#Is this a fair opinion tho?

[nerd-cat-rambles]

Danganronpa Manga Rant- Leon and Sayaka:

@yukiteruakari told me about a Danganronpa Manga edition, and OH MY GOD!!! Thankyou so much for this bro omg.

I'm only up to "Junkos" impaling, but it's so much better than the one I have.

I'll put some screenshots below, and the link too because so far it's translated to English.

Why the Manga is better, what it could do for the fandom:

It gives Sayaka and Leon so much more development as characters and seeing as Mondos case is next we might get to see what they talked about in the sauna. (<- there are so many fan theories for that one, and I'm excited to finally get more lore.)

It's hard to be a Danganronpa fan in 2024 because it all happened 14, 12, and 7 years ago. So like... Spike aren't going to just start explaining more lore on twitter randomly because they feel like it, Danganronpa is done, but this manga helps us understand the killers motive.

If ALL of the fandom read it I'd probably assume the "Mondo Brother Killer >:(" cliche that some of the fandom define him as would be gone, because it has his POV instead of a Monokuma flashback and a shitty animated clip of him doing it "for no reason" other than being "strong-strong-strong-strong-strong" (from the canon game and animation 2014.)

LeoXSaya Rant, Manga>>>Animation:

And yes, Sayaka was revealed to be a bit more of a "snake" (she isn't btw) but her motives were humane and we only thought she wasn't because Makoto is the protagonist and wouldn't think bad about any of his friends.

It also gives Leon haters a reason to stfu and enjoy his character design and small role while it lasts, and it's better than playing his FTEs because he's just gloating about picking up chicks and being better than everybody at Baseball despite hating in from what I've seen.

Also, the art is just BETTER.

The dialogue is just BETTER!

They gave Sayaka a reason to invite Leon over. Because in the anime and game yes it's "wow Sayaka is so hot" on Leons part, but wouldn't that mean Leon would've been the person to invite her to HIS room instead?

But in the Manga they explain her thought process, anybody who hasn't read it will probably just go "Sayaka's dumb for inviting a STAR ATHLETE to try and kill!" but she's smart because if she had killed him she already had an alibi. "We were friends! We bonded over music and drank tea together!" or something... saying that, Sayaka couldn't WIN because Makoto knew about the room swapping ofc. And she'd leave evidence and whatnot.

*Sighs* The Animation Butchered Our Boys...:

(BOYS BECAUSE THE ANIMATION BUTCHERED SO MANY CHARACTERS AND GAVE THEM PISSY MOTIVES AND SHIT-)

I hate the anime alot, but the thing that PISSED ME OFF THE MOST (about 1-1 of the animation) WAS LEON'S REACTION. He was having a mental breakdown, which was fine and accurate... probably good as well instead of him screaming "stupid" then losing it halfway through the word and realising his fate quietly.

They give him a moment of remorse.

"I didn't want to... I mean she... she was tring to... kill me... right? I just... didn't know what else to do... okay...?" (quote end)

but then he gets mad.

I don't know about you, but on first watch this ruined it for me. "He's just screaming now..." like... it makes me mad for almost no reason.

He was about to have a very humane moment of "I didn't have a choice..." he's looking down at the pedestal thingy in the court, he's defeated, he's sad, he's been caught. He's in despair.

Then he yells at the others "you would've done the same thing in my shoes!"

And you know what the writers did instead of making him cry after that? Anything... would've been better, but this is the dam animation we're talking about...

"I DIDN'T HAVE A CHOICE OKAY! THE CRAZY SKANK WAS GOING TO KILL ME, WHAT WAS I SUPPOSED TO DO?!"

He did have a choice...

The manga gave him a choice, he tried to save Sayaka. Then he ended up killing her, ON ACCIDENT. That line alone contradicts the fact of any of that happening, he and Sayaka had just bonded hours earlier.

Like, this is my opinion and I've never heard anybody talk about this before, BUT THE WRITERS NEEDED TO WRITE LEON BETTER!!! The game wrote Leon fine, but the animation was a second chance at giving him development!

I liked him trying to escape the court room though. That was a nice touch that I don't think was in the game.

BUT BROOOOO HE CALLED SAYAKA A SKANK HOURS AFTER ADMITTING HE WAS CRUSHING ON HER, DANGANRONPA ANIMATION WHERE'S THE LOGIC!

Like, the scene made me so mad on re-watch and I can't pinpoint why!

