#Ladies code icons

[sailorjisunq]

은비

[j2micons]

like or reblog if you save!

[i04rei]

⧆　 　 ⌅ 　 　∿　　 🧸　　⁺

⧆　 　 ☕️ 　 　∿　　 ⌅　　⁺

　 ✿　　 ⌣ 　　 @ujito + @yves　⊞

[silvertws]

Guys, just saying.

Huntik secrets and seekers??? >>>>>>>

Code Lyoko???? >>>>>>

Lady Oscar??? >>>>>>

Georgie???>>>>>>

God I loved these as a kid.

And also Fairy tail and One piece. ^^

The fucking opening for Huntik is still my favorite to this day.

In Italian cuz I like it better than the English one.

But they're both super cool!

I know the whole lady Oscar one. Still in Italian.

Ughhhhhhhh I need...

I need them.

All of them.

To rewatch all of them.

Make fanart....

[drezons]

[bloomfish]

I definitely will not get back into kpop ever but occasionally I'll go through a youtube binge of my old faves. I only ever liked female artists but the thing was you'd get attached to a girl group or a female vocalist and like a year later it would be like "no she's too old now. time to abandon her and introduce a new group of 15 year olds" . they continually wasted so much incredible talent by viewing the artists as well as talent itself as a replaceable commodity imo (i'm not saying this doesnt happen in western pop too but perhaps not so brazenly)

anyway a lot of it is bad lol but these are some of the things that I've revisited that still actually go so hard:

4minute crazy- excuse me?? this was such a slay. also hate. the tonal plot twist in this track: unparalleled. hyuna was iconic but also jiyoon !!! i agree w the comments of this yt video this would absolutely be a massive hit if it was released today

ladies code. this is just legitimately good pop music. a very sad story behind them as well and they were very undervalued as I recall. but this. galaxy was spectacular. both of the last two EPs tbh. that vocalist's voice does things to me

f(x) 4walls. should have been an international dance hit tbh

wonder girls obviously. even as far back as irony which is so charming in a retro way but I love that they eventually were playing their own instruments/having more of a hand in their own music. specifically i want to point out that park ye-eun from wonder girls was legitimately SUCH a talented musician imo (as a singer and a composer) and so much of her solo stuff as ha:tfelt was incredible. I was very glad to hear that she (and the others i think) left their agency bc they were so mistreated rip

yezi cider.... god she was so talented and i was so in love with her. my underrated fave... at one point i watched a whole reality show about korean female rappers for her lol (which was. a lot. but she should have won)

suzy yes no maybe again this was just really good pop.

dalshabet someone like u this is the corniest thing i'll put on this list but mostly it's just a super interesting case to me. iirc it was fairly popular with international audiences but kind of a flop in korea. which is fascinating to think about in terms of the cultural differences in what music appeals to us. like as a cheesy pop song it is just so catchy to me lol and I can't understand how it could not be but there u go

in capable/caring hands so many of these women could have done INCREDIBLE things imo. like it's undeniable that there is very real talent in kpop, I think the aggressively commercial aspect just limits the artists criminally and it's a shame. which ig is true to some extent about any pop music.

anyway i've put two of my kpop playlists that were popular on 8tracks on spotify: here and here

[marslovesgg]

20 2nd/3rd Generation Girl Group Songs That You Should Know!

Cha Cha - Rainbow Blaxx. The MV is amazing and I don't know how the song never got big!

Gun - 9MUSES. Okay, so everybody was GOREGOUS in this era. I love Hyuna so much :'(. Justice for 9MUSES they had so much potential.

Miniskirt - AOA. A classic. So catchy. I know how we feel about the AOA drama but I still stan them for their music and concepts. I don't respect the drama but I can't help but vibe to the music lol.

Up & Down - EXID. You already know how it is.

Guilty - Stellar. So this song is incredible. I feel bad for Stellar. Watching their MVs and fancams give me creepy vibes just because of how they were treated. I love their music to this day.

A - Rainbow. So catchy. Fun choreography. All of the members were so pretty rip.

Russian Roulette - Spica. Will someone please explain to me how in the WORLD this song wasn't huge? MY EARS ARE CRYING FROM HOW GOOD IT IS.

Glue - 9MUSES. I LOVE THIS SONG :'(

Expectation - Girl's Day. Classic. I'm not sure what it is but every time this song comes on in my playlist I lose my mind.

One More Day - Chocolat. Excuse me how is this song not huge?

Painkiller - Spica. AGAIN, this song makes me CRY.

I'll Be Yours - Girl's Day. Something about the chorus makes me wanna act like I know what I'm doing and dance.

Figaro - 9MUSES. I'll literally drop anything to do this choreo. This song for some reason makes me go crazy. I LOVE IT.

I'm In Love - Secret. HELLO? It's so good pleaseeee.

Mask - Stellar. This song genuinely makes me cry. It's just so pretty and I love it.

Number Nine - T-ARA. Justice for T-ARA they were good while they lasted.

Elvis - AOA. BING BING BING BABY BANG BANG BANG.

Ticket - 9MUSES. TICKET ONE WAY. TICKET ONE WAY.

Hot Pink - EXID. Be for real. I will do this dance until the day I die.

Like This Or That - 5Dolls. I WILL GO FERAL TO THE ENDS OF TIME FOR THIS SONG.

[butchlifeguard]

primrose's ch3 is GOOD btw

[umbrellajam]

Tim Drake Reading List - before his Robin (1993) solo

I'm sure this has been done many times before, but I'd been meaning for a while now to put together my own reading list for Tim prior to his 1993 solo, as I so often see that recommended as the starting point for him, but. Well. There's a lot of key material for Tim before that and Robin 1993 also starts very weirdly in medias res smack dab in the middle of the Knightfall event, which throws people off all the time, lol.

So anyway, a list! Not 100% comprehensive, but hopefully a helpful overview to somebody, somewhere :)

PRE-TIM CONTEXT

A Death in the Family (Batman #426-429) – Jason is murdered by the Joker. We all know this one, hopefully.

New Titans #55 – Dick finds out about Jason’s death, and comes to Gotham aiming to both console and confront Bruce about it. They have a fight; Bruce backhands Dick and tells him to leave.

Batman: Year Three (Batman #436-439) – despite the above, Dick returns to Gotham soon afterward due to Tony Zucco’s parole hearings, and we see him continue to worry and reach out to Bruce as the man fails miserably at dealing with Jason’s death; we also have the first appearance of Tim in the flashback to Dick’s origin at the circus.

