#Live analytics/analysis | Explore Tumblr posts and blogs

p2isonline · 2 years ago

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Let's talk about creator growth but first: This is my actual channel performance. I could not imagine in my wildest dreams the amount of love and support as I have seen from all of you. We're on a track for exponential growth right now which is insane. Here's why (🧵⬇️)

No matter what platform you're on, you obviously want to see growth as a creator. There's going to be ups and downs, as seen on even my chart, but generally you wanna go upwards over time.

If you're only seeing downwards slopes over a few months, that's when you reevaluate.

That evaluation could be the type of content you make, when and where you're making it, how often you're posting, and even more granular like time of day, titling. Also be sure you're optimizing for the platform you're on via aspect ration, captioning, alt text, etc.

Also lets define something just in case this a new concept to you. Linear growth is a straight line of upwards growth where exponential means it's compounding over time for even higher growth in a shorter amount of time than a linear projection.

So what my data is telling me is people have recently been more engaged, wanting to tune in more, resulting in more followers, view times, and raids.

You only see this kind of growth not only when word is spreading about you but people also like what they see enough to follow.

Here's a couple things I've changed recently that might be the reason for this:

1. I've been posting A LOT more often and created pages on Tumblr and IG I didn't have before on top of all my other socials. This captures as many audiences as possible by simply cross posting the same content but with tweaks for each to talk to the specific audience.

2. I checked my analytics and noticed people really liked when I played RE so I've been going through the whole series. It's a common ground where I enjoy playing it and people really love watching it. This category type changes for everyone so check your specific analytics.

3. Being consistent and predictable of when things are going live. I stream 3 days a week at the 6 PM PT every week. If that changes or if we're doing something special, like the NPC stream, post about it as early as possible and be clear about why it's different.

4. I think this is the most underrated one but I am VERY active in the community. I watch, chat, interact, and engage with peers I both admire and adore and their communities see that. Become a regular, build your reputation, and people will notice and remember you. This has also allowed me to make great friendships, learn from behind the scenes, and build trust even more which makes people WANT to be around you. Being creative and innovative can only go so far. Showing people you actually care about them will return in tenfolds.

This is all just a long winded way to say THANK YOU. Thank you to anyone who has watched, chatted, lurked, shared, and raided. I have met the most incredible people in this streaming journey and I'm so excited to keep creating and growing with you all! 🙇‍♂️💞

#twitch #live #video games #twitch streamer #stream #resident evil #growth #analytics #market analysis #dataanalytics #social media #personal growth

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astrologydray · 2 months ago

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Ruler of the 3rd through the houses

ruler of the 3rd house through the houses reveals how your mind works, how you learn and speak, your communication style, relationships with siblings, and how you move through your local environment. This also ties into social intelligence, storytelling, and how you interpret the world around you.

3rd House Ruler in the 1st House

Your mind is your identity.

You communicate with intensity and presence. Your thoughts are quick, and your words can leave an impression. People might see you as opinionated, witty, or always “in the know.” You probably need to speak to understand yourself. Talking over others, impatient listening are throngs that can happen.

3rd House Ruler in the 2nd House

Speaking as a source of value.

You might monetize your communication skills — writing, teaching, sales, or media. You think in practical terms, and your thoughts often revolve around worth, values, and security. Grounded, hands-on, slow but lasting retention. Watch for fixed mindsets, and attaching ideas to material worth.

3rd House Ruler in the 3rd House

Ultra communicator.

This doubles the Mercurial energy. You’re endlessly curious, naturally sharp, and likely live in your head. There’s a deep connection to language, possibly a gift for mimicry, writing, or storytelling. Fast, curious, often self-taught or info-obsessed.

3rd House Ruler in the 4th House

The inner voice is shaped by the past.

Thoughts are deeply emotional. You may reflect and process internally before speaking. Early home life or family dynamics may have shaped your communication style — for better or worse. Emotional, intuitive, learns best when feeling safe. Prone to overly subjective thinking, and clinging to the past.

3rd House Ruler in the 5th House

Creative communicator.

You speak with flair and passion. Storytelling, poetry, performance, or playful communication comes naturally. You’re likely the funny friend, the flirt, or the drama-filled texter.

3rd House Ruler in the 6th House

The mind as a tool.

You’re a practical thinker. Your thoughts are often directed toward improving systems, fixing problems, or helping others. You may work in writing, analysis, healing, or admin roles. Systematic, structured, analytical.

3rd House Ruler in the 7th House

Your words shape your relationships.

You’re a natural negotiator, communicator, or mediator. Conversation is your love language. Partnerships (romantic or professional) deeply shape your mindset.

3rd House Ruler in the 8th House

The secret mind.

You think deeply, intensely, and often privately. You may be interested in taboo subjects, psychology, mysteries, or healing. Your words hold weight — and often power. Deep dive thinker, emotionally charged type of learners.

3rd House Ruler in the 9th House

The philosophical mind.

You learn best through big ideas, different cultures, or spiritual exploration. You may be a natural teacher, traveler, or someone who bridges practical thinking with visionary ideas. Expansive, big-picture, philosophical.

3rd House Ruler in the 10th House

Public voice, visible mind.

You may communicate for your career or be known for your ideas. Your thoughts are goal-oriented, structured, and ambitious. Think speaker, writer, CEO, or spokesperson. Authoritative, strategic, often career-focused.

3rd House Ruler in the 11th House

The networked mind.

Your ideas move through community, technology, and social movements. You think about the future, the collective, and what’s next. Possibly gifted in digital spaces or group organizing. Social, futuristic, thrives in collaboration. Prone to overthinking social roles, and groupthink tendencies.

3rd House Ruler in the 12th House

The mystical or hidden mind.

Your mind is imaginative, dreamlike, and intuitive. You may communicate best through art, music, or subtle emotional language. You often process things internally before expressing them. Intuitive, visual, dreamy — needs time alone.

#astro notes #astrology #birth chart #astro observations #astro community #astrology observations #astrology community #astrology degrees #astro #astroblr #astrology content #houses in astrology #astrology insights #astrologyposts #3rd house

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kleopatra45 · 6 months ago

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Mercury in the Houses of D9 Chart

1st House

When Mercury is in the first house of your D9 chart, communication is at the core of your relationships. You express yourself easily and may rely on humor, intellect, or charm to connect with others. Your future spouse is likely to be witty, articulate, and youthful in spirit, bringing a lively energy to your life. They’ll appreciate meaningful conversations and will often challenge you to think more critically or creatively. Together, you’ll value open dialogue and problem-solving, keeping your relationship dynamic and full of intellectual stimulation.

2nd House

With Mercury in the second house, you value intellectual stability in relationships. Communication about finances, shared values, and material goals will be a key part of your connection. Your future spouse is likely to be practical, resourceful, and detail-oriented, with a talent for managing resources wisely. They might work in a field requiring precision and thoughtfulness, and their analytical mind will be an asset in building a secure life together. This placement suggests a relationship where clear communication about material and emotional needs creates a strong foundation.

3rd House

Mercury in the third house signifies a strong focus on communication and mental agility in your relationships. You and your future spouse may share a love for learning, writing, or even teaching. Your partner is likely to be curious, sociable, and intellectually stimulating, with an ability to keep conversations engaging and varied. This placement often indicates a relationship based on shared ideas, lively discussions, and mutual curiosity about the world. Together, you’ll thrive in environments that encourage growth, connection, and intellectual pursuits.

4th House

With Mercury in the fourth house, intellectual and emotional connections often come together in your relationships. Your future spouse is likely to have a calm, nurturing presence, prioritizing deep and meaningful communication within the home. They may be someone who enjoys discussing personal matters, family, or shared memories, helping to create a warm and harmonious domestic life. This placement indicates a relationship where communication serves as a tool for emotional bonding, and your spouse’s thoughtful nature will help you feel secure and understood.

5th House

Mercury in the fifth house suggests that creativity, humor, and intellectual engagement play a major role in your relationships. Your future spouse may be someone with a playful spirit, artistic talent, or a sharp wit that keeps you entertained and inspired. This placement points to shared interests in hobbies, art, or games, and your partner will likely encourage your creative side. Together, you’ll enjoy lighthearted moments and passionate discussions, finding joy in each other’s intellectual and imaginative energy.

6th House

When Mercury is in the sixth house, communication about daily routines, responsibilities, and problem-solving becomes important in your relationships. Your future spouse is likely to be practical, hardworking, and analytical, often helping you organize your life more effectively. They may work in a field involving service, health, or detailed analysis, and their methodical approach to life will complement your own. Together, you’ll build a partnership based on mutual support, where clear communication ensures that tasks are shared and challenges are tackled efficiently.

7th House

Mercury in the seventh house emphasizes intellectual compatibility and harmony in communication with your partner. Your future spouse is likely to be articulate, charming, and skilled at diplomacy, making them a great listener and conversationalist. This placement indicates a marriage where mutual respect and understanding are maintained through open dialogue. Your spouse may work in a field involving negotiation, counseling, or law, reflecting their ability to mediate and bring balance to challenging situations. Together, you’ll create a relationship where communication is the foundation of trust and partnership.

