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#Index on Censorship
doorhine · 7 months
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February 15, 2024
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ultramontanism · 2 years
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Pope Pius VII, 1800: Diu Satis:
15. Books which openly oppose the teaching of Christ are to be burned. [...]
16. In this case We cannot overlook, keep silent or act sluggishly. For unless this great license of thinking, speaking, writing, and reading is repressed, it will appear that the strategy and armies of wise kings and generals have relieved us for but a short time from this evil which has crushed us for so long. But so long as its stock and seed is not removed and destroyed (I shudder to say it but it must be said), it will spread abroad and be strengthened to reach over the whole world. To destroy it later or to rout it, legions, guards, watches, the armories of cities, and the defenses of empires will not be enough.
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makingqueerhistory · 9 months
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For the AMA: I've sent this before but idk if it's lost to time due to not being during an AMA so I'm sending it again, sorry if that's annoying!
Anyways do you know about the Queer Zine Archive (QZAP)? https://archive.qzap.org/index.php/Splash/Index . I forgot what else I said last time but I just got really into making zines in, like, November of 2023 so I have soooo many links about zines now haha, and I've made so many, and I think they're really neat! And I think people should know about this aspect of history. Many public and academic libraries have zine collections now, and you can find queer zines in them b/c the whole Thing with zines is that they're self-published and free of censorship b/c of that.
Have a great day, I love what you're doing and I direct people your way when they ask me about queer history! <3
I was just editing our tatiana de la tierra article, and I found this quote from Sara Gregory: “Zines matter to marginalized folk because they offer alternative, non-hierarchical spaces of healing, resistance, and knowledge. They respond to wider cultural and institutional ills with creative, radical, and celebratory fragments of truth. For queers, women, gender non-conforming folk, and POC (none of which are mutually exclusive) they creative and force open what is never offered in wider society: accurate, multiplicitous, and contradictory representations of lives lived in the margins. Zine culture resists and replaces the heterosexism, racism, ableism, and xenophobia around us with creativity, celebration, and survival strategies.”
And it got me really into the idea of making my own zine, so I am likely going to do that soon. All of this to say, this ask has perfect timing, and I can't wait to explore this resource!
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metamatar · 6 months
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Why do you always defend China like that? I mean I get the the world tries to do the red scare, but aren't you defending a nation state when you brush off every criticism? Or does the criticism like target things that hamper capitalists and the actual criticisms regarding China lie elsewhere?
"Always?" All I said India is worse than China on a reblog about censorship on the Monkey Man lmao. There's stuff on my blog this year critiquing: Chinese uselessness on Palestine, involvement in Congo and critiquing workers rights in China through the lens of Foxconn factories trying to replicate their model in India.
I'm getting accused of campism for saying that India's blood and soil fascism is way worse, more dangerous than Chinese high surveillance 'socialism with Chinese characteristics.' India is formenting religious pogroms. The average Chinese citizen is not lynching their neighbours and burning down their homes on suspicion of eating the wrong thing. For Netflix to distort and kowtow to rabid fascists when the United States is strengthening ties with India (for anti China reasons) is really dangerous, given how much influence organisations like the Hindu American Foundation have in US politics. The average Westerner hates China plenty. Liberals do however cluelessly support Indian origin politicians who are funded by the Sangh.
Look man. I'm Indian. India has, since the BJP came to power gotten worse on hunger indexes every year. For countries not at war, we have the highest rate of child hunger in the world: 1 in 5 children are wasting despite the economy growing 6% every year. Journalists are routinely jailed and die in there. Kashmir is still under curfew and internet blackouts. Whatever hysterical story you want to tell about China is reality in India too. Without any kind of economic prosperity.
Why do these lives not matter to you? Why does the fact that Indian govt is passing laws that would enable India to strip muslims of citizenship not seem urgent to you? Is it because you maybe only think that the lives of people only matter in so far as they can be weaponised in some kind of story aligning with american state department?
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sonkitty · 3 months
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The Sideburns Scheme Post #74
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(For reference: The Sideburns Scheme)
Crowley, Good Omens 2, Episode 5, The Ball, Crowley giving Gabriel hot chocolate
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Sideburns Check
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This scene is brief and mainly shows Crowley's left sideburn since the right sideburn is too blurry to confirm much of anything.
Still, that long left sideburn fits into the longest-length category that happens around Gabriel when humans aren't around.
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Brighter Red Streak Check
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The more saturated red streak of hair can be found.
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Hairstyle Changes
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I don't really think the scene gives enough to work with on figuring out how the hair might have changed, but here is a composite picture so you can decide for yourself.
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Earthly Objects
(For reference: Earthly Objects | Crowley's Name Usage or Lack Thereof in Season 2)
There have already been signs that we are dealing with an outside force, such as the Metatron, reading and/or editing the story as it plays out.
He's been possibly censoring the alcohol use by having the camera cut away during certain drinks.
Now he's going to start censoring words. If it isn't him, some outside force from the character speaking is doing it.
The story will make this censorship more evident later with Mrs. Cheng and Mrs. Sandwich.
It is not as clear here, but I do think it's happening.
Gabriel is not allowed to say Crowley's name during Good Omens 2—ever. He's been allowed to bend or break the rules, but this rule is one he cannot break.
Who is against using Crowley's name?
The previous scene just told us Uriel is.
A later scene will show that Uriel says, "which there isn't," followed by the Metatron saying, "which there isn't," when the Metatron notes the "institutional problem." That implies Uriel has been conditioned to think that way as part of an institutional problem. Uriel will also later be shown to be very alarmed and concerned about if they have done anything wrong, to displease the Metatron. So, that's a set of tangential clues that this name thing is related to what the Metatron wants.
In every ball invitation scene, Crowley's name was not said. Crowley's name was not said during his own invitation to the bookshop. It wasn't said when he was in Demon Mode and told Gabriel to jump out the window.
Muriel is the one who got to say Crowley's name in the previous scene before getting the message that they shouldn't do that again.
Even though they are guided on that rule, they still got that name in while these specific events are happening to bring in that supernatural zone that will let Crowley and Muriel meet when and where they do later.
I think Gabriel tries to say Crowley's name after receiving the hot chocolate and before Crowley leaves the room.
The word doesn't come out, and music overlays where it would be. It's just before Gabriel says, "You're really nice."
Crowley himself reacts as if he heard his name said.
With this name issue in mind, maybe there are two standard sets for this scene.
I am not sure of the below. These are guesses.
Crowley holding the cup would be point #1.
The name "Jim" on the mug would be point #2.
Crowley and Gabriel having their hands touch while Crowley gives the hot chocolate would be reciprocal touch they have for point #3.
Gabriel's attempt at saying Crowley's name would still be credited or at least intended for point #1.
Crowley's touch on the rug outside the room as he leaves would be point #2.
Gabriel drinking from the cup while altering the physical touch on that cup would be point #3.
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For paying attention to the pockets...
Crowley's Tied Hands might retie if a blurred strike on a lapel edge is allowed. The other signs are there. His watch is visible when he says, "Don't thank me," His right index finger is extended when he starts to turn, pauses, and says, "And I'm not." His left thumb joint meets a jacket edge as he is crossing the threshold out of the room.
In addition to that, the Belt Head is shown with some focus when Crowley passes the cup to Gabriel. There is a light in the room leading to this one that is to Crowley's right when this Belt Head is shown closest to the camera.
When Gabriel tries to say Crowley's name and says, "You're really nice," the cut reminds us of the nearby lamp that could have been an overhead light for the Belt Head in this scene. Then the Belt Head gets another possible overhead light through the lamp to Crowley's left as he exits the room. There is yet another lamp that's to Crowley's left and feasibly above his Belt Head in the room Crowley enters on his exit. It's the same lamp that was the Belt Head's right-side Overhead Light when Crowley first entered in the previous scene he had with Gabriel.
Crowley has a small self-made pocket with his legs when he says, "Don't thank me."
Otherwise, the main pocket that interests me isn't actually in this scene but that the preceding Muriel scene is pocketed between the Demon Mode scene and this one.
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Story Commentary
This scene calls back to a scene in season 1 in which Crowley reacted angrily, or seemingly angrily, to Aziraphale calling him "nice."
With Crowley no longer working for Hell, he denies being nice here, but his reaction isn't as strong or angry as what season 1 showed.
Crowley was not nice when he entered the room and even with my theory of the supernatural zone, he has an ulterior motive.
Crowley's manipulating Gabriel as a catalyst to bring in this supernatural zone, but he might be doing that from a previous agreement he had with Gabriel. The storming out sequence in episode 1 shows us that something was cut, and whatever it was, appearance swaps involving Gabriel, Aziraphale, and Crowley replaced it. That means Gabriel was in on a plan.
That plan led to this draft of the story we see that's going to have Gabriel and Beelzebub end up together, leaving their positions vacant and ready to be replaced.
Crowley is still doing all of these various actions with the supernatural zone as part of something for Gabriel. These things aren't done exclusively for Gabriel. I'm sure Crowley gets something out of it too. Based on how things eventually play out, it was a mutual agreement. Theoretically, Crowley and Gabriel are not friends, but they were, and what was left from that previous friendship was enough for this story to happen. Muriel probably had a big role in the matter as well.
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This scene focuses more on both Crowley and Gabriel compared to their last shared scene in that Aziraphale is not mentioned at all. Humans outside in the street are not shown, as Gabriel's head largely obscures the window he almost jumped out of.
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That's it for this post. Sometimes I edit my posts, FYI.
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Main post:
The Sideburns Scheme
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j2spntranscripts · 6 months
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★ 2006 Paley Television Fest
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Official name: 23rd William S. Paley Television Festival Location: The Museum of Television & Radio (The Paley Media Center), John H. Mitchell Theatre, Los Angeles, California Time: Saturday, March 4, 2006, 7:00pm (GMT-7) Panelists: David Bushman, Peter Johnson, Kim Manners, John Shiban, Jensen Ackles, Jared Padalecki, Robert Singer, Eric Kripke Last episode: 1x16 “Shadow”- 2/28/2006 Next episode: 1x17 “Hell House”- 3/30/2006
Question Index: 1- (10:37) SPN Origins (Kripke) 2- (12:28) Sam and Dean Motivation (Kripke) 3- (14:18) Firsts Impressions "J2," Auditioning Sam and Dean (Kripke) 4A- (16:11) Auditioning for Sam and Dean (Jared) 4Aa- (17:01) SPN Appeal (Jared) 4B- (19:24) Auditioning for Sam and Dean (Jensen) 5A- (22:13) SPN Start (Manners) 5B- (26:07) SPN Start (Shiban) 5C- (27:38) SPN Start (Singer) 6- (31:05) SPN Mythology/Formula (Shiban, Kripke) 7- (34:18) Pre-Finale Thoughts (Kripke) 8A- (35:38) Location Significance- John in Sacramento (Shiban) 8B- (36:13) Location Significance- Lawrence Kansas (Kripke) 9- (36:59) Fear "Paranormal"- (Manners, Shiban, J2, Kripke) 10- (38:55) Continuity Mistake "4 years vs 2 years at Standford" (Kripke) 11- (40:40) Network Censorship "Gore"- (J2, Kripke, Singer) 12- (43:57) Paranormal on Set (J2) 13- (46:10) Network Censorship “Sex” (Kripke) 14- (47:20) Pre-series Sam and Dean (Kripke) 15- (49:07) Samulet (Jensen, Kripke) 16- (49:55) Special effects, Gag Reels (Jensen, Jared, Manners) 17- (53:17) Religion “Jensen,” Dean Winchester cellphone # (Jared, Jensen) 18- (55:39) Impala 67 (Jensen, Manners) 19- (56:16) SPN Music (Kripke, Singer) 20A- (58:42) Acting Advice “Start” (Jared) 20B- (1:00:09) Acting Advice “Start” (Jensen) 21- (1:01:03) Props "Alcohol" (Jared, Jensen) 22A- (1:02:15) Favorite Scene (Manners) 22Aa- (1:04:13) Acting Challenges “Shadow” (Jensen) 22B- (1:05:01) Favorite Scene (Shiban) 22C- (1:06:15) Favorite Scene (Jensen) 22D- (1:07:35) Favorite Scene (Jared) 22E- (1:09:19) Favorite Scene (Singer) 22F- (1:10:19) Favorite Scene (Kripke)
(transcript below the cut)
(*if you notice any mistakes in the video transcripts please point them out thanks*👍)
◘Supernatural Season 1 - Museum of Television & Radio's Paley Television Festival Q&A by Supernatural Insider◘
(0:08)
David Bushman is standing alone on stage in front of a mic reading off a script.
Bushman: Um, hi, everyone. My name is David Bushman. I'm television curator at the Museum of Television and Radio. And I want to welcome all of you to the museum's 23rd am-annual William Paley television festival. (thumbs to his right)
That clip that you just saw is from “Route 66,” which is one of the shows that, um, the creator Eric Kripke of, um, of “Supernatural,” um, often cites is one of his influences and that explains why we picked it. (thumbs to his right) That's part of our collection. We have 120,000 television and radio, uh, programs in our collection. And I would encourage all of you to visit the Museum in Beverly Hills, and in New York w-when you're there.
Um, tonight we're really excited to be honoring “Supernatural” which was named one of the top five new series of 2005 by Entertainment Weekly. “Supernatural” is aaa- a vibrant fresh exciting show that combines all sorts of genre elements: family drama, comedy, suspense, and on top of that it just scares the hell out of you. (audience laughs) I really want to thank Warner Brothers for all they did in helping make this night happen, particularly the PR department Holly Ollis and Winson Seto. Thank- thank you very much.
Um, what we're gonna do tonight is we're gonna, um, introduce right up front the cast and the creative team, our panels for the evening. Introduce them very briefly. Um, Eric is going to say a few words about what you're going to see. Then we're gonna.. watch an episode of the program, which Eric will talk about. Then we'll bring the panelists back up. I'll ask some questions and then you guys are on. So, start thinking of questions now. Okay?
(1:42)- first introductions
Bushman: Um, so, let me start with the panelists’ intros. First, uh, one of the producers of “Supernatural,” please welcome Peter Johnson.
Audience claps and cheers. Bushman looks to his left. Johnson walks on to the stage. Bushman meets him and shakes his hand. Johnson waves then goes down the stages stairs to sit in the front row. Bushman returns to the mic.
Bushman: Uh, next we have co-executive producer and director Kim Manners.
Audience claps and cheers. Bushman walks away from the mic. Manners enters on stage with his hands fiddling with his pants’ pockets and walks off the stages stairs to sit in the front row.
Bushman: Next we have co-executive producer and writer John Shiban.
Audience claps. Shiban walks out on stage waves to the audience and goes down the stairs to sit on the front row.
Bushman: Next, he plays Dean Winchester. Please welcome Jensen Ackles.
Audience screams and claps. Jensen walks out on stage and waves. He then jogs down the stage stairs to sit in the front row.
Bushman: Next, Sam Winchester. Please welcome Jared Padalecki.
Audience screams and claps. Jared speed walks out on stage, but walks passed the stairs a bit. He grimaces then bends down to look for the stairs while laughing a little, and then jogs down the stairs to sit in the front row.
Bushman: Next, the executive producer and director, Robert Singer.
Audience claps. Singer comes out on stage and waves to Bushman. Then he walks down the stairs to sit in the front row.
