunni announces with a confident swagger born partly of inebriation and partly of her own innate love of a spectacular entrance.
From inside the club, a cacophony of male voices lets out a deafening cheer interspersed with a few whistles and catcalls. Not for the first time of the night, you wish that you were getting as lit up as the rest of the group, because from the sound of things, you are about to head into exactly the kind of crowded, chaotic environment that seems perfectly designed to trigger your panic response. Right about now, you would kill for some liquid courage, but none is forthcoming, so you square your shoulders and walk into the club.
It’s crowded, smoky, and dark, and the music is loud enough to buzz across your skin and throb in your chest. It is also packed with clones, all of whom look absolutely delighted to see your group.
“What is this place?” you call to Tarsi over the roar of the crowd.
“Clone bar!” she yells back. “Isn’t it great?”
“Great,” you parrot back with false enthusiasm.
Unsurprisingly, the bartender has already poured a round of shots for your group by the time you reach the bar, courtesy of some unknown patron. You know you shouldn’t drink yours, but it’s been hours since you had the raava shot, and you have a feeling you’re going to need it if you’re going to make it out of 79’s without going ballistic, so you toss it back quickly. Within seconds, all five of you are pulled onto the dancefloor, and at least two clones begin to grind on each of you. There are so many people, and your heart starts to race as the crowd presses against you. The lights flash disorientingly. It’s hot and sweaty and loud, and your cheeks are starting to cramp from the overly bright smile you’re trying to keep in place.
You look over to Sunni and are surprised to see her dancing with Hexx. Veetch is plastered against Tarsi, along with a clone you don’t recognize. You can’t see Brax or Mione, because there are three farking clones grinding their dicks against you, and if you have to put up with this for another minute you are going to kriffing lose your shit!
Abruptly, a hand closes around your wrist and pulls you gently but firmly away from the sausage fest. A little space opens up around you, and you finally feel like you can breathe again. You turn to thank your rescuer, and your heart gives a hard, involuntary lurch when you recognize Mayday’s long, dark curls. He asks a question that you can’t hear over the music. You shake your head and point to your ears. He nods in understanding, and his eyes are so damned kind that you want to weep with relief.
Another strange clone starts to move toward you, but Mayday fixes him with a stare that has him putting up his hands and backing away. You don’t want to leave the dancefloor and abandon Sunni and the others, but you’re not sure how you’re going to be able to stay, either. Mayday moves closer and rests his hands on your hips. You glance up at him, startled. He gives you a reassuring smile and starts to move your body to the rhythm of the music.
“I thought you didn’t dance!” you try to say over the music, but he shakes his head to indicate he can’t hear you, either.
Instead, he pulls you closer to himself and oh, Maker. He does dance. He’s a really kriffing good dancer. He moves with a sinuous grace that has your mind racing with the possibilities of what else he can do with moves like that. And while his hands stay well within respectful boundaries, they leave a trail of blazing heat as they move across your body.
You war with yourself. Mayday has you dizzy and off-balance. One moment he’s looking at you like you’re the only person in the galaxy, and the next he’s telling you not to touch him. But now he’s caressing your waist and hips like he never wants to stop, and he’s shielding you with his body, and he’s keeping you safe in the midst of the crowd. It’s a heady experience, to be at the center of that intense focus. Eventually, you stop thinking and simply let go and exist in the moment.
You lose track of time, of place, of people—it all fades into the background, and all you can see is Mayday. The way he touches you, moves you, guides you through the dance. He turns you so your back is to him, and you lean against his strong body, your hips swaying against his. You raise one hand over your shoulder to tangle in his hair, and you feel the heat of his breath against your wrist. His fingers trail over your arm, lighting up the nerves and sending tingles racing through you. And then his mouth descends onto your bare shoulder, his beard teasing your sensitive skin as he works his way up the side of your neck. Your knees nearly buckle at the sensation, but somehow you hold onto both your balance and your dignity.
You are shocked when the bartender announces the last call. How has the time passed so quickly? You’ve been so wrapped up in Mayday that you didn’t even notice as the crowd began to thin, and now it is time to round up the rest of the wedding party and head to the spaceport, where the luxurious private shuttle Sunni has chartered awaited your arrival. You and Mayday are the only reasonably sober members of the group, and so you coordinate with him to hustle everyone into two air taxis.
It’s a loud and raucous trip to the spaceport, but eventually, you bundle Sunni and the others onto the shuttle and perform one last headcount before Mayday signals the pilot to depart. It takes a significant amount of time and effort, but eventually, everyone aboard makes it to their assigned quarters, and you retreat to the shuttle’s opulent lounge to decompress and have a well-deserved drink.