INTRO AND PRE-ROBIN ARCS

A Lonely Place of Dying (alternating Batman #440-442 and New Titans #60-61) – Tim’s proper intro arc, tracking Dick down at the circus to try and convince him to become Robin again, as Batman continues to go off the rails and “Batman needs Robin”. He ultimately gets accepted for a trial/training period before he can become Robin.

Batman #443-445 – cute training-period issues where Bruce awkwardly starts to teach Tim and Tim is an eager beaver.

New Titans #65 – Tim shows up on an exasperated Dick’s doorstep in New York, and we get a really great Dick & Tim training issue.

The Penguin Affair (Batman #448, Detective Comics #615, Batman #449) – a fun early Bruce & Tim arc that includes the introduction of Harold Allnut as the Bat team's mute engineering genius, Bruce angsting and second-guessing himself about having a new Robin but still wanting to encourage Tim (“Remember to thank him later. The boy needs reassurance.”) and also civilian!Tim taking part in the operation with adorable pre-Robin code names (“Little bat to big bat. Target in cross-hairs.”)

Batman #450, Detective Comics #617, Batman #451 – a short arc about the Joker resurfacing for the first time since being presumed dead at the end of A Death in the Family. Tim appears minimally because Bruce panics and sends him out of the country immediately (along with his entire school class lol), but there’s lots of angst and introspection from Bruce on Jason's death and Robin in general.

Rite of Passage (Detective Comics #618-621) – includes Tim’s parents being kidnapped, his mother’s death, and his father ending up paralyzed and in a coma.

EARLY ROBIN ERA

Identity Crisis (Batman #455-457) – includes Tim’s devastation and struggle in the wake of what happened to his parents, wrestling with the legacy and meaning of Batman & Robin in a way he hadn’t understood before, and whether he’s prepared for it. Also Janet Drake’s funeral, and ultimately Tim’s official graduation to the Robin mantle.

Robin I: A Hero Reborn #1-5 – Tim’s first solo mini-series as Robin; his first of many trips to Paris as part of his training, where he first encounters Lady Shiva and King Snake. This is also where Tim picks up his iconic bo staff for the first time, with training from Shiva.

Batman #465-469 – Tim’s first actual patrols with Bruce, and the return of King Snake.

Detective Comics #635-637 – the “Bruce & Tim have to fight video games come to life” arc, lol. I would call these fun but optional.

Robin II: The Joker’s Wild! #1-4 – Tim’s second solo mini; the Joker returns to Gotham while Bruce is out of the country and unreachable, and Tim as a barely fledged Robin has to thwart the clown’s plans with only Alfred to aid him.

“To the Father I Never Knew…” (Batman #480) – An important issue on Tim’s relationship with his father, especially now that he’s woken up from his coma and is suddenly interested in Tim, when he barely had been before. Lots of Tim angst and struggle, framed through a bitter letter he’s writing to his dad. Alfred also slyly nudges Tim to look into the estate next door to Wayne Manor, when he’s trying to figure out how or even if he’ll be able to continue as Robin now that his Dad is awake.

Electric City (Detective Comics #644-646) – includes Batman’s heart getting stopped due to electrocution, and Tim viciously threatening the villain to get him to defibrillate Bruce back to life. (“You’re going to shock Batman’s heart back online or I’m going to tear you apart.”)

Batman #481 – the notable bit here is Tim and Jack check out the estate next door to Wayne Manor and basically decide to take it.

Detective Comics #647-649 – the introduction of Stephanie Brown as Spoiler, including her thwarting/attempting to off her dad and also the infamous scene where she clobbers Robin in the face with a brick, lol.

Robin Annual #1 – Tim’s first team-up with Lonnie Machin/Anarky.

PRELUDE TO KNIGHTFALL

Batman #486 – Tim driving Jack to his medical appointments with Dr. Shondra Kinsolving, and worrying with Alfred over Bruce’s growing self-destructiveness in the prelude to Knightfall.

Robin III: Cry of the Huntress #1-6 – Tim’s third solo mini, and his first team-up with Helena Bertinelli as the Huntress. Also, Tim’s first meeting with Ariana Dzerchenko, who will be his first girlfriend, and friction/fights between Jack and Tim as Tim skips out on school and tries to cover up his Robin work. Includes a blow-up fight over Jack threatening to send Tim back to boarding school for his misbehavior. ("Who is the son you know, Dad? You don't know me. You never bothered. You shipped me from one boarding school to another and nobody paid any attention as long as my grades stayed high. You and mom were too involved running around the world.")

Batman #488-490 – the Bats start working with Jean-Paul Valley/Azrael, including Robin recruiting him to fill in temporarily as Batman when Bruce is ill. Bane’s plans to exhaust and break the Bat ramp up in the lead-in to Knightfall.

Showcase ‘93 #2-6 – Tim’s first time teaming up with Catwoman as they take on the crimelord Bracuda. This storyline will later cross over with one of Dick’s in the Bracuda & Chulo arc for Dick & Tim's first real team-up.

KNIGHTFALL

I won’t go over this whole period in detail as it’s quite a long storyline (link to the fandom wiki for all the info and issues), but some highlights for Tim are:

Detective Comics #660 – Tim tracks Bane down to his hideout but then gets captured and caught in the middle of a fight between Bane and Croc in the sewers.

Batman #494 – Tim drags himself home and presses Bruce to accept help in the wake of the mass Arkham break-out organized by Bane.

Detective Comics #661-662 – Batman sidelining Robin again while fighting Firefly and Tim again repeatedly badgering Bruce to accept help; Tim later takes down Firefly largely alone.

Batman #497-498 – Bane breaks Batman’s back; Bruce appoints JPV to succeed him as Batman despite Tim asking about Dick. JPV as AzBats goes increasingly off the rails during his time as Batman.

Batman #500 – Tim refuses to be party to the new Batman’s brutal methods, but is blown off by an increasingly unstable JPV. Dick finally shows up in the storyline while Tim is brooding outside the Manor. Dick is angry that he had to hear about Bruce’s devastating injury secondhand and that Bruce chose someone else to take up the mantle of Batman.

