#Making out with a stranger

[wanologic]

sorry danny, sam will never think you’re cool

[biggest-gaudiest-patronuses]

sick of this anti-aging obsession. let's go in the opposite direction. i want more characters who are hardened & grizzled & have a face lined with the harrowing tribulations of time--and then halfway through the narrative u find out they're 27

[artrealla]

golden hour cuddles

[shushmal]

The latest Family Video customer is barely through the door before Eddie explodes, "Ugh, Tyler."

Beside him, Steve scoffs in agreement, nose wrinkled with distaste. He's so hot. "Yeah, exactly, uugh."

"That should be his middle name. Ugh," Robin chimes in. Eddie's so glad they're in agreement about the bleach-spiked punk guy that graduated three years ago but is still bumming around Hawkins. "Steve, I can't believe you dated that guy."

Seriously, Tyler is the worst— Wait, what—?

"Wait," Eddie says, gaping at Robin. "What?"

"You could barely call it dating," Steve huffs.

"You were together for a month and a half," Robin says. She's got this evil grin on her face and is pointedly not looking at Eddie who is very desperate for Robin to look at him right now, please. "You drove that bum to Indy every weekend. He broke up with you on Valentine's day."

Eddie's weak "Tyler? Tyler Teaks?" gets completely ignored.

"I—" Steve says with haughty emphasis. "—broke up with him on Valentine's day. Don't get it twisted, Buckley."

Robin snorts and finally glances at Eddie. "Steve only broke up with him because the guy blew him off. On Valentine's Day. Which is basically getting broken up with," she tells him, and ignores it when Eddie whimpers at her.

"Yeah, but I'm the one to ended it!" Steve insits.

Eddie, finally, finds his voice, and says, "Tyler Teaks?! Harrington!"

"Ugh," Steve says, slumping against the counter. "I know." He cuts a glare over at Eddie after a moment. "I blame you for this."

"Me?!" Eddie shrieks, incredulous. He's pretty sure he's stepped into another parallel world. Perpendicular world? A world where Steve apparently dates guys—and guys like Tyler Teaks, no less. Eddie's sure he's gone completely batshit insane. "What the hell did I do?!"

Steve stands, cocking his hip the side, and looks down his handsome nose at Eddie. "You wouldn't be my New Year's kiss at Tina's party," he says. "So I had to settle for Tyler Teaks instead."

"What the fuck?" Eddie says, completely lost. "What—? You—? Tina—? KISS—?!"

Beside them, Robin is grinning, laughing, eyes going back and forth between them, munching on a stolen back of skittles—her own personal dramedy on stage before her.

"Yep," Steve says, popping the P. He looks distinctly bitter. "Pulled my best moves on you, and you turned me down."

"Steve," Eddie breathes. He reaches out, places both hands on Steve's shoulders, intent. The eye contact he forces Steve into is desperate. "I don't even remember getting to Tina's New Year's Party." He takes a deep breath. "I woke up in her mom's pantry the next morning with no shoes and no memory of how I got there."

Finally, Steve cracks, a big smile stretching his face. Robin cackles. "Yeah, I kind of figured as much," Steve sighs, wistful now. "You told me, and I quote, 'Steve Harrington, you are very beautiful and I want to have a summer wedding because you'd look beautiful-er with sunflowers'—"

"Don't forget the 'you look so hot in that sweater' part."

"—'But actually, I am a very straight man. So very super straight.' And then you crouched down on the floor and crawled away." Steve is biting his lip now to keep from laughing. Robin is not so nice. "Like I couldn't see you, and the handkerchief flagging in your pocket."

"Oh my god."

"Don't worry, it was really cute," Steve says, grinning. "But, I still needed a New Year's kiss, and unfortunately for everyone involved, Tyler was my only willing choice."

"Oh my god."

"Totally duped me though, he was super sweet the entire night," Steve sighs. His mouth is twisted into genuine regret now. "Plus, the next week, you acted like you'd never spoken to me before, so—"

"OH MY GOD."

Steve and Robin give him twin grimaces. Robin's is a lot more sympathetic. Steve's is confused. "Listen, man," Steve tries to soothe. "I'm sure that's pretty embarrassing, but it was a cute story! No hard feelings, I promise."