Bushman: Finally, the man whose vision, uh, created “Supernatural,” is the creator, executive producer, and writer. Please welcome Eric Kripke.
Audience cheers and claps. Kripke walks out on stage. He waves to the audience then walks to Bushman and shakes his hand. Bushman walks off stage and Kripke takes over the mic.
Kripke: Hey everybody. (audience responds back) Thank you so much, uh, for coming. Uhhh, it's a little, uh, overwhelming and- and amazing, uh, quite frankly.
This is to my knowledge, I mean, the first gathering of any “Supernatural” fans anywhere. So, thank you to you and give yourself (audience cheers and claps) a round of applause.
Uhm, just quick story from the set of “Supernatural” ‘cause it just happened last night. Uh, which is they were, uh, they shoot up in Vancouver. And, uh, they were shooting up at Stanley Park or about to begin production which is a-a public park up in Vancouver. Um, and, uh- uh, we're about to start filming when they got a call that, uh, there was a man about 100-200 yards from the film company, uh, with a handgun and, uh, they called, you know, Jared and Jensen. Said, you know, “Don't come to set. There's a man with a handgun.” And- and they shut down the whole production for two hours. They called in the police. They called in the SWAT team. Uh, they stormed-
This is all true. (laughs) (audience laughs) Very true. This all just happened last night. Uh, they all stormed Stanley- you know, SWAT teams storm Stanley Park, uh, looking for this man with a gun. Uh, and it turned out to be a, uh, member of our special-effects crew. (audience laughs) (laughs) So, good times from the set of “Supernatural.”
Ehahm, anyway. So, uh, I'm supposed to introduce the episode. So, let me- let me do that. Uh, the episode we're showing tonight is, uh, “Scarecrow.” Uum. (audience claps) (nods) All right, “Scarecrow” fans in the house. Uh, “Scarecrow,” uh, was written by the, uh, very brilliant, uh, John Shiban. Uh, (audience claps) so, round of applause for John. And it was directed by the very brilliant Kim Manners. (audience claps) (clears throat) Um, and so the reason, uh, we chose “Scarecrow” is we sort of felt it was, uh, just a good mix of sort of everything that the show is about.
Um, you know we think there's really some good drama between the brothers. We think there's some good comedy. Uh, we think there's, you know, good mythology about Dad and this is the char- is the episode that introduces Meg which people online had problems with (audience laughs) I seem to remember.
Um.. and, uh- And it's, you know, just, we think a-a scary, uh, damn good episode and- and- and based on a-a good series of, uh, you know, very fun urban legends about scarecrows. And so, I'll stop rattling on. Enjoy “Scarecrow.” We'll talk after. Thank you (audience claps)
Kripke goes off stage. Video fads to black.
(6:05)- second introductions
Visual comes back. Audience is clapping while Bushman walks on a lit stage with seven empty chairs and three round coffee tables each with bottle waters on top.
Bushman: Um, are there any “X-File”fans out there in the audience right now? (audience cheers and claps) It’s, uh- Every time I see this episode I feel like shaking Dean and saying, “What are you doing trusting the cigarette-smoking manager.” (audience laughs) (looks down to read his script)
Um, I'm going to bring our panelists back up on stage. Um, our first panelist is co-executive producer and director on “Supernatural.” He's directed nearly 300 hours of television, including 53 episodes of the “X-Files” which he also produced. Please welcome Kim Manners. (audience claps and cheers)
Manners walks on stage from the front row. Bushman shakes his hand and directs him to “move all the way down, please.” Manners follows the direction and sits on the farthest chair from the stairs.
Bushman: Our next panelist is a co-executive producer and writer on “Supernatural.” He began his career as a staff writer on the “X-files,” writing or co-writing over 20 episodes, and eventually serving as executive producer. He was also co-creator and executive producer of the “Lone Gunman” and supervising producer of “Harsh Realm” and is written for and produced “Star Trek Enterprise,” “Threat Matrix,” and “USA Network's Frankenstein.” Please welcome John Shiban. (audience claps)
Shiban walks on stage from the front row. He nods at Bushman and briefly holds a hand out to the audience and then walks to sit beside Manners. A stage assistant stands behind his chair to help Shiban with his clip-on mic. The footage then switches goes back to Bushman reading his script.
Bushman: Our next panelist portrays Dean, (audience squeals and claps) (laughs) wisecracking older Winchester brother. Before “Supernatural” (laughs at audience still chuckling) (one audience member briefly screams) Before- (laughs) Before “Supernatural” he was familiar to WB viewers is Jason Teague on “Smallville.” (audience squeals and claps) I don't know if I'm going to get through these intros. (audience laughs) He had a recurring role on “Dawson's Creek” and was a regular on “Dark Angel.” He- (audience claps and cheers) (smiles and laughs) He received three Daytime Emmy nominations for his role on Days- (audience cheer) (briefly laughs, lowers his script and then looks audience) Pl-please welcome Jensen Ackles. (Audience screams, cheers, and claps.)
Jensen waves at the audience as he walks on stage. He shakes Bushman’s hand and then goes to sit beside Shiban. He shrugs at Shiban and Manners. Before he sits down he takes off his leather jacket and says, “For you Jared.” The audience laughs. Bushman laughs and then looks back down at his script.
Bushman: Um, our next panelist portrays Sam, the rebellious- (audience screams) (Bushman and the audience laugh) rebellious younger Winchester brother. Before “Supernatural” he was best known as Rory's boyfriend Dean on Gilmore Girls. (audience screams) His- (laughs) His- (laughs) (audience laughs) His film credits include-
Audience member: I love you! (audience laughs and Bushman smiles)
Jared: (from his seat) I love you!
Bushman: (increases dialogue speed) His film credits include: “House of Wax,” “Cheaper by the Dozen,” “Flight of the Phoenix.” Please welcome Jared Padalecki.
Jared walks on stage and shakes Bushman’s hand. And goes to sit beside Jensen. Jensen holds out his hand to Jared, which claps it before he sits down. The audience laughs. Jensen shakes his head and then thumbs at Jared, who’s scratching his head. The camera goes back to Bushman.
Bushman: Our next panelist executive produces “Supernatural” and directs episodes of this series. Formerly- (audience laughs) (glances at the panelists) Uh, formerly vice president of NBC drama development. He later teamed with Daniel Blatt to produce films and TV series including “V the final battle” (audience woo’s) and Stephen King's “Cujo”. On his own, he has executive produced “Midnight Caller,” Lois Clark- “Lois & Clark the new Adventures of Superman” (audience claps and cheers) and “Reasonable Doubts” which he also created. Please welcome Robert Singer.
Audience (or possibly J2 screaming) screams, claps, and cheers. Singer walks up the stairs and shakes Bushman’s hand while walking to his seat beside Jared. Singer mimics a repetitive smacking motion with both hands towards Jared and Jensen. The audience laughs. Singer and Jared shakes hands before he sits down. The stage assistant gets Singer’s attention. J2 are smirking. The camera goes back to Bushman.
Bushman: Um, our final panelist today is the creator of “Supernatural,” in addition to executive producing and writing for the series. His previous TV credits include the WB series “Tarzan.” He also wrote and co- (Jared? woo’s) -produced (audience and Bushman laugh. The audience claps and cheers.) He also wrote and co-produced the feature film “Boogeyman.” (audience starts cheering) Please welcome Eric Kripke.
Kripke walks up stage and shakes Bushman’s hand. Then he walks to his seat beside Singer. Bushman then goes to the last seat at the end and waits for Kripke’s mic to be clipped on his jacket by the stage assistant.
Bushman: Okay. I'll start with a few questions before (gestures at audience) we open it to you guys. Eric the first one would be for you.
•(10:37)- PaleyFest06;Q1 – SPN Origins (Kripke)
Bushman: I'm just kind of curious how- how this the idea for this series, um, the genesis of it. And-and how it evolved from concept to, uh, what we see on the screen.
Kripke: Um, I, eh- For a really long time I wanted to do a show about, uh, American folklore and urban legends. (Bushman nods) Sort of (gestures) kind of a subject that, you know, even back to elementary school I've been, you know, kind of obsessed with.
As a matter of fact the very (bounces his pointer finger out) my very, very first TV pitch when I first started in town when I was 23- (shrugs) 24 was a-a-a (gestures) urban legend show and I kept (gestures) trying different versions of it and kept getting Smackdown. (audience giggles and Jared smiles) Um, I tried to do it as an anthology (taps his pointer) and then I had this idea of like a (gestures) bunch of reporters in a van, like “Scooby Doo” style. (audience laughs) A-all these sort of terrible ideas.
And then, uh- And then I was, you know, working with Warner Brothers and- and- and just come off of, uh- uh, (fake coughs) ”Tarzan.” And- (audience laughs. Jared laughs.) (Kripke laughs) And, uh- and they said, you know, “What do you- What- What show would you want to do?” And I said (gestures), “Well, an urban legend show.” And they said, “Well, what- what's the concept?”
And I had this (gestures) really long elaborate storyline that I'd spent weeks and weeks on, uh, on about (gestures) a reporter. Um, and it was almost exactly (laughs and gestures) “Night Stalker.” (audience laughs) which was hilarious. Um, and, uh- and, uh, they- they (tilts his head) kind of looked at me and they were like, (shrugs) “Nah.” (audience giggles) There’re like, you know, (shrugs) “Any other, you know?” (shrugs) “What else?” and I said, “Well” (mimics writing) Because I-I'd literally scribbled it my notebook the day before, which was- I said, “Well, you know, it could be like Route 66. Like two guys on a road trip.” And they're like, (stop gesture) “We love that do that.” (Jared and audience laugh) And I-I- So, just kind of came out of nowhere, and just sort of, uh, developed from there.
And- and it turned out to be just the- the right, uhh- You know, the right way into this show. Because they can just drive it- You know, the boys can just drive in and out of a different horror movie every week, so. (audience chuckles)
•(12:28)- PaleyFest06;Q2- Sam and Dean family motivation (Kripke)
Bushman: Did you- Did you, um, at that point know w-in terms of characters who those two guys were? I mean, how did the whole this whole family element, which is so important to the show. I mean even, you know, um, you know, Jared says to-to the girl in this episode, uh, “I've got to go back because it's my family.” How did that whole family aspect-
Kripke: Um, just you know you- you write what you know. And- and I'm from a very, uh, close-knit, (Bushman clears his throat) uh, family and I have a (gestures) big brother. Um, and, uh you know, and I have, you know, a lot of, you know, really great friends and s- and just you know sort (gestures) of the way guys talk and the way they communicate without (gestures) ever really communicating anything. And.. (audience laughs) (smiles)
Um, and, uh- So, (gestures) it just kind of- It- it kind of grew- grew out of that. And, uh, so I knew I wanted to do, you know, uh- You know, in terms of characters, I knew I wanted you know the- the little brother to, you know, (gestures) be conflicted and have a lot of, you know, a lot of the angst and problems which I (gestured to Jared) threw right to Jared. (audience laughs) (J2 smile. Jared nods and clears his throat)
Um, and I wanted a- and-and- I wanted a big brother just be a total smartass. (audience laughs) I mean, that's how I started you know? (Jensen smiles, chuckles and turns to his right. Jared nods and then claps Jensen’s knees. The audience laughs.) Um, and— (Bushman: mm) and so you know and-and-and- it's- and it's, you know, w-w-with a show like this it’s, you know, the, eh, with the genre and it's sort of out there it's-it's- it really needs like a grounding influence. And so, to ground the show into family and elements of family. Um, and that (gestures), you know, that care that these brothers have for each other, uh,  (Jared offers to pour Jensen water in his glass. Jensen gives him a go ahead gesture.) really helps us because these two guys. (audience giggles) (Kripke stops and looks at J2 and J2 are biting their lips)
Shiban: They hug. They hug.
Singer and Kripke look at Jared. Jared smiling makes to put the water bottle behind his chair, but then sets it on the table. The audience keeps giggling. Kripke: Oh. Bushman: He’s pouring him a glass of water. (Kripke looks at Bushman) (mimics pouring water) He’s pouring him a glass of water.
Kripke: Yeah. (gestures) Because these two guys, I mean, the- (J2 are silently laughing) the relationship they have. I mean sometimes we have, you know, (Jensen scratches behind his ear. Jared is biting his finger and silently laughing and then Jared slaps Singer’s thigh) good subject matter and sometimes, you know, we don't. Um, (laughs) (audience, J2, and Singer laugh) but the- but the- the relationship with the brothers- these two actors always sees us through, so.
•(14:18)- PaleyFest06;Q3 - first impressions “J2”, auditioning for Sam and Dean (Kripke)
Bushman: Did- Um, were you familiar with their work? Um, or did you just bring in a ton of actors to audition for the roles?
Kripke: Uh, we, uh, auditioned everybody in town. Um, as you always do kind of on these pilots. (Bushman: uh-huh) Um, my, uh, my wife was quite the “Gilmore Girls” fan. So, (audience laughs) (Kripke looks at Jared) I, uh, I knew, uh-
Jared looking around at the audience. Audience laughs and claps. Jared points around the audience. Then smiles and laughs.
Kripke: (laughs) So, uh, I knew, uh, I-I knew Jared's work. And Jensen, uh, our director David Nutter, (Bushman: uh-huh) who directed the pilot, um, knew Jensen from, uh, (looks over at Jensen) either- Was it “Dark Angel?” From.. (Jensen: mhm, yeah) And he knew him from “Dark Angel” and so, uh- (gestures to the audience) “Dark Angel!” (gestures to Jensen) Jensen in Dark Angel!  
The audience claps and cheers. Jared woo’s and claps. Jensen gives the audience two thumbs up. Jared then goes to drink his water. Jensen looks down chuckling.
Kripke: And, uh- So, when we were, you know. (Jensen scratches his forehead. Audience member laughs.) When we were casting the characters it was- it was David Nutter who said, you know, “We have to- we have to fly down Jensen.” Who was up shooting “Smallville” at the time. So, he wasn't really in the- in the- in the pilot pool. And, you know, (shakes head) thank God we did. Because he walked- eh-uh (holds up his hands) Actually the story, which was funny, is Jensen walked in the room and-and met with us and-and-and David and Peter Johnson and I. And-and we talked to him and talked to him and we walked out the door and we looked at each other we were so exciting we're like we found and we found Sam.
Audience ohs and laughs. Jensen raises his eyebrows and nods. Kripke looks over at the boys.
Jared: I didn't get flown down. I had to ride myself (Kripke laughs: Yeah. Yeah.) Soo. (Kripke: And, uh-) I just wanted that to be known. (laughs) (Jensen is looking down smirking)
Kripke:  And it- and it was- and so, you know, these things just kind of form as-as puzzle pieces come together. And it wasn't until we met Jared that we're like, “Well that's Sam!” And we're like, (Jared chuckles) “And then, you know, Jensen could be Dean!” And then, it all just kind of, you know, it all kind of came together from there.
Bushman: That’s real interesting. Well, how about you guys, Jared and Jensen? Can you tell the story of-  
Jared: (thumbs to Jensen) I’ll let Jensen take that one.
Bushman: from your, um-
Jensen: Uh (points to Jared) you go ahead. (scratches the bridge of his nose)
Jared: (swipes hand in the air) Oh, Jensen (laughs) (Jensen: Oh no) that’s- that’s totally you. (pets his pants leg) What was the- (Jensen: honestly.) (looks at Bushman) What’s the- What’s the exact question?