Like instead of this: https://youtu.be/CbQ6McYz7U0?t=59

(Good animation though imo, the closeup expressed his emotions nicely-)

HAVE THIS THOUGH, THIS IS SO MUCH BETTER!

IT JUST HITS WAY BETTER-

Anyway, that's my rant of the day because why not.

The game itself had issues, but compared to the animation it was just so much better, and makes me want to give it a 7/10 instead of a 6...

[mariocki]

Lalla Ward makes a brief appearance as Lady Augusta, intended bride to an ill-fated aristocrat, in A Ghost Story for Christmas: The Ash Tree (BBC, 1975)

[b4kuch1n]

this cold med fucked me up bad I did barely anything but sleep and write this

[masezace]

little off topic for my blog, but i started watching a new show since a friend mentioned it was good and i'd heard positive things about it, so i just wanted to talk about it a little bit (probably never again after this since this isn't a fandom blog, but it's the only one i have rn so idc it's going here)

the show is Jurassic World Camp Cretaceous, and just going on looks alone, despite my love for dinosaurs and the Jurassic Park franchise i never would have considered it. it appears to be very much for kids, and as i'm in my late twenties now i'm not particularly interested in especially kiddy media. however a friend my age enjoyed it and mentioned it has a canon lgbtq+ couple in it among the main characters, so of course i just had to watch it. i had already been hearing that despite its initial appearance and premise, it was surprisingly good for a kids' show, so i had already been curious, but i was even more keen after knowing there were queer characters, and not even the adults, the kids themselves (in a kid's show?!! what a time to be alive), so i finally sat down and watched it.

[spoiler warning, both minor and major, for the rest of this post btw, so continue reading at your own risk if you haven't seen it yet/are still watching]

the show overall

okay so firstly, i am coming at all of this from the perspective of a writer, so my observations are from a technical standpoint more so than just as a fan of the show. and honestly, it really is a well-written show as a whole. is it geared towards kids? definitely. there are plenty of jokes/gags in it that just don't appeal to me as an adult, but beyond that, there was plenty to appreciate as an adult.

the writing is actually phenomenal? there were several points in the series where i just sat back and mulled over the way a scene went, what the thought process behind writing it was like, how well it was executed, and how important it was to the characters and overall plot.

the suspense is spot on, nothing gets dragged out too long, and i will admit there have been a few scenes throughout that actually got me; i jumped! it's actually scarier than i expected a kid show to be, but i'm so glad they went where they did because it really elevated the experience.

the pacing overall is very good, adequately engaging for kids' short attention spans (and us adhd adults 🥲) but not too short either to a point where things felt abrupt or unfinished. plot arcs are well developed and tied up nicely. also, as a bit of a dinosaur nerd, the array of dinosaurs in the show is super broad and satisfying! very fun stuff.

character element

imo the real gem of this show is the character development. honestly it's just *chefs kiss*

the characters grow and change so much and so realistically over the course of the show, it's honestly so much better and more satisfying than the character growth in most adult fiction/media recently.

the growth in ben (who btw was def my favorite character by the end of s1) and kenji in particular were my favorites and, in my personal opinion, the most interesting. the way ben started out anxious, cowardly, and rule abiding to a fault, then grew into a brave, confident, adventurous little pyromaniac gremlin, then had that stint later in the series where he regressed a bit-questioning himself-until eventually ultimately striking a great balance and really coming into himself was just... peak character writing.

kenji started out overconfident, lazy, and overly concerned with money/status. but that arrogant overconfidence and laziness slowly turned into responsibility, and a desire to protect his found family, and the realization that it's the people in your life that really matter most.

honestly what i mentioned only scratches the surface in terms of those two characters, there's certainly more that can be said about them (as well as all the others) but i'm not really in the mood for a deep dive character analysis atm. just trust me tho when i say these characters are so well done and each one of them have arcs that are super satisfying to watch play out.

queer representation

and as for the queer couple? yasmina and sammy are PERFECT. it was so beautiful watching their relationship grow from one-sided to mutual friendship, to loyal devotion, then to love. they were set up incredibly well and incredibly naturally. i have like, no complaints when it comes to them. i don't even know if there's anything i can say that would add to things, they were just a really awesome couple to watch become canon, they're the beautiful and painfully needed representation we all beg for in tv and movies.