You stop short when you enter the room and find Mayday already inside. You flirt with the idea of fleeing, of going straight to your quarters and trying to get some sleep on the long jump to Nakadia, but it’s too late. He’s already spotted you, and you can’t avoid him without being openly rude.
“I’d forgotten how exhausting it is to wrangle drunk people,” you say as you enter the room.
“Mmm,” Mayday agrees with a rumble. “Makes fighting the war look easy.”
“No, it doesn’t,” you reply.
He smiles. “You’re right. Want a glass?”
“I think we’ve earned it,” you reply, settling into an armchair as he pours two tumblers of liquor out of a mysterious decanter.
The tawny liquid catches the light as he hands you a glass, reminding you of his eyes. You sniff it curiously and are greeted with a sweet, smoky aroma.
“I knew you were a whiskey man,” you say as you clink your glass quietly against his and take a sip.
“I don’t usually turn down a free drink,” Mayday replies. “That doesn’t mean I don’t know the good stuff when I see it.”
You regard him steadily before you ask, “Is that so?”
“What’s that supposed to mean?” he asks, his eyes guarded.
“I can’t figure you out, Mayday,” you say.
At least he doesn’t insult you by pretending to misunderstand. He watches you for a moment, and when you don’t flinch under his scrutiny, he takes another drink of his whiskey.
“I told you I don’t play games,” he says.
“You could have fooled me,” you retort.
“You’re with someone else,” he says in a low voice. He sets his jaw firmly, but his eyes flicker over your body, and for an instant, you see a flash of naked hunger in them. “I’m not going to chase after someone who’s unavailable.”
What the kark? Your eyebrows snap together. “Is that why you couldn’t keep your hands off me tonight? Why every time we’re in the same room, you look at me like—like that?”
“Why the kriff do you think I was avoiding you?” he growls. “When I’m with you, I can’t think straight. I am trying to respect your relationship, but fuck, you drive me wild.”
You let out a short, angry laugh and drain your glass. “You think I would dance with you like that when I was with someone else? I didn’t realize you had such a poor opinion of me.”
“You said you were taken. You—” he pauses as though the words choke him with their bitterness. “You planned your wedding.”
“That was hypothetical!” You set your glass down with a snap as you rise abruptly. “I’m going to bed. Alone. Like I do every night. Which you should have realized when you spent a week in my house.”
“We’re not finished,” Mayday says, rising to block your exit.
“There’s nothing else to say,” you snap.
“What the kark did you expect me to do?” he demands. “I met the girl of my dreams, and two seconds later she told me she wasn’t interested.”
“I said I wasn’t interested in RTL!” you exclaim. “A matchmaker sounds like my worst nightmare. Although at least it would have prevented this level of absolute banthashit.”
“Then—” he begins.
“For kark’s sake, how much clearer can I possibly be?” you cut him off. “Do I need to hang up a neon sign that says OPEN FOR BUSINESS? Do you want me to send you a handwritten letter? ‘Dear Mayday, please tear off all my clothes and have your way with me on the nearest available surf—mmph!’”
Mayday’s mouth cuts off your tirade. His lips crash against yours, his tongue sweeps into your mouth, his hands pull you close against him. He tastes like whiskey, and he smells like woodsmoke and spices, overwhelming your senses. You clutch his shoulders for balance, and then immediately slide your hands up his neck to twine your fingers through his hair. You tug on it gently, and he groans into your mouth in response. His arms tighten around you, pinning you to him as he grips your ass and grinds his hips against you. You let out a strangled moan as you feel the hardness of his cock press against your abdomen.
“This karking dress,” he rasps, breaking away from your kiss for a moment as his fingers find your hemline and snake up the inside of your bare thigh. “Did you wear it just to torture me?”
You open your mouth to respond, but he preempts your response with another breathtaking kiss. He slips past the lace of your panties—thank the Force I wore pretty ones—and glides his fingertips over your heated skin. His hands are as clever and talented as you knew they would be, and a fresh wave of irritation hits you. You tug his hair lightly as you pull away from his kiss.
“I’m still mad at you!” you exclaim. “We could have been doing this for weeks, oooh—”
He slides one of those thick, skilled fingers into you as he drops his mouth to your throat.
“I’m planning on doing it a lot longer than that, mesh’la.”