Bushman: the question is-
The audience laughs. Jared rolls his tongue laughing and then turns his head down to scratch his hair. Jensen is smiling.
Jared: W (laughs to Jensen) I can-
Jensen: (to Jared) Is it a (briefly throws his hand up) spelling Bee? (Jared laughs and looks back at Bushman)
Bushman: Can you, uh, Can-
Jared: Can you use the word in a sentence?
Kripke: Spell. Spell leopard.
Jensen: Yeah, can you use that in a sentence? (straightens his shirt)
Jared: Leper?
Kripke: Leopard.
Jared: Leopard.
•(16:11)- PaleyFest06;Q4A- Auditioning for Sam and Dean (Jared)
Bushman: No, no, no. The question was, uh, Can you talk about the audition process from y-your perspective.
Jared: Well, it’s interesting, actually for me, hearing it from Eric's perspective. Um. I, uh, I’ve obviously been working with Warner Brothers for “Gilmore Girls.” And, um, the five years prior to doing the show I worked on Gilmore Girls to sort of developed a relationship with, um, some of the people at the Warner Brothers offices.
And I had kind of heard about a few of the pilots coming out. And I read this one in particular and I really enjoy the- the characters. And it really struck me as something that- I remembered hearin’ sort of (gestures) once in its breakdown of like it's (gestures) kind of a supernatural. It’s called “Supernatural” (Kripke laughs). And I was thinking like great (briefly throws up hand) “Charmed” or “Buffy,” (audience laughs) which are all great shows, but not the show I wanted to be a part of, you know? I didn't want to do “Roswell” or “Charmed” or “Buffy.” And then, when I read it I was like wow this is- this is very interesting and- and so much more than just like, “Ooo, scary show.” So-
•(17:01)- PaleyFest06;Q4Aa- SPN Appeal (Jared)
Bushman: what- what, uh, appealed to you about it?
Jared: Well, I sort of, uh, I grew up son of an English teacher. So, she was always big- and she would actually taught heroes myths and legends. So, I was familiar with mythology and sort of, uh, the Joseph Campbell taught, teachings. (turns to audience) The taught-teachings of Joseph Campbell. (audience laughs) And, uh, (Kripke chuckles) (scratches head)
Singer: Didn’t- didn't rub off that she was an English teacher. (Jensen mimics closing a film clapperboard)
Jared: It didn’t rub off. (looks down smiling and claps) (Kripke laughs)
Shiban: Yes. (Singer clears throat)
Jared: Uh, yeah. It didn't. It didn’t. I just work till 4:30 this morning in Vancouver. So, I’m a little worse for ware.
Bushman: It’s kind of interesting that you mentioned Joseph Campbell, cuz there's a little bit of “The Reluctant Hero” in your character.
Jared: Very much. I mean there's more than- there's so much more than just the Reluctant Hero. I mean, when you get into the archetypes they're sort of- each script is just bursting at the seams with archetypes and (briefly throws his hand up), you know, last thing I think these people want to hear is me going to a (Bushman chuckles) explanation of- (Audience laughs. Jensen fakes snoring) (briefly throws his hand up) I love the script. (turns to Jensen) I love the character. (shakes Jensen’s leg)
Bushman: Did, uh, so- (Jensen mimics waking up with a shout)
Jared: (leans towards Jensen rotating his pointer finger in the air) We're doing a- we're doing, um, a answer-
Jensen: (shrugs and frowns) I’m awake (reaches for the water)(audience laughs)
Jared: Okay. (turns back to Bushman, smiling and scratching his head)
Bushman: So, uh- Well, so your agent sent you script and you were- you were auditioning for Sam all along?
Jared: Uhh, right. (hits his knee) Right. I guess- I guess w-where the- where the process.. or how the process- where it was when it reached me was: read the script, see if you like the character, see if you like the script. (gestures) It was sort of like do you, you know, do you mesh with this- (gestures) Do you feel you could mesh with this script. And I felt I could and so I went in (thumbs towards Kripke) and I- and I met some of the guys, and I re-met Nutter and.. you know, sat in an office with- Who was it Kripke? (Jared leans forward than back to see Kirpke)
Kripke: (leans forward than back, in response Jared starts rapidly leaning back and forth) It was, uh, Me, Nutter, Peter Johnson we were at the-
The audience laughs. Kripke then notices the movement and starts mimicking Jared. Singer hunches down. Jensen starts laughing to himself while looking away.
Kripke: Wonderland. Offices. (Jared and Kripke stop. Audience laughs) And, uh.. Uh, yeah. And he- he came in and he had at such energy and- and just so, uh, (gestures) lived the character. (gestures) Just so was the guy. You know, it's a (gestures) cliche to say that but he really was. So, it was- it was an easy choice.
Bushman: (to Jared) And did you feel real good about it coming out?
Jared: Uvh, well (push his hair behind his ear) yeah. I-I-it was- it was b-by no means that short process, you know? I mean, that was sort of the beginning of a week or two week long (gestures) finding of scripts and characters. And I think the scripts are still being rewritten. I remember I'd seen a script and they’re like, (gestures) “This is changing. You know. Read the script, but (gestures) that's nothing to do with this.”
Kripke: (laughs) Right. Yeah. (audience laughs)
Jared: “It’s gonna change so much.” (gestures towards Jensen)
Kripke: (nods) This is true.
Jared: Which is much like it- it is nowadays. You know, (Kripke: Yeah) we get a script and they're like, “Okay, we're shooting this in a week, but it'll be a completely-“ You know? (audience giggles) (gestures) It’s just like- it-it can always can get better. And- and everybody's always working hard (flings his hand) up to the very last second, you know? Till they call action. (points up) People are working here. People are working in Canada. Just, you know, sprinting.
•(19:24)- PaleyFest06;Q4B- Auditioning for Sam and Dean (Jensen)
Bushman: Okay. (Jared nods) Jensen, what was your experience?
Jensen: (resting his head on his fist, briefly points to Jared) Pretty much the same.
Jared immediately fake sleep-snores and leans his head on Jensen’s shoulder. Kripke and the audience laugh. Jensen smirks. Jared sits up, laughing, and reaches for his water.
Jensen: Uhhh
Jared: Well said Jensen.
Jensen: (rubs his chin, laughs, sits up) Yeah. (rubs his hands) Uh, w-well, (thumbs to Kripke) like-like Eric said, they- they had originally brought me in for, uh, for the role of Sam. And, uhm, I- I knew David Nutter very well. Uh, I-I worked on, uh, testing for some- a number of pilots, um, before that. So, I-I felt very comfortable with him and with his recommendation to me coming in. And he feel good about it. (gestures) And I had a conversation with him on the phone before I come- before I came in and just he kind of gave me a spiel about Sam and, uh, (rubs his mouth) and what he thought. And- and then I read the script. And-and I was just like, “W-what about Dean?” (audience laughs.) “I liked Dean.” (audience laughs) “He's funny.” (audience laughs)
And-and, uh, it's- but (gestures) I, you know, I study for Sam. And-and I went in there and I actually kind of studied for (rubs his tear duct) Dean a little bit too just in case. And, um, I went in there and I read for Sam. And-and, uh, like Eric said. And they were like, you know. They were pleased with it. And then.. went home that evening and got a phone call and he said, “Well, uh- uh, there's this guy, Jared, uh, Pada- Pada- something-” (audience laughs)
Jared: I said Pada-something.
Jensen: (nods) Pada-something. (Smiles)
Jared: Pada-something
Jensen: and uh (grins)
Jared: Pada-some- (laughs)
Jensen: “And-and-and they really ar-are liking him” (gestures) “for-for one of the brothers.” And I'm like, “Okay.” So, of course I look him up online (audience laughs) and I'm like (throws up his hand) “He’s- he’s-“
Jared: (to the audience) He thought I was hot. (audience laughs and claps)
Jensen: He’s- (Jared laughs and scratches his head) “This guy's smoking hot.” (Jared leans back and laughs clapping his hands) “I can't play his brother and-“ Uuum, no. And-and-and- and then they said- (Jared facepalms) they'd said, “But would they like to bring you back in for Dean.” And, I of course was.. very excited about it and I came back in. (Jared clears his throat) And-and I was thrilled. So, uh, (gestures) that's kind of how it all. (gestures)
Bushman: Sut- So by the time you guys actually performed together you had already had the parts. They weren't auditioning-
Jensen: Well, no. We hadn't- we didn't have it- we didn't have it (gestures), uhh, officially.
Jared: (leans forward, to Kripke) Did we? (Jensen leans forward)
Kripke: No. We had-
Jensen: We had to do the-
Kripke: We were the on- (nods his head towards J2) they were the only actors we brought in to network. Because we- (gestures) You have to have a network audition.
Jensen: Formality of the network.
Jared: It’s usually a really terrifying process of (Jensen: Yea.) sort of (Jensen: Yeah.) these guys and gals at you audition with all year long. And it's five people that you're very, very afraid of, sitting in the room with you going for the same part. (Looks at Jensen) And when we got there it was like, “Hey.” “Hey.” “Where's everybody?” “Uh, there is nobody.”
Jensen: “Just you and me pal.” (audience laughs)
Kripke: Right. (briefly turns to Bushman) Yeah.
Jensen: And, uh-
Jared: We started (mimics writing) typing numbers down on a page- (shakes his head) I’m just kidding.
Jensen: Yeah, well (gestures) we went in and-and-and (scratches tear duct) that was yeah that was the first time we actually met. (gestures) And then we (gestures) (Jared: mhm) did a scene together, uh, for a- a-a roomful of executives and, uh, that was that.
Bushman: Okay.
Jensen: (points at Jared) and we’ve hated each other ever since. (reaches for his water) (audience laughs)
Jared: (nods) Yeah. (turns to Jensen) I poisoned your water, so.
The audience laughs. Jensen pauses and stares at his cup. Audience laughs. Jensen inspects his cup by slightly tilting it. He shrugs, takes a drink, and then sets his cup back down on the table.
Kripke: It’s a little unnerving. (Jared laughs)
•(22:13)- PaleyFest06;Q5A- SPN Start (Kim Manners)
Bushman: How about everyone on the panel? Kim, we could start with you and Ben. Talk about how you became involved with, uh, Supernatural.
Manners: I read for Sam. (most of the panelist and the audience laugh)
Jared: (throws his hands up) did everybody read for Sam or?
Manners: Well, David Nutter, who directed the pilot, is a good friend. He did season 1 of “X-files” And, uh, he called and asked if I would do a favor and, uh, come in and do one episode. Because I was kind of semi-retired after X Files. Uh, (nodding) very semi-retired. (audience laughs) And I, uh, came in did a show, uh, called “Dead in the Water,” uuh, enjoyed myself fell in love with, uh, (points to J2) Jan and Dean or is it Sam and Dean? (Jared and audience laugh. Singer pours himself some water.) Uhm, and I was driving home to my home in Missouri and they called me and said, uh, “We want you to come on as a part of the team.” And I turned around and here I am. So.
Jensen: Thank God.
Manners: And I’m having a good time.
Jared: (nods) Yeah. Thank God.
Manners: Yeah.
Kripke: Yeah, I don't know what we’d do without Kim up there. He's unbelievable.
Shiban: (nods) Yeah.
Bushman: Kim, uh, John.
Manners: I know whatchu do, you get another guy. (most of the panelist and the audience laugh)
Shiban: No, there is no other guy.
Jensen: No.
Kripke: Not true. No other guy.
Jared: There's no other guy.. named Kim.
Manners: (nods) Yep. (audience laughs) (points towards Jared and then clears throat) You know if this whole thing fails you guys can go right into stand-up. (audience laughs)
Jensen: Yea. (nods) (Jared claps his hands laughing) (points at Jared) I don't want to stand up to him another time. (audience laughs) I got to stand up on apple boxes all the time. (audience laughs)
Jared: (scratches ear) I'm pretty lazy. I’d rather sit. (Manners and audience laugh)
Bushman: John how did you-
Jared: (points to Jensen) Meanwhile! What-what (Shiban: Meanwhile?) what he- want he- what he doesn't know- what he didn't know about this whole process is that after we had him direct, uh, the- I guess it was our fourth episode we had: (counts his fingers) “the Pilot” (Jensen: yep.) with David Nutter, “Wendigo” with David Nutter, “Hookman” with David Jackson, (Manners: and then) and then (points at Manners) Kim came in.
And immediately I think from day one we were on the phone with everybody. (Manners takes a drink) (gestures) We were on the phone with (thumbs to his left) Peter and (points to Eric) with Erik and saying, “This guy is incredible.” (gestures) “Sw-Who is this guy?” (Manners sets his glass back down) And David Nutter had sort of given him this very.. sort of mysterious.. “You'll love Kim,” kind of sentence (audience giggles) at the very beginning.
Because we were going over this list of seven dir-
Jensen: Yes, the Jedi (waves his hand)
Jared: Very Jedi. (audience laughs) Yeah it was like-
Jensen: You’ll love him.
Jared: (mimics reading a script) “Who is Kim- Who is this guy?” “Oh, (waves hand) I knew him from this.” (mimics reading a script) “Who is Kim Manners?” (nods and waves hand) “You'll love Kim Manners.” (audience laughs) And sure enough, we were like, (double takes) “What?” And, um and he- and he- (his mic clip falls off) came on. And he was just incredible. (picks up mic by hand and talks directly into it.) And he was just incredible. (Jensen takes off his mic and hands it to Jared) And um, (nods to Singer) Can I- (reaches for Singer’s mic) Can I borrow? (audience laughs)
Singer: Sure. Yeah (But Jared doesn't take it and takes back his hand)
Shiban: Wow.
Jared: And, uh, (hands Jensen back his mic) And so we- w-we, uh, we basically begged and pleaded (J2 attach their mics back on to their shirts) to get him, um-
Manners: (fake mourning voice) A job! (throws his hands up) (Shiban pats his back) Just a job. (Jared: A job.) It’s all I wanted. (audience laughs)
Jared: He was hungry. (Manners laughs while rubbing his brow) He was, you know. He kept trying to bite my arm. (audience laughs) I was really worried about him (laughs).
Bushman: Yeah, I don't want to embarrass Kim, but what was so incredible about him?
Manners: about- (Bushman: about-) Who?
Jensen: Well, I-I think that- I think that, uh-uh, Jared and I just- w-we just responded well to him. I mean, he-he directed in a fashion that-that, uh, we really liked. And, uhm.. You know, it was kind of a set where guys could be guys. (thumbs at Manners) And he wasn't someone who-who directed, you know, behind a (throws hands up) screen with a (makes a phone hand gesture) telephone somewhere in LA, and was like, you know, (gestures and mimics a LA director) “Do it over and over. And then a closed up and a close up and let's get out of here and move on in the next set.” He was- (Singer reaches for his water) he was in there.
And-and you know a-a story about another, uh, episode that he directed, “Bugs,” uh, (Manners shakes his head) this was a-a scene where we had to get in (Manners mimics putting a gun in his mouth. the audience laughs) to a room with-
Manners: (turns to Jensen and waves) s-sorry.
Jensen: Yeah, no that’s-
Jared: It’s alright.
