#Kylo is beautiful

[ellemisc]

you'll love me at once 🌷

[blueopinions49]

Enneagram 4 Subtypes Explained

Social 4 "Shame"

The social 4 looks to create connection with others through the exploration melancholy and brokenness. Unlike the other 4s this subtype looks to share their depth with others. Imo they subvert allot of the traditional notions of the E4. They aren't as withdrawn as the SX and Sp subtypes. And whole they do maintain a level of difference within they still look to fulfill that need for emotional depth with others. A tendency that pops with the So4 is the need to create that social circle while struggling to remain their own self. This subtype tend to express their difference through being an outsider or extremely sophisticated with unique tastes. Usually among to attract others while maintaining their boundary of eccentricity. They are hard to mistake as any other type in my opinion however they can look like the stereotype of a 3w4 (due to being pretentiousness) or a 9.

Characters: Anna Karenina, Mark Jefferson, Blue Diamond, Diane Nyguen, Lisa, Anne of Green Gables, Jin Kazaa and Catherine Meyer.

The Self Preservation 4 "Tenacity"

The Sp4 finds it self trying to mitigate their envy due to being a counter type. Usually this 4 is not looking to be different but rather to have a different type of life. As the counter type of 4 they dont overexposes their melancholy and rage but rather they tend to keep it to themselves. This 4 tries to find a different path in the world without following tradition or social expectations. They are a bit more idealistic with their pursuits choosing lifestyles, style or professional life. This subtype can look like a 6 (due to their calm and environment oriented thinking).

Characters: Elio Perlman, Rose DeWitt Bukater, Eleven, Belle, Sebastian, Wicked Witch, Violet Harmon and Susana Kaysen.

The Sexual 4 "Hate"

Probably the most well known 4. This subtype is the most expressive and "aggressive" about their sense of uniqueness. They are highly interested in creating a relationship with another that fulfills that bond of difference and uniqueness. They tend to be the most expressive of their envy. To the sexual 4 the most important thing is not to be mediocre. By this I mean that the 4s see everything that doesn't have emotional and personal depth is beneath them. While many texts describe them as aggressive id say they are closer to passionate. The SX4 interest and frustration find depth within interpersonal relationships leads them to look like enneagram 8s.

Characters: Kylo Ren, the phantom, Maleficent, Loki, Jason Todd, Helen Sharp, Lucille Sharpe and Zuko

[violettathepiratequeen]

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[controlledarrhythmia]

[moonsuneee]

Y'all someone on twitter stole one of these and somehow that was the motivation I needed to make more 💀

Genuinely though, please don't use my stuff without credit. I use my own scp, I take my own screen grabs, do the quality, filter + text. I do it all. So credit isn't just occasional.

[darklinaforever]

Me, realizing that Disney didn't want to make Reylo canon because it would supposedly be toxic and not a good model for little girls, while Reylo is essentially a summary of Beauty and the Beast and Kiara & Kovu...

You feel it big...

Me at Disney :

[wannabespacesmuggler]

Say what you will about Rey. That girl definitely has more restraint than me because if Kylo Ren looked at me with those big, sad eyes and said:

"You have no place in the story. You come from nothing. You're nothing. But not to me."

I'd fold immediately.

[boyincel]

reylo ten minute sketch but it’s yuri as per the correct subtext of the movies

[spurious]

Tagged by @audioletter:

Post 5 photos of your celebrity crush

Taking this as five crushes so here we go

(Young Harrison I’m so sorry you’re in here you’re not medium ugly you’re a babe)

Anyway: Yoko, David Hewlett, young Harrison Ford if I get a time machine, Kieran Culkin, Adam Driver

I think this was fun so I’m gonna tag lots of people: @stargatebarbie @sga-owns-my-soul @halestrom @texasdreamer01 @itsaverydistinctive @alienfuckeronmain

[artist-issues]

What are the best stories you've seen that have a theme of forgiveness? If not strictly about forgiveness, then any themes along the lines of retribution, redemption arcs, or even "seeing through another's eyes" (I may or may not have rewatched Brother Bear recently lol)

Well, we’ve got all my old standbys. Cinderella, of course, is a story that really has forgiveness in it, because Cinderella wholeheartedly forgives her stepfamily for mistreating her. (Actually, she might be “forbearance,” not forgiveness.) But they’re completely off her hook. I think there’s a really great moment of forgiveness between Nick and Judy in Zootopia that gets overlooked. Frozen, with Anna and Elsa. Brother Bear is a really great example, truly! I love that movie.