Robin's sympathetic grimace deepens.

"No," Eddie says, standing up straight. "I refuse. There is no way I turned down Steve Harrington for a New Year's kiss. There is no way."

"Wait—"

"Eddie, where—"

Eddie marches for the door, digging his keys out of his pockets. "Good-bye friends, I must go see a supergirl about time travel."

[deoidesign]

sleeping beauty (available in print!)

[plistommy]

[starry-bi-sky]

i think i'm hilarious -- aka i made blood blossom danny au memes

all of these come from my DpxDC prompt "i am pushing the batdad agenda--" and it's corresponding additions in the reblogs ksdjlf.

i am. rotating them in my head. forever and always. personally i think there should be more batdad aus in dpxdc, their dynamic could be neat. :)

[psychotic-nonsense]

In October of 1967, Steve Harrington is born in Hawkins, Indiana.

He's raised there, forced to live under the strict expectations of his parents, Richard and Samantha. Barely escapes their clutches, freedom fueled by the kids and adults that take the role of guardian and family when the time is right. Keeps himself in check with the always impending apocalypses that arise beneath his feet.

In June of 1985 - when Steve Harrington is 18, while Richard and Samantha Harrington are visiting New York for an extended work trip - Veronica Harrington is born.

She was carried and raised in secret from their hometown. They take care of her between their business hours, dropping her in the hands of nannies and babysitters galore. They don't even think of Indiana during Veronica's early childhood, too focused on work and making sure their daughter starts up right.

In October of 1986 - when Steve Harrington is 19, aged further by ending the Vecna War, yet tamed by his newfound love in Eddie Munson - Richard and Samantha Harrington return to Hawkins.

They don't ask about what happened to their son. They don't ask about the town. They don't ask questions, just give responses to them. Sneering at Steve's friends, complaining about the state of the house, commenting at the disfunctional chaos their home has become.

In November of 1986, Richard and Samantha Harrington disown Steve.

They just let him go. They at least give him a folder of his legal documents, but otherwise just tell him to get out of their house and never use their name again. Claiming Steve doesn't need anything from the room because the Harrington's own everything in it. They don't call him son, they don't say goodbye, they don't acknowledge who's actually taken care of the house, they don't admit most of Steve's former room has changed with money Steve earned himself, they don't dare to give him any money or care where he goes. They just say they're sick of dealing with an unworthy mistake of a child, and force him out of their house.

In November of 1986, the Party's adults adopt Steve.

He runs to them first after everything happens. Held himself together at the start, but broke down the second the words were out. While everyone was trying to comfort Steve, Wayne Munson and Jim Hopper were the first to succeed. They know firsthand that this family would never be the same as blood, no matter how much that blood has boiled and burned before, but the love will be stronger and it will be here. When everyone seconds it, Steve finally accepts it. He becomes a child of the Party - he's everyone's son and everyone's brother, taking whatever surname he sees fit.

In November of 1986, Steve Henderson and Eddie Munson leave Hawkins.

Despite all this good, Steve can't bear to stay in this damned town a second longer, where everyone knows who he is and will soon know everything he isn't. And it's not like Eddie was looking forward to sticking around Hawkins either, especially without his Steve. The kids are the first to agree, surprisingly, and the adults promise to find a way for the boys to get out. Later that week, when Richard and Samantha leave the house to prepare for Veronica, Steve and Eddie break in to take everything that's rightfully theirs. While they're there, not sure what prompts him, Steve makes a bag of his clothes with shoes and his wallet tucked within it, shoving it into his closet. Dustin's mom uses an old favor to get the boys an apartment in Chicago, the Party has one last farewell, and the two boys are gone.

From 1986 onward, Veronica Harrington is raised in Hawkins, Indiana.

Richard and Samantha are adamant in their daughter coming out exactly how she should. They steadily convince the town to forget the Harringtons ever had a son and lock the room on the second floor next to the stairs without ever touching the inside. They raise her with formality and pride at the top of their expectations, wanting at least one child to come out right.