Jensen: I mean, ah, you know we get in this-this tiny little room with 65,000 bees and, uh, (Jared: ?Billions?) (gestures) the whole camera crew and (gestures) the sound crew (Manners laughs. Shiban smiles) and (gestures) then everybody's got (gestures) full bee outfits on. (audience chuckles) Then they're like, “Alright, Jared, Jensen, hop on in.” (audience laughs) And, uh-
Jared: And don't swat them, ‘cuz it makes them angry.
Jensen: And, Yeah. And I'll-and I’ll give it to Kim. He said, “You know what? If-if you guys don't have bee suits on. I'm not either.” And he went in there with, uh, (Jared: Right.) shorts and a t-shirt and a monitor.
Kripke?: Wow.
Jensen: And sat down on a box and directed us from inside the room (Manners silently laughs) with bees crawling all over our faces. (Manners and Shiban nod)
Kripke: Woah.
Jensen: It's just- it's-it that- it's that kind of relationship with Kim.
Bushman: Okay.
The audience cheers and then claps. Shiban and Jared clap. Manners briefly salutes two fingers to the audience.
•(26:07)-PaleyFest06;Q5B- SPN Start (John Shiban)
Bushman: John, how'd you get involved?
Shiban: Uh, I was going through the, uh, annual ritual of staffing season. Uh, I had a-a pilot that didn't go. So, I was available and reading all the pilots and taking meetings. And.. and read the script. Aaand loved it. Uh, and met Eric and loved him.
Kripke: Awww. (audience aw’s)
Shiban: Annnd- (smiles) I know. Aaand-
Kripke: John’s my guy. (audience laughs, Shiban, Jared and Manners smile)
Shiban: Yeah, it’s that. It’s true. Um, and, uh-uh, eh- there are a lot of- Uh, you know, I spent a long time on the “X-Files” and, uh, (gestures) I’m-I'm offered a lot of.. (gestures) scary television shows every year. It's like, (gestures) “Will you do this. Will you-“(Bushman: Yeah) And this one just struck me right away. Ehh, especially (gestures) when I finally saw the- the-the cut of the pilot.
Because it had those two things that I think (briefly pets his beard) you need to have a successful show like this. One is a great franchise, (gestures) which is the engine that runs the show. The idea that the two brothers on the road trip with a very personal agenda, eh-uh, is just great. And you can imagine- I can see instantly five years of suffering for these guys-
Jared nods. The audience chuckles. Jensen dramatically throws his head back. Jared smirks and nods. Kripke?, and audience laugh.
Shiban: And, uhhh, episode after episode. Uhh, and the second thing honestly is- is, uhh, is casting.. and chemistry. And chemistry is something you can't (rubs his hand) manufacture. And these guys have it. And they're so great to write for and they're so fun to write for.
Jensen slowly looks at Jared. Jared with a pressed smile, looks back. Audience woo’s and laughs. Shiban shrugs. Jared moves his face closer and puckers his lips. Audience laughs. Jensen shakes his head no and points to the audience. Jared stops halfway and looks down laughing to himself, and then looks up scratching his nose with a big smile. The audience laugh and clap. Shiban and Manners are smiling.
Jared: Worth a try. Worth a try.
Shiban: Yeah. (Jared chuckles) So, I said, “Yeah. I'm coming up.”
•(27:38)- PaleyFest06;Q5C- SPN Start (Bob Singer)
Bushman: Okay. Bob, how about you?
Singer: (Jared laughs) (gestures to J2) I-Can I just watch them, I don’t. (J2, Manners, and Audience laugh) Uubm, t-they had actually made this pilot. And, uh, I saw the pilot and, uh, really liked it a lot. And I think, uh, what the studio wanted was, um- (gestures) After they saw it and I got picked up, and the studio one point probably said to themselves-
Singer holds up his hands but then stops when audience starts laughing, raising an eyebrow.
Jared: (laughs) Just keep it (unintelligible)
Kripke: (opens his hands) You can't get anything done.
Jared: I can’t- (sets down his glass and then repositions himself)
Singer: (gestures to J2) This is what it's like to direct them too. (audience and Kripke laugh) Uhh- uh, the studio said, “Well, we-we-we can't give ff-40-plus million dollars to Eric Kripke.” And-(shrugs)
Kripke: (laughs) Yeah. (Jared laughs and claps his hands) Very true. (laughs)
Singer: And let him run wild. So, they said, “What we need i-is” (shrugs) “You know, some-”
Audience laughs. Singer stops and briefly looks to his right and up. Audience laughs. Singer rubs his chin and closes his eye laughing to himself. Kripke scratches his lip, looks at Singer, and laughs.
Singer: (shakes his head and then looks up at Kripke) This is so hard. (rubs his brow) (Kripke, audience, and Jared laugh)
Singer leans and reaches over and briefly covers Jared’s face, then returns to his original position. Jared laughs. Jensen is holding a glass of water and reaching for another.
Shiban: These people are very tired.
Jared: Yeah. (laughs)
Singer: Um. So, they thought they needed some, uh, you know, uh, a-a-an experienced hand to guide the young man through these rocky waters. (Jared laughs) The young- the young man of course felt what do I need this old fart for. (Jared and audience laughs)
Kripke: No way. (Singer laughs) He-
Singer: Um, anyway (gestures) we met and we met a number of times. And, um, finally our-got comfortable enough with me for, uh, for us to join up and, uh-uh, partner on this thing. And, um, (shrugs) it-it's interesting because I mean we are sort of from different generations. (gestures) And we approach, uhm, (gestures back and forth) drama in kind of a different way.
Um, but (gestures) as we sort of work together we found (gestures) that we always we really arrived (Kripke nods) at the same place even though kind of the methods (gestures) are a little different of how we get there. And it's a-
Bushman: Can you explain what you mean when you say that (Singer sits up) coming from different generations you approach drama in different ways?
Singer: Well, I don't know if that's a generational thing but I'm very, eh..
Kripke: Sober. (audience and Singer laugh) (Shiban?: And uh) compared to the drunk.
Singer: (nods) There's that, yeah.
Shiban?: (?low court?)
Singer: Um…eh- t-t-this is so boring, but, um, (audience giggles) for, um- I-I-I kind of come in (waves his hand) everything from a character standpoint of view. It’s-it's all about character to me. And I'll kind of (gestures) let the plot work itself out  given (Kripke nods) what the characters are-are gonna do.
And what I'm interested in the scenes is how.. that, you know, it drives the plot. But I'm most interested in how the characters react to it. Umm (scratches brow) and-and-and so the (laughs) stories I do (wiggles his hands up in the air) to tend to get a little like-like this but (shrugs) the character stuff is probably interesting.
Eric really works very, very hard on the stories, um, and gets the plot down. And knows that once his plot is good the-the character stuff will come naturally to that. (Kripke nods) So, we sort of go-go like this (Kripke nods) when we're in the room together. And we’ll arrive at that place which both things are serviced. And-and-and I think you- we’re really sort of one voice now (Eric nodding: mhm) that we-we rarely disagree on stuff. And it's a- (shrugs) You know, I've worked alone for a long time, so it's kind of really cool to have a partner. (shrugs)
Eric: (looks at Bushman and nods) Yeah. And (points to Singer) tah-tah blow smoke up his ass for a minute. (audience laughs) He brings a depth, uh, and-and maturity of care- of character of just depth to the drama that I could not do, you know? It-Me on me alone like is “Boogieman.” (Bushman and audience laughs) And.. and.. and like all of a sudden with him like, you know, we have a-a show where you have these characters that are psychologically rich and true and-and-and- and Bob is-is behind huge amounts of that. So, uh, we- (shakes his head) this show would not succeed, uh, at all without him. So.
Singer: Aw.
Kripke: Aw.
Audience aw’s. Singer leans over and rests his head on Kripke’s chest. Kripke holds him for a sec.
Jared: Aw. (Audience claps)
Shiban: Come on give him a kiss, would yah?
Singer: (turns towards J2) You guys can do it. We can do it.
Jared: No, it’s alright like that.
Jensen: Hey. Hey.
Manners: You guys wanna mow the lawn?
Jensen: Yeah. Around the curtains?
•(31:05)- PaleyFest06;Q6- SPN Mythology + Formula (Shiban, Kirpke)
Bushman: Let me ask one more question before I- before I open this up. But this is for the writers mostly. Um, which I guess is Eric and John. But, um- you know, Eric, you've been quoted, um, as saying that, uh, you know this show differs from a lot of the other, uh, suspense or supernatural shows that you (Kripke nods) say there, because you don't want to get involved so much in those long drawn-out stories or-or the mythology so much as you just- I don't know whether these are accurate quotes but you want to, um, just focus on scaring people and on the- on the urban, uh, folklore and-and so on and just scaring people.
But, um, I think I-I- speaking for myself, and-and maybe some people out here too, I find the mythology, uh, with the-the kids with their mom.. (Kripke: mhm.) and their dad, and, uh- um, you know, one of the really compelling parts of this story. So, um, I'm wondering how you just- an-an-and, you know, you start to see even with the last episode that-that (Kripke nods) aired last Tuesday. You're starting to see you guys are coming back to that. (Kripke nods: mhm)
Um, and I'm wondering how do you decide when it's time to sort of veer away from what “X-Files” used to call the “monster of the week” story and come back to the.. mythology of the show. So it's really for John and Eric. How do you decide when it's time to do that or-
Kripke: John?
Shiban: Uh, two things I made a lot of painful, uh, hair-pulling discussions and arguments and when should we when shouldn't we. But part of it is driven to, by just the nature of television you want to save some of your big.. moments for sweeps. And so you kind of.. work the season around that. Works a actually a very nice five or six episodes that are.. (finger quotes) “non-mythology” and then you can- you can pull the Mythology back. And, uh, and, uhh, again do the nature television. You want to end the season with some- something astounding.
And, uh, (gestures to Singer) also going to back to what Bob was saying, eehh, the mythology is all about character. It's all about.. what the boys are going through and family. (shrugs) And, so that's where we are going to head when we want to do something spectacular. So. (Singer drinks his water)
Kripke: Yeah. we- we had a- we have. And surprisingly have stuck to it. We have a, uh, a-a m-mythology plan for season one. We also have, y-you know God willing a pickup, we have mythology plans for season two and season three. But.. we have this plan of where the story goes in-in- (audience starts cheering) Yeah!
Shiban: On the CW. (Jensen is holding out a hand)
Kripke: On the CW!
Jensen: (to Shiban) When do we get to see this? (Shiban whispers to Jensen)
Kripke: Um, and-and so, you know, it was sort of the plan, which is the first.. (Jensen elbows Shiban while laughing, then Shiban keeps whispering to Jensen) seven ur- sev- about, really, the first seven (Jensen throws his head back and softly laughs) episodes you wanted to be the self-enclosed stories so you could kind of pick up new viewers. And then you start threading in a little bit more mythology.
But I think it's a balance. Because, I mean, it's my own just, you know, kind of personal taste, which is- I mean, I like a- you know, I want a satisfying story every week too. And-and um, you know, I mean “Lost” is (waves hand) an untouchable show. I mean, it's an- it’s-it's a (waves hand) brilliant and unbelievable show, but I-I- I find the endless mystery, my own, taste frustrating.
Bushman: mhm
Kripke: And- and if you're going to give ongoing mystery- (audience claps) Alright, people who believe. And, if you're going to give ongoing mystery, at least give, like, a rollicking badass story… apart from it that can have a beginning middle and end. And you can be satisfied. And the good guys can win. And you and you can have the experience being told a story. (waves hand) And then, you know, thread in the ongoing mystery.
 So, I think it's-it's-it's keeping a lot of different plates spinning. And it's not- it shouldn't be any one thing er-or another.
•(34:18)- PaleyFest06;Q7- SPN Ending, Pre-finale thoughts (Kripke)
Bushman: Do you know where the story ends?
Kripke: Um, I do actually. Yeeeah.
Bushman: Does anyone else on this panel know where the story ends?
Singer: Yeah, but we tell you, we have to kill you.
Kripke: Yeahh. Yeah. (Audience and Bushman laugh. Jared smiles) I mean, it's hard it- because you never know when you're gonna get cancelled or if you're gonna go, you know, 37 years like “Gun Smokers” (audience laughs) Or something. (Jensen chuckles)
Shiban: Oh, god. Please.
Kripke: But, uh.. Yeah.
Jared: Oh no.
Manners: The boys are in walkers. (mimics walking in a walker)
Jensen: (gruff voice) Sam! (audience laughs)
Kripke: Yeah. (nods) Right. (Kim laughs) (laughs) They’ll finish up the season and then they'll slowly die.
Jensen: Yeah. (laughs)
Audience laughs. Jensen is scratching his forehead smiling. Jared is drinking his water.
Kripke: And, uh.. So but-but yes we have, you know, really a-a-a fi- if-if I could somehow find out what the last season was going to be, or-or a five, six year plan, I mean, I sort of know that, you know, the-the final, you know, battle as it were t-that all shapes up. And, uh- But yeah, you know, it’s sort of-
Bushman: We’re gonna have to wait.
Kripke: Yeah.
Bushman: Okay. Let's take some questions from the audience. (holds hand over eyes and looks at the audience) Um, I'm gonna.. to call on two people, um, first question, a second question. Please wait for the mic, because this event is being taped, so we need to be able to hear you.
Uh, (points to the back of the audience) okay there's one all the way in the back over there, and (points his other hand towards the left of the audience) then there's one in a green shirt right down here.
(points to the green shirt again) We can start down here with the green shirt and then go to the back question.
•(35:38)- PaleyFest06;Q8A- Location Significance: John Winchester in Sacramento (Shiban)
Fan: Sorry, I had to take out my gum. Hi, um, I'm- Let me just say, I'm originally from Sacramento so I w-I wanted to know if there's any significance with their dad, John, being in Sacramento twice or just random or.. spoilery or.. Shh
Manners?: Joohn.
Kripke: You wrote it, John. Why did you use Sacramento? (audience laughs)
Fan: It’s-
Shiban: I don't want to give it away, yet. (Kripke? laughs)
Jensen: So, yes there is.
Kripke: No there’s-
Shiban: (points at Jensen) I'm gonna tell you either. (Jensen throws his hands up)
Jensen: I want to know.
Kripke: Yeah. Why?
Shiban: After. After.
Jensen: Ah, thanks a lot.
Singer: Tickets for a Sacramento Kings (Jensen: Yes.) game. Eh. (shrugs) (J2 laugh)
Bushman: So, their-their- the answer is that there is, but you're not gonna say what it is.
Shiban: Exactly.
•(36:13)- PaleyFest06;Q8B- Location Significance: Lawrence Kansas (Kripke)
Bushman: Okay. And speaking of location is there any significance to Lawrence Kansas? That it started in Lawrence Kansas?
Kripke: Um-
Shiban: (points to Kripke).. I’d have to give that to him.
Kripke: Uh, I would say, well, uh-uh i-if anyone does a, uh-uh, w-
Jared: In other words, yes.
Kripke: Yes. (audience laughs. Jared and Manners laugh.) There-there is and-and the-and the one thing I'd say is, because we tend to be really research oriented in our show (Bushman: uh-huh) and about American urban legends and there's a- there's a very famous, uh, urban legend, uh, near Lawrence Kansas. Um, that, uh-
Bushman: That somehow factors?
Kripke: Yeah. (to the audience) You know, if you guys go home and do Google searches on Lawrence (Bushman: Right) Kansas and stuff will come up. (nods)
Bushman: Okay. (points to J2) Do you guys know what it is.. Jared and Jensen?
