#Let the world have more compassion

[changingplumbob]

hii!! 11-14 for the story questions

Hooray a chance to talk!!! And I actually really wanted to do these 4! Thank you Lori 😁 I'm throwing in a cut just because I write long answers, don't want to be cluttering dashboards.

11) Why have you decided to tell this story? Are there any messages or meanings within it?

It was about 6 months of me playing my rotations before I had the thought to record what was happening in story format. I was actually sticking with households and wanted to be able to look back and see how far they'd come, so I decided to start writing and taking screenshots. I've always liked creative writing throughout my life, but have been reluctant to share it, there's so much talent out there. I enjoyed writing about my sims so wanted to share it, mainly so I could talk to people about my sims because I have such fun playing.

Messages or meanings... I try to write most of my sims as being accepting. There's a lot of hate and bigotry in our world, and I like writing a world where there is minimal prejudice. Samir will never have to face sims distrusting him simply because he is of Arab descent. Devin will never face discrimination in casting simply because she is married to a woman. Joey will never have his job performance questioned simply because he has hearing loss.

I do write a few mean and narrow minded sims but they are few and far between. They are mainly there to add some realism but I want my sims to feel safe being who they are. So messages... judge someone for their character, not something that they have no control over (ethnicity, sexuality, gender, disability).

12) Do you actually play the game or do you just use it as a storytelling medium?

I LOVE playing! I preordered Sims 4! However, patience is not my strong suit. The longest I've played one household lasted from the teens in a household growing to YA and having a baby... I was the master of making a household, playing for a few in game weeks, then getting bored. Rotational play is great for me as it helps me stay invested, plus I love to micro manage.

I do consider that I'm playing my game and just recording what happens for the most part, Reece and Samir are the only ones I think of as me crafting a story. Apart from them I play pretty unplanned.

13) From basic planning to a finished post, how long does that take you?

I like to play, take screenshots, then write for those before returning to the game for another round of playing. Let me check some dates... The next households first part screenshots were taken on Jan 28th and I finished playing the household on Feb 3rd. Looks like I created the word document on Jan 28th and it was last edited on Feb 4th.

So 8 days to play and write the chapter. I'd guess another day to finish queuing the posts (I also do these as I go). But that is probably one of the faster ones. This latest one I've done has taken me over 2 weeks, yes I was away for a portion of that, and I've still not finished the writing. I'm currently unemployed so I have the time to spend on it. When I find a new job I imagine average creation time will double or triple.

Drafts from the past take about 3 minutes as it's just me getting a screenshot of whatever weirdness is happening and putting it in a post. Lookbooks can take several hours to string together, or less than 1 if I'm not providing new outfits. Build or Reno posts take maybe half an hour to put together, providing I took the screenshots I need. This post took me an hour to write because I'm having an IBS flare up and thinking deeply.

14) Do you have any regrets about your story so far? if you could go back in time, how would you fix these?

I am not a big one for regret in real life. I was for a long time but now I try to see the past as "things happened, I did the best I could in the circumstances with my resources and what I knew".

I do somewhat regret putting my earlier writing straight on Twitter with no copy to my hard drive because all that story is essentially lost to the black hole of the internet. BUT that's taught me to keep records of what I'm doing.

Story regrets... nope. I've sat here for 5 minutes and cannot think of one. I do feel sad about making all of Marta's family dead but I don't regret that choice. What I have done with my sims are things that made sense for the characters.

[areacode516]

thinking about deh again… like i think one of the things that makes deh age weirdly is that the latter portion of it is incredibly uncomfortable to sit through. and it doesn’t quite give you the full catharsis you expect (i.e full closure with all characters). so it gives you an exceptionally like. emotionally tense feeling. it’s so heavy. when i finished watching it the first time it took me like all night to process it and finally relax and sleep. i liked the discomfort a lot though, it’s rare that a story makes you sit through it and sit with it and doesn’t feed you the perfect happy ending.

the entire Moment of evan revealing everything to the murphys is like. not quite second hand embarrassment, it’s like. second hand “totally fucked” (spring awakening style) and second hand “i want to kms” (how can you not empathize with/have compassion for evan during words fail) and second hand pure desperation of wanting to be anyone else but yourself but also wishing you could want to be yourself.