But Veronica is the spitting image of Steve's honesty and care. She puts on a facade when needed, but even at a young age, she wants nothing more than to be someone's light in the darkness. She plays with every lonely kid at school, and tries to make people laugh at the business parties she's dragged to. It's not received well by her parents, but Veronica is much too strong willed and stubborn to let it phase her.

In April of 1991 - when she's 6 and they're so much stronger around their hearts - Veronica Harrington meets Steve and Eddie Munson for the first time.

It's the year Erica is set to graduate high school. Steve and Eddie have been making the drive for every holiday this year, ordered determined to give her the best senior year she could have. It's Easter Sunday, and Wayne somehow managed to drag his boys away to church - a Munson custom, as even Eddie insisted they go.

While at the snack table post sermon, a little girl comes up to Steve, mistaking him for her father. He and Eddie gently comfort the girl, introducing themselves and offering to help the girl find her parents. That's when Veronica introduces herself, striking Steve deep in his heart. Still, he keeps quiet, even gifting her a little origami crane made from napkins at the table. He calls her "chickpea" for the color of her dress, tells her to keep the crane secret and safe, "If ever you need to find your way back home, you hold that close, and it'll tell you."

Meanwhile, Wayne has come across Richard and Samantha in the crowd opposite the kids. Exchanging formalities, Wayne mentions his son and nephew are in town, news the Harrington's are surprised at, as Wayne didn't seem like the father type. However, trying to keep face, they remain civil and insist on introducing their daughter.

Cue Veronica running to her parents with Steve and Eddie in tow. Cue Steve calling Wayne dad right to Richard's face. Cue the Harrington's immediate leave from the church, Veronica waving behind her with a crane placed carefully in her pocket.

From then on, Veronica Harrington's life changes indefinitely.

Her parents' expectations grow tenfold. She finds out she's horribly allergic to chickpeas. All of her friends must be approved by her parents, and any that don't fit their image are ordered to leave her.

Veronica takes these changes in stride - is her class's top student, captain of the softball and volleyball teams in junior high, keeps the friends she wants in secret from her parents - but she can't help but keep the crane in a little box in her room. Gets a necklace with a little origami crane pendant, holds it whenever she needs to make a hard choice. Can't help but expand herself in secret, learn things her parents would never approve of - lock picking, other languages, sleight of hand, a clothing style that's nothing like the dark blues of her family, all warmth and light. She explores every room in her house, yet is unable to find her way into that room upstairs next to the steps.

In May of 1998, Veronica Harrington discovers the truth about her brother.

She's about to be a freshman. Her class was touring the high school in preparation, and while passing the athletics hall, her eyes hit the swimming trophies. Each row stuffed with trophies, and each one with a name that stabbed her right in the stomach: Steve Harrington.

After that, she couldn't bear all the secrecy anymore. Late that same night, she finally uses her lock picking skills to break into that room. And though it's devoid of life, it is a bedroom, so evidently lived in. It's frozen in time, twisted sheets covered in dust, old papers crinkled from being stepped on but not picked up, old clean clothes still sitting in the hamper. It's a boy's room, clearly, and Veronica is careful walking around this place of memories.

She does still explore, quietly clicking on lights around the room, too cautious to touch the overhead lights. She looks under the bed, finding a bat and a trash can lid, both embedded with rusty nails. A shirt that still smells like fresh laundry yet has a back stained permanently with long red lines down the shoulders. Dozens of stapled documents labeled NON-DISCLOSURE AGREEMENT, detailing horrific events that each have that same name signed at the bottom.

With shaking hands she checks the closet, and finds it mostly empty. All except for a deep green graduation robe and cap, a cream Hawkins High letterman, and a duffel bag hidden in the back corner. The cap has a 1985 tassel, and the letterman has Harrington branded on the back with basketball and swimming patches galore. And the bag, when she checks it, looks like a survivalist pack someone would make in an apocalypse. At the top sits a wallet, and inside is an ID for a Steve Harrington, who has the same face as the one in her origami memories.

And Veronica is done. She wakes up the next morning and throws Steve's jacket on the kitchen table, startling both her parents mid sip of coffee. She finds herself in a screaming match with her father, demanding them to quit lying to her, begging to know who her brother is.