8th House

With Mercury in the eighth house, your relationships are marked by profound, transformative conversations. You’re drawn to a partner who has a deep and curious mind, someone interested in uncovering life’s mysteries or exploring topics like psychology, spirituality, or finance. Your future spouse may be intuitive and analytical, helping you navigate complex emotional and intellectual terrain. This placement suggests a relationship where shared secrets, deep conversations, and intellectual intimacy strengthen your bond. Together, you’ll find growth through mutual exploration of life’s depths.

9th House

When Mercury is in the ninth house, your relationships thrive on shared intellectual growth and philosophical exploration. Your future spouse is likely to be open-minded, adventurous, and deeply curious about the world. They may be well-traveled, academically inclined, or spiritually oriented, inspiring you to broaden your perspectives. This placement suggests a relationship where communication revolves around big ideas, cultural exchange, and the pursuit of wisdom. Together, you’ll enjoy exploring new horizons, both literally and intellectually, finding fulfillment in shared discoveries.

10th House

With Mercury in the tenth house, communication about career goals and ambitions becomes a cornerstone of your relationship. Your future spouse is likely to be ambitious, strategic, and focused on achieving long-term success. They may work in a field that involves public speaking, planning, or leadership, and their sharp mind will inspire you to pursue your own goals. This placement suggests a relationship where shared aspirations and intellectual collaboration help you both rise to new heights. Together, you’ll create a partnership built on mutual encouragement and a shared vision for the future.

11th House

Mercury in the eleventh house points to a relationship based on shared dreams, social connections, and intellectual innovation. Your future spouse is likely to be progressive, forward-thinking, and socially engaged, often introducing you to new ideas and communities. This placement suggests a relationship where communication revolves around shared goals, humanitarian efforts, or group projects. Together, you’ll thrive in social or intellectual circles, using your combined talents to make a positive impact. Your spouse’s innovative ideas and collaborative nature will keep the relationship exciting and meaningful.

12th House

When Mercury is in the twelfth house, communication takes on a subtle, intuitive quality in your relationships. Your future spouse may be introspective, spiritual, or artistic, with a knack for understanding what’s left unsaid. They may work in a field involving healing, creativity, or research, bringing a compassionate and empathetic energy to your connection. This placement suggests a relationship where deep, intuitive communication fosters emotional intimacy. Together, you’ll explore life’s mysteries, finding fulfillment in quiet moments of reflection and shared spiritual understanding.

©️kleopatra45

#astrology #astrology community #astroblr #astro notes #astrology observations #astrology readings #astrology tumblr #houses in astrology #astro community #d9 chart #navamsa chart #vedic astrology observations #vedic astrology #vedic astro notes #vedic astro observations #darakaraka

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communistkenobi · 1 year ago

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Would you be willing to dunk on speak more on mainstream feminist theory you're reading? And/or share some of the non-juvenile feminist theory you've read?

(Note: I will try to link to open access versions of articles as much as possible, but some of them are paywalled. if the links dont work just type the titles into google and add pdf at the end, i found them all that way)

If there’s any one singular issue with mainstream feminist thought that can be generalized to "The Problem With Mainstream Feminism" (and by mainstream I mean white, cishet, bourgeois feminism, the “canonical feminism” that is taught in western universities) it’s that gender is treated as something that can stand by itself, by which I mean, “gender” is a complete unit of analysis from which to understand social inequality. You can “add” race, class, ability, national origin, religion, sexuality, and so on to your analysis (each likewise treated as full, discrete categories of the social world), but that gender itself provides a comprehensive (or at the very least “good enough”) view of a given social problem. (RW Connell, who wrote the canonical text Masculinities (1995) and is one of the feminist scholars who coined/popularized the term hegemonic masculinity, is a fantastic example of this.)

Black feminists have for many decades pointed out how fucking ridiculous this is, especially vis a vis race and class, because Black women do not experience misogyny and racism as two discrete forms of oppression in their lives, they are inextricably linked. The separation of gender and race is not merely an analytical error on the part of white feminists - it is a continuation of the long white supremacist tradition of bounding gender in exclusively white terms. Patricia Hill Collins in Black Feminist Thought (2000) engages with this via a speech by Sojourner Truth, the most famous line from her speech being “ain’t I a woman?” as she describes all the aspects of womanhood she experiences but is still denied the position of woman by white women because she is Black. Lugones in Coloniality of Gender (2008) likewise brings up the example of segregationist movements in the USAmerican South, where towns would put up banners saying things like “Protect Southern Women” as a rationale for segregation, making it very clear who they viewed as women. Sylvia Wynter in 1492: A New World View likewise points out that colonized women and men were treated like cattle by Spanish colonizers in South America, often counted in population measures as "heads of Indian men and women," as in heads of cattle. They were treated as colonial resources, not as gendered subjects capable of rational thought.

To treat the category of “woman” as something that stands by itself is a white supremacist understanding of gender, because “woman” always just means white woman - the fact that white is left implied is part of white supremacy, because who is granted subjecthood, the ability to be seen as human and therefore a gendered subject, is a function of race (see Quijano, 2000). Crenshaw (1991) operationalizes this through the term intersectionality, pointing out that law treats gender and race as separate social sites of discrimination, and the practical effect of this is that Black women have limited/no legal recourse when they face discrimination because they experience it as misogynoir, as the multiplicative effect of their position as Black women, not as sexism on the one hand and racism on the other.

Transfeminist theory has further problematized the category of gender by pointing out that "woman" always just means cis woman (and more often than not also means heterosexual woman). The most famous of these critiques comes from Judith Butler - I’m less familiar with their work, but there is a great example in the beginning of Bodies That Matter (1993) where they demonstrate that personhood itself is a gendered social position. They ask (and I’m paraphrasing) “when does a fetus stop becoming an ‘it’? When its gender is declared by a doctor or nurse via ultrasound.” Sex assignment is not merely a social practice of patriarchal division, it is the medium through which the human subject is created (and recall that gender is fundamentally racialized & race is fundamentally gendered, which I will come back to).

And the work of transfeminists demonstrate this by showing transgender people are treated as non-human, non-citizens. Heath Fogg Davis in Sex-Classification Policies as Transgender Discrimination (2014) recounts the story of an African American transgender woman in Pennsylvania being denied use of public transit, because her bus pass had an F gender marker on it (as all buss passes in the state required gender markers until 2013) and the bus driver refused her service because she “didn’t look like a woman.” She was denied access to transit again when she got her marker changed to M, as she “didn’t look like a man.” Transgender people are thus denied access to basic public services by being constructed as “administratively impossible” - gender markers are a component of citizenship because they appear on all citizenship documents, as well as a variety of civil and public documents (such as a bus pass). Gender markers, even when changed by trans people (an arduous, difficult process in most places on earth, if not outright impossible), are seen as fraudulent & used as a basis to deny us citizenship rights. Toby Beauchamp in Going Stealth: Transgender Politics & US Surveillance Practices (2019) talks about anti-trans bathroom bills as a form of citizenship denial to trans people - anti-trans bathroom laws are impossible to actually enforce because nobody is doing genital inspections of everyone who enters bathrooms (and genitals are not proof of transgenderism!), but that’s actually not the point. The point of these bills is to embolden members of the cissexual public to deputize themselves on behalf of the state to police access to public space, directing their cissexual gaze towards anyone who “looks transgender.” Beauchamp points out that transvestigators don’t need to be accurate most of the time, because again, the point is terrorizing transgender people out of public life. He connects this with racial segregation, and argues that we shouldn’t view gender segregation as “a new form of” racial segregation (this is a duplication of white supremacist feminism) but a continuation of it, because public access is a citizenship right and citizenship is fundamentally racially mediated (see Glenn's (2002) Unequal Freedom)

Susan Stryker & Nikki Sullivan further drives this home in The King’s Member, The Queen’s Body, where they explain the history of the crime of mayhem. Originating in feudal Europe (I don’t remember off the dome the exact time/place so forgive the generalization lol), mayhem is the crime of self-mutilation for the purposes of avoiding military conscription, but what is interesting is that its not actually legally treated as “self” mutilation, but a mutilation of the state and its capacity to exercise its own power. They link the concept of mayhem to the contemporary hysteria around transgender people receiving bottom surgery - we are not in fact self mutilating, we are mutilating the state’s ability to reproduce its own population by permanently destroying (in the eyes of the cissexual public) our capacity to form the foundational social unit of the nuclear family. Our bodies are not our own, they are a component of the state. Situating this in the context of reproductive rights makes this even clearer. Abortion access is not actually about the individual, it is the state mediating its own reproductive capacity via the restriction of abortion (premised on the cissexual logic of binary reproductive capacity systematized through sex assignment). Returning to Hill Collins, she points out that in the US, white cis women are restricted access to abortion while Black and Indigenous cis women are routinely forcibly sterilized, their children aborted, and pumped with birth control by the state. This is not a contradiction or point of “hypocrisy” on the part of conservatives, this is a fully comprehensive plan of white supremacist population management.