Kripke: I don't think I've ever told you.
Jared: (looks at Jensen) Y-yeah.
Jensen: Uh, yeah.
Jared: Good gosh. (blows)
Jensen: Yeah. Yeah. Of course. (nods and leans back to rub his chin) (Bushman, Kripke, and audience laugh)
Jared: I haven’t decided when I'm gonna tell Kripke what it is.
Jensen: Yeah. (audience and Kripke laugh)
Jared: I’m mean, honestly. Tell him, “Hey, uh-
Bushman: (laughs) Okay. In the back all the way.
•(36:59)- PaleyFest06;Q9- Fear “Paranormal” (Manners, Shiban, Jensen, Jared, Kripke)
Fan: Hi. Uh, I just want to say I'm from Texas too. So.
Kripke: Wooo!
Jensen?: (J2 raise their hands) woo! (audience laughs)
Fan: Anyway I had a question, um, for everybody. What urban legend or folklore really does scare you guys?
Kripke: (points to Manners) (Manners shrugs) Kim?
Manners: Um, mm- nothing scares me. (audience and Shiban laughs)
Jared: That's true.
Manners:  I direct television.
Jensen: Yeah, I believe it.
Manners: And I- so (shrugs) (audience laughs) You know, if-if you- if you can live through that nothing scares yah. (shrugs) Really.
Shiban: Good answer.
Manners: Yeah. Well, it’s true. (Shiban laughs) What scares you John? ..Late scripts? (laughs)
Shiban: You do- Yeah. (audience laughs) Yeah. You do. Yeah. When you call me and say, “Where's the damn script?” (audience chuckles) That's frightening. (audience chuckles. Shiban and Manners take a drink)
Bushman: Any-any urban-
Shiban: (bumps Jensen’s arm) What about you guys?
Jensen: (shrugs) I-d-I'm dealing with him all season man. (Kripke and audience laugh) I’m scared of them all. (Kripke: All of em.)
Shiban: What about those bees?
Jensen: Yeah, bees that’s what I’m s-
Jared: You know I have a c- I'll- I’ll say something. I- uh, my daddy used to make me watch a show called, “Shadow Man,” or something, when I was growing up. And it was about a shadow that lived under this kid's bed. And, uh, he was sort of- (audience giggles) What's that? (audience giggles) (Jared smiles) And anyways and, uh, (audience laughs) it was his buddy.
Shiban: And he’s here tonight.
Jared: he wasn’t very popular in school. And so the shadow man started kind of getting all the bullies for him. And then one day came another.. kid’s shadow man got- (sniffs) Yeah it’s probably not as scary as it seems. (laughs, ducks and scratches his head) (most of the panelist and the audience laugh) (hides face behind his jacket)
Kripke: (thumbs to Singer) You wanna? You?
Singer: (laughs) Go ahead. (audience aw’s)
Kripke: (gestures to the audience) Someone has to give her a straight answer. (Jared: Y-yeah.) Hook-Hookman freaked me out when I was a kid. The killer with the hook. All the different stories of the killer with the hook of, uh, you know, the-t-the “Aren't you glad-” “Aren't you glad you didn't turn on the light?” I thought was really cool. And there's, uh, (gestures) the licked hands. If you ever heard the licked hand, which is a really cool one. (briefly looks down) And um, so (gestures) like that- that was always, you know, really sort of- sort of freaky for me.
Bushman: Okay, let's take two more questions. (points to the audience) Um, we'll get this one down here and there's one all the way in the back. Right- right next to you. Right… (points) Go ahead.
•(38:55)- PaleyFest06;Q10- Continuity Mistake “4 years vs 2 years at Stanford”
Fan: Um, in the pilot we know that, uh, when Sam wanted to go to college John told him to get lost. And he's in as presumably his fourth year because he's interviewing for Law School. Um, but d-he says that he hasn't talked to Dean in two years. Is there an answer to what happened two years ago? (Kripke is smiling and looking down at the other panelists)
Jared: Uhhh, y-you mean does that-
Kripke: I-I actually-
Shiban: Eric.
Kripke: (looking down at his lap) I have an answer to that. (nods) (audience laughs)
Fan: Do we get to know?
Kripke: Well, I know you're supposed to.. You know, (gestures to Shiban) do what Shiban does (Shiban nods) which is kind of go, “you'll find out.” (audience laughs. Shiban smiles and nods) But, uh, fact of the matter was is, uh, it-ii- (gestures) you know, these things happen so fast and furious. (mimics writing) And you’re- and- and that it was actually a mistake. (audience giggles)
Shiban: Oh no. (Shiban whispers to Jensen and then Manners)
Kripke: We-we wanted it-d.. Jared is or Sam's character supposed to be a junior in college and starting the interviewing process for, uh, the interviewing process for law school. (Jensen whispers to Shiban) And, uh, so hasn't seen him since he left- So he spent his freshman year and his sophomore year away from Dean and hasn't seen Dean. Then this is beginning of junior year. (briefly looks at the panelists)  This is.. fall of junior year.
So, it's been technically two years as he's beginning (gestures) th-the process. But, because, I think.. Because what happens, eh.. You know, you guys, you know, the-the you know- (gestures) I’m-I'm-I’m lying, (audience chuckles) like, sort of putting it all- Eh, because what happened 22 years ago he-he was slightly older than a junior should be. So, no one sort of bought that he was a junior and, uh, (Jared smiles. Audience giggles) so there's a (gestures) lot of discussion of these two “lost years.” And you’re just- and I just like, (hunches down covering his mouth) “he he.” (shrugs) “Like, just a mistake.” (panelists and audience laughs)  
Jensen: (?Hey, uh, I really wanna back this.?)
Shiban: That’s right (unintelligible) (Jensen laughs)
Kripke: But hold on let me give the real answer. “You'll find ouut.” (Jared and audience laugh)
Shiban: (gives him a thumbs up) Now you're talking.
Bushman: Okay. In the back.
•(40:40)- PaleyFest06;Q11- Network Censorship “Gore” (J2, Kripke, Singer)
Fan: Are there any stories about, uh, t-the show being too scary. Like, do you do trade-offs with the network? Like, they say, “Well, you can have two seconds of this, you know, bloody face, if you do this or that.” (?Jared?:mhm)
Jared: Yeah.
Jensen: Yeah, we’ve run into a few-few times that season- this season. (looks at Kripke) Haven’t we?
Kripke: You talking about Night- The Night- the.. On Nightmare was the first time.
Singer: (looks at Kripke) Oh right. Yeah. Yeah, you get into strange dis-discussions of, um, “Can we not see the decapitated- decapitated head (rolling gesture) roll?” (audience and Kripke laugh) And then you start arguing about, “Well.. can it do a half a turn?” (audience and Kripke laugh) Then say, “Okay. You can do a half a turn but the blood gush can't be for two seconds. It has to be for once sec-” Uh- um, so those are ongoing discussions, but a-a-actually the network's been great. We really push the envelope (Kripke: Yeah) in-in every sense. And, uh, they let us get away with more than I thought they would.
Jensen: There was also the, uh, when-
Jared: The gun rig.
Jensen: Yeah, the gun rig with me when I- uh, when Dean was shot in the head.
Kripke: Yeah. The- Night-Nightmare- The episode “Nightmare” was the first and only time that we’ve ever had issues with standards and practices. And so, everything else they just were like, “Give us more.” And we- again we were shocked by that. But there-the-the- there's a scene where, it's a- it's a vision it doesn't really happen, but where Dean gets his brains blown out (gestures brain splat) (audience giggles) in “Nightmare” (audience laughs) and-and… (Kripke briefly looks to his left) And we actually rigged it. And we thought, like, you know- We rigged it so-
Jensen: Yeah, the rig was awesome.
Kripke: Yeah. You-you rigged it so (mimics the shot going through his forehead) the shot actually goes into his forehead and-and the blood explodes out the back (laughs) (audience laughs) on to the wall. And we're like, (makes an excited gesture) “Haha, this is our lead and we're just, you know.”  But and-and-and- and network was like, “No way.”
Jensen: Yeah, this giant- this giant backpack filled with, like, grapes and-and corn syrup (audience ughs) and, uh, and- and it was this tube (partial turns and gestures at the curve of the back of his head) just kind of coming right- right out of the back and, uh, from the head on. And I had a little button in my hand. And they just yelled action. (mimics the scene) And, we timed it with a gunshot, and I hit the button, and gave reaction, and the whole wall went splatium.
Shiban: Yeah.
Kripke: Heheh
Singer: By the way-
Jensen: It was an awesome rig, but then they ended up having to cut to (box gesture) just the splat (Kripke nods) and then back to me with the hole in the head.
Singer: (point to his center forehead) Back to him with a hole. (Jensen: Yeah) But, the, uh, the director of that episode is here tonight, (pointing at the left side of the audience) sitting next to my wife as it is.
Jared: Where is he?
Kripke: Phil Sgriccia.
Singer: And- Phil Sgriccia.
Jared: Phil! (claps)
Kripke: Really good job. (audience claps)
Jared: Wooo!
Kripke: Stand up!
Singer: And, uh, when I looked at those dailies, uh, and I called Phil and I said- he said, “How are they? How are they? Is-” You know, because (swipes at Manners) Kim can tell you all us directors are.. so self-confident (Manners laughs) that we don't need constant approval or anything. (audience chuckles) Um- uh, he said- I said, “They're great, Phil. But what the hell are you doing?” (audience chuckles) And he said, “Well, you know, they look at that and they'll give me all the rest of the stuff.” So (gestures) (J2 and audience laugh)
Manners: We actually play a game with BSP broad-broadcast standards and practice where we cut the show and we cut it way too violent. (Kripke chuckles) So then they come in they go, “Well, you have to take out four frames of that shot.” And you go, “Oh god, not four frames.” “Yes, four frames.” So you take it out, but you always knew that you didn't need those four frames. (laughs) (audience laughs) So, we kind of stack the deck. (audience chuckles)
Bushman: (points) Okay, there's a question over there in the corner. (points) And there's one back there. Over there too.
•(43:57)- PaleyFest06;Q12- Paranormal on Set (J2)
Fan: Oh, okay. Um, well, we've had the question about what urban myths scare you. But for those of you who are actually on set regularly, has there ever been… you know, a blood splatter or that freaky scarecrow or anything that just really creeped you out just to be around on set even though you knew it was plastic or, you know, karo syrup or something?
Jared: I know one- and just one time randomly we're, uh, we're filming “Skin” the episode where (points at Jensen) he's a shapeshifter. (audience giggles) And we're inside this house- this brilliant house. (audience claps) Yeah. (Jared looks at Jensen and claps) It was a great episode. And, um, we were inside this house. And just this clock on the wall just up and leaned over and fell off. Just this round clock no one was near it. No one was (mimics hammer) hammering on the wall outside. It just kind of fell off and everybody sort of looked around. But instead of kind of going, “Who did that?” we're all just were like, (mimics scene) “Ignore it and go back doing business.” (audience laughs) Just tried- decided to not look into it any further. (audience chuckles) The way real brave people do it (audience laughs) this round.
Jensen: So, the, um, the show “Asylum,” uh, was.. (Jared: Oh, yeah.) Um. (Audience claps) (nods) Yeah. (claps) that was- that was shot in an actual abandoned, uh, mental institute and so.. Uh, the-the halls and the rooms and-and we're all very used at one point. (audience giggles) And-and, uh, you know, it said that-that-that- (gestures) the crew says not to go up to the fourth floor (?entrance?). (audience giggles) And, you know, don't-
And-and I remember we broke for lunch. And, uh, I thought I'd be (gestures), you know, clever and take a shortcut (nods then shakes his head) (audience laughs) I’d-I came down a stairwell and went into one door and it was just a (gestures) long dark hallway, because the-there's (Jared chuckles) no lights on. The only lights on it are what the-the film crew puts out. And, uh, that- I was like, (mimics looking back and forth in the hallway) “Well, it's not that long.” (audience laughs) “I can make it.” (audience laughs)
That freaked me out. (nods) (audience laughs)  
Bushman: Okay.
Manners: (points at Jensen) Dean W-Winchester, ladies and gentleman.
Jensen: Yeah. Thank you. (Jared and Shiban clap. Audience claps and cheers)
Kripke: Goodnight. (Jensen bows) Afraid of nothing. (Shiban takes a drink. Jensen laughs)
Bushman: In the back over there. Yeah.
•(46:10)- PaleyFest06;Q13- Network Censorship “Sex” (Kripke)
Fan: Now that there's a new network that you're probably going to be moving to, the CW, are they gonna and loosen up and give us a little more NC-17 like we got the Jensen storyline the other week. (audience giggles and some woo)
Shiban: Bob? (Jared chuckles)
Jensen: I'm confused. (audience laughs)
Audience member: Next episode!
Fan: Sex.
Audience member: Sex.
Jensen: What?
Fan: Sex.
Audience member: The sex.
Jared: Oh right.
Jensen: Aaahh. (audience laughs) (adjusts his position, shrugs) How can I forget. (audience laughs) (leans forward to look at Kripke) Thank you for that, man. (audience laughs) (Jensen shakes his head, leans back and hides a laugh behind his hand)
Kripke: (briefly holds his hands up) Sure… Happy birthday Jensen.
Jensen: Yes. (nods)
Jared: (laughs) Happy birth-
Kripke: Um, yyou know, I mean, CW is huge on full frontal male nudity. (Jensen is looking down hiding his mouth behind his fist. Jared chuckles into a laugh and then claps and goes to take another drink. The audience screams and cheers.) Well, uh, I think there's a lot in store. (gestures) Stay tuned! (Jared laughs while drinking his water. Jensen laughs) (shrugs) You know, I mean, we'll give ‘em- you know, we'll give ‘em love interests and (Jared coughs) love stories as it's appropriate.
Jared curls up and coughs behind his arm. Jensen reaches over and pats Jared’s back. Audience laughs. Jared folds over and continues coughing. Jensen with his arm on Jared’s back, makes a “come here” motion towards the audience.  
Jensen: We're gonna need it. (Kripke laughs)
Jensen continues to pat Jared’s back. Jared sits up, looks around and coughs one last time behind his fist.
Bushman: Um, okay. Uh, we’ll (points) take one there and one in the middle.
Jared: (wipes his eye and then his forehead) Oh jeez.
Bushman: (points) One down here and one in the middle. (nods) Yeah. Yeah. You just-
•(47:20)- PaleyFest06;Q14- Sam and Dean pre-series (Kripke)
Fan: Hi. Um, first of all thanks so much for being here. Um, if you guys are always like this, can I come work on your set? (laughs) (Manners laughs. Audience chuckles)
Jared: (throws his hands up) Yeah.
Fan: uh-
Jared: Thank y'all guys for being here. This is-
Jensen: Yeah. Thank you. (claps)
Jared: Yeah.
Manners: Thank you! (panelists clap)
Fan: No bother.
Jared: Honestly.
Fan: Um, so we came into this story, uh, when the boys are already adults. And I know there's a lot to explore in the future, but I was wondering about the past. Um, because I know that.. there's a lot of speculation about what their childhood (Jensen nods) was like growing up, (Jared nods) moving around. How much Miller time dad was doing. (Jensen nods: mhm) (Jared smiles. and audience chuckles) And how Sam and Jess met. Stuff like that. So, I was just wondering, um, if you were gonna explore that aspect of their lives?