but in the end the murphys DON’T totally fuck evan à la melchior gabor…like….because they got attached to him and still feel that attachment, because he helped them get closure, because they realize he was very troubled and the truth coming out could make him go out the same way as connor and they wouldn’t be able to stand the guilt and knowing they could have prevented it…again…that is SO compelling. it’s not even about redemption or forgiveness. his lies helped them, and if you’re really extraordinarily cynical, the lie (platitude) that you will be found (the original lie that evan was found by connor), that there’s always going to be someone who’ll come running also helps people…and it’s not really a lie if the musical itself found people, right….the layers of #ywbf in universe and out of it are insane and I honestly think a lot of them are unintentional considering. but i would argue those layers were originally intentional (since the original idea pasek/paul/levenson came up with was a cynical satire on parasocial grief) but layers later pushed away in favor of fully celebrating joyfully and optimistically their song and story and theme and audience at the time, removing the nuance, leading to the direction of the movie.

could deh the musical have said what it wanted to say with more sensitivity and grace? sure. but what it *does* say is worth accepting its messy conclusions for, because expecting things to be neat and tidy and perfectly moral is just another lie we force ourselves to present to the world that prevents us from ever finding each other.

[vivid-vices]

i really think the world could stand to be a tiny bit more understanding of low-empathy people

[pandoratheprocrasticreator]

cosmo and wanda i wish everyone who interprets the plot of steven universe in bad faith as “being friends with space nazis” goes to hell no matter what

[zerodaryls]

some people have gotten far too comfortable telling people to kill themselves on the internet. even those of us who don’t stoop to such lows seem to have become numb to it and just let it happen. it should be upsetting every time. i don’t care if someone is a fucking terf, i don’t want to see anyone told to kill themselves, holy shit.

when i was a young, mentally ill conservative christian teen, i don’t know how i would have responded if someone had told me to kill myself when i expressed my (then) anti-choice, obnoxiously evangelistic, love-the-sinner-hate-the-sin views.

the fact that people have developed a reflexive response to problematic behavior by suggesting that those people end their own lives is so disheartening. if someone had told me to kill myself when i was stuck in my bigoted upbringing, i might never have grown into the person i am. i might have ended it before i got the chance to get there. or i might have had my christian-pushed beliefs that the outside world is Scary and Evil validated, and retreated deeper into my religious brainwashing.

also?? my life didn’t suddenly gain value when i matured and came out as a queer, trans, non-christian leftist?? and neither does anyone else’s?? that’s literally not how it works??

people don’t suddenly become Worthy Of The Air They Breathe when they adopt The Most Morally Correct Beliefs. i’ve got younger siblings who are still uber-religious conservatives, and even if they never break free from that worldview i’d never tell them to fucking kill themselves, holy shit.

i get that bigotry is scary and for many of us our rights and wellbeing are at stake, and it’s a common human psychological response to lash out when we’re scared, but if someone’s fear is causing them to boldly encourage suicide, maybe they have bigger problems than the ones outside of themselves.

[soldier-poet-king]

. Chompin at the bit today ...

[kavehater]

I honestly wish people cared more about depression and other issues rather than saying they care but scrutinise a person so horribly when they show symptoms associated with said condition 🧎‍♀️

[stephsycamore]

I think the most radical thing the hunger games does is tell young people that the most revolutionary thing you can do is have unconditional love for humanity. Katniss throughout the entire series is guided by a deep sense of compassion for the people around her. It is what causes her to volunteer, to bury rue, to mercy kill cato, its why she tries to save peeta, why finnick telling her to remember who the real enemy is works, and even though her compassion for the larger world falters when peeta is kidnapped, it comes back when she visits hospitals and asks for mercy for other victors and ultimately, it is love and belief in a better humanity that makes her kill coin. Through it all, she maintains an unfaltering belief in the fundemental goodness of humanity, which is diametrically opposed to dr gaul's and snow's worldview. Peeta is even more unwaveringly compassionate

So the series tells young people that the most revolutionary thing you can be is compassionate. Let compassion drive your politics. Let yourself believe in the fundemental goodness of people. And i think that's deeply important in a world that touts the superiority of pure reason or logic, to allow yourself to be guided by something as emotional as compassion. Katniss everdeen tells us that your politics should be rooted in compassion in a world that thinks detatchment or cynicism is intelligence and i think thats v cool

[surftrips]

SWEET NOTHING

pairing: luke castellan x reader

summary: y/n comforts luke after he sees percy claimed by poseidon.

word count: 600+

a/n: y'all i know. how many more morally grey characters can i write fics for? i couldn't help it, he's so bf in the first two episodes so this takes place in a world where he’s done nothing wrong <3

You watched as your boyfriend’s face changed after seeing the newest camp member, Percy Jackson, claimed by his father, Poseidon. 

Luke wasn’t one of the unclaimed kids, but he might as well have been. His relationship with his father Hermes was a strained one, but he pretended like it didn’t bother him. 

But now, it was hard not to notice the sadness and frustration that had clouded Luke’s face as he watched the trident appear above Percy’s head. Before you could go over to comfort him, he had already run away from the scene. 

