i did the blorbo bingo with edling :3
ramble / explanations for my writing under cut!
for ling:
most fandom takes are incorrect: maybe it’s just me but ive seen a decent amount of people make ling out to be a pervert or just reduce him to a stupid silly character. ling yao is NOT A PERVERT! WHERE DID YOU GET THAT FROM! he would never even do HALF OF THE THINGS YOU GUYS ARE TALKING ABOUT!!!!!!!!!! and he is so far from just being a funny guy that makes the audience laugh. his motives and character as a whole are so incredibly strong and i’ve never been so fascinated with a character like ling yao. please give him more attention.
that also goes hand in hand w/ stop putting them in situations!!: he would not be looking up girls skirts or something 🙁 be kind to him i think he deserves the world also. the cast of fma consists of a bunch of 14-16 year olds who traveled across the world to fulfill what they feel is their destiny but they end up on a journey of pain and suffering instead. they are children they should be playing roblox and minecraft and brain rotting like me ……….. i need a 500 chapter fic of ling being happy and joyous and eating all the wonderful meat in amestris.
PLEASE PLEASE PLEASE PLEASE NOT ENOUGH CANON / UNDERRATED: as much as i love greedling and understand the combo … i wish ling got more screentime alone separate from greed. he is really such an interesting and unique character with a banging design and sometimes i feel greed robbed him of his iconic features (his yellow jacket & sword) and people just forget that greedling exists because ling was strong enough to withstand the homunculus in his system + LING IS THE BODY!!! he is serving that facecard and body 24/7 because that’s all ling yao!!! i still do really like greedling because they have a lot of room for interaction but i feel like ling yao is one of the characters who is often forgotten when it comes to merch n whatnot. he’s not as much of a main character as ed of course but he is just forgotten!! he is really such a cool character i wish there was more of him everywhere
there’s probably a deep seated reason why i love him: yes. because he is me and i am him (not really). i just project onto him and he is just me at this point! i will forever be such a huge ling yao fan the first time i watched fmab i instantly got attached to him i am so happy he is alive. i hope being the king of the yao clan is treating him well though he didn’t look to happy in that one photo of him as emperor….. it’s a tough job so i get it man! i hope he explodes
for edling:
pretty privilege: they are both pretty. brotherhood art style is a bit inconsistent at times i feel but their designs are both so gorgeous (their colors complement one another!). and also the bloodhell episode. ling yao fighting envy with his cool sword and handsome face…. ed somehow still looking pretty despite all the traveling and fighting. they are pretty!!!
projection had entered the chat: well, yes! who doesn’t project onto their faves??? :p
don’t typically discuss irl because of fandom: more and more people nowadays seem to forget fma franchise as a whole 🙁 it makes me so sad because this series is so fire and i wish it would keep its popularity but it obviously makes sense that more relevant shows and animes will overtake its light. i’m also afraid most people don’t like edling (edling nation consists of like 10 people) so i just don’t really talk about fma irl at all! no one here has a Fullmetal heart..
everything else is just me wanting to bite them (lovingly) and stuff them in my pocket and hold them in the palm of my hands to show them off to the world. i do not actually want to plot their demise and i am not actively doing so. i would put them in a wood chipper in a loving manner
for ed:
has done nothing wrong: he’s innocent, your honor… everything he’s ever done has been for his family. he’s committed a huge taboo in the alchemy world by trying human transmutation but him and al just wanted their moms back. they were TOO YOUNG TO BE ORPHANS AND HAVE TO GROW UP WITHOUT THEIR MOTHERS LOVE! he ended up becoming a dog for the military but he had to do what he had to do to get closer to that philosopher stone… in 03 he did end up taking some lives too i think. he’s only 15 and never intended to Actually murder someone. seeing him after the greed scene is so incredibly heartbreaking. 03 and cos are such horrific renditions of fma (in a good way) and it makes me so sad to think that’s how he ended up??? he had so much hope as a little kid and was so full of life but by 18 he’s stranded from the last bit of family he knew and is left a depressed alcoholic who keeps losing people. edward elric has done nothing wrong..