Kripke: We just- Uh, it's funny you say that. We just yesterday, uhh.. Actually (points to the front row) I think, uh, I'm talking to Brad, who's at the network. I think you're getting a cut on Monday. (audience giggles) Um, of-of an episode that, uh, not only do the boys in-in present day, you know, deal with a creature, but, uh, (gestures) it's a creature they dealt with in the past. (gestures) And there's extensive flashbacks to, uh-uh, Sam and Dean. And John is there, you know, as the boys were children and dad and you get to see a, uh, an element of-of what their past was like or what their childhood was like. (Jensen nods)
Um, and it was- I really happy with how it turned out. And it- You know we won’t- We wanted to try it once. And I think it'll be happening a lot more. (gestures) Because there's this great (Manners and Jensen are leaning forward, looking at Kripke) 22 year window of-of what happened. And-and-and that's- there's a lot of story there that you can- you can flesh out. (nods then shakes his head) So, I think we're definitely to go there.
(nods and gestures) Because it's coming up in, uh, (briefly looks up) I think, uh, April, that episode. And it- I was really pleased with how it turned out. So, yeah. We’re really doing it-
Jared: Another positive is that if little Sam and little Dean filming, big Sam and big Dean are sleeping
Kripke: (laughs) Yeah. Right. (Jensen smirks. Audience laughs. Jensen holds up two thumbs.)  (Jared: Soo-) So, there's that.
Jensen: This is good. This is good.
Jared: So, keep pushing yeah (rocks fist)
Jensen: Yeah, keep pushing.
Jared: Keep pushing.
Kripke: Yeah.
Jensen: (nods and raises eyebrows) Flashbacks.
Jared: Very important. (laughs and scratches back of his head) (audience chuckles)
Bushman: Okay. (points) There was a question there in the middle.
Fan: (off mic) Um, Dean always wears this like- (audience giggles) 
Kripke: Aw.
Audience member: What?
•(49:07)- PaleyFest06;Q15- Samulet (Jensen, Kripke)
Fan: Oh, okay. (voice cracked giggle) (Manners laughs. Kripke smiles) Dean always (laughs)- Dean always wears a certain necklace does it mean anything?
Kripke looks down at Jensen. Jensen is leaning on his knees looking back.
Jensen: (to Kripke) You gonna hang me out to dry on this?
Singer: Oh yeah. (Jensen looks down. Jared laughs. Audience laughs.)
Kripke: I mean we can’t s- I mean it does but we can't…say.
Jensen: (looks at fan) Yeah. It-it-it does have significance and it- it’ll..(rubs his brow) it- but it we can't talk about it.
Kripke: Yeah. (laughs) (audience laughs) (Jensen rests his head on his hand)
Shiban: It's from Sacramento.
Jensen, Kripke, and the audience laugh. Jensen pats Shiban’s shoulder.
Bushman: That's a great question, though, that you picked up on that necklace. So. (Kripke: Yeah.) (Jensen nods. A few of the audience give woo’s.) Um-
Fan: (off mic) I always notice weird stuff. (audience giggles)
Bushman: Okay. I'm trying to spread ‘em out. Uhh. (points) You got somebody back there? Okay. (Points) And then this woman down here in the red shirt… (points) But go ahead in the back first.
•(49:55)- PaleyFest06;Q16- Special effects, Gag Reels (Jensen, Jared, Manners)
Fan: Um, I thought I heard you guys m-mention on a show one time you guys do green screen, blue screen, that kind of thing for special effects. Is that gotten a lot easier for you to do and kind of.. You know… fake it? (laughs) (audience laughs)
Jared: Yeah.
Fan: And, um, and the second part to the question was, uh, when the DVD set comes out are you guys gonna have a lot of.. behind the scenes jokes, cuz, yeah, this is funny. (audience laughs)
Jensen: We, uh, we-we actually just had a film crew on set with us, uh, this past week doing behind the scenes stuff for the DVD. (nods) So. (audience cheers and claps)
Um. (gestures) Going back to your first question the green screen and, uh, and stuff, we.. we do, do a lot of-
Jared: You-
Jensen: (leans back and looks at Jared) I said doo-doo. (Jared presses his lips. Audience laughs.)
Manners: He said doo-doo. (Jared smiles and shrugs)
Jared: He said doo-doo. (shrugs) (Jensen looks at the audience and briefly raises his eyebrows) (chuckles)
Jensen: (licks his lips and leans forward on his knees) Uumm.
Jared laughs. Manners laughs. Jared then throws his head back, laughing, and claps. Jensen closes his eyes and bits his lips. The audience laughs.
Jensen: We do (gestures) work a lot with- (Jared snorts)
Manners: Doo-doo. (Jensen looks over) (shrugs) (J2 laugh)
Jensen: (quickly sits back and points at Jared) Jared you can take this one. (Jensen stares at Jared with a smirk)
Jared: (laughing) Yeah. (sits up with his feet on the table) Uumm.. (claps his knee) as Kim and Jensen were saying, we doo-doo. (audience laughs) And, uh- No. We do- it was- it was- (puts his feet back on the floor) I guess it was a big learning process for everybody. Just- You know, it's-it’s a very interesting.. sort of task to be given to- Especially these kind of crazy either emotional sequences or these crazy physical sequences when they're like, “Alright. Now, um, you're in the woods.”(Jensen nods) “And, uh, you know, it's dark, and it's scary, and you're hearing things.”And then you look behind you and there's just this (gestures) big blue wall with (gestures) tape (audience chuckles) And, you know, a couple crew guys standing back there smoking cigarettes. (audience laughs) You know, cursing and.. showing off tattoos (audience giggles) And so it's-it's- it's, uh, I think I've- (briefly looks to his right, then gestures to the audience) speaking for myself, I-I hope I've gotten more of a hang of it.
Jensen: Aside from just the actual green-screen of it that w-we can just be in a normal set and-and they're going to, um- visual effects will-will then put in something (Jared: Right.) like, uh, “Phantom Traveler” with the, uh, (gestures) the smoke that would come out of the vents (Jared: Right.) and-and stuff like that. That's not something that we obviously see. Um.. so we have to pretend that it's there. And that there's no real green screen work going on there.
But, uh, there's also an episode coming up (thumbs to Manners) that Kim directed called, uh, “Shadows.” And we deal with, uh- (audience starts murmuring)
Kripke: Yeah, it just aired.
Shiban: It aired (?).
Jared: (leans over) It aired, Jensen.
Manners: (to the audience) Well, what happened in “Shadow-” Did you see-
Jensen: (adjusts his seating position) I haven’t seen it. (audience and Kripke laughs)
Manners: (points to Jensen) He loves my work.
Jensen: Yeah. That’s right. And we hadn’t- (nods)
Manners: Uhh, If you remember the shot wheree Meg did the high fall (gestures)… (audience’s says yes) (shakes his head) they hung her six feet off the ground. And she was.. (gestures to his belt. Clip on mic falls in his lap) picked-  Wah- we call it picked, with two wires on her hips. And she was looking up at the cabin or doing this (looks up and clawing at the sky).  (looks down and pats for his mic.) Hello. (audience chuckles) (picks up mic from his lap) She was looking up at the camera doing this. (claws at the air with one hand) (audience laughs) And she just laid back and (leans back) she just laid out and flattened out. And they dropped her visually w-, uh, with the computer seven stories. She never went anywhere. That was all just.. in one place, I guess. True story. (clips mic to his jacket)
Jensen: And then when we ran up to the window.. she wasn't even there and we were actually staring at a.. a big.. red X.
Manners: yeah. (audience laughs)
Kripke: So, Jensen, does that mean that you guys actually have to act? (audience gives mixed reaction)
Jared: No, no, no. No. I'm actually not here right now.
Kripke: (chuckles and then to the audience) Oh, I’m kidding.
Jared: We're actually in Canada. (Jensen: Yeah.) (gestures) This is- this is-
Jensen: These are our body doubles (Jared and Singer chuckle)
?Kripke?: yeah. (Jensen nods)
Bushman: Yeah, over here.
•(53:16)- PaleyFest06;Q17- Religion “Jensen,” Dean Winchester cellphone # (Jared, Jensen)
Fan: Um, actually I have two questions. The first one is, Jensen in a past interview he said you were a Christian. I was wondering is it hard to do this kind of show like.. having that background?
And the other question is in an episode, I don't remember which one it was, you gave the phone number what you're trying to reach your dad you're like, “Give me a call this is my number.” But whenever you call you can- you- y- it says, “This is Dean Winchester.” And it says, “Leave your coordinates.” Did you ever hear- like, you- Can you actually voice ‘em on there? Did you hear like- Did you have a lot of fans leaving messages at that number? (Jensen points to Kripke) Because it wasn't a five, five, five number.
It was very small to pick up on, because my sister and I we watch it- She watches it her place. I watch it at mine. (audience giggles. J2 smile.) And I was like “Did you see the number?” She's like, “Was it a real number?” And so anyway that was my question. (Jensen gives a one-handed shrug and then looks at Kripke. audience laughs)
Jared: If you want to actually call him it's 800-Wet-Legs. (Kripke laughs and audience laughs) So, that’s- this is- (Jensen leans over to talk in Jared’s ear)
Kripke: Don’t- don’t give out his number. (Manners laughs)
Jared: Oh, he changed- Oh, you changed it. (audience chuckles) Oh, scratch that. Scratch that. (scratches his head)
Jensen: Um, (readjusts his position) I’m lost.
Shiban: What was the question?
Jensen: What was the- what was the question? (picks up mic from lap) Wha?
Jared: Something about-
Manners: (leans over) You're a Christian!
Jared: (?subliminal worshiping?)
Jensen: (clips his mic back on his shirt) Uh, Yes. Okay. Uhhh, (gestures) Your first question. Uh, y-yes I-I was raised, uh-um, with a very religious family. (gesture) And-and in that, uh-um.. I mean, (open hands) what I do this is, you know.. W-we.. This is acting. (gestures) We're telling stories. I’m-I'm- I portray a character. Um, you know, does my grandmother cringe sometimes? (nods) Yeah. (smiles) (audience giggles) Um, but at the end of the day I'm-I'm, you know, it's- it's something that I'm cool with.
Uhh and, uh- and then as far as the- the-the phone numbers (gestures and looks at Kripke) and I think there’s even websites- there's a-a-
Kripke: Yeah. Yeah. When they called-
Jensen: (looks at fan) Email.
Kripke: Yeah, every so often.
Jensen: There’s actually been a (looks at Kripke) huge response to it.. from what I know.
Kripke: Yeah. Yeah. We got a couple. Wuh-uh- I listened- I mean we couldn't listen all of them, but there’s was a couple thousand voicemail messages. (audience chuckles) (Jensen: Yeah.) of people who called. And-and, uh, I mean I listen to you know maybe, you know, thirt- twenty or thirty of them.
Jared: (to Jensen) Two thousand (Jensen smiles)
Kripke: But some of our hilari- They're like, you know, (dramatic voice) “Sam and Dean! There- there's a ghost in my attic!” (audience and Jared laugh) “You have to come quick!” (Shiban coughs) Those are- those are my favorites.
Jared: (laughs) That’s funny.
Jensen: (scratches head) That's awesome. (audience giggles. Jared laughs)
Bushman: Alright, uh- (more hands in the audience are raised)
Jared: Woah.
Jensen: Woah.
Jared: Wow. (audience chuckles)
Jensen: Yes.
Jared: Can you do that again? (Jensen and audience laugh)
Bushman: Um, take one all the way in the back up there. And one right here in the front.
•(55:39)- PaleyFest06;Q18- Impala 67 (Jensen, Manners)
Fan: Hi. (Bushman: ?second?) My son and I are really big fans. And you guys are great. And I want to know what kind of car it is you drive. It's- it's great.
Jensen: It's a, uh, 67 (?Jared?: Impala) Chevy Impala. (J2 nod. Audience cheers and claps)
The audience starts yelling out, “Metallicar!” Jensen smiles. Kripke laughs. Jensen laughs. A few more Meallicar response are said.
Jensen: The Metallicar.
Manners: They’re gonna sell well.
Jensen: Yeah. (shrugs) There it is. And we've got about- (looks around)
Manners: We've just bought our fifth one.
Jensen: (nods) Fifth one. We got about five of them. Yeah.
Jared: that's why you can't find him on eBay. Cuz we’ve been buying- (audience laughs) (Jared takes a drink)
Jensen: Yeah. We have them all. (nods)
Jared: (while drinking) mhm (sets down glass)
Bushman: Right there.
•(56:16)- PaleyFest06;Q19- SPN Music (Kripke, Singer)
Fan: Okay so let's talk about the music.
Jensen: Yeeesss. (audience and Jared clap)
Fan: Yes. Yes. Alright, I grew up in the 70s. I grew up on the mullet rocks. So, yeah. Let's talk about where the inspiration.. came from with that.
Kripke: That.. That was something that was r-really important to me, uh, coming into the show, coming into the pilot. Um, you know, I'm from a small town in Ohio and (gestures) this is the music I listen to. And I was a huge, huge Zeppelin fan. And.. and-and so, ehhh- You know, and so, uh, (gestures) when it came time to write the pilot I-I- and-and produced it, it was- it was so important to me that it had that music. And- and not have, you know, (gestures) all-all due respect to my beloved Network, not half the music that's usually on that network. (audience chuckles)
Um, and-and it was so important to me. (gestures) I was so like rabid about it that in the original draft of the pilot I even wrote in the- in the script. (mimics writing) I wrote, “Cue music. And you can take your anemic alternative pop and shove it up your ass.” (audience laughs, claps and cheers. Manners and Shiban laugh)
And, uh.. and the r- and the reason I wrote the scene when they're in the-in the pilot
Jensen: (? It’s how I knew??) (Jared nods and laughs) (briefly raises his eyebrows)
Kripke: they have the scene where they're talking about tapes and he's like, you know; ac/dc, you know, uh, Motorhead, Metallica. And the reason I wrote that in is I said, “Well, if we shoot that and it gets from the pilot then we have to use my music.” (audience laughs) (frantically gestures) “Because it's already in the- it's already in the sh- it’s in the show and they can't, you know. They can't put in some, you know, Sarah McLaughlin in the- in the- in post.” (Manners laughs)
So, uh- So I- You know, this is- y-you know- (turns to Singer) And we’ve-we've had a great time I mean in-in- with, you know, Phil also in post-production and with Bob (gestures) of figuring out these songs. And coming in one morning and being like, “Oh! Billy Squier! What about Billy Squier?” (Singer chuckles. The audience laughs.)
And, uh- and I think it's like a real signature to the show. And-and is-is the real- (gestures) plus it's Midwestern. You know, it's like two guys in- (thumbs to J2) from Kansas in a muscle car. (shrugs) And this is the music they listen to. So, um, but it's- I- I mean I- I love it. There-there was- The other night was Joe Walsh “Rocky Mountain Way” (Jensen nods) and I'm just laughing my ass off. (audience laughs) “Yeah! I Rocky Mountain Way on The WB! It’s-“ (Jensen and audience laugh)
Singer: It also, uh- It also spreads. Because one of the editors, uh, said to me- And he's a very hip guy and really good musically. (laughs) He- I walk into his room. We were going through songs. I said, “Well, do this song. Do this song.” (unintelligible) Two days there I walk in, he goes, “Do you know Bad Company's really good.”