You decided to give him some space, figuring that he had gone back to his cabin. As the other camp members slowly dispersed, you looked around for Annabeth. 

Upon laying your eyes on the dark-haired girl in the crowd of people, you beckoned her over. 

“Hey! Did you see that?” she asked you, excitedly.

“Yeah, that was crazy!” you admitted. “How’d you know he was Poseidon’s?”

“I’ve been watching him.”

“Of course,” you smiled. Luke had told you about Annabeth's desire to find “The Chosen One.” 

“Wait- where’s Luke?” she asked, as if on cue.

“I was gonna talk to you about that- I think he ran back to his cabin.”

“What- why?”

“I think he had some feelings about Percy being claimed, if you know what I mean.” 

“Oh,” Annabeth replied, putting the pieces together. 

“Yeah, I’m giving him some space right now, but do you have any advice on how to approach this? I don’t want to upset him any more.”

“Look, Y/N, you’re his girlfriend. Just do your best to comfort him and I’m sure he’ll start to feel better.”

“I know, but you’re his sister! You know him best, what if I say the wrong thing?” 

“You can’t say the wrong thing. He loves you, Y/N. He just needs to see that someone is there for him.” 

“Okay, thank you, Annabeth,” you gave her a hug before heading in the direction of the Hermes cabin. 

You were relieved to find that the other campers had not gotten back yet. You gently pushed open the door and found yourself facing your boyfriend’s back sitting on his bed. 

“Luke?” you called out.

He turned to face you, hastily swiping at the tears that had fallen onto his cheeks. 

“Oh, sweet boy, come here,” you ran over to take him in your arms. He let his tears fall again, and your heart broke seeing him like this. You knew that he acted brave all the time, but deep down, he was hurting.

“Hey, it’s okay. Just let it out,” you attempted to calm him down. 

“Why doesn’t he care about me?” he cried.

“Baby, it’s okay. He doesn’t matter, alright? It has nothing to do with you.” 

“Yes, it does. Percy killed a minotaur and broke Clarisse’s spear and his dad just came swooping in.” 

“Look at me,” you pulled away to lift his face up. “You are so, so special. Anyone that knows you can say that. Hell, you’re the best swordsman in this camp. But you know what else? You’re kind, and caring, and you have all this compassion in your heart, despite it all. If he can’t see your worth in that, then that’s a reflection of him, not you.” 

Luke didn’t say anything, instead he worked on catching his breath as you continued to rub his back and lay kisses on his forehead. 

“Thank you,” he said after a moment, still sniffling. 

“For what, baby?” 

“For seeing me. And staying.”

“To know you is to love you, Luke Castellan,” you gave him another kiss, this time on his lips.

[saraswritingtipps]

Questions for Crafting Problematic Characters

Sure, let's simplify and add some guiding questions to help you navigate the complexities of writing problematic characters:

Understanding Your Character's Mind: Dive into your character's thoughts and feelings. What makes them tick? What fears or desires drive their actions? How do their past experiences shape who they are today?

Looking at Past Hurts: Think about any past traumas or tough experiences your character has faced. How do these experiences affect how they behave now? Do they have unresolved issues that come up in their actions?

Considering Society's Impact: How does the world your character lives in affect them? Do they follow the rules or rebel against them? Are there societal norms they struggle with or don't agree with?

Thinking about Power and Privilege: Does your character have power or privilege in certain situations? How does this affect how they treat others? Do they realize their privilege, or are they blind to it?

Exploring Different Identities: What parts of their identity are most important to your character? How do aspects like their race, gender, or sexuality influence their behavior? Do they face discrimination or stereotypes because of who they are?

Dealing with Right and Wrong: Are there times when your character has to make tough decisions? What moral dilemmas do they face? Do they always do what's right, or do they sometimes make mistakes?

Giving Your Character Control: Does your character have control over their own life? How do they make choices and deal with the consequences? Do they have the power to change, or are they stuck in their ways?

Seeing Through Different Eyes: Whose perspective is the story told from? How does this affect how readers see your character? Do readers understand why your character does what they do, or are they left guessing?

Writing with Respect and Responsibility: Are you being respectful to the people or groups your character represents? Have you done enough research to understand their experiences? Are you telling their story in a way that's honest and fair?

Exploring Big Ideas: What themes or messages do you want your story to convey? How do your characters, especially the problematic ones, help explore these ideas? Are you starting conversations about important issues?

In short, understanding your character's past, their place in society, and their moral compass can help you write them more authentically. Remember to approach sensitive topics with care and to give your characters room to grow and change.

[bookdragonideas]

Here's the thing. I'm a girl, and as a girl, I really like it when girls are portrayed in fiction. Especially fantasy.