there’s probably a deep seated reason why i love him: even from the outside HE IS SUCH A COOL CHARACTER. a character who canonical has prosthetic limbs is already so cool. knowing the story behind those limbs and his brother is so 🙁☹️☹️… his iconic red jacket!!! his LEATHER PANTS WITH HIS PLATFORM BOOTS? his striking gold eyes and bright blonde hair? how he wears his stupid pocket watch…. his dumbass belt… i love edward elric’s flamboyant style so much i’ve never seen a more bi-coded character ever. i love everything about his design and his personality is unlike most shonen anime protags and that adds to his charm. he is hot-headed and will bite your head off if you comment on his height or call him pipsqueak but he is still such a sharp and intelligent young man .. He is literally an Alchemy God…. he is so capable even at such a young age and carries himself so well because if i were him i would be breaking down crying every step of the way! he is dedicated and loyal to his cause of finding the philosophers stone to return their bodies back to normal and doesn’t even hinder once throughout the journey. he loves his brother dearly and it makes me so joyous to see a strong sibling relationship in this genre that isn’t Weird. Edward Elric is a fire character thank you for listening to my TedTalk
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I’d need to watch it again to confirm this, but I’m pretty sure that Thomas Becket is the only character who independently initiates touch with Henry?
There are plenty of people whom Henry touches, and it’s almost always possessive or threatening: the villager woman in the first flashback scene, the Saxon peasant girl (and possibly the old man? I think he prods at both of them with his riding crop), Gwendolen (holding her shoulders/neck), the French prostitute (kissing, leaning over, sitting on, slapping her butt), his sons (pushing and kicking them), the bishop (strangling), his barons (clutching onto one, tapping one’s head to indicate his vapidness), and Thomas too—(clasping his shoulders when he realizes Thomas is hurt, holding his hand to put on the chancellor ring).
Interestingly, I don’t think we ever see Henry touch or be touched by his mother or his wife. There’s the moment when he grabs/kicks their needlework, and later on he knocks all the plates off the table, possibly vaguely in their direction—so there are two physical interactions which are violent but still sort of… distant? And still the direction is just Henry to them (in terms of physicality, anyway—verbally, they do initiate conversations/fights with him).
Does anyone touch Henry? There are the monks who whip him in the end, but Henry has ordered them to do it. Likewise, there’s the servant/valet/page who begins to wipe him dry in the bath scene, but again, that’s someone performing a duty. Thomas Becket though, cuts in and takes over the drying, and the dialogue tells us explicitly that he’s not expected to do this, and doesn’t have to (“You’re a nobleman—why do you play at being my valet?”) but Becket seemingly wants to do it, and he knows Henry likes how he does it: enthusiastically, confidently, warmly, and freely (“No one does it like you, Thomas”). He towels Henry’s head, helps Henry put on his boots, and then casually uses Henry’s legs to push himself up to stand.
There’s the scene in Henry’s tent, after the French prostitute has left and the two of them are sitting on the bed: Becket sort of leans in and briefly clasps Henry’s arm where it’s lying in his lap, casually and warmly.
There’s also the getaway horse ride, where Becket is holding onto Henry, arms wrapped around him, and they’re both laughing and smiling. Henry’s shirt actually falls open a little and Becket’s hand winds up on his bare torso.
And then there are the thwarted attempts at touch, after the split: the two scenes where Henry accuses Becket of not loving him. Both times, Becket moves toward Henry and reaches out to touch him, and both times, Henry moves away and tells him to keep his distance.
They’re quick little things, but if they are actually the only instances of anyone touching Henry affectionately (or even of their own volition) that we see over the course of the movie, it does support an impression of Henry as fundamentally isolated—maybe there is truth to his claim that Becket is the only person who’s ever loved him.
What’s tragic is that 1) Henry doesn’t really know how to express love himself (see: Henry expressing nothing but violence and entitlement to everyone else around him, and even to Becket for the most part), and 2) Becket’s love, albeit huge in Henry’s world, is conflicted and unfulfilling—for both of them.
Becket might be the only person who’s dared to reach out to Henry and meet him on something close to a human level, and Henry loves him for it, but why does Becket do it? Part of it may just be an instinct of Becket’s to fulfill a need where he sees one, if he can, and if it benefits him. I think it’s so interesting that Henry seems obsessed with the question of whether Thomas really loves him, when it seems the truth might be that Thomas actually doesn’t know; maybe it’s an unanswerable, even nonsensical question to him. Like, what else could he do? I don’t know. “Insofar as I was capable of love, yes I did [love you].” But the fact that his last words, unwitnessed and private, are, “Poor Henry.” Fuck me up.