#tcw matchmaking au#clone matchmaking au#The Bad Batch#mayday tbb#commander mayday#other clones#mayday x you
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My drawing of my rtl design at the beach with a summer outfit! 🤑
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At Pulsewave Semiconductor Leading provider of semiconductor design and verification services specializing in ASIC, FPGA, SoC, and IP core development. Our expert team delivers high-performance, low-power solutions using cutting-edge EDA tools and industry best practices. From RTL design to functional verification, we ensure robust, scalable, and reliable silicon solutions for a wide range of applications. Partner with us to accelerate your product development cycle and meet time-to-market goals with confidence.
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This is EJ! She’s an antagonist(?) in RTL - Hisano hires her for the apparently simple job of retrieving some dumb Chicago teenager, who consequently ruins EJ’s life. Now EJ’s trapped in the road-trip from hell with her terrible situationship and out for blood.
EJ got drafted into Vietnam at 21, had a horrific time of it, came home and got drunk for a few years, abandoned all her friends and family, nearly killed herself, then said “fuck it” and finally started living as a woman. She drifts around between good hang-gliding spots, she hates bail bonds but is great at it, and she’s slowly being driven to madness by her long-term situationship Roosey. Meeting Tanvi shatters EJ’s comfortably empty life, because buddy, there’s stakes now, there’s stakes whether you like it or not, what you do here is gonna MATTER. What are you gonna do?
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Louis explains Written All Over Your Face on RTL Radio [10.7.2023]
“Sonically, it was definitely kind of designed for the live show, like a lot of the album really. Something that's going to stand out at the live show. Conceptually, it's kind of about, you know, you've got that idea that your other half maybe isn't overly happy with you, and you can see it on their face that they're not that happy, but they're not explaining why.”
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Blixa Bargeld (*1959), Deutscher Musiker

Blixa Bargeld (heute im Jahr 1959 geboren), Deutscher MusikerLaden Sie die besten Noten aus unserer Bibliothek herunter.Please, subscribe to our Library.Best Sheet Music download from our Library. SolowerkeNick Cave & The Bad Seeds - The Weeping SongPersonnelBrowse in the Library:
Blixa Bargeld (heute im Jahr 1959 geboren), Deutscher Musiker
Blixa Bargeld (* 12. Januar 1959 in West-Berlin als Hans-Christian Emmerich) ist ein deutscher Musiker, Performance-Künstler, Komponist, Autor und Schauspieler. Er ist Frontmann der Band Einstürzende Neubauten und Gründungsmitglied der Band Nick Cave and the Bad Seeds, in der er bis 2003 als Gitarrist tätig war. Sein Pseudonym ist eine Reverenz an den dadaistischen Künstler Johannes Theodor Baargeld. Der Vorname stammt von einer Faserstiftmarke. Nachdem seine Frau Erin ihren Nachnamen offiziell von Zhu in den Künstlernamen Bargeld hatte ändern lassen, übernahm er diesen und heißt seither bürgerlich Christian Bargeld, verwendet aber öffentlich ausschließlich den Künstlervornamen Blixa. Bargeld wuchs im westlichen Teil Berlins auf, wo er im Ortsteil Friedenau das Paul-Natorp-Gymnasium besuchte. 1980 wurde er als Gründer und Sänger der Gruppe Einstürzende Neubauten bekannt. Von 1984 bis 2003 war er Gitarrist der Band Nick Cave and The Bad Seeds. Er galt auch als Mitorganisator des Festivals Genialer Dilletanten. Darüber hinaus veröffentlichte er zwei Soloalben. 1987 trat er als Mitglied von Nick Cave and The Bad Seeds in Wim Wenders’ Film Der Himmel über Berlin auf. 1988 spielte er in dem Spielfilm Nihil, oder alle Zeit der Welt von Uli M Schueppel eine erste Hauptrolle. Ende der 1990er Jahre spielte er einen pyromanischen Sadisten in einem RTL-Krimi mit Iris Berben. Weiterhin war er 1996 im Film Die totale Therapie in einer Hauptrolle als Psychotherapie-Guru zu sehen.

1996 entstand der Kurzfilm Blixa Bargeld Stole My Cowboy Boots mit Michael Imperioli in der Hauptrolle, in dem Bargeld allerdings nicht selbst auftrat. 1999 wurde Bargeld für den US-Spielfilm Die Mumie verpflichtet. In dem Film hat er als Teil des „sound-designs“ das „mummy growling“ übernommen, ist also für die Mumien-Äußerungen (Schreien, Zischen usw.) verantwortlich. Bargeld war auch in Werbespots für die Baumarktkette Hornbach tätig. 1990 führte er zusammen mit Wolfgang Rindfleisch Regie für das Hörspiel Hamletmaschine, basierend auf Heiner Müllers Stück Die Hamletmaschine, mit Regieanweisungen gesprochen von Heiner Müller, Ophelia: Gudrun Gut, Musik: Einstürzende Neubauten (Bargeld, Einheit, Unruh, Hacke, Chung).