But so much fiction/fantasy mixes up 'girls' with 'unstoppable forces of female badass' and there's not necessarily anything wrong with having a character who is an 'unstoppable forces of female badass'. But it gets old real quick. And it is not the same as portraying normal girls, or having good female characters.

And that's one of the many reasons I love Avatar the Last Airbender.

Because all the girl characters have flaws and weaknesses and sometimes act like idiots or jerks. They get emotional and make mistakes. They lose fights or arguments or are just wrong sometimes. Some of them are amazing warriors, and some aren't. Some are powerful or special and some are normal, with nothing special about them.

And I Love that.

I was around the same age as Katara when I first watched Atla. And I instantly connected with her as a character. I loved her optimistic attitude and her fighting spirit. And I could relate with her anger, and with her maternal instinct. I admired her fighting skills of course, but I loved how the show portrayed her compassion and kindness, the way she could both beat up a bunch of bullies AND enjoy a relaxing day at the spa. She was a baddass warrior that should never be crossed. But she was also a normal teenage girl who had a lot of the same internal struggles and problems that I did.

(I never connected to Toph on the same level, but I did relate to her on a few things. She's an adorable trash gremlin who would commit any crime for fun and I love that. But she struggles with being both independent and letting people help her, and I still struggle with that sometimes. I've learned that sometimes, you can help others by letting them help you.)

Yue is, in my opinion, a perfect example of a type of hero that seems to be disappearing. She is not a warrior. She is not a fighter. She's not even a bender.

Yue is a perfect princess, a perfect daughter. She is extremely feminine in a rather older sense.

And she was the only one who could save the world. She gave up everything for her people. She saved everything, everyone, the entire world. Without ever becoming a fighter.

Yue is a perfect example of a girl who was never more than a girl, and how that's okay. Not every girl has to be rough and tumble and fight for her rights in order to change everything. Sometimes it's okay to just be a quiet obedient girly girl. Sometimes that's all it takes to be a hero.

And I love that. Yue is strong in her own way. She is unique and interesting. She appears in only a few episodes and yet manages to be one of my favorite characters.

Song is another great example of this. Song is a healer in a small town. We don't see much of her but we see her compassion and empathy. She is gentle and generous. A healer not a fighter.

She watches Zuko steal her ostrich horse and does nothing.

Is that because she's kind and generous and knows he needs it more? Or is it because she's a healer girl who knows she can't actually stop those two from taking the horse? Maybe neither, maybe both. I have always thought that the scene where Zuko steals the horse and only the audience knows she saw it is one of the most thought-provoking in the series.

Suki is a badass warrior woman who is an awesome fighter and good leader. She is one of the best non bender fighter we see in the entire show. She was one of the smartest, most efficient, and powerful characters we ever saw.

She kissed a boy she had just met because she thought he was cute.

Now don't get me wrong I love SokkaxSuki. Its one of the best couples in the show.

But Suki totally did the old 'love at first sight' thing. And that is awesome. Because when she kisses him she delivers one of the best lines, not only from her, but, I think, in the entire show.

"I AM a warrior, but I'm a girl too."

Being a warrior doesn't mean that she isn't also a teenage girl. She might be a fighter, but she still gets crushes and likes to flirt with cute boys. And hey, she picked a good one. Not every boy is going to come break you out of prison.

Anyways, let's have more realistic girls in fiction. And please enjoy the next 24 hours.

[salaimoi]

𝒏𝒐𝒕𝒆𝒔: GUYS THIS IS NOT A DRILL!! I finally wrote a fic that isn’t about GOJO?! whaaaaaaat is the world as we know it coming to an end? D:

Past lover Sukuna who originally took no interest in you being his wife, but eventually, your abiding love taught him to do so. But, it was far too late when you established that he was indeed capable of loving someone other than himself. Your demise caused him to lose the individual he held dearest in this world – replacing the affectionate sentiment that had been coursing through his heart with resentment.

Past lover Sukuna who had anticipated your fated return once more since the Heian Era, only for your rebirth to never arrive, even though millennia went by. The benevolent soul he eagerly waited for became ensnared in the depths of the underworld, unable to reincarnate into the mortal world.

Even then, he was more than certain that you weren’t at eternal rest because of the longing, the nostalgia, and the need to be together again that he felt. 

He knew your anima was among the 7 realms somewhere; all he had to do was wait for your return. Heaven could wait as long as it meant laying eyes on that precious face of yours once more.

Past lover Sukuna who noticed the spitting image of his deceased wife walking down the street that fateful day. He couldn’t pass up this opportunity to have you once more in this lifetime as well – even if it was borderline selfish. 

To bring back those good old times; to bring back what was his. 