shipping, chemistry, and intent

but oh goodness... probably my only real complaint about the entire show would be how benji (ben x kenji) and kenji x brooklyn (kenlyn? brookji? idk and idrc) were handled. because for all that this show did SO much beautifully right, they really screwed the pooch here, sadly.

i'm gonna start by saying that the writing in this show, as with most, is deliberate. what i mean by this is that despite having no clue who it would be because my friend thankfully did not even spoil me as far as the genders of the queer couple, i clocked yas and sammy as the would-be queer couple as early as season one (actually it was between them and benji, but more on that later). i could already see the chemistry, because it was deliberately written in.

shipping is subjective. anyone can ship any character, and in most cases it's pretty easy to see how there could be (romantic) chemistry between fan pairings based on their personalities, their arcs, etc. and that's okay! ships don't even have to have any canon support to be valid, because shipping is for the fandom, and it's for fun (i have a few rarepairs and crack ships across different media that i just love).

but onscreen/written romantic chemistry is a lot less subjective (to clarify, it is subjective whether or not the chemistry is good, but it's not subjective about whether or not it exists). there are literally scenes written with the sole purpose of building the romantic tension and/or chemistry between planned couples (some of which even have absolutely zero plot relevance, which usually is not advised tbh, and most of which are the cliches/tropes you see in literally any romance ever written, some are just disguised a little better than others. but make no mistake, it's all the same set of cliches. there is nothing new under the sun), as well as intentional, key moments within scenes that have other purposes. they are essential to establish romantic pairings.

and typically, the foundations for these couples are laid VERY early on. always within the first or second season (well, at least they are when the writer actually knows what they're doing and has at least a rough plan/outline for the entire series & characters. this is usually a large part of what separates the good chemistry from the poor chemistry. an author who knows who the couples are going to be and has a plan from the beginning to build them up is going to be more successful in creating a believable relationship with good chemistry. one who does not plan, or makes last minute plans will almost certainly fail, and the couple is just going to suck). when the set of characters you're working with are going to stay the same for most or all of the story, you start immediately.

i don't mean to toot my own horn, because i think it's because i'm a writer so i just pick up on narrative patterns very easily, and pretty much always clock the planned couples within the first few episodes of any series, and by the end i am right like 9 times out of 10.

that being said, do you know whose deliberately written chemistry i also clocked in jwcc? ben and kenji's.

kenji and... brooklyn?

no offense to people who like/enjoy kenji and brooklyn, you are free to love them, but the way their romance was written is... quite possibly the weakest point of the show. it felt like they were just trying to appease the upsetto heteros in charge, because there was definitely another het pairing that had a lot more potential than kenji and brooklyn (hello darius x brooklyn aka darilyn, you would have actually made sense because your relationship had amazing buildup and multiple standout scenes from s1 on. dgmw, i love that we got a m/f strong, supportive, purely platonic friendship out of them, i live for those and we really need more of them. but we could have had that with kenji and brooklyn, or darius and sammy, or ben and yas, literally any other pair instead).

kenji and brooklyn as a couple came out of absolutely nowhere. i honestly think they decided to shove them together last minute, and had no actual plan for them until they were working on s4. because their development barely started at the VERY end of s3 (the abruptness of him caring about her being held hostage so much more than literally anyone else in their group despite them having like zero buildup to that point gave me whiplash), but honestly didn't really even become "meaningful" development until s4, over halfway through the series. the two spend the first 3 seasons basically not particularly gaf about each other individually, only as part of the whole group and on an equal level with everyone else. they otherwise have no deliberate narrative foundation. it just starts in s4 with no prior hinting. which makes their development rocky and difficult to believe. the funny thing is their characters literally have dialogue (in s4) trying to draw comparisons/parallels between them to say that they especially have a lot in common and like??? no? they really don't? not any more so than any other two kids in the group. their relationship just, really falls flat.

it was disappointing to see it take such a massive spotlight in the series for almost all of seasons 4 and 5, overshadowing the friendships that have been the focus of the show and should have remained so, to the point where at times it just felt like i was watching some stereotypical het highschool romance. genuinely, it made s4 & 5 more of a drag to get through. yasammy and ben and yas' growing bond (which by the way was so sweet, it had the strongest queer solidarity vibes good lord, i sure wonder why yas chose ben out of everyone to come out to first, hmmm) were some of the few things that kept me invested, otherwise i would have dropped it if it had leaned much farther into becoming the kenlyn show than it already was. especially when it was that pair so much of the focus was given to, even though we had so readily and perfectly available, the pair that could have, should have been: benji. which finally brings me to:

ben and kenji

benji's foundation was laid in s1. their interactions, the situations they found themselves in, were deliberate (on the writers' part). i'm even gonna go out on a limb here and say the pairings were fully established in s1e3, even with parallels between yasammy and benji (sammy clinging to yas and ben clinging to kenji throughout the episode), and darilyn gets the beginning of their development too.