To treat "gender" as its own category, as much of mainstream feminism does (see Acker (1990) and England (2010) for two hilarious examples of this, both widely cited feminists), is to forward a white supremacist notion of gender. That white supremacy is fundamentally cissexual and heterosexual is not an accident - it is a central organizing logic that allows for the systematization of the fear of declining white birthrates (the conspiracy of "white genocide" is illegible without the base belief that there are two kinds of bodies, one that gets pregnant and one that does the impregnating, and that these two types of bodies are universal sources of evidence of the superiority of men over women - and im using those terms in the most loaded possible sense).

I realize that most of these readings are US centric, which is an unfortunate limitation of my own education. I have been really trying to branch into literature outside the Global North, but doctoral degree constraints + time constraints + my own research requires continual engagement with it. I also realize that most of the transfeminist readings I've cited are by white scholars! This is a continual systemic problem in academic literature and I'm not exempt from it, even as I sit here and lay out the problem. Which is to say, this is nowhere near the final word on this subject, and having to devote so much time to reading mainstream feminist theory as someone who is in western academia is part of my own limited education + perspective on this topic

#asks #even old new york was once new amsterdam #book club #reading list

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fannedandflawless · 2 months ago

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The Uniform Was Armour

An attire analysis of Severus Snape, as portrayed by Alan Rickman

What does it mean to wear forty buttons every day? To choose black not for fashion, but for function? To wrap yourself in discipline and precision while others wear colour and comfort?

I’ve been studying Severus Snape’s wardrobe across every film—and what began as curiosity quickly turned into full analytical obsession. Because beneath that iconic silhouette is an entire philosophy stitched in wool, linen, and silence.

Let’s talk about it.

👔 The Buttons, Layers, and Surprising Realism of Snape’s Wardrobe

Yes, I’ve zoomed in. Repeatedly. Across every film, from Philosopher’s Stone to Deathly Hallows, I’ve counted his buttons—frame by frame, button by button, layer by layer. Let’s just say—I’ve become very familiar with this frock coat’s construction.

And darling, here’s the breakdown:

3 unbuttoned at the collar

9 buttoned down the front

10 per sleeve

4 per leg

🧮 Total: 40 buttons.

Forty. Let that settle in your bones.

On set, most were decorative—Alan Rickman wasn’t fastening all forty by hand. Hidden zippers, snap closures—clever costume design. (This is based on standard film costuming practices—where elaborate garments are often modified for ease of dressing with hidden closures. No official quote confirms this for Snape's outfit specifically, but it aligns with how similar costumes are constructed.) But in-universe? If the real Severus Snape wore this...

It’s safe to assume he used a spell. Realistically, no one’s spending fifteen minutes every morning fastening forty buttons—not even Severus Snape. He had essays to mark, potions to brew, and a corridor presence to maintain.

And oh, that presence.

—

🧥 The Full Layer Breakdown (Based on Alan Rickman’s Film Costume and Button-by-Button Image Zooming)

1. White high-collared shirt – stiff, sharp, and always buttoned to the throat. Clean. Severe. Scholar-coded.

+ Black cravat or neckcloth – visible in several key scenes (notably when inspecting the cursed necklace and seated with the Dark Lord). Likely silk or satin. It adds formality and structure, anchoring the layers while communicating a quiet, old-world elegance.

2. Inner black buttoned layer – possibly a waistcoat or inset panel. Tailored close. Minimal.

3. Frock coat – double-breasted with 14 visible buttons. Structured. Commanding. The real statement piece.

4. Long open-front robe – that iconic swirl. When he enters a room, it follows like a shadow.

5. Straight black trousers – clean-cut, no nonsense.

6. Tall black boots – polished leather, confident heel.

7. (Possibly) sewn-in underlayer for structure – subtle but significant.

—

🪡 What Could the Fabrics Be?

Shirt: Cotton or stiff linen—light but architectural. Holds the collar high.

Inner layer/waistcoat: Lightweight wool or twill—close fit, breathable, efficient.

Frock coat: Wool blend or gabardine—thick, silent, unmistakable.

Robe: Wool or silk-blend—fluid with weight, designed for drama.

Trousers: Soft wool or worsted—no embellishments, just utility.

Boots: Black leather—lived-in, lacquered, ready to move.

The entire ensemble whispers: do not underestimate me.

—

🔥 How Did He Survive the Heat?

All black. All layered. All day. In July? (Or August, depending on the school calendar—but we’ll get to that heatstroke later.)

The answer is geography. He lived in the dungeons.

The Slytherin common room sits beneath the Black Lake—stone walls, filtered light, the occasional squid gliding past. Cold enough to preserve potions and secrets alike.

So yes—he wore forty buttons and never broke a sweat. Because the walls were colder than any seasonal breeze. And honestly? So was he.

—

🧼 How Many Did He Own?

We never see his wardrobe, but let’s be honest—he’d need more than one. You don’t brew over a cauldron daily without carrying the scent of asphodel and burnt fluxweed for hours. Add parchment ink, dust from centuries-old tomes, a hint of candle soot—and you’ve got a potion master’s signature scent.

And let’s not forget: Hermione Granger literally set fire to his robes in Philosopher’s Stone—whether it was the hem or that slightly fluffy bit at his ankle, the damage was real. There can’t have been just one. Not in a school full of reckless students and volatile substances.

These garments weren’t just iconic—they were functional. And surely duplicated.

Three, at minimum. Five, if he allowed himself the luxury. All identical. All immaculate. Possibly with a charm or two to keep the folds crisp and the fabric warded.

—

🧣 The One Exception—His Layer for Weather

Across eight films and countless scenes, Severus Snape’s uniform never truly wavered—except once, perhaps twice.

In Philosopher’s Stone, during the infamous Quidditch match where he counter-cursed Quirrell’s jinx, he wore something different:

A high black scarf

Fingerless black gloves

A heavier, textured outer cloak—draped and more tactical

It’s the only time we see his silhouette altered so clearly.

Still black, still formal, but slightly more utilitarian. Weather-appropriate, perhaps? November in the high stands of the Quidditch pitch must’ve been brutal—wind cutting, robes whipping. Most students wore house scarves not just for pride, but to survive the chill.

So yes, that scarf and heavier cloak weren’t just stylistic flourishes. They were practical, protective, and quietly prepared.

Either way, it stood apart—and not just in costume. In that moment, he was cast as the villain, misunderstood and brooding in layers.

And I must wonder—where did that cloak go? At first glance, I assumed it had been lost to the flames of Hermione’s accidental sabotage in Philosopher’s Stone. A dramatic end to a singular garment.

But then—rewatching Goblet of Fire—there it was again. During the Hungarian Horntail trial, Snape sits beside McGonagall, and if you look closely: folded cuffs, denser weave, a broader drape over his shoulders. The silhouette is unmistakable.

The scarf and gloves are gone, but the cloak’s presence speaks volumes. Not flashy, but deliberate. A return not for spectacle, but for utility. Its weight, its shape, the quiet precision in its fit—nearly identical.

So no—it wasn’t destroyed. Not gone. Not forgotten. Simply reserved. Practical. Intentional.

Another glimpse into how even the rare deviations in his attire still follow a purpose. Nothing is ever random with Severus Snape.

Still all black, still stern—but there’s something in the added structure that reads more formal. Less dungeon-brewer, more event overseer. It’s functional, wind-resistant, and dignified in a cold, open-air setting.

Perhaps it was kept for outdoor events—or those requiring a touch more presence. It reminds us that even the most stoic wardrobe had its layers—and that nothing Severus Snape wore was ever without intent.

Even when the silhouette shifted slightly, the reasoning didn’t. Whether reserved for specific events or dictated by weather, every layer had purpose. He was always watching. Always calculating. Always protecting.

—

🖤 What the Uniform Meant: Endurance as Identity

The choice to wear such rigid attire wasn’t just style—it was declaration. It was discipline. It was Severus Snape, sealing himself into something he could control.

"It is endurance. Conditioning. Discipline—of body and mind. This attire is not meant for ease. It is meant for containment."

That’s how I imagine he would have spoken of it, if ever asked. With restraint. With precision. With the same measured control that shaped his every movement.

He didn’t wear black because he liked the colour. He wore it because black absorbs. It doesn’t reflect, doesn’t shine, doesn’t distract. It takes.

And if someone ever questioned the heat? The weight of so many layers?

"If I wear less… I feel more." "And for someone who has spent most of his life bearing what others cast off, that is… not always bearable."

It was never about temperature. It was about endurance as aesthetic. About turning vulnerability into fabric. A way of saying: I will bear what others shed.

To wear layers was to keep the world at a distance. To button forty buttons was to remind himself: control is chosen. Every day.

"There is a certain power in being the only one who does not wilt under pressure. Let them sweat. Let them squirm. I remain."

Snape didn’t need robes that breathed. He needed robes that held.

Because the man beneath them had spent a lifetime feeling too much. And hiding it all in plain sight.

And somehow, it worked.

He endured.

And never once did his silhouette flinch.