The Flash #81-83 – optional context, but this is Dick’s side of the build-up to the Bracuda & Chulo crossover with Tim. Dick and Kory visit Wally after their disastrous interrupted wedding (which Tim attended) and Dick’s ouster as leader of the Titans in New Titans #100-101. Dick ends up embroiled in an investigation of the criminal Chulo.

Showcase ‘93 #11-12 – Dick and Tim’s first proper team-up as Nightwing and Robin! Extremely fun and character revealing interactions as they navigate working together while barely knowing each other. My notes on these quote practically everything in both issues – they're fantastic.

Detective Comics #667-668 – Tim finds out that JPV has walled off the secret tunnel from Drake Manor to the Batcave. He also gets his driver’s license early (at 14) as a special dispensation due to his father’s handicap. This issue leads directly into the first issue of Tim’s solo, ending as he's caught sneaking back into the Cave. AzBats grabs and lifts Robin by his neck, choking him, which is how Robin (1993) #1 opens.

Finally, alongside the early issues of Tim’s solo, be sure not to miss the full Batman: Prodigal arc (https://dc.fandom.com/wiki/Batman:_Prodigal), which covers Dick’s first stint wearing the Cowl of the Bat with Tim as his Robin. This is the period where they first really spent time together and bonded, and includes Robin (1993) #11-13. The whole thing is a banger, and essential reading.

[lilidawnonthemoon]

Ladies’ Code- Pretty Pretty, 2013

[velvetseahorse]

Uttara Phalguni, Uttara Bhadrapada, and Revati in music 𓃔𓃰

Uttara Phalguni and Uttara Bhadrapada share a significant connection to music, but they express it in distinctly different ways.

𓊬

Uttara Phalguni, known for its poetic and lyrical brilliance, often produces artists who excel in raw, soul-stirring lyricism and emotive vocals. This nakshatra thrives in the realm of storytelling through words, as seen in the work of artists like Fiona Apple, Amy Winehouse, Nick Cave, PJ Harvey, Lorde, Bruce Springsteen and Kurt Cobain. Their songs are narratives confessions and philosophies wrapped in music, each lyric a meditation into the depths of human experience.

𓁀

In contrast, Uttara Bhadrapada shines through vocal mastery and innovative soundscapes. Artists born under this star often possess a powerful, soulful voice one that can both soothe and shatter. Their music is a journey of layered emotions, combining profound depth with inventive arrangements. This is evident in the iconic voices of Lady Gaga, Elton John, Aretha Franklin, Lykke Li, Chaka Khan, Ari Lennox, Halle Bailey, Joan Baez and Mariah Carey. For them, the voice is an instrument in itself, a vessel for emotion and artistry.

𓃔

Both nakshatras share a unique connection through their animal yoni, the Cow (Cow Yoni). Cows are known to respond positively to music, particularly jazz, which has a soothing effect due to its rhythmic, melodic frequencies—similar to the natural, calming cadence of a cow’s lowing. Studies have shown that slow, gentle music, like Indian instrumental pieces, can increase milk production and reduce stress in cows, while faster, louder genres like rock can have the opposite effect, increasing stress hormones.

This sensitivity to rhythm and harmony may explain why artists like Lady Gaga and Amy Winehouse both tied to these nakshatras While Amy Winehouse has always been Jazz influence and Gaga have gravitated toward jazz at some point in her career. (Sidenote: Gaga reminds me of Uttara Bhadrapada ↑ Barbara Streisand in this video)

𓆟

I also want to mention revati, Revati is a nakshatra deeply connected to drums, percussion, and ethereal soundscapes. Artists born under Revati possess a unique gift for creating music that feels otherworldly, blending primal beats with futuristic tones to craft sonic experiences that transport listeners to dreamlike realms. Revati’s connection to drums is symbolic. Its rhythmic essence is reminiscent of modern drums. In ancient cultures, drums were the bearers of news used to announce important events or send messages, much like Morse code. This connection emphasizes that communication, in all its forms, is a core aspect of Revati. ( Source: The Book of Nakshatras by Prash Trivedi) Musically, Revati is a bridge between the ancient and the futuristic a hypnotic dance of rhythm and transcendence. Artists like Thom Yorke and Sade showcase this beautifully Yorke’s haunting, electronic landscapes and Sade’s smooth, transcendent melodies both channel Revati’s ethereal quality. Pharrell’s genre-blending production, Kelela’s shimmering, futuristic R&B, and N*co’s dreamy, avant-garde sound all reflect Revati’s ability to weave rhythmic magic. Even in Bladee’s cloud rap, where his dual influence of Revati and Uttara Bhadrapada merge, there is an airy, surreal quality that feels like drifting between heaven and earth. But Revati’s connection to drums goes beyond percussion it’s about creating an atmosphere, a sound that feels alive, pulsating, and transcendent. Whether it’s King Krule’s melancholic, poetic compositions or Arca’s boundary-pushing synth explorations.

While for Uttara Bhadrapada a nakshatra known for creating music that is haunting, ethereal, and deeply intimate. Artists born under Uttara Bhadrapada often venture into the surreal, the dark, and the sublime transforming their emotions into sounds that linger like a half-remembered dream. Grimes’ futuristic, synth-heavy soundscapes, with their blend of eerie and angelic tones, perfectly capture Uttara Bhadrapada’s ethereal essence. Billie Eilish’s sleepy vocals paired with haunting beats, and Soko’s raw, emotionally charged indie pop, are other clear examples of this nakshatra’s influence. Damon Albarn, known for his melancholy yet expansive sonic explorations (from Gorillaz to Blur), embodies the nakshatra’s ability to drift between genres and worlds. Similarly, artists like ABRA and Kilo Kish explore moody, genre-blending sounds that feel like secret conversations whispered in the dark.