The audience cheers and claps. Kripke laughs. Jensen nods and smirks.
Bushman: Okay. Let's take two questions from the middle. One- (points) One over there and (points) one on the other side. (points) O-on this side and then (laughs) one on that side.
•(58:42)- PaleyFest06;Q20A- Acting Advice “Start” (Jared)
Fan: Mm, hi, I'm an inspiring actor. And (giggles) I wanted to know-
Singer: We’re sorry. (The audience laughs. Kripke laughs then aw’s)
Fan: I wanted to know, um, how hard was it for you two to get started acting? (Jared looks at Jensen)
Jensen: (gestures to Jared) Go ahead. (audience giggles)
Jared: Uuh. Alright, I'll feel this. I-It’s a it's not the first time I've actually heard that question and I'm- I'm so at a loss for what to tell you. (scratches knee) I have a very interesting story. When I was in high school I won a contest to being on the Teen Choice Awards. (some of the audience laughs) And hold trophies and give them to Freddie Prinze Jr. when he got (audience laughs) “Best Hottie of.. the World”
Jensen: Pretty much went downhill since then. (audience laughs)
Jared: It’s basically gone down, yeah. (Kripke laughs) Yeah, and I just- (laughs) I rode on Freddie Prinze's coattails. (audience giggles. Jensen smirks) No. Um, and I- and I met an agent at the, uh, at the show. I met a manager actually. And-and, Dan Spilo, I'm still with to this day, sitting with my girl Sandy over there. Um, he- we- (gestures) We started kind of talking over the phone with sides. And he had faith in me and I was going back to high school. And I've mommy that's a teacher and a daddy that was an accountant. (audience giggles) And they were like, “He's finishing high school. He's finishing high school.” And I was like, “Why can’t I go act? Why can’t I go act?”
And anyways, I flew out for about a week during pilot season. And I booked a pilot and then I used that money to go out during the summer. So, I had a really kind of crazy interesting story, but I have a lot of buddies who are, you know, much more talented and-and more committed than I am that are still struggling to make it. So, uh- It's a- It's a.. tough, tough industry but just, you know, keep working hard and keep making yourself better. (nods)
•(1:00:09)- PaleyFest06;Q20B- Acting Advice “Start” (Jensen)
Bushman: Jensen how did you get started?
Jensen: Um. Well, I mean like Jared said there's- there's really no set formula, uh, for- for.. how we, you know, we've gotten to where we've got. Um, mine was kind of a (throws up hand and shakes his head), um, sheer luck thing as-as well.
I was, uh, doing theater in Dallas and I happen to have a-a (throws up hand) talent agent from- from LA sitting in and came up to me afterwards and gave me his-his.. (throws up hand) pitch and I said, “Nah, you're full crap.” (Bushman and audience laugh. Jared smiles.) I told him to bugger off. (audience chuckles) And, uh, h- And then he went up to my-my folks and kind of gave him their pitch as well. And I guess they seemed a little bit more interested in a-
And so a few years later after his, um, persistence I-I finally said, “Ah, maybe I'll go out there for a couple of months and check it out. See if he's, uh- See if he'll talk the talk.” And, uh, I came out. And-and started working right away and that was about eight or nine years ago.
Bushman: Mm. Okay. So, question on that side.
•(1:01:03)- PaleyFest06;Q21- Props “Alcohol” (Jared, Jensen)
Fan: First of all, um, “Shadow” was a kick-ass episode. (audience claps followed by J2 and Shiban clapping) And I want to thank you all for that one, cuz it's awesome.
But let's get down to, like, what really matters. What alcohol do you guys like to drink? (audience laughs. Kripke and Singer look at J2.)
Jared: What alcohol do you got? (Kripke shakes his head with opens his hands at the audience, and then laughs with the audience)
Fan: Because I see a lot of beers and stuff in the episode. And it's always my thing to place what y'all are drinking. So, I was just wonderin,’ you hard guys? You light guys?
Jared: (laughs and then claps. Jensen smiles at Jared) Uh, my mom would kill me. (audience laughs) Umm-
Jensen: Yeah, can we cut the tape like right now? (audience laughs)
Jared: Yeah, could we? We were rolling. Check. Check. Actually (Jensen adjusts his position) one of the funny things about the, uh, about the beers is our-our prop master, Chris Cooper, um, he's.. some of the (gestures) (a clicking noise is made) beer labels they're always fake labels. (audience laughs) (Jared looks up) God?
Jensen: (?somebody get?) a staple gun. (audience laughs)
Shiban: (?Give me a minute.?)
Jared: And, uh, (chuckles) They're always fake labels and it usually have some do with the city that we're filming that episode in. You know like if we’re in Texas it'll be like, “Lone Star Logger,” or if we’re in.. (one person laughs) Minnesota it'll be like, “Timber Wolf Ale” or something (audience chuckles) like that.
But, you know, (looks at Jensen) we’re Texas boys. I- I think-
Jensen: Yeah, we, you know, would probably drink what you imagine a couple Texas boys drink. (J2 smirk. Audience giggles)
Jared: Put in a cup. (audience laughs. Jensen nods)
Jensen: That’s right. (Jared rubs his hand over his face and laughs. The Audience laughs)
•(1:02:15)- PaleyFest06;Q22A- Favorite SPN Scene (Manners)
Bushman: I have a question for you guys. (audience laughs. Jared nods while pressing his lips together. Jensen scratches his ear) Um, I'm curious if, ueh, this is possible to answer this question, if you could pick a scene that you either wrote or acted in or directed that's probably like your favorite scene that you've worked on since this show started and if you tell me why. Um, (Jared?: mm) anybody want to.. take. (Manners gestures at Bushman) Kim go ahead.
Manners: I'll take that, um. (rubs his tear duct) “Shadow,” where the boys finally f- saw their father. Uhh d- (audience claps and cheers) (shakes his head and clears throat) “Shadow” was- u-uh, I'm incredibly proud of because there were four great scenes. The scene where the boys were arming up and, uh, Dean blows at Sam and says, “Why do you think I-I got you out of Stanford in the first place?” “Why do you think I came to get you? Because I want us to be family again.”
And, uh, (Jensen dramatically wipes his eyes with the back of his hand. Audience laughs) I'll tell you Jensen had a tough time with that and we kind of arm wrestled over it. And he- and, uh- (Jensen nods) tooo get him there and, you know, because- because Dean is, uhh, you know, he's got his walls up. And-and to break down that wall for (gestures) just a minute to look in the Dean’s heart was- was magical for me.
And then when they met dad in the apartment, uh, and in the alley it was just- (nods) We worked very hard. (Jensen nods: mhm) (Jared nods) The boys- they- their game of tennis improves 2000% when they work with Jeffrey Dean or somebody like Niki.. (audience woo’s and claps. Jared claps) Aycox. (shakes head and then scratches nose)
You know, we find the nuances and, uh, it-it- in acting i-it becomes the crap that it is and it becomes real (Jensen nods), uh, life. And the words become (points at J2) their own and the emotions become their own and that's special, for me. (Jensen nods then looks at Manners. Manners looks back)
Jared: And not just to say this, but having a great director to.. tell you exactly what to do doesn't.. make it hard. (briefly looks at Manners) So you know (Manners: Thank you.) I think (tilts his head at Jensen) Jensen and I would tell you.. a thousand times every day like.. you know.. “Kim got it out in that episode.”
Jensen: (scratches head) (unintelligible) Yeah. (?That happened?)
•(1:04:13)- PaleyFest06;Q22Aa- Acting Challenges “Shadow” (Jensen)
Bushman: Hey, Jensen. Did you not want to do that scene because you thought that Dean wouldn't.. say that?
Jensen: Umm, yeah. Sometimes I-I- I guess I can be a little protective of just of-of Dean and-and him (open hands) showing emotions. And I, you know, I always, um… A-and as an actor as you grow with a character on the series you- you really- you really kind of become close to it. (gestures) And You- you protect it. (Bushman: mhm) Em, you protect that character.
And, um, I guess that, that was probably what-what- what that was. And, uh, I just didn't- I wasn't (gestures) real sure how.. uh, how much of the layers, uh, to peel away (gestures) in that scene. And I guess in that confusion I just- I-I kind of put up my own barrier. (Thumbs to Manners) But, uh, if there was anybody to get me through it, it was Kim. So, I'm glad he was there.
Bushman: Great.
Jensen: Yeah.
•(1:05:01)- PaleyFest06;Q22B- Favorite SPN Scene (Shiban)
Bushman: John you have a favorite scene?
Shiban: Uuuh, there was a moment in “Skin” that-that I'm.. proud of. And actually it- in the- it sort of says something about how we (sniffs) tell our stories because we're always saying, “Okay, we want to do this type of episode. We want to do this monster. But how would Supernatural do it? How is it special for our show?” And I rremember being in- in Kripke’s palatial office of Warner Bros. (audience and Manners? chuckle)
Kripke: Not so fam- fountains and- (Jared smiles)
Shiban: Yeah. And uh- uh- (The audience, Jensen, and Manners chuckle.) We're (gestures) talking through the story of “Skin,” and the shapeshifter and obviously, you know, there's all kinds of (gestures) shape-shifting that's been done on television and movies etc. And he said, “We got to find our own.” And, uh, we kicked it around and came up with that scene, uuh, where Shapeshifter Dean goes down in the sewer.
 And.. and I remember reading a, um- uhh, some online posts some friends send me that someone else (mimics writing) -a fan was watching the show and giving her impressions as she watched it, (mimics typing) “Oh my god! Dean's taking his shirt off!” (audience laughs. Kripke smirks) and then followed immediately- followed immediately by, “Oh my god! He's taking his skin off.” (Jensen and the audience laugh) I knew then that we, you know, we had it. (Jensen takes a drink) And I was very-  I was very pleased with that.
Jensen: (places his glass down on the table) Oh, the things we do.
•(1:06:15)- PaleyFest06;Q22C- Favorite SPN Scene (Jensen)
Bushman: Jensen, you have a scene?
Jensen: Uuum.. (smacks lips) Yeah. I-I- one of my favorite, uh- um, it's not really a-a- a full scene but it's-it’s more of a shot. Um, and it was in, uh, it was in “Dead in the Water” (scratches arm) with, um- (points at Manners) Kim directed. Um, where I-I saved the little boy out of the lake. (nods) Uuh (some of the audience aw’s and then giggling) and coming- coming up out of the water. Uhm, and that was- It was just- It was, you know, slow-motion shot. It was very emotional, coming out with water and it was- That was really neat, um, but the build-up to that shooting it was, uh, (Manners chuckles) was really- (chuckles) (audience chuckles)
Uhhh, I had this 10 year-old boy in my hand and I'm keeping both of us (mimics holding the boy while swimming with one arm) afloat with one- one arm, uum, (rubs his chin) because I came with my feet (mimics holding a foot) because I got two divers holding my feet below me who were about to pull me under. And-d (one hand shrug) , you know, I-I'm fine. I grew up swimming in lakes and j- and all my life. But tah.. to have that sensation of somebody pulling you under water, um, especially when you've got the life of a-a 10 year old, you know, little actor in your hand and-and you're trying to keep him afloat. And he's got to play dead it was just- (shakes his head and rubs forehead) (audience murmurs) It was, uh- (looks up at Bushman) it was a little overwhelming.  And.. and it was definitely unforgettable.
But, uh, we got through it. (throws up hand) We get- and it turned out to be an awesome shot. (thumbs at Manners)
Bushman: That's a great story.
Jensen: Yeah.
•(1:07:35)- PaleyFest06;Q22D- Favorite SPN Scene (Jared)
Bushman: Jared?
Jared: uhh, you know what? I've had some time to think while.. (Kripke chuckles) (scratches head) (audience chuckles) they've answered their questions. And I'm gonna go back to, uh, a scene in “Wendigo” that we did at the very, you know, (throws hand up) second episode of the year and I member there was just such (gestures) a long period of time between the “Pilot” and “Wendigo.” It was.. What? From m-March-April till July. (Kripke: mhm)
And, uh, there were so many (gestures) questions in my head when I found that we were getting picked up. Like, what's gonna happen? Where are we gonna start? Like, how do we.. start? How do we finish? How do we continue this story that we started a pilot with so many things going down? How do we.. keep the momentum going?
And there was this one particular scene that, uh, (points at Jensen) Jensen and I did on stage where he's got (gestures) dad's journal he's saying this is what it's about (Kripke nods) and Sam is saying, “I got to find Dad.” And I remember we, uh- We had a huge day that day. We had like eight or nine (turns his head towards Jensen) pages of dialogue. (Jensen nods) And, uh, Jensen and I realized we had to do the scene. We're like, “Oh, crap.” (J2 turn towards each other) Like, (laughs) “W-what? Let’s go memorize this in my trailer.” (gestures) We sat down in my trailer. And there was an acting coach that I-I work with whenever I can, named Karen Thorpe, up there with us. (Kripke nods)
And, uh, you know he kind of pushed and prodded me a little bit. (throws up hand) And I don't know what he did to Jensen. (audience laughs) But, uh..
Jensen shakes his head. Jared makes a grimace. Kripke? Giggles. The audience laughs. Jensen smiles into his hands. Jared smiles and scratches his head.
Jensen: I don’t want to talk about it.
Jared: It was noisy.
Jared and the audience laugh. Kripke laughs. Jared claps and then looks down, hiding his face behind his arm and scratches and combs his hair.
Jensen: Never again.
Jared: That’s between y’all and the wall. (audience laugher and ughs?) But, anyways we ended up- we ended up kind of getting the scene and-and putting something there. (scratches leg) And I think, um, it was one of the first times I ever felt like (throws up hand)… um, I was- I was hopefully doing what Kripke wanted, you know? Like, I think, like, I felt like, “You know, I think this is what Eric was envisioning.” Like, I really felt, for some reason, there's one of those times when you finish a scene and you're like, “Wow. I don't know where that came from but.” (shrugs) “I don't know.” (Kripke nods) “Whatever.”
Kripke: I remember seeing the dailies on that too. Uh, we were just through the roof. It was incredible. (Jared pats his knees with his fingers)
•(1:09:19)- PaleyFest06;Q22E- Favorite SPN Scene (Singer)
Bushman: Bob?
Singer: Um, I think, um, my favorite scene is a really quiet scene. And It's at, um, is at the end of the “Faith” episode. And-and (gestures) that whole episode was really about (Kripke nods) (gestures) I think, very… topical for today about what's.. what's real faith. And, uh, Julie Benz comes in has a, uh, scene with Jensen. And, uh, Jensen says to her, um, “I-I'm not much for praying, but I-I'll pray for you.” (Jensen nodding: mhm) And (gestures) she said, “Well, that's a miracle right there.”
And, uh, (gestures) I-I thought that, that kind of- I-I thought that was really sweet. I thought it was incredibly well acted, um, with both Julie and Jensen. And-and I thought that, um, I probably.. If people were listening, I think that probably was our.. You know, our finest moment to, uh, say something semi political and-and be, um, on the right side of that. (shrugs) I just hope it affected people the way it affected me. (audience claps. J2 and Shiban clap.)