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uyuforu · 11 months ago

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Astro Observations: Uyu's Solar Return Chart for 2024-2025

My birthday is very soon, so I thought of doing an analysis of my solar return chart, which starts the day before my birthday, so August 5th. I hope you can enjoy this post! I will focus on conjunctions or important aspects mostly here, I don't want the post to be too long. If you see an aspect that hasn't been mentions and would like to give your opinion, feel free to do it in the comments ^^

All pictures were found on Pinterest

Other posts you could like:

જ⁀➴ Solar Return Chart I

જ⁀➴ Solar Return Chart II

જ⁀➴ Uranus in the Solar Return

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A Solar Return Chart (SRC) is an astrological predictive tool that enable you to discover what will happen for you during the year of your birthday. It is based on the return of your Sun, so your Sun will have the same exact position as in your Natal Chart.

⋆⭒˚｡⋆ Sun 10H means focus on this year is on career, popularity and success in those areas. I can be more popular and achieve a certain level of fame this year. I can also be more successful in my career and perhaps more known in it too. I can make a name for myself.

⋆⭒˚｡⋆ Moon 10H means I'll be more connected to my work emotionally. But that also means caring more about my work. I'll be very focused on my career. I can also be prone to stress more about my career this year. This placement also suggests emotions based on work. But it means my emotions will be public too. Also working from home.

⋆⭒˚｡⋆ Mercury 10H means I can write more for work, I can communicate more also at work or for work. I'll talk a lot about work, or ideas perhaps too. A time to work online a lot, and I can also communicate a lot with clients. I can be talked about more this year for my career, or even reputation matters too.

⋆⭒˚｡⋆ Virgo Mercury can mean expressing ourselves in a very logical and analytical way this year. Mercury in Virgo makes us talk in a more serious tone, or just more detailed one too. There are less emotions, meaning we also express ourselves based on what is more logical to do, and less based on how we feel.

⋆⭒˚｡⋆ Venus 10H means big success in my career this year! Recognition will def happen. It can mean also I will love what I do for living this year. This can also mean meeting more people related to my job, and make more friends who are coworkers. And this can also mean having more connections too.

⋆⭒˚｡⋆ Mars 8H can be a sign of having s3x often this year, and to be more intimate than before too. This can be a year you'll have a lot of steamy moments. It can also indicate some people being "obsessed" with me. I can manifest more easily this year too.

⋆⭒˚｡⋆ Jupiter 8H also is an indicator of having a lot of s3x this year. It can also be an indicator of some people having a crush on me. This is also an indicator of being able to manifest more. But it can also mean receiving an inheritance, or someone will give me a lot of money this year. I can also buy a big thing, such as a house for example.

⋆⭒˚｡⋆ Saturn 5H means this year I can learn lessons about being more mature. But also knowing when to have fun, and knowing when to be serious. I won't be pregnant this year too.

⋆⭒˚｡⋆ Uranus 7H means having unexpected events happening in your love life. Meeting people unexpectedly. I could also meet people I never thought I would meet. Ruler tells a lot. My Ruler is in 10H, so I could meet people for work or who will help me in my work. I can also have a sudden contract for work. Uranus also represents change, so sudden change and transformation happening in my love life, and a contract can also transform my career suddenly.

⋆⭒˚｡⋆ Neptune 5H means embracing my creativity this year, having a lot of ideas, perhaps being inspired by dreams. But it can also mean being very unique with this, and people might copy me lol. I can also tend to romanticize life or my hobbies this year, and I can discover and have more hobbies!

⋆⭒˚｡⋆ Pluto 3H means people can gossip a lot about me, and I wouldn't be surprised since I have a 10H stellium. Pluto opposite my sun, this could also be a sign of talking behind my back. Pluto 3H is also a sign of transformation related to my voice, how I think, some of my opinions, my siblings, I can also obsess about things more easily. This is also an indicator of discovering secrets or truth. Since Pluto is in Aquarius and so ruler is Uranus, my Uranus is in 7H in this SRC, this can be discovering truth or secrets about a romantic partner.

⋆⭒˚｡⋆ Vertex 8H means a transformative experience in general, and it's destined, Vertex is all about things that will eventually happen. And it's also a sign of getting proposed to ;-; It can be a sudden proposal. It can also be an indicator of studying more esoteric or occult matters.

⋆⭒˚｡⋆ Part of Fortune 1H can be an indicator of a glow up, or just feeling blesses, happy and content with our appearance. It can also mean having good opportunities related to our looks.

⋆⭒˚｡⋆ Chiron 6H can mean a pet in my family can pass away. Ruler is also in 8H, so this can happen. Otherwise, it can be a sign of having a weak health or just some problems with health due to overworking. It can also mean healing health issues.

⋆⭒˚｡⋆ Scorpio Rising 0° means a huge transformation is coming. I can change physically but also mentally this year, and it can actually be drastic. The last time I had this placement, I lost weight, and I also had a glow up. This can mean the same thing, and POF being in my 1H, conjunct my rising, it can mean the same. It can also mean attracting jealous people.

⋆⭒˚｡⋆ Taurus DSC can be a sign of entering a long term and serious relationhsip, and attracting people who want the same.

⋆⭒˚｡⋆ Leo MC is a sign of success and fame potential in career this year! Also excellent reputation. Can be noticed and known easily this year.

⋆⭒˚｡⋆ 1H Ruler in 3H can mean people can gossip about me because of how I look. People can also talk a lot about me this year just because of me, my aura, no real reasons can be there tbh. I can be talked about a lot this year, people talking a lot about me, what I do, etc. This can be a year where I'll travel, learn, write, and just want to know more.

⋆⭒˚｡⋆ SRC 1H Ruler in Natal 2H means I can attract more money this year, and I can make a lot more than I used to have. I can also change my aesthetic. I can also shop more!

⋆⭒˚｡⋆ 1H Ruler conjunct IC can mean living alone, or moving, detaching from family.

⋆⭒˚｡⋆ 2H Ruler in 3H can mean I'll talk a lot about my possessions, but it can also mean people gossip about what I own, and what I buy.

⋆⭒˚｡⋆ 3H Ruler in 5H can be a sign of doing or receiving a love declaration. I can sing more perhaps this year. This can also be a sign of going on vacations more this year. I can also dance more this year.

⋆⭒˚｡⋆ 4H Ruler in 7H is a sign of moving in with a romantic partner. Also the sign of starting a long term relationship.

⋆⭒˚｡⋆ 5H Ruler in 5H is a sign to enter a romantic relationship this year.

⋆⭒˚｡⋆ 6H Ruler in 8H perhaps means to be obsessed with work and to work so much it can become unhealthy. It can also be an indicator of falling sick because of busy schedule.

⋆⭒˚｡⋆ 7H Ruler in 10H is a major sign to enter a serious and long term relationship!

⋆⭒˚｡⋆ 8H Ruler in 10H is another indicator of being obsessed with work, working a lot, and perhaps also my career having a huge transformation.

⋆⭒˚｡⋆ 9H Ruler in 10H means if I travel, I can travel for work mostly. I can also learn more for my career. Make more researches, etc.

⋆⭒˚｡⋆ 10H Ruler in 10H can be a sign of more fame or a better reputation in my work, being more known.

⋆⭒˚｡⋆ 11H Ruler in 10H means using more social medias for my career this year, or just being more seen online?

⋆⭒˚｡⋆ Groom 8H can mean being more intimate with my FS this year! It can also means there will be a transformative experience happening with him. It can also mean that I can have hot moments with him this year lol.

⋆⭒˚｡⋆ Juno 11H can mean talking with someone I love/ have a crush on online a lot, or long distance relationship. Calling and texting your lover a lot. It is also an indicator of being in a relationship this year.

⋆⭒˚｡⋆ Natal Venus conjunct SR Venus means this is a very important year for my love life. Not the main focus, but there will be major events happening in this area too. Usually it can be a time when something big will happen. And Venus is entering in Virgo in August 2024, and it's my Venus return, so it's starting right away! Last time I had a Venus Return was when I met my FS.

⋆⭒˚｡⋆ 10H Stellium is a big indicator of success in career, recognition in career, and just being in the spotlight. It is an indicator of having a major success in our career that can makes us level up in our life and reputation. Also an indicator of fame.

⋆⭒˚｡⋆ Sun conjunct Moon means feeling stable emotionally speaking this year.

⋆⭒˚｡⋆ Mercury conjunct Venus can be a sign of having a love declaration this year, or doing one. But it's also a sign of writing love letters, or being very romantic usually. It can also mean getting more compliments this year! Also a sign of being proposed to.

⋆⭒˚｡⋆ Juno conjunct Union can mean meeting or being in union with a romantic partner.

⋆⭒˚｡⋆ Venus sextile Boda, this is a wedding indicator lol, but if I see something related to wedding happening that year it's more a proposal than an actual wedding ;-;

⋆⭒˚｡⋆ Saturn conjunct Neptune can be a sign of self doubt, and I have this placement in 5H, so this can make me insecure related to my love life, or I can feel insecure and it can create obstacles in my love life. It can also mean me being doubtful or my imagination and creativity. And I can also doubt about things in my love life.