[spirit-meets-the-b0ne]

God I love Dustin Henderson so much man, I know Will is in love with Mike because only a deeply down bad homosexual would be able to say Mike “is the heart” when Dustin is alive and in the party. Dustin is the one constantly mediating in S1 between Mike and Lucas, he’s even insecure of his own newness to the group when he conciliates. Because even though the party are all HIS best friends he is able to rationalize why they might have a hierarchy based on seniority. Mike makes it clear that isn’t the case. It’s partly why Dustin is quicker to accept Eleven and partly why he’s so open to including Max “as the new kid” because that was him once. Dustin’s iconic “she’s our friend and she’s crazy!” Dustin and Lucas having parallel deviations from their code of honor in ST2 and Dustin being (so dramatic ik) literally ready to fall on the sword for his misdoings. Dustin basically involving Steve out of necessity but then cultivating that relationship to make Steve a good friend, Steve who had the shittiest friends in high school and attention for all the wrong reasons. Steve never had a true friend in his life and then some 12 year old basically gave him a crash course. In ST3 when Dustin earnestly challenges Steve’s socially conditioned need to be seen as cool only for Steve to become bffs with a band geek. A band geek who is also a lesbian that Steve would rather be seen as a rizzless hack of a womanizer than out her to anybody, even Dustin. All of Dustin and Steve. Dustin going from calling Steve a douchebag, to Eddie saying the kid worships him and thinks he’s a total badass. Dustin who in ST4 is once again demolishing social norms of high school vs middle school because FUCK, his friend is in middle school! His friend Erica, his comrade Lady Applejack, is a black girl in junior high and he dgaf what anyone thinks about it. ALL OF DUSTIN AND ERICA. Dustin teaching Erica to embrace her inner nerd, to Erica staunchly declaring “I’ve bled with him!” When asked if she knows Dustin. Dustin who is the FIRST person that Max goes to when shit hits the fan in ST4 because god damn dude Dustin is the heart. Dustin’s unwavering support of Eddie even when the evidence is stacked against him, Dustin always believed in Eddie Munson. Dustin is the only one who truly offers Wayne condolences. He is the friend of all friends. Dustin is constantly carrying the party through crisis and discomfort, he’s dedicated, he’s unabashedly caring, and he’s the character that is able to socially move across the board in every direction. I fuckin love this little curly haired drama king because these geeks would be LOST without him!!! If Dustin isn’t the heart; he’s the Central Nervous System, he’s the nucleus, he’s fucking vital to not only the party but every other tertiary character of importance. He’s constantly inspiring and providing direction. He’s a goofball, he’s wise beyond his years, he’s a lover and he’s a fighter, he always has a plan and he always has a bad idea, he’s the voice of reason and the resounding falsetto alarm of things gone wrong, he’s never done anything wrong ever in his life, one time something ate his cat but besides that. He’s my heart of the show damn it!

[resusking230]

Ladies and gentlemen, developers and dreamers — The moment we've all been waiting for has finally arrived!

After two years of pixel-pushing, code-crunching, and more coffee than I’d like to admit, I’m thrilled to present to you the next major step in the evolution of our beloved game engine:

🎉ResusBox 0.12.7 is officially LIVE! 🎉

This update is more than just new features — it's a heartbeat of passion, a breath of creativity, and a defibrillator-powered jolt to the imagination!

Packed with enhanced mechanics, fresh customization tools, smoother animations, and plenty of surprises (including a few *shocking* ones), this version brings us one step closer to making resuscitation-themed games a unique, expressive, and memorable experience.

What's New in ResusBox 0.12.7?

This version is packed with exciting new features and improvements that push the engine to a whole new level:

- New UI design — Clean, modern, and more intuitive than ever

- Help Center — Includes How to Play, controls, and settings guide

- Advanced graphics rendering system — Now with full overlay support

- Image support — JPG, PNG, BMP, and GIF images

- Cutscene Player — Story scene animations, including looping and autoskip features

- MP3 background music support — Play music in game and story mode

- New configuration file format — More readable, more powerful

- New game physics — Now powered by improved physics for smoother, more dynamic gameplay

- Custom inventory icons — Personalize your game visuals even more

- Terminal — Perfect for debugging, experimenting, or just having fun with commands

- Developer Manual — Official documentation to help you master game development

Thank you all for your patience, feedback, and support.

Stay creative and have fun, ResusKing 230

Developer of ResusBox.

DOWNLOAD RESUSBOX v0.12.7

Required OS: Windows XP SP3 or higher.

Required RAM: 512 Mb or higher.

Required DotNET Framework: v3.5 or higher.

Download:

Date: June 5, 2025.

[cryingpariah]

Janice when she’s in mortal danger:

WE BACK‼️‼️

And it’s Janice time dare I say ;)

- What is Janice's relationship with the secret CP9 agents pre-reveal (cause obviously she’d hate them post) I’m curious if she particularly close to any of them

- Can Janice fight (does she have any experience with fighting/violence? Is she good at it? Does she enjoy the experience or hate it?)

- Does Janice have a DF? If so, what is it and how does it work? If not, what would be an ideal fruit for her?

HELLOOOO!!!!

i dont think janice had very close relationships with any of the cp9 members tbh. she wouldve found lucci annoying and a vibe killer LMFAO. she woulda liked kaku a normal amount i think. she probably didnt hang out with him or anything but i could see them exchanging greetings :3

kalifa would probably be the closest to her simply because they both follow iceburg around a lot. they wouldnt be besties by any means (theyre very different people lol)but i could see them having some good conversations during down time. i also think it would be very funny if janice picked up the habit of responding "sexual harrassment." to iceburg in unison with kalifa. she likes watching iceburgs disappointment grow ♡

janice absolutely CANNOT fight. shell threaten you with some knitting needles, and i suppose in a pinch she could use them, but shed really rather not. if anything, her main defense would be throwing whatevers nearest to her and running away. i do like the idea of one of the cp9 members trying to attack her assuming she cant defend herself just for her to produce a sharp ass knitting needle from her sleeve and stab them with it. it wouldnt save her from those scary ass ppl but at least she fought back right?

she does not have a df! shes painfully normal LMFAO

if i had to pick a fruit for her id probably go with a zoan of some kind. i think it would be really neat for her to turn into an animal :3 maybe a ferret? she has ferret vibes. im curious to hear what youd pick for her!!!

[hotvintagepoll]

Propaganda

Anna May Wong (The Thief of Bagdad, Shanghai Express)—Wong was the first Chinese American movie star, arguably the first Asian woman to make it big in American films. Though the racism of the time often forced her into stereotypical roles, awarded Asian leading roles to white actors in yellowface, and prohibited on-screen romance between actors of different races, she delivered powerful and memorable performances. When Hollywood bigotry got to be too much, she made movies in Europe. Wong was intellectually curious, a fashion icon, and a strong advocate for authentic Asian representation in cinema. And, notably for the purposes of this tournament, absolutely gorgeous.