In a fit of rage, Richard tells her. Tells her everything Richard and Samantha never saw in Steve, about Veronica's secret birth, the disownment, Steve's disappearance from the Harrington house and Hawkins. She's reminded of that one Easter Sunday, and is told how Richard and Samantha faked Veronica's allergy to keep her mind from being tainted by whatever curse befell their bloodline before. Orders her to never say that name again.

In a fit of rage, Veronica bites back. Calls her parents cruel and overly expectant. Comes clean about her secret freedom. Says she'd rather be nothing than ever carry the burden of the Harrington name ever again.

She hides away in her room after the fight. Cries in her closet with her origami box cradled tightly to her chest, begging it to take her home because this place isn't anymore, maybe never was. Cries for the brother she never even got to meet, who went through so many horrible things yet still got put through this same punishment. Cries for the future she won't get to have, losing her hope for a new beginning that will now never be.

At the start of June, 1998, Veronica runs away.

She makes it through the rest of May in near silence. She writes notes for all of her friends at the end of the school year, and one for her parents to inevitably find. Finds 75 dollars in Steve's old wallet, stuffs the duffel bag the rest of the way with her belongings, and says goodbye to Hawkins.

She takes the first bus she can find out of town. Doesn't care that it's going to Chicago, doesn't really care where she's going now. She befriends an old homeless man riding the bus as well, becomes another interesting name in his "Book of Wanders (Pronounced as Wonders)." As Veronica's telling the story about unknowingly meeting her brother, she remembers the crane in her bag. She reaches in to retrieve the little box, then the crane, nearly crying seeing how disheveled and unfolded it is. Broken and doomed, just like her. But looking at it now after so long, she thinks she sees something written inside it. Despite it shattering her heart pieces, she carefully unfolds the little crane.

At its center, in old, bleeding blue text, reads, "Find the Swooping Bat if you've lost your way."

The old man laughs then, taking Veronica's hand and placing it onto her chest, over her heart. "It's fate," he whispers in the dark bus. "There's a place called that in Chicago."

Veronica uses her money to rent them both a hotel for the night, giving the old man a warm bath for the first time in weeks. She gifts him the clothes as well, saying it's, "an honorary thanks from my brother, for helping me get here." They bid each other farewell in the morning, the old man telling her to keep hold of fate.

She finds her way to the Swooping Bat easily, hand on her necklace guiding her way. It's a quaint little diner, popular enough to be comfortably warm when she walks in. A young lady in a wheelchair - Max, says her nametag, with pins saying things like, "Summer work blows" and "USC grad or bust!" resting on her collar - guides her to a booth next to the sunrise.

"Anything I can get you today?" Max asks when Veronica's seated.

Veronica's fully ready to order everything on the menu, what with how delicious this place smells, but then she remembers her funds. 5 bucks, if she's lucky. "Just a chocolate milk, for now. Biggest one you have, please." She somehow plays off Max's skeptical look, her eyes sweeping over Veronica's no doubt disheveled and no-food-in-36-hours appearance.

It somehow works out, and Max is wheeling away. Veronica allows herself a moment to collapse, stomach growling in pain and eyes burning with the realization she has no idea what she's going to do now. She just has this last bit of hope to hold onto, and without it, she'll be nothing but a husk.

She's not sure how long she sits there, staring at the sunrise and letting sound and AC whisk her mind away, but there's suddenly a little knock on her table. Her head snaps up, and there's Max again, setting down a giant glass of chocolate milk... alongside a loaded breakfast plate.

"It's on the house," Max rushes to explain, all fondness when Veronica scrambles to get her wallet. "Courtesy of the owner. And between you and me," she whispers with a wink, "just take the damn food, kid."

Veronica stumbles over herself for a moment, rendered near speechless, before she finally comes back. She begs Max to thank the owner profusely, before rushing to dig into the pancakes before her. She's halfway done dousing the stack in syrup by the time Max wheels away, when there's suddenly someone laughing.

"Of course," says a choked-up voice behind her. "Can't have any chickpeas starving in my booths."