⋆⭒˚｡⋆ Uranus conjunct DSC means something will change about my love life.

⋆⭒˚｡⋆ Venus conjunct Juno is a sign to be in a relationship this year.

⋆⭒˚｡⋆ Mars conjunct Jupiter can be a sign of have a lot of steamy times this year.

⋆⭒˚｡⋆ Jupiter conjunct Groom can mean something good will happen with my FS this year, perhaps also Groom or me can travel to the other, but I feel like Groom more. this can be an indicator of being in a relationship or being proposed to.

⋆⭒˚｡⋆ Mars conjunct Groom can be a sign of having s3x with your FS. But it can also mean there will be fights with them too.

⋆⭒˚｡⋆ Vertex conjunct Groom can be a sign of meeting FS but also of having some important moments happening with FS. Usually the years where you have that placement, you can encounter and spend time with your FS.

⋆⭒˚｡⋆ Sun conjunct MC means being the center of attention this year, being seen and noticed a lot. People will just focus on me.

⋆⭒˚｡⋆ Scorpio 2H can mean spending more money or making more money this year. I can either be obsessed with my belongings, or I can just spend more because I make money.

⋆⭒˚｡⋆ Capricorn 3H can mean being more serious about the way I speak and express myself, but also more dedicated too. I can also speak a lot about work.

⋆⭒˚｡⋆ Aquarius 4H means relationship with family members can change, evolve. I can also move, something will be different about my home and family than the previous years. Something will change, and perhaps a new family member can come (marriage, in laws, babies, etc.)

⋆⭒˚｡⋆ Pisces 5H can mean very creative and romantic this year.

⋆⭒˚｡⋆ Aries 6H means more energies to my routine, and being very busy this year.

⋆⭒˚｡⋆ Taurus 7H means finding love is more possible, since I have a Venus sign over the 7H. But it can make me attract serious and long term relationships this year.

⋆⭒˚｡⋆ Taurus 8H can mean I can be less worried about money this year. I am also more chill.

⋆⭒˚｡⋆ Cancer 9H, I don't think I'll travel much this year. I could still, but it won't perhaps be too much in foreign lands. If I do travel in foreign lands, it can be perhaps related to homes, so I could live in foreign lands eventually. But it doesn't seem like a big placement.

Thank you for reading!

back to index ; ask ; request ; rules

#astrology #astro #astro tumblr #astro notes #astro observations #astro community #astrology observations #astrology community #astrology notes #astro solar return #astro solar return chart #solar return #solar return observations #solar return analysis #solar return chart #astrology solar return

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interplaysports01 · 2 years ago

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Optimize Athlete Performance with Sports Performance Analysis Software

In the fast-paced world of sports, every moment counts. Athletes and their coaches constantly seek an edge to enhance performance. Thanks to cutting-edge technology, sports performance analysis software has revolutionized the game, providing live analytics/analysis, and video analysis tools for athletes to optimize their skills and strategies.

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Utilizing sports performance analysis software like Interplay Sports, athletes and teams gain a competitive edge. The keyword density is kept to a minimum to ensure an informative and engaging reading experience. By integrating these technologies into their training regimens, athletes can optimize their performance, leading to better outcomes, and memorable victories.

#Professional video analysis #Live analytics/analysis #sports performance analysis software

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gghostwriter · 10 months ago

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could you do spencer x fem!reader where he proposes in the middle of chasing an unsub?

Spencer Reid x BAU!Fem!Reader Trope: Established relationship; Fluff! Just fluff! w.c: 1.2k A/N: slowly finishing up on the remaining requests on my inbox. It’s taking me quite some time as I’m a mood writer so there’s days where I’m purely focused on my ideas then theres days where i’m motivated to finish the requests and theres days where i have no will to write a single word at all. Found myself rambling and immensly enjoying where the idea was going so hopefully this lives up to your expectation, no matter how late or unedited this is. Enjoy! Main masterlist

Curveball. // Spencer Reid

This wasn’t how Spencer planned it. Not at all.

By nature, he was a stickler to rules and organization. Having created a mind map on the trajectory of his life from the very first time he realized how different he was from the rest. Graduate early in high school, check. Get multiple BA and PhD degrees, multiple checks. Join the Behavioral Analysis Unit at Quantico, big check. Everything was planned out. No matter how big or small.

Or at least it was, up until you strolled into the bullpen with your sensible heeled boots, crisp button downs, and tailor fitted slacks. A new recruit directly slotted by David Rossi, just like how Jason Gideon pulled rank to get him in the BAU. The stark difference was you weren’t as green as he was back then, fresh from the academy. With your credentials considered one of the best and with beaming approval from the BAU’s co-founder, David Rossi, and former member, Katie Cole of CACU, you were an immediate shoe in for the position—joining the team’s dynamic quite effortlessly and with ease.

Meeting you and falling helplessly in love with you by the end of your 6-month stay in the team was never written in Spencer’s books. He never thought once that he would find, as cliche as it sounded, a forever companion beyond the platonic relationships built within the team. He, in all of his intellect, also never thought you’d end up viewing him the same way but you did. He was so glad you did. Any disruption it caused to his mind map was a change he wholeheartedly welcomed as long as he got to come home with you wrapped in his arms.

But at the following moments, Spencer was re-considering his standpoint on the thrown curveballs that come his way all from being devotedly enamored with you.

“Spencer Reid!” you stomped your foot on the carpeted floor of the shared hotel room to gain his attention. “Did you suggest to Hotch that I be on geographical profile duty with you rather than being out with my usual partner Morgan?”

“What? No—no! Why would you think that, princess?”

With your arms crossed on your chest, hip cocked to one side, and analytical eyes cataloguing his every fidget, he knew his lie was done for.

You scoffed. “Oh I don’t know, besides from the fact you can’t look me in the eye, what else is there?” You took a minute to pause for dramatization. “Oh I know, is it because I bear a striking resemblance to all the victims? Or is it because of what happened during the last case?”

He scrunched his nose, giving himself away. “You got shot without me there, of course I got worried! What if—what if you weren’t wearing your kevlar vest or what if the unsub aimed higher, making sure to land a critical hit?” His form slumped down on the bed. “I can’t bear the thought of you in danger while I’m not around to protect you.”

“Spence, our job comes with a risk and I’m good at my job—”

“I know you are. I’ve seen you in target practice and tackle unsubs bigger than you but it also comes with the boyfriend territory that I worry whenever you’re away.”

You sighed, sitting beside him and taking his hand into yours. The difference in size was a sharp reminder on how petite and delicate you are in Spencer’s eyes. “And I get that too when we’re on duty and apart but you know what gets me by?” He shook his head, doe eyes peering into yours with such adoration. “Trust. I trust you to always come back to me, safe. In turn, I need you to trust me to do my job and take extra pre-caution with every decision I do in the field. Can you do that for me, sweet boy?”

He slowly nodded his head. “I—I can do that.”

“Next time, let’s also communicate any small or big concerns, okay Spence? I’d rather not feel lost and confused the next time a problem arises.”

“As long as you promise the same to me.”

You smiled before nodding your head in return. “Of course.”

He leaned in. Kissing those pouty lips that had been calling for him like a siren ever since the disagreement ensued.

———

“Alright,” Hotch’s no-nonsense voice called everyone’s attention. “The group of unsubs are currently holding two civilian hostages inside this very building. Morgan, Y/N, and Prentiss, you take the left entrance. Reid and Rossi, you’re with me at the right entrance.” Numerous affirmatives were echoed. “They’re armed and have proven themselves capable of killing. Vests tight and keep vigilant.”

Footsteps dispersed for preparation but before you could escape from Spencer’s line of sight, he pulled you close, adjusting your vest and making sure it was strapped tight around your chest.

“Be careful out there.”

A small smile graced your face before quickly disappearing from the thick tension all around the vicinity. “Always am. You too.”

“I mean it, princess. I need you back in one piece so I can marry you.”

You sucked in a breath. “W-what?”

“This wasn’t how I planned it but—” Hotch’s voice interrupted his ramblings. Reid. He turned and nodded once before returning his gaze back to your gobsmacked face. “—you did say to communicate right away so I love you and I want to marry you—” he squeezed your clammy hand into his. “—will you say yes?”

Reid. Another commanding voice coming from the unit chief.

Spencer smiled then before beginning his steps back to his position. It felt exhilarating to finally be the one throwing the curveball at you, no wonder you found joy in it—no matter how unconscious you were doing it. “I’ll hear your answer after, okay?”

“Oh, we’re so talking about this later.” you narrowed your eyes in return, taking steps to your opposite position. “Yes, Reid. See you later.”

Spencer looked down at his muddied sneakers, eyes gleaming from mirth and soul flying high unbound before taking a deep breath, schooling everything away and focusing all of him to catching these group of unsubs.

Maybe it wasn’t so bad not having everything go according to plan. After all, didn’t they usually say that the best things usually come when he’d least expect it? And you were the perfect definition of that phrase. His own beautiful disruptor and he wouldn’t have you in any other way.

Comments and reblogs are greatly appreciated!