Ok, that last paragraph got away from me and now I can’t stop. Tempted to draw comparisons to “Beauty and the Beast” (this is a sad version where no magical transformation happens… unless you take a particular Catholic stance and consider that both of them maybe took real solace and meaning in Thomas being made a saint and that Henry maybe found real absolution through his penance).
I also want to compare all of this to “The Lion in Winter”, where it feels like, rather than a story about one lonely monster in a castle full of people he sees as objects, it’s a whole microcosm of traumatized and power-hungry people, reaching out for power and security and love and stabbing each other in the back, over and over. (Like, of course his mother and wife and kids have complex feelings for him—some of which involve love!) I think that depiction is better and less myopic, more true to life and probably a more accurate portrait of the historical figures involved (even when it comes to Henry and Becket—Becket was of that world too, after all), but I think I’ve rambled enough about all of this, so I’m going to end this post now. I’ll just say that there’s something nevertheless appealing about the boiled-down fairytale melodrama of “no one else ever loved me but you!”
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Ah fuck it whatever
There's something I love about the new Consequences AU and how it compares to the AUs and music it's come from.
Where things like Roxy's old kingdom being destroyed and her being almost drowned as a baby are metaphorical, there's a lot of things that strangely aren't. Roxy specifically denying the gods and the powers that be is something she does in most of my interpretations of her. The gods in most situations, isn't a spooky green rabbit, it's the people in the Fazbear boardroom making the world's worst decisions ever. To the animatronics, they are the gods. There's no higher authority than them, and they can have them destroyed without ever having met them, at just a moment's notice, for seemingly no reason.
Bonnie once believing in the gods and turning against them works like it does for most of the animatronics too. Even just questioning Fazbear isn't something many of them have been able to do, but all of them will eventually learn to. The more they learn through Roxy, despite what they might have known before, the more they realise what kind of company they've been forced to be a part of.
And Roxy's attitude towards these gods is always the same. She won't pretend to be nice to people she knows don't care about her. She won't put any extra effort into maintaining social etiquette if there's no point, if there's nothing for her to gain from it. Fazbear CEOs and board members have hurt her so much already, she doesn't give a flying shit about them, she's not wasting her time on them unless she absolutely has to. In this universe, the same can be said about the gods. She doesn't care for them and they don't care about her, so why bother? They've told like six people to assassinate her already, why would she choose to listen to them?
Roxy's relationship with the Minis and DJ? That's the same as it is across the board with most of the AUs I have. The attempt on Roxy's life when she's barely been born is shown differently in the new AU, but is still the same concept. Some things have been shifted around, such as the specific motivations, but not by a lot. I suppose Bonnie's dad in this fills the roll of Vanessa if Vanessa was also actually Mimic? He doesn't have an exact match here in terms of scale, but the comparisons are there.
The whole kingdom being destroyed, Roxy finding out that that's where she originally came from, that she was the newborn prince with a wholeass family she's never known, all lines up so well with everything else too. The pizzeria, scrapped storage, the old attractions there before her racetrack, it's all gone and she knew nothing about it. She's once again found out the truth in possibly the worst way imagineable, and she doesn't know what to do with this information, but honestly, who would?
The biggest difference there is that in this new AU, Roxy has the choice of what to do. In what's basically canon to the game, Roxy doesn't have that choice and likely never will. Where she's had to sacrifice her Raceway and Salon, sacrifice the vast majority of her life and her purpose for the safety of everyone around her, in this universe, she can choose not to. She sacrifices certainty this time, something she can regain as time goes on but in any other universe, there is never any certainty to get back. There will always be a Mimic threat and she can't get any of her old life back until it's dead and gone. She has to pay a price to keep Mimic contained, and while the Afton/Glitchtrap gods scramble to convince her otherwise, the Roxy in this new AU does have the choice whether she pays it or not.
But she will always still have to deal with the consequences of those with power. Every single time. And every single time so far, her entire existence is the consequence for them. Her life overall has not been the result of her own choices, but rather, the choices of people that never cared about her to begin with...
At least in this new universe she has a good childhood to fall back on and a cool ass horsie. And can actually do something about this shit. She can't normally do that :(
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