To hold you. To own you. To conquer you. To possess you. To control your soul. To do whatever he wanted to with you. 

To be with you once again, reverting to a time when he could feel affection – the way he liked best.

Past lover Sukuna who gripped your arm vigorously out of the blue among the crowd, because Sukuna never knew boundaries – not when it came to his beloved. 

“You look familiar,” he said, “not only the uncanny face shape and the exact same expression… but also your scent.” His gaze unrelenting as he scanned every aspect of your being as if you were his property, to make sure it was you – and he was correct. 

You were the same woman Sukuna fell in love with 1000 years ago. Alas, his delicate swan had returned to him after eons of suffering, like he knew you would.

Past lover Sukuna who noticed you squirming under his grip and scolded you, sharp nails digging at your flesh. 

“You shouldn’t be acting like this; it isn’t decent behavior for the reincarnation of my cherished wife to act in such a manner.” 

But you didn't remember a life before this one, nor did you recall his name or even the fact that you were once his most prized possession. 

Past lover Sukuna who waited over a thousand years just for his beloved to reincarnate into a mortal. He knew he wasn’t capable of loving anybody nearly as much as he loved her. And now...now she's back.

When you left this world, you took all – if any – of the sense of compassion he had. No one in the history of sorcerers and curses alike could come close to comprehending the misery he endured with each passing day.

Time and time again, reliving his wife’s death in his subconscious. Powerless to intervene as he witnessed the life drain out of her and transfer onto his fingertips.

“I missed you all those years, and I can't have the same fate happening again. I'm not going to let you die the way you did in your past life, got it?" Never forgetting to conceal the anguish in his words, as to not let himself be too vulnerable.

Past lover Sukuna who was hellbent on evoking in you the sentiment of what it was like to be his spouse. Even if it meant having to recreate every single romantic scenario he ever experienced with you a second time.

“I finally have you with me again. All I need to do is make you remember the feelings you had for me in your previous life, and then you'll have your past self fully restored.”

To you, it would entail falling in love with him all over again; to him, it would be a refresher on what you once shared. A win-win scenario.

Past lover Sukuna who began to notice the essence of that past life slowly merging with your current self, fusing the two identities into one. The love she felt a thousand years ago was slowly reawakening. All while Sukuna stood there in awe of the magnificent sight he was witnessing; the sight of his beloved being reborn again. The reunion of two souls was happening before his eyes, and it was almost emotional to see.

Past lover Sukuna whose heart felt heavy from the weight of joy and relief that he felt. He finally reunited with his once-lost lover. The essence of her former life was fully restored once more as she was standing right next to him. It seemed unreal to see her with his own eyes – his beloved was back, at long last. The eternal years of hardship for the sake of his plan were finally worth it.

Current lover Sukuna whose fingers ran through the locks sprawled over his lap – calming the both of you to no bounds when his fingernails rake through your scalp. His free hand holding onto your wrist tightly, because he had to be sure no one would snatch you from his grasp a second time.

“I missed you so damn much…more than you could ever possibly imagine.”

Current lover Sukuna who finally admitted to his feelings for the first time in millennium, because he missed you more than anything in this infernal world.

Current lover Sukuna who admired you with a soft expression, shocked at how angelic you were even after a thousand years.

“You still look as gorgeous as you did a lifetime ago.” words dripping with genuine adoration as he gazed down at his wife.

Current lover Sukuna who wondered how that was possible in the first place. Surely, granting him access to a companion of your caliber – with such a pure heart and soul – was a mistake of some kind?

Current lover Sukuna who thought, “All is right in this world again.” to himself. Because it was. You were by his side once more – right where you belonged.

[convolutedblasphemy]

Cursed Idea: Hazbin Hotel as an open world RPG with romance options

The only characters you can't romance at all are Charlie, Vaggie, Alastor and Vox (because he's just too fixated on Alastor)

You can start a QPR with Alastor but this is insanely hard and only works if you (1) never upset him or Rosie on that route, (2) your choices fall at least 80% in line with his twisted moral compass that you have no idea what it is, (3) you freed him and (4) you keep offering him dishes you cooked with the cannibal cookbook (obtainable from the 666 news studio) from "ingredients" you looted from enemies you killed. This only works if you chose a melee type weapon. Alternatively you can buy the ingredients from Rosie's Emporium but they're pretty expensive.

Lvl 10 friendship with Alastor rewards you by letting you scritch his ears and gives you a tail you can equip on him if he is in your party.

You can kill every sinner in hell as long as you own an angelic weapon, except for the overlords. The exception to this is Valentino, whom you can kill whenever as long as your level is high enough. He is the only boss fight that is not level- or story-locked.