#spencer reid fanfic #spencer reid fic #spencer reid fanfiction #criminal minds fic #criminal minds fanfic #criminal minds fanfiction #spencer reid #dr spencer reid #spencer reid one shot #spencer reid oneshot #spencer reid x y/n #spencer reid x fem!reader #spencer reid x reader #spencer reid x you #pau’s request inbox 💌#spencer reid fluff

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eeriepromis · 3 months ago

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Hogwarts House Sorting: LaDs Edition (and why Caleb isn't who you think he is)

Remember: Hogwarts houses aren’t restrictive boxes. Each person, real or fictional, carries traits from all houses. What determines sorting is not only personality but core values and priorities. This analysis takes into account that nice Slytherins and gentle Gryffindors exist, breaking stereotypes to portray a nuanced, realistic perspective. Let me know your thoughts and your own house headcanons!

Xavier – Primary: Gryffindor | Secondary: Slytherin

Though Xavier outwardly appears gentle and calm, his behavior aligns with core Gryffindor traits: courage, impulsivity, and rebelliousness against injustice. He's not merely courageous out of circumstance; he actively seeks out risks. His creation of the flashy alter-ego "Lumiere" showcases his bravery - and perhaps recklessness - perfectly embodying Gryffindor's inclination toward flashy acts of heroism. His decision to rebel against his royal lineage in Philos, openly defying his father the king who sacrificed innocent lives, further emphasizes his alignment with Gryffindor values - specifically, moral courage. Xavier willingly sacrifices personal safety and stability to fight for what's right and travels back in time, reflecting true Gryffindor spirit. Reasoning for secondary Slytherin: He is sneaky and a little manipulative at times and fully knows what effect his innocent looks have - and uses that to his advantage. You notice this especially during Fluffy Trap. Somehow he is always a few steps ahead of MC and tricks her!

Positive: Courageous, protective, strong moral compass, heroic.

Negative: Reckless, impulsive, stubborn, often acts without foresight.

Zayne – Primary: Ravenclaw | Secondary: Hufflepuff

Zayne's core value truly lies in his relentless pursuit of knowledge and understanding. Importantly, intelligence alone doesn't warrant a Ravenclaw placement - it's the priority given to knowledge and wisdom that defines them. Zayne consistently demonstrates that acquiring knowledge - medical or metaphysical - isn't merely practical for him; it's essential to who he is and what he wants to accomplish (saving MC's life). As the Foreseer and Master of Fate, Zayne’s life revolves around carefully acquired knowledge to make decisions of enormous consequence. His choices are rarely guided by impulse or emotion alone, but always supported by intellectual clarity. His calm, methodical approach underscores his Ravenclaw essence. Reasoning for secondary Hufflepuff: Beneath his logical, stoic exterior, Zayne consistently demonstrates deep-rooted loyalty, compassion, and genuine care. His medical profession and the tireless effort he invests to protect and heal highlight his sincere dedication to the well-being of others. His actions are not driven by glory or recognition, but by quiet, steadfast commitment and genuine empathy.

Positive: Wise, analytical, thoughtful, innovative, responsible.

Negative: Detached emotionally, overly analytical, may appear cold or indifferent.

Rafayel – Primary: Slytherin | Secondary: Ravenclaw

Rafayel strongly aligns with the house of Slytherin through his complex motivations, secrecy, and charm. His playful exterior masks carefully concealed ambitions and plans. His network within the N109 zone and hidden dealings demonstrate his adeptness at navigating complex social dynamics - classic Slytherin traits of cunning and adaptability. His artistic temperament and charisma further illustrate how Slytherins can embody traits often associated with other houses, like creativity and charm, while still prioritizing ambition, resourcefulness, and strategy as their core values. Rafayel exemplifies that Slytherins can have good hearts but choose to show vulnerability selectively, preserving an enigmatic persona. He keeps his cards very close and even MC gets to see them very rarely. Reasoning for secondary Ravenclaw: He’s deeply artistic, driven by a curiosity for truth, meaning, and beauty. These qualities align well with Ravenclaw’s love for learning, creativity, and understanding deeper meanings. His exploration of art as a means to expose societal corruption and his intellectual depth behind each masterpiece clearly display Ravenclaw traits.

Positive: Charismatic, strategic, resourceful, artistic, adaptable.

Negative: Secretive, occasionally manipulative, holds grudges, guarded emotionally.

Sylus – Primary: Slytherin | Secondary: Hufflepuff

Sylus is the epitome of modern, multifaceted Slytherins. Ambition and cunning don’t inherently equate to villainy; Sylus demonstrates Slytherin's core traits positively and negatively. He is deeply ambitious and maintains strategic long-term thinking, always planning steps ahead. His network of connections, meticulous strategies, and hidden plans further highlight his resourcefulness and adaptability - key Slytherin virtues. Yet Sylus also showcases a softer, family-oriented side, demonstrating that Slytherins deeply value loyalty and closeness, particularly within tight-knit circles. He’s fiercely protective of those he genuinely cares for, and despite his outward harshness, this selective loyalty underscores a balanced, nuanced Slytherin personality. Reasoning for secondary Hufflepuff: I can't really tell you why - it's just a feeling. I don't have a lot of his cards, but I did watch some of them on YT. You can tell me in the comments what you think. (this applies to the other LIs too)

Positive: Ambitious, resourceful, strategic, family-oriented, selectively loyal.

Negative: Manipulative, secretive, mistrustful, sometimes morally ambiguous.

Caleb – Primary: Hufflepuff | Secondary: Ravenclaw

Caleb embodies the genuine warmth and humble spirit often overlooked when discussing Hufflepuffs. While traditionally bravery is a Gryffindor trait, Caleb’s bravery is more circumstantial than inherent; life forced him into courageous roles rather than him seeking them out. His core identity is rooted deeply in kindness, gentleness, loyalty, and humility - all quintessential Hufflepuff values. Caleb’s universal kindness, even to those he's not romantically interested in, emphasizes his innate empathy and respect for others. He's beloved by peers not because he's overtly charismatic, but because he's genuinely thoughtful and attentive. He cooks and enjoys food - not for validation or prestige - but for the simple joy of it and to see his loved ones enjoy it, deeply resonating with Hufflepuff’s comfort-oriented nature. His protective behavior towards the MC arises not from a desire to be a hero, but from trauma-induced loyalty and deep-seated love. This fierce loyalty, shaped by childhood trauma, is the hallmark of a Hufflepuff pushed beyond comfort into challenging circumstances. It’s precisely this loyalty and quiet strength that makes Caleb a true Hufflepuff, not Gryffindor. (He is basically Cedric Diggory - just more alive ... barely.) Reasoning for secondary Ravenclaw: He shows great intellectual capacity, strategic thinking, and analytical clarity. He adapts to complicated situations (this is an understatement) using intellect, precision, and careful planning. Caleb attempts to find logical ways to cope and protect even in traumatic circumstances. His genuine curiosity, analytical problem-solving, and sharp observational skills reflect Ravenclaw characteristics beneath his Hufflepuff core.

Positive: Loyal, empathetic, humble, compassionate, steadfast., kind.

Negative: Overly self-sacrificing, can be obsessive, passive-aggressive under stress.

Read about why he isn't a Slytherin further below.

MC – Primary: Gryffindor | Secondary: ???

MC’s Gryffindor traits are unmistakable. At her core, bravery, competition, and the desire for truth and justice guide her actions. She doesn't simply endure challenges; she actively seeks them out, recklessly engaging in dangerous missions and confrontations. Her grief-induced impulsivity and rebelliousness also fit Gryffindor perfectly, as she channels loss and trauma into daring missions without a thorough plan. However, this recklessness is balanced by genuine bravery and a powerful drive to protect and avenge those she loves. Her pursuit of justice - even when dangerous or irrational - is a defining characteristic, making her a Gryffindor through and through.

Positive: Courageous, determined, loyal, passionate about justice.

Negative: Impulsive, stubborn, reckless, tends to leap before looking.

But Caleb is definitely a Slytherin you say?