Josephine Baker (The Siren of the Tropics, ZouZou)— Josephine Baker was an American born actress, singer, and utter icon of the period, creating the 1920s banana skirt look. She was the first black woman to star in a major motion film. She fought in the French resistance in WWII, given a Legion of Honour, as well as refusing to perform in segregated theatres in the US. She was bisexual, a fighter, and overall an absolutely incredible woman as well as being extremely attractive.

This is round 6 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Anna May Wong propaganda:

"She so so gorgeous!! Due to Hollywood racism she was pretty limited in the roles she got to play but even despite that she’s so captivating and deserves to be known as a leading lady in her own right!! When she’s on screen in Shanghai Express I can’t look away, which is saying something because Marlene Dietrich is also in that film."

"SHE IS ON THE BACK OF QUARTERS also she was very smart and able to speak multiple languages and is a fashion icon on top of the acting/singing"

"Paved the way for Asian American actresses AND TOTAL HOTTIE!!! She broke boundaries and made it her mission to smash stereotypes of Asian women in western film (at the time, they were either protrayed them as delicate and demure or scheming and evil). In 1951, she made history with her television show The Gallery of Madame Liu-Tsong, the first-ever U.S. television show starring an Asian-American series lead (paraphrased from Wikipedia). Also, never married and rumor has it that she had an affair with Marlene Dietrich. We love a Controversial Queen!"

"She's got that Silent Era smoulder™ that I think transcends the very stereotypical roles in which she was typically cast. Also looks very hot smouldering opposite Marlene Dietrich in "Shanghai Express"; there's kiss energy there."

"Hot as hell and chronically overlooked in her time, she's truly phenomenal and absolutely stunning"

"A story of stardom unavoidably marred by Hollywood racism; Wong's early-career hype was significantly derailed by the higher-up's reluctance to have an Asian lead, and things only got worse when the Hayes code came down and she suddenly *couldn't* be shown kissing a white man--even if that white man was in yellowface. After being shoved into the Dragon Lady role one too many times, she took her career to other continents for many years. Still, she came back to America eventually, being more selective in her roles, speaking out against Asian stereotypes, and in the midst of all of this finding the time to be awarded both the title of "World's Best Dressed Woman" by Mayfair Mannequin Society of New York and an honorary doctorate by Peking University."

"Incredible beauty, incredible actress, incredible story."

"-flapper fashion ICON. look up her fits please <3 -rumors of lesbianism due to her Close Friendships with marlene dietrich & cecil cunningham, among others -leveraged her star power to criticize the racist depictions of Chinese and Asian characters in Hollywood, as well as raise money and popular support for China & Chinese refugees in the 1930s and 40s. -face card REFUSED to decline"

Josephine Baker:

Black, American-born, French dancer and singer. Phenomenal sensation, took music-halls by storm. Famous in the silent film era.

Let's talk La Revue Negre, Shuffle Along. The iconique banana outfit? But also getting a Croix de Guerre and full military honors at burial in Paris due to working with the Resistance.

She exuded sex, was a beautiful dancer, vivacious, and her silliness and humor added to her attractiveness. She looked just as good in drag too.

So I know she was more famous for other stuff than movies and her movies weren’t Hollywood but my first exposure to her was in her films so I’ve always thought of her as a film actress first and foremost. Also she was the first black woman to star in a major motion picture so I think that warrants an entry

Iconic! Just look up anything about her life. She was a fascinating woman.

[apoloadonisandnarcissus]

Of Lust and Sex on Tolkien lore: Sauron x Galadriel in “Rings of Power”

Many fellow fans have complaint there’s a trend among the Tolkien fandom to de-sexualize Galadriel, but folks, this is not exclusive to her character. This is, actually, an on-going theme on how many see Tolkien’s world and work, in general, and it runs deeps.

There’s this weird headcanon that, just because Tolkien was catholic and a “gentleman”, the world he built is somehow devoid of sexuality or sexual matters, and asexual in itself. Nothing wrong with that, except we have countless examples of “sexual stuff” happening in the legendarium, from characters lusting after each other, to actual sexual assault. Just because Tolkien didn’t write explicit sex scenes (let’s say like George R.R. Martin, who devoted himself to try subvert Tolkien) doesn’t mean is not there. Not everything needs to be “in your face” meaning explicit.

Firstly, Tolkien cared enough about sexuality to write several essays on the matter, namely about the Eldar sex culture and customs. It’s clear that the Elves try to be the “perfect Catholics” on his lore, and this reflects on their views of sex = marriage, premarital sex is frowned upon, repression of sexual desire, adultery is unthinkable, and divorce is forbidden. The Eldar sex culture is purity culture in a nutshell. And it reflects Tolkien’s own views on the subject:

Later in life when sex cools down, it may be possible. It may happen between saints. To ordinary folk it can only rarely occur [...] Faithfulness in Christian marriage entails that: great mortification. For a Christian man there is no escape. Marriage may help to sanctify & direct to its proper object his sexual desires; its grace may help him in the struggle; but the struggle remains. It will not satisfy him – as hunger may be kept off by regular meals [...] No man, however truly he loved his betrothed and bride as a young man, has lived faithful to her as a wife in mind and body without deliberate conscious exercise of the will, without self-denial.   [...] Out of the darkness of my life, so much frustrated, I put before you the one great thing to love on earth: the Blessed Sacrament [Marriage].... There you will find romance, glory, honour, fidelity, and the true way of all your loves upon earth, and more than that: Death: by the divine paradox, that which ends life, and demands the surrender of all, and yet by the taste (or foretaste) of which alone can what you seek in your earthly relationships (love, faithfulness, joy) be maintained, or take on that complexion of reality, of eternal endurance, which every man's heart desires.  Tolkien Letter 43

In Tolkien lore, there’s a strong connection between sex and morality. This is clear on the most iconic romances on his legendarium: Beren and Lúthien, Aragorn and Arwen, etc., which follow the medieval tradition of Chivalric romance: adventures of knights, courtly love, codes of honor and chivalry, trials and tribulations in the pursuit of love and glory.

“Courly love”, in the European tradition, is a highly idealized portrayal of human romantic relationships, that emerged in the medieval courts of the continent. Is a form of ritualized love between a knight (Beren/Aragorn) and his lady (Lúthien/Arwen), characterized by restrain, discretion and devotion.  Tolkien himself talks about this, as well: 

It idealizes ‘love’ - and as far as it goes can be very good, since it takes in far more than physical pleasure, and enjoins if not purity, at least fidelity, and so self-denial, 'service’, courtesy, honor, and courage. Its weakness is, of course, that it began as an artificial courtly game, a way of enjoying love for its own sake without reference to (and indeed contrary to) matrimony. 