Veronica nearly drops her fork. She turns so sharply she gets dizzy. Seven years can't change a person that much, surely, because though he's bigger in the torso and he has glasses on the bridge of his nose and his hair is cut so close, he still has the same softness in his voice and the same slouch in his stance and the same moles around his eyes and his smile is so bright despite the tears in his eyes, and though Veronica can barely see through tears herself, it's not like she needs them anyway to know it's-

"Steve!" she cries, scrambling out of the booth to meet her brother halfway. The relief of it all working out has the rest of her restraint collapsing, forcing harsh sobs out of her and into Steve's shoulder. The siblings hold each other in the middle of a restaurant, a voice in the background asking everyone to leave them be. Steve doesn't stop whispering, even as his chest heaves with broken gasps between tears, "You're save, Veronica, I got you, I got you, it's gonna be okay, you're safe here, it's okay, sis, it's okay..."

"That you, lil' chickpea?" whispers a different voice once they've calmed down. Veronica reluctantly pulls away and finds a man kneeling beside them, a hand on Steve's shoulder and similar tears in his eyes. His hair and tattoos remind her of the tamed wild from seven years ago, covered in black in the middle of church yet glowing brighter than the stained glass, the one that Steve looks at in past and present with a glowing love Veronica never saw between her parents.

"Yeah," she whispers, wiping her tears away before placing a hand atop her necklace. It catches Eddie and Steve's eyes and make them beam with pride and relief. "Yeah, it's... it's me...."

[fictionadventurer]

I have to talk about Chester Arthur. His story makes me go crazy. A mediocre president from the 1880s who's completely forgotten today has one of the best redemption stories I've ever heard and I need to make people understand just how cool his story is.

So, like, he starts out as this idealist, okay? He's the son of an abolitionist minister and becomes famous as a New York lawyer who defends the North's version of Rosa Parks whose story desegregates New York City's trolley system.

Then he starts getting pulled into politics and becomes one of the grimiest pieces of the political machine. He wants money, power, prestige, and he gets it. He becomes the right-hand man of Roscoe Conkling, the most feared political boss in the nation, a guy who will throw his weight around and do the most ruthless things imaginable to keep his friends in power and destroy his enemies.

Because Arthur's this guy's top lackey, he gets to be Controller of the Port of New York--the best-paying political appointment in the country, because that port brings in, like, 70% of the federal government's funds in tariffs. He gets a huge salary plus a percentage of all the fines they levy on lawbreakers, and because he's not afraid to make up infractions to fine people over, he is absolutely raking in the dough. Making the rough equivalent of $1.3 million a year--absolutely insane amounts of money for a government position. He's spending ridiculous sums on clothes, buying huge amounts of alcohol and cigars to share with people as part of his job recruiting supporters to the party, going out nearly every night to wine and dine people as part of his work in the political machine. He's living the high life. Even when President Hayes pulls him from his position on suspicions of fraud, he's still living a great life of wealth, power, and prestige.

Then in 1880, his beloved wife dies. While he's out of town working for a political campaign. And he can't get back in time to say goodbye before she dies. Because he's a guy who has big emotions, it absolutely tears him up inside, especially because Nell resented how much his political work kept him away from home. He has huge regrets, but he just moves in with Roscoe Conkling and keeps working for the political machine.

And then he gets a chance to be vice president. The Republican Party has nominated James Garfield, a dark horse candidate who wants to reform the spoils system that has given Conking his power and gave Arthur his position as Port Controller. Conkling is pissed, and he controls New York, and since the party's not going to win the election without New York, they think that appointing Conkling's top lackey as vice-president will pacify him.

They're wrong--Conkling orders Arthur to refuse--but Arthur thinks this sounds like a great opportunity. The only political position he's ever held is Port Controller--a job he wasn't elected to and that he was pulled from in disgrace. Vice President is way more than he could ever have hoped for. It's a position with a lot of political pull and zero actual responsibilities. He'll get to spend four years living in up in Washington high society. It's the perfect job! Of course he accepts, and Conkling comes around when he figures out that he can use this to his advantage.