It makes sense why people would place Caleb into Slytherin based on his Colonel arc. But personally, I see Caleb's "cunning" and manipulation not as inherent character values, but as coping mechanisms shaped by trauma and survival instinct. It's important to distinguish between a person's true core values and the traits they've been forced to develop under extreme circumstances. Caleb’s story is one of deep emotional trauma - losing loved ones, being subjected to invasive experiments, and being manipulated into a position he never truly wanted. He didn’t choose cunning or ambition willingly; rather, those became survival tools in response to severe situations he faced. (it's more like his Ravenclaw side coming to the forefront to help him survive) In his youth, Caleb was naturally kind, humble, and nurturing - classic Hufflepuff traits. He didn't seek power, nor did he find joy in manipulation or secrecy. The Colonel storyline showcases a deeply hurt and scarred person fighting for the little control left in his life, driven primarily by loyalty and protectiveness toward MC. His methods might resemble those traditionally associated with Slytherin, but his motivations remain firmly rooted in loyalty, compassion, and the desire for a peaceful, simple life. Additionally, Hufflepuffs aren't devoid of complexity - they can exhibit cunning, resourcefulness, and determination when their loved ones are threatened. These traits aren't exclusive to Slytherins; what differentiates the houses is the underlying core value. For Caleb, cunning isn't an inherent value; it's a tragic necessity. At his core, he's guided by warmth, empathy, and loyalty - the values of a true Hufflepuff pushed into a darker, harsher reality. So, while Caleb absolutely shows "cunning" and resourcefulness, these traits alone don't define him. They're reactions, not values. At heart, Caleb is still that caring, emotionally intelligent Hufflepuff trying desperately to protect the person he loves most, even if he must walk a morally gray path to do so. Caleb is such a deeply nuanced character. He isn’t embracing cunning because it aligns with his heart - he’s forced into it by circumstances beyond his control. Caleb is essentially walking a tightrope, pretending to be the cold, calculating Colonel that EVER expects him to be (the perfect weapon), precisely because that's the only way he can maintain some small degree of freedom and protect himself (and MC) from their control. The Toring Chip isn't just a physical implant - it's symbolic of the trauma and manipulation he's endured (and is still enduring). Caleb's actions and outward persona reflect not his true nature, but his desperate fight to keep that nature intact beneath the surface. His core Hufflepuff kindness and empathy never disappear; they're hidden behind the mask he must wear to survive. It's a heartbreaking struggle between his authentic self and the identity EVER wants to impose upon him. That’s precisely why calling Caleb a cunning Slytherin overlooks the heart of his character - he isn't ambitious or manipulative by choice, nor does he derive satisfaction or pride from it. He's a victim of cunning, not its master.

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metanarrates · 6 months ago

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Hello. Sorry if this a stupid question u can ignore if u want.

How can someone get better at media analysis? Besides obviously reading a lot.

Im asking this bc im in a point where im aware of my own lack of tools to analyze stories, but i don't know where to get them or how to get better in general. How did you learn to analyze media? There's any specific book, essay, author, etc that you recommend? Somewhere to start?

I'm asking you because you are genuinely the person who has the best takes on this site. Thank you for you work!

it sounds like a cop-out answer but it's always felt like a skill I acquired mostly thru reading a ton, and by paying a lot of attention in high school literature classes. because of that I can't promise that I'm necessarily equipped to be a good teacher or that i know good resources. HOWEVER! let me run some potential advice to you based on the shit i get a lot of mileage out of

first off, a lot of literary analysis is about pattern recognition! not just pattern recognition in-text, but out-of-text as well. how does this work relate to its genre? real-world history? does it have parallels between real-life situations? that kind of thing.

which is a big concept to just describe off the bat, so let me break it down further!

in literature, there is the concept of something called literary devices - they are some of the basic building blocks in how a story is delivered mechanically and via subtext. have you ever heard of a motif? that is a literary device. it's a pattern established in the text in order to further the storytelling! and here is a list of a ton of common literary devices - I'd recommend reading the article. it breaks down a lot of commonly used ones in prose and poetry and explains their usage.

personally, I don't find all the literary devices I've learned about in school to be the most useful to my analytical hobbies online. motifs, themes, and metaphors are useful and dissecting them can bring a lot to the table, but a lot of other devices are mostly like fun bonus trivia for me to notice when reading. however, memorizing those terms and trying to notice them in the things you read does have a distinct benefit - it encourages you to start noticing patterns, and to start thinking of the mechanical way a story is built. sure, thinking about how the prose is constructed might not help you understand the story much more, but it does make you start thinking about how things like prose contribute to the greater feeling of a piece, or how the formatting of a piece contributes to its overall narrative. you'll start developing this habit of picking out little things about a text, which is useful.

other forms of in-text pattern recognition can be about things like characterization! how does a character react to a certain situation? is it consistent with how they usually behave? what might that tell you about how they think? do they have tells that show when they're not being trustworthy? does their viewpoint always match what is happening on screen? what ideas do they have about how the world works? how are they influenced by other people in their lives? by social contexts that might exist? by situations that have affected them? (on that note, how do situations affect other situations?)

another one is just straight-up noticing themes in a work. is there a certain idea that keeps getting brought up? what is the work trying to say about that idea? if it's being brought up often, it's probably worth paying attention to!

that goes for any pattern, actually. if you notice something, it's worth thinking about why it might be there. try considering things like potential subtext, or what a technique might be trying to convey to a reader. even if you can't explain why every element of a text is there, you'll often gain something by trying to think about why something exists in a story.

^ sometimes the answer to that question is not always "because it's intentional" or even "because it was a good choice for the storytelling." authors frequently make choices that suck shit (I am a known complainer about choices that suck shit.) that's also worth thinking about. english classes won't encourage this line of thinking, because they're trying to get you to approach texts with intentional thought instead of writing them off. I appreciate that goal, genuinely, but I do think it hampers people's enthusiasm for analysis if they're not also being encouraged to analyze why they think something doesn't work well in a story. sometimes something sucks and it makes new students mad if they're not allowed to talk about it sucking! I'll get into that later - knowing how and why something doesn't work is also a valuable skill. being an informed and analytical hater will get you far in life.

so that's in-work literary analysis. id also recommend annotating your pages/pdfs or keeping a notebook if you want to close-read a work. keeping track of your thoughts while reading even if they're not "clever" or whatever encourages you to pay attention to a text and to draw patterns. it's very useful!

now, for out-of-work literary analysis! it's worth synthesizing something within its context. what social settings did this work come from? was it commenting on something in real life? is it responding to some aspects of history or current events? how does it relate to its genre? does it deviate from genre trends, commentate on them, or overall conform to its genre? where did the literary techniques it's using come from - does it have any big stylistic influences? is it referencing any other texts?

and if you don't know the answer to a bunch of these questions and want to know, RESEARCH IS YOUR FRIEND! look up historical events and social movements if you're reading a work from a place or time you're not familiar with. if you don't know much about a genre, look into what are considered common genre elements! see if you can find anyone talking about artistic movements, or read the texts that a work might be referencing! all of these things will give you a far more holistic view of a work.

as for your own personal reaction to & understanding of a work... so I've given the advice before that it's good to think about your own personal reactions to a story, and what you enjoy or dislike about it. while this is true that a lot of this is a baseline jumping-off point on how I personally conduct analysis, it's incomplete advice. you should not just be thinking about what you enjoy or dislike - you should also be thinking about why it works or doesn't work for you. if you've gotten a better grasp on story mechanics by practicing the types of pattern recognition i recognized above, you can start digging into how those storytelling techniques have affected you. did you enjoy this part of a story? what made it work well? what techniques built tension, or delivered well on conflict? what about if you thought it sucked? what aspects of storytelling might have failed?

sometimes the answer to this is highly subjective and personal. I'm slightly romance-averse because I am aromantic, so a lot of romance plots will simply bore me or actively annoy me. I try not to let that personal taste factor too much into serious critiques, though of course I will talk about why I find something boring and lament it wasn't done better lol. we're only human. just be aware of those personal taste quirks and factor them into analysis because it will help you be a bit more objective lol

but if it's not fully influenced by personal taste, you should get in the habit of building little theses about why a story affected you in a certain way. for example, "I felt bored and tired at this point in a plot, which may be due to poor pacing & handling of conflict." or "I felt excited at this point in the plot, because established tensions continued to get more complex and captured my interest." or "I liked this plot point because it iterated on an established theme in a way that brought interesting angles to how the story handled the theme." again, it's just a good way to think about how and why storytelling functions.

uh let's see what else. analysis is a collaborative activity! you can learn a lot from seeing how other people analyze! if you enjoy something a lot, try looking into scholarly articles on it, or youtube videos, or essays online! develop opinions also about how THOSE articles and essays etc conduct analysis, and why you might think those analyses are correct or incorrect! sometimes analyses suck shit and developing a counterargument will help you think harder about the topic in question! think about audience reactions and how those are created by the text! talk to friends! send asks to meta blogs you really like maybe sometimes

find angles of analysis that interest and excite you! if you're interested in feminist lenses on a work, or racial lenses, or philosophical lenses, look into how people conduct those sort of analyses on other works. (eg. search feminist analysis of hamlet, or something similar so you can learn how that style of analysis generally functions) and then try applying those lenses to the story you're looking at. a lot of analysts have a toolkit of lenses they tend to cycle through when approaching a new text - it might not be a bad idea to acquire a few favored lenses of your own.

also, most of my advice is literary advice, since you can broadly apply many skills you learn in literary analysis to any other form of storytelling, but if you're looking at another medium, like a game or cartoon, maybe look up some stuff about things like ludonarrative storytelling or visual storytelling! familiarizing yourself with the specific techniques common to a certain medium will only help you get better at understanding what you're seeing.

above all else, approach everything with intellectual curiosity and sincerity. even if you're sincerely curious about why something sucks, letting yourself gain information and potentially learning something new or being humbled in the process will help you grow. it's okay to not have all the answers, or to just be flat-out wrong sometimes. continuing to practice is a valuable intellectual pursuit even if it can mean feeling a tad stupid sometimes. don't be scared to ask questions. get comfortable sometimes with the fact that the answer you'll arrive at after a lot of thought and effort will be "I don't fully know." sometimes you don't know and that can be valuable in its own right!

thank you for the ask, and I hope you find this helpful!