It’s clear Tolkien sees the lustful side of relationships as something sinful, but does this equal “evil”? No, because his characters (including the Elves) and the legendarium are complex, and this is not a pure Good vs. Pure Evil world, as Tolkien says himself: 

Some reviewers have called the whole thing simple-minded, just a plain fight between Good and Evil, with all the good just good, and the bad just bad. Pardonable, perhaps (though at least Boromir has been overlooked) in people in a hurry, and with only a fragment to read, and, of course, without the earlier written but unpublished Elvish histories. But the Elves are not wholly good or in the right. Tolkien Letter 154

For Tolkien, is more about being on the “right side of History” (let’s put it this way) than being an immaculate hero. His characters are complexed and nuanced:  

There are also conflicts about important things or ideas. In such cases I am more impressed by the extreme importance of being on the right side, than I am disturbed by the revelation of the jungle of confused motives, private purposes, and individual actions (noble or base) in which the right and the wrong in actual human conflicts are commonly involved. If the conflict really is about things properly called right and wrong, or good and evil, then the rightness or goodness of one side is not proved or established by the claims of either side; it must depend on values and beliefs above and independent of the particular conflict. A judge must assign right and wrong according to principles which he holds valid in all cases. That being so, the right will remain an inalienable possession of the right side and Justify its cause throughout. (I speak of causes, not of individuals. Of course to a judge whose moral ideas have a religious or philosophical basis, or indeed to anyone not blinded by partisan fanaticism, the rightness of the cause will not justify the actions of its supporters, as individuals, that are morally wicked. But though 'propaganda' may seize on them as proofs that their cause was not in fact 'right', that is not valid. The aggressors are themselves primarily to blame for the evil deeds that proceed from their original violation of justice and the passions that their own wickedness must naturally (by their standards) have been expected to arouse. They at any rate have no right to demand that their victims when assaulted should not demand an eye for an eye or a tooth for a tooth.) Similarly, good actions by those on the wrong side will not justify their cause. There may be deeds on the wrong side of heroic courage, or some of a higher moral level: deeds of mercy and forbearance. A judge may accord them honour and rejoice to see how some men can rise above the hate and anger of a conflict; even as he may deplore the evil deeds on the right side and be grieved to see how hatred once provoked can drag them down. But this will not alter his judgement as to which side was in the right, nor his assignment of the primary blame for all the evil that followed to the other side. In my story I do not deal in Absolute Evil.  Letter 183 

This is why, in "Rings of Power", Sauron can be in love with Galadriel and still be the villain he is. Tolkien doesn’t deal in absolutes, and Sauron is not pure evil, either.

And if people can’t wrap their head around nuanced and complex ideas, it’s not Tolkien's fault, really. This concept that “evil can love” (and it doesn’t make it any less evil) is absolutely fascinating to me, because I wholesome agree with this. Folks have this idealized notion of love (even Tolkien himself talks about this), like it’s only valid if it’s Beren and Lúthien. When it’s not. “Lord of the Rings” is meant to reflect our “fallen” world; and, in our world, tyrants and dictators can love, and have families, and still be genocidal monsters. Their ability to feel romantic love has no direct connection in how they treat their subjects. This is why Tolkien says that “good actions” on the wrong side don’t excuse it nor make it any less evil.

This is not “Harry Potter”, and Sauron is not “Voldemort” that can’t never “know love”. Tolkien was a college professor at Oxford, a renounced linguistic, the father of the modern fantasy genre, and a classic of World literature, he would never write just a basic concept.

This leads me to the idea that “Elves are not wholly good”, and that, they too, can be sinful, and that doesn’t make them “evil” (= on the wrong side). We see this with Galadriel in Tolkien legendarium; not only she commits the sin of pride, and greed, but also lust.  

In "Unfinished Tales", Tolkien tells us: Celeborn was the lover of Galadriel, who she later wedded. In Letter 43, Tolkien defines what he means by “a lover” (in general): “engaging and blending all his affections and powers of mind and body in a complex emotion powerfully coloured and energized by sex”.

So, it’s safe to assume that Galadriel was having sex with Celeborn before they were even married (premarital sex). Probably that’s why he had no quarrels with the wild John Boorman script of her and Frodo f*cking in the middle of the woods.

Galadriel doesn’t care about the Eldar sex customs, because, of course, she doesn’t, she's above that, being Noldor royalty and her own authority. Which makes sense with her “repentant sinner” character arc in the legendarium, actually.

Because, as Tolkien, told us: “in The Lord of the Rings the conflict is not basically about 'freedom', though that is naturally involved. It is about God, and His sole right to divine honour” (Letter 183). And “sin” is considered a transgression against divine law (aka God); an offense against religious and moral laws.

Tolkien was religious, but he wasn’t a Catholic priest, and he was well aware that women have sexual desire, and some are, indeed, promiscuous and have no problems acting on it: “You may meet in life (as in literature) women who are flighty, or even plain wanton — I don't refer to mere flirtatiousness, the sparring practice for the real combat, but to women who are too silly to take even love seriously, or are actually so depraved as to enjoy 'conquests', or even enjoy the giving of pain – but these are abnormalities, even though false teaching, bad upbringing, and corrupt fashions may encourage them” (Letter 43). Pardon the language, but Tolkien was, after all, a man of his time. 

The “Higher Beings” Nonsense 

This is one of the occasions I completely disagree with Charlie Vickers when he calls Sauron a “higher being”. He probably means it in sense he’s a Maia, a demigod or an angel in Tolkien lore, but his use of words can cause some confusion. Sauron is, in no way, shape of form, an “higher being” (in the Christain sense): he’s a literal demon, a satanist, a follower and a servant of Satan himself, in Tolkien legendarium. Demons exist in the lowest frequencies of existence in Christian theology.

Tolkien makes this very clear on his letters: Melkor/Morgoth is Lucifer/Satan on his myth, he straight-up calls him “diabolus” (Letter 153). It should be obvious enough on his entire character: he’s the one who corrupts God’s creation and is the symbolic archangel/Valar (like Lucifer was). Him being dragged in chains and imprisoned until the end of time also parallels a biblical event.