I think some of my other favorites include the original A Star is Born, or even the Judy Garland remake. (Those also might be more “forbearance.”) I think one of the best examples I ever saw of forgiveness was in Avatar: the Last Airbender, which everybody knows:

And of course, ‘Til We Have Faces and The Chronicles of Narnia by C.S. Lewis have some of the best-distilled forgiveness moments in any stories, ever. There are sweet ones in The Princess and the Goblin by George MacDonald, too, though they’re not as dramatic. In Anne’s House of Dreams, by L.M. Montgomery, Anne’s repeated forgiveness of Leslie’s coldheartedness or rudeness is a really simple but awesome example of day-to-day forgiveness.

I don’t easily think of a lot of good examples of it in stories. Brother Bear definitely has it, because without it, the story doesn’t work—Sitka wouldn’t help Kenai to learn from his wrongs, Kenai would’ve been killed by Denahi, Koda would’ve been left alone—but I don’t think forgiveness is the main focus of the movie. I think it’s a load-bearing component, but not the focus.

You’re making me want to see a movie that really homes in on that!

The thing is, I guess, for forgiveness to be the focus of a movie, there has to be a character that 100% definitely does the complete wrong, inexcusable thing to another character. Something that he deserves to be on the hook for. Then he has to acknowledge that he did the wrong thing and want forgiveness. And then the other character, the one who was wronged, has to willingly acknowledge that wrong and then let the offender off the hook. It’s not just “we’ll pretend this didn’t happen.” It’s both parties acknowledging that wrong was done, and having an exchange that ends in reconciliation. It’s got grace and mercy wrapped up in it.

Not many movies have true moments like this. Usually, one character is super sorry and the other character just seems to brush off whatever they did with like, a callback to an inside joke or something. (I’m thinking if Treasure Planet, to be honest.) Or, the situation necessitates that they put their conflict aside and work together, and then after the day is saved they sort of “get over” all that and swagger off into the sunset together.

As far as “redemption” goes—gee, all the old standbys! All the ones I mentioned above, plus Star Wars, plus East of Eden (the movie, not the book) plus, of course, my all-time favorite movie, Lilo & Stitch.

In Lilo & Stitch, you have the ugly little creature who belongs absolutely nowhere, is by definition a blight on nature and an abomination of existence, who was actively created to ruin everything. And he does it, and he takes delight in it. But there’s this little girl who gets pushed down, gets her doll chewed on, gets rejected when she’s most in need of his companionship—and she just keeps on loving him anyway. Because she’s chosen to, not because he did anything to deserve it. And then that infects him. That idea of family—of someone choosing to love you, no matter how ugly you are inside and out, and by choosing to love you, they create a place where you belong. No matter what. And that changes him. A germ from outside of him changes him from a literal world-destroying, home-shattering selfish monster into something new, something adopted, something loved.

I’d call it a story about committed love and grace, not necessarily redemption—because the focus of the story isn’t really “Stitch does something wrong but then through a process of pain and transformative struggle, redeems that wrong.” That’s not the focus of the story. But it’s still “bad character becomes good.” And I can’t help but talk about Lilo & Stitch once you get me started on it, sorry!

I think the best redemption stories are some of the ones I’ve listed above, plus East of Eden, Beauty & the Beast, and really, truly Sydney Carton from Charles Dickens’ A Tale of Two Cities.

And I think Kylo Ren was well on his way to being one of the best redemption stories of all time, if TROS hadn’t fumbled the ending so clumsily—but that’s another post for another time! I don’t know if this satisfactorily answered your question, but it was fun to ramble about and I’ll tag you if I make another post as more come to mind.

[maryasmorevna]

why are you, as an adult in 2024, still hung up on reylo. why are you still mocking the shippers. why do you believe yourself to be superior only because you dislike a stupid ship from a fucking space fairytale. girl (gnc) get a grip

[imliterallypadmeamidala]

I love my husband so much (he doesn’t even know my presence)

[ohdeliciousasmr]

[lucky-clover-gazette]

down a rabbithole re: current publishing drama and my biggest question is can someone PLEASE tell me more about the trend of reylo fics getting turned into published books? like i saw a goodreads collection in the dossier that had like 50 books that were reylo fic. i am genuinely so interested in how this fan community feels about this phenomenon, and what other books besides love hypothesis fall under this umbrella. no i was not a reylo shipper in my 2016 tfa era, i was simply a kylo ren appreciator, but reylos PLEASE interact and tell me more about this !!

[luke-shywalker]

[namarabia]