even though they bicker a lot in the beginning, they clearly care about each other? kenji protects/helps ben multiple times, and there are definitely some looks ben gives kenji at times. at the end of s1, the one who seems the most deeply effected over ben's "death," other than darius (understandably since he's the one who failed to save him), was kenji! immediately after it happens, we get two close up shots, darius and brooklyn then yasmina and sammy. after which, we go back to the whole group with kenji in center frame, the focus is intentionally on him. it is only kenji who drops to his knees at the loss, and then we get a close up of just kenji. he was saved for last, and he was alone in frame (tbf bumpy was in frame too, but i'm talking humans here), which implies his feelings are especially important in this moment. that is the reason for solo close ups.

after ben's "death," kenji takes to always wearing ben's fanny pack, and up until bumpy--who ben cares VERY much about--got separated from them, kenji was the one who (however briefly) took over her care, ensuring she got off the monorail with them, and he's extremely distraught, more than pretty much all of them, when they can't find her, and he's last to leave when they decide to accept that ben's gone. even when they do leave, he's distant and distracted and his mind is clearly still on ben.

other than darius, kenji is the only one (if i'm remembering correctly) to mention ben/say his name after they lost him, upset because he was actually trying not to think about him. he has clearly thought about ben, probably a lot, because it's hard not to be reminded constantly when you wear something that belonged to a deceased loved one. and frankly, he appears to be the only one who dwells on him that much.

when ben reappears alive (which btw he found the group again because of kenji's butter knife, hello), the frames literally purposely focus on kenji's reaction. he's the one in the foreground every time they show him and brooklyn in that scene. he is the first one to say ben's name, the first one to go to him and hug him, and the scene takes special care to highlight kenji's strong emotions at ben's reappearance, lingering on his teary face as the focus for a bit even after brooklyn enters the frame to hug ben (because she is not at all an important element in the scene at that moment). just like when ben "died," the way this scene is written and shot HEAVILY suggests that ben holds significant importance to kenji, specifically. because again, the focus here is on kenji and ben almost exclusively, with brooklyn as only an afterthought lol. and quite frankly literally everyone else's reaction to him being alive was pretty lackluster compared to the special attention they gave to kenji on this.

and then in s3 we have the infamous hat scene, where darius and ben are in the limo and ben sees and mentions kenji's sailor hat, looking sad and sounding like... longing?? then directly after we switch to kenji realizing he forgot his hat?? the scene has no real significance tbh other than to draw a connection between ben and kenji. like, it acts as a transition to switch to the pov of the group on the boat, but it was entirely unnecessary? why not just have darius say something about the others and then show them on the boat? if there were no special relationship between ben and kenji, it would have made far more sense if they really wanted it to be ben to say something, that he sees the hat, and sadly says something along the lines of "i hope the others are okay/doing better than we are right now/etc" which implies that the hat made him think of everyone, their whole group. rather than what we got... which very much implies that he was mostly just thinking about kenji 💀 and then kenji thinking about the hat at the same time ben's looking at it and thinking of kenji. like, this is.... a very blatant connection being made by the writing/directing here.

all of that. so many deliberate connections made between ben and kenji, they had a very solid foundation laid for a romance to develop, and by all intents and purposes one already WAS developing according to the show's own subtext. which was why up until s4 obliterated the idea, i was positive the queer couple in the show was either going to be yasammy or benji. it was extremely obvious imo. but as soon we started getting the typical, loud, cliche "we are going to pair off these characters" scenes for kenji and brooklyn, i knew we were getting yasammy and not benji (to be clear, i'm not at all upset about yasammy, they're beautiful and i love how their relationship was done, i wouldn't have had it end any other way for them. but i do personally prefer benji, i just like their personalities and dynamic more. and i feel they had so much potential that got wasted to make way for a far less interesting pairing between kenji and brooklyn. why can't we have 2 queer couples, huh? and if we really needed a minimum of one hetero pairing to appease whoever needed appeasing, darilyn was right there).