When Garfield becomes president, Arthur does everything he can to undermine him. He uses every dirty political trick he can think of to block everything that Garfield wants to do. He refuses to let the Senate elect a president pro tempore so he can stay there and influence every bill that comes through. He all but openly boasts of buying votes in the election. He's so much Conkling's lackey that he may as well be the henchman of a cartoon supervillain. On Conkling's orders, he drags one of Garfield's Cabinet members out of bed in the middle of the night--while the guy is ill--to drag him to Conkling's house so he can be forced to resign. He's just absolutely a thorn in the president's side, a henchman doing everything he can to maintain the corrupt spoils system.

Then in July 1881, when Arthur's in New York helping Conkling's campaign, the president gets shot. By a guy who shouts, "Now Arthur will be president!" just after he fires the gun. Arthur has just spent the past four months fighting the president tooth and nail. Everyone thinks he's behind the assassination. There are lynch mobs looking to take out him and Conkling. The papers are tearing him apart.

Arthur is absolutely distraught. He rushes to Washington to speak with the president and assure him of his innocence, but the doctors won't let him in the room. He gets choked up when talking to the First Lady. Reporters find him weeping in his house in Washington. Once again, death has torn his world apart and he's not getting a chance to make amends.

Arthur goes to New York while the president is getting medical treatment, and he refuses to come to Washington and take charge because he doesn't dare to give the impression that he's looking to take over. No one wants Arthur to be president and he doesn't want to be president, and the possibility that this corrupt political lackey is about to ascend to the highest office in the land is absolutely terrifying to everyone.

Then in August, when it's becoming clear that the president is unlikely to recover, he gets a letter. From a 31-year-old invalid from New York named Julia Sand. A woman from a very politically-minded family who has been following Arthur's career for years. And she writes him this astounding letter that takes him to task for his corrupt, conniving ways, and the obsession with worldly power and prestige that has brought him wealth and fame at the cost of his own soul--and she tells him that he can do better. In the midst of a nationwide press that's tearing him apart, this one woman writes to tell him that she believes he has the capacity to be a good president and a good man if he changes his ways.

And then he does. After Garfield dies, people come to Arthur's house and find servants who tell them that Arthur is in his room weeping like a child (I told you he had big emotions), but he takes the oath of office and ascends to the presidency. And he becomes a completely different man. His first speech as president mentions that one of his top priorities is reforming the spoils system so that people will be appointed based on merit rather than getting appointed as political favors with each change in the administration. Even though this system made him president. When Conkling comes to Arthur's office telling him to appoint his people to important government positions, Arthur calls his demands outrageous, throws him out, and keeps Garfield's appointees in the positions. "He's not Chet Arthur anymore," one of his former political friends laments. "He's the president."

He loses all his former political friends. He's never trusted by the other side. Yet he sticks to his guns and continues to support spoils system reform. He prosecutes a postal service corruption case that everyone thought he would drop. He's the one who signs into law the first civil service reform bill, even though presidents have been trying to do this for more than ten years, and he's the person who's gained all his power through the spoils system. He immediately takes action to enforce this bill when he could have just dropped it. He becomes a champion of this issue even though it's the last thing anyone would have expected of him.

He oversees naval reform. He oversees a renovation of the White House. He still prefers the social duties of the presidency, but he's respectable in a way that no one expected. Possibly because Julia Sand keeps sending him letters of encouragement and advice over the next two years. But also because he's dying.

Not long after ascending to the presidency, he learns he's suffering from a terminal kidney disease. And he tells no one. He keeps going about his daily life, fulfilling his duties as president, and keeps his health problems hidden. Once again, death is upending his life, and this time it's his own death. He's lived a life he's ashamed of, and he doesn't have much time left to change. He enters the presidency as an example of the absolute worst of the political system, and leaves it as a respectable man.

He makes a token effort to seek re-election, but because of his health problems, he doesn't mind at all when someone else gets the nomination. He dies a couple of years after leaving office. The day before his death, he orders most of his papers burned, because he's ashamed of his old life--but among the things that are saved are the letters from Julia Sand, the woman who encouraged him to change his ways.