•(1:10:19)- PaleyFest06;Q22F- Favorite SPN Scene (Kripke)
Kripke: Um, I-I (slice gestures) agree with.. all of those. All those are incredible scenes I would also add, uh, the scene when, uh-uh, Dean first calls his father in “Home” and tells him that “Come to Lawrence” and just the way that Jensen was able to try (gestures) to put up those walls, but the walls kept breaking down and that was amazing. (gestures)
But all those amazing scenes aside, (gestures) everyone's given such classy answers. (audience giggles) I have to say that when the when the dude stuck his hand the disposal in-in “Home”. (j2 and audience laugh. Jensen claps) And-and then the monkey starts clapping and- and (mimics camera) we had that shot beneath the sink and you could actually see all the goo come out. (audience ew’s) And I said I- and we shot it in dailies. I said, “They'll never let us use that.” And we used it. And, uh, it's- it's more probably- than any other scare sequence in the show. (Manners laughs) It's the one that people watch (Jensen: Yeah) (mimics viewers cringing and blocking the scene from their eyes) And they just- they can't even, you know, keep their eyes on the screen. (gestures to himself) And, you know, to me that's sort of the fun at getting the effect out of the audience. (to Bushman) So, I'm going to say the (gestures) garbage disposal scene in the “Home.” (audience laughs and claps)
Bushman: It's great because that explains what Bob was talking about before with the two different approaches to dra-
Kripke: See. (gestures) There you go.
(1:11:24)- closing
Bushman: Alright. (to audience) Okay, I want to thank you guys. You guys have been a great audience. (audience, Manners, Singer, and J2 clap)
Kripke: Can I say-
Bushman: Uh, also, uh, Before you go! Before you go! Don't go yet. I also (two security personnel walk on stage) want to thank Er- First of all Erik's got something to say.
Kripke: (holds up hand) Well, I just wanted to say, uh, we have a lot of, uh, the people who work in- on “Supernatural” in the audience. And I want a round of applause for them for this unbelievable season. (audience and panelists cheer and clap) All of them have done such a- They’ve all.. (gestures) They’ve all murder themselves to-to (gestures) bring you this show. And-and we couldn't do it without any of them. So- so, thank you to them. We-(gestures) it's-
Audience member: Are we getting (?pics off?)
Bushman: I- I also want to thank (gestures to panelists)-
Kripke: Hope so.
Bushman: I want to thank you guys, all of you, for.. not just being here tonight, but also for the great work that you're doing.
Jensen: (bows head) Thank you. (audience claps and cheers)
Bushman: And you’re obviously touching our cords. Thank you very much.
Singer: (nods) Thank you.
Kripke: Thank you. (audio cuts)
Jared’s clapping. Jensen is taking off his mic. Shiban is clapping. Manners is sitting up. Four security personnel walk and stand in front of the panelists, along with a woman and two stage assistants. The panelists all take off their mics and stand and mingle with the people on stage. The audience is also standing and exiting. Video fades to black.
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allthingsgerman · 1 year
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I hear people complain about how bad German censorship supposedly is, but then you see how insane censorship can be in some parts of the US
I don't live in Germany so I don't know the full extent of it, but at least as an American its an interesting comparison.
I don't hear that many complaints about censorship. But it's a complicated issue.
In the German constitution it says
There shall be no censorship.
This is in article 5 of the constitution. Essentially right after all basic human rights, freedom of religion etc. And obviously, like most of the first articles of the German constitution, it is basically a reaction to the actions of the German state under the nazis, who banned a lot of press and art.
Where the issue of censorship usually arises are two topics. One is the 'use of symbols of unconstitutional organizations', which is why things like the swastika and other nazi symbols are banned. There are however exceptions to this, if the use of the symbols is deemed 'socially adequate', i.e. in academia, in political education, or in art, as long as it does not follow a purpose of propaganda and it is generally obvious that the purpose is not promotion of the underlying ideology of the symbol.
The other is youth protection. Essentially if something is deemed completely unsuitable and dangerous for the youth then it can get put on the 'Index', which means that distribution to non-adults is illegal and that you are also not allowed to advertise it. This is what happened to Die Ärzte in the 80s and recently AO3, which was however overturned. What's legally important is that the texts on the Index are not banned, strictly speaking, however in practice this does not make much of a difference.
Generally the Bundesprüfstelle für Jugendgefährende Medien is most likely to put something on the Index because it contains either fascist/nazi ideology (duh) or is very violent and gruesome, especially when the use of violence seems more exploitative and possibly traumatizing. Also this is obviously me painting with very broad strokes, in reality things are more nuanced and detailed.
In the last two decades the attitude of the Bundesprüfstelle (and the state in general) has also changed regarding some things e.g. tt used to be very strict on video games, which used to be altered for the German market to be less violent, and some texts have been taken off the index.
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clem-l-orange · 1 year
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my long essay about why Babel is such an interesting ark and deserves to be explored more
(Prefacing this by saying I read the books in French, so if I make any mistakes I apologize, French is also my first language so I may make some mistakes)
SPOILERS FOR BOOKS 3 & 4 AHEAD!!!!
We are introduced to the Ark of Babel in book 3 of La Passe Miroir when Ophelia escapes Anima to find Thorn, and chooses to go to Babel after following some clues to his location.
Babel is a “cosmopolitan ark”, where many different cultures mix due to the high rate of immigration. However, there is a divide in between the “Sons of Pollux” (Babelians descended from Pollux, who have Babelian powers) and the “Godchildren of Helen” (I apologize for the poor translation please correct me), who are either powerless and native to Babel, or not native to Babel at all. From the first chapters in Babel, we can see that these two social groups are segregated with dress codes, and there is even a time when Ambrose, the son of Lazarus, a wealthy and influential Powerless man, gets insults hurled at him for his background. In book 4, “A Storm of Echoes”, recent immigrants as well as political opposers are rounded up and sent to their deaths/deported from the Ark, . There is also a clear segregation within the city of Babel between Powerless people and others, with a majoritarily Powerless neighborhood being referred to as “The Powerless Quarters” (I may have translated wrong). This neighborhood is considered the “slum” of Babel, and is clearly described as a poorly maintained, badly policed and dangerous place to live.
Another dystopian aspect of Babel that we learn in the first few chapters is the extreme censorship of words relating to violence, war, crime… etc. The “Index” suppresses the use of these words, going as far as punishing those who say the words, even in non-violent contexts. This goes as far as branding murders and clearly voluntary deaths as “accidents”. The suppression of the words in the Index leads to misinformation in journals, and even book burning in what is supposed to be the oldest library on the arch, the Memorial. There are many parallels to be drawn from instances in history where books were burnt to stop the spread of information, but I love how this book spins it to make this censorship “in advocacy for peace”. Books about war are cleansed from libraries, collections of ancient artifacts as well. The “Master Censurer” at the memorial even goes as far as burning any book that Professor Wolf, the Memorial’s resident expert on “Prehistoric Wars” goes near. Babel is a dystopia under a blanket of pacifism.
We later learn about the “Observatory of Deviations”, which concept resembles a mental asylum/psych ward/home for the troubled??? All we learn about this place from the third book is that it is very secretive and treats it’s patients like property, which is even more enforced in the fourth book, when we see firsthand what happens in the Observatory, and when we learn that certain patients get branded with tattoos against their will. Blaise, a friend Ophelia made on Babel, describes the place to her, and makes a point that if you go there, you are the property of the workers, you cannot leave, and no information about your progress is ever disclosed to you. They are more interested in your “deviation” than your “personal preferences”. After reading about Ophelia’s own experiences at the Observatory, it became clear that the place was meant to be an allegory for some abusive psychiatric asylum, that the “deviants” were meant to represent neurodivergent and physically disabled people. Later in book 4, it is revealed that Lazarus is the master of this operation. When I heard this, my brain did a double take and I circled back to the part where Lazarus was described as a “father figure” to Blaise. The fact that Lazarus used his patients and their trust for his own personal gain (in this case for “scientific discovery”) I feel really reflects into real life in other situations.
Unemployment and the replacement of people by AI is also addressed in books 3 and 4, as automatons take up most of the manual labor on Babel, leaving Powerless people no jobs to support them. When visiting the Powerless Quarters with Octavio in book 3, Ophelia runs in to the Fearless and Almost Blameless, who proceeds to shame Octavio and tell him that, by walking around in his Forerunners uniform, he is humiliating those around him who have no future. Since almost all of the jobs that do not require powers are taken by automatons or people with power and influence, it seems like the poorer Powerless people have no future. In book 4, when Lady Septima announces that those with no familial or contractual tie to Babel are to be deported to their old Arks, there is an uprising that leads to violence, where the Unemployed people of Babel demand Octavio hire them in the place of his automaton. This truly mirrors our world today, as many jobs are in danger of being taken by AI or automation.
There are also other issues on Babel that mirror real world issues, with topics such as homophobia being brought up as side plots. I could literally write a whole other essay about the parallels and differences between Ophelia and Thorn vs. Blaise and Wolf, but that’s for another day.
Feel free to correct me if I got a translation wrong or if you agree/disagree with one of my points.
also a side note: Native Babelians are clearly supposed to look South Asian, right? Because sometimes I see fanart where some of the Babelian characters are considerably pale and it kind of weirds me out but this may be a misconception.
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inkcurlsandknives · 4 months
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Happy to be invited to contribute to this article (even if I think the interviewer minced my words a bit 😆 I said that the right is utilizing similar accusations of groomer/ pedophilia /general endangerment to the sexual purity of white women/children against queer and BIPOC writers as the clan used to weaponize southern communities against black men during the era of lynchings and jim crow)
However the point does stand that the demonization of an entire group of people is dangerous and rhetoric that we need desperately to push back on
If you'd like to do something to support queer and BIPOC authors and push back against book banning
Share a Call to Action against Banned Books!
Did you know that according to PEN America’s Banned Book Index, 41%of banned books include LGBTQ+ themes. 40% feature characters of color and 21% address issues of race or racism.
Sign Now:
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Head to my page to find more fun pride events coming on the #SaintsOfStormAndSorrowPrideAdventCalendar to celebrate the Launch of her debut novel Saints of Storm and Sorrow coming out June 25th with @titanbooks
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scavengedluxury · 2 years
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ultramontanism · 2 years
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Pope Gregory XVI, 1832: Mirari Vos:
15. Here We must include that harmful and never sufficiently denounced freedom to publish any writings whatever and disseminate them to the people, which some dare to demand and promote with so great a clamor. We are horrified to see what monstrous doctrines and prodigious errors are disseminated far and wide in countless books, pamphlets, and other writings which, though small in weight, are very great in malice. We are in tears at the abuse which proceeds from them over the face of the earth. Some are so carried away that they contentiously assert that the flock of errors arising from them is sufficiently compensated by the publication of some book which defends religion and truth. Every law condemns deliberately doing evil simply because there is some hope that good may result. Is there any sane man who would say poison ought to be distributed, sold publicly, stored, and even drunk because some antidote is available and those who use it may be snatched from death again and again?
16. The Church has always taken action to destroy the plague of bad books. This was true even in apostolic times for we read that the apostles themselves burned a large number of books.[23] It may be enough to consult the laws of the fifth Council of the Lateran on this matter and the Constitution which Leo X published afterwards lest “that which has been discovered advantageous for the increase of the faith and the spread of useful arts be converted to the contrary use and work harm for the salvation of the faithful.”[24] This also was of great concern to the fathers of Trent, who applied a remedy against this great evil by publishing that wholesome decree concerning the Index of books which contain false doctrine.[25] “We must fight valiantly,” Clement XIII says in an encyclical letter about the banning of bad books, “as much as the matter itself demands and must exterminate the deadly poison of so many books; for never will the material for error be withdrawn, unless the criminal sources of depravity perish in flames.”[26] Thus it is evident that this Holy See has always striven, throughout the ages, to condemn and to remove suspect and harmful books. The teaching of those who reject the censure of books as too heavy and onerous a burden causes immense harm to the Catholic people and to this See. They are even so depraved as to affirm that it is contrary to the principles of law, and they deny the Church the right to decree and to maintain it.
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protoslacker · 2 months
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If Lukashenka, the last dictator of Europe, thinks that winning more than 90% in an election is psychologically implausible, it is pretty clear that 99% tells us as much about President Kagame’s desire for absolute control as it does the wishes of the Rwandan people.
Nic Cheeseman quoted in an article by Clemence Manyukwa at Index On Censorship. Rwanda polls: The Kagame “landslide” that would embarrass other dictators
A lack of meaningful opposition is behind the incumbent president's re-election
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makingqueerhistory · 1 year
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Hi I want to say two things 1) you all do fantastic work, thank you so much!! and 2) if you all get time/have resources/are generally able to, would you consider talking about Tunisia?
Hello! Thank you so much, I am so glad that my work has landed well for you! As for queer history in Tunisia, I would absolutely love to look into it. It may take a minute, as currently I am focusing on polishing up some of the older articles, so here are some resources to bridge the time a bit!
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Sacred and Terrible Air ch3+4 summary
Chapters index - ask away for any clarification or further details idk
3. NON-ENTITY
A brief digression on state censorship erasing certain individuals from records, and how sometimes that backfires by turning the unsuccessful censorship into a historical curio. We follow the history of the famous doubly-censored photograph of Samaran president Knezhinsky, first edited by taking out cutthroat Commissar Julius Kuznitsky, then apolitical agronomist Aram Ukhotomsky (the photo was brought up by Khan in the previous chapter).
The same fate befell Ignus Nilsen in his homeland Vaasa and counterrevolutionary Graad. The resulting amount of photographic and video material wherein a ghostly cytoplasm floats in Mazov’s right hand gave birth to the belief that that cytoplasm is Communism itself.
4. VIDKUN HIRD
Present. In a high concept cafe designed by a pupil of Jesper’s, all white and glass and sharp angles, the man shares his news. His connections gave him footage of a prison interview that award-winning documentarist Konrad Gessle filmed with the infamous Vidkun Hird: politician, fascist, philosopher, serial rapist, currently serving a life sentence in Kronstadt. As the footage plays on the cafe’s projector, Hird illustrates his Übermensch-y views and drops hints that he raped one of the girls, adding a detail – a constellation of birthmarks – that had been omitted from all public reports. Hird had a strong alibi for the disappearance, and yet...
20 years ago, June. The boys chat and look at the Charlottesjäl beach from atop a cliff, looking for the girls with Khan’s binoculars. They find them, that same constellation visible on Anni-Elin’s skin.
Present. Tereesz agrees to do something very illegal to pursue this new line of investigation, a trail after all this time.
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thebiscuiteternal · 10 months
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Pink teamed up with anti-censorship nonprofit PEN America to distribute thousands of copies of banned-in-Florida books at her shows in Miami and Sunrise this week. The 2,000 books in the giveaway include “The Family Book” by children’s author Todd Parr; “The Hill We Climb” by Amanda Gorman, who became a favorite right-wing target after her poetry reading at the Biden-Harris inauguration; “Beloved” by Toni Morrison; and a book from Girls Who Code. The first three books appear on PEN America’s Index of School Book Bans, while the last was temporarily banned in a Pennsylvania school district.
“Books have held a special joy for me from the time I was a child, and that’s why I am unwilling to stand by and watch while books are banned by schools,” Pink said in a statement. “It’s especially hateful to see authorities take aim at books about race and racism and against LGBTQ authors and those of color. We have made so many strides toward equality in this country and no one should want to see this progress reversed. This is why I am supporting PEN America in its work and why I agree with them: no more banned books.”
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