but then??? their like entire bond just gets dropped (honestly ben himself gets pretty heavily sidelined for almost all of the last two seasons, which is criminal imo). mostly so that a rushed kenji x brooklyn can be established. like there are still a few small moments here and there in early s4, and one episode in s5 (ep 10), but from early s4 till pretty much the end of the series we hardly see them have any meaningful conversations or interactions, meanwhile literally every other combo in the group does.

it's so weird? why build up benji so deliberately over the course of multiple seasons just to like, fully discard it for a pairing with far less chemistry, even after the chemistry-building scenes they shared, some of which literally had no other purpose than to affirm their connection? even though they were very sparse, the moments benji had were just so blatant (kenji leaps into the rock crevice right onto the back of a saber tooth to save ben?!!?? like he literally was just willing to exchange his life for him like that?? he basically says that he wasn't really thinking, he just did it. so he moved out of what, emotional instinct, that's what we're meant to intuit from that series of events? implying that he specifically has strong emotion and doesn't think things through when it comes to ben? because he doesn't do that kinda stuff for any of the others in the group! even better, this parallels when sammy jumped on the nothosaurus to save yasmina. and then the way benji look at each other after it's over??? hello??? and then how kenji pulls both brooklyn and ben in for that hug a couple minutes later... side eyeing the writers for that choice. they knew what they were doing there and they were evil for it). i just can't see any reason to have dropped them like they were, after all the development they shared for 3 seasons. confounding. biggest disappointment of the series.

i know this probably reads to some as just "wahh, my ship didn't become canon" nonsense. but that's not why i'm bugged. this wasn't just a ship i liked and wanted canon despite no actual narrative support, as most ships tend to be. this ship did have narrative support. there was intent behind many of their scenes together, lingering looks and little things that matter narratively and are always used to signify a stronger/special connection. and it led nowhere, for no good reason. that bothers me. writing that implies and promises something, but never delivers on it. like a person who never finishes their sentences (think Dr McPhee from Night at the Museum). ultimately it's not a HUGE deal or anything, at the end of the day it's just a ship and just a kids' show. but as a writer, it's just irritating to see something like that be done. what can i say 🤷

conclusion

even despite the wasted potential between certain pairings, and even though i do think the first three seasons were superior to the last two, overall i really enjoyed the show, and for what it was, it was really well-made. the overarching focus was of course on found family and friendship before anything else, which i absolutely love, and it was masterfully done. out of 6 kids, all of them had at least one or two meaningful bonding moments one-on-one with another in the group, so every possible combination had their moment to build strong, believable friendships with each other. i'm just so surprised by how good it was as a whole honestly, good enough to binge over the course of a week. i will happily recommend jwcc to anyone willing to give it a watch regardless of age, because i definitely think there's no age limit for a good story, no matter the medium it's told in. :)

[thefairyfellermasterstroke]

My take on Mclennon

Honestly, you guys have to chill. I think that many people like to assume that Paul and John's relationship was romantic but, in my opinion, saying that is dimishing the true love that was their relationship. "Oh but...they wrote those songs about eachother and they slept together a lot", yea have you seen those men in the early 60s? I dont think there was a single person in Liverpool who didnt slept with them to be honest. Their relationship is complex and I agree that maybe, at one point of their lifes, something was going on, but lets face it, they fell in love, got married, and went on with their lifes, and that didnt decrease a bit of their love,respect and admiration they had for eachother. Love does not have to be romantic. A friendship can be just full of love as any married couples. Paul and John both loved their wives and that didnt stop them t o love eachother. Even if we assume some things happened we cant just erase all the other people that were in their lifes, its not respetful for EITHER OF THEM. Lets just say they loved eachother a lot, cause they did I think thats genuenly beautiful.

[dukeofthomas]

I will forever maintain that Jason would've been fine and Not a vigilante without Bruce making him Robin

[96percentdone]

It is deeply frustrating to me that it is a relatively common opinion that Amame murdering Uru was a moral good because it was "justice", and she "stopped Uru." To be clear, they're right that he needed to be stopped. His plan was evil, whether he has the sanity to parse that or not (and he demonstrably does not), but I think that's entirely beyond the point of the claims about the morality of Amame's actions. Whether or not Uru was in the wrong (he was by every possible metric) is not a worthwhile question to ask when it comes to evaluating what justice is.