This is an astounding story full of so many twists and turns and dramatic moments. A man who falls from idealism into the worst kind of corruption and then claws his way back up to decency because of a series of devastating personal losses and unexpected opportunities to do more than he could have ever hoped to do. I just go crazy thinking about it and I need you all to understand just how amazing this story is.

[reikunrei]

my part from a byler m.a.p. that was unfortunately cancelled :( still really proud of my work tho!! it's not perfect and there's lots that i'd change, but for being the first time i'd animated anything in like 3 years.... i'm pretty pleased :]

(finished this around august/september 2023)

(removed the audio bc it's sort of jarring out of context)

[ghost-proofbaby]

can y’all imagine sending one of those things where a girl texts her man about having a bad day or wanting coffee or something and he replies by sending her an insane amount of money (like $100+) to eddie, and just being like “why don’t you ever do this for me? 😐” as a joke

and then the man just sends you one (1) fucking dollar.

and when you’re like “REALLY??? A DOLLAR???” he just goes “I DONT KNOW WHAT YOU WANT FROM ME IM BROKE”

it would become an inside joke, him randomly sending you the smallest amounts of money possible and just going “buy yourself something nice 😏” or “don’t spend this all at once baby” to be a little shit

god i love eddie munson

[imfinereallyy]

“Steve, it’s an emergency. I need to kiss you. Actually, I need you to kiss me. But I can’t just do it without asking because what if you don’t want me to, and I practically attack you? So yes or no? I swear it’s for a good cause.” Eddie comes running up to Steve in the bar, panting so hard Steve can see the chest movements.

They have taken Robin to a bar out in Indy to get her laid finally. Or at least a tongue in her mouth. The girl is pent up. And it’s Steve’s job as best friend to make that happen (Robin has told him to stop saying that, ‘it is gross’). Eddie is the only other queer person they know and, luckily, has made quite a few trips to Indy to know which bars were the good ones. He tells Steve that, like Robin, he is desperate to get laid, so this is the perfect opportunity.

Steve does his best to try and ignore the burning jealousy he feels at that. Eddie doesn’t know about his feelings (hell about his sexuality), and Steve is pretty sure Eddie doesn’t see him that way.

“Huh?” Asks confused, his brain struggling to process.

“Okay, I see you’re stuck on how to answer, but Steve—“ Eddie grips Steve’s shoulder, and Steve tries not to swoon. “—my ex, the extra shitty one, is here, and if he sees me alone I’ll either a) go home with him tonight and—“

Steve cuts Eddie off with a searing kiss. The thought of Eddie going home with someone else was enough for Steve’s brain to catch up to speed. Steve presses Eddie against the bar. The loud bass of the music suddenly becomes a light thrum in the background. All that he feels is the delightful pressure of their lips together. Eddie’s hands slide up into Steve’s hair as he gets pressed harder into the bar. Steve’s hands' grip Eddie’s waist and give them a tight squeeze. The idea of bruises being left behind, a mark of what they are doing here, makes Steve deepen the kiss. His tongue used to massage Eddie’s, tasting the menthol and rum on his breath. Eddie moans loud and heavy, vibrating Steve’s entire body.

“Eddie?” A voice interrupts them. Steve feels his anger spark back slightly but wills it down because the interruption is probably needed. They are very close to getting kicked out for public indecency.

“Oh hey, Ryan.” Eddie looks the blonde man up and down. He’s cute, Steve notes, but he lacked personality in his appearance. He isn’t what Steve expects from an ex of Eddie’s. He isn’t naive enough to think Eddie dates exclusively metal heads, but he expects someone to match Eddie’s energy. This guy—Ryan apparently—looks like every other guy you’d find on a Sunday in Supermart. Boring and lacking imagination.

“Who’s this?” Ryan looks at Steve pissed.

“Steve?” Eddie wraps an arm around his waist, bringing Steve close up against him. “This is my boyfriend.”

“This dude’s your boyfriend?” Ryan snorts. “C'mon baby, I know you can do better.”

Steve feels his anger finally pop. “He is not your baby. Yea, he can do better than both of us combine, but I’m lucky enough to get him. Now, you interrupted our time together, and we both know you saw what we’re up to, so don’t act like it wasn’t on purpose.”