#narrates #thanks for the kind ask! i feel a little humbled by your faith in me aha #this may be a bit scattershot. its 2 am. might update later with more thoughts idk #nyway i feel like a lot of lit classes even in college don't tell you why they're teaching you things that might feel superfluous #hopefully this lays out why certain seemingly superfluous elements of literary education can be valuable #the thing esp about giving theses and having a supporting argument... its not just because teachers need to see an essay or whatever #the point is to make you think about a text and then follow thru by performing analysis #and supporting that analysis w/ evidence from the text #u don't have to write essays but developing that mindset IS helpful. support ur conclusions yknow?#anyway thanks again hope it's illuminating

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echotiklive · 1 year ago

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incognit0slut · 1 year ago

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Much Ado About Nothing (Act I, Scene I: The Silent Agreement)

Ever since that night, you and Spencer have always been at odds, but there is one thing you both agree on.

Part warning: just two idiots bickering nonstop Words: 1,6k A/n: so nervous about starting this but welcome to the first part! It's a short introduction though I'm trying to make longer chapters in the future

SERIES MASTERLIST | MAIN MASTERLIST

Hate was too strong of a word, too intense and dramatic for the subtler, more nuanced disdain you felt toward him. It was more like a persistent itch you couldn’t scratch, a pebble in your shoe, or a fly that wouldn’t leave you alone.

You didn’t hate him. You didn’t even dislike him all the time. But there were moments when you wanted to shake him, or yank his tie hard enough to shut his smart mouth. Because every time he started throwing around statistics and facts, he made it sound like you couldn’t possibly understand, as if you weren’t on the same intellectual level as him.

And right now was one of those times you wanted to wipe that smug look off his face.

“You’re wrong,” you argued, not breaking eye contact as you leaned across the cluttered map with pins and photos of various crime scenes. “The Unsub doesn’t fit the profile of someone who strikes randomly. Look at the pattern, the meticulous planning in each location—it’s obvious they selected victims based on specific criteria, not opportunity.”

Spencer scoffed, his eyes narrowing slightly. “The victims have nothing in common. Different ages, different backgrounds, different cities. How do you explain the randomness of the victims if it was planned?”

“It’s the chaos that’s planned, the seeming randomness, each victim is at a pivotal point. The Unsub is not just killing; they’re sending a message through the timing.”

“A message? Or is that just what you want to see?”

You frowned, not liking the condescending tone in his voice. “Reid, not everything has to fit into your neat little boxes of logic. Sometimes, you have to look beyond the obvious.”

“You mean baseless assumptions?”

“How about intuition?” you snapped back. “How about pattern recognition that isn’t immediately visible but becomes clear when you consider the psychological aspects?”

“You mean your hunches?

You gritted your teeth. “It’s not about my hunches. It’s about understanding the Unsub’s mind. They’re choosing victims who are at turning points in their lives for a reason. Maybe it’s symbolic, maybe it’s personal."

“Or maybe you’re just reading too much into this.”

Your frustration bubbled over. You knew if he weren’t talking to you, he might actually agree—No, he would definitely agree. You had enough experience working with him to understand his analytical style and to know that he valued well-reasoned arguments. Yet now it felt like he was purposely dismissing your perspective.

He wasn’t being fair.

“You know what? Sometimes I think you’d argue with a freaking wall if it meant you could prove a point.” To me at least. "Not everything is a textbook case, and not every answer is in your precious statistics.”

You saw him raise an eyebrow. “And you’d dismiss all logical analysis if it meant you could rely solely on intuition. How is that any more valid?”

“It’s not about relying solely on intuition,” you defended. “It’s about seeing the connections, the human behavior that your statistics can’t always explain.”

“But you’re assigning meaning where there might be none.” He gave you a pointed look. “Not only is that dangerous, you’re being reckless.”

Red. You were seeing red. Your retort was on the tip of your tongue when a sharp clearing of a throat suddenly interrupted. You both turned to see Hotch standing at the corner of the room.

"Let's redirect this energy towards something productive," Hotch interrupted, you could almost feel the weight of his stare. "Both of your insights are pointless if you keep arguing like this.”

“I wasn’t arguing.”

You rolled your eyes. “Sure, you weren’t.”

Your boss sighed, the kind of deep, exasperated sigh that seemed to pull the oxygen out of the room. “Just... work together. Please.”

The plea was simple, filled with the tiredness of having had this conversation more times than anyone cared to count. He then turned to leave and the room suddenly felt too big, the silence too loud.

You glanced over at Spencer the same time his eyes fell on you. But before either of you could say anthing, the door jerked open, and you watched as Derek sauntered into the room.

“Did you two fight again? Because Hotch asked me to babysit you.”

You scoffed. “Really? Those were his exact words?”

“Of course not, he asked me you needed supervision because you can’t stop sniping at each other.”

“Supervision,” you muttered under your breath, the word sounding ridiculous because it was the last thing you needed. “We don’t need supervision.”

“Exactly. What you both need is a babysitter.”

“We’re also not kids.”

Derek chuckled, leaning against the doorframe. “Could’ve fooled me. Given how loud you were, I half-expected someone to start throwing toys.”

Spencer was quick to defend himself. “We were having a professional disagreement.”

“A professional disagreement?” Derek mocked, pretending to be deep in thought. “That’s what they’re calling it these days?”

You huffed, crossing your arms. “Yes, Morgan, some of us prefer to call it that instead of ‘arguing like toddlers’.”

The grin spreading across his face was so annoying that you wondered whether you should’ve put your frustration on him instead. Derek pushed himself off the doorframe and walkes over to Spencer, casually draping an arm around his shoulders.

“Alright, Pretty Boy, let’s hear your side of this professional disagreement.”

Spencer shifted uncomfortably under his arm but managed to maintain his composure. “We were discussing the Unsub’s choice of victims. I believe the randomness is genuine, while someone,” he glanced pointedly at you, “Thinks there’s a pattern.”

Derek raised an eyebrow. “What pattern?”

You stepped forward, determined to explain. “Look at the victims’ timelines. They were all at critical junctures—new jobs, big moves, major life changes. The Unsub isn’t picking them randomly; they’re choosing people going through something significant.”

Derek nodded thoughtfully, removing his arm from Spencer’s shoulders. “Alright, I see where you’re coming from. And you, Reid, think it’s just a coincidence?”

“I think the Unsub might be targeting randomly to avoid detection. Patterns can be dangerous for them.”

You sighed. “Can we at least agree to look at both possibilities? If we cross-reference the victims’ life changes with significant dates in the Unsub’s background, we might find a connection.”

You held his gaze as he studied you. You were right, you both knew you were, but you could tell admitting he was wrong was the last thing he wanted to do. There was a tense silence as he considered your suggestion, his eyes flicking between the evidence board and you.

Finally, he nodded, albeit reluctantly. “Fine. We can analyze both angles and see if there’s any overlap.”

“See? That wasn’t so hard, was it?” Derek chimed in with a smirk, clearly enjoying the moment. “You know, you could’ve gotten more work done if you two still got along.”

Derek’s words hit harder than you expected, a bittersweet reminder of a time when things were simpler. He was right, of course. There was a time when you and Spencer were more than just colleagues locked in constant debate. You were friends—good friends, even. You could almost hear the echoes of shared laughter that had once come so easily.

You remembered late nights at the office, the two of you working over case files and tossing ideas back and forth. Back then, your debates had been lively, yes, but never tinged with the frustration and competition that seemed to color your interactions now.

And to make matters worse, Derek suddenly voiced out the question neither of you dared to ask out loud.

“You guys used to be inseparable,” he mused, glancing at the two of you with an amused smile. “Wonder where it went wrong.”

You knew he was joking, but his words carried an uncomfortable truth that you couldn’t ignore. You could also tell it affected Spencer because his eyes met yours silently.

You both were thinking the same thing. You were sure of it, because everything had changed after that night, that one night you wished to forget. That one night when you thought your friendship would change for the better, but instead, it turned into a moment of clarity, a freaking slap to the face.

The change was immediate, like the abrupt silence that follows a sudden, jarring noise. What had once been effortless and natural now felt forced and awkward. The distance between you grew. The ease with which you once communicated had been replaced by a strained formality, as if both of you were trying too hard to pretend that nothing had changed.

It was as if you had made a silent pact to never speak of that night, an unspoken agreement to bury it deep and carry on as best you could. Both of you were too proud, too scared to address the elephant in the room.

You looked away, unable to hold his gaze any longer. The weight of the unspoken words pressed heavily on your chest, and sure, it seemed childish to harbor such disdain at your big age, but you couldn’t help it. It wasn't just the loss of a friendship that stung; it was the betrayal of knowing someone so close could cause you such pain.

Because Spencer Reid had hurt you deeply that night, so much so that a small, spiteful part of you wanted to hurt him too.

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