here's a fun parchment fact for you re: reusing a surface: sheepskin was often used for legal documents because it's hard to scrape out a word and rewrite without it being obviously damaged, unlike good quality calfskin where it can be undetectable that something has been altered
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From the sacred Dunhuang Manuscripts discovered deep in a Chinese cave to the legal decrees of Hammurabi’s Code of Laws, this list of ten incredible ancient texts provides profound insight into the history of ancient civilizations.
Among these remarkable texts lies the Timbuktu Manuscripts, testament to Africa's rich intellectual heritage, challenging prevailing notions of African culture. Bundled in camel skin and adorned with intricate calligraphy, these manuscripts offer a window into the vibrant intellectual exchange of historical African societies.
Meanwhile, the enigmatic Emerald Tablet is rumored to hold the secrets of the universe, while the intricate medical manuscripts of Bian Que illuminate ancient healing practices with unparalleled detail, offering insights into the medical knowledge and techniques of ancient China.
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I am deeply enjoying the facial expressions on both woman and bird in this marginal drawing.
(Cambridge UL MS Add. 4085)
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Two knights on horseback rendered in Hebrew micrography in the margins of the Yonah Pentateuch, 13th century.
Source: British Library, Add. MS 21160 fol. 192v and 201v
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Percy Shelley doodling while helping his wife edit the draft of her first novel, Frankenstein; or, The Modern Prometheus (1818):
The idea for the story was devised in mid-June 1816. The draft shown here was written between August and December 1816, and it was revised until April 1817. The book was published January 1st 1818 when Mary was 20-years-old. She was only 18 when she conceived the story, as her 19th birthday was on August 30th 1816.
Source: The Shelley-Godwin Archive online
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some 15th century occupations: chainmail-maker, bridle-maker, clerk, tailor, spice dealer, butcher, cutler, bird-catcher
from the "hausbuch der mendelschen zwölfbrüderstiftung", vol. 1, nuremberg (bavaria), 1426-1549
source: Nuremberg, Stadtbibliothek, Amb. 317.2°, fol. 10r, 14r, 62r, 67r, 75r, 83v, 95v, and 99r
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Italian Dyer's Notebook
Autograph manuscript, circa 1856-1866
This warped and worn nineteenth-century Italian manuscript appears to be a working manual and color inventory of a wool dyer in mid-nineteenth-century Italy. The handwritten entries are dated between 1856 and 1866, suggesting that the notebook was used and added to over a period of time. The work includes more than 500 numbered and itemized recipes for dyes. Recipes are illustrated with more than 800 wool and fabric samples adhered to the pages. The samples range in colors from shades of brown to vivid fuchsia, turquoise, and mustard. The samples include fabrics of wool, felt, and cotton, as well as raw wool and coils of yarn. Ingredients listed include mud, urine, arsenic, and vitriol. Pages 192-219 contain longer descriptions of dying processes, one attributed to Giacomo Udinese and another to Cesare Bizzi.
Check it out on our digital collections site.
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Typography Tuesday
We return to our facsimile of a 16th-cnetury calligraphic manuscript, Mira Calligraphiae Monumenta, or Model Book of Calligraphy, written in 1561/62 by Georg Bocskay, the Croatian-born court secretary to the Holy Roman Emperor Ferdinand I, and illuminated 30 years later by Flemish painter Joris Hoefnagel for the grandson of Ferdinand I, Emperor Rudolph II. The manuscript was produced by Bocskay in Vienna to demonstrate his technical mastery of the immense range of writing styles known to him. To complement and augment Bocskay's calligraphy, Hoefnagel added fruit, flowers, and insects to nearly every page, composing them so as to enhance the unity and balance of the page’s design. Although the two never met, the manuscript has an uncanny quality of collaboration about it.
Our facsimile was the first facsimile produced from the collection at the J. Paul Getty Museum in Los Angeles. It was printed in Lausanne, Switzerland by Imprimeries Reunies and published by Christopher Hudson in 1992.
View another post from Mira Calligraphiae Monumenta,
View more Typography Tuesday posts.
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another fun parchment fact: there are some medieval books that have incredibly thin parchment pages, like tissue paper, which is made by splitting the parchment – we can see from the hair follicles that it's the same piece that's been split, because they're a sort of butterfly/mirror image. but apparently we don't know how to do this anymore so they can't make parchment like that these days
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Unknown, Mawangdui tomb #3: manuscript on astronomy, of some 6,000 characters recording achievements made in early Western Han dynasty
Ch'ang-sha shih (China), around 200 BCE
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Not a mermaid or a merman but a secret third thing (mermusician)
(Cambridge UL MS Add. 4085)
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Menorah rendered in Hebrew micrography, from a 15th century siddur.
Source: Columbia University, MS X893 J725, fol. 411r
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