You can be redeemed and go to heaven if you get 10000 heaven points by doing good deeds and helping people. If your first boss fight is Valentino, you win and choose to kill him, you get 1000 heaven points

Spending 50k at the Hellmart gets you Alastor's cane to equip on your character. If you destroy every TV at the Hellmart, you unlock a special achievement titled "Radio killed the Video Star" but it also deducts 3 friendship levels from your bond with Vox.

You can pick a romantic and sexual orientation for your character and there's an achievement called "unbridled asexual rage" that you get if you consistently murder the first 30 people who hit on you. If your character is male, this includes Angel Dust who hits on you in the tutorial.

Every story-relevant character you kill prematurely gets replaced by an egg boi. This makes the cutscenes very interesting.

Killing both Valentino and Angel Dust is recommended for players who might be triggered by the Valentino and Angel Dust questline, as they will both be replaced by egg bois with limited animation.

Romancing Valentino locks your heaven points bar until you decide to kill him.

You can get kicked out of heaven again if you commit crimes. You can make soul deals in heaven. Every soul you have comes with you to hell. Bringing Alastor's mother to hell deducts 5 friendship levels from your bond with him but unlocks a heartfelt cutscene where they reunite.

You cannot bring Emily, Sera, Adam or Lute to hell with you. Adam respawns in hell if you kill him though. Then you can forge a soul deal with him if you're smart about it.

Killing Lilith before the story forces you to do her boss fight replaces her with a giant egg boi.

Killing Lilith frees Alastor and raises your approval rating with him significantly.

Killing Rosie or his mum permanently makes Alastor hate you

One of the first dialogue options you get with Adam is (Bite him...) where you violently chomp down on his arm and he screams like a little girl

Other characters the game lets you violently bite include: Angel Dust, Sir Pentious, Vox, Valentino, Lucifer and St. Peter.

Weapons are customizable in appearance. Notable skins for weapons include: severed arm, radio on a stick, wet fish (with sound effects!), angelic spear, Cherri's bombs, Adam's axe and many more

Marrying and immediately divorcing Lucifer will lower your approval rating with Charlie

You can customize your room at the hotel. Divorcing Lucifer unlocks a special crying Lucifer-esque rubber duck that you can put on your shelf.

If your approval rating with Husk is high enough, he will keep bringing dead mice to your doorstep that you can either throw away or feed to Alastor

You can pretty much feed any being to Alastor whether raw or cooked, as long as you have it in your inventory.

Obtaining enough souls will give you access to the overlord meeting room in Carmilla's house where you can obtain "rotting severed angel head", which you can use as a special ingredient in the Jambalaya recipe from the cannibal cookbook

You can enter Vox's room during your stealth mission in the V Tower, which lets you steal several Alastor-themed decorations for your own room including the Alastor body pillow, 3 Alastor posters including the beach art of him, an Alastor figurine and a cursed cat Alastor plushie.

Every character at the hotel has one of those figurines. Collecting them gives you rewards and if you put all of them on your shelf you get a "Found Family" achievement.

You can burn Valentino's studio down during the V Tower stealth mission. Angel Dust's figurine is in his room so be sure to grab that before you burn the studio.

Other locations for the figurines include: Charlie's room (Charlie), Hotel Room in Heaven (Vaggie), Casino (Husk), Utility Closet at the "Consent" club (Niffty), nest of giant hell chicken (Pentious) and Duck Pond (Lucifer)

There's a Voxtagram function in your phone where you periodically receive new posts from the characters with comment options that they reply to. You can repeatedly be mean to Vox online. This is a running gag and Vox eventually complains on TV about getting cyberbullied.

You can turn on the little radio in the hotel lobby or get a customizable radio as a gift from Alastor that you can put in your room. You can select between playing Alastor's radio show, Alastor's radio show from when he was alive, the Hazbin Hotel soundtrack, screams and Mimzy's singing.

Achieving lvl 10 friendship with Alastor also unlocks camera mode for him. Now he no longer glitches out on photos as long as you equip an old-fashioned camera.

Romancing St. Peter lets you persuade him to smuggle you into heaven whenever you want to go.

There's a billboard near the V Tower that displays a slideshow of Vivziepop tweets where she engages in her own fandom discourse

If you keep walking ahead in the swamp in Alastor's room you eventually fall out of the map and respawn at the nearest unlocked waypoint.

You can adopt a little fawn from Alastor's swamp and a rabid raccoon you can find in a trashcan behind the hotel. If you do not take the raccoon to the vet first, there is a rabies breakout at the hotel.

You can interact with the alcohol bottles at the hotel bar and pour them down the sink. This lowers Husk's approval rating with you.

Might make a part 2 of this

[bekkathyst]

BEKKATHYST Autumn 2023 Giveaway!

