"You...are noteworthy." from the bowed branches of a sakura tree he watches and yawns, eyes sliding across the white-form of the wolf below and then away again to scan the surrounding village and its happenings. it was rare another creature approached him outside of perhaps a misguided predator or a curious child - this was neither. and that fact alone piqued his curiosity mercilessly.
he peers out from beneath the tree leaves and waits, wondering perhaps if the adage of curiosity and cats would once again be his bane. « @ama-tcra-su »
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I drew the main companions from Bg3 in my style and left some notes of my thoughts so far !! I'm at the start of Act 3.
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Saw these T-shirts on my dash and I knew right away who to draw. I'm just thinking about how Reigen had so much positive influence on the many the espers in this show waaah
[ID: A sketch of Reigen and Mob standing next to each other, wearing white T-shirts with inscriptions that read "I'm the dog they put with cheetahs to keep them from going crazy in captivity" for Reigen and "I'm the cheetah that is threatening to go crazy" for Mob. Reigen is standing proudly and smiling, pointing at himself with his thumb, the other hand resting on Mob's shoulder. Mob is looking down at his shirt with a straight face, arms hanging loosely at his sides. End ID]
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yknow i didn't necessarily start my wyll origin run with the intent of romancing astarion in mind but the more i play the more i find their similarities amusing when it comes to like, the surface level personality they present to strangers in act 1.
wyll is a compulsive flirt. you see it in dialogue with shadowheart and lae'zel - he just tosses out a couple lines that clearly aren't supposed to go anywhere (asking lae'zel if she believes in love at first sight, blatantly reusing the same flirtation attempts with shadowheart) and i see this as part of his Blade of Frontiers persona. obviously a traveling vigilante would have no time for romance or relationships, but he's socially aware enough to have learned that people respond well to a certain level of rogueish charm. especially if his reputation precedes him. he can safely and positively engage in surface level flirtations with the people he interacts with because the person doing the flirting isn't real - at least not to him. he often says the Blade is his best self, but to him its an ideal he strives to achieve, not the person he really is. and i imagine that includes the ability to give discouraged people positive attention in a nonthreatening way. its safe. its superficial. he doesn't have to follow through.
this is overshadowed somewhat by astarion's tendency to flirt with anything that has a pulse, but the perspective they both have on it is pretty similar. theyre both coming from a place of not actually being interested in the recipient of their attention - whether that be through astarion's ulterior motives or wyll's lack of capacity for a relationship - but they both still put on this front because it's habitual. it's worked for them and it's gotten them through the varying degrees of social contracts they find themselves in. so they wind up trading lines easily because they've studied from the same script.
anyway what im getting at is bumping these two personalities against each other can definitely result in wyll and astarion committing to the bit so hard they accidentally wind up in a relationship. like, you're safe, you know the rules, you're speaking in a language i'm familiar with but we both understand that neither of us expect anything back on an emotional level. wait when did we start confiding our deepest secrets with one another. what do you mean you trust me.
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hypixel tweeted about techno, i'm reposting it in tumblr format:
"Words cannot describe how we, the entire Hypixel Team, are feeling today. Technoblade will always be remembered as one of our best, right from the start. Simon has released a statement from himself and the Hypixel Team, you can find it here https://hypixel.net/threads/in-memoriam-technoblade.5007404/
On the Hypixel Server, if you look for the Memorial Guide in any main lobby, you can leave a message for Technoblade's family. The book will be available for a month and we will print most, if not all, of your thoughts and send it to them. Please do limit your message to a page."
[image ID:
a drawing of a stone statue of technoblade's pig character in the hypixel hub. on the stand is a carved label reading "[PIG+++] Technoblade". at the foot of the statue are a boquet of flowers and potatoes. sunlight is shining on the statue.
end ID]
here is a link to the tweet
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do u have any navi thoughts from your oot replay
i've been waiting to answer this until I actually beat the game in my current playthrough because navi is another one of those characters that i think of in like a "set" with several other characters who serve relatively the same thematic purpose; in this case that purpose being the "mother" character, and i wanted to have all the characters in that set fresh in my mind. it's notable that while oot shows us very clear and consistent instances of the ways in which the adults of hyrule fail to protect their children, there ARE several adults who DO go out of their way to both oppose ganondorf and protect and nurture the children under their care. All of these characters are adult women, and all of them explicitly help the children out of some sort of parental responsibility or sense of duty towards them. in this group I include link's late mother, impa, nabooru, and navi.
all 4 mother characters, despite being adults or adult-coded, reject the inaction mentality which characterizes other adults in the game. they become either direct supports or shields to their children from the conflict the world has to offer them, and they are always explicitly punished for their interference--link's mother is killed trying to protect her son, impa's village is burned, nabooru is brainwashed. The mother's fatal flaw is that she will protect her child above all else, even in a world in which children cannot truly be protected. however, with the exception of link's mother, these characters manage to persist even in the face of her punishment, and this is where I think navi becomes the exemplary character.