Sauron is the chief satanist demon in the lore, the #1 servant and follower of Morgoth/Satan: Satanic rebellion and evil of Morgoth and his satellite Sauron; in which Evil is largely incarnate, and in which physical resistance to it is a major act of loyalty to God (Letter 156).

And here, too, there’s a weird attempt of de-sexualizing these characters (mostly Sauron) in the Tolkien fandom. Despite the fact almost everyone recognizes the Christian inspiration here, and the Devil being seen as the creator of all kinds of sexual depravity, deviation and promiscuity in the world (according to Christain faith); the same way Morgoth was responsible for "corrupting" Arda. Apparently, sex had nothing to do with this corruption, according to some. Odd, to say the least, when Tolkien gives us descriptions of “indominable lust” on both characters (Morgoth and Sauron).

Them being magical and demonic creatures might indicate they have the ability to control whenever they want to reproduce or not. We know from the lore that Morgoth bound himself to his physical form because of his non-stop corruption of Arda. 

On Note 5 (“Vinyar Tengwar”) of “Osanwe-kenta", Tolkien writes: 

The things that are most binding [to Valar and Maiar] are those that in the Incarnates have to do with the life of the hroa itself, its sustenance, and its propagation. Thus eating and drinking are binding, but not the delight in beauty of sound and form. Most binding is begetting or conceiving.  We do not know the axani (laws, rules, as primarily proceeding from Eru) that were laid down upon the Valar with particular reference to their state, but it seems clear that there was no axan against these things. Nonetheless it appears to be an axan, or maybe necessary consequence, that if they are done, then the spirit must dwell in the body that is used, and be under the same necessities as the Incarnate. The only case that is known in the histories of the Eldar is that of Melian (...)  'The great Valar do not do these things: they beget not, neither do they eat and drink, save at the high asari, in token of their lordship and indwelling of Arda, and for the blessing and sustenance of the Children. Melkor alone became at last bound to a bodily form...' 

This might suggest that Morgoth became bound a physical form because of his “great lust”. "Begetting and conceiving” might, indeed, mean more than just standard reproduction, because Morgoth did “begot” with creation and mastery of several races and creatures. However, the only other example of a Ainur (in this case a Maia) getting bound to a physical form in the lore is Melian, when she became pregnant with Lúthien (after reproducing with her Elf love, Thingol). 

* Trigger warning: Mentions of Sexual Assault *

Then we have the fact that Morgoth might have been a serial r*pist. In “Myths Transformed” section of “Morgoth’s ring”, Tolkien has Morgoth r*ping Arien, the Maia who ruled the sun, and was “the most ardent and beautiful of all the spirits that had entered into Eä with [Varda]":  

. . . afire at once with desire and anger, [Melkor] went to Asa  [The Sun] and he spoke to Arie, saying: 'I have chosen thee,   and thou shalt be my spouse, even as Varda is to Manwe,   and together we shall wield all splendour and majesty. Then the kingship of Arda shall be mine in deed as in right,  and thou shalt be the partner of my glory.'  But Arie rejected Melkor and rebuked him, saying:  'Speak not of right, which thou hast long forgotten.  Neither for thee nor by thee alone was Ea made; and  thou shalt not be King of Arda. Beware therefore;  for there is in the heart of [Asa] a light in which  thou hast no part, and a fire which will not serve thee.  Put not out thy hand to it. For though thy potency  may destroy it, it will burn thee and thy brightness   will be made dark.'    Melkor did not heed her warning, but cried in his wrath:  'The gift which was withheld I take!' and he ravished Arie,  desiring both to abase her and to take into himself her powers.  Then the spirit of Arie went up like a flame of anguish and wrath,  and departed for ever from Arda; and the Sun was bereft  of the Light of Varda, and was stained by the assault of Melkor.  And [the Sun] being for a long while without rule . . . grievous   hurt was done to Arda . . .  until with long toil the Valar made   a new order. But even as Arie foretold, Melkor was burned   and his brightness darkened, and he gave no more light,   but light pained him exceedingly   and he hated it.    Nonetheless Melkor would not leave Arda in peace . . . 

So, yes, Tolkien really had the Devil r*ping the Sun... Can this be a parallel Sauron and Galadriel’s scene in “Rings of Power” Season 2 finale? When Sauron ravishes Galadriel's soul using Morgoth's crown? Since Sauron said he would make Galadriel a “queen as fair as the sea and the sun”, in 1x08? No quite. But more on that later.

Then we have the infamous Lúthien episode. There is an on-going debate on Morgoth’s intentions in this scene, but, in my opinion, and taking in consideration the incident with Arien, the “since he fled from Valinor” bit might indicate his intention was, indeed, to r*pe Lúthien. 

Then Morgoth looking upon her beauty [Lúthien] conceived in his thought an evil lust, and a design more dark than any that had yet come into his heart since he fled from Valinor. Thus he was beguiled by his own malice, for he watched her, leaving her free for a while, and taking secret pleasure in his thought. The Silmarillion [Lúthien dances for Morgoth on his Dark Throne, before she puts him and all the host of Angband to sleep with her magic singing]

Tolkien comes back to this “evil lust” Morgoth felt for Lúthien on several works:

…Yet I will give a respite brief, a while to live, a little while, though purchased dear, to Lúthien the fair and clear, a pretty toy for idle hour. In slothful garden many a flower like thee the amorous gods are used honey-sweet to kiss, and cast then bruised, their fragrance loosing, under feet. … A! curse the Gods! O hunger dire,O blinding thirst’s unending fire! One moment shall ye cease, and slake your sting with morsel I here take! In his eyes the fire to flame was fanned,and forth he stretched his brazen hand.Lúthien as shadow shrank aside. ‘Not thus, O King! Not thus!’ she cried. … …And her wings she caught then deftly up, and swift as thought slipped from his grasp, and wheeling round, fluttering before his eyes, she wound a mazy-wingéd dance… The Lay of Leithian, The Lost Road and Other Writings

“Nay,” saith Melkor, “such things are little to my mind; but as thou hast come thus far to dance, dance, and after we will see,” and with that he leered horribly, for his dark mind pondered some evil.  Book of Lost Tales vol.2

Then Morgoth laughed, but he was moved with suspicion, and said that her accursed race would get no soft words or favour in Angband. What could she do to give him pleasure, and save herself from the lowest dungeons? He reached out his mighty brazen hand but she shrank away. He is angry but she offers to dance. Commentary to the Lay of Leithian (The Lays of Beleriand)

Almost every servant of Morgoth either came to resent him or were absolutely terrified of him. The most notorious case being Sauron himself, as he went into the hiding after his spectacular defeat in Tol-in-Gauhoth (at the hands of Lúthien and Huan, the Hound of Valinor), probably to escape being punished by Morgoth.