~This giveaway is in no way affiliated with Tumblr.~

Please read thoroughly before entering!

Hello lovely Tumblr folk! It’s that time again- I have a giveaway for you all. 💜

We have an online store that could use your support!

You can also find us on Instagram.

About us: My business is a small, family-run establishment that I started here on Tumblr in 2013. I’ve been lucky enough to grow to the point where this supports me, my partner, and our daughter. In the US we also had a brick-and-mortar shop in which I employed my mom and a few of my siblings. However, we closed it to be able to move to Austria, my home country! 💜 I strive to put compassion and ethics above all else in my business, and I hope that shines through. We have a website but also run many fun sales directly here on Tumblr!

This giveaway will have two winners.

What the first winner receives:

All the pictured crystals, plus a $100 gift card that can be used for our online store or our Tumblr sales. Pictured crystals: rose quartz freeform, nellite sphere with stand, kambaba jasper sphere with stand, purple labradorite freeform, silver moonstone freeform, polished chevron amethyst, thullite sphere, lizardite sphere, Mongolian black quartz crystal, amethyst rainbow amethyst druzy cut base, blue labradorite pebble, and a polished amethyst point. I wanted to pick some more unique stones for this giveaway!

What the second winner receives:

A $50 gift card that can be used for our online store or Tumblr sales!

Rules:

You must be 16 or older. (If under 18 you MUST have parent’s permission)

You can be from anywhere in the world! I am shipping from Austria.

Shipping is entirely free, I will cover it. But if you live in a country that charges import tax on gifts, you are responsible for it. If it gets sent back to me, you will need to pay shipping to have it sent again.

You must be following me, so you can get updates if anything about the giveaway changes.

Please check out our online shop!

Reblog this post to enter. Likes count as additional entries. No giveaway or spam blogs. If you reblog on a side blog, let me know in the tags what the name of your blog is that you’re following me with.

At the end, each entry will be assigned a number and the winner will be chosen by a random number generator.

The giveaway ends on December 20th, 2023.

The winners will be messaged and must respond with their full name and address within 24 hours, or a new winner will be chosen.

Please respect me and my rules, and have fun!

[totalswag]

worthy of love — RAFE CAMERON

authors note something short and cute for you guys. also, rafe deserves to be treated with the love that he desires. he just wants to be understood yall.

paring mean!rafe x soft!reader

summary soft!reader wants to show mean!rafe that he's worthy of love but he pushes reader away until one day he finally knows what love truly feel like.

warnings neglect, feeling unworthy of love, ward being a shitty father, and a lovely happy ending.

Rafe Cameron believed he would never be capable of love in his life.

Raised in a family where love was a rare commodity, Rafe grew up believing that affection, vulnerability was a weakness that should be avoided at all costs. But little did he know that someone was about to turn his life upside down and teach him the true meaning of love.

You.

His father, Ward Cameron, is part of the reason Rafe is the way he is. Ward tells him to man up rather than express his feelings and be vulnerable. Overall, his father has never treated him with the proper care compared to his two younger sisters. This sent Rafe into a downward spiral, leading to a darker path in his life. Rafe held his guard up.

You entered his world like a breath of fresh air, bringing with you a warmth and tenderness he had never felt before. Rafe first rejected your presence, pushing you away with his harsh remarks and cold demeanor. But you saw through his strong facade, understanding the agony and vulnerability that lay underneath the surface.

"Why do you treat me like this? I’m not someone that deserves to be loved." 

Rafe was initially perplexed as to why, of all the people on the island, someone as kind and gentle as you would want to be with him. 

One of the many things Rafe would tell you when you tried to show him that he’s capable of being loved by someone, he would shut you out immediately when you tried showing him.

People said you were crazy for pursuing Rafe Cameron. His reputation in Kildare is immense. You just chose to ignore what other people had to say because you felt Rafe deserved love.

The first time you heard those words come out of his mouth, your heart broke into a million pieces. Behind all of the roughness, coldness, and unpredictable behavior, he is someone who wants to be loved.

Rafe continued to push you away for the longest time, hoping you would get the hint. Finally, giving in after protracted arguments. For far too long, he had kept his guard up to protect himself. He did not want to feel weak for expressing himself. Rafe noticed how long you stayed by his side.

You gradually began to break down the walls Rafe had placed around his heart. You showed patience and understanding by refusing to give up on him, even when he tried to push you away. Rafe became increasingly drawn to you as time passed, yearning for the love and acceptance that had always escaped him.

Rafe started to trust again as your relationship deepened. He progressively exposed a gentler, softer side of himself, something he had never seen before. He realized there are individuals out there, like you, who care passionately and will be by his side through thick and thin.