First, and I cannot emphasize this enough, Amame literally didn't stop him. She just objectively didn't! Yes, he died, but the present day half of the plot plays out fucking anyway because it turns out the genocidal maniac had contingency plans to carry out his scheme! His guys do it for him! He says in his own tapes he planned for this just in case! Is that stopping him? The Nirvana Initiative gets as far as the genocide missile launching before his plan is actually ended. I cannot stress this enough; ya boi straight up almost won at KILLING EVERYONE posthumously. Sorry, but the in universe team "Amame did nothing wrong" is like suffering terminal hindsight bias, which is hilarious, because all of them were literally there when Uru almost killed everyone on the earth from beyond the grave.

Moreover, because Amame (and Gen who is helping her) spend that entire period of time trying to keep the murder a secret, she ends up actively getting in the way of stopping his plan until on the day of the initiative she finally steps forward because she can't take the pressure and the guilt any longer. She keeps critical information about the exact problem they are dealing with--like the fact that the guy they're looking for is fucking dead--a secret on purpose! Whether or not the police would have gotten anywhere faster if he lived is irrelevant; her actions for what actually happened made things worse. And there's a good reason for this! It's the same reason she is utterly ravaged by guilt for her own actions, despite how hard she tries to convince herself and the world she has no regrets: murder is always wrong, and Amame wanted revenge.

Revenge murder really isn't this incredible healing force people can hype it up to be in their heads. Amame says she went because she wanted to hear what he had to say. She wanted closure. Now of course he's severely out of his mind and everything he said in that moment pissed her off, understandable, and she'd have to wait like 100 years for him to maybe parse he was wrong, so okay, but did the revenge work? "I'm going to make you suffer the same pain..." She waits for him to be conscious when she kills him, she is explicitly out to make him hurt, but like...was it actually effective? No, lmao. The funny thing is, that first line we see of that flashback where she kills him is Uru referencing his own torture: "Yes, this world is an imperfect one. I was put through much hardship." At this point, even if he didn't tell her the details, we the players know he was held prisoner in a cell for over two decades and had his organs harvested so frequently anesthetics stopped working on him. We are being deliberately reminded of this fact so that when Amame says her classic one-liner, we'll know it was for nothing.

Revenge isn't justice. You can convince yourself that it will be satisfying, it's what he deserves, it's what you deserve to do, but what's left when it's over? What did you really gain? Amame didn't gain anything. This didn't heal her at all. She still mourns her father the same, only now she has to deal with new, worse problems of her own making. She spends the last of her free days catatonic from fear and guilt, she hates that she betrayed Shouma and Gen and her actions will force her to leave them, because she lost sight of what matters most in the name of punishment. It will never matter that Uru was wrong. Amame killed Uru for the same reasons he killed her father, and Horadori, and Jin; how could she ever be right? The fallout of her actions on her own psyche and on the world at large is the greatest proof of that.

If your definition of justice is just "we destroyed the bad guy most responsible for the problem" your definition of justice is worthless. The world is not meaningfully made better by punishing wrongdoers, but by healing the social and political ills that lead to their creation and that ravage to the victims they left behind.

[aphverse-confessions]

to this i have no idea wtf was the point of making aphmau and garroth werewolves. like what kind of narrative purpose did that serve??? jesson explain.

.

[thekidsarentalright]

always baffling to me when i see someone on the census say their fav album is folie but least fav is mania like do u not get those albums are kissing w tongue how could u say that…. smh

[viktoriakomova]

Ok but what more could USA have done aside from Jordan not falling.

Literally did you watch the entire vault rotation and the other two jittery beam routines and simone on floor

[just-a-little-frog]

no one is allowed to critique fear street except lesbians. if ur not a lesbian and u didnt give it at LEAST an 11/10 ur wrong.

[fairysylveon]

if you're comparing bl3 or new tales to the movie I'm gonna need a full essay on my desk about why you think they're comparable or I will take you directly to jail

[ryssbelle]

Me when someone thinks they’ve won by blocking me but now I don’t have to see their rancid takes in the tags anymore

[1am-s0-veryt1red]

with the leaks to the 2nd to last chapter out can I just ask that we hold off on criticism of whoever until the last chapter is officially out? I know it's asking a lot

[lepusrufus]

"We'll fight side by side against the Absolute" Minthara babe I love you so so much but me and my meelee attacks that have pretty much the strength of a guinea pig will stay waaaaayy in the backline thank you for the offer tho

[sysig]

I am not immune to any cutes - including Rick and Morty cutes, unfortunately (Patreon)