Ryan startles backwards, “I—“

“Sorry, maybe I wasn’t clear. I meant leave the fuck right now.” Steve grits out, some of his Upside Down protection mode popping out. Ryan scatters quickly.

“Jesus, Steve, that was amazing. I’m sorry I had to make you uncomfortable with that.” Eddie’s eyes find his and cuts Steve off before he can protest and explain no, he really did like that “—and you never even let me explain reason b, by the way! Reason b is b) he would probably humiliate me in the middle of the club.”

Steve nods at Eddie but has one track mind at this point. He grabs Eddie by the face this time before crashing their lips together once again. This time Steve moans into Eddie’s mouth as they both get lost in the kiss.

Steve pulls back ever so slightly and talks directly into Eddie’s mouth, “Sorry. I think he’s still staring. Needed to do more.”

Eddie, with swollen lips and a kissed-out face, looks around the bar to find nothing. “I don’t see him anywhere.”

Steve smirks and pulls Eddie by his belt loops so they are flushed together. Steve leans into Eddie’s ear and nibbles at his lobe. “Hmmm, you’re right. I think he’s actually in the bathroom. Maybe we should kiss in front of him there.” Steve whispers hotly.

Eddie’s brain, which has short-circuited much like Steve only minutes ago, finally catches up. Eddie groans, his face collapsing into Steve’s neck. He licks a stripe up Steve’s neck all the way to his mouth. “Fuck. Yea, baby, I think I saw him too. Think kissing, though, won’t be enough. We might need to up our game.”

Steve nips at Eddie’s lips, “I was hoping you would say that. Guess I just know how much you love your games, Eds.”

They meet each other for one last searing kiss before rushing to the bathrooms to share a very tight, very heated stall.

[artrealla]

[shushmal]

Eddie shakes the foundations of Steve's world on a Sunday evening, at 6:44 p.m.

Steve knows the exact moment because he's standing at the stove, stirring pasta sauce and watching the time to make sure the garlic bread in the oven doesn't burn. It's June and it's hot, and they've got all the windows thrown open to let in a cool breeze. Eddie's sitting at the little kitchen table, probably messing with his D&D game notes, Steve would guess because he's focused on making dinner so it's ready when Wayne gets back from his shift. The three of them will eat together tonight, like they have Sundays past since April, a new little tradition that Steve's always craved to be a part of.

Except, when he turns, after Eddie speaks, he finds Eddie leaned back in his chair, like he's been watching Steve the entire time.

But before that, Eddie says, "I'm in love with you."

Steve stops stirring. The numbers on the stove tell him that it's 6:44 p.m. If he looks, the calendar would tell him it's a Sunday in June. And Eddie just told Steve that he was in love with him.

The numbers change—6:45 p.m.

Slowly, like he's moving through water, Steve turns, looks at Eddie over his shoulder, finds him leaned back, watching, smiling soft and wistful. Steve turns a little more, looking closer.

Has anyone ever looked at Steve like that before?

Eddie's eyes are bright, round and relaxed, as he gazes at Steve, those pretty lips curled up just right, a happy little smile. He doesn't say anything, even though there's only silence between them now. The sauce on the stove simmers, bubbles rising through the thickness to pop in shushed bursts. Steve drops his spoon.

"What?" he asks, turning further now. Steve's bread is going to burn under the broiler and his sauce is going to be scorched if he doesn't focus. He doesn't know what time it is anymore.

"I'm in love with you," Eddie says, again. That smile grows a little more. "I'm so in love with you, Steve Harrington."

And Steve is good at moving on instinct, good at chasing the ball down, good at finding himself in the right spot to make the right decision. He moves now, floats across the little kitchen, until he's in front of Eddie, leaning down, breathing his air, tasting his lips—

Their dinner burns.

[b4kuch1n]

polymer broadcast signal hijack

[plistommy]

Eddie: I’m gonna fuck you so baaaad-

Dustin: Stop threatening Steve, Eddie! I don’t need you two dickheads fighting again.

Steve:

Eddie:

Robin: Hah sureee, ”fighting”.