All he ever wanted was to feel fully understood and seen. You came into his life when he was in the deepest pain and saved him. You showed he’s worthy of love, compassion, gratitude, and vulnerability are truly like, and there is nothing wrong with it. He transformed into a very different person than anyone could have predicted.

"You're the most amazing person I've ever laid eyes on, baby," Rafe said with a lovely smile on his lips, sliding the front strand of your hair behind your ear as you moved your body closer to his and closed your eyes.

“I love you so much rafey” kissing his bare shoulder a few times.

“And I love you more,”

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[quillyfied]

There being two movies now in the Benoit Blanc world, and both movies sharing some recognizable tropes and archetypes to build its flavor, there’s a specific type of character that I’m struck by, particularly as a white woman, in both Knives Out and Glass Onion:

The Sympathetic White Woman.

In KO it’s Meg. In GO it’s Whiskey. They both bond with the (WOC, very important to emphasize) protagonist by being less crappy to her than the rest of the cast, and both signal to the audience that they’re trustworthy as far as the protagonist goes. They tell the protagonist that they’re on her side. They try to be supportive. They’re sympathetic to the audience.

Then comes the moment when the Sympathetic White Woman’s security is threatened.

(Brief added interruption to just say: please dig through the notes and replies on this baby for some additional excellent thoughts from other people, including the very important distinction that Marta is a white Latina and not a woman of color (my mistake thank you for the corrections), and more thoughts on Whiskey’s actual/additional betrayal moments!)

For Meg, it’s her mom telling her she has to drop out of school if they don’t get the inheritance money. For Whiskey, it’s Duke dying. In both cases, the protagonist reaches out—Marta tells Meg she won’t let that happen, she’ll support Meg with whatever money she needs; Helen tries to soothe a hysteric Whiskey by telling her she doesn’t need Duke and he deserved what he got (not realizing Duke is dead, of course). It’s a slightly different moment in each movie, but the basic framework is the same: the woman of color protagonist reaches back to the Sympathetic White Woman, and notably, reaches DOWN, offering the support the Sympathetic White Woman offered earlier.

Only…the Sympathetic White Woman was never intending to be the one the protagonist had to reach down to. So she snaps. Meg tells her family about Marta’s mother and they use it to threaten her. Whiskey latches onto the belief that Helen killed Duke and tries to kill her with a spear gun in what she thinks is self-defense. The Sympathetic White Woman Heel-Turn.

Meg and Whiskey both also sort of try to make amends after their Heel-Turn moments, but…the trust is already broken. The protagonist knows better now. The Sympathetic White Woman is not to be trusted.

Why this sticks out to me personally is the very obvious callout that feminists of color have been making about white feminists for literal decades: that white feminism lacks any true support or compassion for non-white people, that it’s empty promises of support and when the chips are down, white feminism upholds whiteness over feminism in an act to protect itself. And whiteness…is a damn difficult thing to even see when you’re white and raised in an overwhelmingly white community, let alone begin to pick apart and unlearn. It’s reactionary, how Meg and Whiskey turn on Marta and Helen to protect themselves.

It would make Meg incredibly vulnerable to support Marta fully, the way she promised to back when she thought she had the resources for it, but Marta is that vulnerable every day just existing as a Latina woman in America. Whiskey’s Heel-Turn moment is a little more immediate trauma based, but when looking for someone to blame, she doesn’t hesitate to blame Andi (Helen), scrapping together the few pieces of information she has—Andi hates all of the Disruptors, Andi got screwed over by them, Andi fought with Duke just minutes before he died, Andi was in their shared room tearing it apart when Whiskey came in distraught. She’s looking for an outlet. There’s Helen red-handed and in view. Boom. Whiskey grabs the spear gun instead of talking it out with the person she admitted just hours ago to feeling sympathy for.

Growing up white and steeped in whiteness causes defensive reactions when that whiteness is brought up, or, god forbid, challenged. It’s a knee-jerk thing for people who haven’t begun to deconstruct it for themselves; even for people who have, to see just how far and deep in American society that reaches is troubling. Humbling. Enraging. The Sympathetic White Woman archetype is, to me, a warning to not let whiteness overrule sense and morals. To be smart about it. And, crucially, to check myself for condescension, especially when interacting with non-white folks in any capacity.

(Also why the presence of Benoit Blanc is so important. He is also sympathetic, he also offers his own support, but crucially, he just uses his whiteness to clear a path for the WOC protagonist to take her place and do what she needs to do. He doesn’t speak over her, he doesn’t turn on her, he just listens, and presents the truth for her to do with it what she will. Or, in one case, hands her highly volatile crystal hydrogen for when she’s really ready to tear the Murderer’s crap down.)