Navi, after a lifetime of being link's only support system, the only adult in his life he could truly, consistently count on, receives her punishment at the hands of ganondorf--in the final battle, she is pushed out. she is unable to reach her child. she cannot protect him. However, BECAUSE link has grown up with her at his side, he is strong enough to take ganondorf down. and when ganon rises again, navi is there to support link, promising not to leave his side, and the intuitive targeting of that battle (a mechanic which navi is inherently tied to!!) makes it a cinch to win. Navi, and the other mothers we meet, are a reminder to the player that the world doesn't HAVE to be the way it is. Their persistence when punished, their insistence that their children ought to be protected, is a reminder that good adults do exist, and that good adults raise good children. link and zelda are able to win in spite of the adults who refused to help them, but also BECAUSE of the adults who DID. It's a reinforcement of the core theme of oot--that childlike idea that the world SHOULD be good and fair and if it isn't, it should be changed until it is. The mothers of oot are examples of what the world COULD be, reminders that it is possible to grow up without losing hope or growing bitter, and they are examples of the next step for the children they've raised to change the word--to continue fighting even in the face of punishment, to refuse inaction, and to foster that same hope and persistence in the generations to come.
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[First image description: A screenshot of Georgia Tennant's instagram post. The photo is of Peter Davison holding a sign that reads "He's not that special!" In front of a line of people. The caption of the post reads "Here I am protesting in front of the half mile queue for your husband". The post is dated April 2, 2022. Below there is a comment from Neil Gaiman that reads "He's got the patience of Job, your father."
Second image description: A close up of Neil's comment. It's got 786 likes and was posted 71 weeks ago.]
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hello it's part 3 of 3 for my cool fun graphic design adventure!! part 1 and part 2 got too long. to recap i am recreating this t-shirt design but with the magic 8 ball songs instead of city names:
here is the current draft, updated through 3/27 (pittsburgh) (!!!!)
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i swear if you people start uwuifying OCD like you did with ADHD and autism I'm going to start attacking
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"Do you have any idea how good it is to see you?" (From Spencer) ~ @asoulunbound
» there’s a moment where she doesn’t know how to respond, an awkward space between his words and her smile breaking the surface. he thinks it’s good to see her..? is she dreaming?
» “ yeah well… vacation wasn’t all everyone kept telling me it would be. i got kinda bored. it was weird not having someone around to talk to. ”
» “ it’s good to see you again.. i missed- “ you. “ everyone. ”
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My DID-having ass is experiencing so much world-envy for the fictional country of Vaugarde I'm going to throw up
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detective comics #509
[ID: Bruce Wayne sleeping in his penthouse, his eyes squeezed shut as the narration reads, ‘Gordon's strained laugh sounds hollow, but it echos in the Batman's mind... and haunts his dreams...” Bruce awakens to a hand on his shoulder and before he can think, he's twisting it and holding it down. The panel expands, revealing the hand belongs to Alfred as he's almost toppling over! He cries out, “M-master Bruce—my arm!” as Bruce groggily realizes who it is. He lets go at once as Alfred moves to the end of the bed and holds his arm while stammering an apology, “S-sorry, s-sir... Sorry if I startled you.” Bruce looks at him with aghast as he cries out, “My god, Alfred—I almost broke your arm!” Alfred reasons, “You must have been having a nightmare, sir.” as Bruce sits up and puts his face in his hands. He weepily dismisses, “A nightmare—what kind of an excuse is that? Old friend... forgive me...” Alfred reassures, “Nothing to forgive, sir. Just bad nerves, sir.” END ID]
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i have 100 hours in bg3 and finally decided to draw my tav :)
[image ID: a light blue background with reference images on the left, and a portrait on the right. the reference images are several screenshots of a Baldur's Gate 3 player character, which is a pink tiefling with long horns that spiral upward, black facial markings, pointed ears, and red shoulder-length hair that parts in the middle. the screenshots are all from the hips and up, with the character facing multiple different directions. to the right is a half-rendered bust of the player character, notably with a slightly larger nose, fluffier hair, and thicker horns. their expression is neutral. end ID.]
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