Bargeld war an Theaterprojekten von Heiner Müller, Werner Schwab und Peter Zadek beteiligt. Seit Mitte der 1990er Jahre tritt Bargeld auch als Solokünstler mit den so genannten Rede/Speech Performances live auf. Dabei wird er oft vom Tonmeister Boris Wilsdorf technisch unterstützt. 2000 erarbeitete er zusammen mit Oliver Augst die Bühnenkompositionen zu Rosa Melonen Schnitt Freude nach Texten von Gertrude Stein und Rom, Blicke von Rolf Dieter Brinkmann, die sie auch gemeinsam live international aufführten. 2001 wirkte er als Sprecher an der Hörspielfassung von Michel Houellebecqs Roman Elementarteilchen mit und steuerte in gemeinschaftlicher Arbeit mit dem Komponisten Jan Tilman Schade die Musik bei. 2005 inszenierte er für die Salzburger Festspiele Warten auf die Barbaren von J. M. Coetzee.

Bargeld war 30 Jahre lang bekennender Vegetarier, bis er seiner Frau zuliebe wieder mit dem Fleischessen anfing. Er ist mit der Mathematikerin Erin Zhu verheiratet, das Paar hat einen Sohn. Eigenen Aussagen zufolge verwendet Bargeld seinen bürgerlichen Namen nicht mehr und wird selbst von seiner Mutter mit dem Künstlernamen Blixa angeredet. Er lebt heute hauptsächlich in Berlin und zeitweise in San Francisco. Im Film Tod den Hippies!! Es lebe der Punk (2015) wird er von Alexander Scheer dargestellt. 2016 und 2017 wurde Bargeld jeweils mit einem Preis für Popkultur für seine Mitwirkung bei Lang lebe der Tod (Casper) in den Kategorien „Lieblingslied“ und „Lieblingsvideo“ ausgezeichnet. 2024 beteiligt sich Bargeld als Komponist und Solist maßgeblich an dem Musiktheater-Projekt „Flammenwerfer“ über das Leben des Ausnahmekünstlers Carl Fredrik Hill. Inszenierung und Produktion durch „Hotel Pro Forma“, Mitwirkende unter anderem die namhafte dänische Vocal-Jazzgruppe IKI. Solowerke Recycled (CD), 2000, zusammen mit dem Tim Isfort Orchester Commissioned Music (CD), 1995 Rede/Speech (DVD), 2005 Blixa Bargeld liest Bertolt Brecht: Erotische Gedichte (CD), 2006 anbb: Mimikry (CD), 2010, Zusammenarbeit mit Alva Noto Still smiling (CD), 2013, mit Teho Teardo Spring (EP), 2014, mit Teho Teardo Nerissimo (CD/LP), 2016, mit Teho Teardo Fall (EP), 2017, mit Teho Teardo Live In Berlin (CD/LP), 2023, mit Teho Teardo Christian & Mauro (CD/LP) 2024, mit Teho Teardo
Nick Cave & The Bad Seeds - The Weeping Song
https://www.youtube.com/watch?v=TqhOVY58zIo "The Weeping Song" is a song by the Australian rock band Nick Cave and the Bad Seeds. It was released as a single from their sixth studio album, The Good Son (1990), on 17 September 1990 by Mute Records. The lyrics take the form of a dialogue between father and son, who alternate lines during the verses while singing together on the choruses. The father's part is sung by Blixa Bargeld of Einstürzende Neubauten, while Cave performs the son's part. Cave recalled the song "came out of nowhere with very little thought", one day while he lived in Brazil and walked from his home to a nearby bar he frequented. Personnel Nick Cave and the Bad Seeds Nick Cave – lead vocals; piano Blixa Bargeld – lead vocals; guitar Mick Harvey – bass guitar; vibraphone; shaker Kid Congo Powers – guitar Thomas Wydler – drums Read the full article
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Hey lads, I am designing a new script for the Irish language. This is merely a passion project, as I have a deep love for the Irish language, conlanging, and all things linguistics. It's just a fun little project to do over the Christmas break, I'm not intending a full rollout of my new script or anything like that.
Anyway, onto my question: which direction should it be written?
Abreviations:
LTR = left to right
RTL = right to left
BTT = bottom to top
TTB = Top to bottom
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