“Rings of Power” already had Sauron talking about the unbelievable tortures he endured at Morgoth’s hands, and taking into consideration all of this… well, those “r*pe of Mairon” dead dove fanfictions might be on to something here.

Do you know what it is to be tortured at the hands of a god?

Sauron’s entire dialogue in this scene can be interpreted as that of a r*pe survivor, actually: we have the dissociation element of “sometimes, the pain almost became a reward. Became a game"; and the self-guilt of “no, you chose it” (which is something many victims of sexual assault go through).

And then, we have the fact that the “feminization of hyper-masculine Mairon” was a consequence of his corruption by Morgoth, as I’ve already talked about in this post.

Tolkien himself talks about the Christian devil in terms of sex and lust, so it’s odd why the Tolkien fandom plays mental gymnastics trying to equalize Tolkien’s use of the sin “lust” with “greed” (these are two different sins in Christian theology, even though they are connected). 

The devil is endlessly ingenious, and sex is his favorite subject. He is as good every bit at catching you through generous romantic or tender motives, as through baser or more animal ones. Letter 43

Greed vs. Lust in Tolkien Lore

Indeed, Tolkien uses the sin “Lust” in connection with "Power" and "Jewels" (Silmarils/One ring/gold), but this might be a metaphor for sexual temptation, as well. Mainly because of his Christian inspiration behind the whole story.

Some examples of Tolkien’s usage of the word “lust”, that might be interpreted as “greed”:

The oath of the sons of Fëanor becomes operative, and lust for the Silmarils brings all the kingdoms of the Elves to ruin."  "But also they [rings of power] enhanced the natural powers of a possessor – thus approaching 'magic', a motive easily corruptible into evil, a lust for domination."  "Very slowly, beginning with fair motives: the reorganising and rehabilitation of the ruin of Middle-earth, 'neglected by the gods', he [Sauron] becomes a reincarnation of Evil, and a thing lusting for Complete Power – and so consumed ever more fiercely with hate (especially of gods and Elves)."  Now Sauron’s lust and pride increased, until he knew no bounds, and he determined to make himself master of all things in Middle-earth, and to destroy the Elves, and to compass if he might, the downfall of Númenor

"Also so great was the [One] Ring's power of lust, that anyone who used it became mastered by it..."  The Númenóreans attempted to take the Undying Land by force of a great armada in their lust for corporal immortality.

“Greed” is the disordered desire to consume (wealth, power); while “Lust” is the disordered desire to possess (something or someone). Lust is “consumption” and “action”, while greed is “hoarding” and “possessing”. Someone who is greedy wants more and more of something (not necessarily do anything with it); while someone who is lustful wants to do something with the thing it desires.

But “desire” that is not acted upon in Tolkien lore is not sinful, nor it’s a transgression of God’s (Eru) laws.

“The Original sin” (or “The Fall") is central to Tolkien world-building: “The dislocation of sex-instinct is one of the chief symptoms of the Fall [of Adam and Eve]”. And this means is that Lust is the “original sin”, and the gateway to sin, and from where all other sins originate.  

St. Paul writes "cupiditas radix malorum": “the root of all evil is cupidity". This is motivated by the fact that Eve ate the forbidden fruit because "she saw it, was beautiful". This explains why Christians have such a bad view of sex, especially when it’s not restrained by marriage.

There is lust for the forbidden fruit (the fruit from the tree of knowledge of good and evil that Adam and Eve were instructed not to eat in the Garden of Eden). This is when “sin” is first introduced into the world, leading to their banishment from paradise. The themes here are: disobedience to God, and succumbing to temptation (Devil).

And it’s the serpent that inflames Eve's lust, and "Rings of Power" wasn't even being subtle here (even the OST for this scene is called "The Fall of Galadriel"): 

“Lust”, in his biblical/catholic sense, is the misuse of the body, sexually. The opposite of “lust” is “temperance” and “chastity”. “Lust” is disorderly sexual desire, and the subordinated enjoyment of sexual pleasure (against God’s law). It’s not just promiscuity, but extra-marital sex, as well.

In the Bible, “lust” is thematized by adultery (because marriage is a sacred sacrament, and acting against it, it’s breaking God’s laws, hence being a “deadly sin”). We also see this sin in connection with “idolatry” (one of Sauron’s crimes in Tolkien lore), when characters (such as Solomon) take foreign wives, symbolizing the forsaking of one’s partner for another.

But the catch here is: Eve wanted to eat the forbidden fruit. She wanted to bite into it, it was consensual. She was tempted, and she succumbed to temptation, to lust.

This pretty much goes hand with hand what I wrote on my “Of sin and sinners” post, that made the purity police gone wild. Galadriel and Sauron’s dynamic is not only hyper sexual, but it’s being consummated as well, and that’s why Galadriel gets banish from Valinor.

Sauron ravishing Galadriel using a sharp object parallels another Christian event (demonic version): the Ecstasy of Saint Teresa.

Beside me, on the left, appeared an angel in bodily form…. He was […] very beautiful; and his face was so aflame that he appeared to be one of the highest rank of angels, who seem to be all on fire…. In his hands I saw a great golden spear, and at the iron tip there appeared to be a point of fire. This he plunged into my heart several times so that it penetrated to my entrails. When he pulled it out I felt that he took them with it, and left me utterly consumed by the great love of God. The pain was so severe that it made me utter several moans. The sweetness caused by this intense pain is so extreme that one cannot possibly wish it to cease, nor is one’s soul content with anything but God. This is not a physical but a spiritual pain, though the body has some share in it—even a considerable share.

This is, essentially, a description of a Catholic saint having an orgasm. The “lorebros” wanted the Virgin Mary that never was, and “Rings of Power” delivered. Iconic. And that probably provides the subtext to this unhinged expression over here:

Happy with ourselves, are we?

So, yes, in the end, Sauron did take Celeborn’s woman as foreshadowed by Season 1 with the “clams” scene in Númenor (1x03). And now that his blood is inside of her, stuff is about to get wild.